The Art of Ballet
by OpenStories
Original author: Mark Edward Perugini
"The Art of Ballet" by Mark Edward Perugini is a historical account written in the early 20th century. The book explores the evolution of the art of ballet, particularly in France and England, emphasizing its development and significance over the centuries. It aims to provide a rich narrative that highlights the key milestones and figures in ballet history, tracing its roots and transformations without attempting to cover every detail from every country. The opening of the text serves as an introduction and preface to the detailed exploration that follows. Perugini discusses the nature of ballet as an art form, addressing criticisms and misconceptions. He emphasizes the historical significance of ballet, acknowledging that it has existed for around two thousand years and has been a source of aesthetic pleasure across cultures. Perugini also sets the stage for the examination of ballet's elements—dancing, miming, music, and scenic effects—highlighting their intertwined histories and contributions to what is recognized as professional ballet today.
The Art of Ballet, by Mark Edward Perugini. Republished by OpenStories from Project Gutenberg eBook #63550.
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37 Chapters
- 1.Preface1,125 words
- 2.Book I: The First Era1,359 words
- 3.Chapter I: A Distinction, and Some Differences1,021 words
- 4.Chapter II: Egypt2,088 words
- 5.Chapter III: Greece2,459 words
- 6.Chapter IV: Mime and Pantomime: Rome, Hippodrome--Obscurity1,748 words
- 7.Chapter V: Church Thunder and Church Complaisance1,483 words
- 8.Chapter VI2,226 words
- 9.Chapter VII: Thoinot Arbeau’s “orchésographie,” 15882,851 words
- 10.Chapter VIII: Scenic Effect: the English Masque as Ballet3,247 words
- 11.Chapter IX: Ballet on the Move1,489 words
- 12.Chapter X: Court Ballets Abroad: 1609-16503,071 words
- 13.Chapter XI: The Turning Point: Le Roi Soleil and His Academy of Dancing, 1651-16752,193 words
- 14.Chapter XII: Some Early Stars and Ballets1,223 words
- 15.Chapter XIII: Pantomime at Sceaux: and Mlle. Prévôt1,482 words
- 16.Chapter XIV: Italian Comedy and the Theatres of the Fair3,374 words
- 17.Chapter XV: Watteau’s Debt to the Stage3,414 words
- 18.Chapter XVI: The Spectator and Mr. Weaver1,845 words
- 19.Chapter XVII: A French Dancer in Eighteenth-Century London1,679 words
- 20.Chapter XVIII: La Belle Camargo1,888 words
- 21.Chapter XIX: The House of Vestris2,267 words
- 22.Chapter XX: Jean Georges Noverre2,293 words
- 23.Chapter XXI: Guimard the Grand: 1743-18164,809 words
- 24.Chapter XXII: Despréaux, Poet And--Husband of Guimard1,499 words
- 25.Chapter XXIII: A Century’s Close1,010 words
- 26.Chapter XXIV: The Early Nineteenth Century1,774 words
- 27.Chapter XXV: Carlo Blasis3,029 words
- 28.Chapter XXVI: Marie Taglioni (“sylphide”)3,504 words
- 29.Chapter XXVII: Carlotta Grisi (giselle)1,337 words
- 30.Chapter XXVIII: Fanny Cerito (“ondine”)1,018 words
- 31.Chapter XXIX: Lucile Grahn (“eoline”)1,257 words
- 32.Chapter XXX: The Decline and Revival797 words
- 33.Chapter XXXI: The Alhambra: 1854-19034,976 words
- 34.Chapter XXXII: The Alhambra 1904-19142,098 words
- 35.Chapter XXXIII: The Empire 1884-19065,664 words
- 36.Chapter XXXIV: The Empire 1907-19144,384 words
- 37.Chapter XXXV: Finale: the Russians And--The Future9,773 words