Chapter VII: Part II: By Prof. Joseph Rodes Buchanan (3)

Burns took a measure of salt and went out into the pasture to salt the cows. On the sunlit slope of the field, where the cattle came running and bawling to meet him, he threw down the salt in handfuls, and then lay down to watch them as they eagerly licked it up, even gnawing a bare spot in the sod in their eagerness to get it all.

Burns was not a drinking man; was hard-working, frugal, in fact, he had no extravagances except his tobacco. His clothes he wore until they all but dropped from him; and he worked in rain and mud, as well as dust and sun. It was this suffering and toiling all to no purpose that made him sour and irritable. He didn't see why he should have so little after so much hard work.

He was puzzled to account for it all. His mind (the average mind) was weary with trying to solve an insoluble problem. His neighbors, who had got along a little better than himself, were free with advice and suggestion as to the cause of his persistent poverty.

Old man Bacon, the hardest-working man in the county, laid it to Burns' lack of management. Jim Butler, who owned a dozen farms (which he had taken on mortgages), and who had got rich by buying land at government price and holding for a rise, laid all such cases as Burns to "lack of enterprise, foresight."

But the larger number feeling themselves "in the same boat" with Burns, said:--

"I'd know. Seems as if things got worse an' worse. Corn an' wheat gittin' cheaper 'n' cheaper. Machinery eatin' up profits--got to _have_ machinery to harvest the cheap grain, an' then the machinery eats up profits. Taxes goin' up. Devil to pay all round; I'd know what 'n thunder _is_ the matter."

The democrats said protection was killing the farmers, the republicans said no. The grangers growled about the middle-men, the green-backers said there wasn't circulating medium enough, and in the midst of it all, hard-working discouraged farmers, like Simeon Burns, worked on, unable to find out what really was the matter.

And there on this beautiful Sabbath morning, Sim sat and thought and thought, till he rose with an oath, and gave it up.

III.

It was hot and brilliant again the next morning as Douglass Radbourn drove up the road with Lily Graham, the teacher of the school in the little white schoolhouse. It was blazing hot, even though not yet nine o'clock, and the young farmers plowing beside the fence looked longingly and somewhat bitterly at Radbourn seated in a fine top-buggy beside a beautiful creature in lace and cambric.

Very beautiful the town-bred "schoolma'am" looked to those grimy, sweaty fellows, superb fellows physically, too, with bare red arms and leather-colored faces. She was as if builded of the pink and white clouds soaring far up there in the morning sky. So cool, and sweet, and dainty.

As she came in sight, their dusty and sweaty shirts grew biting as the poisoned shirt of the Norse myth, their bare feet in the brown dirt grew distressingly flat and hoof-like, and their huge, dirty, brown, chapped, and swollen hands grew so repulsive that the mere remote possibility of some time in the far future "standing a chance" of having an introduction to her, caused them to wipe them on their trousers' leg stealthily.

Lycurgus Banks, "Ly" Banks, swore when he saw Radbourn. "That cuss thinks he's ol' hell this morning. He don't earn his living. But he's jest the kind of cuss to get holt of all the purty girls."

Others gazed with simple, sad wistfulness upon the slender figure, pale, sweet face, and dark eyes of the young girl, feeling that to have talk with such a fairy-like creature was a happiness too great to ever be their lot. And when she had passed they went back to work with a sigh and feeling of loss.

As for Lily, she felt a pang of pity for these people. She looked at this peculiar form of poverty and hardship much as the fragile, tender girl of the city looks upon the men laying a gas-main in the streets. She felt (sympathetically) the heat and grime, and though but the faintest idea of what it meant to wear such clothing came to her, she shuddered. Her eyes had been opened to these things by Radbourn, who was a well-known radical,--a law student in Rock River.

"Poor fellows!" sighed Lily, almost unconsciously. "I hate to see them working there in the dirt and hot sun. It seems a hopeless sort of life, doesn't it?"

"Oh, but this is the most beautiful part of the year," said Radbourn. "Think of them in the mud, in the sleet; think of them husking corn in the snow, a bitter wind blowing; think of them a month later in the harvest; think of them imprisoned here in winter!"

"Yes, it's dreadful! But I never felt it so keenly before. You have opened my eyes to it."

"Writers and orators have lied so long about 'the idyllic' in farm life, and said so much about the 'independent American farmer' that he himself has remained blind to the fact that he's one of the hardest-working and poorest-paid men in America. See the houses they live in,--hovels."

"Yes, yes, I know," said Lily; a look of deeper pain swept over her face. "And the fate of the poor women, oh, the fate of the women!"

"Yes, it's a matter of statistics," went on Radbourn, pitilessly, "that the wives of the American farmers fill our insane asylums. See what a life they lead, most of them; no music, no books. Seventeen hours a day in a couple of small rooms--dens. Now there's Sim Burns! what a travesty of a home! Yet there are a dozen just as bad in sight. He works like a fiend,--so does his wife,--and what is their reward? Simply a hole to hibernate in and to sleep and eat in in summer. A dreary present and a well-nigh hopeless future. No, they have a future, if they knew it, and we must tell them."

"I know Mrs. Burns; she sends several children to my school. Poor, pathetic little things, half-clad and wistful-eyed. They make my heart ache; they are so hungry for love, and so quick to learn."

As they passed the Burns farm, they looked for the wife but she was not to be seen. The children had evidently gone up to the little white schoolhouse at the head of the lane. Radbourn let the reins fall slack as he talked on. He did not look at the girl, his eyebrows were drawn into a look of gloomy pain.

"It aint so much the grime that I abhor, nor the labor that crooks their backs and makes their hands bludgeons. It's the horrible waste of life involved in it all. I don't believe God intended a man to be bent to plow-handles like that, but that aint the worst of it. The worst of it is, these people live lives approaching automata. They become machines to serve others more lucky or more unscrupulous than themselves. What is the world of art, of music, of literature, to these poor devils--to Sim Burns and his wife there, for example? Or even to the best of these farmers?"

The girl looked away over the shimmering lake of yellow-green corn, a choking came into her throat. Her gloved hand trembled.

"What is such a life worth? It's all very comfortable for us to say, 'they don't feel it.' How do we know what they feel? What do we know of their capacity for enjoyment of art and music? They never have leisure or opportunity. The master is very glad to be taught by preacher, and lawyer, and novelist, that his slaves are contented and never feel any longings for a higher life. These people live lives but little higher than their cattle,--are _forced_ to live so. Their hopes and aspirations are crushed out, their souls are twisted and deformed just as toil twists and deforms their bodies. They are on the same level as the city laborer. It makes me wild to think of it. The very religion they hear is a soporific. They are taught to be content here that they may be happy hereafter. Suppose there isn't any hereafter?"

"Oh, don't say that, please!" Lily cried.

"But I don't _know_ that there is," looking up at her pitilessly, "and I do know that these people are being robbed of something more than money, of all that makes life worth living. The promise of milk and honey in Canaan is all very well, but I prefer to have mine here, then I'm sure of it."

"What can we do?" murmured the girl.

"Do? Rouse these people for one thing; preach _discontent_, a noble discontent."

"It will only make them unhappy."

"No, it won't, not if you show them the way out. If it does, it's better to be unhappy striving for higher things, like a man, than to be content in a wallow like swine."

"But what _is_ the way out?"

This was sufficient to set Radbourn upon his hobby-horse. He outlined his plan of action, the abolition of all indirect taxes. The State control of all privileges, the private ownership of which interfered with the equal rights of all. He would utterly destroy speculative holdings of the earth. He would have land everywhere brought to its best use, by appropriating all ground rents to the use of the State, etc., etc., to which the girl listened with eager interest but with only partial comprehension.

As they neared the little schoolhouse, a swarm of midgets in pink dresses, pink sun-bonnets, and brown legs, came rushing to meet their teacher, with that peculiar devotion the children in the country develop for a refined teacher.

Radbourn helped Lily out into the midst of the eager little scholars, who swarmed upon her like bees on a lump of sugar, till even Radbourn's gravity gave way, and he smiled into her lifted eyes--an unusual smile, that strangely enough stopped the smile on her own lips, filling her face with a wistful shadow, and her breath came hard for a moment and she trembled.

She loved that cold, stern face, oh, so much! and to have him smile was a pleasure that made her heart leap till she suffered a smothering pain. She turned to him to say:--

"I am very thankful, Mr. Radbourn, for another pleasant ride," adding in a lower tone, "It was a very great pleasure; you always give me so much. I feel stronger and more hopeful."

"I'm glad you feel so. I was afraid I was prosy with my land-doctrine."

"Oh no! Indeed no! You have given me a new hope; I am exalted with the thought; I shall try to think it all out and apply it."

And so they parted, the children looking on and slyly whispering among themselves. Radbourn looked back after awhile but the bare little hive had absorbed its little group, and was standing bleak as a tombstone and hot as a furnace on the naked plain in the blazing sun.

"America's pitiful boast!" said the young radical looking back at it. "Only a miserable hint of what it might be."

All that forenoon as Lily faced her little group of barefoot children, she was thinking of Radbourn, of his almost fierce sympathy for these poor supine farmers, hopeless, and in some cases content in their narrow lives. The children almost worshipped the beautiful girl who came to them as a revelation of exquisite neatness and taste,--whose very voice and intonation awed them.

They noted (unconsciously, of course,) every detail. Snowy linen, touches of soft color, graceful lines of bust and side--the slender fingers that could almost speak, so beautifully flexile were they. Lily herself sometimes, when she shook the calloused, knotted, stiffened hands of the women, shuddered with sympathetic pain, to think that the crowning wonder and beauty of God's world should be so maimed and distorted from its true purpose.

Even in the children before her she could see the inherited results of fruitless labor--and more pitiful yet in the bent shoulders of the older ones she could see the beginnings of deformity that would soon be permanent. And as these things came to her, she clasped the poor wondering things to her side with a convulsive wish to make life a little brighter for them.

"How is your mother, Sadie?" she asked of Sadie Burns, as she was eating her luncheon on the drab-colored table near the open window.

"Purty well," said Sadie in a hesitating way.

Lily was looking out, and listening to the gophers whistling as they raced to and fro. She could see Bob Burns lying at length on the grass in the pasture over the fence, his heels waving in the air, his hands holding a string which formed a snare. Bob was "death on gophers." It was like fishing to young Izaak Walton.

It was very still and hot and the cheep and trill of the gophers, and the chatter of the kingbirds alone broke the silence. A cloud of butterflies were fluttering about a pool near, a couple of big flies buzzed and mumbled on the pane.

"What ails your mother?" Lily asked, recovering herself and looking at Sadie who was distinctly ill at ease.

"Oh, I dunno," Sadie replied, putting one bare foot across the other.

Lily insisted.

"She 'n' pa's had an awful row--"

"Sadie!" said the teacher warningly, "what language!"

"I mean they quarrelled, an' she don't speak to him any more."

"Why, how dreadful!"

"An' pa he's awful cross,--and she won't eat when he does, an' I haf to wait on table."

"I believe I'll go down and see her this noon," said Lily to herself, as she divined a little of the state of affairs in the Burns family.

Sim was mending the pasture fence as Lily came down the road toward him. He had delayed going to dinner to finish his task and was just about ready to go when Lily spoke to him.

"Good-morning, Mr. Burns. I am just going down to see Mrs. Burns. It must be time to go to dinner--aren't you ready to go? I want to talk with you."

Ordinarily he would have been delighted with the idea of walking down the road with the schoolma'am, but there was something in her look which seemed to tell him that she knew all about his trouble, and beside he was not in good humor.

"Yes, in a minnit,--soon's I fix up this hole. Them shoats, I b'leeve, would go through a keyhole, if they could once git their snoots in."

He expanded on this idea as he nailed away, anxious to gain time. He foresaw trouble for himself. He couldn't be rude to this sweet and fragile girl. If a _man_ had dared to attack him on his domestic shortcomings, he could have fought. The girl stood waiting for him, her large, steady eyes full of thought, gazing down at him from the shadow of her broad-brimmed hat.

"The world is so full of misery anyway, that we ought to do the best we can to make it less," she said at last in a musing tone, as if her thoughts had unconsciously taken on speech. She had always appealed to him strongly, and never more so than in this softly uttered abstraction,--that it was an abstraction added to its power with him.

He could find no words for reply, but picked up his hammer and nail-box, and slouched along the road by her side, listening without a word to her talk.

"Christ was patient, and bore with his enemies, surely we ought to bear with our--friends." She went on adapting her steps to his. He took off his torn straw hat and wiped his face on his sleeve, being much embarrassed and ashamed. Not knowing how to meet such argument, he kept silent.

"How _is_ Mrs. Burns?" said Lily at length, determined to make him speak. The delicate meaning in the emphasis laid on _is_ did not escape him.

"Oh, she's all right,--I mean she's done her work jest the same as ever. I don't see her much--"

"I didn't know--I was afraid she was sick. Sadie said she was acting strangely."

"No, she's well enough--but,--"

"But what is the trouble? Won't you let me help you, _won't_ you?"

"Can't anybody help us. We've got 'o fight it out, I s'pose," he replied, a gloomy note of resentment creeping into his voice. "She's ben in a devil of a temper f'r a week."

"Haven't you been in the same kind of a temper too?" demanded Lily, firmly, but kindly. "I think most troubles of this kind come from bad temper on both sides. Don't you? Have you done your share at being kind and patient?"

They had reached the gate now, and she laid her hand on his arm to stop him. He looked down at the slender gloved hand on his arm feeling as if a giant had grasped him, then he raised his eyes to her face, flushing a purplish red as he remembered his grossness. It seemed monstrous in the presence of this girl-advocate. Her face was like silver, her eyes seemed pools of tears.

"I don't s'pose I have," he said at last pushing by her. He couldn't have stood her glance another moment. His whole air conveyed the impression of destructive admission. Lily did not comprehend the extent of her advantage or she would have pursued it further. As it was she felt a little hurt as she entered the house. The table was set, but Mrs. Burns was nowhere to be seen. Calling her softly, the young girl passed through the shabby little living room to the oven-like bedroom which opened off it, but no one was about. She stood for a moment shuddering at the wretchedness of the room.

Going back to the kitchen she found Sim about beginning on his dinner; little Pet was with him, the rest of the children were at the schoolhouse.

"Where is she?"

"I d' know. Out in the garden I expect. She don't eat with me now. I never see her. She don't come near _me_. I aint seen her since Saturday."

Lily was shocked inexpressibly and began to see clearer the magnitude of the task she had set herself to do. But it must be done; she felt that a tragedy was not far off. It must be averted.

"Mr. Burns, what have you done? What _have_ you done?" she asked in terror and horror.

"Don't lay it all to _me_! She hain't done nawthin' but complain f'r ten years. I couldn't do nothin' to suit her. She was always naggin' me."

"I don't think Lucretia Burns would nag anybody. I don't say you're _all_ to blame, but I'm afraid you haven't acknowledged you were any to blame. I'm afraid you've not been patient with her. I'm going out to bring her in. If she comes will you say you were _part_ to blame? You needn't beg her pardon, just say you'll try to be better. Will you do it? Think how much she has done for you! Will you?"

He remained silent, and looked discouragingly rude. His sweaty, dirty shirt was open at the neck, his arms were bare, his scraggly teeth were yellow with tobacco, and his uncombed hair lay tumbled about on his high, narrow head. His clumsy, unsteady hands played with the dishes on the table. His pride was struggling with his sense of justice; he knew he ought to consent, and yet it was so hard to acknowledge himself to blame. The girl went on in a voice piercingly sweet, trembling with pity and pleading.

"What word can I carry to her from you? I'm going to go and see her. If I could take a word from _you_, I know she would come back to the table. Shall I tell her you feel to blame?"

The answer was a long time coming; at last the man nodded an assent, the sweat pouring from his purple face. She had set him thinking, her victory was sure.

Lily almost ran out into the garden and to the strawberry patch, where she found Lucretia in her familiar, colorless, shapeless dress, picking berries in the hot sun, the mosquitoes biting her neck and hands.

"Poor, pathetic, dumb sufferer," the girl thought as she ran up to her.

She dropped her dish as she heard Lily coming, and gazed up into the tender, pitying face. Not a word was spoken, but something she saw there made her eyes fill with tears, and her throat swell. It was pure sympathy. She put her arms around the girl's neck and sobbed for the first time since Friday night. Then they sat down on the grass under the hedge and she told her story, interspersed with Lily's horrified comments.

When it was all told the girl still sat listening. She heard Radbourn's calm, slow voice again. It helped her not to hate Burns; it helped her to pity and understand him.

"You must remember that such toil brutalizes a man; it makes him callous, selfish, unfeeling necessarily. A fine nature must either adapt itself to its hard surroundings or die. Men who toil terribly in filthy garments day after day and year after year cannot easily keep gentle; the frost and grime, the heat and cold will sooner or later enter into their souls. The case is not all in favor of the suffering wives, and against the brutal husbands. If the farmer's wife is dulled and crazed by her routine, the farmer himself is degraded and brutalized. They are both products of a social system, victims of a land system, which produces tenement houses in the city, and pushes the farmer into a semi-solitude--victims of land laws that are relics of feudalism, made in the interest of the man who holds a special privilege in the earth. Free America has set up on its soil the systems of land-owning which produces the lord and the tenant; that glorifies speculation in the earth, and gives the priceless riches of the hills and forests into a few hands. But this will not continue--it can't continue. The awakening understanding of America cries out against it."

As well as she could Lily explained all this to the woman who lay with her face buried in the girl's lap. Lily's arms were about her thin shoulders in an agony of pity.

"It's hard, Lucretia, I know, more than you can bear, but you mustn't forget what Sim endures, too. He goes out in the storms and in the heat and dust. His boots are hard, and see how his hands are all bruised and broken by his work! He was tired and hungry when he said that--he didn't really mean it."

The wife remained silent.

"Mr. Radbourn says work as things go now _does_ degrade a man in spite of himself. He says men get coarse and violent in spite of themselves just as women do when everything goes wrong in the house,--when the flies are thick, and the fire won't burn, and the irons stick to the clothes. You see, you both suffer. Don't lay up this fit of temper against Sim--will you?"

The wife lifted her head and looked away. Her face was full of hopeless weariness.

"It aint this once. It aint that 't all. It's having no let up. Just goin' the same thing right over 'n' over--no hope of anything better."

"If you had a hope of another world--"

"Don't talk that--that's rich man's doctrine. I don't want that kind o' comfert. I want a decent chance here. I want 'o rest an' be happy _now_--then I'm sure of it."

Lily's big eyes were streaming with tears. What should she say to the desperate woman?

"What's the use? We might jest as well die--all of us."

The woman's livid face appalled the beautiful girl. She was gaunt, heavy-eyed, nerveless. Her faded dress settled down over her limbs showing the swollen knees and thin calves, her hands with distorted joints protruded painfully from her sleeves. And all about was the ever-recurring wealth and cheer of nature that knows no fear or favor. The bees and flies buzzing in the sun, the jay and kingbird in the poplars, the smell of strawberries, the motion of lush grass, the shimmer of corn blades tossed gayly as banners in a conquering army.

Like a flash of keener light a sentence shot across the girl's mind. "Nature knows no title-deed. The bounty of her mighty hands falls as the sunlight falls, copious, impartial; her seas carry all ships, her air is for all lips, her lands for all feet."

"Poverty and suffering such as yours will not last." There was something in the girl's voice that roused the woman. She turned her dull eyes upon her face.

Lily took her hand in both hers as if by a caress she could impart her own faith.

"Look up, dear. When Nature is so good and generous, man must come to be better, surely. Come, go in the house again. Sim is there, he expects you, he told me to tell you he was sorry." Lucretia's face twitched a little at that, but her head was bent. "Come, you can't live this way. There isn't any other place to go to."

No, that was the bitterest truth. Where on this wide earth with its forth-shooting fruits and grains, its fragrant lands and shining seas, could this dwarfed, bent, broken, middle-aged woman go? Nobody wanted her, nobody cared for her. But the wind kissed her drawn lips as readily as those of the girl, and the blooms of clover nodded to her as if to a queen.

Lily had said all she could. Her heart ached with unspeakable pity and a sort of terror.

"Don't give up, Lucretia. This may be the worst hour of your life. Live and bear with it all for Christ's sake--for your children's sake. Sim told me to tell you he was to blame. If you will only see that you are both to blame and yet neither to blame, then you can rise above it. Try, dear!"

The wife pulled herself together, rose silently, and started toward the house. Her face was rigid but no longer sullen. Lily followed her slowly, wonderingly.

As she neared the kitchen door, she saw Sim still sitting at the table; his face was unusually grave and soft. She saw him start and shove back his chair,--saw Lucretia go to the stove and lift the tea-pot, and heard her say, as she took her seat beside the baby,--

"Want some more tea?"

She had become a wife and mother again, but in what spirit the puzzled girl could not say.

EDITORIAL NOTES.

AN EPOCH-MARKING DRAMA.

A movement destined, I think, to be in a degree epoch-marking in the dramatic annals of the American stage, was inaugurated by Mr. James A. Herne, on the fourth of May, in Boston, in the production of his remarkable realistic drama, "Margaret Fleming," at Chickering Hall. The play is a bold innovation, so much so that no theatre in the city would produce it, although the various managers who examined it declared it to be as strong as and no less powerful than any American drama yet written. The character of the audience was as striking as the play was brave and original. It was, indeed, a strange sight to see such well-known and thoughtful men and women as Mr. William Dean Howells, Rev. Minot J. Savage, Rabbi Solomon Schindler, Rev. Edward A. Horton, Mrs. Louise Chandler Moulton, Hamlin Garland, and a score or more of persons almost as well known in literary, religious, and thoughtful circles, assembled on the first night of a dramatic production. Nor was the character of the audience less remarkable during the fortnight it was played. Men and women who are rarely seen at theatres attended two, three, and even four performances. The superb acting of Mr. and Mrs. Herne contributed much to the success of the play; curiosity also doubtless attracted many, yet beyond and above this was the deep appreciation of a thoughtful and intelligent constituency, who saw in this drama the marvellous possibilities of the stage for improvement as well as entertainment. They also saw real life depicted. The absence of empty lines and stilted phrases so common in conventional drama was refreshing and interesting to those who believe that the drama has a mission other than merely to amuse. "Margaret Fleming" is nothing if not artistic from the standpoint of the realist. Its fidelity to life as we find it--to existing conditions and types of society,--is wonderful. Its dramatic strength is none the less marked. But aside from and above all this, for me it has a far greater merit--utility. I have no sympathy with the flippant, effeminate, and senile cry, "Art for art's sake"; that is the echo of a decaying civilization, the voice of Greece and Rome in their decline. It is the shibboleth of a people drunken with pleasure; of a popular conscience anæsthetized; the cry of sensualism and selfishness popular with shallow minds and bloodless hearts; the incarnation of that fatal effeminacy that springs from a union of wealth and superficial intellectuality; the voice of a human automaton without a soul. Victor Hugo has made no utterances more grandly true than when he pleads for the beautiful being made the servant of progress as voiced in the following sentiment:

"Be of some service. Do not be fastidious when so much
depends upon being efficient and good. Art for art's sake
may be very fine, but art for _progress_ is finer still.
Ah! you must think? Then think of making man better.
Courage! Let us consecrate ourselves. Let us devote
ourselves to the good, to the true, to the just; it is well
for us to do so. Some pure lovers of art, moved by a
solicitude which is not without its dignity, discard the
formula, 'Art for Progress,' the Beautiful Useful, fearing
lest the useful should deform the beautiful. They tremble to
see the drudge's hand attached to the muse's arm. According
to them, the ideal may become perverted by too much contact
with _reality_. They are solicitous for the sublime, if it
descends as far as to humanity. They are in error. The
useful, far from circumscribing the sublime, enlarges it.
But critics protest: To undertake the cure of social evils;
to amend the codes; to impeach law in the court of right to
utter those hideous words, 'penitentiary,' 'convict-keeper,'
'galley-slave,' 'girl of the town'; to inspect the police
registers; to contract the business of dispensaries; to
study the questions of wages and want of work; to taste the
black bread of the poor; to seek labor for the
working-woman; to confront fashionable idleness with ragged
sloth; to throw down the partition of ignorance; to open
schools; to teach little children how to read; to attack
shame, infamy, error, vice, crime, want of conscience; to
preach the multiplication of spelling-books; to improve the
food of intellects and of hearts; to give meat and drink; to
demand solutions for problems and shoes for naked
feet,--these things they declare are not the business of the
azure. Art is the azure. Yes, art is the azure; but the
azure from above, whence falls the ray which swells the
wheat, yellows the maize, rounds the apple, gilds the
orange, sweetens the grape. Again I say, a further service
is an added beauty. At all events, where is the diminution?
To ripen the beet-root, to water the potato, to increase the
yield of lucern, of clover, or of hay; to be a
fellow-workman with the ploughman, the vinedresser, and the
gardener,--this does not deprive the heavens of one star.
_Immensity does not despise utility_,--and what does it lose
by it? Does the vast vital fluid that we call magnetic or
electric flash through the cloud-masses with less splendor
because it consents to perform the office of pilot to a
bark, and to keep constant to the north the little needle
intrusted to it, the gigantic guide? Yet the critics insist
that to compose social poetry, human poetry, popular poetry;
to grumble against the evil and laud the good, to be the
spokesman of public wrath, to insult despots, to make knaves
despair, to emancipate man before he is of age, to push
souls forward and darkness backward, to know that there are
thieves and tyrants, to clean penal cells, to flush the
sewer of public uncleanness,--is not the function of art!
Why not? Homer was the geographer and historian of his time,
Moses the legislator of his, Juvenal the judge of his, Dante
the theologian of his, Shakespeare the moralist of his,
Voltaire the philosopher of his. No region, in speculation
or in fact, is shut to the mind. Here a horizon, there
wings; freedom for all to soar. To sing the ideal, to love
humanity, to believe in progress, to pray toward the
infinite. To be the servant of God in the task of progress,
and the apostle of God to the people,--such is the law which
regulates growth. All power is duty. Should this power enter
into repose in our age? Should duty shut its eyes? And is
the moment come for art to disarm? Less than ever. Thanks to
1789, the human caravan has reached a high plateau; and, the
horizon being vaster, art has more to do. This is all. To
every widening of the horizon, an enlargement of conscience
corresponds. We have not reached the goal. Concord condensed
into felicity, civilization summed up in harmony,--that is
yet far off. The theatre is a crucible of civilization. It
is a place of human communion. All its phases need to be
studied. It is in the theatre that the public soul is
formed."

The theatre may be made the most potent engine for progress and reform. We are living in the midst of the most splendid age which has dawned since humanity first fronted the morning, dimly conscious of its innate power and the possibilities that lay imbedded in its being; an era of life, growth, warfare. On the one hand are ancient thought and prejudice, on the other the inspiration of greater liberty and a nobler manhood. On the one hand selfishness, sensuality, vulgar ostentation, avarice, luxury, and moral effeminacy crying, "Art for art's sake," demanding amusements that will aid in dissipating any moral strength or deep thought that still lingers in the mind, and literature that shall enable one to kill time without the slightest suspicion of intellectual exertion; physical, mental, and moral ennui, with an assumed lofty contempt for utility. On the other hand we have the gathering forces of the dawn, demanding "art for progress," declaring that beauty must be the handmaid of duty; that art must wait on justice, liberty, fraternity, nobility, morality, and intellectual honesty,--in a word the forces in league with light must compel the beautiful to make radiant the pathway of the future. In the union of art and utility lies the supreme excellence of "Margaret Fleming," it deals with one of the most pressing problems of our present civilization; it is the most powerful plea for an equal standard of morals for men and women that I have ever heard. This thought, it is true, like the entire drama, is anything but conventional; it breathes the spirit of the coming day. The subtile bondage and servility of woman, a vestige of the barbarous past, still taints our civilization. Far more is demanded by society of her than of man, and when heretofore she has raised her voice against this inequity she has been silenced by unworthy imputations. It is the shame of our age that woman is not accorded a higher meed of justice. She has a right to demand that the man who marries her be every whit as pure and moral as herself, and until she makes this demand, and holds herself from the contamination of moral lepers, no substantial progress for higher morals and purer life will be made. Unless woman checks the increasing degradation of manhood, man will sooner or later drag her to his deplorable level. "Margaret Fleming" shows this truth and points to the woman of to-day her stern and inexorable duty.

Unless woman assumes an aggressive stand and ostracizes the libertine, refusing his society, his attention, and most of all the proffer of his leprous love, the moral outlook for society will soon be as gloomy as was Rome's future when Epictetus was banished from her streets because he mercilessly assailed the moral degradation of his day.

THE PRESENT REVOLUTION IN THEOLOGICAL THOUGHT.

The rapid spread of heresy throughout the churches is creating genuine dismay in many quarters. When such ripe scholars and representative thinkers as Rev. Heber Newton, Dr. C. A. Briggs, and Rev. Dr. Bridgman, representing three of the most powerful Protestant communions, freely preach doctrines at variance with conventional orthodox views, and express a grander hope and broader faith than that cherished by conservative theologians, it is by no means strange that the current of old-time thought should be stirred. If, however, these scholarly minds stood alone in their convictions, there would be no warrant for such widespread apprehension as is manifest. The serious character of the present theological revolution, however, lies in the fact that the pulpit and the people are honey-combed with the peculiar heresy which rejects the verbal inspiration of the Bible and the dogma of eternal damnation.[9] The general uneasiness occasioned by the present epidemic of heresy, and the bitter strictures which it has called forth, are perfectly natural, while it is equally true that the present liberal attitude of so many of the foremost thinkers in the various orthodox churches is the legitimate outcome of numerous agencies which have been silently working for generations.

[9] The _United Presbyterian_ in a recent issue says,
"It appears that Dr. Briggs does not stand alone in the
theological seminaries of the Presbyterian Church as a
teacher of dangerous views of inspiration. Four of the
professors of Lane Seminary have declared themselves as
equally radical." The _Interior_ says, "The paper of
Prof. Smith, of Lane, published in a pamphlet with that
of Prof. Evans, goes much beyond anything that has
appeared on the subject from Presbyterian authorship in
this country."

At the meeting of the Alumni of the Union Theological
Seminary, on the eighteenth of May, the newly elected
professor of systematic theology, the brilliant Rev.
Henry J. Van Dyke, D. D. (since deceased) made the
following bold remark while defending Dr. Briggs: "_If
we cannot have orthodoxy and liberty, let orthodoxy go
and let us have liberty. Liberty has always produced
progress._"

In his sermon on May the 24th, Rev. Thomas Dixon, one
of the Baptist clergymen of New York City, said: The
heresy trial is a record of barbarism, a relic of
savagery. It belongs to the crudeness, and ignorance,
and superstition of barbaric times. It smells of
roasting flesh.

On the same Sunday the Rev. Dr. Charles H. Parkhurst,
of the Madison Square Presbyterian Church, of New York,
quoted the ringing words given above by Dr. Van Dyke,
with his cordial indorsement. He continued to thus
severely arraign the Orthodox brethren in the
Presbyterian Church:

"This question of inerrancy is not new. Calvin, Luther,
and many others did not believe in the Bible's
inerrancy. If this is not according to the confession
of faith--I don't know whether it is or not--we had
better square the confession with the truth rather than
the truth with the confession. Let those who would
prove that there are no mistakes in the Bible produce a
cud-chewing coney, and then we will consider the
question of inerrancy.

If the Church is to go on in the way that some are
trying to persuade us it ought to go, the sooner it
gives up the ghost the better, to save the medical
expense."

At various era-marking periods in the annals of history, the multitudes have been thus disturbed. They have felt that the old-time beliefs of their fathers, the tradition of ages, the oracles, which from early infancy they have learned to revere and hold most sacred, were being demolished. This naturally aroused bitter antagonism in their souls. They believed they were carrying out God's wishes when like Saul of Tarsus, they aided in slaying heretics. Thus when the great Nazarene taught a higher, sweeter, and nobler code of ethics than the ancient Jewish law-givers and teachers, he was persecuted and slain because the Jews believed he sought to overthrow their revered and sacred truths. In a like manner Paul and the early advocates of Christianity, when they proclaimed their religion in Gentile lands frequently aroused the bitterest antagonism. At a later date Galileo's demonstrations and Sir Isaac Newton's discovery occasioned precisely the game dismay, and called forth bitter and pronounced opposition, because it was felt that in one case the authority of the Bible was impeached, and in the other that God was to be taken out of the universe. When Luther and the Reformation broke the dead calm of centuries of growing corruption and externalization in the religious life of Europe, Christendom felt a thrill of dismay. New disturbing elements had entered the fields. The general uneasiness on the part of tens of thousands of people who believed they were sincere worshippers of God, was succeeded by an intense desire to crush out this dangerous heresy with fire and torture, if necessary. The terrible days, months, and years that followed the dawn of the Reformation, bear melancholy testimony to the innate ferocity of man's nature, and the relentless character of religious warfare. Nevertheless, in spite of persecution, the new truth spread. A broader horizon opened to man's view. That conflict marked the birth of one of the grandest epochs in humanity's onward march. Thus has it ever been. To-day stones the prophet, to-morrow tearfully rears a monument and treasures his lofty utterances.

Yet with every transition period comes the old-time struggle, the apprehension and anguish of spirit, _the night of doubt_. It is, therefore, not surprising that the oppression of fear weighs on the minds of all those who believe that God has spoken His last word; that in the twilight of the past alone lies the hope of humanity.

On the other hand, the theological revolt now manifest is a legitimate result of multitudinous agencies, which have for generations been silently and subtly influencing the mind of man, among which may be mentioned the spread of popular education, and the growth of the newspaper. As long as people knew not how to read or were unable to procure any medium of information which brought them in rapport with the vast growing world of thought and action, they naturally turned to their priest or clergyman for intellectual as well as religious food, and from him as a rule received instruction with the docility and confidence exhibited by little children seeking for truth. With the appearance of schoolhouses in every hamlet, and the establishment of cheap and popular newspapers, however, came a change as marked as it was wonderful. People began to reason and think for themselves. They demanded credentials for the various dogmas and ideas discussed in every department of thought. It is true, that religion was approached much more reluctantly and reverently than other subjects, but the growth of knowledge, the opportunity to hear all sides of problems discussed, and the broader conception of life which a world knowledge gave, exerted a positive and ever-increasing influence on their minds in this department of thought. The great inventions of the past hundred years, which have bound together as one family almost the whole world, have also brought to light the great religions of other races and ages. Gradually it dawned on the public mind that almost every people had a clearly defined system of theology; containing much that was beautiful, elevating, and inspiring, more or less hidden among superstitious traditions natural to childhood and credulous ages. This led many to ask whether Jesus might not have had a larger thought in his mind than mankind had dreamed when he said, "Other sheep have I which are not of this fold"; and whether there might not be a wider significance than had been given to the idea, that God had in sundry times and in divers ways spoken to His children on earth. Another lever of progressive thought was the marvellous strides taken in physical science, which followed the Reformation. Discoveries in astronomy, in geology and biology have completely overthrown many time-honored and revered traditions and fables regarded for ages as divine truth. The critical spirit of the age, the inquiring condition of human thought, which instead of being discouraging is distinctly a mark of human growth, stands in bold antithesis to the dark ages, when speculation and progress were outlawed in many fields of research, and spirituality suffered an eclipse behind the pomp, form, and show of theology, when to a great degree mental stagnation prevailed. Yet this critical spirit has been one of the most potent factors in liberalizing thought. Another cause for the radical change of views among Bible scholars is found in the rich results of archæological research during the past generation. This with a critical, or scientific study of the Bible, the early church, and profane history, contemporaneous with the rise of Christianity, has led thousands of the most profound and sincere religious thinkers into broader fields, giving to them a loftier view of life, eternity and God than was possible under the old conceptions. What diligent research on the part of scholarship has effected among critical students, the recent revision of the Bible has accomplished among the people. The old-time reverence for the letter of the law, or what is commonly known as verbal inspiration, is disappearing as mist before the sunshine, owing, in this latter case, to the people becoming acquainted for the first time with the fact that there are passages in the Bible confessed by the most orthodox scholars to be spurious. They found in the revised scriptures passages in some instances containing many consecutive verses enclosed in brackets, as, for example, the story of the woman taken in sin in the Gospel of John from vii. 53 to viii. 11 inclusive. Consulting the foot-note they found that these passages were spurious or added by a later hand. I well remember the explanation made by a scholarly and devout professor in theology, while at the Kentucky University, regarding the passage referred to above. "The incident doubtless occurred much as it appears," asserted the professor, "but while omitted from the earlier copies, was handed down by tradition, and at a later day incorporated into the text." Such explanations in the very nature of things, however, were by no means calculated to satisfy the doubts which had been raised in the minds of those who had from infancy been taught to believe in the verbal inspiration of the Bible. Naturally the question arose in the minds of the thinking masses, if one _passage_ is proved to be spurious, and the world possesses no original manuscripts, what guarantee that anything approaching the original teachings of Jesus is preserved. If the stream of inspiration is proved to be muddy in some places, is it not possible that what at first was pure as the melting snow on the mountain tops, after passing through the hands of various human authors and copyists, may have become as turbid with the cast of human thought as the mountain stream which, pure at the source, is heavy with mud at the base? It is impossible to estimate how much influence this discovery on the part of the people has exerted in behalf of a broader and more liberal interpretation of the Bible. Another factor which is usually overlooked, but which has had a marked effect on the thought which to-day is in open rebellion against the old standards, is found in the influence exerted by a galaxy of great and godly lives, which came on the stage of existence early in the present century, and whose thoughts have unconsciously broadened the minds, refined the sentiment, and ennobled the lives of every one who has read their works. In this country Longfellow, Bryant, Whittier, Lowell, Hawthorne, Emerson, Channing, Parker, Clarke, and other illuminated souls, gave all who came under the magic of their words a broader view of life, a truer conception of the universe, and a loftier inspiration than aught that had touched them before. It is doubtful if the great thinkers dreamed that on the current of their thoughts tens of thousands of earnest lives were to be carried into a larger hope, a more intelligent, humane appreciation of the mysteries of creation, and a grander idea of God. Thus we see in the present religious revolution nothing strange in the bitter opposition of conservative thought, nothing remarkable in the persistent and earnest attitude of those who stand for the higher criticism. It is the old feud; the past struggling with the future; departing night battling with the dawn. Of the issue none who have faith in the ultimate triumph of truth, wisdom, and progress can doubt.

THE CONFLICT BETWEEN ANCIENT AND MODERN THOUGHT IN THE PRESBYTERIAN CHURCH.

The vote of the New York Presbytery on the twelfth of May, to present the case of Prof. Charles A. Briggs[10] before the synod will probably prove one of the most momentous moves made in recent years in the theological world. It is a positive challenge thrown before Presbyterians who hold views popularly termed "Higher Criticism." It is a declaration of war to the knife on the part of those who oppose the revision of the Westminster Confession, and who cherish ancient thought. Nor is the opposition led by Dr. Briggs disposed to yield what is believed to be the only truth consistent with an intelligent conception of a just, loving, and wise God. The immediate cause of this determined conflict is found in Professor Briggs' recent address on the authority of the Holy Scriptures, delivered at his inaugural as Professor of Biblical Theology in the Union Theological Seminary of New York. In this notable address he maintained that there were three great fountains of divine authority, the Bible, the Church, and Reason, any one of which was capable of leading persons to God. He instanced the following cases: Cardinal Newman was led to God through the Church of Rome; Spurgeon, through the Bible, and the philosopher Martineau through Reason. He further asserted "that no one could get at the Bible unless he forced his way through human obstacles, which he tabulated as follows: (1) Superstitious reverence for the book itself. (2) The belief in the verbal inspiration of the Bible. (3) The authenticity of the Scriptures. Traditions from the dead church assign authors to all the books of the Bible, but higher criticism pronounces these traditions fallacies and follies. (4) The doctrine of the inerrancy of the Bible. Historical criticism again pronounces that there are errors in the Bible, but they are in circumstantials, not in essentials. (5) The miracles are in violation of the laws of nature, and keep men away from the Bible. (6) The failure of minute prophecy." Dr. Briggs further expressed belief in the ultimate salvation of mankind, declaring that redemption was not limited to this world, but continued through the vast period of time preceding the resurrection.

[10] Dr. Philip Schaff, than whom there is no abler or
more renowned biblical scholar in the New World, has in
a recent paper in the New York _Herald_ defended Dr.
Briggs. That journal aptly says: In his paper, he
defines in the most trenchant language, the apparent
inconsistency of the New York Presbytery in practically
avowing, eighteen months ago, the same principle for
which Dr. Briggs, it declares, must now stand trial. He
declares that the American Presbyterian Church has
herself materially changed the Westminster Confession
of a hundred years ago, and that this spirit of
revision pervades the whole Christian world. Finally,
he asserts that, as the theory of verbal inspiration of
the Scriptures is not in the Westminster Confession of
Faith, it cannot be demanded from any Presbyterian
minister or professor, and warns churchmen that any
attempt by the General Assembly to enforce an extra
Scriptural and extra Confessional theory upon the
Church will create a split worse than that of 1837. The
_Herald_ observes that:--

"Dr. Schaff's international fame as a church historian
and theologian will compel the greatest respect from
not alone the ministers of the Presbyterian church, but
also from the clergy of all Christian churches.