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Chapter XII: Part 12

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At length he arrived at the great object of his musical vagabondising, the far-famed city of Granada, and hailed with wonder and delight its Moorish towers, its lovely _vega_, and its snowy mountains glistening through a summer atmosphere. It is needless to say with what eager curiosity he entered its gates and wandered through its streets, and gazed upon its oriental monuments. Every female face peering through a window or beaming from a balcony was to him a Zorayda or a Zelinda, nor could he meet a stately dame on the Alameda but he was ready to fancy her a Moorish princess, and to spread his student's robe beneath her feet.

His musical talent, his happy humour, his youth and his good looks, won him a universal welcome in spite of his ragged robes, and for several days he led a gay life in the old Moorish capital and its environs. One of his occasional haunts was the fountain of Avellanos, in the valley of Darro. It is one of the popular resorts of Granada, and has been so since the days of the Moors; and here the student had an opportunity of pursuing his studies of female beauty; a branch of study to which he was a little prone.

Here he would take his seat with his guitar, improvise love-ditties to admiring groups of _majos_ and _majas_, or prompt with his music the ever-ready dance. He was thus engaged one evening when he beheld a _padre_ of the church advancing, at whose approach every one touched the hat. He was evidently a man of consequence; he certainly was a mirror of good if not of holy living; robust and rosy-faced, and breathing at every pore with the warmth of the weather and the exercise of the walk. As he passed along he would every now and then draw a _maravedi_ out of his pocket and bestow it on a beggar with an air of signal beneficence. "Ah, the blessed father!" would be the cry; "long life to him, and may he soon be a bishop!"

To aid his steps in ascending the hill he leaned gently now and then on the arm of a handmaid, evidently the pet-lamb of this kindest of pastors. Ah, such a damsel! Andalus from head to foot; from the rose in her hair, to the fairy shoe and lacework stocking; Andalus in every movement; in every undulation of the body:--ripe, melting Andalus!--But then so modest!--so shy!--ever, with downcast eyes, listening to the words of the _padre_; or, if by chance she let flash a side glance, it was suddenly checked and her eyes once more cast to the ground.

The good _padre_ looked benignantly on the company about the fountain, and took his seat with some emphasis on a stone bench, while the handmaid hastened to bring him a glass of sparkling water. He sipped it deliberately and with a relish, tempering it with one of those spongy pieces of frosted eggs and sugar so dear to Spanish epicures, and on returning the glass to the hand of the damsel pinched her cheek with infinite loving-kindness.

"Ah, the good pastor!" whispered the student to himself; "what a happiness would it be to be gathered into his fold with such a pet-lamb for a companion!"

But no such good fare was likely to befall him. In vain he essayed those powers of pleasing which he had found so irresistible with country curates and country lasses. Never had he touched his guitar with such skill; never had he poured forth more soul-moving ditties, but he had no longer a country curate or country lass to deal with. The worthy priest evidently did not relish music, and the modest damsel never raised her eyes from the ground. They remained but a short time at the fountain; the good _padre_ hastened their return to Granada. The damsel gave the student one shy glance in retiring; but it plucked the heart out of his bosom!

He inquired about them after they had gone. _Padre Tomás_ was one of the saints of Granada, a model of regularity; punctual in his hour of rising; his hour of taking a _paseo_ for an appetite; his hours of eating; his hour of taking his _siesta_; his hour of playing his game of _tresillo_, of an evening, with some of the dames of the Cathedral circle; his hour of supping, and his hour of retiring to rest, to gather fresh strength for another day's round of similar duties. He had an easy sleek mule for his riding; a matronly housekeeper skilled in preparing tit-bits for his table; and the pet-lamb, to smooth his pillow at night and bring him his chocolate in the morning.

Adieu now to the gay, thoughtless life of the student; the side-glance of a bright eye had been the undoing of him. Day and night he could not get the image of this most modest damsel out of his mind. He sought the mansion of the _padre_. Alas! it was above the class of houses accessible to a strolling student like himself. The worthy _padre_ had no sympathy with him; he had never been _Estudiante sopista_, obliged to sing for his supper. He blockaded the house by day, catching a glance of the damsel now and then as she appeared at a casement; but these glances only fed his flame without encouraging his hope. He serenaded her balcony at night, and at one time was flattered by the appearance of something white at a window. Alas, it was only the night-cap of the _padre_.

Never was lover more devoted; never damsel more shy: the poor student was reduced to despair. At length arrived the eve of St. John, when the lower classes of Granada swarm into the country, dance away the afternoon, and pass midsummer's night on the banks of the Darro and the Xenil. Happy are they who on this eventful night can wash their faces in those waters just as the cathedral bell tells midnight, for at that precise moment they have a beautifying power. The student, having nothing to do, suffered himself to be carried away by the holiday-seeking throng until he found himself in the narrow valley of the Darro, below the lofty hill and ruddy towers of the Alhambra. The dry bed of the river; the rocks which border it; the terraced gardens which overhang it, were alive with variegated groups, dancing under the vines and fig-trees to the sound of the guitar and castanets.

The student remained for some time in doleful dumps, leaning against one of the huge misshapen stone pomegranates which adorn the ends of the little bridge over the Darro. He cast a wistful glance upon the merry scene, where every cavalier had his dame; or, to speak more appropriately, every Jack his Jill; sighed at his own solitary state, a victim to the black eye of the most unapproachable of damsels, and repined at his ragged garb, which seemed to shut the gate of hope against him.

By degrees his attention was attracted to a neighbour equally solitary with himself. This was a tall soldier, of a stern aspect and grizzled beard, who seemed posted as a sentry at the opposite pomegranate. His face was bronzed by time; he was arrayed in ancient Spanish armour, with buckler and lance, and stood immovable as a statue. What surprised the student was, that though thus strangely equipped, he was totally unnoticed by the passing throng, albeit that many almost brushed against him.

"This is a city of old time peculiarities," thought the student, "and doubtless this is one of them with which the inhabitants are too familiar to be surprised." His own curiosity, however, was awakened and being of a social disposition, he accosted the soldier.

"A rare old suit of armour that which you wear, comrade. May I ask what corps you belong to?"

The soldier gasped out a reply from a pair of jaws which seemed to have rusted on their hinges.

"The royal guard of Ferdinand and Isabella."

"Santa Maria! Why, it is three centuries since that corps was in service."

"And for three centuries have I been mounting guard. Now I trust my tour of duty draws to a close. Dost thou desire fortune?"

The student held up his tattered cloak in reply.

"I understand thee. If thou hast faith and courage, follow me, and thy fortune is made."

"Softly, comrade, to follow thee would require small courage in one who has nothing to lose but life and an old guitar, neither of much value; but my faith is of a different matter, and not to be put in temptation. If it be any criminal act by which I am to mend my fortune, think not my ragged cloak will make me undertake it."

The soldier turned on him a look of high displeasure. "My sword," said he, "has never been drawn but in the cause of the faith and the throne. I am a _Cristiano viejo_; trust in me and fear no evil."

The student followed him wondering. He observed that no one heeded their conversation, and that the soldier made his way through the various groups of idlers unnoticed, as if invisible.

Crossing the bridge, the soldier led the way by a narrow and steep path past a Moorish mill and aqueduct, and up the ravine which separates the domains of the Generalife from those of the Alhambra. The last ray of the sun shone upon the red battlements of the latter, which beetled far above; and the convent-bells were proclaiming the festival of the ensuing day. The ravine was overshadowed by fig-trees, vines, and myrtles, and the outer towers and walls of the fortress. It was dark and lonely, and the twilight-loving bats began to flit about. At length the soldier halted at a remote and ruined tower, apparently intended to guard a Moorish aqueduct. He struck the foundation with the butt-end of his spear. A rumbling sound was heard, and the solid stones yawned apart, leaving an opening as wide as a door.

"Enter in the name of the Holy Trinity," said the soldier, "and fear nothing." The student's heart quaked, but he made the sign of the cross, muttered his Ave Maria, and followed his mysterious guide into a deep vault cut out of the solid rock under the tower, and covered with Arabic inscriptions. The soldier pointed to a stone seat hewn along one side of the vault. "Behold," said he, "my couch for three hundred years." The bewildered student tried to force a joke. "By the blessed St. Anthony," said he, "but you must have slept soundly, considering the hardness of your couch."

"On the contrary, sleep has been a stranger to these eyes; incessant watchfulness has been my doom. Listen to my lot. I was one of the royal guards of Ferdinand and Isabella; but was taken prisoner by the Moors in one of their sorties, and confined a captive in this tower. When preparations were made to surrender the fortress to the Christian sovereigns, I was prevailed upon by an _Alfaqui_, a Moorish priest, to aid him in secreting some of the treasures of Boabdil in this vault. I was justly punished for my fault. The _Alfaqui_ was an African necromancer, and by his infernal arts cast a spell upon me--to guard his treasures. Something must have happened to him, for he never returned, and here have I remained ever since, buried alive. Years and years have rolled away; earthquakes have shaken this hill; I have heard stone by stone of the tower above tumbling to the ground, in the natural operation of time; but the spell-bound walls of this vault set both time and earthquakes at defiance.

"Once every hundred years, on the festival of St. John, the enchantment ceases to have thorough sway; I am permitted to go forth and post myself upon the bridge of the Darro, where you met me, waiting until some one shall arrive who may have power to break this magic spell. I have hitherto mounted guard there in vain. I walk as in a cloud, concealed from mortal sight. You are the first to accost me for now three hundred years. I behold the reason. I see on your finger the seal-ring of Solomon the Wise, which is proof against all enchantment. With you it remains to deliver me from this awful dungeon, or to leave me to keep guard here for another hundred years."

The student listened to this tale in mute wonderment. He had heard many tales of treasures shut up under strong enchantment in the vaults of the Alhambra, but had treated them as fables. He now felt the value of the seal-ring, which had, in a manner, been given to him by St. Cyprian. Still, though armed by so potent a talisman, it was an awful thing to find himself _tête-à-tête_ in such a place with an enchanted soldier, who, according to the laws of nature, ought to have been quietly in his grave for nearly three centuries.

A personage of this kind, however, was quite out of the ordinary run, and not to be trifled with, and he assured him he might rely upon his friendship and good will to do everything in his power for his deliverance.

"I trust to a motive more powerful than friendship," said the soldier.

He pointed to a ponderous iron coffer, secured by locks, inscribed with Arabic characters. "That coffer," said he, "contains countless treasure in gold and jewels and precious stones. Break the magic spell by which I am enthralled, and one half of this treasure shall be thine."

"But how am I to do it?"

"The aid of a Christian priest and a Christian maid is necessary. The priest to exorcise the powers of darkness; the damsel to touch this chest with the seal of Solomon. This must be done at night. But have a care. This is solemn work, and not to be effected by the carnal-minded. The priest must be a _Cristiano viejo_, a model of sanctity; and must mortify the flesh before he comes here, by a rigorous fast of four-and-twenty hours: and as to the maiden, she must be above reproach, and proof against temptation. Linger not in finding such aid. In three days my furlough is at an end; if not delivered before midnight of the third, I shall have to mount guard for another century."

"Fear not," said the student, "I have in my eye the very priest and damsel you describe; but how am I to regain admission to this tower?"

"The seal of Solomon will open the way for thee."

The student issued forth from the tower much more gaily than he had entered. The wall closed behind him, and remained solid as before.

The next morning he repaired boldly to the mansion of the priest, no longer a poor strolling student, thrumming his way with a guitar; but an ambassador from the shadowy world, with enchanted treasures to bestow. No particulars are told of his negotiation, excepting that the zeal of the worthy priest was easily kindled at the idea of rescuing an old soldier of the faith and a strong-box of King Chico from the very clutches of Satan; and then what alms might be dispensed, what churches built, and how many poor relatives enriched with the Moorish treasure!

As to the immaculate handmaid, she was ready to lend her hand, which was all that was required, to the pious work; and if a shy glance now and then might be believed, the ambassador began to find favour in her modest eyes.

The greatest difficulty, however, was the fast to which the good Padre had to subject himself. Twice he attempted it, and twice the flesh was too strong for the spirit. It was only on the third day that he was enabled to withstand the temptations of the cupboard; but it was still a question whether he would hold out until the spell was broken.

At a late hour of the night the party groped their way up the ravine by the light of a lantern, and bearing a basket with provisions for exorcising the demon of hunger so soon as the other demons should be laid in the Red Sea.

The seal of Solomon opened their way into the tower. They found the soldier seated on the enchanted strong-box, awaiting their arrival. The exorcism was performed in due style. The damsel advanced and touched the locks of the coffer with the seal of Solomon. The lid flew open; and such treasures of gold and jewels and precious stones as flashed upon the eye!

"Here's cut and come again!" cried the student exultingly, as he proceeded to cram his pockets.

"Fairly and softly," exclaimed the soldier. "Let us get the coffer out entire, and then divide."

They accordingly went to work with might and main; but it was a difficult task; the chest was enormously heavy, and had been imbedded there for centuries. While they were thus employed the good _dominie_ drew on one side and made a vigorous onslaught on the basket, by way of exorcising the demon of hunger which was raging in his entrails. In a little while a fat capon was devoured, and washed down by a deep potation of _Val de peñas_; and, by way of grace after meat, he gave a kind-hearted kiss to the pet-lamb who waited on him. It was quietly done in a corner, but the tell-tale walls babbled it forth as if in triumph. Never was chaste salute more awful in its effects. At the sound the soldier gave a great cry of despair; the coffer, which was half raised, fell back in its place and was locked once more. Priest, student, and damsel, found themselves outside of the tower, the wall of which closed with a thundering jar. Alas! the good _Padre_ has broken his fast too soon!

When recovered from his surprise, the student would have re-entered the tower, but learnt to his dismay that the damsel, in her fright, had let fall the seal of Solomon; it remained within the vault.

In a word, the cathedral bell tolled midnight; the spell was renewed; the soldier was doomed to mount guard for another hundred years, and there he and the treasure remain to this day--and all because the kind-hearted _Padre_ kissed his handmaid. "Ah father! father!" said the student, shaking his head ruefully, as they returned down the ravine, "I fear there was less of the saint than the sinner in that kiss!"

* * * * *

Thus ends the legend as far as it has been authenticated. There is a tradition, however, that the student had brought off treasure enough in his pocket to set him up in the world; that he prospered in his affairs, that the worthy _Padre_ gave him the pet-lamb in marriage, by way of amends for the blunder in the vault; that the immaculate damsel proved a pattern for wives as she had been for handmaids, and bore her husband a numerous progeny; that the first was a wonder; it was born seven months after her marriage, and though a seven-month's boy, was the sturdiest of the flock. The rest were all born in the ordinary course of time.

The story of the enchanted soldier remains one of the popular traditions of Granada, though told in a variety of ways; the common people affirm that he still mounts guard on midsummer eve, beside the gigantic stone pomegranate on the Bridge of the Darro; but remains invisible excepting to such lucky mortals as may possess the seal of Solomon.

THE AUTHOR'S FAREWELL TO GRANADA

My serene and happy reign in the Alhambra was suddenly brought to a close by letters which reached me, while indulging in oriental luxury in the cool hall of the baths, summoning me away from my Moslem elysium, to mingle once more in the bustle and business of the dusty world. How was I to encounter its toils and turmoils, after such a life of repose and reverie! How was I to endure its commonplace, after the poetry of the Alhambra!

But little preparation was necessary for my departure. A two-wheeled vehicle, called a _tartana_, very much resembling a covered cart, was to be the travelling equipage of a young Englishman and myself through Murcia, to Alicant and Valencia, on our way to France; and a long-limbed varlet, who had been a _contrabandista_, and, for aught I knew, a robber, was to be our guide and guard. The preparations were soon made, but the departure was the difficulty. Day after day was it postponed; day after day was spent in lingering about my favourite haunts, and day after day they appeared more delightful in my eyes.

The social and domestic little world also, in which I had been moving, had become singularly endeared to me; and the concern evinced by them at my intended departure, convinced me that my kind feelings were reciprocated. Indeed, when at length the day arrived, I did not dare venture upon a leave-taking at the good dame Antonia's; I saw the soft heart of little Dolores, at least, was brim full and ready for an overflow. So I bade a silent adieu to the palace and its inmates, and descended into the city as if intending to return. There, however, the _tartana_ and the guide were ready; so, after taking a noon-day's repast with my fellow-traveller at the _Posada_, I set out with him on our journey.

Humble was the cortège and melancholy the departure of _El Rey Chico_ the Second! Manuel, the nephew of _Tia Antonia_, Mateo, my officious but now disconsolate squire, and two or three old invalids of the Alhambra with whom I had grown into gossiping companionship, had come down to see me off; for it is one of the good old customs of Spain to sally forth several miles to meet a coming friend, and to accompany him as far on his departure. Thus then we set out, our long-legged guard striding ahead, with his _escopeta_ on his shoulder; Manuel and Mateo on each side of the _tartana_, and the old invalids behind.

At some little distance to the north of Granada, the road gradually ascends the hills; here I alighted and walked up slowly with Manuel, who took this occasion to confide to me the secret of his heart and of all those tender concerns between himself and Dolores, with which I had been already informed by the all-knowing and all-revealing Mateo Ximenes. His doctor's diploma had prepared the way for their union, and nothing more was wanting but the dispensation of the Pope, on account of their consanguinity. Then, if he could get the post of Medico of the fortress, his happiness would be complete! I congratulated him on the judgment and good taste he had shown in his choice of a helpmate; invoked all possible felicity on their union, and trusted that the abundant affections of the kind-hearted little Dolores would in time have more stable objects to occupy them than recreant cats and truant pigeons.

It was indeed a sorrowful parting when I took leave of these good people and saw them slowly descend the hills; now and then turning round to wave me a last adieu. Manuel, it is true, had cheerful prospects to console him, but poor Mateo seemed perfectly cast down. It was to him a grievous fall from the station of prime minister and historiographer, to his old brown cloak and his starveling mystery of ribbon-weaving; and the poor devil, notwithstanding his occasional officiousness, had, somehow or other, acquired a stronger hold on my sympathies than I was aware of. It would have really been a consolation in parting, could I have anticipated the good fortune in store for him, and to which I had contributed; for the importance I had appeared to give to his tales and gossip and local knowledge, and the frequent companionship in which I had indulged him in the course of my strolls, had elevated his idea of his own qualifications and opened a new career to him; and the son of the Alhambra has since become its regular and well-paid cicerone; insomuch that I am told he has never been obliged to resume the ragged old brown cloak in which I first found him.

Towards sunset I came to where the road wound into the mountains, and here I paused to take a last look at Granada. The hill on which I stood commanded a glorious view of the city, the Vega, and the surrounding mountains. It was at an opposite point of the compass from _La cuesta de las lagrimas_ (the hill of tears) noted for the "last sigh of the Moor." I now could realize something of the feelings of poor Boabdil when he bade adieu to the paradise he was leaving behind, and beheld before him a rugged and sterile road conducting him to exile.

The setting sun as usual shed a melancholy effulgence on the ruddy towers of the Alhambra. I could faintly discern the balconied window of the tower of Comares, where I had indulged in so many delightful reveries. The bosky groves and gardens about the city were richly gilded with the sunshine, the purple haze of a summer evening was gathering over the Vega; everything was lovely, but tenderly and sadly so, to my parting gaze.

"I will hasten from this prospect," thought I, "before the sun is set. I will carry away a recollection of it clothed in all its beauty."

With these thoughts I pursued my way among the mountains. A little further and Granada, the Vega, and the Alhambra, were shut from my view; and thus ended one of the pleasantest dreams of a life, which the reader perhaps may think has been but too much made up of dreams.

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_Also an edition with all the 250 original etchings. In 24 volumes. Crown 8vo, gilt tops. Price 6s. each._

THE LARGE TYPE
BORDER EDITION OF THE
WAVERLEY NOVELS

EDITED WITH
_INTRODUCTORY ESSAYS AND NOTES_
BY
ANDREW LANG
SUPPLEMENTING THOSE OF THE AUTHOR.

_With Two Hundred and Fifty New and Original Illustrations by
Eminent Artists._

By the kind permission of the Hon. Mrs. MAXWELL-SCOTT, of Abbotsford, the great-granddaughter of Sir WALTER, the MSS. and other material at Abbotsford were examined by Mr. ANDREW LANG during the preparation of his Introductory Essays and Notes to the Series, so that the BORDER EDITION may be said to contain all the results of the latest researches as to the composition of the Waverley Novels.

The Border Waverley

1. WAVERLEY. With 12 Illustrations by Sir H. RAEBURN, R.A., R. W. MACBETH, A.R.A., JOHN PETTIE, R.A., H. MACBETH-RAEBURN, D. HERDMAN, W. J. LEITCH, ROBERT HERDMAN, R.S.A., and J. ECKFORD LAUDER.

2. GUY MANNERING. With 10 Illustrations by J. MACWHIRTER, A.R.A., R. W. MACBETH, A.R.A., C. O. MURRAY, CLARK STANTON, R.S.A., GOURLAY STEELL, R.S.A., F. S. WALKER, R. HERDMAN, R.S.A., and J. B. MACDONALD, A.R.S.A.

3. THE ANTIQUARY. With 10 Illustrations by J. MACWHIRTER, A.R.A., SAM BOUGH, R.S.A., R. HERDMAN, R.S.A., W. M'TAGGART, A.R.S.A., J. B. MACDONALD, A.R.S.A., and A. H. TOURRIER.

4. ROB ROY. With 10 Illustrations by R. W. MACBETH, A.R.A., and SAM BOUGH, R.S.A.

5. OLD MORTALITY. With 10 Illustrations by J. MACWHIRTER, A.R.A., R. HERDMAN, R.S.A., SAM BOUGH, R.S.A., M. L. GOW, D. Y. CAMERON, LOCKHART BOGLE, and ALFRED HARTLEY.

6. THE HEART OF MIDLOTHIAN. With 10 Illustrations by Sir J. E. MILLAIS, Bart., HUGH CAMERON, R.S.A., SAM BOUGH, R.S.A., R. HERDMAN, R.S.A., and WAL. PAGET.

7. A LEGEND OF MONTROSE and THE BLACK DWARF. With 7 Illustrations by Sir GEORGE REID, P.R.S.A., GEORGE HAY, R.S.A., HORATIO MACCULLOCH, R.S.A., W. E. LOCKHART, R.S.A., H. MACBETH-RAEBURN, and T. SCOTT.

8. THE BRIDE OF LAMMERMOOR. With 8 Illustrations by Sir J. E. MILLAIS, Bart., JOHN SMART, R.S.A., SAM BOUGH, R.S.A., GEORGE HAY, R.S.A., and H. MACBETH-RAEBURN.

9. IVANHOE. With 12 Illustrations by AD. LALAUZE.

10. THE MONASTERY. With 10 Illustrations by GORDON BROWNE.

11. THE ABBOT. With 10 Illustrations by GORDON BROWNE.

12. KENILWORTH. With 12 Illustrations by AD. LALAUZE.

13. THE PIRATE. With 10 Illustrations by W. E. LOCKHART, R.S.A., SAM BOUGH, R.S.A., HERBERT DICKSEE, W. STRANG, LOCKHART BOGLE, C. J. HOLMES, and F. S. WALKER.

14. THE FORTUNES OF NIGEL. With 10 Illustrations by JOHN PETTIE, R.A., and R. W. MACBETH, A.R.A.

15. PEVERIL OF THE PEAK. With 15 Illustrations by W. Q. ORCHARDSON, R.A., JOHN PETTIE, R.A., F. DADD, R.I., ARTHUR HOPKINS, A.R.W.S., and S. L. WOOD.

16. QUENTIN DURWARD. With 12 Illustrations by AD. LALAUZE.

17. ST. RONAN'S WELL. With 10 Illustrations by Sir G. REID, P.R.S.A., R. W. MACBETH, A.R.A., W. HOLE, R.S.A., and A. FORESTIER.

18. REDGAUNTLET. With 12 Illustrations by Sir JAMES D. LINTON, P.R.I., JAMES ORROCK, R.I., SAM BOUGH, R.S.A., W. HOLE, R.S.A., G. HAY, R.S.A., T. SCOTT, A.R.S.A., W. BOUCHER, and FRANK SHORT.

19. THE BETROTHED and THE TALISMAN. With 10 Illustrations by HERBERT DICKSEE, WAL. PAGET, and J. LE BLANT.

20. WOODSTOCK. With 10 Illustrations by W. HOLE, R.S.A.

21. THE FAIR MAID OF PERTH. With 10 Illustrations by Sir G. REID, P.R.S.A., JOHN PETTIE, R.A., R. W. MACBETH, A.R.A., and ROBERT HERDMAN, R.S.A.

22. ANNE OF GEIERSTEIN. With 10 Illustrations by R. DE LOS RIOS.

23. COUNT ROBERT OF PARIS and THE SURGEON'S DAUGHTER. With 10 Illustrations by W. HATHERELL, R.I., and W. B. WOLLEN, R.I.

24. CASTLE DANGEROUS, CHRONICLES OF THE CANONGATE, ETC. With 10 Illustrations by H. MACBETH-RAEBURN and G. D. ARMOUR.

The Border Waverley

SOME OPINIONS OF THE PRESS

_TIMES._--"It would be difficult to find in these days a more competent and sympathetic editor of Scott than his countryman, the brilliant and versatile man of letters who has undertaken the task, and if any proof were wanted either of his qualifications or of his skill and discretion in displaying them, Mr. Lang has furnished it abundantly in his charming Introduction to 'Waverley.' The editor's own notes are judiciously sparing, but conspicuously to the point, and they are very discreetly separated from those of the author, Mr. Lang's laudable purpose being to illustrate and explain Scott, not to make the notes a pretext for displaying his own critical faculty and literary erudition. The illustrations by various competent hands are beautiful in themselves and beautifully executed, and, altogether, the 'Border Edition' of the Waverley Novels bids fair to become the classical edition of the great Scottish classic."

_SPECTATOR._--"We trust that this fine edition of our greatest and most poetical of novelists will attain, if it has not already done so, the high popularity it deserves. To all Scott's lovers it is a pleasure to know that, despite the daily and weekly inrush of ephemeral fiction, the sale of his works is said by the booksellers to rank next below Tennyson's in poetry, and above that of everybody else in prose."

_ATHENÆUM._--"The handsome 'Border Edition' has been brought to a successful conclusion. The publisher deserves to be complimented on the manner in which the edition has been printed and illustrated, and Mr. Lang on the way in which he has performed his portion of the work. His introductions have been tasteful and readable; he has not overdone his part; and, while he has supplied much useful information, he has by no means overburdened the volumes with notes."

_NOTES AND QUERIES._--"This spirited and ambitious enterprise has been conducted to a safe termination, and the most ideal edition of the Waverley Novels in existence is now completed."

_SATURDAY REVIEW._--"Of all the many collections of the Waverley Novels, the 'Border Edition' is incomparably the most handsome and the most desirable.... Type, paper, illustrations, are altogether admirable."

_MAGAZINE OF ART._--"Size, type, paper, and printing, to say nothing of the excessively liberal and charming introduction of the illustrations, make this perhaps the most desirable edition of Scott ever issued on this side of the Border."

_DAILY CHRONICLE._--"There is absolutely no fault to be found with it, as to paper, type, or arrangement."

THE WORKS OF
THOMAS HARDY
Collected Edition

1. TESS OF THE D'URBERVILLES.

2. FAR FROM THE MADDING CROWD.

3. THE MAYOR OF CASTERBRIDGE.

4. A PAIR OF BLUE EYES.

5. TWO ON A TOWER.

6. THE RETURN OF THE NATIVE.

7. THE WOODLANDERS.

8. JUDE THE OBSCURE.

9. THE TRUMPET-MAJOR.

10. THE HAND OF ETHELBERTA.

11. A LAODICEAN.

12. DESPERATE REMEDIES.

13. WESSEX TALES.

14. LIFE'S LITTLE IRONIES.

15. A GROUP OF NOBLE DAMES.

16. UNDER THE GREENWOOD TREE.

17. THE WELL-BELOVED.

18. WESSEX POEMS, and other Verses.

19. POEMS OF THE PAST AND THE PRESENT.

THE WORKS OF
CHARLES KINGSLEY

WESTWARD HO!

HYPATIA; or, New Foes with an old Face.

TWO YEARS AGO.

ALTON LOCKE, Tailor and Poet. An Autobiography.

HEREWARD THE WAKE, "Last of the English."

YEAST: A Problem.

POEMS: including The Saint's Tragedy, Andromeda, Songs, Ballads, etc.

THE WATER-BABIES: A Fairy Tale for a Land-Baby. With Illustrations by LINLEY SAMBOURNE.

THE HEROES; or, Greek Fairy Tales for my Children. With Illustrations by the Author.

GLAUCUS; or, The Wonders of the Shore. With Illustrations.

MADAM HOW AND LADY WHY; or, First Lessons in Earth Lore for Children. With Illustrations.

AT LAST. A Christmas in the West Indies. With Illustrations.

THE HERMITS.

HISTORICAL LECTURES AND ESSAYS.

PLAYS AND PURITANS, and other Historical Essays.

THE ROMAN AND THE TEUTON.

PROSE IDYLLS, New and Old.

SANITARY AND SOCIAL LECTURES AND ESSAYS.

LITERARY AND GENERAL LECTURES AND ESSAYS.

ALL SAINTS' DAY: and other Sermons.

DISCIPLINE: and other Sermons.

THE GOOD NEWS OF GOD. Sermons.

GOSPEL OF THE PENTATEUCH.

SERMONS FOR THE TIMES.

VILLAGE SERMONS, AND TOWN AND COUNTRY SERMONS.

WESTMINSTER SERMONS.

THE NOVELS
OF
F. MARION CRAWFORD

1. MR. ISAACS: A Tale of Modern India.

2. DOCTOR CLAUDIUS: A True Story.

3. A ROMAN SINGER.

4. ZOROASTER.

5. MARZIO'S CRUCIFIX.

6. A TALE OF A LONELY PARISH.

7. PAUL PATOFF.

8. WITH THE IMMORTALS.

9. GREIFENSTEIN.

10. TAQUISARA: A Novel.

11. A ROSE OF YESTERDAY.

12. SANT' ILARIO.

13. A CIGARETTE-MAKER'S ROMANCE.

14. KHALED: A Tale of Arabia.

15. THE THREE FATES.

16. THE WITCH OF PRAGUE.

17. MARION DARCHE: A Story without Comment.

18. KATHARINE LAUDERDALE.

19. THE CHILDREN OF THE KING.

20. PIETRO GHISLERI.

21. DON ORSINO.

22. CASA BRACCIO.

23. ADAM JOHNSTONE'S SON.

24. THE RALSTONS.

25. CORLEONE: A Tale of Sicily.

26. VIA CRUCIS: A Romance of the Second Crusade.

27. IN THE PALACE OF THE KING: A Love Story of Old Madrid.

28. CECILIA: A Story of Modern Rome.

29. MARIETTA: A Maid of Venice.

30. THE HEART OF ROME.

31. SOPRANO: A Portrait.

32. THE PRIMADONNA.

33. THE DIVA'S RUBY.

34. "WHOSOEVER SHALL OFFEND----"

35. A LADY OF ROME.

36. ARETHUSA.

37. THE WHITE SISTER.

38. STRADELLA: An Old Italian Love Tale.

THE NOVELS
OF
ROLF BOLDREWOOD

1. ROBBERY UNDER ARMS: A Story of Life and Adventure in the Bush and in the Gold-fields of Australia.

2. A MODERN BUCCANEER.

3. THE MINER'S RIGHT: A Tale of the Australian Gold-fields.

4. THE SQUATTER'S DREAM.

5. A SYDNEY-SIDE SAXON.

6. A COLONIAL REFORMER.

7. NEVERMORE.

8. PLAIN LIVING: A Bush Idyll.

9. MY RUN HOME.

10. THE CROOKED STICK; or, Pollie's Probation.

11. OLD MELBOURNE MEMORIES.

12. WAR TO THE KNIFE; or, Tangata Maori.

13. BABES IN THE BUSH.

14. IN BAD COMPANY, and other Stories.

By H. G. WELLS

THE PLATTNER STORY: and others.

TALES OF SPACE AND TIME.

THE STOLEN BACILLUS: and other Incidents.

THE INVISIBLE MAN. A Grotesque Romance.

LOVE AND MR. LEWISHAM. A Story of a very Young Couple.

WHEN THE SLEEPER WAKES.

THE FIRST MEN IN THE MOON.

TWELVE STORIES AND A DREAM.

THE FOOD OF THE GODS AND HOW IT CAME TO EARTH.

KIPPS: The Story of a Simple Soul.

IN THE DAYS OF THE COMET.

TONO-BUNGAY.

By A. E. W. MASON

THE COURTSHIP OF MORRICE BUCKLER.

THE PHILANDERERS.

MIRANDA OF THE BALCONY.

By EGERTON CASTLE

"LA BELLA": and others.

MARSHFIELD THE OBSERVER.

By AGNES and EGERTON CASTLE

THE BATH COMEDY.

THE PRIDE OF JENNICO. Being a Memoir of Captain Basil Jennico.

THE SECRET ORCHARD.

THE NOVELS OF
ROSA N. CAREY

_WESTMINSTER GAZETTE._--"A clever delineator of character, possessed of a reserve of strength in a quiet, easy, flowing style, Miss Carey never fails to please a large class of readers."

_STANDARD._--"Miss Carey has the gift of writing naturally and simply, her pathos is true and unforced, and her conversations are sprightly and sharp."

_LADY._--Miss Carey's novels are always welcome; they are out of the common run, immaculately pure, and very high in tone.

Nearly 800,000 of these works have been printed.

1. NELLIE'S MEMORIES. 58th Thousand.

2. WEE WIFIE. 42nd Thousand.

3. BARBARA HEATHCOTE'S TRIAL. 35th Thousand.

4. ROBERT ORD'S ATONEMENT. 30th Thousand.

5. WOOED AND MARRIED. 40th Thousand.

6. HERIOT'S CHOICE. 29th Thousand.

7. QUEENIE'S WHIM. 34th Thousand.

8. NOT LIKE OTHER GIRLS. 41st Thousand.

9. MARY ST. JOHN. 27th Thousand.

10. FOR LILIAS. 26th Thousand.

11. UNCLE MAX. 36th Thousand.

12. RUE WITH A DIFFERENCE. 24th Thousand.

13. THE HIGHWAY OF FATE. 25th Thousand.

14. ONLY THE GOVERNESS. 40th Thousand.

15. LOVER OR FRIEND? 29th Thousand.

16. BASIL LYNDHURST. 26th Thousand.

17. SIR GODFREY'S GRAND-DAUGHTERS. 27th Thousand.

18. THE OLD, OLD STORY. 30th Thousand.

19. THE MISTRESS OF BRAE FARM. 32nd Thousand.

20. MRS. ROMNEY and "BUT MEN MUST WORK." 14th Thousand.

21. OTHER PEOPLE'S LIVES. 5th Thousand.

22. HERB OF GRACE. 27th Thousand.

23. A PASSAGE PERILOUS, 25th Thousand.

24. AT THE MOORINGS. 21st Thousand.

25. THE HOUSEHOLD OF PETER. 21st Thousand.

26. NO FRIEND LIKE A SISTER. 21st Thousand.

27. THE ANGEL OF FORGIVENESS. 20th Thousand.

28. THE SUNNY SIDE OF THE HILL. 18th Thousand.

29. THE KEY OF THE UNKNOWN. 15th Thousand.

THE NOVELS AND TALES OF
CHARLOTTE M. YONGE

THE HEIR OF REDCLYFFE. With Illustrations by KATE GREENAWAY.

HEARTSEASE; or, the Brother's Wife. New Edition. With Illustrations by KATE GREENAWAY.

HOPES AND FEARS; or, Scenes from the Life of a Spinster. With Illustrations by HERBERT GANDY.

DYNEVOR TERRACE; or, the Clue of Life. With Illustrations by ADRIAN STOKES.

THE DAISY CHAIN; or, Aspirations. A Family Chronicle. With Illustrations by J. P. ATKINSON.

THE TRIAL: More Links of the Daisy Chain. With Illustrations by J. P. ATKINSON.

THE PILLARS OF THE HOUSE; or, Under Wode, under Rode. Two Vols. With Illustrations by HERBERT GANDY.

THE YOUNG STEPMOTHER; or, a Chronicle of Mistakes. With Illustrations by MARIAN HUXLEY.

THE CLEVER WOMAN OF THE FAMILY. With Illustrations by ADRIAN STOKES.

THE THREE BRIDES. With Illustrations by ADRIAN STOKES.

MY YOUNG ALCIDES: A Faded Photograph. With Illustrations by ADRIAN STOKES.

THE CAGED LION. With Illustrations by W. J. HENNESSY.

THE DOVE IN THE EAGLE'S NEST. With Illustrations by W. J. HENNESSY.

THE CHAPLET OF PEARLS; or, the White and Black Ribaumont. With Illustrations by W. J. HENNESSY.

LADY HESTER; or, Ursula's Narrative; and THE DANVERS PAPERS. With Illustrations by JANE E. COOK.

MAGNUM BONUM; or, Mother Carey's Brood. With Illustrations by W. J. HENNESSY.

LOVE AND LIFE: an Old Story in Eighteenth Century Costume. With Illustrations by W. J. HENNESSY.

UNKNOWN TO HISTORY. A Story of the Captivity of Mary of Scotland. With Illustrations by W. J. HENNESSY.

THE ARMOURER'S 'PRENTICES. With Illustrations by W. J. HENNESSY.

SCENES AND CHARACTERS; or, Eighteen Months at Beechcroft. With Illustrations by W. J. HENNESSY.

CHANTRY HOUSE. With Illustrations by W. J. HENNESSY.

A MODERN TELEMACHUS. With Illustrations by W. J. HENNESSY.

BYWORDS. A collection of Tales new and old.

BEECHCROFT AT ROCKSTONE.

MORE BYWORDS.

A REPUTED CHANGELING; or, Three Seventh Years Two Centuries Ago.

THE LITTLE DUKE, RICHARD THE FEARLESS. With Illustrations.

THE LANCES OF LYNWOOD. With Illustrations by J. B.

THE PRINCE AND THE PAGE: A Story of the Last Crusade. With Illustrations by ADRIAN STOKES.

TWO PENNILESS PRINCESSES. With Illustrations by W. J. HENNESSY.

THAT STICK.

AN OLD WOMAN'S OUTLOOK IN A HAMPSHIRE VILLAGE.

GRISLY GRISELL; or, The Laidly Lady of Whitburn. A Tale of the Wars of the Roses.

HENRIETTA'S WISH. Second Edition.

THE LONG VACATION.

THE RELEASE; or, Caroline's French Kindred.

THE PILGRIMAGE OF THE BEN BERIAH.

THE TWO GUARDIANS; or, Home in this World. Second Edition.

COUNTESS KATE AND THE STOKESLEY SECRET.

MODERN BROODS; or, Developments Unlooked for.

STROLLING PLAYERS: A Harmony of Contrasts. By C. M. YONGE and C. R. COLERIDGE.

STRAY PEARLS. Memoirs of Margaret de Ribaumont, Viscountess of Bellaise. With Illustrations by W. J. HENNESSY.

Works by Mrs. Craik

Olive: A Novel. With Illustrations by G. BOWERS.

Agatha's Husband: A Novel. With Illustrations by WALTER CRANE.

The Head of the Family: A Novel. With Illustrations by WALTER CRANE.

Two Marriages.

The Laurel Bush.

King Arthur: Not a Love Story.

About Money, and other Things.

Concerning Men, and other Papers.

Works by Mrs. Oliphant

Neighbours on the Green.

Kirsteen: the Story of a Scotch Family Seventy Years Ago.

A Beleaguered City: A Story of the Seen and the Unseen.

Hester: a Story of Contemporary Life.

He that Will Not when He May.

The Railway Man and his Children.

The Marriage of Elinor.

Sir Tom.

The Heir-Presumptive and the Heir-Apparent.

A Country Gentleman and his Family.

A Son of the Soil.

The Second Son.

The Wizard's Son: A Novel.

Lady William.

Young Musgrave.

The Works of Dean Farrar

SEEKERS AFTER GOD. The Lives of Seneca, Epictetus, and Marcus Aurelius.

ETERNAL HOPE. Sermons preached in Westminster Abbey.

THE FALL OF MAN: and other Sermons.

THE WITNESS OF HISTORY TO CHRIST.

THE SILENCE AND VOICES OF GOD, with other Sermons.

"IN THE DAYS OF THY YOUTH." Sermons on Practical Subjects.

SAINTLY WORKERS. Five Lenten Lectures.

EPHPHATHA; or, the Amelioration of the World.

MERCY AND JUDGMENT: a few last words on Christian Eschatology.

SERMONS & ADDRESSES DELIVERED IN AMERICA.

THE WORKS OF
Frederick Denison Maurice

SERMONS PREACHED IN LINCOLN'S INN CHAPEL, In five vols.

SERMONS PREACHED IN COUNTRY CHURCHES.

CHRISTMAS DAY: and other Sermons.

THEOLOGICAL ESSAYS.

THE PROPHETS and KINGS of the OLD TESTAMENT.

THE PATRIARCHS AND LAWGIVERS OF THE OLD TESTAMENT.

THE GOSPEL OF THE KINGDOM OF HEAVEN.

THE GOSPEL OF ST. JOHN.

THE EPISTLES OF ST. JOHN.

THE FRIENDSHIP OF BOOKS: and other Lectures.

THE PRAYER BOOK AND THE LORD'S PRAYER.

THE DOCTRINE OF SACRIFICE. Deduced from the Scriptures.

THE ACTS OF THE APOSTLES.

THE KINGDOM OF CHRIST; or, Hints to a Quaker respecting the Principles, Constitution, and Ordinances of the Catholic Church. 2 vols.

By J. H. SHORTHOUSE

JOHN INGLESANT: A Romance.

SIR PERCIVAL: a Story of the Past and of the Present.

THE LITTLE SCHOOLMASTER MARK.

THE COUNTESS EVE.

A TEACHER OF THE VIOLIN.

BLANCHE, LADY FALAISE.

By GERTRUDE ATHERTON

THE CONQUEROR.

A DAUGHTER OF THE VINE.

THE CALIFORNIANS.

By HUGH CONWAY

A FAMILY AFFAIR.

By W. CLARK RUSSELL

MAROONED.

By ANNIE KEARY

A YORK AND A LANCASTER ROSE.

CASTLE DALY: the Story of an Irish Home thirty years ago.

JANET'S HOME.

OLDBURY.

A DOUBTING HEART.

THE NATIONS AROUND ISRAEL.

By GEORGE BORROW

LAVENGRO.

By THOMAS HUGHES

TOM BROWN'S SCHOOLDAYS.

TOM BROWN AT OXFORD.

THE SCOURING OF THE WHITE HORSE.

ALFRED THE GREAT.

By ARCHIBALD FORBES

BARRACKS, BIVOUACS, AND BATTLES.

By MONTAGU WILLIAMS

LEAVES OF A LIFE.

ROUND LONDON.

By E. WERNER

FICKLE FORTUNE.

By W. E. NORRIS

THIRLBY HALL.

A BACHELOR'S BLUNDER.

The Works of SHAKESPEARE

VICTORIA EDITION. In Three Volumes.

Vol. I. COMEDIES.

Vol. II. HISTORIES.

Vol. III. TRAGEDIES.

UNIFORM EDITION OF THE
NOVELS OF CHARLES LEVER

With all the Original Illustrations.

1. HARRY LORREQUER. Illustrated by PHIZ.

2. CHARLES O'MALLEY. Illustrated by PHIZ.

3. JACK HINTON THE GUARDSMAN. Illustrated by PHIZ.

4. TOM BURKE OF OURS. Illustrated by PHIZ.

5. ARTHUR O'LEARY. Illustrated by G. CRUIKSHANK.

6. LORD KILGOBBIN. Illustrated by LUKE FILDES.

By W. WARDE FOWLER

A YEAR WITH THE BIRDS. Illustrated.

TALES OF THE BIRDS. Illustrated.

MORE TALES OF THE BIRDS. Illustrated.

SUMMER STUDIES OF BIRDS AND BOOKS.

By FRANK BUCKLAND

CURIOSITIES OF NATURAL HISTORY. Illustrated. In four volumes:

FIRST SERIES--Rats, Serpents, Fishes, Frogs, Monkeys, etc.

SECOND SERIES--Fossils, Bears, Wolves, Cats, Eagles, Hedgehogs, Eels, Herrings, Whales.

THIRD SERIES--Wild Ducks, Fishing, Lions, Tigers, Foxes, Porpoises.

FOURTH SERIES--Giants, Mummies, Mermaids, Wonderful People, Salmon, etc.

Works by Various Authors

Hogan, M.P.

Flitters, Tatters, and the Counsellor

The New Antigone

Memories of Father Healy

CANON ATKINSON.--The Last of the Giant Killers

----Playhours and Half-Holidays; or, further Experiences of Two Schoolboys

SIR S. BAKER.--True Tales for my Grandsons

R. H. BARHAM.--The Ingoldsby Legends

REV. R. H. D. BARHAM.--Life of Theodore Hook

BLENNERHASSET AND SLEEMAN.--Adventures in Mashonaland

LANOE FALCONER.--Cecilia de Noël

W. FORBES-MITCHELL.--Reminiscences of the Great Mutiny

REV. J. GILMORE.--Storm Warriors

MARY LINSKILL.--Tales of the North Riding

S. R. LYSAGHT.--The Marplot

----One of the Grenvilles

M. M'LENNAN.--Muckle Jock, and other Stories

G. MASSON.--A Compendious Dictionary of the French Language

MAJOR GAMBIER PARRY.--The Story of Dick

E. C. PRICE.--In the Lion's Mouth

LORD REDESDALE.--Tales of Old Japan

W. C. RHOADES.--John Trevennick

MARCHESA THEODOLI.--Under Pressure

ANTHONY TROLLOPE.--The Three Clerks

CHARLES WHITEHEAD.--Richard Savage

ENGLISH
MEN OF LETTERS

EDITED BY JOHN MORLEY.

_Arranged in 12 Volumes, each containing the Lives of three Authors._

I. +Chaucer.+ By Dr. A. W. WARD. +Spenser.+ By Dean CHURCH. +Dryden.+ By Prof. SAINTSBURY.

II. +Milton.+ By MARK PATTISON. +Goldsmith.+ By W. BLACK. +Cowper.+ By GOLDWIN SMITH.

III. +Byron.+ By Professor NICHOL. +Shelley.+ By J. A. SYMONDS. +Keats.+ By SIDNEY COLVIN.

IV. +Charles Lamb.+ By Canon AINGER. +Addison.+ By W. J. COURTHOPE. +Swift.+ By Sir LESLIE STEPHEN, K.C.B.

V. +Scott.+ By R. H. HUTTON. +Burns.+ By Principal SHAIRP. +Coleridge.+ By H. D. TRAILL.

VI. +Hume.+ By Prof. HUXLEY, F.R.S. +Locke.+ By THOS. FOWLER. +Burke.+ By JOHN MORLEY.

VII. +Defoe.+ By W. MINTO. +Sterne.+ By H. D. TRAILL. +Hawthorne.+ By HENRY JAMES.

VIII. +Fielding.+ By AUSTIN DOBSON. +Thackeray.+ By ANTHONY TROLLOPE. +Dickens.+ By Dr. A. W. WARD.

IX. +Gibbon.+ By J. C. MORISON. +Carlyle.+ By Professor NICHOL. +Macaulay.+ By J. C. MORISON.

X. +Sydney.+ By J. A. SYMONDS. +De Quincey.+ By Prof. MASSON. +Sheridan.+ By Mrs. OLIPHANT.

XI. +Pope.+ By Sir LESLIE STEPHEN, K.C.B. +Johnson.+ By Sir LESLIE STEPHEN, K.C.B. +Gray.+ By EDMUND GOSSE.

XII. +Bacon.+ By Dean CHURCH. +Bunyan.+ By J. A. FROUDE. +Bentley.+ By Sir RICHARD JEBB.

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The AlhambraChapter XII: Part 12

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