Chapter XIII (1)

M. PLATZOFF'S SECRET--CAPTAIN DUCIE'S TRANSLATION OF M. PAUL PLATZOFF'S MS.

"You will have gathered from the foregoing note, my dear Carlo, that I have something of importance to relate to you; something that I am desirous of keeping a secret from everyone but yourself. From the same source you will have learned where to find the key by which alone the lock of my secret can be opened.

"I was induced by two reasons to make use of _The Confessions of Parthenio the Mystic_ as the basis of my cryptographic communication. In the first place, each of us has in his possession a copy of the same edition of that rare book, _viz._, the Amsterdam edition of 1698. In the second place, there are not more than half-a-dozen copies of the same work in England; so that if this document were by mischance to fall into the hands of some person other than him for whom it is intended, such person, even if sufficiently acute to guess at the means by which alone the cryptogram can be read, would still find it a matter of some difficulty to obtain possession of the requisite key.

"I address these lines to you, my dear Lampini, not because you and I have been friends from youth, not because we have shared many dangers and hardship together, not because we have both kept the same great object in view throughout life; in fine, I do not address them to you as a private individual, but in your official capacity as Secretary of the Secret Society of San Marco.

"You know how deeply I have had the objects of the Society at heart ever since, twenty-five years ago, I was deemed worthy of being made one of the initiated. You know how earnestly I have striven to forward its views both in England and abroad; that through my connection with it I am _suspect_ at nearly every capital on the Continent--that I could not enter some of them except at the risk of my life; that health, time, money--all have been ungrudgingly given for the furtherance of the same great end.

"Heaven knows I am not penning these lines in any self-gratulatory frame of mind--I who write from this happy haven among the hills. Self-gratulation would ill-become such as me. Where I have given gold, others have given their blood. Where I have given time and labour, others have undergone long and cruel imprisonments, have been separated from all they loved on earth, and have seen the best years of their life fade hopelessly out between the four walls of a living tomb. What are my petty sacrifices to such as these?

"But not to everyone is granted the happiness of cementing a great cause with his heart's blood. We must each work in the appointed way--some of us in the full light of day; others in obscure corners, at work that can never be seen, putting in the stones of the foundation painfully one by one, but never destined to share in the glory of building the roof of the edifice.

"Sometimes, in your letters to me, especially when those letters contained any disheartening news, I have detected a tone of despondency, a latent doubt as to whether the cause to which both of us are so firmly bound was really progressing; whether it was not fighting against hope to continue the battle any longer; whether it would not be wiser to retreat to the few caves and fastnesses that were left us, and leaving Liberty still languishing in chains, and Tyranny still rampant in the high places of the world, to wage no longer a useless war against the irresistible Fates. Happily, with you such moods were of the rarest: you would have been more than mortal had not your soul at times sat in sackcloth and ashes.

"Such seasons of doubt and gloom have come to me also; but I know that in our secret hearts we both of us have felt that there was a self-sustaining power, a latent vitality in our cause that nothing could crush out utterly; that the more it was trampled on the more dangerous it would become, and the faster it would spread. Certain great events that have happened during the last twelve months have done more towards the propagation of the ideas we have so much at heart than in our wildest dreams we dare have hoped only three short years ago. Gravely considering these things, it seems to me that the time cannot be far distant when the contingent plan of operations as agreed upon by the Central Committee two years ago, to which I gave in my adhesion on the occasion of your last visit to Bon Repos, will have to replace the scheme at present in operation, and will become the great lever in carrying out the Society's policy in time to come.

"When the time shall be ripe, but one difficulty will stand in the way of carrying out the proposed contingent plan. That difficulty will arise from the fact that the Society's present expenses will then be trebled or quadrupled, and that a vast accession to the funds at command of the Committee for the time being will thus be imperatively necessitated. As a step, as a something towards obviating whatever difficulty may arise from lack of funds, I have devised to you, as Secretary of the Society, the whole of my personal estate, amounting in the aggregate to close upon fifteen thousand pounds. This property will not accrue to you till my decease; but that event will happen no very long time hence. My will, duly signed and witnessed, will be found in the hands of my lawyer.

"But it was not merely to advise you of this bequest that I have sought such a roundabout mode of communication. I have a greater and a much more important bequest to make to the Society, through you, its accredited agent. I have in my possession a green DIAMOND, the estimated value of which is a hundred and fifty thousand pounds. This precious gem I shall leave to you, by you to be sold after my death, the proceeds of the sale to be added to the other funded property of the Society of San Marco.

"The Diamond in question became mine during my travels in India many years ago. I believe my estimate of its value to be a correct one. Except my confidential servant, Cleon (whom you will remember), no one is aware that I have in my possession a stone of such immense value. I have never trusted it out of my own keeping, but have always retained it by me, in a safe place, where I could lay my hands upon it at a moment's notice. But not even to Cleon have I entrusted the secret of the hiding-place, incorruptibly faithful as I believe him to be. It is a secret locked in my own bosom alone.

"You will now understand why I have resorted to cryptography in bringing these facts under your notice. It is intended that these lines shall not be read by you till after my decease. Had I adopted the ordinary mode of communicating with you, it seemed to me not impossible that some other eye than the one for which it was intended might peruse this statement before it reached you, and that through some foul play or underhand deed the Diamond might never come into your possession.

"It only remains for me now to point out where and by what means the Diamond may be found. It is hidden away in--"

* * * * *

Here the MS., never completed, ended abruptly.

(_To be continued._)

RONDEAU.

In vain we call to youth, "Return!"
In vain to fires, "Waste not, yet burn!"
In vain to all life's happy things,
"Give the days song--give the hours wings!
Let us lose naught--yet always learn!"

The tongue must lose youth, as it sings--
New knowledge still new sorrow brings:
Oh, sweet lost youth, for which we yearn
In vain!
But even this hour from which ye turn--
Impatient--o'er its funeral urn
Your soul with mad importunings
Will cry, "Come back, lost hour!" So rings
Ever the cry of those who yearn
In vain.

E. NESBIT.

SAPPHO.

When the Akropolis at Athens bore its beautiful burden entire and perfect, one miniature temple stood dedicated to wingless Victory, in token that the city which had defied and driven back the barbarian should never know defeat.

But only a few decades had passed away when that temple stood as a mute and piteous witness that Athens had been laid low in the dust, and that Victory, though she could never weave a garland for Hellenes who had conquered Hellenes, was no longer a living power upon her chosen citadel. By the eighteenth century the shrine had altogether disappeared: the site only could be traced, and four slabs from its frieze were discovered close at hand, built into the walls of a Turkish powder magazine; but not another fragment could be found.

The descriptions of Pausanias and of one or two later travellers were all that remained to tell us of the whole; of its details we might form some faint conception from those frieze marbles, rescued by Lord Elgin and now in the British museum.

But we are not left to restore the temple of wingless Victory in our imagination merely, aided by description and by fragment. It stands to-day almost complete except for its shattered sculptures, placed upon its original site, and looking, among the ruins of the grander buildings around it, like a beautiful child who gazes for the first time on sorrow which it feels but cannot share. The blocks of marble taken from its walls and columns had been embedded in a mass of masonry, and when Greece was once more free, and all traces of Turkish occupation were being cleared from the Akropolis, these were carefully put together with the result that we have described.

Like this in part, but unhappily only in part, is the story of the poems of Sappho. She wrote, as the architect planned, for all time. We have one brief fragment, proud, but pathetic in its pride, that tells us she knew she was meant not altogether to die:

"I say that there will be remembrance of us hereafter,"

and again with lofty scorn she addresses some other woman:

"But thou shalt lie dead, nor shall there ever be remembrance of
thee then or in the time to come, for thou hast no share in the
roses of Pieria; but thou shalt wander unseen even in the halls of
Hades, flitting forth amid the shades of the dead."

The words sound in our ears with a melancholy close as we remember how hopelessly lost is almost every one of those poems that all Hellas loved and praised as long as the love and praise of Hellas was of any worth. Remembrance among men was, to her, the Muses' crowning gift; that which should distinguish her from ordinary mortals, even beyond the grave, and grant her new life in death. But it was only for her songs' sake that she cared to live; she looked for immortality only because she felt that they were too fair to die.

It was almost by accident that the name of Sappho was first associated with the slanders that have ever since clung round it.

By the close of the fourth century, B.C., Athenian comedy had degenerated into brilliant and witty and scandalous farce, in many essentials resembling the new Comedy of the Restoration in England. But the vitiated Athenian palate required a seasoning which did not commend itself to English taste; it was necessary that the shafts of the writer's wit should strike some real and well-known personage.

Politics, which had furnished so many subjects and so many characters to Aristophanes, were now a barren field, and public life at Athens in those days was nothing if not political. Hence arose the practice of introducing great names of bygone days into these comedies, in all kinds of ridiculous and disgraceful surroundings.

There was a piquancy about these libels on the dead which we cannot understand, but which we may contrast with the less dishonourable process known to modern historians as "whitewashing." Just as Tiberius and Henry VIII. have been rescued from the infamy of ages, and placed among us upon pedestals of honour from which it will be difficult hereafter wholly to dislodge them, many honoured names were taken by these iconoclasts of the Middle Comedy and hurled down to such infamy as they alone could bestow.

Sappho stood out prominently as the one supreme poetess of Hellas, and the poets, if so they must be called, of the decline of Greek dramatic art were never weary of loading her name with every most disgraceful reproach they could invent. It is hardly worth while to discuss a subject so often discussed with so little profit, or it would be easy to show that these gentlemen, Ameipsias, Antiphanes, Diphilus, and the rest, were indebted solely to their imagination for their facts.

It would be as fair to take the picture of Sokrates in the "Clouds" of Aristophanes for a faithful representation of the philosopher as it would be to take the Sappho of the comic stage for the true Sappho. Indeed, it would be fairer; for the Sokrates of the "Clouds" is an absurd caricature, but, like every good caricature, it bore some resemblance to the original.

Aristophanes and his audience were familiar with the figure of Sokrates as he went in and out amongst them; they knew his character and his manner of life; and, though the poet ventured to pervert the teaching and to ridicule the habits of a well-known citizen, he would not venture to put before the people a representation in which there was not a grain of truth.

But Sappho had been dead for two hundred years: the Athenian populace knew little of her except that she had been great and that she had been unhappy; and the descendants of the men who had thronged the theatre to see the Oedipus of Sophokles, sickening with that strange disease which makes the soul crave to batten on the fruits that are its poison, found a rare feast furnished forth in the imaginary history of the one great woman of their race.

The centuries went on, and Sappho came before the tribunal of the early Christian Church.

The chief witnesses against her were these same comic poets, who were themselves prisoners at the bar; and her judges, with the ruthless impartiality of undiscriminating zeal, condemned the whole of her works, as well as those of her accusers, to be destroyed in the flames.

Thus her works have almost totally perished: the fragments that are extant give us only the faintest hints of the grace and sweetness that we have for ever lost.

The mode of the preservation of these remains is half-pathetic, half-grotesque. We have one complete poem and a considerable portion of another; the rest are the merest fragments--now two or three lines, now two or three words, often unintelligible without their context. We have imitations and translations by Catullus and by Horace; but even Catullus has conspicuously failed to reproduce her. As Mr. Swinburne has candidly and very truly said: "No man can come close to her."

No; all that we possess of Sappho is gleaned from the dictionary, the geography, the grammar and the archæological treatise; from a host of worthy authors who are valued now chiefly for these quotations which they have enshrined. Here a painful scholar of Alexandria has preserved the phrase--

"The golden sandalled dawn but now has (waked) me,"

to show how Sappho employed the adverb. Apollonius, to prove that the Æolic dialect had a particular form for the genitive case of the first personal pronoun, has treasured up two sad and significant utterances,

"But thou forgettest me!"

and

"Or else thou lovest another than me,"

The Æolic genitive has saved for us another of these sorrow-laden sentences which Mr. Swinburne has amplified in some beautiful but too wordy lines. Sappho only says

"I am full weary of Gorgo."

--A few of these fragments tell us of the poet herself.

"I have a daughter like golden flowers, Kleis my beloved, for whom
(I would take) not all Sydia...."

and one beautiful line which we can recognise in the translation by Catullus,

"Like a child after its mother, I--"

The touches by which she has painted nature are so fine and delicate that the only poet of our time who has a right to attempt to translate them has declared it to be "the one impossible task." Our English does, indeed, sound harsh and unmusical as we try to represent her words; yet what a picture is here--

"And round about the cold (stream) murmurs through the
apple-orchards, and slumber is shed down from trembling leaves."

She makes us hear the wind upon the mountains falling on the oaks; she makes us feel the sun's radiance and beauty, as it glows through her verses; she makes us love with her the birds and the flowers that she loved. She has a womanly pity not only for the dying doves when--

"Their hearts grew cold and they dropped their wings,"

but for the hyacinth which the shepherds trample under foot upon the hillside. The golden pulse growing on the shore, the roses, the garlands of dill, are yet fragrant for us; we can even now catch the sweet tones of the "Spring's angel," as she calls it, the nightingale that sang in Lesbos ages and ages ago. One beautiful fragment has been woven with another into a few perfect lines by Dante Gabriel Rossetti; but it shall be given here as it stands. It describes a young, unwedded maiden:

"As the sweet apple blushes on the end of the bough, the very end
of the bough which the gatherers overlooked--nay, overlooked not,
but could not reach."

The Ode to Aphrodite and the fragment to Anaktoria are too often found in translations to be quoted here. Indeed, it is of but little use to quote; for Sappho can be known only in her own language and by those who will devote time to these inestimable fragments. Their beauty grows upon us as we read; we catch in one the echo of a single tone, so sweet that it needs no harmony; and again a few stray chords that haunt the ear and fill us with an exquisite dissatisfaction; and yet again a grave and stately measure such as her rebuke to Alkæus--

"Had thy desire been for what was good or noble and had not thy
tongue framed some evil speech, shame had not filled thine eyes--"

MARY GREY.

THE SILENT CHIMES.

RINGING AT MIDDAY.

It was an animated scene; and one you only find in England. The stubble of the cornfields looked pale and bleak in the departing autumn, the wind was shaking down the withered leaves from the trees, whose thinning branches told unmistakably of the rapidly-advancing winter. But the day was bright after the night's frost, and the sun shone on the glowing scarlet coats of the hunting men, and the hounds barked in every variety of note and leaped with delight in the morning air. It was the first run of the season, and the sportsmen were fast gathering at the appointed spot--a field flanked by a grove of trees called Poachers' Copse.

Ten o'clock, the hour fixed for the throw-off, came and went, and still Poachers' Copse was not relieved of its busy intruders. Many a gentleman foxhunter glanced at his hunting-watch as the minutes passed, many a burly farmer jerked his horse impatiently; while the grey-headed huntsman cracked his long whip amongst his canine favourites and promised them they should soon be on the scent. The delay was caused by the non-arrival of the Master of the Hounds.

But now all eyes were directed to a certain quarter, and by the brightened looks and renewed stir, it might be thought that he was appearing. A stranger, sitting his horse well and quietly at the edge of Poachers' Copse, watched the newcomers as they came into view. Foremost of them rode an elderly gentleman in scarlet, and by his side a young lady who might be a few years past twenty.

"Father and daughter, I'll vow," commented the stranger, noting that both had the same well-carved features, the same defiant, haughty expression, the same proud bearing. "What a grandly-handsome girl! And he, I suppose, is the man we are waiting for. Is that the Master of the Hounds?" he asked aloud of the horseman next him, who chanced to be young Mr. Threpp.

"No, sir, that is Captain Monk," was the answer. "They are saying yonder that he has brought word the Master is taken ill and cannot hunt to-day"--which proved to be correct. The Master had been taken with giddiness when about to mount his horse.

The stranger rode up to Captain Monk; judging him to be regarded--by the way he was welcomed and the respect paid him--as the chief personage at the meet, representing in a manner the Master. Lifting his hat, he begged grace for having, being a stranger, come out, uninvited, to join the field; adding that his name was Hamlyn and he was staying with Mr. Peveril at Peacock's Range.

Captain Monk wheeled round at the address; his head had been turned away. He saw a tall, dark man of about five-and-thirty years, so dark and sunburnt as to suggest ideas of his having recently come from a warmer climate. His hair was black, his eyes were dark brown, his features and manner prepossessing, and he spoke as a man accustomed to good society.

Captain Monk, lifting his hat in return, met him with cordiality. The field was open to all, he said, but any friend of Peveril's would be doubly welcome. Peveril himself was a muff, in so far as that he never hunted.

"Hearing there was to be a meet to-day, I could not resist the temptation of joining it; it is many years since I had the opportunity," remarked the stranger.

There was not time for more, the hounds were throwing off. Away dashed the Captain's steed, away dashed the stranger's, away dashed Miss Monk's, the three keeping side by side.

Presently came a fence. Captain Monk leaped it and galloped onwards after the other red-coats. Miss Eliza Monk would have leaped it next, but her horse refused it; yet he was an old hunter and she a fearless rider. The stranger was waiting to follow her. A touch of the angry Monk temper assailed her and she forced her horse to the leap. He had a temper also; he did not clear it, and horse and rider came down together.

In a trice Mr. Hamlyn was off his own steed and raising her. She was not hurt, she said, when she could speak; a little shaken, a little giddy--and she leaned against the fence. The refractory horse, unnoticed for the moment, got upon his legs, took the fence of his own accord and tore away after the field. Young Mr. Threpp, who had been in some difficulty with his own steed, rode up now.

"Shall I ride back to the Hall and get the pony-carriage for you, Miss Eliza?" asked the young man.

"Oh, dear, no," she replied, "thank you all the same. I would prefer to walk home."

"Are you equal to the walk?" interposed the stranger.

"Quite. The walk will do away with this faintness. It is not the first fall I have had."

The stranger whispered to young Mr. Threpp--who was as good-natured a young fellow as ever lived. Would he consent to forego the sport that day and lead his horse to Mr. Peveril's? If so, he would accompany the young lady and give her the support of his arm.

So William Threpp rode off, leading Mr. Hamlyn's horse, and Miss Monk accepted the stranger's arm. He told her a little about himself as they walked along. It might not have been an ominous commencement, but intimacies have grown sometimes out of a slighter introduction. Their nearest way led past the Vicarage. Mr. Grame saw them from its windows and came running out.

"Has any accident taken place?" he asked hurriedly. "I hope not."

Eliza Monk's face flushed. He had been Lucy's husband several months now, but she could not yet suddenly meet him without a thrill of emotion. Lucy ran out next; the pretty young wife for whom she had been despised. Eliza answered Mr. Grame curtly, nodded to Lucy, and passed on.

"And, as I was telling you," continued Mr. Hamlyn, "when this property was left to me in England, I made it a plea for throwing up my post in India, and came home. I landed about six weeks ago, and have been since busy in London with lawyers. Peveril, whom I knew in the days gone by, wrote to invite me to come to him here on a week's visit, before he and his wife leave for the South of France."

"They are going to winter there for Mrs. Peveril's health," observed Eliza. "Peacock's Range, the place they live at, belongs to my cousin, Harry Carradyne. Did I understand you to say that you were not an Englishman?"

"I was born in the West Indies. My family were English and had settled there."

"What a coincidence!" exclaimed Eliza Monk with a smile. "My mother was a West Indian, and I was born there.--There's my home, Leet Hall!"

"A fine old place," cried Mr. Hamlyn, regarding the mansion before him.

"You may well say 'old,'" remarked the young lady. "It has been the abode of the Monk family from generation to generation. For my part, I sometimes half wish it would fall down that we might get away to a more lively locality. Church Leet is a dead-alive place at best."

"We always want what we have not," laughed Mr. Hamlyn. "I would give all I am worth to possess an ancestral home, no matter if it were grim and gloomy. We who can boast of only modern wealth look upon these family castles with an envy you have little idea of."

"If you possess modern wealth, you possess a very good and substantial thing," she answered, echoing his laugh.--"Here comes my aunt, full of wonder."

Full of alarm also. Mrs. Carradyne stood on the terrace steps, asking if there had been an accident.

"Not much of one, Aunt Emma. Saladin refused the fence at Ring Gap, and we both came down together. This gentleman was so obliging as to forego his day's sport and escort me home. Mr.--Mr. Hamlyn, I believe?" she added. "My aunt, Mrs. Carradyne."

The stranger confirmed it. "Philip Hamlyn," he said to Mrs. Carradyne, lifting his hat.

Gaining the hall-door with slow and gentle steps came a young man, whose beautiful features were wasting more perceptibly day by day, and their hectic growing of a deeper crimson. "What is amiss, Eliza?" he cried. "Have you come to grief? Where's Saladin?"

"My brother," she said to Mr. Hamlyn.

Yes, it was indeed Hubert Monk. For he did not die of that run to the church the past New Year's Eve. The death-like faint proved to be a faint, nothing more. Nothing more _then_. But something else was advancing with gradual steps: steps that seemed to be growing almost perceptible now.

Now and again Hubert fainted in the same manner; his face taking a death-like hue, the blue tinge surrounding his mouth. Captain Monk, unable longer to shut his eyes to what might be impending, called in the best medical advice that Worcestershire could afford; and the doctors told him the truth--that Hubert's days were numbered.

To say that Captain Monk began at once to "set his house in order" would not be quite the right expression, since it was not he himself who was going to die. But he set his affairs straight as to the future, and appointed another heir in his son's place--his nephew, Harry Carradyne.

Harry Carradyne, a brave young lieutenant, was then with his regiment in some almost inaccessible fastness of the Indian Empire. Captain Monk (not concealing his lamentation and the cruel grief it was to himself personally) wrote word to him of the fiat concerning poor Hubert, together with a peremptory order to sell out and return home as the future heir. This was being accomplished, and Harry might now be expected almost any day.

But it may as well be mentioned that Captain Monk, never given to be confidential about himself or his affairs, told no one what he had done, with one exception. Even Mrs. Carradyne was ignorant of the change in her son's prospects and of his expected return. The one exception was Hubert. Soon to lose him, Captain Monk made more of his son than he had ever done, and seemed to like to talk with him.

"Harry will make a better master to succeed you than I should have made, father," said Hubert, as they were slowly pacing home from the parsonage, arm-in-arm, one dull November day, some little time after the meet of the hounds, as recorded. It was surprising how often Captain Monk would now encounter his son abroad, as if by accident, and give him his arm home.

"What d'ye mean?" wrathfully responded the Captain, who never liked to hear his own children disparaged, by themselves or by anyone else.

Hubert laughed a little. "Harry will look after things better than I ever should. I was always given to laziness. Don't you remember, father, when a little boy in the West Indies, you used to tell me I was good for nothing but to bask in the heat?"

"I remember one thing, Hubert; and, strange to say, have remembered it only lately. Things lie dormant in the memory for years, and then crop up again. Upon getting home from one of my long voyages, your mother greeted me with the news that your heart was weak; the doctor had told her so. I gave the fellow a trimming for putting so ridiculous a notion into her head--and it passed clean out of mine. I suppose he was right, though."

"Little doubt of that, father. I wonder I have lived so long."

"Nonsense!" exploded the Captain; "you may live on yet for years. I don't know that I did not act foolishly in sending post-haste for Harry Carradyne."

Hubert smiled a sad smile. "You have done quite right, father; right in all ways; be sure of that. Harry is one of the truest and best fellows that ever lived: he will be a comfort to you when I am gone, and the best of all successors later. Just--a--moment--father!"

"Why, what's the matter?" cried Captain Monk--for his son had suddenly halted and stood with a rapidly-paling face and shortened breath, pressing his hands to his side. "Here, lean on me, lad; lean on me."

It was a sudden faintness. Nothing very much, and it passed off in a minute or two. Hubert made a brave attempt at smiling, and resumed his way. But Captain Monk did not like it at all; he knew all these things were but the beginning of the end. And that end, though not with actual irreverence, he was resenting bitterly in his heart.

"Who's that coming out?" he asked, crossly, alluding to some figure descending the steps of his house--for his sight was not what it used to be.

"It is Mr. Hamlyn," said Hubert.

"Oh--Hamlyn! He seems to be always coming in. I don't like that man somehow, Hubert. Wonder what he's lagging in the neighbourhood for?"

Hubert Monk had an idea that he could have told. But he did not want to draw down an explosion on his own head. Mr. Hamlyn came to meet them with friendly smiles and hand-shakes. Hubert liked him; liked him very much.

Not only had Mr. Hamlyn prolonged his stay beyond the "day or two" he had originally come for, but he evinced no intention of leaving. When Mr. Peveril and his wife departed for the south, he made a proposal to remain at Peacock's Range for a time as their tenant. And when the astonished couple asked his reasons, he answered that he should like to get a few runs with the hounds.

II.

The November days glided by. The end of the month was approaching, and still Philip Hamlyn stayed on, and was a very frequent visitor at Leet Hall. Little doubt that Miss Monk was his attraction, and the parish began to say so without reticence.

The parish was right. One fine, frosty morning Mr. Hamlyn sought an interview with Captain Monk and laid before him his proposals for Eliza.

One might have thought by the tempestuous words showered down upon him in answer that he had proposed to smother her. Reproaches, hot and fast, were poured forth upon the suitor's unlucky head.

"Why, you are a stranger!" stormed the Captain; "you have not known her a month! How dare you? It's not commonly decent."

Mr. Hamlyn quietly answered that he had known her long enough to love her, and went on to say that he came of a good family, had plenty of money, and could make a liberal settlement upon her.

"That you never will," said Captain Monk. "I should not like you for my son-in-law," he continued candidly, calming down from his burst of passion to the bounds of reason. "But there can be no question of it in any way. Eliza is to become Lady Rivers."

Mr. Hamlyn opened his eyes in astonishment. "Lady Rivers!" he echoed. "Do you speak of Sir Thomas Rivers?--that old man!"

"No, I do not, sir. Sir Thomas Rivers has one foot in the grave. I speak of his eldest son. He wants her, and he shall have her."

"Pardon me, Captain, I--I do not think Miss Monk can know anything of this. I am sure she did not last night. I come to you with her full consent and approbation."

"I care nothing about that. My daughter is aware that any attempt to oppose her will to mine would be utterly futile. Young Tom Rivers has written to me to ask for her; I have accepted him, and I choose that she shall accept him. She'll like it herself, too; it will be a good match."

"Young Tom Rivers is next door to a simpleton: he is not half-baked," retorted Mr. Hamlyn, his own temper getting up: "if I may judge by what I've seen of him in the field."

"Tom Rivers is a favourite everywhere, let me tell you, sir. Eliza would not refuse him for you."

"Perhaps, Captain Monk, you will converse with her upon this point?"

"I intend to give her my orders--if that's what you mean," returned the Captain. "And now, sir, I think our discussion may terminate."

Mr. Hamlyn saw no use in prolonging it for the present. Captain Monk bowed him out of the house and called his daughter into the room.

"Eliza," he began, scorning to beat about the bush, "I have received an offer of marriage for you."

Miss Eliza blushed a little, not much: few things could make her do that now. Once our blushes have been wasted, as hers were on Robert Grame, their vivid freshness has faded for ever and aye. "The song has left the bird."

"And I have accepted it," continued Captain Monk. "He would like the wedding to be early in the year, so you may get your rattletraps in order for it. Tell your aunt I will give her a blank cheque for the cost, and she may fill it in."

"Thank you, papa."

"There's the letter; you can read it"--pushing one across the table to her. "It came by special messenger last night, and I have sent my answer this morning."

Eliza Monk glanced at the contents, which were written on rose-coloured paper. For a moment she looked puzzled.

"Why, papa, this is from Tom Rivers! You cannot suppose I would marry _him_! A silly boy, younger than I am! Tom Rivers is the greatest goose I know."

"How dare you say so, Eliza?"

"Well, he is. Look at his note! Pink paper and a fancy edge!"

"Stuff! Rivers is young and inexperienced, but he'll grow older--he is a very nice young fellow, and a capital fox-hunter. You'd be master and mistress too--and that would suit your book, I take it. I want to have you settled near me, see, Eliza--you are all I have left, or soon will be."

"But, papa--"

Captain Monk raised his hand for silence.

"You sent that man Hamlyn to me with a proposal for you. Eliza; you _know_ that would not do. Hamlyn's property lies in the West Indies, his home too, for all I know. He attempted to tell me that he would not take you out there against my consent; but I know better, and what such ante-nuptial promises are worth. It might end in your living there."

"No, no."

"What do you say 'no, no' for, like a parrot? Circumstances might compel you. I do not like the man, besides."

"But why, papa?"

"I don't know; I have never liked him from the first. There! that's enough. You must be my Lady Rivers. Poor old Tom is on his last legs."

"Papa, I never will."

"Listen, Eliza. I had one trouble with Katherine; I will not have another with you. She defied me; she left my home rebelliously to enter upon one of her own setting-up: what came of it? Did luck attend her? Do you be more wise."

"Father," she said, moving a step forward with head uplifted; and the resolute, haughty look which rendered their faces so much alike was very conspicuous on hers, "do not let us oppose each other. Perhaps we can each give way a little? I have promised to be the wife of Philip Hamlyn, and that promise I will fulfil. You wish me to live near you: well, he can take a place in this neighbourhood and settle down in it; and on my part, I will promise you not to leave this country. He may have to go from time to time to the West Indies; I will remain at home."

Captain Monk looked steadily at her before he answered. He marked the stern, uncompromising expression, the strong will in the dark eyes and in every feature, which no power, not even his, might unbend. He thought of his elder daughter, now lying in her grave; he thought of his son, so soon to be lying beside her; he did not care to be bereft of _all_ his children, and for once in his hard life he attempted to conciliate.

"Hark to me, Eliza. Give up Hamlyn--I have said I don't like the man; give up Tom Rivers also, an' you will. Remain at home with me until a better suitor shall present himself, and Leet Hall and its broad lands shall be yours."

She looked up in surprise. Leet Hall had always hitherto gone in the male line; and, failing Hubert, it would be, or ought to be, Harry Carradyne's. Though she knew not that any steps had already been taken in that direction.

"Leet Hall?" she exclaimed.

"Leet Hall and its broad lands," repeated the Captain impatiently. "Give up Mr. Hamlyn and it shall all be yours."

She remained for some moments in deep thought, her head bent, revolving the offer. She was fond of pomp and power, as her father had ever been, and the temptation to rule as sole domineering mistress in her girlhood's home was great. But at that very instant the tall fine form of Philip Hamlyn passed across a pathway in the distance, and she turned from the temptation for ever. What little capability of loving had been left to her after the advent of Robert Grame was given to Mr. Hamlyn.

"I cannot give him up," she said in low tones.

"What moonshine, Eliza! You are not a love-sick girl now."

The colour dyed her face painfully. Did her father suspect aught of the past; of where her love _had_ been given--and rejected? The suspicion only added fuel to the fire.

"I cannot give up Mr. Hamlyn," she reiterated.

"Then you will never inherit Leet Hall. No, nor aught else of mine."

"As you please, sir, about that."

"You set me at defiance, then!"

"I don't wish to do so, father; but I shall marry Mr. Hamlyn."

"At defiance," repeated the Captain, as she moved to escape from his presence; "Katherine secretly, you openly. Better that I had never had children. Look here, Eliza: let this matter remain in abeyance for six or twelve months, things resting as they are. By that time you may have come to your senses; or I (yes, I see you are ready to retort it) to mine. If not--well, we shall only then be where we are."

"And that we should be," returned Eliza, doggedly. "Time will never change either of us."

"But events may. Let it be so, child. Stay where you are for the present, in your maiden home."

She shook her head in denial; not a line of her proud face giving way, nor a curve of her decisive lips: and Captain Monk knew that he had pleaded in vain. She would neither give up her marriage nor prolong the period of its celebration.

What could be the secret of her obstinacy? Chiefly the impossibility of tolerating opposition to her own indomitable will. It was her father's will over again; his might be a very little softening with years and trouble; not much. Had she been in desperate love with Hamlyn one could have understood it, but she was not; at most it was but a passing fancy. What says the poet? I daresay you all know the lines, and I know I have quoted them times and again, they are so true:

"Few hearts have never loved, but fewer still
Have felt a second passion. _None_ a third.
The first was living fire; the next a thrill;
The weary heart can never more be stirred:
Rely on it the song has left the bird."

Very, very true. Her passion for Robert Grame had been as living fire in its wild intensity; it was but the shadow of a thrill that warmed her heart for Philip Hamlyn. Possibly she mistook it in a degree; thought more of it than it was. The feeling of gratification which arises from flattered vanity deceives a woman's heart sometimes: and Mr. Hamlyn did not conceal his rapturous admiration of her.

She held to her defiant course, and her father held to his. He did not continue to say she should not marry; he had no power for that--and perhaps he did not want her to make a moonlight escapade of it, as Katherine had made. So the preparation for the wedding went on, Eliza herself paying for the rattletraps, as they had been called; Captain Monk avowed that he "washed his hands of it," and then held his peace.

Whether Mr. Hamlyn and his intended bride considered it best to get the wedding over and done with, lest adverse fate, set afoot by the Captain, should, after all, circumvent them, it is impossible to say, but the day fixed was a speedy one. And if Captain Monk had deemed it "not decent" in Mr. Hamlyn to propose for a young lady after only a month's knowledge, what did he think of this? They were to be married on the last day of the year.

Was it fixed upon in defiant mockery?--for, as the reader knows, it had proved an ominous day more than once in the Monk family. But no, defiance had no hand in that, simply adverse fate. The day originally fixed by the happy couple was Christmas Eve: but Mr. Hamlyn, who had to go to London about that time on business connected with his property, found it impossible to get back for the day, or for some days after it. He wrote to Eliza, asking that the day should be put off for a week, if it made no essential difference, and fixed the last day in the year. Eliza wrote word back that she would prefer that day; it gave more time for preparation.

They were to be married in her own church, and by its Vicar. Great marvel existed at the Captain's permitting this, but he said nothing. Having washed his hands of the affair, he washed them for good: had the bride been one of the laundry-maids in his household he could not have taken less notice. A Miss Wilson was coming from a little distance to be bridesmaid; and the bride and bridegroom would go off from the church door. The question of a breakfast was never mooted: Captain Monk's equable indifference might not have stood that.

"I shall wish them good-luck with all my heart--but I don't feel altogether sure they'll have it!" bewailed poor Mrs. Carradyne in private. "Eliza should have agreed to the delay proposed by her father."

III.

Ring, ring, ring, broke forth the chimes on the frosty midday air. Not midnight, you perceive, but midday, for the church clock had just given forth its twelve strokes. Another round of the dial, and the old year would have departed into the womb of the past.

Bowling along the smooth turnpike road which skirted the churchyard on one side came a gig containing a gentleman; a tall, slender, frank-looking young man, with a fair face and the pleasantest blue eyes ever seen. He wore a white top-coat, the fashion then, and was driving rapidly in the direction of Leet Hall; but when the chimes burst forth he pulled up abruptly.

"Why, what in the world?--" he began--and then sat still listening to the sweet strains of "The Bay of Biscay." The day, though in mid-winter, was bright and beautiful, and the golden sunlight, shining from the dark-blue sky, played on the young man's golden hair.

"Have they mistaken midday for midnight?" he continued, as the chimes played out their tune and died away on the air. "What's the meaning of it?"

He, Harry Carradyne, was not the only one to ask this. No human being in and about Church Leet, save Captain Monk and they who executed his orders, knew that he had decreed that the chimes should play that day at midday. Why did he do it? What could his motive be? Surely not that they should, by playing (according to Mrs. Carradyne's theory), inaugurate ill-luck for Eliza! At the moment they began to play she was coming out of church on Mr. Hamlyn's arm, having left her maiden name behind her.

A few paces more, for he was driving gently on now, and Harry pulled up again, in surprise, as before, for the front of the church was now in view. Lots of spectators, gentle and simple, stood about, and a handsome chariot, with four post horses and a great coat-of-arms emblazoned on its panels, waited at the church gate.

"It must be a wedding!" decided Harry.

The next moment the chariot was in motion; was soon about to pass him, the bride and bridegroom inside it. A very dark but good-looking man, with an air of command in his face, he, but a stranger to Harry; she, Eliza. She wore a grey silk dress, a white bonnet, with orange blossoms and a veil, which was quite the fashionable wedding attire of the day. Her head was turned, nodding its farewells yet to the crowd, and she did not see her cousin as the chariot swept by.

"Dear me!" he exclaimed, mentally. "I wonder who she has married?"

Staying quietly where he was until the spectators should have dispersed, whose way led them mostly in opposite directions, Harry next saw the clerk come out of the church by the small vestry door, lock it and cross over to the stile; which brought him out close to the gig.

"Why, my heart alive!" he exclaimed. "Is it Captain Carradyne?"

"That's near enough," said Harry, who knew the title was accorded him by the rustic natives of Church Leet, as he bent down with his sunny smile to shake the old clerk's hand. "You are hearty as ever, I see, John. And so you have had a wedding here?"

"Ay, sir, there have been one in the church. I was not in my place, though. The Captain, he ordered me to let the church go for once, and to be ready up aloft in the belfry to set the chimes going at midday. As chance had it, the party came out just at the same time; Miss Eliza was a bit late in coming, ye see; so it may be said the chimes rang 'em out. I guess the sound astonished the people above a bit, for nobody knew they were going to play."

"But how was it all, Cale? Why should the Captain order them to chime at midday?"

John Cale shook his head. "I can't tell ye that rightly, Mr. Harry; the Captain, as ye know, sir, never says why he does this or why he does t'other. Young William Threpp, who had to be up there with me, thought he must have ordered 'em to play in mockery--for he hates the marriage like poison."

"Who is the bridegroom?"

"It's a Mr. Hamlyn, sir. A gentleman who is pretty nigh as haughty as the Captain himself; but a pleasant-spoken, kindly man, as far as I've seen: and a rich one, too."

"Why did Captain Monk object to him?"

"It's thought 'twas because he was a stranger to the place and has lived over in the Indies; and he wanted Miss Eliza, so it's said, to have young Tom Rivers. That's about it, I b'lieve, Mr. Harry."

Harry Carradyne drove away thoughtfully. At the foot of the slight ascent leading to Leet Hall, one of the grooms happened to be standing. Harry handed over to him the horse and gig, and went forward on foot.

"Bertie!" he called out. For he had seen Hubert before him, walking at a snail's pace: the very slightest hill tried him now. The only one left of the wedding-party, for the bridesmaid drove off from the church door. Hubert turned at the call.

"Harry! Why, Harry!"

Hand locked in hand, they sat down on a bench beside the path; face gazing into face. There had always been a likeness between them: in the bright-coloured, waving hair, the blue eyes and the well-favoured features. But Harry's face was redolent of youth and health; in the other's might be read approaching death.

"You are very thin, Bertie; thinner even than I expected to see, you," broke from the traveller involuntarily.

"_You_ are looking well, at any rate," was Hubert's answer. "And I am so glad you are come: I thought you might have been here a month ago."

"The voyage was unreasonably long; we had contrary winds almost from port to port. I got on to Worcester yesterday, slept there, and hired a horse and gig to bring me over this morning. What about Eliza's wedding, Hubert? I was just in time to see her drive away. Cale, with whom I had a word down yonder, says the master does not like it."

"He does not like it and would not countenance it: washed his hands of it (as he told us) altogether."

"Any good reason for that?"

"Not particularly good, that I see. Somehow he disliked Hamlyn; and Tom Rivers wanted Eliza, which would have pleased him greatly. But Eliza was not without blame. My father gave way so far as to ask her to delay things for a few months, not to marry in a hurry, and she would not. She might have conceded as much as that."

"Did you ever know Eliza concede anything, Bertie?"

"Well, not often."

"Who gave her away?"

"I did: look at my gala toggery"--opening his overcoat. "He wanted to forbid it. 'Don't hinder me, father,' I pleaded; 'it is the last brotherly service I can ever render her.' And so," his tone changing to lightness, "I have been and gone and done it."

Harry Carradyne understood. "Not the last, Hubert; don't say that. I hope you will live to render her many another yet."

Hubert smiled faintly. "Look at me," he said in answer.

"Yes, I know; I see how you look. But you may take a turn yet."

"Ah, miracles are no longer wrought for us. Shall I surprise you very much, cousin mine, if I say that were the offer made me of prolonged life, I am not sure that I should accept it?"

"Not unless health were renewed with it; I can understand that. You have had to endure suffering, Bertie."

"Ay. Pain, discomfort, fears, weariness. After working out their torment upon me, they--why then they took a turn and opened out the vista of a refuge."

"A refuge?"

"The one sure Refuge offered by God to the sick and sorrowful, the weary and heavy-laden--Himself. I found it. I found _Him_, and all His wonderful mercy. It will not be long now, Harry, before I see Him face to face. And here comes His true minister but for whom I might have missed the way."