The Appreciation of Music - Vol. 1 (of 3)
by OpenStories
Original author: Thomas Whitney Surette
"The Appreciation of Music - Vol. 1 (of 3)" by Thomas Whitney Surette and Daniel Gregory Mason is an educational guide focused on enhancing musical understanding and appreciation, written in the early 20th century. The book aims to bridge the gap for readers and music enthusiasts who desire a more profound engagement with music without requiring extensive technical knowledge. It emphasizes the evolution of musical art, from folk songs to the symphonies of composers like Beethoven, offering practical insights into active listening and the core elements of musical structure. The opening of the work introduces the authors' motivation for creating a resource that encourages intelligent listening to music, as opposed to passive enjoyment. It outlines the necessity of concentrated attention to truly appreciate musical nuances, contrasting the experience of those who merely enjoy music superficially with those who actively engage with it. The authors address common barriers to appreciation, such as unfamiliarity with classical music and the overwhelming nature of complex musical pieces. Through a structured approach, they plan to guide readers in recognizing musical motifs, forms, and how composers manipulate these elements to create cohesive works, laying a foundation for deeper musical exploration.
The Appreciation of Music - Vol. 1 (of 3), by Thomas Whitney Surette. Republished by OpenStories from Project Gutenberg eBook #58458.
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- 20chapters
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20 Chapters
- 1.Front Matter1,269 words
- 2.Chapter I: Elements of Musical Form3,444 words
- 3.Chapter II: Folk-Songs3,245 words
- 4.Chapter III: The Polyphonic Music of Bach3,430 words
- 5.Chapter IV: The Dance and Its Development2,985 words
- 6.Chapter V: The Suite963 words
- 7.Section VI: , measures 161-179: Modulates back from E-flat major97 words
- 8.Section VII: , measures 180-213: Almost entirely in the home-key,1,579 words
- 9.Chapter VI: The Rondo959 words
- 10.Chapter II: ); but the second (C) offered a further means of variety,3,032 words
- 11.Chapter VII: The Variation Form--The Minuet3,559 words
- 12.Chapter VIII: Sonata-Form I2,117 words
- 13.Chapter IV: , but we now have to consider the growth of a long section of1,586 words
- 14.Chapter IX: Sonata-Form II3,331 words
- 15.Chapter X: The Slow Movement3,545 words
- 16.Chapter XI: Beethoven--I3,347 words
- 17.Chapter XII: Beethoven--Ii2,862 words
- 18.Chapter II: , or the melodies of Bach, Handel, Haydn or Mozart quoted in86 words
- 19.Chapter XIII: Beethoven--Iii2,684 words
- 20.Chapter XIV: Beethoven--Iv4,571 words