Chapter III: Part 3
But there is something more required to form the intellectual components of a dinner than these instruments to stimulate curiosity and give a fillip to thought. We must have variety.
Mrs. Jameson, the accomplished author of the "Legends of the Madonna" gives the following description of an out-of-door dinner, which should embolden the young American hostess to go and do likewise:--
"Yesterday we dined _al fresco_ in the Pamfili Gardens, in Rome, and although our party was rather too large, it was well assorted, and the day went off admirably. The queen of our feast was in high good humour and irresistibly charming, Frattino very fascinating, T. caustic and witty, W. lively and clever, J. mild, intelligent and elegant, V. as usual quiet, sensible, and self-complacent, L. as absurd and assiduous as ever.
"Everybody played their part well, each by a tacit convention sacrificing to the _amour propre_ of his neighbour, each individual really occupied with his own peculiar _rôle_, but all apparently happy and mutually pleased. Vanity and selfishness, indifference and _ennui_ were veiled under a general mask of good humour and good breeding, and the flowery bonds of politeness and gallantry held together those who knew no common tie of thought or interest.
"Our luxurious dinner, washed down by a competent proportion of Malvoisie and champagne, was spread upon the grass, which was literally the flowery turf, being covered with violets, iris, and anemones of every dye.
"For my own peculiar taste there were too many servants, too many luxuries, too much fuss; but considering the style and number of our party, it was all consistently and admirably managed. The grouping of the company, picturesque because unpremeditated, the scenery around, the arcades and bowers and columns and fountains had an air altogether poetical and romantic, and put me in mind of some of Watteau's beautiful garden pieces."
Now in this exquisite description Mrs. Jameson seems to me to have given the intellectual components of a dinner. "The hostess, good-humoured and charming, Frattino very fascinating, T. caustic and witty, W. lively and clever, J. mild, intelligent, and elegant, V. as usual quiet, sensible, and self-complacent, L. as absurd and as assiduous as ever."
There was variety for you, and the three last were undoubtedly listeners. In the next paragraph she covers more ground, and this is most important:--
"Each by a tacit convention sacrificing to the _amour propre_ of his neighbour."
That is an immortal phrase, for there can be no pleasant dinner when this unselfishness is not shown. It was said by a witty Boston hostess that she could never invite two well-known diners-out to the same dinner, for each always silenced the other. You must not have too many good talkers. The listeners, the receptive listeners, should outnumber the talkers.
In England, the land of dinners, they have, of course, no end of public, semi-official, and annual dinners,--as those of the Royal Literary Fund, the Old Rugbians, the Artists Benevolent Fund, the Regimental dinners, the banquets at the Liberal and the Cobden Club, and the nice little dinners at the Star and Garter, winding up with the annual fish dinner.
Now of all these the most popular and sought after is the annual dinner of the Royal Academy. Few gratifications are more desired by mortals than an invitation to this dinner. The president, Sir Frederic Leighton, is handsome and popular. The dinner is representative in character; one or more members of the Royal Family are present; the Church, the Senate, the Bar, Medicine, Literature and Science, the Army, the Navy, the City,--all these have their representatives in the company.
Who would not say that this would be the most amusing dinner in London? Intellect at its highest water mark is present. The _menu_ is splendid. But I have heard one distinguished guest say that the thing is over-freighted, the ship is too full, and the crowd of good things makes a surfeit.
Dinners at the Lord Mayor's are said to be pleasant and fine specimens of civic cheer, but the grand nights at the Middle Temple and others of the Inns of Court are occasions of pleasant festivity.
We have nothing to do with these, however, except to read of them, and to draw our conclusions. I know of no better use to which we can put them than the same rereading which we gave Mrs. Jameson's well-considered _menu_: "Each individual really occupied with his own _rôle_, but all apparently happy and mutually pleased. Variety and selfishness or indifference or _ennui_ well veiled under a general mask of good humour and good breeding, and the flowery bands of politeness and gallantry holding together those who knew no common tie of thought and interest." It requires very civilized people to veil their indifference and _ennui_ under a general mask of good humour.
To have unity, one must first have units; and to make an agreeable dinner-party the hostess should invite agreeable people, and her husband should be a good host; and here we must again compliment England. An Englishman is churlish and distant, self-conscious and prejudiced everywhere else but at his own table. He is a model host, and a most agreeable guest. He is the most genial of creatures after the soup and sherry. Indeed the English dinner is the keynote to all that is best in the English character. An Englishman wishes to eat in company.
How unlike the Spaniard, who never asks you to dinner. However courtly and hospitable he may be at other times and other hours of the day, he likes to drag his bone into a corner and gnaw it by himself.
The Frenchman, elegant, _soigné_, and economical, invites you to the best-cooked dinner in the world, but there is not much of it. He prefers to entertain you at a café. Country life in France is delightful, but there is not that luxurious, open-handed entertaining which obtains in England.
In Italy one is seldom admitted to the privacy of the family dinner. It is a patriarchal affair. But when one is admitted one finds much that is _simpatica_. The cookery is good, the service is perfect, the dinner is short, the conversation gay and easy.
In making up a dinner with a view to its intellectual components, avoid those tedious talkers who, having a theme, a system, or a fad to air, always contrive to drag the conversation around to their view, with the intention of concentrating the whole attention upon themselves. One such man, called appropriately the Bore Constrictor of conversation in a certain city, really drove people away from every house to which he was invited; for they grew tired of hearing him talk of that particular science in which he was an expert. Such a talker could make the planet Jupiter a bore, and if the talker were of the feminine gender how one would shun her verbosity.
"I called on Mrs. Marjoribanks yesterday," said a free lance once, "and we had a little gossip about Copernicus." We do not care to have anything quite so erudite, for if people are really very intimate with Copernicus they do not mention it at dinner.
It is as impossible to say what makes the model diner-out as to describe the soil which shall grow the best grapes. We feel it and we enjoy it, but we can give no receipt for the production of the same.
As history, with exemplary truthfulness, has always painted man as throwing off all the trouble of giving a dinner on his wife, why have not our clever women appreciated the power of dinner-giving in politics? Why are not our women greater politicians? Where is our Lady Jersey, our Lady Palmerston, our Princess Belgioso? The Princess Lieven, wife of the Russian Ambassador in London, was said to have held the peace of Europe in the conduct of her _entrées_; and a country-woman of our own is to-day supposed to influence the policy of Germany largely by her dinners. From the polished and versatile memoirs of the Grammonts, Walpoles, D'Azelios, Sydney Smith, and Lord Houghton, how many an anecdote hinges on the efficacy of a dinner in reconciling foes, and in the making of friends. How many a conspiracy was hatched, no doubt, behind an aspic of plover's eggs or a _vol au vent de volaille_. How many a budding ministry, according to Lord Lammington, was brought to full power over a well-ordered table-cloth. How many a war cloud dispelled by the proper temperature of the Burgundy. It is related of Lord Lyndhurst that when somebody asked him how to succeed in life, he answered, "Give good wine." A French statesman would have answered, "Give good dinners." Talleyrand kept the most renowned table of his day, quite as much for political as hygienic reasons. At eighty years of age he still spent an hour every morning with his _chef_, discussing the dishes to be served at dinner. The Emperor Napoleon, who was no epicure, nor even a connoisseur, was nevertheless pleased with Talleyrand's luxurious and refined hospitality, in consequence of the impression it made on those who were so fortunate as to partake of it. On the other hand, one hesitates to contemplate the indigestions and bad English cooking which must have hatched an Oliver Cromwell, or still earlier that decadence of Italian cookery which made a Borgia possible.
Social leaders in all ages and countries have thus studied the tastes and the intellectual aptitudes and capabilities of those whom they have gathered about their boards; and Mythology would suggest that the _petits soupers_ on high Olympus, enlivened by the "inextinguishable laughter of the gods," had much to do with the politics of the Greek heaven under Jupiter. Reading the Northern Saga in the same connection, may not the vague and awful conceptions of cookery which seem to have filled the Northern mind have had something to do with the opera of Siegfried? Even the music of Wagner seems to have been inspired by a draught from the skull of his enemy. It has the fascination of clanging steel, and the mighty rustling of armour. The wind sighs through the forest, and the ice-blast freezes the hearer. The chasms of earth seem to open before us. But it has also the terror of an indigestion, and the brooding horror of a nightmare from drinking metheglia and eating half-roasted kid. The political aspect of a Scandinavian heaven was always stormy. Listen to the Trilogy.
In America a hostess sure of her soups and her _entrées_, with such talkers as she could command, could influence American political movements--she might influence its music--by her dinners, and become an enviable Lady Palmerston.
Old people are apt to say that there is a decay in the art of conversation, that it is one of the lost arts. No doubt this is in a measure true all over the world. A French _salon_ would be to-day an impossibility for that very reason. It is no longer the fashion to tell anecdotes, to try to be amusing. A person is considered a prig who sits up to amuse the company. All this is bad; it is reactionary after the drone of the Bore Constrictor. It is going on all over the world. It is part of that hurry which has made us talk slang, the jelly of speech, speech condensed and boiled down, easily transported, and warranted to keep in all climates.
But there is a very pleasant _juste milieu_ between the stately, perhaps starchy, anecdotist of the past and the easy and witty talker of to-day, who may occasionally drop into slang, and what is more, may permit a certain slovenliness of speech. There are certain mistakes in English, made soberly, advisedly, and without fear of Lindley Murray, which make one sigh for the proprieties of the past. The trouble is we have no standard. Writers are always at work at the English language, and yet many people say that it is at present the most irregular and least understood of all languages.
The intellectual components of a successful dinner, should, if we may quote Hawthorne, be illuminated with intellect, and softened by the kindest emotions of the heart. To quote Mrs. Jameson, they must combine the caustic and the witty, the lively and the clever, and even the absurd, and the assiduous above all. Everybody must be unselfish enough not to yawn, and never seem bored. They must be self-sacrificing, but all apparently well-pleased. The intellectual components of a dinner, like the condiments of a salad, must be of the best; and it is for the hostess to mix them with the unerring tact and fine discrimination of an American woman.
CONSCIENTIOUS DINERS.
It is chiefly men of intellect who hold good eating in honour.
The head is not capable of a mental operation which consists in
a long sequence of appreciations, and many severe decisions of
the judgment, which has not a well-fed brain.
BRILLAT SAVARIN.
A good dinner and a pretty hostess,--for there are terms on which beauty and beef can meet much to the benefit of both,--one wit, several good talkers, and as many good listeners, or more of the latter, are said to make a combination which even our greatest statesmen do not despise. Man wants good dinners. It is woman's province to provide them; but nature and education must make the conscientious diner.
It is to be feared that we are too much in a hurry to be truly conscientious diners. Our men have too many school-tasks yet,--politics, money-making, science, mental improvement, charities, psychical research, building railroads, steam monitors, colleges, and such like gauds,--too many such distractions to devote themselves as they ought to the question of _entrées_ and _entremets_. They should endeavour to give the dinner a fitting place. Just see how the noble language of France, which Racine dignified and Molière amplified, respectfully puts on its robes of state which are lined with ermine when it approaches the great subject of dinner!
It is to be feared that we are far off from the fine art of dining, although many visits to Paris and much patronage of Le Doyon's, the Café Anglais, and the Café des Ambassadeurs, may have prepared us for the _entremet_ and the _pièce de résistance_. We are improving in this respect and no longer bolt our dinners. The improvement is already manifest in the better tempers and complexions of our people.
But are we as conscientious as the gentleman in "Punch" who rebuked the giddy girl who would talk to him at dinner? "Do you remember, my dear, that you are in the house of the best _entrées_ in London? I wish to eat my dinner."
That was a man to cook for! He had his appropriate calm reserve of appreciation, for the _suprême de volaille_. He knew how to watch and wait for the sweetbreads, and green peas. Not thrown away upon him was that last turn which makes the breast of the partridge become of a delicate Vandyck brown. How respectful was he to that immortal art for which the great French cook died, a suicide for a belated turbot.
"Ah," said Parke Godwin once, when in one of his most brilliant Brillat Savarin moods, "how it ennobles a supper to think that all these oysters will become ideas!"
But if a dinner is not a cookery book, neither is it a matter of expense alone, nor a payment of social debts. It is a question of temperature, of the selection of guests, of the fitness of things, of a proper variety, and of time. The French make their exquisite dinners light and short. The English make theirs a trifle long and heavy.
The young hostess, to strike the _juste milieu_, must travel, reflect, and go to a cooking-school. She must buy and read a library of cooking-books. And when all is done and said, she must realize that a cookery-book is not a dinner. There are some natures which can absorb nothing from a cookery-book. As Lady Galway said that she had put all her wits into Bradshaw's "Railway Guide" and had never got them out again, so some amateur cook remarked that she had tested her recipes with the "cook-book in one hand and the cooking-stove in the other," yet the wit had stayed away. All young housekeepers must go through the discipline--in a land where cooks are as yet scarce--of trying and failing, of trying and at length succeeding. They must go to _La Belle France_ to learn how to make a soup, for instance. That is to say, they must study the best French authorities.
The mere question of sustenance is easy of solution. We can stand by a cow and drink her milk, or we can put some bread in our pockets and nibble it as we go along; but dinner as represented by our complicated civilization is a matter of interest which must always stand high amongst the questions which belong to social life. It is a very strange attendant circumstance that having been a matter of profound concern to mankind for so many years, it is now almost as easy to find a bad dinner as a good one, even in Paris, that headquarters of cookery.
There would be no sense in telling a young American housekeeper to learn to make sauces and to cook like a French _chef_, for it is a profession requiring years of study and great natural taste and aptitude. A French _chef_ commands a higher salary than a secretary of state or than a civil engineer. As well tell a young lady that she could suddenly be inspired with a knowledge of the art of war or of navigation. She would only perhaps learn to do very badly what they in ten years learn to do so well. She would say in her heart, "For my part I am surfeited with cookery. I cry, something _raw_ if you please for me,--something that has never been touched by hand except the one that pulled it off the blooming tree or uprooted it from the honest ground. Let me be a Timon if you will, and eat green radishes and cabbages, or a Beau Brummel, asphyxiated in the consumption of a green pea; but no _ragoût_, _côtelette_, _compote_, _crème_, or any hint or cooking till the remembrance of all that I have seen has faded and the smell of it has passed away!"
Thus said one who attended a cooking-school, had gone through the mysteries of soup-making, had learned what _sauté_ means; had mastered _entremets_, and _entrées_, and _plats_, and _hors d'oeuvres_; had learned that _boudins de veau_ are simply veal puddings, something a little better than a veal croquette made into a little pie; and had found that all meats if badly cooked are much alike. There is a great deal of nonsense talked about making good dishes out of nothing. A French cook is very economical, he uses up odds and ends, but he must have something to cook with.
Stone broth does not go down with a hungry man, nor bad food, however disguised with learned sauces. A little learning is a dangerous thing, and one who attempts too much will fail. But one can read, and reflect, and get the general outlines of cultivated cookery. As to cultivated cookery being necessarily extravagant, that is a mistake. A great, heavy, ill-considered dinner is no doubt costly. Almost all American housekeeping is wasteful in the extreme, but the modern vanities which depend on the skill of the cook and the arranging mind of the housekeeper, all these are the triumphs of the present age, and worthy of deep thought and consideration. Let the young housekeeper remember that the pretty _entrées_ made out of yesterday's roast chicken or turkey will be a great saving as well as a great luxury, and she will learn to make them.
Amongst a busy people like ourselves, from poorest to the richest, dinners are intended to be recreations, and recreations of inestimable value. The delightful contrast which they offer to the labours of the day, the pleasant, innocent triumph they afford to the hostess, in which all may partake without jealousy, the holiday air of guests and of the dining-room, which should be fresh, well aired, filled with flowers, made bright with glass and silver,--all this refreshes the tired man of affairs and invigorates every creature. As far as possible, the discussion of all disagreeable subjects should be kept from the dinner-table. All that is unpleasant lowers the pulse and retards digestion. All that is cheerful invigorates the pulse and helps the human being to live a more brave and useful life. No one should bring an unbecoming grumpiness to the dinner-table. Be grumpy next day if you choose, when the terrapin may have disagreed with you, but not at the feast. Bring the best bit of news and gossip, not scandal, the choicest critique of the last novel, the cream of your correspondence. Be sympathetic, amiable, and agreeable at a feast, else it were better you had stayed away. The last lesson of luxury is the advice to contribute of our very best to the dinners of our friends, while we form our own dinners on the plane of the highest luxury which we can afford, and avoid the great _too much_. Remember that in all countries the American lavish prodigality of feasting, and the expensive garniture of hothouse flowers, are always spoken of as vulgar. How well it will be for us when our splendid array of fish, flesh, and fowl shall have reached the benediction of good cookery; when we know how to serve it, not with barbaric magnificence and repletion, but with a delicate sense of fitness.
Mr. Webster, himself an admirable dinner giver, said of a codfish salad that it was "fit to eat." He afterwards remarked, more gravely,--and it made him unpopular,--that a certain nomination was "not fit to be made."
That led to a discussion of the word "fit." The fitness of things, the right amount, the thing in the right place, whether it be the condiment of a salad or the nomination to the presidency,--this is the thing to consult, to think of in a dinner; let it be "fit to be made."
An American dinner resolves itself into the following formula:--
The oyster is offered first. What can equal the American oyster in all his salt-sea freshness, raw, on the half-shell, a perpetual stimulant to appetite,--with a slice of lemon, and a bit of salt and pepper, added to his own luscious juices, his perfect flavor? The jaded palate, worn with much abuse, revives, and stands, like Oliver, asking for more.
The soup follows. To this great subject we might devote a chapter. What visions of white and brown, clear and thick, fresh beef stock or the maritime delicacies of cray fish and prawn rise before us,--in every colour, from pink or cream to the heavy Venetian red of the mulligatawny or the deep smoke-tints of mock turtle and terrapin! The subject grows too large for mere mention; we must give a chapter to soup.
When we speak of fish we realize that the ocean even is inadequate to hold them all. Have we not trout, salmon, the great fellows from the Great Lakes, and the exclusive ownership of the Spanish mackerel? Have we not the fee simple of terrapin and the exclusive excellence of shad? This subject, again, requires a volume.
The roast! Ah! here we once bowed to our great Mother England, and thought her roast beef better than ours. There are others who think that we have caught up on the roasts. Our beef is very good, our mutton does not equal always the English Southdowns; but we are even improving in the blacknosed woolly brethren who conceal such delicious juices under their warm coats.
A roast saddle of mutton with currant jelly--but let us not linger over this thrilling theme. Our venison is the best in the world.
As for turkeys,--_we discovered them_, and it is fair to say that, after looking the world over, there is no better bird than a Rhode Island Turkey, particularly if it is sent to you as a present from a friend. Hang him a week, with a truffle in him, and stuff him with chestnuts.
As for chickens--there France has us at a disadvantage. There seems to be a secret of fowl-feeding, or rearing, in France which we have not mastered. Still we can get good chickens in America, and noble capons, but they are very expensive.
The _entrées_--here we must go again to those early missionaries to a savage shore, the Delmonicos. They were the high priests of the _entrée_.
The salads--those daughters of luxury, those delicate expressions, in food, of the art of dress--deserve a separate chapter.
And now the _sorbet_ cools our throats and leads us up to the game.
The American desserts are particularly rich and profuse. Our pies have been laughed at, but they also are fit to eat, especially mince-pie, which is first cousin to an English plum-pudding.
Our puddings are like our Western scenery, heavy but magnificent. Our ices have reached, under our foreign imported artists, the greatest perfection. Our fruit is abundant and highly flavoured. We have not yet perhaps known how to draw the line as to desserts. The great _too much_ prevails.
Do we not make our dinners too long and too heavy? How great an artist would he be who should so graduate a dinner that there would be no to-morrow in it! We eat more like Heliogabalus than like that _gourmet_ who took the _beccafico_ out of the olive which had been hidden in the pigeon, which had in its turn been warmed in the chicken, which was cooked in the ox, which was roasted whole for the birthday of a king. The _gourmet_ discarded the rest, but ate the _beccafico_.
The first duty of a guest who is asked to one of these dinners is to be punctual. Who wishes to sit next to Mr. Many-Courses, when he has been kept waiting for his dinner? Imagine the feelings of an amiable host and hostess who, after taking the trouble to get up an excellent dinner, feel that it is being spoiled by the tardiness of one guest! They are nervously watching Mr. Many-Courses, for hungry animals are frequently snappish, and sometimes dangerous.
The hostess who knows how to invite her guests and to seat them afterwards is a power in the State. She helps to refine, elevate, and purify our great American conglomerate. She has not the Englishman's Bible, "The Peerage," to help her seat her guests; she must trust to her own intelligence to do that. Our great American conglomerate repels all idea of rank, or the precedence idea, which is so well understood in England.
Hereditary distinction we have not, for although there are some families which can claim a grandfather, they are few. A grandfather is of little importance to the men who make themselves. Aristocracy in America is one of talent or money.
Even those more choice intelligences, which in older countries are put on glass pedestals, are not so elevated here as to excite jealousy. We all adore the good diner-out, but somebody would be jealous if he had always the best seat. Therefore the hostess has to contend with much that is puzzling in the seating of her guests; but if she says to herself, "I will place those people near each other who are sympathetic," she will govern her festive board with the intelligence of Elizabeth, and the generosity of Queen Margharita.
She must avoid too many highly scented flowers. People are sometimes weary of the "rapture of roses." Horace says: "Avoid, at an agreeable entertainment, discordant music, and muddy perfume, and poppies mixed with Sardinian honey; they give offence." Which is only another way of saying that some music may be too heavy, and the perfume of flowers too strong.
Remember, young hostess, or old hostess, that your dinner is to be made up of people who have to sit two hours chatting with each other, and that this is of itself a severe ordeal of patience.
Good breeding is said to be the apotheosis of self-restraint, and so is good feeding. Good breeding puts nature under restraint, controls the temper, and refines the speech. Good feeding, unless it is as well governed as it should be, inflames the nose and the temper, and enlarges the girth most unbecomingly. Good breeding is the guardian angel of a woman. Good feeding, that is, conscientious dining, must be the patron saint of a man! A truly well bred and well fed man is quiet in dress, does not talk slang, is not prosy, is never unbecomingly silent, nor is he too garrulous. He is always respectful to everybody, kind to the weak, helpful to the feeble. He may not be an especially lofty character, but good feeding inducts him into the character and duties of a gentleman. He simulates a virtue if he has it not, especially after dinner. _Noblesse oblige_ is his motto, and he feels what is due to himself.
Can we be a thorough-bred, or a thorough-fed, all by ourselves? It is easy enough to learn when and where to leave a card, how to behave at a dinner, how to use a fork, how to receive and how to drop an acquaintance; but what a varied education is that which leads up to good feeding, to becoming a conscientious diner. It is not given to every one, this lofty grace.
A dinner should be a good basis for a mutual understanding. They say that few great enterprises have been conducted without it. People are sure to like each other much better after dining together. It is better to go home from a dinner remembering how clever everybody was, than to go home merely to wonder at the opulence that could compass such a pageant.
A dinner should put every one into his best talking condition. The quips and quirks of excited fancy should come gracefully, for society well arranged brings about the attrition of wits. If one is comfortable and well-fed--not gorged--he is in his best condition.
The more civilized the world gets, the more difficult it is to amuse it. It is the common complaint of the children of luxury that dinners are dull and society stupid. How can the reformer make society more amusing and less dangerous? Eliminate scandal and back-biting.
The danger and trials and difficulties of dinner-giving are manifold. First, whom shall we ask? Will they come? It is often the fate of the hostess, in the busy season, to invite forty people before she gets twelve. Having got the twelve, she then has perhaps a few days before the dinner to receive the unwelcome news that Jones has a cold, Mrs. Brown has lost a relative, and Miss Malcontent has gone to Washington. The dinner has to be reconstructed; deprived of its original intention it becomes a balloon which has lost ballast. It goes drifting about, and there is no health in it and no purpose. This is especially true also of those dinners which are conducted on debt-paying principles.
How many hard-worked, rich men in America are bored to death by the gilded and over-burdened splendour of their wives' dinners and those to which they are to go. They sit looking at their hands during two or three courses, poor dyspeptics who cannot eat. To relieve them, to bring them into communion with their next neighbour, with whom they have nothing in common, what shall one do? Oh, that depressing cloud which settles over the jaded senses of even the conscientious diner, as he fails to make his neighbour on either side say anything but yes or no!
We must, perhaps, before we give the perfect dinner, renounce the idea that dinner should be on a commercial basis. Of course our social debts must be paid. It is a large subject, like the lighting of a city, the cleaning of the streets, and must be approached carefully, so that the lesser evil may not swamp the greater good. Do not invite twelve people to bore them.
The dinner hour differs in different cities,--from seven to half-past seven, to eight, and eight and a half; all these have their adherents. In London, many a party does not sit down until nine. Hence the necessity of a hearty meal at five o'clock tea. The royalties, all blessed with good appetites, eat eggs on toast, hot scones and other good things at five o'clock tea, and take often an _avant goût_ also at seven.
In our country half-past seven is generally the most convenient hour, unless one is going to the play afterward, when seven is better. A dinner should not last more than an hour and a half. But it does last sometimes three hours.
Ladies dress for a large dinner often in low neck and short sleeves, wear their jewels, and altogether their finest things. But now Pompadour waists are allowed. For a small dinner, the Pompadour dress, half-open at the throat, with a few jewels, is in better taste.
Men should be always in full dress,--black coat, waistcoat, and trousers, and white cravat. There is no variation from this dress at a dinner, large or small.
For ladies in delicate health who cannot expose throat or arms, there is always the largest liberty allowed; but the dinner dress must be handsome.
In leaving the house and ordering the carriage, name the earliest hour rather than the latest; it is better to keep one's coachman waiting than to weary one's hostess. It is quite impossible to say when one will leave, as there may be music, recitations, and so on, after the dinner. It is now quite the fashion, as in London, to ask people in after the dinner.
Everybody should go to a dinner intending to be agreeable.
"E'en at a dinner some will be unblessed,
However good the viands, and well dressed;
They always come to table with a scowl,
Squint with a face of verjuice o'er each dish,
Fault the poor flesh, and quarrel with the fish,
Curse cook, and wife, and loathing, eat and growl."
Such men should never be asked twice; yet such were Dr. Johnson, and later on, Abraham Hayward, the English critic, who were invited out every night of their lives. It is a poor requital for hospitality, to allow any personal ill-temper to interfere with the pleasure of the feast. Some hostesses send around the champagne early to unloose the tongues; and this has generally a good effect if the party be dull. Excessive heat in a room is the most benumbing of all overweights. Let the hostess have plenty of oxygen to begin with.
For a little dinner of eight we might suggest that the hostess write:--
DEAR MRS. SULLIVAN,--Will you and Mr. Sullivan dine with us on
Thursday at half-past seven to meet Mr. and Mrs. Evarts, quite
informally?
Ever yours truly,
MARY MONTGOMERY.
This accepted, which it should be in the first person, cordially, as it is written, let us see what we would have for dinner--
Sherry. Soup. Sorrel, _à l'essence de veau_.
Lobsters, _sauté à la Bonnefoy_. Chablis.
Veal Cutlets, _à la Zingara_.
Fried sweet potatoes. Champagne.
Roast Red-Head Ducks. Currant jelly.
Claret. Curled Celery in glasses. Olives.
Cheese. Salad.
Frozen Pudding.
Grapes.
Coffee. Liqueurs.
Or, if you please, a brown soup, a white fish or bass, boiled, a saddle of mutton, a pair of prairie chickens and salad, a plate of broiled mushrooms, a _sorbet_ of Maraschino, cheese, ice-cream, fruit. It is not a bad "look-out," is it?
How well the Italians understand the little dinner! They are frugal but conscientious diners until they get to the dessert.
Their dishes have a relish of the forest and the field. First comes wild boar, stewed in a delicious condiment called sour-sweet sauce, composed of almonds, pistachio nuts, and plums. Quails, with a twang of aromatic herbs, are followed by macaroni flavoured with spiced livers, cocks' combs, and eggs called _risotto_, then golden _fritto_, cooked in the purest _cru_ of olive oil, and _quocchi_ cakes, of newly ground Indian corn, which is all that our roasted green corn is, without the trouble of gnawing it off the cob,--a process abhorrent to the conscientious diner unless he is alone. One should first take monastic vows of extreme austerity before he eats the forbidden fruit, onion, or the delicious corn. But when we can conquer Italian cooking, we can eat these two delicious things, nor fear to whisper to our best friend, nor fear to be seen eating.
The triumphs of the _dolce_ belong also to the Italians. Their sugared fruits, ices, and pastry are all matchless; and their wines, Chianti, Broglio, and Vino Santo, a kind of Malaga, as "frankly luscious as the first grape can make it," are all delicious.
VARIOUS MODES OF GASTRONOMIC GRATIFICATION.
Phyllis, I have a cask full of Albanian wine upwards of nine
years old; I have parsley in the garden for the weaving of
chaplets. The house shines cheerfully with plate; all hands
are busy. HORACE, _Ode XI_.
Some old French wit spoke of an "idea which could be canonized." Perhaps yet we may have a Saint Table-Cloth. There have been worse saints than Saint Table-Cloth and clean linen, since the days of Louis XIII!
We notice in the old pictures of feasting that the table-cloth was of itself a picture,--lace, in squares, blocks, and stripes, sometimes only lace over a colour, but generally mixed with linen.
It was the highest ambition of the Dutch housewife to have much double damask of snowy whiteness in her table-linen chest. That is still the grand reliable table-linen. No one can go astray who uses it.
Table-linen is now embroidered in coloured cottons, or half of its threads are drawn out and it is then sewed over into lace-work. It is then thrown over a colour, generally bright red. But pale lilac is more refined, and very becoming to the lace-work.
Not a particle of coarse food must go on that table-cloth. Everything must be brought to each guest from the broad, magnificent buffet; all must be served _à la Russe_ from behind a grand, impenetrable screen, which should fence off every dining-room from the butler's pantry and the kitchen. All that goes on behind that screen is the butler's business, and not ours. The butler is a portly man, presumably, with a clean-shaven face, of English parentage. He has the key of the wine-cellar and of the silver-chest, two heavy responsibilities; for nowadays, not to go into the question of the wines, the silver-chest is getting weighty. Silver and silver-gilt dishes, banished for some years, are now reasserting their pre-eminent fitness for the dinner-table: The plates may be of solid silver; so are the high candlesticks and the salt-cellars, of various and beautiful designs after Benvenuto Cellini.
Old silver is reappearing, and happy the hostess who has a real Queen Anne teapot. The soup-tureen of silver is again used, and so are the old beer-mugs. Our Dutch ancestors were much alive to good silver; he may rejoice who, joking apart, had a Dutch uncle. I, for one, do not like to eat off a metallic plate, be it of silver or gold. It is disagreeable to hear the knife scrape on it, even with the delicate business of cutting a morsel of red canvas-back. Gastronomic gratification should be so highly refined that it trembles at a crumpled rose-leaf. Porcelain plates seem to be perfect, if they have not on them the beautiful head of Lamballe. Nobody at a dinner desires to cut her head off again, or to be reminded of the French Revolution. Nor should we hurry. A master says, "I have arrived at such a point that if the calls of business or pleasure did not interpose, there would be no fixed date for finding what time might elapse between the first glass of sherry and the final Maraschino."
However, the pleasures of a dinner may be too prolonged. Men like to sit longer eating and drinking than women; so when a dinner is of both sexes it should not continue more than one hour and a half. Horace, that prince of diners, objected to the long-drawn-out meal. "Then we drank, each as much as he felt the need," meant no orgy amongst the Greeks.
But if the talk lingers after the biscuit and cheese the hostess need not interrupt it.
Talleyrand is said to have introduced into France the custom of taking Parmesan with the soup, and the Madeira after it.
There are many conflicting opinions about the proper place for the cheese in order of serving. The old fashion was to serve it last. It is now served with, or after, the salad. "A dessert without cheese is like a beautiful woman with one eye," says an old gourmet.
"Eat cheese after fruit, to prepare the palate for fresh wine," says another.
"After melon, wine is a felon."
If it is true that "an American devours, an Englishman eats, and a Frenchman dines," then we must take the French fashion and give the cheese after the salad.
Toasted cheese savouries are very nice. The Roman punch should be served just before the game. It is a very refreshing interlude. Some wit called it at Mrs. Hayes' dinners "the life-saving station."
When the ices are removed a dessert-plate of glass, with a finger-bowl, is placed before each person, with two glasses, one for sherry, one for claret, or Burgundy; and the grapes, peaches, pears, and other fruits are then passed.
The hostess makes the sign for retiring to a _salon_ perhaps rich with magnificent hangings of old gold, with pictures, with vases of Dresden, of Sèvres, of Kiota, with statuary, and specimens of Capo di Monti. There coffee may be brought and served by the footmen in cups which Catherine of Russia might have given to Potemkin. The gentlemen, in England and America, remain behind to smoke.
There is much exquisite porcelain in use in the opulent houses of America. It is getting to be a famous fad with us, and nothing adds more to one's pleasure in a good dinner than to have it served on pretty plates. And let us learn to say "footman," and not "waiter;" the latter personage belongs to a club or a hotel. It would prevent disagreeable mistakes if we would make this correction in our ordinary conversation.
In the arrangement of a splendid dinner let us see what should be the bill of fare.
This is hard to answer, as the delicacies vary with the season. But we will venture on one:--
Oysters on the half-shell.
Sherry. Soups:
_Crème d'Asperges_, Julienne.
Fish: Chablis.
Fried Smelts, or Salmon.
Fresh Cucumbers.
Champagne. _Filet de Boeuf_, with Truffles Claret.
and Mushrooms.
Fried Potatoes.
Entrées:
_Poulet à la Maréchale_. _Petits Pois._
_Timbale de Macaroni_.
Sweetbreads.
Vegetables. Artichokes.
Sorbet. Roman Punch.
Steinberger. Game:
Canvas-back or Wild Duck with Currant Jelly.
Quail with Water-Cresses.
Salad of Lettuce. Salad of Tomato.
Rudesheimer. _Pâté de foie gras._
Hot dessert:
Cabinet Pudding.
Cold dessert:
_Crème glacée aux tutti frutti._
_Marron glacés._ Cakes. Preserved ginger.
Madeira. Cheese. Port.
Café. Cordials.
I apologize to my reader for mixing thus French and English. It is a vulgar habit, and should be avoided. But it is almost impossible to avoid it when speaking of a dinner; the cooks being French, the _menus_ are written in French, and the names of certain dishes are usually written in French. Now all people understand French, or should do so. If they do not, it is very easy to learn that the "_vol au vent de volaille_" is simply chicken pie, that potatoes are still potatoes under whatever alias they are served, and so on.
No such dinner as this can be well served in a private house unless the cook is a _chef_, a _cordon bleu_,--here we must use French again,--and unless the service is perfect this dinner will be a failure. It is better to order such a dinner from Delmonico's or Sherry's or from the best man you can command. Do not attempt and fail.
But the little dinners given by housekeepers whose service is perfect are apt to be more eatable and palatable than the best dinner from a restaurant, where all the food is cooked by gas, and tastes alike.
The number of guests is determined by the size of the room. The etiquette of entering the dining-room is this: the host goes first, with the most distinguished lady. The hostess follows last, with the most distinguished gentleman.
Great care and attention must be observed in seating the guests. This is the province of the hostess, who must consider the subject carefully. All this must be written out, and a diagram made of the table. The name of each lady is written on a card and enclosed in an envelope, on the outside of which is inscribed the name of the gentleman who has the honour to take her in. This envelope must be given each man by the servant in the dressing-room, or he must find it on the hall table. Then, with the dinner-card at each place, the guests find their own places.
The lady of the house should be dressed and in the drawing-room at least five minutes before the guests are to arrive, which should be punctually. How long must a hostess wait for a tardy guest? Only fifteen minutes.
It is well to say to the butler, "Dinner must be served at half-past seven," and the guests may be asked at seven. That generally ensures the arrival of all before the fish is spoiled. Let the company then go in to dinner, allowing the late-comer to follow. He must come in alone, blushing for his sins. These facts may help a hostess: No great dinner in Europe waits for any one; royalty is always punctual. In seating your guests do not put husband and wife, sisters or relatives together.
An old courtesy book of 1290 says:--
"Consider about placing
Each person in the post that befits him.
Between relations it behooves
To place others midway sometimes."
We should respect the _superstitions_ of the dinner-table. No one should be helped twice to soup; it means an early death. Few are free from the feeling that thirteen is an unlucky number; so avoid that, as no one wishes to make a guest uncomfortable. As we have said, Gasthea is an irritable muse; she must be flattered and pampered. No one must put salt on another's plate. There is a strong prejudice against spilling the salt; but evil consequences can be avoided by throwing a pinch of salt over the left shoulder.
These remarks may seem frivolous to those unhappy persons who have not the privilege of being superstitious. It gives great zest to life to have a few harmless superstitions. It is the cheese _fondu_ of the mental faculties; and we may add that a consideration of these maxims, handed down from a glorious past of gastronomes, contributes to the various modes of gastronomic gratification. We must remember that the tongue of man, by the delicacy of its structure, gives ample evidences of the high functions to which it is destined. The Roman epicures cultivated their taste so perfectly that they could tell if a fish were caught above or below a bridge. Organic perfection, epicureanism, or the art of good living, belongs to man alone. The pleasure of eating is the only one, taken in moderation, which is common to every time, age, and condition, which is enjoyed without fatigue or danger, which must be repeated two or three times a day. It can combine with our other pleasures, or console us for their loss.
"_Un bon diner, c'est un consolation pour les illusions perdus._" And we have an especial satisfaction, when in the act of eating, that we are prolonging our existence, and enabling ourselves to become good citizens whilst enjoying ourselves.
Thus the pleasures of the table, the act of dining, the various modes of gastronomic gratification should receive our most respectful consideration. "Let the soup be hot, and the wines cool. Let the coffee be perfect, and the liqueurs chosen with peculiar care. Let the guests be detained by the social enjoyment, and animated with the hope that before the evening is over there is still some pleasure in store."
Our modern hostesses who understand the art of entertaining often have music, or some recitations, in the drawing-room after the dinner; and in England it is often made the occasion of an evening party.
Thus gourmandize is that social love of good dinners which combines in one Athenian elegance, Roman luxury, and Parisian refinement. It implies discretion to arrange, skill to prepare, and taste to direct. It cannot be done superficially, and if done well it takes time, experience, and care. "To be a success, a dinner must be thought out."
"By right divine, man is the king of nature, and all that the earth produces is for him. It is for him that the quail is fattened, the grape ripened. For him alone the Mocha possesses so agreeable an aroma, for him the sugar has such wholesome properties."
He, and he alone, banquets in company, and so far from good living being hurtful to health, Brillat Savarin declares that the _gourmets_ have a larger dose of vitality than other men. But they have their sorrows, and the worst of them is a bad dinner,--an ill-considered, wretchedly composed, over-burdened repast, in which there is little enjoyment for the brain, and a constant disappointment to the palate.
"Let the dishes be exceedingly choice and but few in number, and the wines of the best quality. Let the order of serving be from the more substantial to the lighter." Let the eating proceed without hurry or bustle, since the dinner is the last business of the day; and let the guests look upon themselves as travellers about to reach the same destination together.
A dinner is not, as we see, a matter of butler or _chef_ alone. "It is the personal trouble which a host and hostess are willing to take; it is the intimate association of a cultivated nature with the practical business of entertaining, which makes the perfect dinner.
"Conviviality concerns everything, hence it produces fruits of all flavours. All the ingenuity of man has been for centuries concentrated upon increasing and intensifying the pleasures of the table."
The Greeks used flowers to adorn vases and to crown the guests. They ate under the vault of heaven, in gardens, in groves, in the presence of all the marvels of nature. To the pleasures of the table were joined the charms of music and the sound of instruments. Whilst the court of the king of the Phoenicians were feasting, Phenius, a minstrel, celebrated the deeds of the warriors of bygone times. Often, too, dancers and jugglers and comic actors, of both sexes and in every costume, came to engage the eye, without lessening the pleasures of the table.
We eat in heated rooms, too much heated perhaps, and brilliantly lighted, as they should be. The present fancy for shaded lamps, and easily ignitible shades, leads to impromptu conflagrations which are apt to injure Saint Table-Cloth. That poor martyr is burned at the steak quite too often. Our dancers and jugglers are introduced after dinner, not during dinner; and we have our warriors at the table amongst the guests. Nor do we hire Phenius, a minstrel, to discourse of their great deeds.
I copy from a recent paper the following remarks. Mr. Elbridge T. Gerry, says: "There are in society some newly admitted members who, with the best intentions imaginable, are never able to do things in just the proper style. They are persons of wealth, fairly good breeding and possessed of a desire to entertain. With all the good-humoured witticisms that the newspapers indulge in on this subject, it is nevertheless a fact that the art of entertaining requires deep and careful study, as well as natural aptitude."
Some of the greatest authors have stated this in poetry and prose.
"A typical member of this new class recently gave a dinner to a number of persons in society. It was a very dull affair. There was prodigality in everything, but no taste, and no refinement. The fellow amused me by telling us he had no trouble in getting up a fine dinner; he had only to tell his butler and _chef_ to get up a meal for so many persons, and the whole thing was done. There are few persons fortunate enough to possess _chefs_ and butlers of that kind; he certainly was not. Of the persons who attended his dinner, nine out of ten were displeased and will never attend another. It does not take long for the experienced member of society to know whether a host or hostess is qualified to entertain, and the climbers soon find it a hard piece of business to secure guests."
But on the other hand, we can reason that so fond of the various modes of gastronomic gratification is the human race, that the dinner giver is a very popular variety of the _genus homo_; nor does the host or hostess generally find it a hard matter to secure guests. Indeed there is a vulgar proverb to the effect that if the Devil gives a ball, all the angels will go to it.
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The Art of EntertainingChapter III: Part 3
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