Chapter IX: Book II: XIX (3)

"To all sorts of new and crazy social schemes. But, do you know, they interest me more than the blind conformity to tradition--somebody else's tradition--that I see among our own friends. It seems stupid to have discovered America only to make it into a copy of another country." She smiled across the table. "Do you suppose Christopher Columbus would have taken all that trouble just to go to the Opera with the Selfridge Merrys?"

Archer changed colour. "And Beaufort--do you say these things to Beaufort?" he asked abruptly.

"I haven't seen him for a long time. But I used to; and he understands."

"Ah, it's what I've always told you; you don't like us. And you like Beaufort because he's so unlike us." He looked about the bare room and out at the bare beach and the row of stark white village houses strung along the shore. "We're damnably dull. We've no character, no colour, no variety.--I wonder," he broke out, "why you don't go back?"

Her eyes darkened, and he expected an indignant rejoinder. But she sat silent, as if thinking over what he had said, and he grew frightened lest she should answer that she wondered too.

At length she said: "I believe it's because of you."

It was impossible to make the confession more dispassionately, or in a tone less encouraging to the vanity of the person addressed. Archer reddened to the temples, but dared not move or speak: it was as if her words had been some rare butterfly that the least motion might drive off on startled wings, but that might gather a flock about it if it were left undisturbed.

"At least," she continued, "it was you who made me understand that under the dullness there are things so fine and sensitive and delicate that even those I most cared for in my other life look cheap in comparison. I don't know how to explain myself"--she drew together her troubled brows--"but it seems as if I'd never before understood with how much that is hard and shabby and base the most exquisite pleasures may be paid."

"Exquisite pleasures--it's something to have had them!" he felt like retorting; but the appeal in her eyes kept him silent.

"I want," she went on, "to be perfectly honest with you--and with myself. For a long time I've hoped this chance would come: that I might tell you how you've helped me, what you've made of me--"

Archer sat staring beneath frowning brows. He interrupted her with a laugh. "And what do you make out that you've made of me?"

She paled a little. "Of you?"

"Yes: for I'm of your making much more than you ever were of mine. I'm the man who married one woman because another one told him to."

Her paleness turned to a fugitive flush. "I thought--you promised--you were not to say such things today."

"Ah--how like a woman! None of you will ever see a bad business through!"

She lowered her voice. "_is_ it a bad business--for May?"

He stood in the window, drumming against the raised sash, and feeling in every fibre the wistful tenderness with which she had spoken her cousin's name.

"For that's the thing we've always got to think of--haven't we--by your own showing?" she insisted.

"My own showing?" he echoed, his blank eyes still on the sea.

"Or if not," she continued, pursuing her own thought with a painful application, "if it's not worth while to have given up, to have missed things, so that others may be saved from disillusionment and misery--then everything I came home for, everything that made my other life seem by contrast so bare and so poor because no one there took account of them--all these things are a sham or a dream--"

He turned around without moving from his place. "And in that case there's no reason on earth why you shouldn't go back?" he concluded for her.

Her eyes were clinging to him desperately. "Oh, _is_ there no reason?"

"Not if you staked your all on the success of my marriage. My marriage," he said savagely, "isn't going to be a sight to keep you here." She made no answer, and he went on: "What's the use? You gave me my first glimpse of a real life, and at the same moment you asked me to go on with a sham one. It's beyond human enduring--that's all."

"Oh, don't say that; when I'm enduring it!" she burst out, her eyes filling.

Her arms had dropped along the table, and she sat with her face abandoned to his gaze as if in the recklessness of a desperate peril. The face exposed her as much as if it had been her whole person, with the soul behind it: Archer stood dumb, overwhelmed by what it suddenly told him.

"You too--oh, all this time, you too?"

For answer, she let the tears on her lids overflow and run slowly downward.

Half the width of the room was still between them, and neither made any show of moving. Archer was conscious of a curious indifference to her bodily presence: he would hardly have been aware of it if one of the hands she had flung out on the table had not drawn his gaze as on the occasion when, in the little Twenty-third Street house, he had kept his eye on it in order not to look at her face. Now his imagination spun about the hand as about the edge of a vortex; but still he made no effort to draw nearer. He had known the love that is fed on caresses and feeds them; but this passion that was closer than his bones was not to be superficially satisfied. His one terror was to do anything which might efface the sound and impression of her words; his one thought, that he should never again feel quite alone.

But after a moment the sense of waste and ruin overcame him. There they were, close together and safe and shut in; yet so chained to their separate destinies that they might as well have been half the world apart.

"What's the use--when you will go back?" he broke out, a great hopeless _How on earth can I keep you?_ crying out to her beneath his words.

She sat motionless, with lowered lids. "Oh--I shan't go yet!"

"Not yet? Some time, then? Some time that you already foresee?"

At that she raised her clearest eyes. "I promise you: not as long as you hold out. Not as long as we can look straight at each other like this."

He dropped into his chair. What her answer really said was: "If you lift a finger you'll drive me back: back to all the abominations you know of, and all the temptations you half guess." He understood it as clearly as if she had uttered the words, and the thought kept him anchored to his side of the table in a kind of moved and sacred submission.

"What a life for you!--" he groaned.

"Oh--as long as it's a part of yours."

"And mine a part of yours?"

She nodded.

"And that's to be all--for either of us?"

"Well; it _is_ all, isn't it?"

At that he sprang up, forgetting everything but the sweetness of her face. She rose too, not as if to meet him or to flee from him, but quietly, as though the worst of the task were done and she had only to wait; so quietly that, as he came close, her outstretched hands acted not as a check but as a guide to him. They fell into his, while her arms, extended but not rigid, kept him far enough off to let her surrendered face say the rest.

They may have stood in that way for a long time, or only for a few moments; but it was long enough for her silence to communicate all she had to say, and for him to feel that only one thing mattered. He must do nothing to make this meeting their last; he must leave their future in her care, asking only that she should keep fast hold of it.

"Don't--don't be unhappy," she said, with a break in her voice, as she drew her hands away; and he answered: "You won't go back--you won't go back?" as if it were the one possibility he could not bear.

"I won't go back," she said; and turning away she opened the door and led the way into the public dining-room.

The strident school-teachers were gathering up their possessions preparatory to a straggling flight to the wharf; across the beach lay the white steam-boat at the pier; and over the sunlit waters Boston loomed in a line of haze.

XXV.

Once more on the boat, and in the presence of others, Archer felt a tranquillity of spirit that surprised as much as it sustained him.

The day, according to any current valuation, had been a rather ridiculous failure; he had not so much as touched Madame Olenska's hand with his lips, or extracted one word from her that gave promise of farther opportunities. Nevertheless, for a man sick with unsatisfied love, and parting for an indefinite period from the object of his passion, he felt himself almost humiliatingly calm and comforted. It was the perfect balance she had held between their loyalty to others and their honesty to themselves that had so stirred and yet tranquillized him; a balance not artfully calculated, as her tears and her falterings showed, but resulting naturally from her unabashed sincerity. It filled him with a tender awe, now the danger was over, and made him thank the fates that no personal vanity, no sense of playing a part before sophisticated witnesses, had tempted him to tempt her. Even after they had clasped hands for good-bye at the Fall River station, and he had turned away alone, the conviction remained with him of having saved out of their meeting much more than he had sacrificed.

He wandered back to the club, and went and sat alone in the deserted library, turning and turning over in his thoughts every separate second of their hours together. It was clear to him, and it grew more clear under closer scrutiny, that if she should finally decide on returning to Europe--returning to her husband--it would not be because her old life tempted her, even on the new terms offered. No: she would go only if she felt herself becoming a temptation to Archer, a temptation to fall away from the standard they had both set up. Her choice would be to stay near him as long as he did not ask her to come nearer; and it depended on himself to keep her just there, safe but secluded.

In the train these thoughts were still with him. They enclosed him in a kind of golden haze, through which the faces about him looked remote and indistinct: he had a feeling that if he spoke to his fellow-travellers they would not understand what he was saying. In this state of abstraction he found himself, the following morning, waking to the reality of a stifling September day in New York. The heat-withered faces in the long train streamed past him, and he continued to stare at them through the same golden blur; but suddenly, as he left the station, one of the faces detached itself, came closer and forced itself upon his consciousness. It was, as he instantly recalled, the face of the young man he had seen, the day before, passing out of the Parker House, and had noted as not conforming to type, as not having an American hotel face.

The same thing struck him now; and again he became aware of a dim stir of former associations. The young man stood looking about him with the dazed air of the foreigner flung upon the harsh mercies of American travel; then he advanced toward Archer, lifted his hat, and said in English: "Surely, Monsieur, we met in London?"

"Ah, to be sure: in London!" Archer grasped his hand with curiosity and sympathy. "So you _did_ get here, after all?" he exclaimed, casting a wondering eye on the astute and haggard little countenance of young Carfry's French tutor.

"Oh, I got here--yes," M. Rivière smiled with drawn lips. "But not for long; I return the day after tomorrow." He stood grasping his light valise in one neatly gloved hand, and gazing anxiously, perplexedly, almost appealingly, into Archer's face.

"I wonder, Monsieur, since I've had the good luck to run across you, if I might--"

"I was just going to suggest it: come to luncheon, won't you? Down town, I mean: if you'll look me up in my office I'll take you to a very decent restaurant in that quarter."

M. Rivière was visibly touched and surprised. "You're too kind. But I was only going to ask if you would tell me how to reach some sort of conveyance. There are no porters, and no one here seems to listen--"

"I know: our American stations must surprise you. When you ask for a porter they give you chewing-gum. But if you'll come along I'll extricate you; and you must really lunch with me, you know."

The young man, after a just perceptible hesitation, replied, with profuse thanks, and in a tone that did not carry complete conviction, that he was already engaged; but when they had reached the comparative reassurance of the street he asked if he might call that afternoon.

Archer, at ease in the midsummer leisure of the office, fixed an hour and scribbled his address, which the Frenchman pocketed with reiterated thanks and a wide flourish of his hat. A horse-car received him, and Archer walked away.

Punctually at the hour M. Rivière appeared, shaved, smoothed-out, but still unmistakably drawn and serious. Archer was alone in his office, and the young man, before accepting the seat he proffered, began abruptly: "I believe I saw you, sir, yesterday in Boston."

The statement was insignificant enough, and Archer was about to frame an assent when his words were checked by something mysterious yet illuminating in his visitor's insistent gaze.

"It is extraordinary, very extraordinary," M. Rivière continued, "that we should have met in the circumstances in which I find myself."

"What circumstances?" Archer asked, wondering a little crudely if he needed money.

M. Rivière continued to study him with tentative eyes. "I have come, not to look for employment, as I spoke of doing when we last met, but on a special mission--"

"Ah--!" Archer exclaimed. In a flash the two meetings had connected themselves in his mind. He paused to take in the situation thus suddenly lighted up for him, and M. Rivière also remained silent, as if aware that what he had said was enough.

"A special mission," Archer at length repeated.

The young Frenchman, opening his palms, raised them slightly, and the two men continued to look at each other across the office-desk till Archer roused himself to say: "Do sit down"; whereupon M. Rivière bowed, took a distant chair, and again waited.

"It was about this mission that you wanted to consult me?" Archer finally asked.

M. Rivière bent his head. "Not in my own behalf: on that score I--I have fully dealt with myself. I should like--if I may--to speak to you about the Countess Olenska."

Archer had known for the last few minutes that the words were coming; but when they came they sent the blood rushing to his temples as if he had been caught by a bent-back branch in a thicket.

"And on whose behalf," he said, "do you wish to do this?"

M. Rivière met the question sturdily. "Well--I might say _hers_, if it did not sound like a liberty. Shall I say instead: on behalf of abstract justice?"

Archer considered him ironically. "In other words: you are Count Olenski's messenger?"

He saw his blush more darkly reflected in M. Rivière's sallow countenance. "Not to _you_, Monsieur. If I come to you, it is on quite other grounds."

"What right have you, in the circumstances, to _be_ on any other ground?" Archer retorted. "If you're an emissary you're an emissary."

The young man considered. "My mission is over: as far as the Countess Olenska goes, it has failed."

"I can't help that," Archer rejoined on the same note of irony.

"No: but you can help--" M. Rivière paused, turned his hat about in his still carefully gloved hands, looked into its lining and then back at Archer's face. "You can help, Monsieur, I am convinced, to make it equally a failure with her family."

Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes.

M. Rivière paled to his normal hue: paler than that his complexion could hardly turn.

"Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?"

The change of expression in M. Rivière's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--"

"I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."

M. Rivière took this onslaught with a disconcerting humility. "The arguments I want to present to you, Monsieur, are my own and not those I was sent over with."

"Then I see still less reason for listening to them."

M. Rivière again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?"

His quiet insistence made Archer feel the clumsiness of his own bluster. M. Rivière had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated.

"I beg your pardon: but why isn't the matter closed?"

M. Rivière gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?"

"Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation.

"Before seeing her, I saw--at Count Olenski's request--Mr. Lovell Mingott, with whom I had several talks before going to Boston. I understand that he represents his mother's view; and that Mrs. Manson Mingott's influence is great throughout her family."

Archer sat silent, with the sense of clinging to the edge of a sliding precipice. The discovery that he had been excluded from a share in these negotiations, and even from the knowledge that they were on foot, caused him a surprise hardly dulled by the acuter wonder of what he was learning. He saw in a flash that if the family had ceased to consult him it was because some deep tribal instinct warned them that he was no longer on their side; and he recalled, with a start of comprehension, a remark of May's during their drive home from Mrs. Manson Mingott's on the day of the Archery Meeting: "Perhaps, after all, Ellen would be happier with her husband."

Even in the tumult of new discoveries Archer remembered his indignant exclamation, and the fact that since then his wife had never named Madame Olenska to him. Her careless allusion had no doubt been the straw held up to see which way the wind blew; the result had been reported to the family, and thereafter Archer had been tacitly omitted from their counsels. He admired the tribal discipline which made May bow to this decision. She would not have done so, he knew, had her conscience protested; but she probably shared the family view that Madame Olenska would be better off as an unhappy wife than as a separated one, and that there was no use in discussing the case with Newland, who had an awkward way of suddenly not seeming to take the most fundamental things for granted.

Archer looked up and met his visitor's anxious gaze. "Don't you know, Monsieur--is it possible you don't know--that the family begin to doubt if they have the right to advise the Countess to refuse her husband's last proposals?"

"The proposals you brought?"

"The proposals I brought."

It was on Archer's lips to exclaim that whatever he knew or did not know was no concern of M. Rivière's; but something in the humble and yet courageous tenacity of M. Rivière's gaze made him reject this conclusion, and he met the young man's question with another. "What is your object in speaking to me of this?"

He had not to wait a moment for the answer. "To beg you, Monsieur--to beg you with all the force I'm capable of--not to let her go back.--Oh, don't let her!" M. Rivière exclaimed.

Archer looked at him with increasing astonishment. There was no mistaking the sincerity of his distress or the strength of his determination: he had evidently resolved to let everything go by the board but the supreme need of thus putting himself on record. Archer considered.

"May I ask," he said at length, "if this is the line you took with the Countess Olenska?"

M. Rivière reddened, but his eyes did not falter. "No, Monsieur: I accepted my mission in good faith. I really believed--for reasons I need not trouble you with--that it would be better for Madame Olenska to recover her situation, her fortune, the social consideration that her husband's standing gives her."

"So I supposed: you could hardly have accepted such a mission otherwise."

"I should not have accepted it."

"Well, then--?" Archer paused again, and their eyes met in another protracted scrutiny.

"Ah, Monsieur, after I had seen her, after I had listened to her, I knew she was better off here."

"You knew--?"

"Monsieur, I discharged my mission faithfully: I put the Count's arguments, I stated his offers, without adding any comment of my own. The Countess was good enough to listen patiently; she carried her goodness so far as to see me twice; she considered impartially all I had come to say. And it was in the course of these two talks that I changed my mind, that I came to see things differently."

"May I ask what led to this change?"

"Simply seeing the change in _her_," M. Rivière replied.

"The change in her? Then you knew her before?"

The young man's colour again rose. "I used to see her in her husband's house. I have known Count Olenski for many years. You can imagine that he would not have sent a stranger on such a mission."

Archer's gaze, wandering away to the blank walls of the office, rested on a hanging calendar surmounted by the rugged features of the President of the United States. That such a conversation should be going on anywhere within the millions of square miles subject to his rule seemed as strange as anything that the imagination could invent.

"The change--what sort of a change?"

"Ah, Monsieur, if I could tell you!" M. Rivière paused. "_Tenez_--the discovery, I suppose, of what I'd never thought of before: that she's an American. And that if you're an American of _her_ kind--of your kind--things that are accepted in certain other societies, or at least put up with as part of a general convenient give-and-take--become unthinkable, simply unthinkable. If Madame Olenska's relations understood what these things were, their opposition to her returning would no doubt be as unconditional as her own; but they seem to regard her husband's wish to have her back as proof of an irresistible longing for domestic life." M. Rivière paused, and then added: "Whereas it's far from being as simple as that."

Archer looked back to the President of the United States, and then down at his desk and at the papers scattered on it. For a second or two he could not trust himself to speak. During this interval he heard M. Rivière's chair pushed back, and was aware that the young man had risen. When he glanced up again he saw that his visitor was as moved as himself.

"Thank you," Archer said simply.

"There's nothing to thank me for, Monsieur: it is I, rather--" M. Rivière broke off, as if speech for him too were difficult. "I should like, though," he continued in a firmer voice, "to add one thing. You asked me if I was in Count Olenski's employ. I am at this moment: I returned to him, a few months ago, for reasons of private necessity such as may happen to any one who has persons, ill and older persons, dependent on him. But from the moment that I have taken the step of coming here to say these things to you I consider myself discharged, and I shall tell him so on my return, and give him the reasons. That's all, Monsieur."

M. Rivière bowed and drew back a step.

"Thank you," Archer said again, as their hands met.

XXVI.

Every year on the fifteenth of October Fifth Avenue opened its shutters, unrolled its carpets and hung up its triple layer of window-curtains.

By the first of November this household ritual was over, and society had begun to look about and take stock of itself. By the fifteenth the season was in full blast, Opera and theatres were putting forth their new attractions, dinner-engagements were accumulating, and dates for dances being fixed. And punctually at about this time Mrs. Archer always said that New York was very much changed.

Observing it from the lofty stand-point of a non-participant, she was able, with the help of Mr. Sillerton Jackson and Miss Sophy, to trace each new crack in its surface, and all the strange weeds pushing up between the ordered rows of social vegetables. It had been one of the amusements of Archer's youth to wait for this annual pronouncement of his mother's, and to hear her enumerate the minute signs of disintegration that his careless gaze had overlooked. For New York, to Mrs. Archer's mind, never changed without changing for the worse; and in this view Miss Sophy Jackson heartily concurred.

Mr. Sillerton Jackson, as became a man of the world, suspended his judgment and listened with an amused impartiality to the lamentations of the ladies. But even he never denied that New York had changed; and Newland Archer, in the winter of the second year of his marriage, was himself obliged to admit that if it had not actually changed it was certainly changing.

These points had been raised, as usual, at Mrs. Archer's Thanksgiving dinner. At the date when she was officially enjoined to give thanks for the blessings of the year it was her habit to take a mournful though not embittered stock of her world, and wonder what there was to be thankful for. At any rate, not the state of society; society, if it could be said to exist, was rather a spectacle on which to call down Biblical imprecations--and in fact, every one knew what the Reverend Dr. Ashmore meant when he chose a text from Jeremiah (chap. ii., verse 25) for his Thanksgiving sermon. Dr. Ashmore, the new Rector of St. Matthew's, had been chosen because he was very "advanced": his sermons were considered bold in thought and novel in language. When he fulminated against fashionable society he always spoke of its "trend"; and to Mrs. Archer it was terrifying and yet fascinating to feel herself part of a community that was trending.

"There's no doubt that Dr. Ashmore is right: there _is_ a marked trend," she said, as if it were something visible and measurable, like a crack in a house.

"It was odd, though, to preach about it on Thanksgiving," Miss Jackson opined; and her hostess drily rejoined: "Oh, he means us to give thanks for what's left."

Archer had been wont to smile at these annual vaticinations of his mother's; but this year even he was obliged to acknowledge, as he listened to an enumeration of the changes, that the "trend" was visible.

"The extravagance in dress--" Miss Jackson began. "Sillerton took me to the first night of the Opera, and I can only tell you that Jane Merry's dress was the only one I recognised from last year; and even that had had the front panel changed. Yet I know she got it out from Worth only two years ago, because my seamstress always goes in to make over her Paris dresses before she wears them."

"Ah, Jane Merry is one of _us_," said Mrs. Archer sighing, as if it were not such an enviable thing to be in an age when ladies were beginning to flaunt abroad their Paris dresses as soon as they were out of the Custom House, instead of letting them mellow under lock and key, in the manner of Mrs. Archer's contemporaries.

"Yes; she's one of the few. In my youth," Miss Jackson rejoined, "it was considered vulgar to dress in the newest fashions; and Amy Sillerton has always told me that in Boston the rule was to put away one's Paris dresses for two years. Old Mrs. Baxter Pennilow, who did everything handsomely, used to import twelve a year, two velvet, two satin, two silk, and the other six of poplin and the finest cashmere. It was a standing order, and as she was ill for two years before she died they found forty-eight Worth dresses that had never been taken out of tissue paper; and when the girls left off their mourning they were able to wear the first lot at the Symphony concerts without looking in advance of the fashion."

"Ah, well, Boston is more conservative than New York; but I always think it's a safe rule for a lady to lay aside her French dresses for one season," Mrs. Archer conceded.

"It was Beaufort who started the new fashion by making his wife clap her new clothes on her back as soon as they arrived: I must say at times it takes all Regina's distinction not to look like ... like ..." Miss Jackson glanced around the table, caught Janey's bulging gaze, and took refuge in an unintelligible murmur.

"Like her rivals," said Mr. Sillerton Jackson, with the air of producing an epigram.

"Oh,--" the ladies murmured; and Mrs. Archer added, partly to distract her daughter's attention from forbidden topics: "Poor Regina! Her Thanksgiving hasn't been a very cheerful one, I'm afraid. Have you heard the rumours about Beaufort's speculations, Sillerton?"

Mr. Jackson nodded carelessly. Every one had heard the rumours in question, and he scorned to confirm a tale that was already common property.

A gloomy silence fell upon the party. No one really liked Beaufort, and it was not wholly unpleasant to think the worst of his private life; but the idea of his having brought financial dishonour on his wife's family was too shocking to be enjoyed even by his enemies. Archer's New York tolerated hypocrisy in private relations; but in business matters it exacted a limpid and impeccable honesty. It was a long time since any well-known banker had failed discreditably; but every one remembered the social extinction visited on the heads of the firm when the last event of the kind had happened. It would be the same with the Beauforts, in spite of his power and her popularity; not all the leagued strength of the Dallas connection would save poor Regina if there were any truth in the reports of her husband's unlawful speculations.

The talk took refuge in less ominous topics; but everything they touched on seemed to confirm Mrs. Archer's sense of an accelerated trend.

"Of course, Newland, I know you let dear May go to Mrs. Struthers's Sunday evenings--" she began; and May interposed gaily: "Oh, you know, everybody goes to Mrs. Struthers's now; and she was invited to Granny's last reception."

It was thus, Archer reflected, that New York managed its transitions: conspiring to ignore them till they were well over, and then, in all good faith, imagining that they had taken place in a preceding age. There was always a traitor in the citadel; and after he (or generally she) had surrendered the keys, what was the use of pretending that it was impregnable? Once people had tasted of Mrs. Struthers's easy Sunday hospitality they were not likely to sit at home remembering that her champagne was transmuted Shoe-Polish.

"I know, dear, I know," Mrs. Archer sighed. "Such things have to be, I suppose, as long as _amusement_ is what people go out for; but I've never quite forgiven your cousin Madame Olenska for being the first person to countenance Mrs. Struthers."

A sudden blush rose to young Mrs. Archer's face; it surprised her husband as much as the other guests about the table. "Oh, _Ellen_--" she murmured, much in the same accusing and yet deprecating tone in which her parents might have said: "Oh, _the Blenkers_--."

It was the note which the family had taken to sounding on the mention of the Countess Olenska's name, since she had surprised and inconvenienced them by remaining obdurate to her husband's advances; but on May's lips it gave food for thought, and Archer looked at her with the sense of strangeness that sometimes came over him when she was most in the tone of her environment.

His mother, with less than her usual sensitiveness to atmosphere, still insisted: "I've always thought that people like the Countess Olenska, who have lived in aristocratic societies, ought to help us to keep up our social distinctions, instead of ignoring them."

May's blush remained permanently vivid: it seemed to have a significance beyond that implied by the recognition of Madame Olenska's social bad faith.

"I've no doubt we all seem alike to foreigners," said Miss Jackson tartly.

"I don't think Ellen cares for society; but nobody knows exactly what she does care for," May continued, as if she had been groping for something noncommittal.

"Ah, well--" Mrs. Archer sighed again.

Everybody knew that the Countess Olenska was no longer in the good graces of her family. Even her devoted champion, old Mrs. Manson Mingott, had been unable to defend her refusal to return to her husband. The Mingotts had not proclaimed their disapproval aloud: their sense of solidarity was too strong. They had simply, as Mrs. Welland said, "let poor Ellen find her own level"--and that, mortifyingly and incomprehensibly, was in the dim depths where the Blenkers prevailed, and "people who wrote" celebrated their untidy rites. It was incredible, but it was a fact, that Ellen, in spite of all her opportunities and her privileges, had become simply "Bohemian." The fact enforced the contention that she had made a fatal mistake in not returning to Count Olenski. After all, a young woman's place was under her husband's roof, especially when she had left it in circumstances that ... well ... if one had cared to look into them ...

"Madame Olenska is a great favourite with the gentlemen," said Miss Sophy, with her air of wishing to put forth something conciliatory when she knew that she was planting a dart.

"Ah, that's the danger that a young woman like Madame Olenska is always exposed to," Mrs. Archer mournfully agreed; and the ladies, on this conclusion, gathered up their trains to seek the carcel globes of the drawing-room, while Archer and Mr. Sillerton Jackson withdrew to the Gothic library.

Once established before the grate, and consoling himself for the inadequacy of the dinner by the perfection of his cigar, Mr. Jackson became portentous and communicable.

"If the Beaufort smash comes," he announced, "there are going to be disclosures."

Archer raised his head quickly: he could never hear the name without the sharp vision of Beaufort's heavy figure, opulently furred and shod, advancing through the snow at Skuytercliff.

"There's bound to be," Mr. Jackson continued, "the nastiest kind of a cleaning up. He hasn't spent all his money on Regina."

"Oh, well--that's discounted, isn't it? My belief is he'll pull out yet," said the young man, wanting to change the subject.

"Perhaps--perhaps. I know he was to see some of the influential people today. Of course," Mr. Jackson reluctantly conceded, "it's to be hoped they can tide him over--this time anyhow. I shouldn't like to think of poor Regina's spending the rest of her life in some shabby foreign watering-place for bankrupts."

Archer said nothing. It seemed to him so natural--however tragic--that money ill-gotten should be cruelly expiated, that his mind, hardly lingering over Mrs. Beaufort's doom, wandered back to closer questions. What was the meaning of May's blush when the Countess Olenska had been mentioned?

Four months had passed since the midsummer day that he and Madame Olenska had spent together; and since then he had not seen her. He knew that she had returned to Washington, to the little house which she and Medora Manson had taken there: he had written to her once--a few words, asking when they were to meet again--and she had even more briefly replied: "Not yet."

Since then there had been no farther communication between them, and he had built up within himself a kind of sanctuary in which she throned among his secret thoughts and longings. Little by little it became the scene of his real life, of his only rational activities; thither he brought the books he read, the ideas and feelings which nourished him, his judgments and his visions. Outside it, in the scene of his actual life, he moved with a growing sense of unreality and insufficiency, blundering against familiar prejudices and traditional points of view as an absent-minded man goes on bumping into the furniture of his own room. Absent--that was what he was: so absent from everything most densely real and near to those about him that it sometimes startled him to find they still imagined he was there.

He became aware that Mr. Jackson was clearing his throat preparatory to farther revelations.

"I don't know, of course, how far your wife's family are aware of what people say about--well, about Madame Olenska's refusal to accept her husband's latest offer."

Archer was silent, and Mr. Jackson obliquely continued: "It's a pity--it's certainly a pity--that she refused it."

"A pity? In God's name, why?"

Mr. Jackson looked down his leg to the unwrinkled sock that joined it to a glossy pump.

"Well--to put it on the lowest ground--what's she going to live on now?"

"Now--?"

"If Beaufort--"

Archer sprang up, his fist banging down on the black walnut-edge of the writing-table. The wells of the brass double-inkstand danced in their sockets.

"What the devil do you mean, sir?"

Mr. Jackson, shifting himself slightly in his chair, turned a tranquil gaze on the young man's burning face.

"Well--I have it on pretty good authority--in fact, on old Catherine's herself--that the family reduced Countess Olenska's allowance considerably when she definitely refused to go back to her husband; and as, by this refusal, she also forfeits the money settled on her when she married--which Olenski was ready to make over to her if she returned--why, what the devil do _you_ mean, my dear boy, by asking me what _I_ mean?" Mr. Jackson good-humouredly retorted.

Archer moved toward the mantelpiece and bent over to knock his ashes into the grate.

"I don't know anything of Madame Olenska's private affairs; but I don't need to, to be certain that what you insinuate--"

"Oh, I don't: it's Lefferts, for one," Mr. Jackson interposed.

"Lefferts--who made love to her and got snubbed for it!" Archer broke out contemptuously.

"Ah--_did_ he?" snapped the other, as if this were exactly the fact he had been laying a trap for. He still sat sideways from the fire, so that his hard old gaze held Archer's face as if in a spring of steel.

"Well, well: it's a pity she didn't go back before Beaufort's cropper," he repeated. "If she goes _now_, and if he fails, it will only confirm the general impression: which isn't by any means peculiar to Lefferts, by the way."

"Oh, she won't go back now: less than ever!" Archer had no sooner said it than he had once more the feeling that it was exactly what Mr. Jackson had been waiting for.

The old gentleman considered him attentively. "That's your opinion, eh? Well, no doubt you know. But everybody will tell you that the few pennies Medora Manson has left are all in Beaufort's hands; and how the two women are to keep their heads above water unless he does, I can't imagine. Of course, Madame Olenska may still soften old Catherine, who's been the most inexorably opposed to her staying; and old Catherine could make her any allowance she chooses. But we all know that she hates parting with good money; and the rest of the family have no particular interest in keeping Madame Olenska here."

Archer was burning with unavailing wrath: he was exactly in the state when a man is sure to do something stupid, knowing all the while that he is doing it.

He saw that Mr. Jackson had been instantly struck by the fact that Madame Olenska's differences with her grandmother and her other relations were not known to him, and that the old gentleman had drawn his own conclusions as to the reasons for Archer's exclusion from the family councils. This fact warned Archer to go warily; but the insinuations about Beaufort made him reckless. He was mindful, however, if not of his own danger, at least of the fact that Mr. Jackson was under his mother's roof, and consequently his guest. Old New York scrupulously observed the etiquette of hospitality, and no discussion with a guest was ever allowed to degenerate into a disagreement.

"Shall we go up and join my mother?" he suggested curtly, as Mr. Jackson's last cone of ashes dropped into the brass ashtray at his elbow.

On the drive homeward May remained oddly silent; through the darkness, he still felt her enveloped in her menacing blush. What its menace meant he could not guess: but he was sufficiently warned by the fact that Madame Olenska's name had evoked it.

They went upstairs, and he turned into the library. She usually followed him; but he heard her passing down the passage to her bedroom.

"May!" he called out impatiently; and she came back, with a slight glance of surprise at his tone.

"This lamp is smoking again; I should think the servants might see that it's kept properly trimmed," he grumbled nervously.

"I'm so sorry: it shan't happen again," she answered, in the firm bright tone she had learned from her mother; and it exasperated Archer to feel that she was already beginning to humour him like a younger Mr. Welland. She bent over to lower the wick, and as the light struck up on her white shoulders and the clear curves of her face he thought: "How young she is! For what endless years this life will have to go on!"

He felt, with a kind of horror, his own strong youth and the bounding blood in his veins. "Look here," he said suddenly, "I may have to go to Washington for a few days--soon; next week perhaps."

Her hand remained on the key of the lamp as she turned to him slowly. The heat from its flame had brought back a glow to her face, but it paled as she looked up.

"On business?" she asked, in a tone which implied that there could be no other conceivable reason, and that she had put the question automatically, as if merely to finish his own sentence.

"On business, naturally. There's a patent case coming up before the Supreme Court--" He gave the name of the inventor, and went on furnishing details with all Lawrence Lefferts's practised glibness, while she listened attentively, saying at intervals: "Yes, I see."

"The change will do you good," she said simply, when he had finished; "and you must be sure to go and see Ellen," she added, looking him straight in the eyes with her cloudless smile, and speaking in the tone she might have employed in urging him not to neglect some irksome family duty.

It was the only word that passed between them on the subject; but in the code in which they had both been trained it meant: "Of course you understand that I know all that people have been saying about Ellen, and heartily sympathise with my family in their effort to get her to return to her husband. I also know that, for some reason you have not chosen to tell me, you have advised her against this course, which all the older men of the family, as well as our grandmother, agree in approving; and that it is owing to your encouragement that Ellen defies us all, and exposes herself to the kind of criticism of which Mr. Sillerton Jackson probably gave you, this evening, the hint that has made you so irritable.... Hints have indeed not been wanting; but since you appear unwilling to take them from others, I offer you this one myself, in the only form in which well-bred people of our kind can communicate unpleasant things to each other: by letting you understand that I know you mean to see Ellen when you are in Washington, and are perhaps going there expressly for that purpose; and that, since you are sure to see her, I wish you to do so with my full and explicit approval--and to take the opportunity of letting her know what the course of conduct you have encouraged her in is likely to lead to."

Her hand was still on the key of the lamp when the last word of this mute message reached him. She turned the wick down, lifted off the globe, and breathed on the sulky flame.

"They smell less if one blows them out," she explained, with her bright housekeeping air. On the threshold she turned and paused for his kiss.

XXVII.

Wall Street, the next day, had more reassuring reports of Beaufort's situation. They were not definite, but they were hopeful. It was generally understood that he could call on powerful influences in case of emergency, and that he had done so with success; and that evening, when Mrs. Beaufort appeared at the Opera wearing her old smile and a new emerald necklace, society drew a breath of relief.

New York was inexorable in its condemnation of business irregularities. So far there had been no exception to its tacit rule that those who broke the law of probity must pay; and every one was aware that even Beaufort and Beaufort's wife would be offered up unflinchingly to this principle. But to be obliged to offer them up would be not only painful but inconvenient. The disappearance of the Beauforts would leave a considerable void in their compact little circle; and those who were too ignorant or too careless to shudder at the moral catastrophe bewailed in advance the loss of the best ball-room in New York.

Archer had definitely made up his mind to go to Washington. He was waiting only for the opening of the law-suit of which he had spoken to May, so that its date might coincide with that of his visit; but on the following Tuesday he learned from Mr. Letterblair that the case might be postponed for several weeks. Nevertheless, he went home that afternoon determined in any event to leave the next evening. The chances were that May, who knew nothing of his professional life, and had never shown any interest in it, would not learn of the postponement, should it take place, nor remember the names of the litigants if they were mentioned before her; and at any rate he could no longer put off seeing Madame Olenska. There were too many things that he must say to her.

On the Wednesday morning, when he reached his office, Mr. Letterblair met him with a troubled face. Beaufort, after all, had not managed to "tide over"; but by setting afloat the rumour that he had done so he had reassured his depositors, and heavy payments had poured into the bank till the previous evening, when disturbing reports again began to predominate. In consequence, a run on the bank had begun, and its doors were likely to close before the day was over. The ugliest things were being said of Beaufort's dastardly manœuvre, and his failure promised to be one of the most discreditable in the history of Wall Street.

The extent of the calamity left Mr. Letterblair white and incapacitated. "I've seen bad things in my time; but nothing as bad as this. Everybody we know will be hit, one way or another. And what will be done about Mrs. Beaufort? What _can_ be done about her? I pity Mrs. Manson Mingott as much as anybody: coming at her age, there's no knowing what effect this affair may have on her. She always believed in Beaufort--she made a friend of him! And there's the whole Dallas connection: poor Mrs. Beaufort is related to every one of you. Her only chance would be to leave her husband--yet how can any one tell her so? Her duty is at his side; and luckily she seems always to have been blind to his private weaknesses."

There was a knock, and Mr. Letterblair turned his head sharply. "What is it? I can't be disturbed."

A clerk brought in a letter for Archer and withdrew. Recognising his wife's hand, the young man opened the envelope and read: "Won't you please come up town as early as you can? Granny had a slight stroke last night. In some mysterious way she found out before any one else this awful news about the bank. Uncle Lovell is away shooting, and the idea of the disgrace has made poor Papa so nervous that he has a temperature and can't leave his room. Mamma needs you dreadfully, and I do hope you can get away at once and go straight to Granny's."

Archer handed the note to his senior partner, and a few minutes later was crawling northward in a crowded horse-car, which he exchanged at Fourteenth Street for one of the high staggering omnibuses of the Fifth Avenue line. It was after twelve o'clock when this laborious vehicle dropped him at old Catherine's. The sitting-room window on the ground floor, where she usually throned, was tenanted by the inadequate figure of her daughter, Mrs. Welland, who signed a haggard welcome as she caught sight of Archer; and at the door he was met by May. The hall wore the unnatural appearance peculiar to well-kept houses suddenly invaded by illness: wraps and furs lay in heaps on the chairs, a doctor's bag and overcoat were on the table, and beside them letters and cards had already piled up unheeded.

May looked pale but smiling: Dr. Bencomb, who had just come for the second time, took a more hopeful view, and Mrs. Mingott's dauntless determination to live and get well was already having an effect on her family. May led Archer into the old lady's sitting-room, where the sliding doors opening into the bedroom had been drawn shut, and the heavy yellow damask portières dropped over them; and here Mrs. Welland communicated to him in horrified undertones the details of the catastrophe. It appeared that the evening before something dreadful and mysterious had happened. At about eight o'clock, just after Mrs. Mingott had finished the game of solitaire that she always played after dinner, the door-bell had rung, and a lady so thickly veiled that the servants did not immediately recognise her had asked to be received.

The butler, hearing a familiar voice, had thrown open the sitting-room door, announcing: "Mrs. Julius Beaufort"--and had then closed it again on the two ladies. They must have been together, he thought, about an hour. When Mrs. Mingott's bell rang Mrs. Beaufort had already slipped away unseen, and the old lady, white and vast and terrible, sat alone in her great chair, and signed to the butler to help her into her room. She seemed, at that time, though obviously distressed, in complete control of her body and brain. The mulatto maid put her to bed, brought her a cup of tea as usual, laid everything straight in the room, and went away; but at three in the morning the bell rang again, and the two servants, hastening in at this unwonted summons (for old Catherine usually slept like a baby), had found their mistress sitting up against her pillows with a crooked smile on her face and one little hand hanging limp from its huge arm.