Chapter III: Front Matter (3)

The pastoral bleat, the drone of bees,
The flail-beat chiming far away,
The cattle-low at shut of day,
The voice of God in leaf and breeze!

Then lend thy hand, my wiser friend,
And help me to the vales below,
(In truth, I have not far to go,)
Where sweet with flowers the fields extend.

THE SINGING-BIRDS AND THEIR SONGS.

Those persons enjoy the most happiness, if possessed of a benevolent heart and favored by ordinary circumstances of fortune, who have acquired by habit and education the power of deriving pleasure from objects that lie immediately around them. But these common sources of happiness are opened to those only who are endowed with genius, or who have received a certain kind of intellectual training. The more ordinary the mental and moral organization and culture of the individual, the more far-fetched and dear-bought must be his enjoyments. Nature has given us in full development only those appetites which are necessary to our physical well-being. She has left our moral appetites and capacities in the germ, to be developed by education and circumstances. Hence those agreeable sensations that come chiefly from the exercise of the imagination, which may be called the pleasures of sentiment, are available only to persons of a peculiar refinement of mind. The ignorant and rude may be dazzled and delighted by physical beauty, and charmed by loud and stirring sounds; but those more simple melodies and less attractive colors and forms that appeal to the mind for their principal effect act more powerfully upon individuals of superior culture.

In proportion as we have been trained to be agreeably affected by the outward forms of Nature, and the sounds that proceed from the animate and inanimate world, are we capable of being made happy without resorting to expensive and vulgar recreations. It ought, therefore, to be one of the chief points in the education of youth, while teaching them the still more important offices of humanity, to cultivate and enliven their susceptibility to the charms of natural objects. Then would the aspects of Nature, continually changing with the progress of the seasons and the sounds that enliven their march, satisfy, in a great measure, that craving for agreeable sensations which leads mankind away from humble and healthful pursuits to those of a more artificial and exciting life. The value of such pleasures consists not so much in their cheapness as in their favorable moral influences, which improve the heart, while they lead the mind to observations that pleasantly exercise and develope, without tasking its powers. The quiet emotions, half musical and half poetical, which are awakened by listening to the songs of birds, belong to this class of refined enjoyments.

But the music of birds, though agreeable to all, conveys positive and durable pleasure only to those who have learned to associate with their notes, in connection with the scenes of Nature, a thousand interesting and romantic images. To many persons of this character it affords more delight than the most brilliant music of the opera or the concert. In vain, therefore, will it be said, as an objection, that the notes of birds have no charm, save that which is derived from association, and that, considered as music, they do not equal that of the most simple reed or flageolet. It is sufficient to remark, that the most delightful influences of Nature proceed from those sights and sounds that appeal to the imagination and affections through the medium of slight and almost insensible impressions made upon the eye and the ear. At the moment when these physical impressions exceed a certain mean, the spell is broken, and the enjoyment becomes sensual, not intellectual. How soon, indeed, would the songs of birds lose their effect, if they were loud and brilliant, like a band of instruments! It is their simplicity that gives them their charm.

As a further illustration of this point, it may be remarked that simple melodies have among all people exercised a greater power over the imagination than louder and more complicated music. Nature employs a very small amount of physical sensation to create an intellectual passion, and when an excess is used a diminished effect is produced. I am persuaded that the effect of a great part of our sacred music is lost by an excess of harmony and a too great volume of sound. On the same principle, a loud crash of thunder deafens and terrifies; but its low and distant rumbling produces an agreeable emotion of sublimity.

The songs of birds are as intimately allied with poetry as with music. The lark has been aptly denominated a "feathered lyric" by one of the English poets; and the analogy becomes apparent when we consider how much the song of a bird resembles a lyrical ballad in its influence on the mind. Though it utters no words, how plainly it suggests a long train of agreeable images of love, beauty, friendship, and home! When a young person has suffered any severe wound of the affections, he seldom fails, if endowed with a sensitive mind, to listen to the birds as sharers in his affliction. Through them the deities of the groves seem to offer him their consolation. By indulging this habit of making companionship with the objects of Nature, all pleasing sights and sounds gradually become certain anodynes for his sorrow; and those who have this mental alembic for turning grief into a poetic melancholy can seldom be reduced to a state of absolute despondency. Poetry, or rather the poetic sentiment, exalts all our pleasures and soothes all our afflictions by some illusive charm, whether it be turned into the channel of religion or romance. Without this reflection of light from the imagination, what is the passion of love? and what is our love of beauty and of sweet sounds, but a mere gravitation?

The voice of every singing-bird has its associations in the minds of all susceptible persons who were born and nurtured within the precincts of its untutored minstrelsy. The music of birds is modulated in pleasant unison with all the chords of affection and imagination, filling the soul with a lively consciousness of happiness and beauty, and soothing it with romantic visions of memory,--of love, when it was an ethereal sentiment of adoration and not a passion, and of friendship, when it was a passion and not an expedience,--of dear and simple adventures, and of comrades who had part in them,--of dappled mornings, and serene and glowing sunsets,--of sequestered nooks and mossy seats in the old wood,--of paths by the riverside, and flowers that smiled a bright welcome to our rambling,--of lingering departures from home, and of old by-ways, overshadowed by trees and hedged with roses and viburnums, that spread their shade and their perfume around our path to gladden our return. By this pleasant instrumentality has Nature provided for the happiness of those who have learned to be delighted with the survey of her works, and with the sound of those voices which she has appointed to communicate to the human soul the joys of her inferior creation.

The singing-birds, with reference to their songs, may be divided into four classes. First, the Rapid Singers, whose song is uninterrupted, of considerable length, and uttered with fervor, and in apparent ecstasy. Second, the Moderate Singers, whose notes are slowly modulated, but without pauses or rests between their different strains. Third, the Interrupted Singers, who seldom modulate their notes with rapidity, and make decided pauses between their several strains, of which there are in general from five to eight or nine. Fourth, the Warblers, whose notes consist of only one or two strains, not combined into a song.

The canary, among foreign birds, and the linnet and bobolink, among American birds, are familiar examples of the first class; the common robin and the veery of the second; the wood-thrush, the cat-bird, and the mocking-bird, of the third; and the blue-bird, the pewee, and the purple martin, of the fourth class. It may be added, that some birds are nearly periodical in their habits of singing, preferring the morning and evening, and occasional periods in other parts of the day, while others sing almost indifferently at all hours. The greater number of species, however, are more tuneful in the early morning than at any other hour.

June, in this part of the world, is the most vocal month of the year. Many of our principal songsters do not arrive until near the middle of May; and all, whether they come early or late, continue in song throughout the month of June. The bobolink, which is one of the first to become silent, continues vocal until the second week in July. So nearly simultaneous is the discontinuance of the songs of this species, that it might seem as if their silence were preconcerted, and that by a vote they had, on a certain day, adjourned over to another year. If an unusually genial day occurs about the seventh of July, we may hear multitudes of them singing merrily on that occasion. Should this time be followed by two or three successive days of chilly and rainy weather, their tunefulness is so generally brought to a close during this period, that we may not hear another musical note from a single individual after the seventh. The songs of birds are discontinued as soon as their amorous dalliances and the care of their offspring have ceased. Hence those birds that raise but one brood of young during the season, like the bobolink, are the first to become silent.

No one of the New England birds is an autumnal warbler; though the song-sparrow often greets the fine mornings in October with his lays, and the shore-lark, after spending the summer in Labrador and about the shores of Hudson's Bay, is sometimes heard in autumn, soaring and singing at the dawn of day, while on his passage to the South. The bobolink, the veery, or Wilson's thrush, the red thrush, and the golden robin, are silent after the middle of July; the wood-thrush, the cat-bird, and the common robin, not until a month later; but the song-sparrow alone continues to sing throughout the summer. The tuneful season of the year, in New England, embraces a period of about four months, from the middle of April to the middle of August.

There are certain times of the day, as well as certain seasons of the year, when the birds are most musical. The grand concert of the feathered tribe takes place during the hour between dawn and sunrise. During the remainder of the day they sing less in concert, though many species are very musical at noonday, and seem, like the nocturnal birds, to prefer the hour when others are silent. At sunset there is an apparent attempt to unite once more in chorus, but this is far from being so loud or so general as in the morning. The little birds which I have classed in the fourth division are a very important accompaniment to the anthem of dawn, their notes, though short, serving agreeably to fill up the pauses made by the other musicians. Thus, the hair-bird (_Fringilla Socialis_) has a sharp and trilling note, without any modulation, and not at all melodious, when heard alone; but in the morning it is the chief harmonizer of the whole chorus, and serves, more than any other voice, to give unity and symphony to the multitude of miscellaneous parts.

There are not many birds whose notes could be accurately described upon the gamut. The nearest approach we can make to accuracy is to give some general idea of their time and modulation. Their musical intervals can be distinguished but with difficulty, on account of the rapidity of their utterance. I have often attempted to transcribe some of their notes upon the musical scale, but I am persuaded that such sketches can be only approximations to literal correctness. As different individuals of the same species sing very differently, the notes, as transcribed from the song of one individual, will never exactly represent the song of another. If we listen attentively, however, to a number of songs, we shall detect in all of them a _theme_, as it is termed by musicians, of which the different individuals of the species warble their respective variations. Every song is, technically speaking, a _fantasia_ constructed upon this theme, from which none of the species ever departs.

It is very generally believed that the singing-birds are confined to temperate latitudes, and that the tropical birds have not the gift of song. That this is an error is apparent from the testimony of travellers, who speak of the birds in the Sandwich Islands and New Zealand as singing delightfully, and some fine songsters are occasionally imported in cages from tropical climates. The origin of this notion may be explained in several ways. It is worthy of notice that within the tropics the singing season of different species of birds does not occur at the same time. One species may be musical in the spring, another in summer, and others in autumn and winter. When one species, therefore, has begun to sing, another has ceased, so that, at whatever time of the year the traveller stops, he hears but few birds engaged in song.

In the temperate latitudes, on the contrary, as soon as the birds arrive, they commence building their nests, and become musical at the same time. If a stranger from a tropical climate should arrive in this country in the spring, and remain here during the months of May and June, he would hear more birds singing together than he ever heard at once in his own clime; but were he to arrive about the middle of July, when the greater number of our birds have discontinued their songs, he would probably, if he knew the reputation of the Northern birds, marvel a little at their silence. If there are as many birds singing at one time during the whole year, in the hot climates, as we hear in this country in the latter half of summer, the greater average would appear to be on the side of the former.

It may also be remarked, that the singing-birds of the tropics are not so well known as those of temperate latitudes which are inhabited by civilized men. The savages and barbarians, who are the principal inhabitants of hot countries, are seldom observant of the habits or the voices of the singing-birds. A musician of the feathered race, as well as a harpist or violinist, must have an appreciating audience, or his powers can never be made known to the world. But even with the same audience, the tropical singing-birds would probably be less esteemed than songsters of equal merit in the temperate latitudes; for, amid the stridulous and deafening sounds made by the insects in warm climates, the notes of birds would be scarcely audible.

We are still inclined to believe, however, that there is a larger proportion of musical birds in the temperate than in the torrid zone, because in the former region there are more of those species that build low and live among the grass and shrubbery, and it is well known that the singing-birds are mostly of the latter description. In warm climates the vegetation consists chiefly of trees and tall vines, forming together an umbrageous canopy overhead, with but a scanty undergrowth. In temperate latitudes the shrubbery predominates, especially in the most northerly parts. Moreover, the grasses that furnish by their seeds a great proportion of the food of the smaller birds are almost entirely wanting in the torrid zone.

The birds that live in trees are remarkable for their brilliant plumage; those that live upon the ground and in the shrubbery are plainly dressed. This is a provision of Nature for their protection, as the ground-birds must have a predominance of tints that resemble the general hues of the surface of the earth. I do not know a single brightly-plumed bird that nestles upon the ground, unless the bobolink may be considered an exception. They are almost invariably colored like sparrows. The birds that inhabit the trees, on the other hand, need less of this protection, though the females are commonly of an olive or greenish yellow, which harmonizes with the general hue of the foliage, and screens them from observation, while sitting upon the nest. The male, on the contrary, who seldom sits upon the nest, requires a plumage that will render him conspicuous to the female and to the young, after they have left their nest. It is remarkable, that Nature, in all cases in which she has created a difference in the plumage of the male and female, has used the hues of their plumage only for the protection of the mother and the young, for whose advantage she has dressed the male parent in colors that must somewhat endanger his own safety.

The color of the plumage of birds seems to bear less relation to their powers of song than to their habitats; and as the birds that live in trees are commonly less tuneful, they are more brilliantly arrayed. The bird employs his song in wooing his mate, as well as in entertaining her after she is wedded; and it is not unlikely that Nature may have compensated those which are deficient in song by giving them a superior beauty of plumage. As the offices of courtship devolve entirely upon the males, it is the more necessary that they should be possessed of conspicuous attractions; but as the task of sitting upon the nest devolves upon the female, she requires more of that protection which arises from the conformity of her plumage with the general hue of the objects that surround her nest. While she is sitting, the plain hues of her dress protect her from observation; but when she leaves her nest to seek her companion, she is enabled by his brilliant colors the more easily to discover him. The male is diligent in providing for the wants of the offspring, and hence it is important that his dress should render him conspicuous. When the young birds have left the nest, upon seeing the flash of his plumage, they immediately utter their call, and by this note, which might not otherwise be sounded at the right moment, he detects them and supplies them with food. Should a bird of prey suddenly come into their neighborhood, he overlooks the plainly-dressed mother and off-spring, and gives chase to the male parent, who not only escapes, but at the same time diverts the attention of the foe from his defenceless progeny.

But the birds that build low, either upon the ground or among the shrubbery, are exposed to a greater number and variety of enemies. Hence it becomes necessary that the males as well as the females should have that protection which is afforded by sobriety of color. Not being made conspicuous by their plumage, they are endowed with the gift of song, that they may make known their presence to their mate and their young by their voice. I have often thought that the song of the bird was designed by Nature for the benefit of the young, no less than for the entertainment of his mate. The sounds uttered by birds on account of their young always precede the period of incubation. The common hen begins to cluck several days before she begins to sit upon her eggs. In like manner the male singing-bird commences his song when the pair are making ready to build their nest. While his mate is sitting, his song reminds her of his presence, and inspires her with a feeling of security and content, during the period of her confinement. As soon as the young are hatched, they begin to learn his voice and grow accustomed to it, and when they fly from the nest they are prevented by the sound of it from wandering and getting bewildered. If they happen to fly beyond certain bounds, the song of the male parent warns them of their distance, and causes them to turn and draw near the place from which it seems to issue. Thus the song of the male bird, always uttered within a certain circumference, of which the nest is the centre, becomes a kind of sentinel voice, to keep the young birds within prudent limits.

It is not easy to explain why a larger proportion of the birds that occupy trees should be destitute of song, except on the supposition that in such elevated situations the young are more easily guided by sight than by hearing. Still there are many songsters which are dressed in brilliant plumage, and of these we have some examples among our native birds. These, however, are evident exceptions to the general fact, and we may trace a plain analogy in this respect between birds and insects. The musical insects are, we believe, invariably destitute of brilliant plumage. Butterflies and moths do not sing; the music of insects comes chiefly from the plainly-dressed locust and grasshopper tribes.

OUR TALKS WITH UNCLE JOHN.

TALK NUMBER ONE.

We were happy children, Alice and I, when, on Alice's sixteenth birthday, we persuaded our father, the most indulgent parent in Cincinnati, that there was no need of our going to school any longer; not that our education was finished,--we did not even put up such a preposterous plea as that,--but because Mrs. C. did not intend to send Laura, and we did not believe any of our set of girls would go back after the holidays.

There is no being so facile as an American father, especially where his daughters are concerned; and our dear father was no exception to the general rule. So our school education was finished. For the rest, for the real education of our minds and hearts, we took care of ourselves.

How could it be otherwise? Our father, a leading merchant in Cincinnati, spent his days in his counting-room, and his evenings buried in his newspapers or in his business calculations, on the absorbing nature of which we had learned to build with such certainty, that, when his consent was necessary to some scheme of pleasure, we preferred our requests with such a nice adjustment of time, that the answer generally was, "January 3d,--two thousand bales,--yes, my dear,--and twelve are sixteen,--yes, Alice, don't bother me, child!" and, armed with that unconscious assent, we sought our mother.

"Papa says that we may go. Do you think, mamma, that Miss D. can have our dresses in time?"

Our dear mother, most faithful and indefatigable in her care for our bodily wants, what time had she for aught else? With feeble health, with poor servants, with a large house crowded with fine furniture, and with the claims of a numerous calling and party-giving acquaintance,--claims which both my father and herself imagined his business and her social position made imperative,--what could she do more than to see that our innumerable white skirts were properly tucked, embroidered, washed, and starched, that our party dresses were equal to those which Mrs. C. and Mrs. D. provided for their girls, and that our bonnets were fashionable enough for Fourth Street? Could she find time for anything more? Yes,--on our bodily ailments she always found time to bestow motherly care, watchfulness, and sympathy; of our mental ills she knew nothing.

So we cared for ourselves, Alice and I, through those merry, thoughtless two years that followed,--merry (not happy) in our Fourth-Street promenades, our Saturday-afternoon assignations at the dancing-school rooms, our parties and picnics; and merry still, but thoughtless always, in our eager search for excitement in the novels, whose perusal was our only literary enjoyment.

Somehow we woke up,--somehow we groped our way out of our frivolity. First came weariness, then impatience, and last a passing-away of all things old and a putting-on of things new.

I remember well the day when Alice first spoke out her unrest. My pretty Alice! I see her now, as she flung herself across the foot of the bed, and, her chin on her hand, watched me combing and parting my hair. I see again those soft, dark brown eyes, so deep in their liquid beauty that you lost yourself gazing down into them; again I see falling around her that wealth of auburn hair of the true Titian color, the smooth, low forehead, and the ripe, red lips, whose mobility lent such varying expression to her face.

At that moment the eyes drooped and the lips trembled with weariness.

"Must we go to that tiresome party, Kate? We have been to three this week; they are all alike."

I looked at her. "Are you in earnest? will you stay at home? I know I shall be tired to death; but what will Laura C. say? what will all the girls think?"

Alice raised herself on her elbow. "Kate, I don't believe it is any matter what they think. Do we really care for any of them, except to wish them well? and we can wish them well without being with them all the time. Do you know, Kate, I have been tired to death of all this for these three months? It was very well at first, when we first left school; parties were pleasant enough then, but now"--and Alice sprang from the bed and seated herself in a low chair at my feet, as, glowing and eager, she went on, her face lighting with her rapid speech,--"Kate, I have thought it over and over again, this tiresome, useless life; it wears me out, and I mean to change it. You know we may do just as we please; neither papa nor mamma will care. I shall stay at home."

"But what will people say?" I put in, feebly.

Alice's eyes flashed. "You know, Kate, I don't care for 'people,' as you call them. I only know that I am utterly weary of this petty visiting and gossiping, this round of parties, concerts, and lectures, where we meet the same faces. There is no harm in it that I know of, but it is simply so stupid. If we met new people, it would be something; but the same girls, the same beaux."

"And George W. and Henry B., what will they do for partners to-night? what will become of them?"

Alice put up her lip. "They will console themselves with Laura C. and those Kentucky girls from Louisville. For my part, I shall put on my walking-dress, and go over the river to spend the evening with Uncle John, and, what is more, I shall ask mamma to let me stay two or three days." And, suiting the action to the word, she began to dress hurriedly.

"You will surely never go without me, Alice?"

"You will never stay behind, if I do go, Kate," said she, looking back at me laughingly. "But make haste, I shall gain mamma over in five minutes; and we must be quick, if we are to reach Uncle John's before tea-time."

Uncle John,--even now that long years have passed, so long that it seems to me as if I had gone into another state of existence, as if I were not the same person as in those times,--even now the thought of him makes my heart beat quick and the blood thrill more rapidly through my veins. He was the delight of my childhood; far better, he was the comfort and support of my after years. Even as a child, I knew, knew by some intuitive perception, that Uncle John was not happy. How soon I learned that he was a disappointed man I cannot tell; but long before I grew up into womanhood I was conscious that he had made some mistake in life, that some cloud hung over him. I never asked, I never talked on the subject, even to Alice; there was always an understanding between us that we should be silent about that which each of us felt with all the certainty of knowledge.

But if Uncle John was unhappy himself, who was there that he did not make happy? No one who came near him,--from his nieces whom he petted and spoiled, down to the little negroes who rolled, unrebuked, over the grass before his window in summer, or woke him on a Christmas morning with their shrill "Christmas gift, Massa John!" Not that Uncle John was a busybody, troubling himself about many things, and seeking out occasions for obtruding his kindnesses. He lived so secluded a life in the old family-house on the outskirts of Newport, (we were a Kentucky family,) as to raise the gossiping curiosity of all new residents, and to call forth the explanatory remark from the old settlers, that the Delanos were all queer people, but John Delano was the queerest of them all.

So Uncle John spent his time between his library and his garden, while Old Aunt Molly took upon herself the cares of the household, and kept the pantry always in a condition to welcome the guests, to whom, with Kentucky hospitality, Uncle John's house was always open. Courteous he was as the finest gentleman of olden times, and sincerely glad to see his friends, but I have thought sometimes that he was equally glad to have them go away. While they were with him he gave them the truest welcome, leaving garden and books to devote himself to their entertainment; but I have detected a look of relief on his face as he shut the gate upon them and sought the shelter of his own little study, that sanctum which even we children were not allowed to enter except on special occasions, on a quiet winter evening, or, perhaps, on as quiet a summer morning.

Uncle John had not always lived in the old house. We knew, that, after Grandpapa's death, it had been shut up,--for my father's business engagements would not allow my mother to reside in it, and Uncle John had been for years among the Indians in the far Northwest. We had heard of him sometimes, but we had never seen him, we hardly realized that he was a living person, till one day he suddenly appeared among us, rough-looking and uncouth in his hunter's dress, with his heavy beard and his long hair, bringing with him his multifarious assortment, so charming to our eyes, of buffalo-robes and elk-horns, wolf-skins and Indian moccasins.

He staid with us that winter, and very merry and happy he seemed to us at first;--looking back upon it now, I should call it, not happiness, but excitement;--but as the winter passed on, even we children saw that all was not right with him. He gradually withdrew himself from the constant whirl of society in our house, and, by the spring, had settled himself in the old home at Newport, adding to his old furniture only his books, which he had been all winter collecting, and the primitive _in_conveniences of his own room, which his rough Western life had rendered indispensable to him. His study presented a singular mixture of civilization and barbarism, and its very peculiarities made it a delight to Alice and me. There were a few rare engravings on the walls, hung between enormous antlers which supported rough-looking rifles and uncouth hunting-shirts,--cases of elegantly bound and valuable books, half hidden by heavy buffalo-robes marked all over with strange-looking hieroglyphics which told the Indian _coups_,--study-chairs of the most elaborate manufacture, with levers and screws to incline them to any, the idlest, inclination, over the backs of which hung white wolf-skins, mounted, claws and all, with brilliant red cloth,--and in the corner, on the pretty Brussels carpet, the prettiest that mamma could find at Shellito's, lay the bag of Indian weed (Uncle John scorned tobacco) with which he filled his pipe every evening, and the moccasins which he always wore when at home.

In vain did Alice and I spend our eyesight in embroidering slippers for him; our Christmas gifts were received with a kiss or a stroke of the head, and then put into Aunt Molly's hands to be taken care of, while he still wore the rough moccasins, made far up among the Blackfoot Indians, which he laughingly declared were warmer, cooler, softer, and stronger than any slippers or boots that civilized shoemaker ever turned off his last.

Quiet as it was at the old house, it had always been a source of happiness to us to be allowed to make a visit to Uncle John. There, if that were possible, we did more as we pleased than even at home; there were not even the conventionalities of society to restrain us; we were in the country, comparatively. And who like Uncle John knew what real country pleasures were? who like him could provide for every contingency? who was so full of expedients in those happy gypsying expeditions which we would entice him into, and which sometimes lasted for days, nay, weeks? He would mount Alice and myself on two of his sure-footed little Indian ponies, with which his trader friends always kept him supplied; and throwing a pair of saddle-bags, filled with what he called our woman's traps, over his own, he would start with us for a trip across the country for miles, stopping at the farm-houses at night, laughing us out of our conventional notions about the conveniences of lodging, and so forth,--and camping out during the day, making what we called a continuous picnic. And then the stories he would tell us of his adventures among the Blackfeet,--of his trading expeditions,--his being taken prisoner by the Sioux,--his life in the forts,--till Alice would creep nearer to him in her nervous excitement, as if to be sure that he was really with her, and then beg him to go on and tell us something more. Once I asked him how he happened to go out among the Indians. His face darkened,--"My little Kate, you must not ask questions,"--and as I turned to Alice, her eyes were full of tears. She had been looking at him while I spoke, and she told me afterwards that something about Uncle John's lips made her cry, they quivered so, and were set afterwards so tight. We never asked him that question again.

But the ferry-boat, "The Belle of Newport," has neared the landing while I have been introducing Uncle John, and the soft summer twilight saw us wending our way through the town towards the Kentucky hills, whose rounded outlines were still bright with the evening red. Just on the rise of the nearest was the Old House,--for it went with us by no other name,--and at the garden-gate stood Uncle John, his face brightening as he saw us, while behind him a row of eager faces showed their wide-stretched mouths and white teeth.

"Come to spend two or three days, Alice?" said Uncle John, that evening, as we sat with shaded lamp in the study, his moccasined feet resting on the window-seat, while he sank into the depths of his leather-covered Spanish chair. "Why, what has become of the parties that Aunt Molly heard about in your kitchen on her way to market yesterday? Where are all our handsome young students that were coming home for the holidays? Remember, I'll have none of them following you over here, and disarranging my books by way of showing off their knowledge."

Alice laughed. "Not a soul knows where we are, Uncle John, except mamma, and she promised not to tell. Laura C. has a party to-night, and she will be provoked enough at our running away; but the truth is,----well, Uncle John, I am tired of parties; indeed, I am tired of our way of living, and--and Kate and I thought we would come and ask you what we ought to do about it."

Uncle John puckered up his face with a comical expression, and then, looking out of the window, whistled the Indian buffalo-call.

Alice sprung up. "Don't whistle that provoking thing, Uncle John! Indeed, I am thoroughly in earnest,--parties are so tiresome,--all exactly alike; we always see the same people, or the same sort of people. There is nothing about them worth having, except the dancing; and even that is not as good as a scamper over the hills with you and the ponies. You know we have been going to parties for these two years; we have seen so much of society, no wonder we are tired of it."

"Sit down, Alice," said Uncle John; "you do look really in earnest, so I suppose you must not be whistled at. And you have come all the way over here this evening to get me to solve Life's problem for you? My dear, I cannot work it out for myself. You are 'tired of society'? Why, little one, you have not seen society yet. Suppose I could put you down to-night in the midst of some European court,--could show you men whose courage, wit, or learning had made them world-famous,--women whose beauty, grace, and cultivation brought those world-famous men to their side, and who held them there by the fascination that high-breeding knows how to use. Should you talk of sameness then?"

Alice's eyes sparkled for a moment, then she said,--

"Yes, I should tire even of that, after a while, glorious as it would be at first."

"Have you reached such sublime heights of philosophy already? Then, perhaps, I shall not seem to be talking nonsense, when I tell you that there is nothing in the world of which you would not tire after the first joy of possession was over, no position which would not seem monotonous. You do not believe me? Of course not. We all buy our own experience in life; on one of two rocks we split: either we do not want a thing after we have got it, or we do not get it till we no longer want it. Some of us suffer shipwreck both ways. But, Alice, you must find that out for yourself."

"Can we not profit by each other's mistakes, Uncle?"

"No, child. To what purpose should I show you the breakers where my vessel struck? Do you suppose you will steer exactly in my path? But what soberness is this? you are not among breakers yet; you are simply 'tired of living';" and Uncle John's smile was too genial to be called satirical.

"Tired of not living, I think," replied Alice,--"tired of doing nothing, of having nothing to do. The girls, Laura and the rest of them, find so much excitement in what seems to me so stupid!"

"You are not exactly like 'Laura and the rest of them,' I fancy, my dear, and what suits them is rather too tame for you. But what do you propose to do with yourself now that you are beginning to live?"

"Now you are laughing at me, Uncle, and you will laugh more when I tell you that I mean to study and to make Kate study with me."

"Poor Kate!--if you should fancy swimming, shooting, or any other unheard-of pursuit, Kate would be obliged to swim and shoot with you. But I will not laugh any more. Study, if you will, Alice; you will learn fast enough, and, in this age of fast-advancing civilization, when the chances of eligible matrimony for young ladies in your station are yearly becoming less and less,--oh, you need not put up your lip and peep into my bachelor's shaving-glass!--let me tell you that a literary taste is a recourse not to be despised. Of course you will study now to astonish me, or to surprise your young friends, or for some other equally wise reason; but the time may come when literature will be its own exceeding great reward."

"Uncle, answer me one thing,--are you as happy here in your quiet study as you were in your exciting life among the Indians? Do you not tire of this everyday sameness?"

"Close questioning, Alice, but I will answer you truly. Other things being equal, I confess to you that the Indian life was the more monotonous of the two. I look back now on my twenty years of savage life and see nothing to vary its dreary sameness; the dangers were always alike, the excitements always the same, and the rest was a dead blank. The whole twenty years might be comprised in four words,--we fought, we hunted, we eat, we slept. No, there is no monotony like that,--no life so stupid as that of the savage, with his low wants and his narrow hopes and fears. My life here among my books, which seems to you so tame, is excitement itself compared with that. Your stupidest party is full of life, intelligence, wit, when put beside an Indian powwow. There is but one charm in that wandering life, Alice,--the free intercourse with Nature; _that_ never tires; but then you must remember that to enjoy it you must be cultivated up to it. There needs all the teaching of civilization, nay, the education of life, to enjoy Nature truly. These quiet hills, these beech forests, are more to me now than Niagara was at eighteen; and Niagara itself, which raises the poet above the earth, falls tame on the mind of the savage. Believe one who knows,--the man of civilization who goes back to the savage state throws away his life; his very mind becomes, like the dyer's hand, 'subdued to what it works in.'

"But I am going out of your depth again, girls," continued he, looking at our wondering, half-puzzled faces. "Let it go, Alice; Life is a problem too hard for you to solve as yet; perhaps it will solve itself. Meantime, we will brighten ourselves up to-morrow by a good scamper over the hills, and, the next day, if your fancy for study still holds, we will plan out some hard work, and I will show you what real study is. Now go to bed; but see first that Aunt Molly has her sandwiches and gingerbread ready for the morning."

TALK NUMBER TWO.

Uncle John was well qualified to show us what real study was, for in his early youth he had read hard and long to fit himself for a literary life. What had changed his course and driven him to the far West we did not know, but since his return he had brought the perseverance and judgment of middle life to the studies of his youth, and in his last ten years of leisure had made himself that rarest of things among Americans, a scholar, one worthy of the name.

Under his guidance our studies took life, and Alice threw herself into them with all the energy of her nature. In vain papa pished and pshawed, and mamma grieved, and begged John not to spoil the girls by making bookworms of them; in vain "Laura C. and the rest of them" entreated us to join this picnic or show ourselves at that party; in vain the young men professed themselves afraid of us, and the girls tossed their heads and called us blue-stockings. Alice's answer to all was, "I like studying; it is a great deal more entertaining than going to parties; Uncle John's study is pleasanter than Mrs. C.'s parlor, and a ride on his little Winnebago better fun than dancing." And so the years went on. We were not out of society,--that could not be in our house,--but our associates changed; young men of a higher standing frequented the house; we knew intimately the cultivated women, to whom, before, we had simply bowed at parties; and mamma and papa grew quite satisfied.

Not so Alice; the spirit of unrest was on her again, but this time it was not because of the weariness of life, but that she was oppressed by the fulness of her own happiness. She had waked up to life in waking up to love, and had poured out on Herbert B. the whole wealth of her heart. There was everything in her engagement to satisfy her friends, everything to gratify papa and mamma; and if I sometimes thought Herbert's too feeble a nature to guide hers, or if Uncle John sometimes talked with or listened to him as if he were measuring his depth and then went away with an anxious expression of face, who shall say how much of selfishness influenced us both? for was he not to take from us the pet and pride of our lives?

They were to be married in a few weeks, on Alice's twentieth birthday, and then leave for New York, where Herbert was connected in business with his father.

It was on a gloomy December afternoon that Alice came running up to our room, where I was reading my Italian lesson, and exclaimed,--

"Quick, Kate! put away those stupid books, and let us go over to Uncle John's for the night."

"Where is Herbert?"

"Herbert? Nonsense! I have sent him off with orders not to look for me again till to-morrow, and to-night I mean to pretend that there is no Herbert in the world. Perhaps this will be my last talk with Uncle John."

We walked quickly through the streets, shrouded in the dark winter-afternoon atmosphere heavy with coal-smoke, the houses on each side dripping with the fog-drops and looking dirty and cheerless with the black streaks running from the corners of each window, like tears down the face of some chimney-sweep or coal-boy, till, reaching the foot of Ludlow Street, we stood ankle-deep in mud, waiting for the little steamer, which still ploughed its way through the dark, sullen-looking water thick with the red mud which the late rise had brought down, and with here and there heavy pieces of ice floating by.

"Uncle John will never expect us to-night, Alice."

"I cannot help it,--I must go; for I shall never be satisfied without one good talk with him before I leave, and Herbert will never spare me another evening. Besides, Uncle John will be only too glad to see us in this suicidal weather, as he will call it." And she sprang upon the boat, laughing at my woebegone face.

"You are glad to see us here, Uncle John,--glad we came in spite of the fog, and sleet, and ice, and Kate's long face. How anybody can have a long face because of the weather, I cannot understand,--or, indeed, why there should be long faces at all in the world, when everything is so gloriously full of life."

"How many years is it, Alice,--three, I think,--since you were tired of living, found life so wearisome?"

"Yes, just about three years since Kate and I ran away from Laura C.'s party and came over here to ask you to help us out of our stupidity. I remember it all,--how you puzzled me by telling me that every position in life had its sameness. Ah, Uncle John, you forgot one thing when you told me that nothing satisfied us in this world." And Alice looked up from her little stool, where she sat before the fire at Uncle John's feet, with the flush of deep feeling coloring her cheeks and the dewy light of happiness in her eyes.

"And that one thing, Alice?"

"You are lying in wait for my answer, to give it that smile that I hate,--it is so unbelieving and so sad; I will not have you wear it on your face to-night, Uncle John. You cannot, if I speak my whole heart out. And why should I not, before you and Kate,--Kate, who is like my other self, and you, dear Uncle John, who, ever since the time we were talking about, have been so much to me? Do you know, I never told anybody before? but all you said that night never left me. I thought of it so much! Was it true that life was so dissatisfying? You who had tried so thoroughly, who had gone through such a life of adventure, had seemed to me really to live, was all as flat and unprofitable to you as one of our tiresome parties or morning calls? And something in my own heart told me it was true, something that haunted me all through my greatest enjoyments, through my studies that I took up then, and which have been to me, oh, Uncle John, so much more than ever I expected they would be! Yes, through all that I believed you, believed you till now, believed you till I knew Herbert."

"And has Herbert told you better?"

"Uncle John, you do not know how the whole of life is glorified for me,--glorified by his love. I do not deserve it; all I can do is to return it ten-fold; but this I know, that, while I keep it, there can be nothing tame or dull,--life, everything, is gilded by my own happiness."

"And if you lose it?"

The flush on her face fell. "I should be miserable!--I should not--no, I could not live any longer!"

"Alice," said Uncle John, his face losing its half-mocking smile with which he had been watching her eager countenance, "Alice, did you know that I had been married?"

We started. "Married? No. How was it, and when?"

"It is no matter now, my girls. Some time I may tell you about it. I should not have spoken of it now, but that I know my little Alice would not believe a word I am going to tell her, if she thought she was listening to an old bachelor's croakings. Now I can speak with authority. You think you could not live without Herbert's love? My dear, we can live without a great many things that we fancy indispensable. Nor is it so very easy to die. There comes many a time in life when it would seem quite according to the fitness of things, just the proper ending to the romance, to lie down and die; but, unfortunately, or rather fortunately, dying is a thing that we cannot do so just in the nick of time; and indeed"--and Uncle John's face assumed its strange smile, which seemed to take you, as it were, suddenly behind the scenes, to show you the wrong side of the tapestry,--"and indeed," he continued, "when I look back on the times in my life that I should have died, when it was fitting and proper to die, when I felt that dying would be such a trump card to play, if only I could manage it, I must say that I am glad now that it was beyond my power to arrange things according to the melodramatic rules. As it is, I am alive now. I shake my fist at all the ghosts of my departed tragedies and say, 'I am worth two of you. I am alive. I have all the chances of the future in my favor.'"

Here he caught sight of Alice's wide-opened eyes, and his smile changed into his own genial laugh, as he kissed her forehead and went on.

"That was a little aside, Alice, made to my other self, my metaphysical man,--not meant at all for my audience. I was meditating a lecture on the causes of conjugal happiness, but I seem to have stumbled upon a knot in the very first unwinding of the thread of my discourse."

"I'll listen to the lecture, Uncle, though I see but one simple and all-sufficient cause for my happiness."

"That Herbert loves you, ha? Know, my pretty neophyte, that happiness, married happiness especially, does not come from being loved, but from loving. What says our Coleridge?

"'For still the source, not fountain, gives
The daily food on which Love lives.'

"And he is right, although you shake your curls. In most marriages, in all that are not matters of convenience, one party has a stronger heart, will, character, than the other. And that one loves the most from the very necessity of his nature, and, loving most, is the happier. The other falls, after a while, into a passive state, becomes the mere recipient of love, and finds his or her happiness in something else, or perhaps does not find it at all."

"Neither side would satisfy me, Uncle John; I hardly know which fate would be the more terrible. Do you think I would accept such a compromise in exchange for all I am living and feeling now? I would rather be miserable at once than so half-happy."

"But, my darling, Colin and Chloe cannot spend their whole lives singing madrigals and stringing daisies. It is not in human nature to support, for any length of time, such superhuman bliss. The time will come when Colin will find no more rhymes to 'dove,' and when Chloe will tire of hearing the same one. It is possible that Herbert will some time tire of reading Shelley to you,--nay, it is even possible that the time may come when you will tire of hearing him; it is of that time I would talk. The present is as perfectly satisfactory to me as to you and Herbert, though not exactly in the same degree."

"Well, Uncle, what is your advice to Chloe disillusioned,--if you insist that such a thing must be?"