The Art of the Moving Picture
by OpenStories
Original author: Vachel Lindsay
"The Art of the Moving Picture" by Vachel Lindsay is a critical exploration of motion pictures as an emerging art form, initially written in the early 20th century and revised in the early 1920s. This literary work serves as both a critique and a guide for the aesthetic principles that should govern the making and appreciation of motion pictures, especially in the context of American culture and its evolving artistic landscape. Lindsay seeks to elevate cinema to a higher status among the traditional art forms, arguing for its recognition in museums alongside painting, sculpture, and architecture. The opening of the text introduces Lindsay's intent, emphasizing the need for critical discourse regarding film as an art form, particularly at a time when myriad art museums were emerging across America. He outlines the various aspects of photoplay criticism, showing a deep understanding of both the technical and emotional elements inherent in films. He presents various categories of motion pictures he plans to discuss, including action films, intimate plays, and those that focus on splendor, laying the groundwork for his exploration of how the cinema combines artistic expression with narrative storytelling. He reflects on personal experiences and observations about earlier films and their potential, while also advocating for a future where films can aspire to be as revered as other artistic endeavors.
The Art of the Moving Picture, by Vachel Lindsay. Republished by OpenStories from Project Gutenberg eBook #13029.
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31 Chapters
- 1.Book III1,019 words
- 2.Book I: The General Photoplay Situation in America, January 1, 19221,155 words
- 3.Chapter X: Furniture, Trappings, and Inventions in Motion, being a1,369 words
- 4.Chapter XIII: Hieroglyphics. One of the implications of this chapter and206 words
- 5.Chapter XIV: The Orchestra, Conversation, and the Censorship. In this498 words
- 6.Chapter XVIII: Architects as Crusaders. The sermon in this chapter has440 words
- 7.Chapter XIX: On Coming Forth by Day. This is the second Egyptian chapter626 words
- 8.Chapter XX: The Prophet-Wizard. Who do we mean by The Prophet-Wizard? We221 words
- 9.Chapter XXI: The Acceptable Year of the Lord. If I may be pardoned for972 words
- 10.Chapter I: The Point of View1,204 words
- 11.Chapter II: The Photoplay of Action1,777 words
- 12.Chapter III: The Intimate Photoplay2,562 words
- 13.Chapter IV: The Motion Picture of Fairy Splendor1,526 words
- 14.Chapter V: The Picture of Crowd Splendor2,329 words
- 15.Chapter VI: Patriotic Splendor3,154 words
- 16.Chapter VII: Religious Splendor2,082 words
- 17.Chapter VIII: Sculpture-In-Motion3,606 words
- 18.Chapter IX: Painting-In-Motion3,057 words
- 19.Chapter X: Furniture, Trappings, and Inventions in Motion3,986 words
- 20.Chapter XI: Architecture-In-Motion3,369 words
- 21.Chapter XII: Thirty Differences Between the Photoplays and the Stage3,874 words
- 22.Chapter XIII: Hieroglyphics3,479 words
- 23.Book III91 words
- 24.Chapter XIV: The Orchestra, Conversation, and the Censorship3,581 words
- 25.Chapter XV: The Substitute for the Saloon1,976 words
- 26.Chapter XVI: California and America1,401 words
- 27.Chapter XVII: Progress and Endowment3,627 words
- 28.Chapter XVIII: Architects as Crusaders1,553 words
- 29.Chapter XIX: On Coming Forth by Day1,681 words
- 30.Chapter XX: The Prophet-Wizard3,057 words
- 31.Chapter XXI: The Acceptable Year of the Lord2,426 words