Chapter II: Part THE FIRST: The Lotus (2)

And he stalked out of the room. But Nicias followed him, and overtook him on the threshold, and placing his hand on his shoulder whispered into his ear the same words--

“Beware of offending Venus; her vengeance is terrible.”

Paphnutius, disdainful of these trivial words, left without turning his head. He felt only contempt for Nicias; but what he could not bear was the idea that his former friend had received the caresses of Thais. It seemed to him that to sin with that woman was more detestable than to sin with any other. To him this appeared the height of iniquity, and he henceforth looked upon Nicias as an object of execration. He had always hated impurity, but never before had this vice appeared so heinous to him; never before had it so seemed to merit the anger of Jesus Christ and the sorrow of the angels.

He felt only a more ardent desire to save Thais from the Gentiles, and that he must hasten to see the actress in order to save her. Nevertheless, before he could enter her house, he must wait till the heat of the day was over, and now the morning had hardly finished. Paphnutius wandered through the most frequented streets. He had resolved to take no food that day, in order to be the less unworthy of the favours he had asked of the Lord. To the great grief of his soul, he dared not enter any of the churches in the city, because he knew they were profaned by the Arians, who had overturned the Lord’s table. For, in fact, these heretics, supported by the Emperor of the East, had driven the patriarch Athanasius from his episcopate, and sown trouble and confusion among the Christians of Alexandria.

He therefore wandered about aimlessly, sometimes with his eyes fixed on the ground in humility, and sometimes raised to heaven in ecstasy. After some time, he found himself on the quay. Before him lay the harbour, in which were sheltered innumerable ships and galleys, and beyond them, smiling in blue and silver, lay the perfidious sea. A galley, which bore a Nereid at its prow, had just weighed anchor. The rowers sang as the oars struck the water; and already the white daughter of the waters, covered with humid pearls, showed no more than a flying profile to the monk. Steered by her pilot, she cleared the passage leading from the basin of the Eunostos, and gained the high seas, leaving a glittering trail behind her.

“I also,” thought Paphnutius, “once desired to embark singing on the ocean of the world. But I soon saw my folly, and the Nereid did not carry me away.”

Lost in his thoughts, he sat down upon a coil of rope, and went to sleep. During his sleep, he had a vision. He seemed to hear the sound of a clanging trumpet, and the sky became blood red, and he knew that the day of judgment had come. Whilst he was fervently praying to God, he saw an enormous monster coming towards him, bearing on its forehead a cross of light, and he recognised the sphinx of Silsile. The monster seized him between its teeth, without hurting him, and carried him in its mouth, as a cat carries a kitten. Paphnutius was thus conveyed across many countries, crossing rivers and traversing mountains, and came at last to a desert place, covered with scowling rocks and hot cinders. The ground was rent in many places, and through these openings came a hot air. The monster gently put Paphnutius down on the ground, and said--

“Look!”

And Paphnutius, leaning over the edge of the abyss, saw a river of fire which flowed in the interior of the earth, between two cliffs of black rocks. There, in a livid light, the demons tormented the souls of the damned. The souls preserved the appearance of the bodies which had held them, and even wore some rags of clothing. These souls seemed peaceful in the midst of their torments. One of them, tall and white, his eyes closed, a white fillet across his forehead, and a sceptre in his hand, sang; his voice filled the desert shores with harmony; he sang of gods and heroes. Little green devils pierced his lips and throat with red-hot irons. And the shade of Homer still sang. Near by, old Anaxagoras, bald and hoary, traced figures in the dust with a compass. A demon poured boiling oil into his ear, yet failed, however, to disturb the sage’s meditations. And the monk saw many other persons, who, on the dark shore by the side of the burning river, read, or quietly meditated, or conversed with other spirits while walking,--like the sages and pupils under the shadow of the sycamore trees of Academe. Old Timocles alone had withdrawn from the others, and shook his head like a man who denies. One of the demons of the abyss shook a torch before his eyes, but Timocles would see neither the demon nor the torch.

Mute with surprise at this spectacle, Paphnutius turned to the monster. It had disappeared, and, in place of the sphinx, the monk saw a veiled woman, who said--

“Look and understand. Such is the obstinacy of these infidels, that, even in hell, they remain victims of the illusions which deluded them when on earth. Death has not undeceived them; for it is very plain that it does not suffice merely to die in order to see God. Those who are ignorant of the truth whilst living, will be ignorant of it always. The demons which are busy torturing these souls, what are they but agents of divine justice? That is why these souls neither see them nor feel them. They were ignorant of the truth, and therefore unaware of their own condemnation, and God Himself cannot compel them to suffer.

“God can do all things,” said the Abbot of Antinoe.

“He cannot do that which is absurd,” replied the veiled woman. “To punish them, they must first be enlightened, and if they possessed the truth, they would be like unto the elect.”

Vexed and horrified, Paphnutius again bent over the edge of the abyss. He saw the shade of Nicias smiling, with a wreath of flowers on his head, sitting under a burnt myrtle tree. By his side was Aspasia of Miletus, gracefully draped in a woollen cloak, and they seemed to talk together of love and philosophy; the expression of her face was sweet and noble. The rain of fire which fell on them was as a refreshing dew, and their feet pressed the burning soil as though it had been tender grass. At this sight Paphnutius was filled with fury.

“Strike him, O God! strike him!” he cried. “It is Nicias! Let him weep! let him groan! let him grind his teeth! He sinned with Thais!”

And Paphnutius woke in the arms of a sailor, as strong as Hercules, who cried--

“Quietly! quietly! my friend! By Proteus, the old shepherd of the seals, you slumber uneasily. If I had not caught hold of you, you would have tumbled into the Eunostos. It is as true as that my mother sold salt fish, that I saved your life.”

“I thank God,” replied Paphnutius.

And, rising to his feet, he walked straight before him, meditating on the vision which had come to him whilst he was asleep.

“This vision,” he said to himself, “is plainly an evil one; it is an insult to divine goodness to imagine hell is unreal. The dream certainly came from the devil.”

He reasoned thus because he knew how to distinguish between the dreams sent by God and those produced by evil angels. Such discernment is useful to the hermit, who lives surrounded by apparitions, and who, in avoiding men, is sure to meet with spirits. The deserts are full of phantoms. When the pilgrims drew near the ruined castle, to which the holy hermit, Anthony, had retired, they heard a noise like that which goes up from the public square of a large city at a great festival. The noise was made by the devils, who were tempting the holy man.

Paphnutius remembered this memorable example. He also called to mind St. John the Egyptian, who for sixty years was tempted by the devil. But John saw through all the tricks of the demon. One day, however, the devil, having assumed the appearance of a man, entered the grotto of the venerable John, and said to him, “John, you must continue to fast until to-morrow evening.” And John, believing that it was an angel who spoke, obeyed the voice of the demon, and fasted the next day until the vesper hour. That was the only victory that the Prince of Darkness ever gained over St. John the Egyptian, and that was but a trifling one. It was therefore not astonishing that Paphnutius knew at once that the vision which had visited him in his sleep was an evil one.

Whilst he was gently remonstrating with God for having given him into the power of the demons, he felt himself pushed and dragged amidst a crowd of people who were all hurrying in the same direction. As he was unaccustomed to walk in the streets of a city, he was shoved and knocked from one passer to another like an inert mass; and being embarrassed by the folds of his tunic, he was more than once on the point of falling. Desirous of knowing where all these people could be going, he asked one of them the cause of this hurry.

“Do you not know, stranger,” replied he, “that the games are about to begin, and that Thais will appear on the stage? All the citizens are going to the theatre, and I also am going. Would you like to accompany me?”

It occurred to him at once that it would further his design to see Thais in the games, and Paphnutius followed the stranger. In front of them stood the theatre, its portico ornamented with shining masks, and its huge circular wall covered with innumerable statues. Following the crowd, they entered a narrow passage, at the end of which lay the amphitheatre, glittering with light. They took their places on one of the seats, which descended in steps to the stage, which was empty but magnificently decorated. There was no curtain to hide the view, and on the stage was a mound, such as used to be erected in old times to the shades of heroes. This mound stood in the midst of a camp. Lances were stacked in front of the tents, and golden shields hung from masts, amidst boughs of laurel and wreaths of oak. On the stage all was silence, but a murmur like the humming of bees in a hive rose from the vast hemicycle filled with spectators. All their faces, reddened by the reflection from the purple awning which waved above them, turned with attentive curiosity towards the large, silent stage, with its tomb and tents. The women laughed and ate lemons, and the regular theatre-goers called gaily to one another from their seats.

Paphnutius prayed inwardly, and refrained from uttering any vain words, but his neighbour began to complain of the decline of the drama.

“Formerly,” he said, “clever actors used to declaim, under a mask, the verses of Euripides and Menander. Now they no longer recite dramas, they act in dumb show; and of the divine spectacles with which Bacchus was honoured in Athens, we have kept nothing but what a barbarian--a Scythian even--could understand--attitude and gesture. The tragic mask, the mouth of which was provided with metal tongues that increased the sound of the voice; the cothurnus, which raised the actors to the height of gods; the tragic majesty and the splendid verses that used to be sung, have all gone. Pantomimists, and dancing girls with bare faces, have replaced Paulus and Roscius. What would the Athenians of the days of Pericles have said if they had seen a woman on the stage? It is indecent for a woman to appear in public. We must be very degenerate to permit it. It is as certain as that my name is Dorion, that woman is the natural enemy of man, and a disgrace to human kind.”

“You speak wisely,” replied Paphnutius; “woman is our worst enemy. She gives us pleasure, and is to be feared on that account.”

“By the immovable gods,” cried Dorion, “it is not pleasure that woman gives to man, but sadness, trouble, and black cares. Love is the cause of our most biting evils. Listen, stranger. When I was a young man I visited Troezene, in Argolis, and I saw there a myrtle of a most prodigious size, the leaves of which were covered with innumerable pinholes. And this is what the Troezenians say about that myrtle. Queen Phaedra, when she was in love with Hippolytos, used to recline idly all day long under this same tree. To beguile the tedium of her weary life she used to draw out the golden pin which held her fair locks, and pierce with it the leaves of the sweet-scented bush. All the leaves were riddled with holes. After she had ruined the poor young man whom she pursued with her incestuous love, Phaedra, as you know, perished miserably. She locked herself up in her bridal chamber, and hanged herself by her golden girdle from an ivory peg. The gods willed that the myrtle, the witness of her bitter misery, should continue to bear, in its fresh leaves, the marks of the pin-holes. I picked one of these leaves, and placed it at the head of my bed, that by the sight of it I might take warning against the folly of love, and conform to the doctrine of the divine Epicurus, my master, who taught that all lust is to be feared. But, properly speaking, love is a disease of the liver, and one is never sure of not catching the malady.”

Paphnutius asked--

“Dorion, what are your pleasures?”

Dorion replied sadly--

“I have only one pleasure, and, it must be confessed, that it is not a very exciting one; it is meditation. When a man has a bad digestion, he must not look for any others.”

Taking advantage of these words, Paphnutius proceeded to initiate the Epicurean into those spiritual joys which the contemplation of God procures. He began--

“Hear the truth, Dorion, and receive the light.”

But he saw then that all heads were turned towards him, and everybody was making signs for him to be quiet. Dead silence prevailed in the theatre, broken at last by the strains of heroic music.

The play began. The soldiers left their tents, and were preparing to depart, when a prodigy occurred--a cloud covered the summit of the funeral pile. Then the cloud rolled away, and the ghost of Achilles appeared, clad in golden armour. Extending his arms towards the warriors, he seemed to say to them, “What! do you depart, children of Danaos? do you return to the land I shall never behold again, and leave my tomb without any offerings?” Already the principal Greek chieftains pressed to the foot of the pile. Acamas, the son of Theseus, old Nestor, Agamemnon, bearing a sceptre and with a fillet on his brow, gazed at the prodigy. Pyrrhus, the young son of Achilles, was prostrate in the dust. Ulysses, recognisable by the cap which covered his curly hair, showed by his gestures that he acquiesced in the demand of the hero’s shade. He argued with Agamemnon, and their words might be easily guessed--

“Achilles,” said the King of Ithaca, “is worthy to be honoured by us, for he died gloriously for Hellas. He demands that the daughter of Priam, the virgin Polyxena, should be immolated on his tomb. Greeks! appease the manes of the hero, and let the son of Peleus rejoice in Hades.”

But the king of kings replied--

“Spare the Trojan virgins we have torn from the altars. Sufficient misfortunes have already fallen on the illustrious race of Priam.”

He spoke thus because he shared the couch of the sister of Polyxena, and the wise Ulysses reproached him for preferring the couch of Cassandra to the lance of Achilles.

The Greeks showed they shared the opinion of Ulysses, by loudly clashing their weapons. The death of Polyxena was resolved on, and the appeased shade of Achilles vanished. The music--sometimes wild and sometimes plaintive--followed the thoughts of the personages in the drama. The spectators burst into applause.

Paphnutius, who applied divine truth to everything murmured--

“This fable shows how cruel the worshippers of false gods were.”

“All religions breed crimes,” replied the Epicurean. “Happily, a Greek, who was divinely wise, has freed men from foolish terrors of the unknown--”

Just at that moment, Hecuba, her white hair dishevelled, her robe tattered, came out of the tent in which she was kept captive. A long sigh went up from the audience, when her woeful figure appeared. Hecuba had been warned by a prophetic dream, and lamented her daughter’s fate and her own. Ulysses approached her, and asked her to give up Polyxena. The old mother tore her hair, dug her nails into her cheeks, and kissed the hands of the cruel chieftain, who, with unpitying calmness, seemed to say--

“Be wise, Hecuba, and yield to necessity. There are amongst us many old mothers who weep for their children, now sleeping under the pines of Ida.”

And Hecuba, formerly queen of the most flourishing city in Asia, and now a slave, bowed her unhappy head in the dust.

Then the curtain in front of one of the tents was raised, and the virgin Polyxena appeared. A tremor passed through all the spectators. They had recognised Thais. Paphnutius saw again the woman he had come to seek. With her white arm she held above her head the heavy curtain. Motionless as a splendid statue, she stood, with a look of pride and resignation in her violet eyes, and her resplendent beauty made a shudder of commiseration pass through all who beheld her.

A murmur of applause uprose, and Paphnutius, his soul agitated, and pressing both hands to his heart, sighed--

“Why, O my God, hast thou given this power to one of Thy creatures?”

Dorion was not so disturbed. He said--

“Certainly the atoms, which have momentarily met together to form this woman, present a combination which is agreeable to the eye. But that is but a freak of nature, and the atoms know not what they do. They will some day separate with the same indifference as they came together. Where are now the atoms which formed Lais or Cleopatra? I must confess that women are sometimes beautiful. But they are liable to grievous afflictions, and disgusting inconveniences. That is patent to all thinking men, though the vulgar pay no attention to it. And women inspire love, though it is absurd and ridiculous to love them.”

Such were the thoughts of the philosopher and the ascetic as they gazed on Thais. They neither of them noticed Hecuba, who turned to her daughter, and seemed to say by her gestures--

“Try to soften the cruel Ulysses. Employ your tears, your beauty, and your youth.”

Thais--or rather Polyxena herself--let fall the curtain of the tent. She made a step forward, and all hearts were conquered. And when, with firm but light steps, she advanced towards Ulysses, her rhythmic movements, which were accompanied by the sound of flutes, created in all present such happy visions, that it seemed as though she were the divine centre of all the harmonies of the world. All eyes were bent on her; the other actors were obscured by her effulgence, and were not noticed. The play continued, however.

The prudent son of Laertes turned away his head, and hid his hand under his mantle, in order to avoid the looks and kisses of the suppliant. The virgin made a sign to him to fear nothing. Her tranquil gaze said--

“I follow you, Ulysses, and bow to necessity--because I wish to die. Daughter of Priam, and sister of Hector, my couch, which was once worthy of Kings, shall never receive a foreign master. Freely do I quit the light of day.”

Hecuba, lying motionless in the dust, suddenly rose and enfolded her daughter in a last despairing embrace. Polyxena gently, but resolutely, removed the old arms which held her. She seemed to say--

“Do not expose yourself, mother, to the fury of your master. Do not wait until he drags you ignominiously on the ground in tearing me from your arms. Better, O well-beloved mother, to give me your wrinkled hand, and bend your hollow cheeks to my lips.”

The face of Thais looked beautiful in its grief. The crowd felt grateful to her for showing them the forms and passions of life endowed with superhuman grace, and Paphnutius pardoned her present splendour on account of her coming humility, and glorified himself in advance for the saint he was about to give to heaven.

The drama neared its end. Hecuba fell as though dead, and Polyxena, led by Ulysses, advanced towards the tomb, which was surrounded by the chief warriors. A dirge was sung as she mounted the funeral pile, on the summit of which the son of Achilles poured out libations from a gold cup to the manes of the hero. When the sacrificing priests stretched out their arms to seize her, she made a sign that she wished to die free and unbound, as befitted the daughter of so many kings. Then, tearing aside her robe, she bared her bosom to the blow. Pyrrhus, turning away his head, plunged his sword into her heart, and by a skilful trick, the blood gushed forth over the dazzling white breast of the virgin, who, with head thrown back, and her eyes swimming in the horrors of death, fell with grace and modesty.

Whilst the warriors enshrouded the victim with a veil, and covered her with lilies and anemones, terrified screams and groans rent the air, and Paphnutius, rising from his seat, prophesied in a loud voice.

“Gentiles? vile worshippers of demons! And you Arians more infamous than the idolaters!--learn! That which you have just seen is an image and a symbol. There is a mystic meaning in this fable, and very soon the woman you see there will be offered, a willing and happy sacrifice, to the risen God.”

But already the crowd was surging in dark waves towards the exits. The Abbot of Antinoe, escaping from the astonished Dorion, gained the door, still prophesying.

An hour later he knocked at the door of the house of Thais.

The actress then lived in the rich Racotis quarter, near the tomb of Alexander, in a house surrounded by shady gardens, in which a brook, bordered with poplars, flowed amidst artificial rocks. An old black slave woman, loaded with rings, opened the door, and asked what he wanted.

“I wish to see Thais,” he replied. “God is my witness that I came here for no other purpose.”

As he wore a rich tunic, and spoke in an imperious manner, the slave allowed him to enter.

“You will find Thais,” she said, “in the Grotto of Nymphs.”