Chapter XVII: Modern Organ Music (2)
Freiberg minster (organ), 406.
Frescobaldi, Girolamo, 424f, 436.
Fried, Oscar, 357.
Friedrich Augustus of Saxony, 148.
Froberger, Johann Jacob, 431, 442.
Frottola, 29f.
Fuchs, Albert, 355.
Fürst, 269.
G
Gabrieli, Andrea, 69, 421.
Gabrieli, Giovanni, 69, 234, 421.
Gade, Niels Wilhelm, 169ff.
‘The Crusaders,’ 170f.
‘The Erl-King’s Daughter,’ 171f.
‘Christmas Eve,’ 172f.
‘Comala,’ 173f.
‘Zion,’ 174f.
‘Spring’s Message,’ 175.
Gallo-Belgic School, 36f.
Garrett, George Mursell, 493.
Gauntlett, Henry John, 407.
Geibel, Emanuel, 198, 222.
George II, King of England, 250.
German church cantata, 114f.
Germany (church music), 111f;
(modern choral music), 347ff;
(famous organs), 404.
Giacomo, Lorenzo di, 405.
Gibbons, Orlando, 75, 98, _449f_, 475.
Gibbons, Cardinal (quot. on Catholic mass), 38f.
Gigout, Eugène, 485.
Glazounoff, 395.
Glee, 138f.
Glière, 396.
Glosada, 404.
Goethe, 168, 172, 196, 348;
(quot. on Bach), 435.
Goetz, Hermann, 204.
Goss, [Sir] John, 475.
Gossec, 284.
Goudimel, 96.
Gounod, Charles, 205f;
(passion music), 245;
(oratorio), 286f;
(masses), 341f.
‘The Redemption,’ 287f.
_Mors et Vita_, 289f.
Graff, Wilhelm Paul (poet), 200.
Grainger, Percy, 377.
Grandval, C. de, 392.
Grapheus of Nuremberg (quot. on early masses), 37.
Graun, Karl Heinrich, 245f.
‘The Death of Jesus,’ 245f.
Prague Te Deum, 328.
Greek Orthodox Church, x;
(music of), 394.
Greeks, Ancient, 1.
Green, Samuel, 406.
Greene, Maurice, 451f.
Gregorian chant, 10, 36, 37, 285;
(modern reform movement), 299.
Gregorian Antiphonary, 11ff.
Gregory the Great, Pope, 9f.
Gregory VII, 13.
Grieg, Edvard Hagerup, 205.
Grignón, 396.
Grillparzer (librettist to Schubert), 150.
Ground-bass (first recorded use), 33.
Grove’s Dictionary (cited), 33, 66 (footnote), 106.
Guami, Gioseffo, 422.
Guéranger, Prosper, 467.
Guido d’Arezzo, 18.
Guilmant, Félix Alexandre, 442 (footnote), 444, 468, 479, _480ff_, 490.
Fugue in D, 482.
Funeral March and Seraphic Song, 482.
Lamentation, 482.
Gutenberg, 155.
H
Haberl, F. X. (cited on Palestrina), 64 (footnote), 425 (footnote).
Hadley, Henry K., 383.
Hadow, W. H. (quot. on Beethoven), 336f.
Hahn, Reynaldo, 355, 388.
Halberstadt (early organ at), 402.
Hale, Philip, 460.
Hamburg (as centre of organ art), 433.
Hamerling (German poet), 210.
Hamilton, Newburg, 256.
Hammerschmidt, Andreas, 114 (footnote).
Handel, George Frederick, 127f, 134, 322, 434;
(passion music), 244;
(oratorios), 246ff;
(as organist), 452f;
(organ works), 454f.
‘Acis and Galatea,’ 127f.
‘Alexander’s Feast,’ 129.
‘L’Allegro,’ 129f.
‘Messiah,’ 249ff.
‘Israel in Egypt,’ 252f.
‘Judas Maccabæus,’ 254f.
‘Samson,’ 256f.
‘Utrecht Te Deum,’ 327f.
Handel and Haydn Society of Boston, 219, 242, 314, 380.
Harmony, 2.
Harris, René, 406.
Harrison, Julius, 495.
Harwood, Basil, 494f.
Haskell, C. S., 408.
Haskell, W. E., 410.
Hassler, Hans Leo, 421.
_Herzlich thut mich verlangen_, 430.
Hastings, 497.
Haupt, Karl August, 460.
Hauptmann, Maurice, 88.
Hausegger, Siegmund von, 357f.
Hawkins, [Sir] John (cit. on organ fantasias), 419;
(quot. on Handel), 454.
Haydn, Joseph, 130f;
(oratorio), 258ff.
_Ariadne auf Naxos_, 130f.
‘The Seven Words of Jesus on the Cross,’ 130.
‘The Creation,’ 259ff.
‘The Seasons,’ 261f.
Stabat Mater, 329.
Hebrews, 1.
Heliogabalus, 399.
Henrici, Friedrich, 244.
Henry VIII, King of England, 89, 449.
Henschel, Georg, 345.
Herbeck, 334.
Herder (poet), 192.
Hereford Festival, 322.
Hertz, Henrik, 182.
Hesse, Adolf Friedrich, 459f.
Heyse, Paul, 202.
Hiel, Emanuel (librettist to Benoît), 301.
Hildebrandt (organ builder), 405.
Hiller, Ferdinand, 168.
‘A Song of Victory,’ 168f.
Hobrecht, Jacob, 48.
Hofmann, Heinrich Karl Johann, 203f.
‘Melusina,’ 203f.
Hohenlohe, Archbishop, 280.
Holbrooke, Joseph, 374f.
‘Byron,’ 375.
‘The Bells,’ 375.
Dramatic Choral Symphony, 375.
‘Queen Mab,’ 375f.
‘To Zanthe,’ 376.
Apollo and the Seaman, 376.
Hölderlin, 195.
Hollins, Alfred, 494.
Holmès, Augusta, 391.
Holst, Gustave von, 376f.
[L’]Homme armé, 42 and footnote.
Hook and Hastings (organ builders), 497.
Hooker, Brian, 380.
Hope-Jones, Robert, 410f.
Hopkins, Edward John, 476.
Horn, C. F., 473.
Horn, Moritz, 166.
Horwitz, Karl, 353.
Huber, Hans, 358.
Huberti, G. L., 392.
Hucbald, 2, 18.
Humberston, F. W., 379.
Humfrey, Pelham, 133.
Hummel, 458.
Humperdinck, Engelbert, 357.
Huneker, James (quoted on Schönberg), 353.
Hungarian national march, 158.
‘Hunt’s-up’ (English song), 180 and footnote.
Hutchings, George S., 411.
Hydraulic organ, 398.
Hymnody (Luther’s influence on), 78ff.
I
[d’]Indy, Vincent, 386, 390f.
‘Song of the Bell,’ 391.
Innocent III, Pope, 320.
Instruments (in early Christian era), 7f.
Intervals, 1f;
(in part writing), 21.
Ippolitoff-Ivanoff, 396.
Irving, Washington, 219.
Italian cantata, 101ff.
Italy (modern choral music), 392ff;
(famous organs), 404.
Ivanovitch, Sergius, 396.
J
Jacobsen, Jens Peter, 353.
Jacobus de Benedictus, 320.
Jahn, Otto, 323.
Jalowetz, Heinrich, 353.
Jennens, Charles (librettist), 249.
Johann Georg, Elector of Saxony, 236.
Jonson, Ben, 141.
Jordans (organ builder), 406.
Josquin des Près, 48, 49ff.
Julian the Apostate, 400.
Julianus, Spanish bishop, 400.
K
Karg-Elert, Sigfrid, 489.
Karlsruhe Philharmonic Society, 195.
Kaun, Hugo, 358.
Kerl, Johann Kaspar, 431.
Keuchenthal (passion music), 236 (footnote).
Keyboard (organ), 402.
Kiesewetter, R. G. (quot. on Okeghem), 48.
Kind, Friedrich, 148.
Kinder, Ralph, 501.
Kindermann, Erasmus, 430.
Kingsley, Charles, 277, 379.
Kirbye (English madrigalist), 75.
Kirnberger, Johann Philipp, 457.
Kittel, Johann Christian, 458.
Klose, Friedrich, 488.
Koch, Friedrich, 357.
Köchel, 132 (footnote), 332.
Koninck, Lodemijk de (librettist), 299.
Konstantine, Kopronynus, 400.
Kotzebue, 141.
Kranz (organ builder), 405.
Krebs, Johann Ludwig, 458.
Kretzschmar, Hermann (quoted on Mozart), 329;
(cited on Beethoven), 335.
Ktesibos, 398.
Kuhnau, Johann, 88, 425.
L
Lachner, Franz, 150.
Lady Nevill’s Virginal Book, 449.
Laloy, Pierre (quot. on Debussy), 388.
Lambillotte, Louis, 467.
‘Lament’ for Charlemagne, 24 (footnote).
Lampadius (quot. on ‘St. Paul’), 270.
Landino, Francesco, 415, 427.
Lang, Benjamin Johnson, 497.
Langdon, W. C., 381.
Lange, Samuel de, 358, 469.
Lasso, Orlando di. See Lassus.
Lassus, Orlandus, 49, 56ff;
(secular compositions), 59f.
‘Penitential Psalms,’ 57f.
_Gustate et Videte_, 58f.
Leading motives, 301.
Le Bègue, Nicolas Antoine, 442.
Leeds festival, 322, 368.
Le Fanu, J. S., 211.
Lefebure-Wély, Louis J. A., 467.
Legrenzi, Giovanni, 105f.
Lemare, Henry, 494.
Lemmens, Nicolas Jacques, 468f.
Leo, Leonardo, 137.
Leo XIII, Pope, 289, 345.
Lerch (of minnesingers), 28 (footnote).
Lesueur, François, 285f.
Christmas Oratorio, 285f.
Liadoff, 395.
Lidley (librettist to Haydn), 259.
Lied (of minnesingers), 28 (footnote).
Lingg, H. (librettist), 197.
Liszt, Franz, 191f;
(choral works), 277f;
(Bach transcriptions), 438, 440 (footnote);
(as organ composer), 462.
‘The Bells of Strassburg,’ 191f.
‘Prometheus,’ 192f.
‘The Legend of St. Elizabeth,’ 277f.
_Christus_, 279f.
_Missa Solemnis_, 340f.
‘Hungarian Coronation Mass,’ 341.
Liturgic chant, 4.
Liturgy (Roman Catholic), x, 3f, 5, 318.
See also Mass.
Liverpool (organ at St. George’s Hall), 411.
Lobsinger (organ builder), 405.
Lohr, Harvey, 379.
London (Albert Hall organ), 411.
Longfellow, 191, 207, 212, 213, 216, 219, 221, 370, 380, 384.
Louis XII, King of France, 50.
Louis the Debonnaire, 400.
Lucinius, 427.
Luther, Martin, 53, 77ff, 89, 90, 236f, 484;
(compositions), 79, 80 (footnote).
Lutheran service, 77f, 81, 115f;
(Deutsche Messe), 82.
Luzzaschi, Luzzasco, 422.
M
Macfarlane, Will C., 501.
Macfarren, George Alexander, 180f, 282, 322.
‘May Day,’ 180.
‘The Lady of the Lake,’ 180f.
Mackenzie, Alexander Campbell, 210f, 368.
‘The Rose of Sharon,’ 306f.
‘Bethlehem,’ 308.
McLean, M., 379.
Macy, John, 384.
Madan’s Collection of Psalms and Hymn Tunes, 135.
Madrigal, xii, 30f, 70ff;
(of Netherland period), 46ff;
(in Germany), 72f;
(in France), 73;
(in England), 73f;
(decline), 138.
Magnard, 392.
Magnificat, 321;
(Dufay), 54f.
Mahler, Gustav, 357.
Maitland, J. H. Fuller (quoted on Brahms’ ‘German Requiem’), 293.
Male choruses, xvi.
Malling, Otto, 489f.
Malory (Morte d’Arthur), 368.
Mansfield, Purcell J., 495.
Manuals (organ), 405, 406.
Manuscripts (earliest known), 7.
Manzoni, Alessandro, 343.
Mapes, Walter, 60.
Maquaire, A., 486.
Marcellus II, Pope, 64.
Marchand, Louis, 444.
Marenzio, Luca, 72.
Martin, George C., 493.
Martini, Padre, 458.
Marx, A. B., 269.
Mary, Queen of England, 449.
Mary, Queen of Scots, 103.
Masque, 141.
Mass, xii, 38ff;
(use of secular subjects), 41f;
(origin of name), 42;
(development during Netherland period), 46ff;
(introduction of hymn), 85;
(order of movements), 318f;
(classification), 319ff;
(19th-cent. reform), 323;
(Mozart), 323, 329;
(Bach), 324ff;
(Haydn), 329;
(Cherubini), 333f;
(Beethoven), 335f;
(Liszt), 340f;
(Gounod), 341f;
(modern), 345f.
Massenet, Jules, 206;
(oratorio), 303f.
_Ève_, 303f.
_Marie Madeleine_, 304.
Mathieu, Émile, 392.
Mattheson, Johann, 118.
Mattheson (friend of Mendelssohn), 453.
Matthison, Arthur, 208.
Maximilian, Emperor of Austria, 427.
Measured music, 5.
Mees, Arthur (quot.), 62, 243.
Meistersinger, 27f.
Melody (placed in treble), 83.
Mendelssohn, Arnold, 357.
Mendelssohn-Bartholdy, Felix, 151ff;
(part-song), 186;
(oratorio), 268ff;
(quot. on Bach), 437;
(organ works), 461f.
‘The First Walpurgis Night,’ 152f.
‘As the Hart Pants,’ 153f.
‘Come, Let Us Sing,’ 154f.
Gutenberg Festival Cantata, 155.
_Lauda Sion_, 155.
‘Antigone,’ 155f.
‘Œdipus at Colonos,’ 156.
‘St. Paul,’ 269ff.
‘Elijah,’ 272ff.
‘Hymn of Praise,’ 276.
Merkel, Gustav Adolf, 463.
Merulo, Claudio, 420, 422.
Middelschulte, Wilhelm, 440 (footnote), 500.
Miller, Russell King, 501.
Milton, John (English masque writer), 141, 210, 256, 259.
Minnesingers, 26ff.
Miracle plays, 224.
Modal harmony, 56.
Monasteries (St. Gall), 8;
(study of music), 18.
Monophonic music, 1.
Monteverdi, 101.
Moore, Thomas (author of ‘Lalla Rookh’), 163.
Morell, Rev. Thomas (librettist to Handel), 254.
Morgan, George W., 460, 497.
Motet (Netherland period), 46ff;
(Josquin), 50;
(early history), 52f;
(subjects and early examples), 54f;
(18th cent.), 136f;
(19th cent.), 185.
Moussorgsky, Modeste, 395;
Destruction of Sennacherib, 395.
Mozart, Wolfgang Amadeus, 131f;
(relation to Haydn), 258 and footnote;
(mass), 323, 331f.
‘King Thamos,’ 131.
Masonic Cantatas, 132.
_Davidde Penitente_, 132.
Requiem, 329ff.
Coronation Mass, 332f.
Muffat, Georg, 432.
Multiple stop control, 409.
Mumford, Ethel Watts, 383.
Musæ Sioniæ (hymn collection), 86.
Music festivals (in England), 178.
Musica Transalpina (madrigal collection), 72, 73.
Musical Art Society of New York, xviii.
N
Napier, Hampdon (librettist to Weber), 148.
Napoleon I, 259, 339.
Nares, James (English organ composer), 472.
Nassare, Pablo, 445.
National Conservatory of Music, New York, 222.
National songs, xii.
Naumann, Emil (cit.), 24;
(quot. on Ecce Ancilla), 47;
(cited on Okeghem), 49;
(cited on Luther’s hymns), 85.
Nekrassoff, 395.
Nero, 399.
Netherland schools, 46ff;
(mass), 37f;
(use of secular subjects), 43f;
(texts), 44;
(differentiation of schools), 47f;
(organists), 417.
Neumes, 5f.
Newman, Cardinal (cited on dream of Gerontius), 362.
Newman, Ernest (quoted on Schönberg), 354.
Nicetas, Bishop of Remesiana, 322.
Nicholl, Horace Wadhams, 500.
Nigond, Gabriel, 389.
Ninfale, 415.
Nisard, Theódore, 467.
Noordt, Anthony van, 466.
Normand. See Nisard.
Nottebohm (cited on Schubert), 150.
Novello, Vincent, 332, 475.
Nowowiejski, Felix, 396.
Nuremberg (first chorale collection published at), 83 (footnote);
(as home of organ music), 430.
O
Oakley, Sir Hubert Stanley, 493.
Obrecht. See Hobrecht.
Ode, 141;
(revival of), 209.
Okeghem, Johannes, 48f.
Opera, xii;
(first), 99.
Oratorio (first), 99;
(origin and early examples), 223f;
(Cavalieri’s stage directions), 225f;
(17th-cent. Italian), 233ff;
(German passion-music), 234ff;
(Handel), 246ff;
(Haydn), 258ff;
(Beethoven), 264f;
(Spohr), 266f;
(Mendelssohn), 268ff;
(Liszt), 277ff;
(English composers), 281f;
(in modern France), 284f;
(modern), 292ff;
(modern English), 306f;
(American), 314f.
Oratorio Society of New York, xv-f.
Orchestra (employment of, in ritual music), 134.
Organ, 83;
(history and development), 397ff;
(10th-11th cent.), 400ff;
(portative), 402, 415;
(15th-17th cent.), 404f;
(18th-19th cent.), 406;
(modern development), 407ff;
(modern concert organ), 411f;
(early use in church service), 418;
(first in America), 496.
Organ blowers, 403.
Organ-building (10th-11th cent.), 400f;
(12th-14th cent.), 401ff;
(15th-16th cent.), 403ff;
(17th-19th cent.), 405ff;
(modern), 407ff.
Organ keyboard, 402.
See also Pneumatic action; Electricity.
‘Organ Magnificats,’ 321.
Organ music (early masters), 415ff;
(early forms), 418f;
(Saxon or Thuringian school), 434ff;
(Bach), 435ff;
(early French), 441ff;
(Spain and Portugal), 445;
(early English), 446ff;
(Handel), 452;
(after Bach and Handel), 456ff;
(19th-cent. German), 459ff;
(19th-cent. French), 466ff;
(19th-cent. English), 472ff;
(arrangements), 473;
(modern French), 479ff;
(modern German), 487f;
(modern Italian), 490f;
(in United States), 495ff;
(American composers), 499f.
Organ pedals, 403.
Organ playing (methods), iii, 422f, 459, 460.
Organists (in Germany), 426ff;
(in France), 441;
(in Spain and Portugal), 445f;
(Belgium), 469f;
(English), 472;
(younger French school), 486;
(younger English school), 493;
(American), 497ff.
Organum, 2, 19f.
Organum pulsare, 402.
Ornamentation (organ music), 423.
O’Shaughnessy, Arthur, 367.
Osiander, Lucas (published first chorale book), 83 (footnote).
Ottoboni, Cardinal, 453.
Ouseley, [Sir] Frederick Arthur Gore, 476f.
P
Pachelbel, Johann, 429, 430f, 436.
Paine, John K., 314f, 460, 497.
‘St. Peter,’ 314f.
Paix, Jacob, 428.
Palestrina, x, 17, 49, 60ff, 91, 422;
(contemporaries), 67f;
(motets), 136, 138.
_Missa Papæ Marcelli_, 63f.
Palestrina style, 61f, 322.
Pareja, Ramis de, 445.
Parker, Horatio William, 221f, 464, 499.
_Hora Novissima_, 315f.
‘The Legend of St. Christopher,’ 316f.
‘Morven and the Grail,’ 380f.
Parker, James Cutler Dunn, 497.
Parratt, [Sir] Walter, 493.
Parry, [Sir] C. Hubert H., 20 (footnote), 209f, 322;
(quot. on Rossi), 104f;
(quot. on 17th-cent. cantatas), 108.
‘Judith,’ 308f.
‘Job,’ 309.
‘King Saul,’ 309f.
‘The Vision of Life,’ 369f.
‘The Pied Piper of Hamelin,’ 369.
Partida (organ mechanism), 404.
Part-singing, 19f.
Part-song (origin), 140;
(German, 19th cent.), 186f;
(English, 19th cent.), 187;
(French, 19th cent.), 188.
Pasquini, Bernardo, 425f.
Passion-music (origin and development), 234f;
(Schütz), 236f;
(Bach), 239ff;
(Graun), 245f.
Pastourelle, 25 (footnote).
Paul IV, Pope, 66.
Paumann, Conrad, 427.
Peace, Albert Lister, 493.
Pedals (organ), 403, 405.
Pedrell, Felipe, 396.
‘Penitential Psalms’ (Lassus), 57f.
People’s Choral Union (New York), xv.
People’s Singing Classes (New York), xv.
Pepin, 400.
Pergolesi, Giov. Battista, 137, 327.
Stabat Mater, 327.
Peri, 100, 101, 405.
Periods of musical progress, 142f.
Perosi, Don Lorenzo, 392f, 492.
Perrot (organ builder), 405.
Péschard (organ builder), 407.
Petrali, Vincenzo Antonio, 491.
Petrarch, 71 (footnote).
Petronius, 399.
Philip of Vitry, 53.
Philip II, King of Spain, 404.
Picander. See Henrici.
Pierluigi, Giovanni. See Palestrina.
Pierné, Gabriel, 355, 386, 388f.
_Les enfants de Bethlehem_, 388.
‘The Children’s Crusade,’ 389.
_Saint-François d’Assisi_, 389f.
Pius X, Pope, 6.
Piutti, Carl, 487.
Plainsong. See Gregorian chant; Gregorian antiphonary.
Platen, August von, 172.
Platz, Wilhelm, 355.
Pneumatic action (in organ), 398, 400, 407.
Pneumatic lever (organ), 407.
Pneumatic organ, 400.
Poe, Edgar Allan, 376, 396.
Pohl, Richard, 166.
Poland (contemporaneous choral music), 396.
Polyphonic period, 36ff.
Pope, 210.
Portative organ, 399, 403, 405, 416.
Positive organ, 399.
Possessoris, 398.
Poushkin, 395.
Prætorius, Jacob, 432 (footnote).
Prætorius, Michael, 86, 402, 421.
Prague Te Deum, 328f.
Pratt, Waldo S. (quot. on Palestrina), 62.
Prelude, 429.
Professional choruses, xvii.
Prölz, Adolphus, 155.
Proske, Karl, 323, 467;
(quot. on Lassus), 56f.
Protestant church music, 76ff;
(substitution of vernacular for Latin), 78;
(in England), 89f.
Protestant composers (early), 86f, 94.
Protestant hymnody, 78.
Protestant service (Reformed church), 95f.
See Lutheran service.
Psalmists, 95.
Psalmody, 95;
(18th cent.), 135.
Public school choruses, xvi.
Purcell, Henry, 133, 322;
(as organ composer), 452.
Puritanism, 96.
Q
Quantz, Johann Joachim, 474f;
(quoted), 456.
Quef, Charles, 486.
R
Rachmaninoff, 395.
Raison, André, 442.
Rameau, Jean Philippe, 444f.
Ramler (librettist), 245.
Ramsay (early organ at convent of), 401.
Randebrock (organ builder), 409.
Ravanello, Oreste, 491f.
Ravel, Maurice, 392.
Recitative, 230f.
Redford, Thomas, 448.
Refrains, xii.
Regal, 405.
Reger, Max (choral works), 352f, 429, 440 (footnote);
(organ works), 488f.
Reidel, Carl, 238.
Reimann, Heinrich (quot. on Mozart), 323.
Reinken, Johann Adam, 432 (footnote).
Representative style, 100.
Requiem mass, 320.
Responsorial singing, 8.
Resultant tone (organ), 459.
Revolution of 1830, 337.
Reubke, Julius, 463.
Rheinberger, Joseph, 201f, 324;
(masses), 345;
(organ works), 464ff.
_Christophorus_, 201f.
Ribera (painter of ‘Magdalen’), 231.
Ricercare, 418.
Richter, E. F., 88.
Rimsky-Korsakoff, 395.
Rinck, J. C. H., 458, 459.
Ritter August Gottfried, 425 (footnote), 460;
(cit. on Crequillon), 421;
(quot. on Guami), 422;
(cit. on Hassler), 430;
(quot. on Muffat), 432.
Ritual (Pagan, Hebrew), 3;
(uniformity in, of mediæval European composers), 76;
(music in Anglican church), 90f.
See also Roman Catholic church; Litany; Lutheran service.
Rochlitz, Friedrich (librettist of ‘The Praise of Music’), 146.
Rockstro (quoted), 23;
(cited on first use of ‘madrigal’), 73 (footnote).
Rococo organ embellishments, 406.
Rogers, James Hotchkiss, 500.
‘Roland’s Song,’ 24 (footnote).
Rolland, Romain (quot. on Strauss), 348;
(quot. on modern choral school), 386;
(quoted on oratorio), 393.
Romberg, Andreas, 146f.
‘The Lay of the Bell,’ 146f.
Roman Catholic church, x, 8, 38ff;
(introduction of antiphonal psalmody), 9;
(influence of Protestant hymn), 84;
(movement for restoration), 323f.
See also Gregorian chant; Mass, etc.
Romans, 1.
Roosevelt, Hilborne L., 408, 411.
Rootham, Bradley, 379.
Roquette, Otto (librettist), 278.
Rossetti, Christina, 180, 387.
Rossi, Luigi, 104f.
_Gelosia_, 104f.
Rossini, Gioacchino, 339f.
Stabat Mater, 339f.
Round, 32.
Roundelay, 25 (footnote).
Rousseau, Samuel Alexandre, 485f.
Rückert, Friedrich, 167, 349, 350.
Rückpositiv, 404.
Rudolph, Emperor of Austria, 430.
Russia (contemporary choral music), 394f.
Rust, Wilhelm, 88.
S
Sachs, Hans, 27.
Sacred Harmonic Society, London, 252f.
St. Ambrose (hymns of), 8ff, 484.
St. Filippo Nero, 224.
St. George’s Hall, Liverpool (organ in), 411.
St. Mark’s, Venice, 417, 419f.
Saint-Saëns, Charles Camille (oratorio), 302f;
(as organ composer), 480.
_Noël_, 302.
‘The Deluge,’ 302f.
Salamon, 259.
Salomé, Théodore César, 485.
Salto cattivo (organ playing), 423.
Salzburg, Archbishop of, 332f.
Santa Maria, Thomas de, 445.
Santucci, Marco, 490f.
Scandellus, 237.
Scandinavia (contemporary choral music), 394.
Scarlatti, Alessandro, 106ff, 137, 230f.
Cantatas, 106f.
_Il trionfo della grazia_, 231.
_Sedecia, rè di Gerusalemme_, 231f.
Scarlatti, Domenico, 109, 453.
Scheidemann, Heinrich, 432 (footnote).
Scheidt, Samuel, 432 (footnote).
Schein, 88.
Schering (quot. on Everyman), 378.
Schikaneder, 131.
Schildt, Melchior, 432 (footnote).
Schiller, 146, 200, 204, 349, 395.
Schlick, Arnold, 427.
Schmid (organ builder), 405.
Schmid, Bernard, 428.
Schmidt (German organist), 450.
Schmitt, Aloys, 333.
Schmitt, Florent, 386, 390.
Schneider, Johann Gottlob, 458, 459, 469.
Schnitzker (organ builder), 405.
Scholæ cantorum, 6, 10.
Schönberg, Arnold, 353f.
_Gurrelieder_, 354.
Schubert, Franz, 149f; (part-song), 186;
(masses), 334.
_Miriams Siegesgesang_, 150.
Schumann, Georg, 351f;
(as organ composer), 462.
‘Ruth,’ 351.
Schumann, Robert, 161ff;
(part-song), 162f, 186, 204, 346;
(quoted on Bach), 435.
‘Paradise and the Peri,’ 162f.
‘The Pilgrimage of the Rose,’ 166.
‘The Minstrel’s Curse,’ 166f.
‘Advent Hymn,’ 167.
‘New Year’s Hymn,’ 167f.
‘Mignon’s Requiem,’ 168.
Schütz, Heinrich, 236f, 421.
‘Seven Words of Jesus,’ 237f.
‘Resurrection,’ 237.
‘Passions,’, 238.
Schwob, Marcel, 389.
Scott, [Sir] Walter, 180, 199, 380.
Scriabine, 376.
Secular music, 23ff;
(earliest known examples), 25;
(first use of polyphony), 29.
See also Cantata; Chanson; Folk-song; Madrigal; Part-song.
Seifert, Paul, 432 (footnote).
Séjan, Nicolas, 466.
Sequences, 14ff.
Serenade, 25 (footnote).
Servante, 25 (footnote).
Seyfried, 458.
Sguarcialupo, Antonio, 416.
Sheffield Festival, 368.
Shelley, Harry Rowe, 209, 501.
Shirley, James, 210.
Shubring (friend of Mendelssohn), 269.
Silas, Eduard, 346.
Silbermann family (organ builders), 406.
Singing schools, 6f, 10, 13.
Sistine Chapel, 11.
Skinner, Ernest M., 411.
Smart, [Sir] George, 265.
Smart, Henry, 181f;
(as organ composer), 475f.
‘The Bride of Dunkerron,’ 181f.
‘King René’s Daughter,’ 182f.
Smith, David Stanley, 385.
Smith, Father, 406, 450.
Solmisation, 18.
Sophocles, 155, 156.
Spain (famous organs), 404.
Spark, William, 476.
Speth, Johann, 431.
Spitta, Philipp (quot. on church music), 118;
(on J. S. Bach), 120;
(quot. on Bach), 437.
Spohr, Ludwig, 150f, 266f.
‘The Last Judgment,’ 266f.
‘Calvary,’ 267f.
Spruch (of minnesingers), 28 (footnote).
Stabat Mater, 320f.
Staff (origin of), 18.
Staff notation (first use), 5.
Stage directions for oratorio, 225f.
Stainer, Sir John, 493;
(cited), 31.
Stanford, Charles Villiers, 211, 346.
‘The Three Holy Children,’ 310.
‘Eden,’ 310f.
Stile rappresentativo, 100.
Stradella, Alessandro, 232f.
_S. Giovanni Battista_, 233.
Strauss, Richard, 348f;
(short choral works), 349;
(religious music), 350.
_Wanderers Sturmlied_, 348.
_Taillefer_, 349.
_Der Abend_, 349.
Stravinsky, 396.
Sullivan, [Sir] Arthur Seymour, 206f, 322.
‘The Golden Legend,’ 206f.
‘The Prodigal Son,’ 311f.
‘The Light of the World,’ 312f.
‘Sumer is icumen in,’ 32f.
Süssmayer, 330.
Sweelinck, J. P., 427, 429, 446.
Swell chambers (organ), 409f.
Swell (organ), 406.
Swieten, Baron von, 259.
Sydney, N. S. W. (organ), 411.
Sylvester, Pope, 6.
Syrinx, 397.
T
Tablatura nova, 429.
Tablature (organ), 422, 423.
Tallis, Thomas, 136, 448f.
Taneieff, Alexander, 396.
Tartini, 490.
Tasso (‘Jerusalem Delivered’), 170.
Taubmann, Otto, 350f.
_Deutsche Messe_, 350.
_Sängerweihe_, 350.
Taussig (Bach transcription), 440.
Te Deum Laudamus, 322.
Tebaldini, Giovanni, 393, 491.
Tegner, Bishop (librettist), 197.
Tempo (method of determining), 474f.
Tennyson, 211.
Tenzone, 25 (footnote).
Thayer, Eugene W., 460, 497, 500.
Theatre organs, 413.
Thiele, Johann Friedrich Ludwig, 462.
Thirty Years’ War (effect of, on chorale), 83.
Thomas Aquinas (author of Lauda Sion), 155.
Thomas (organ builder), 406.
Thomas, Theodore, 288, 292.
Thomasschule, 88.
Thomson (author of ‘Seasons’), 261.
Thuille, Ludwig, 357.
Tinel, Edgar, 299f, 392, 470.
_Franciscus_, 299f.
Titelouze, Jean, 441f.
Toccata, 418.
Tombelle, Ferdinand de la, 486.
Tone grouping (in organ), 410.
Trampeli (organ builders), 405.
Trench (librettist of ‘Apollo and the Seaman’), 376.
Trent, Council of, 58, 64, 119.
Tropes, 16.
Troubadours, 24f;
(historical significance), 28.
Trouvères, 25;
(historical significance), 28.
Truette, E. E., 460.
Tubular pneumatic action (in organ), 407.
Tuckerman, Samuel Parkman, 497.
Tuning, 405.
Turpin, Edmund Hart, 493.
Tye, Christopher, 98, _448_, 475.
U
Uhland, 166, 212, 349.
Unequal temperament, 405.
Unit stop control, 409.
Universal air chest, 409.
Utrecht Te Deum, 327f, 453.
V
Valbecke, Ludwig van, 403.
Vallotti, Francesco Antonio, 490.
Vavrineoz, Mauritius, 396.
Venetian school, 68f;
(madrigalists), 71f.
Verdi, Giuseppe, 343f.
Manzoni Requiem, 343f.
Vetruvius, 398 (footnote).
Villanella, 140 (footnote).
Vilotti, 458.
Virginal Book of Queen Elizabeth, 449.
Vitry, Philippe de, 53.
Vittoria (compared with Palestrina), 68.
Vogler, [Abbé] Georg Joseph, 458f, 490.
Vrchlicky, Jaroslav, 293.
W
Wackernagel, Philip (cited on German hymns), 78 (footnote).
Wagner, Richard, 189f.
‘The Love-Feast of the Apostles,’ 190f.
Walker, Ernest (quoted on the ‘Messiah’), 249f.
Walsegg, Franz von, Count of Ruppach, 330.
Walther, Johann, 85, 484.
War songs, xii.
Warren, George William, 497.
Wasielewski (cit. on G. Gabrieli), 421, 422.
Water organ, 398, 399.
Water pressure (in organ), 398.
Waterloo, 148.
Watson: ‘Italian Madrigals Englished,’ 72 (footnote).
Watts, 135f.
Webbe, Samuel, 139f.
Weber, Carl Maria von, 147, 186, 459;
(masses), 337.
‘Jubilee Cantata,’ 147f.
‘_Kampf und Sieg_,’ 148f.
Weber, Constance, 132.
Webern, Anton von, 353.
Weelkes (English madrigalist), 75.
Weinmann, Karl (cited on mediæval music), 20;
(quot. on Netherlanders), 43;
(cited on Beethoven), 324.
Weissenbach, Aloys, 145.
Wellesz, Egon, 353.
Wendt, Amadeus, 148.
Wensley, Shapcott (librettist), 212.
Wesley, Charles (Christmas hymn of), 155 (footnote).
Wesley, Charles (organist), 472.
Wesley, Samuel, 473.
Wesley, Samuel Sebastian, 475.
White (organ builder), 405.
Whiteley, John W., 410.
Whiting, Arthur, 222.
Whiting, George Elbridge, 221, 500.
Whittier, 368.
Widor, Charles Marie, 468, 479, 482, 483f.
Wilbye (English madrigalist), 75.
Wilcox, John H., 497.
Willaert, Adrian, 69, 417, 420.
Willcox, John Henry, 497.
William, Duke of Bavaria, 56.
William of Malmesbury, 401.
William IV, King of Prussia, 155.
Williams, C. F. Abdy, 432 (footnote).
Williams, C. Lee, 379.
Williams, Ralph Vaughan, 377.
Willis, H. W. (organ builder), 407, 408, 411.
Winchester (famous early organs at), 401.
Wind-chest, organ, 405;
(separate), 407;
(electro-pneumatic), 408f.
Wind-gauge (organ), 405.
Wind-power, regulation of (in organ), 405.
Wind pressure (in organ), 398.
Winterfeld (cited on Passion music), 236 (footnote).
Witt, Franz (quoted on masses), 323.
Wohlbrück (librettist), 148f.
_La vita nuova_, 394.
Wolf-Ferrari, Ermanno, 393f.
Wolfrum, Philip, 355.
Wolle, J. Frederick, 327.
[St.] Wolstan, 401.
Wolstenholme, William, 494.
Woltz, Johann, 428.
Women’s choruses, xvi.
Wood, Anthony (quot. on Tye), 448.
Wood, Henry, 379.
Worms, Diet of, 89.
Wotton, William, 405.
Woyrsch, Felix, 356f.
‘The Dance of Death,’ 356f.
Z
Ziehn, Bernard, 492.
Zipoli, Domenico, 426.
Zucchetti, 419.
Zwingli, 90.
Comments
Log in to leave a comment.
The art of music, Vol. 06 (of 14)Chapter XVII: Modern Organ Music (2)
0%12 min left in chapter