Chapter III (4)

Although the early geological periods are more legible in North America, because they are exposed over such extensive tracts of land, yet they have been studied in many other parts of the globe. In Norway, in Germany, in France, in Russia, in Siberia, in Kamtchatka, in parts of South America, in short, wherever the civilization of the white race has extended, Silurian deposits have been observed, and everywhere they bear the same testimony to a profuse and varied creation. The earth was teeming then with life as now, and in whatever corner of its surface the geologist finds the old strata, they hold a dead fauna as numerous as that which lives and moves above it. Nor do we find that there was any gradual increase or decrease of any organic forms at the beginning and close of the successive periods. On the contrary, the opening scenes of every chapter in the world's history have been crowded with life, and its last leaves as full and varied as its first.

I think the impression that the faunae of the early geological periods were more scanty than those of later times arises partly from the fact that the present creation is made a standard of comparison for all preceding creations. Of course, the collections of living types in any museum must be more numerous than those of fossil forms, for the simple reason that almost the whole of the present surface of the earth, with the animals and plants inhabiting it, is known to us, whereas the deposits of the Silurian and Devonian periods are exposed to view only over comparatively limited tracts and in disconnected regions. But let us compare a given extent of Silurian or Devonian sea-shore with an equal extent of sea-shore belonging to our own time, and we shall soon be convinced that the one is as populous as the other. On the New-England coast there are about one hundred and fifty different kinds of fishes, in the Gulf of Mexico two hundred and fifty, in the Red Sea about the same. We may allow in present times an average of two hundred or two hundred and fifty different kinds of fishes to an extent of ocean covering about four hundred miles. Now I have made a special study of the Devonian rocks of Northern Europe, in the Baltic and along the shore of the German Ocean. I have found in those deposits alone one hundred and ten kinds of fossil fishes. To judge of the total number of species belonging to those early ages by the number known to exist now is about as reasonable as to infer that because Aristotle, familiar only with the waters of Greece, recorded less than three hundred kinds of fishes in his limited fishing-ground, therefore these were all the fishes then living. The fishing-ground of the geologist in the Silurian and Devonian periods is even more circumscribed than his, and belongs, besides, not to a living, but to a dead world, far more difficult to decipher.

But the sciences of Geology and Palaeontology are making such rapid progress, now that they go hand in hand, that our familiarity with past creations is daily increasing. We know already that extinct animals exist all over the world: heaped together under the snows of Siberia,--lying thick beneath the Indian soil,--found wherever English settlers till the ground or work the mines of Australia,--figured in the old Encyclopaedias of China, where the Chinese philosophers have drawn them with the accuracy of their nation,--built into the most beautiful temples of classic lands, for even the stones of the Parthenon are full of the fragments of these old fossils, and if any chance had directed the attention of Aristotle towards them, the science of Palaeontology would not have waited for its founder till Cuvier was born,--in short, in every corner of the earth where the investigations of civilized men have penetrated, from the Arctic to Patagonia and the Cape of Good Hope, these relics tell us of successive populations lying far behind our own, and belonging to distinct periods of the world's history.

* * * * *

In my next article I shall give some account of the marshes and forests of the Carboniferous age, with their characteristic vegetation and inhabitants.

CORALIE.

Pale water-flowers,
That quiver in the quick turn of the brook,
And thou, dim nook,--
Dimmer in twilight,--call again to me
Visions of life and glory that were ours,
When first she led me here, young Coralie!

No longer blest,
Yet standing here in silence, may not we
Fancy or feign
That little flowers do fall about thy rest
In silver mist and tender-dropping rain,
And that thy world is peace, loved Coralie?

Our friendships flee,
And, darkening all things with her mighty shade,
Comes Misery.
No longer look the faces that we see,
With the old eyes; and Woe itself shall fade,
Nor even this be left us, Coralie!

Feelings and fears
That once were ours have perished in the mould,
And grief is cold:
Hearts may be dead to grief; and if our tears
Are failing or forgetful, there will be
Mourners about thy bed, lost Coralie!

The brook-flowers shine,
And a faint song the falling water has,--
But not for thee!
The dull night weepeth, and the sorrowing pine
Drops his dead hair upon thy young grave-grass,
My Coralie! my Coralie!

* * * * *

I took from its glass a flower,
To lay on her grave with dull accusing tears;
But the heart of the flower fell out as I handled the rose,
And my heart is shattered, and soon will wither away.

I watch the changing shadows,
And the patch of windy sunshine upon the hill,
And the long blue woods; and a grief no tongue can tell
Breaks at my eyes in drops of bitter rain.

I hear her baby-wagon,
And the little wheels go over my heart;
Oh, when will the light of the darkened house return?
Oh, when will she come who made the hills so fair?

I sit by the parlor-window,
When twilight deepens, and winds get cold without;
But the blessed feet no more come up the walk,
And my little girl and I cry softly together.

* * * * *

SOJOURNER TRUTH, THE LIBYAN SIBYL.

Many years ago, the few readers of radical Abolitionist papers must often have seen the singular name of Sojourner Truth, announced as a frequent speaker at Anti-Slavery meetings, and as travelling on a sort of self-appointed agency through the country. I had myself often remarked the name, but never met the individual. On one occasion, when our house was filled with company, several eminent clergymen being our guests, notice was brought up to me that Sojourner Truth was below, and requested an interview. Knowing nothing of her but her singular name, I went down, prepared to make the interview short, as the pressure of many other engagements demanded.

When I went into the room, a tall, spare form arose to meet me. She was evidently a full-blooded African, and though now aged and worn with many hardships, still gave the impression of a physical development which in early youth must have been as fine a specimen of the torrid zone as Cumberworth's celebrated statuette of the Negro Woman at the Fountain. Indeed, she so strongly reminded me of that figure, that, when I recall the events of her life, as she narrated them to me, I imagine her as a living, breathing impersonation of that work of art.

I do not recollect ever to have been conversant with any one who had more of that silent and subtle power which we call personal presence than this woman. In the modern Spiritualistic phraseology, she would be described as having a strong sphere. Her tall form, as she rose up before me, is still vivid to my mind. She was dressed in some stout, grayish stuff, neat and clean, though dusty from travel. On her head she wore a bright Madras handkerchief, arranged as a turban, after the manner of her race. She seemed perfectly self-possessed and at her ease,--in fact, there was almost an unconscious superiority, not unmixed with a solemn twinkle of humor, in the odd, composed manner in which she looked down on me. Her whole air had at times a gloomy sort of drollery which impressed one strangely.

"So, this is _you_," she said.

"Yes," I answered.

"Well, honey, de Lord bless ye! I jes' thought I'd like to come an' have a look at ye. You's heerd o' me, I reckon?" she added.

"Yes, I think I have. You go about lecturing, do you not?"

"Yes, honey, that's what I do. The Lord has made me a sign unto this nation, an' I go round a-testifyin', an' showin' on 'em their sins agin my people."

So saying, she took a seat, and, stooping over and crossing her arms on her knees, she looked down on the floor, and appeared to fall into a sort of reverie.

Her great gloomy eyes and her dark face seemed to work with some undercurrent of feeling; she sighed deeply, and occasionally broke out,--

"O Lord! O Lord! Oh, the tears, an' the groans, an' the moans! O Lord!"

I should have said that she was accompanied by a little grandson of ten years,--the fattest, jolliest woolly-headed little specimen of Africa that one can imagine. He was grinning and showing his glistening white teeth in a state of perpetual merriment, and at this moment broke out into an audible giggle, which disturbed the reverie into which his relative was falling.

She looked at him with an indulgent sadness, and then at me.

"Laws, Ma'am, _he_ don't know nothin' about it,--_he_ don't. Why, I've seen them poor critters, beat an' 'bused an' hunted, brought in all torn,--ears hangin' all in rags, where the dogs been a-bitin' of 'em!"

This set off our little African Puck into another giggle, in which he seemed perfectly convulsed.

She surveyed him soberly, without the slightest irritation.

"Well, you may bless the Lord you _can_ laugh; but I tell you, 't wa'n't no laughin' matter."

By this time I thought her manner so original that it might be worth while to call down my friends; and she seemed perfectly well pleased with the idea. An audience was what she wanted,--it mattered not whether high or low, learned or ignorant. She had things to say, and was ready to say them at all times, and to any one.

I called down Dr. Beecher, Professor Allen, and two or three other clergymen, who, together with my husband and family, made a roomful. No princess could have received a drawing-room with more composed dignity than Sojourner her audience. She stood among them, calm and erect, as one of her own native palm-trees waving alone in the desert. I presented one after another to her, and at last said,--

"Sojourner, this is Dr. Beecher. He is a very celebrated preacher."

"_Is_ he?" she said, offering her hand in a condescending manner, and looking down on his white head. "Ye dear lamb, I'm glad to see ye! De Lord bless ye! I loves preachers. I'm a kind o' preacher myself."

"You are?" said Dr. Beecher. "Do you preach from the Bible?"

"No, honey, can't preach from de Bible,--can't read a letter."

"Why, Sojourner, what do you preach from, then?"

Her answer was given with a solemn power of voice, peculiar to herself, that hushed every one in the room.

"When I preaches, I has jest one text to preach from, an' I always preaches from this one. _My_ text is, 'WHEN I FOUND JESUS.'"

"Well, you couldn't have a better one," said one of the ministers.

She paid no attention to him, but stood and seemed swelling with her own thoughts, and then began this narration:--

"Well, now, I'll jest have to go back, an' tell ye all about it. Ye see, we was all brought over from Africa, father an' mother an' I, an' a lot more of us; an' we was sold up an' down, an' hither an' yon; an' I can 'member, when I was a little thing, not bigger than this 'ere," pointing to her grandson, "how my ole mammy would sit out o' doors in the evenin', an' look up at the stars an' groan. She'd groan an' groan, an' says I to her,--

"'Mammy, what makes you groan so?'

"An' she'd say,--

"'Matter enough, chile! I'm groanin' to think o' my poor children: they don't know where I be, an' I don't know where they be; they looks up at the stars, an' I looks up at the stars, but I can't tell where they be.

"'Now,' she said, 'chile, when you're grown up, you may be sold away from your mother an' all your ole friends, an' have great troubles come on ye; an' when you has these troubles come on ye, ye jes' go to God, an' He'll help ye.'

"An' says I to her,--

"'Who is God, anyhow, mammy?'

"An' says she,--

"'Why, chile, you jes' look up _dar_! It's Him that made all _dem_!'

"Well, I didn't mind much 'bout God in them days. I grew up pretty lively an' strong, an' could row a boat, or ride a horse, or work round, an' do 'most anything.

"At last I got sold away to a real hard massa an' missis. Oh, I tell you, they _was_ hard! 'Peared like I couldn't please 'em, nohow. An' then I thought o' what my old mammy told me about God; an' I thought I'd got into trouble, sure enough, an' I wanted to find God, an' I heerd some one tell a story about a man that met God on a threshin'-floor, an' I thought, 'Well an' good, I'll have a threshin'-floor, too.' So I went down in the lot, an' I threshed down a place real hard, an' I used to go down there every day, an' pray an' cry with all my might, a-prayin' to the Lord to make my massa an' missis better, but it didn't seem to do no good; an' so says I, one day,--

"'O God, I been a-askin' ye, an' askin' ye, an' askin' ye, for all this long time, to make my massa an' missis better, an' you don't do it, an' what _can_ be the reason? Why, maybe you _can't._ Well, I shouldn't wonder ef you couldn't. Well, now, I tell you, I'll make a bargain with you. Ef you'll help me to git away from my massa an' missis, I'll agree to be good; but ef you don't help me, I really don't think I can be. Now,' says I, 'I want to git away; but the trouble's jest here: ef I try to git away in the night, I can't see; an' ef I try to git away in the daytime, they'll see me, an' be after me.'

"Then the Lord said to me, 'Git up two or three hours afore daylight, an' start off.'

"An' says I, 'Thank 'ee, Lord! that's a good thought.'

"So up I got, about three o'clock in the mornin', an' I started an' travelled pretty fast, till, when the sun rose, I was clear away from our place an' our folks, an' out o' sight. An' then I begun to think I didn't know nothin' where to go. So I kneeled down, and says I,--

"'Well, Lord, you've started me out, an' now please to show me where to go.'

"Then the Lord made a house appear to me, an' He said to me that I was to walk on till I saw that house, an' then go in an' ask the people to take me. An' I travelled all day, an' didn't come to the house till late at night; but when I saw it, sure enough, I went in, an' I told the folks that the Lord sent me; an' they was Quakers, an' real kind they was to me. They jes' took me in, an' did for me as kind as ef I'd been one of 'em; an' after they'd giv me supper, they took me into a room where there was a great, tall, white bed; an' they told me to sleep there. Well, honey, I was kind o' skeered when they left me alone with that great white bed; 'cause I never had been in a bed in my life. It never came into my mind they could mean me to sleep in it. An' so I jes' camped down under it, on the floor, an' then I slep' pretty well. In the mornin', when they came in, they asked me of I hadn't been asleep; an' I said, 'Yes, I never slep' better.' An' they said, 'Why, you haven't been in the bed!' An' says I, 'Laws, you didn't think o' sech a thing as my sleepin' in dat 'ar' _bed_, did you? I never heerd o' sech a thing in my life.'

"Well, ye see, honey, I stayed an' lived with 'em. An' now jes' look here: instead o' keepin' my promise an' bein' good, as I told the Lord I would, jest as soon as everything got a-goin' easy, _I forgot all about God_.

"Pretty well don't need no help; an' I gin up prayin.' I lived there two or three years, an' then the slaves in New York were all set free, an' ole massa came to our house to make a visit, an' he asked me ef I didn't want to go back an' see the folks on the ole place. An' I told him I did. So he said, ef I'd jes' git into the wagon with him, he'd carry me over. Well, jest as I was goin' out to git into the wagon, _I met God_! an' says I, 'O God, I didn't know as you was so great!' An' I turned right round an' come into the house, an' set down in my room; for 't was God all around me. I could feel it burnin', burnin', burnin' all around me, an' goin' through me; an' I saw I was so wicked, it seemed as ef it would burn me up. An' I said, 'O somebody, somebody, stand between God an' me! for it burns me!' Then, honey, when I said so, I felt as it were somethin' like an _amberill_ [umbrella] that came between me an' the light, an' I felt it was _somebody_,--somebody that stood between me an' God; an' it felt cool, like a shade; an' says I, 'Who's this that stands between me an' God? Is it old Cato?' He was a pious old preacher; but then I seemed to see Cato in the light, an' he was all polluted an' vile, like me; an' I said, 'Is it old Sally?' an' then I saw her, an' she seemed jes' so. An' then says I, '_Who_ is this?' An' then, honey, for a while it was like the sun shinin' in a pail o' water, when it moves up an' down; for I begun to feel 't was somebody that loved me; an' I tried to know him. An' I said, 'I know you! I know you! I know you!'--an' then I said, 'I don't know you! I don't know you! I don't know you!' An' when I said, 'I know you, I know you,' the light came; an' when I said, 'I don't know you, I don't know you,' it went, jes' like the sun in a pail o' water. An' finally somethin' spoke out in me an' said, '_This is Jesus _!' An' I spoke out with all my might, an' says I, '_This is Jesus_! Glory be to God!' An' then the whole world grew bright, an' the trees they waved an' waved in glory, an' every little bit o' stone on the ground shone like glass; an' I shouted an' said, 'Praise, praise, praise to the Lord!' An' I begun to feel sech a love in my soul as I never felt before,--love to all creatures. An' then, all of a sudden, it stopped, an' I said, 'Dar's de white folks, that have abused you an' beat you an' abused your people,--think o' them!' But then there came another rush of love through my soul, an' I cried out loud,--'Lord, Lord, I can love _even de white folks_!'

"Honey, I jes' walked round an' round in a dream. Jesus loved me! I knowed it,--I felt it. Jesus was my Jesus. Jesus would love me always. I didn't dare tell nobody; 't was a great secret. Everything had been got away from me that I ever had; an' I thought that ef I let white folks know about this, maybe they'd get _Him_ away,--so I said, 'I'll keep this close. I won't let any one know.'"

"But, Sojourner, had you never been told about Jesus Christ?"

"No, honey. I hadn't heerd no preachin',--been to no meetin'. Nobody hadn't told me. I'd kind o' heerd of Jesus, but thought he was like Gineral Lafayette, or some o' them. But one night there was a Methodist meetin' somewhere in our parts, an' I went; an' they got up an' begun for to tell der 'speriences; an' de fust one begun to speak. I started, 'cause he told about Jesus. 'Why,' says I to myself, 'dat man's found him, too!' An' another got up an' spoke, an' I said, 'He's found him, too!' An' finally I said, 'Why, they all know him!' I was so happy! An' then they sung this hymn": (Here Sojourner sang, in a strange, cracked voice, but evidently with all her soul and might, mispronouncing the English, but seeming to derive as much elevation and comfort from bad English as from good):--

"There is a holy city,
A world of light above.
Above the stairs and regions,[A]
Built by the God of love.

"An everlasting temple,
And saints arrayed in white
There serve their great Redeemer
And dwell with him in light.

"The meanest child of glory
Outshines the radiant sun;
But who can speak the splendor
Of Jesus on his throne?

"Is this the man of sorrows
Who stood at Pilate's bar,
Condemned by haughty Herod
And by his men of war?

"He seems a mighty conqueror,
Who spoiled the powers below,
And ransomed many captives
From everlasting woe.

"The hosts of saints around him
Proclaim his work of grace,
The patriarchs and prophets,
And all the godly race,

"Who speak of fiery trials
And tortures on their way;
They came from tribulation
To everlasting day.

"And what shall be my journey,
How long I'll stay below,
Or what shall be my trials,
Are not for me to know.

"In every day of trouble
I'll raise my thoughts on high,
I'll think of that bright temple
And crowns above the sky."

[Footnote A: Starry regions.]

I put in this whole hymn, because Sojourner, carried away with her own feeling, sang it from beginning to end with a triumphant energy that held the whole circle around her intently listening. She sang with the strong barbaric accent of the native African, and with those indescribable upward turns and those deep gutturals which give such a wild, peculiar power to the negro singing,--but above all, with such an overwhelming energy of personal appropriation that the hymn seemed to be fused in the furnace of her feelings and come out recrystallized as a production of her own.

It is said that Rachel was wont to chant the "Marseillaise" in a manner that made her seem, for the time, the very spirit and impersonation of the gaunt, wild, hungry, avenging mob which rose against aristocratic oppression; and in like manner, Sojourner, singing this hymn, seemed to impersonate the fervor of Ethiopia, wild, savage, hunted of all nations, but burning after God in her tropic heart, and stretching her scarred hands towards the glory to be revealed.

"Well, den ye see, after a while I thought I'd go back an' see de folks on de ole place. Well, you know, de law had passed dat de culled folks was all free; an' my old missis, she had a daughter married about dis time who went to live in Alabama,--an' what did she do but give her my son, a boy about de age of dis yer, for her to take down to Alabama? When I got back to de ole place, they told me about it, an' I went right up to see ole missis, an' says I,--

"'Missis, have you been an' sent my son away down to Alabama?'

"'Yes, I have,' says she; 'he's gone to live with your young missis.'

"'Oh, Missis,' says I, 'how could you do it?'

"'Poh!' says she, 'what a fuss you make about a little nigger! Got more of 'em now than you know what to do with.'

"I tell you, I stretched up. I felt as tall as the world!

"'Missis,' says I, '_I'll have my son back agin!_'

"She laughed.

"'_You_ will, you nigger? How you goin' to do it? You ha'n't got no money.'

"'No, Missis,--but _God_ has,--an' you'll see He'll help me!'--an' I turned round an' went out.

"Oh, but I _was_ angry to have her speak to me so haughty an' so scornful, as ef my chile wasn't worth anything. I said to God, 'O Lord, render unto her double!' It was a dreadful prayer, an' I didn't know how true it would come.

"Well, I didn't rightly know which way to turn; but I went to the Lord, an' I said to Him, 'O Lord, ef I was as rich as you be, an' you was as poor as I be, I'd help you,--you _know_ I would; and, oh, do help me!' An' I felt sure then that He would.

"Well, I talked with people, an' they said I must git the case before a grand jury. So I went into the town when they was holdin' a court, to see ef I could find any grand jury. An' I stood round the court-house, an' when they was a-comin' out, I walked right up to the grandest-lookin' one I could see, an' says I to him,--

"'Sir, be you a grand jury?'

"An' then he wanted to know why I asked, an' I told him all about it; an' he asked me all sorts of questions, an' finally he says to me,--

"'I think, ef you pay me ten dollars, that I'd agree to git your son for you.' An' says he, pointin' to a house over the way, 'You go 'long an' tell your story to the folks in that house, an' I guess they'll give you the money.'

"Well, I went, an' I told them, an' they gave me twenty dollars; an' then I thought to myself, 'Ef ten dollars will git him, twenty dollars will git him _sartin_.' So I carried it to the man all out, an' said,--

"'Take it all,--only be sure an' git him'

"Well, finally they got the boy brought back; an' then they tried to frighten him, an' to make him say that I wasn't his mammy, an' that he didn't know me; but they couldn't make it out. They gave him to me, an' I took him an' carried him home; an' when I came to take off his clothes, there was his poor little back all covered with scars an' hard lumps, where they'd flogged him.

"Well, you see, honey, I told you how I prayed the Lord to render unto her double. Well, it came true; for I was up at ole missis' house not long after, an' I heerd 'em readin' a letter to her how her daughter's husband had murdered her,--how he'd thrown her down an' stamped the life out of her, when he was in liquor; an' my ole missis, she giv a screech, an' fell flat on the floor. Then says I, 'O Lord, I didn't mean all that! You took me up too quick.'

"Well, I went in an' tended that poor critter all night. She was out of her mind,--a-cryin', an' callin' for her daughter; an' I held her poor ole head on my arm, an' watched for her as ef she 'd been my babby. An' I watched by her, an' took care on her all through her sickness after that, an' she died in my arms, poor thing!"

"Well, Sojourner, did you always go by this name?"

"No, 'deed! My name was Isabella; but when I left the house of bondage, I left everything behind. I wa'n't goin' to keep nothin' of Egypt on me, an' so I went to the Lord an' asked Him to give me a new name. And the Lord gave me Sojourner, because I was to travel up an' down the land, showin' the people their sins, an' bein' a sign unto them. Afterwards I told the Lord I wanted another name, 'cause everybody else had two names; and the Lord gave me Truth, because I was to declare the truth to the people.

"Ye see some ladies have given me a white satin banner," she said, pulling out of her pocket and unfolding a white banner, printed with many texts, such as, "Proclaim liberty throughout all the land unto all the inhabitants thereof," and others of like nature. "Well," she said, "I journeys round to camp-meetins, an' wherever folks is, an' I sets up my banner, an' then I sings, an' then folks always comes up round me, an' then I preaches to 'em. I tells 'em about Jesus, an' I tells 'em about the sins of this people. A great many always comes to hear me; an' they 're right good to me, too, an' say they want to hear me agin."

We all thought it likely; and as the company left her, they shook hands with her, and thanked her for her very original sermon; and one of the ministers was overheard to say to another, "There's more of the gospel in that story than in most sermons."

Sojourner stayed several days with us, a welcome guest. Her conversation was so strong, simple, shrewd, and with such a droll flavoring of humor, that the Professor was wont to say of an evening, "Come, I am dull, can't you get Sojourner up here to talk a little?" She would come up into the parlor, and sit among pictures and ornaments, in her simple stuff gown, with her heavy travelling-shoes, the central object of attention both to parents and children, always ready to talk or to sing, and putting into the common flow of conversation the keen edge of some shrewd remark.

"Sojourner, what do you think of Women's Rights?"

"Well, honey, I 's ben to der meetins, an' harked a good deal. Dey wanted me fur to speak. So I got up. Says I,--'Sisters, I a'n't clear what you'd be after. Ef women want any rights more 'n dey 's got, why don't dey jes' _take 'em_, an' not be talkin' about it?' Some on 'em came round me, an' asked why I didn't wear Bloomers. An' I told 'em I had Bloomers enough when I was in bondage. You see," she said, "dey used to weave what dey called nigger-cloth, an' each one of us got jes' sech a strip, an' had to wear it width-wise. Them that was short got along pretty well, but as for me"--She gave an indescribably droll glance at her long limbs and then at us, and added,--"Tell _you_, I had enough of Bloomers in them days."

Sojourner then proceeded to give her views of the relative capacity of the sexes, in her own way.

"S'pose a man's mind holds a quart, an' a-woman's don't hold but a pint; ef her pint is _full_, it's as good as his quart."

Sojourner was fond of singing an extraordinary lyric, commencing,--

"I'm on my way to Canada,
That cold, but happy land;
The dire effects of Slavery
I can no longer stand.
O righteous Father,
Do look down on me
And help me on to Canada,
Where colored folks are free!"

The lyric ran on to state, that, when the fugitive crosses the Canada line,

"The Queen comes down unto the shore,
With arms extended wide,
To welcome the poor fugitive
Safe onto Freedom's side."

In the truth thus set forth she seemed to have the most simple faith.

But her chief delight was to talk of "glory," and to sing hymns whose burden was,--

"O glory, glory, glory,
Won't you come along with me?"

and when left to herself, she would often hum these with great delight, nodding her head.

On one occasion, I remember her sitting at a window singing and fervently keeping time with her bead, the little black Puck of a grandson meanwhile, amusing himself with ornamenting her red-and-yellow turban with green dandelion-curls, which shook and trembled with her emotions, causing him perfect convulsions of delight.

"Sojourner," said the Professor to her, one day, when he heard her singing, "you seem to be very sure about heaven."

"Well, I be," she answered, triumphantly.

"What makes you so sure there is any heaven?"

"Well, 'cause I got such a hankerin' arter it in here," she said,--giving a thump on her breast with her usual energy.

There was at the time an invalid in the house, and Sojourner, on learning it, felt a mission to go and comfort her. It was curious to see the tall, gaunt, dusky figure stalk up to the bed with such an air of conscious authority, and take on herself the office of consoler with such a mixture of authority and tenderness. She talked as from above,--and at the same time, if a pillow needed changing or any office to be rendered, she did it with a strength and handiness that inspired trust. One felt as if the dark, strange woman were quite able to take up the invalid in her bosom, and bear her as a lamb, both physically and spiritually. There was both power and sweetness in that great warm soul and that vigorous frame.

At length, Sojourner, true to her name, departed. She had her mission elsewhere. Where now she is I know not; but she left deep memories behind her.

To these recollections of my own I will add one more anecdote, related by Wendell Phillips.

Speaking of the power of Rachel to move and bear down a whole audience by a few simple words, he said he never knew but one other human being that had that power, and that other was Sojourner Truth. He related a scene of which he was witness. It was at a crowded public meeting in Faneuil Hall, where Frederick Douglas was one of the chief speakers. Douglas had been describing the wrongs of the black race, and as he proceeded, he grew more and more excited, and finally ended by saying that they had no hope of justice from the whites, no possible hope except in their own right arms. It must come to blood; they must fight for themselves, and redeem themselves, or it would never be done.

Sojourner was sitting, tall and dark, on the very front seat, facing the platform; and in the hush of deep feeling, after Douglas sat down, she spoke out in her deep, peculiar voice, heard all over the house,--

"Frederick, is _God dead_?"

The effect was perfectly electrical, and thrilled through the whole house, changing as by a flash the whole feeling of the audience. Not another word she said or needed to say; it was enough.

It is with a sad feeling that one contemplates noble minds and bodies, nobly and grandly formed human beings, that have come to us cramped, scarred, maimed, out of the prison-house of bondage. One longs to know what such beings might have become, if suffered to unfold and expand under the kindly developing influences of education.

It is the theory of some writers, that to the African is reserved, in the later and palmier days of the earth, the full and harmonious development of the religious element in man. The African seems to seize on the tropical fervor and luxuriance of Scripture imagery as something native; he appears to feel himself to be of the same blood with those old burning, simple souls, the patriarchs, prophets, and seers, whose impassioned words seem only grafted as foreign plants on the cooler stock of the Occidental mind.

I cannot but think that Sojourner with the same culture might have spoken words as eloquent and undying as those of the African Saint Augustine or Tertullian. How grand and queenly a woman she might have been, with her wonderful physical vigor, her great heaving sea of emotion, her power of spiritual conception, her quick penetration, and her boundless energy! We might conceive an African type of woman so largely made and moulded, so much fuller in all the elements of life, physical and spiritual, that the dark hue of the skin should seem only to add an appropriate charm,--as Milton says of his Penseroso, whom he imagines

"Black, but such as in esteem
Prince Memnon's sister might beseem,
Or that starred Ethiop queen that strove
To set her beauty's praise above
The sea-nymph's."

But though Sojourner Truth has passed away from among us as a wave of the sea, her memory still lives in one of the loftiest and most original works of modern art, the Libyan Sibyl, by Mr. Story, which attracted so much attention in the late World's Exhibition. Some years ago, when visiting Rome, I related Sojourner's history to Mr. Story at a breakfast at his house. Already had his mind begun to turn to Egypt in search of a type of art which should represent a larger and more vigorous development of nature than the cold elegance of Greek lines. His glorious Cleopatra was then in process of evolution, and his mind was working out the problem of her broadly developed nature, of all that slumbering weight and fulness of passion with which this statue seems charged, as a heavy thunder-cloud is charged with electricity.

The history of Sojourner Truth worked in his mind and led him into the deeper recesses of the African nature,--those unexplored depths of being and feeling, mighty and dark as the gigantic depths of tropical forests, mysterious as the hidden rivers and mines of that burning continent whose life-history is yet to be. A few days after, he told me that he had conceived the idea of a statue which he should call the Libyan Sibyl. Two years subsequently, I revisited Rome, and found the gorgeous Cleopatra finished, a thing to marvel at, as the creation of a new style of beauty, a new manner of art. Mr. Story requested me to come and repeat to him the history of Sojourner Truth, saying that the conception had never left him. I did so; and a day or two after, he showed me the clay model of the Libyan Sibyl. I have never seen the marble statue; but am told by those who have, that it was by far the most impressive work of art at the Exhibition.

A notice of the two statues from the London "Athenaeum" must supply a description which I cannot give.

"The Cleopatra and the Sibyl are seated, partly draped, with the characteristic Egyptian gown, that gathers about the _torso_ and falls freely around the limbs; the first is covered to the bosom, the second bare to the hips. Queenly Cleopatra rests back against her chair in meditative ease, leaning her cheek against one hand, whose elbow the rail of the seat sustains; the other is outstretched upon her knee, nipping its forefinger upon the thumb thoughtfully, as though some firm, wilful purpose filled her brain, as it seems to set those luxurious features to a smile as if the whole woman 'would.' Upon her head is the coif, bearing in front the mystic _uraeus_, or twining basilisk of sovereignty, while from its sides depend the wide Egyptian lappels, or wings, that fall upon her shoulders. The _Sibilla Libica_ has crossed her knees,--an action universally held amongst the ancients as indicative of reticence or secrecy, and of power to bind. A secret-keeping looking dame she is, in the full-bloom proportions of ripe womanhood, wherein choosing to place his figure the sculptor has deftly gone between the disputed point whether these women were blooming and wise in youth, or deeply furrowed with age and burdened with the knowledge of centuries, as Virgil, Livy, and Gellius say. Good artistic example might be quoted on both sides. Her forward elbow is propped upon one knee; and to keep her secrets closer, for this Libyan woman is the closest of all the Sibyls, she rests her shut mouth upon one closed palm, as if holding the African mystery deep in the brooding brain that looks out through mournful, warning eyes, seen under the wide shade of the strange horned (ammonite) crest, that bears the mystery of the Tetragrammaton upon its upturned front. Over her full bosom, mother of myriads as she was, hangs the same symbol. Her face has a Nubian cast, her hair wavy and plaited, as is meet."

We hope to see the day when copies both of the Cleopatra and the Libyan Sibyl shall adorn the Capitol at Washington.

AMERICAN HORTICULTURE.

Horticulture in the United States has, except in a commercial sense, been subordinate to the pursuit of wealth. Before man can indulge in objects of elegance and refinement, he must have secured the comforts of life: the _utile_ must lead the _dulce_, a well-stocked kitchen-garden precede the parterre. We have now, however, in the older sections of the Union, at least, passed through the ordeal of a young nation: elegance is following the plain and practical; the spacious mansion, with its luxurious appurtenances, is succeeding the cottage, as this in turn was the successor of the cabin. The perception of the picturesque is a natural result of earlier steps in the path of refinement: man may build from a vulgar ambition for distinction, but he seldom plants unless prompted by love of Nature and elevated impulses. Lord Bacon, in his essay "Of Gardens," says, "When ages grow to civility and elegancy, men come to build stately sooner than to garden finely; as if gardening were the greater perfection." A case which seems to confirm this position occurs to us. The site of a noble building, erected for our Government, was adorned by wide-spreading trees, the growth of generations, which, after the building was completed, the architect cut down before his axe could be arrested. On being reproached for his Vandalism, he retorted,-- "Trees may be seen everywhere, but such a Grecian portico as that--where?"

Among a young people like ourselves, the nursery and the market-garden hold prominent places in horticultural pursuits; the latter yields a prompt return for the investment of capital and labor, and just in proportion as demand increases, so will be the exertion to meet it. Thus we find the markets of the cities amply supplied with every luxury of fruit and vegetable: the seasons are anticipated by artificial means, glass is brought into requisition, and the tables of the wealthy are furnished with a profusion unknown to royalty in an earlier age.

The capacity of Americans to mould circumstances to themselves rather than adapt themselves to circumstances, to remove obstacles, to accomplish by the aid of machinery much that other peoples reach through toil alone, has passed into a proverb: hence it need hardly cause surprise, if unexampled success attend efforts at market-gardening, bringing to the very doors of the comparatively poor vegetables and fruits which in Europe are enjoyed only by the higher classes. As an illustration,--where but in America are peaches planted by a single individual by tens of thousands, and carried to market on steamboats chartered for the special purpose, in quantities of one or two thousand bushels at a trip?

The earlier American nurseries were few in number, and, compared with some now existing, of quite limited extent,--though equal, perhaps, in proportion to population. The first of which there is any record, and probably the earliest established, was that of John Bartram, near Philadelphia, about the year 1730. Here were congregated many of the prominent native plants and trees, preparatory to exportation to Europe,--also the fruits and plants of the other hemisphere, obtained in exchange for American productions. The specimen trees planted by the elder Bartram and his descendants still adorn the grounds, classic to the botanist and the lover of Nature: long may they stand, living memorials of generations passed away, our earliest evidence of a taste for horticulture!

The next nursery in the order of date is that of Prince, in Flushing, New York, established, we believe, prior to the Revolution, and continued by the family to the present day. Flushing has become a centre in the nursery-trade, and many acres thereabout are covered with young trees intended for transplantation. A stroll round the village would lead one to suppose the chief interest of the inhabitants was bound up in the nursery-business, as is that of Lynn in shoes, and of Lowell in cotton goods. Prominent among the Flushing nurseries are those of Parsons, which, though of comparatively recent origin, abound in rich treasures.

The nurseries of the brothers David and Cuthbert Landreth appear to have been the third in the order of succession. They were established at Philadelphia shortly after the Revolution, and within the limits of the city. The increase of population and their expanding trade caused a removal to another and more ample field of culture, which, for nearly half a century, was the resort of most people of taste who visited Philadelphia.

Nurseries are now found everywhere. The Far West has some which count the young trees by millions, and fruit-trees of single kinds by the hundred thousand. The Hoveys, of Boston, have long been prominent, not only as nurserymen, but as writers on horticulture. Elwanger and Barry, of Rochester, New York, have a large breadth of land, we forbear to state our impression of the number of acres, covered by nursery-stock. Professional florists also have multiplied to an unlimited extent, exhibiting the growth of refining taste. Plants suited to window-culture, and bouquets of choice flowers, are sold on street-corners, and carried from door to door. Cameilias, of which we recollect single flowers having been sold at a dollar, can now be purchased at fifty cents the plant.

It might be curious, in reference to this subject of horticulture, to institute an inquiry as to cause and effect. Have the increased means of gratifying taste expanded it, or has taste rapidly developed created the means of supply? Doubtless there has been reaction from both directions, each operating on the other. One striking exhibition of pure taste among us is the formation of picturesque arboretums, especially of terebinthinate trees, and others allied to the Coniferae. This taste, so diligently cultivated in England, has found zealous worshippers among us, and some admirable collections have been formed. The cemetery of Laurel Hill, at Philadelphia, under the critical eye and taste of the proprietor, Mr. John Jay Smith, that of Mount Auburn, in Cambridge, of Greenwood, New York, and the cemetery in Cincinnati, have afforded fine specimens of rare trees, though, from the nature of their purposes, picturesque effect could not be reached, except so far as aided by irregularity of surface. And here we would remark, in connection with this subject, that one regulation of the Cincinnati cemetery is worthy of imitation. No arbitrary railings or ill-kept hedges bound the individual lots; all is open, and the visitor, as he drives through the grounds, is charmed by the effect,--a park studded with monuments: the social distinctions, which, perhaps, necessarily separated in life, have disappeared in death.

In connection with landscape-gardening, one American name stands conspicuous,--the name of one who, if not, in point of time, the first teacher of the art in this country, has at least done more than any other to direct attention to it,--to exhibit defects, suggest improvements, create beauties, and invest his subject with such a charm and interest as to captivate many minds which might otherwise have been long insensible to the dormant beauty within their reach, or that which they themselves had the power to produce: we refer, of course, to the late Andrew J. Downing. With naturally fine artistic perceptions, his original occupation of a nurseryman gave direction to his subsequent pursuits. Under different circumstances, his taste might, perhaps, have been turned to painting, sculpture, or architecture: indeed, to the last he paid no inconsiderable attention; and as the result, many a rural homestead, which might otherwise have been a bleak house, is conspicuous as the abode of taste and elegance.

Among the prominent private arboretums in our country may be mentioned that of Mr. Sargent at Wodeneshe. Mr. Sargent, as may be seen by his supplement to Downing's "Landscape-Gardening," is an enthusiast in the culture of conifers; he is reputed to have made liberal importations, and the results of his attempts at acclimation, given to the public, have aided others in like endeavors. Judge Field, of Princeton, New Jersey, has a pinetum of much value; some of his specimens are of rare excellence. He, also, has been a diligent importer.

* * * * *

Though our sketch of the present state of horticulture among us is quite imperfect, affording but an indistinct glimpse of the ample field which invites our view, it would scarcely be pardonable, were we to overlook a branch of rural industry in which horticultural success is interested, and without which the practical pleasures and family-comfort of rural homes would be greatly abridged. We refer to garden-seed culture. It may be that the purchaser of a paper of seed for the kitchen-garden seldom stops to consider the minute care which has been required to secure its purity; most probably, in many cases, he makes the purchase as though it were the mere product of mechanical skill, which, after the machinery is perfected, and the steam-engine has been set in motion, turns out the finished article, of use or ornament, with scarcely an effort of mind to direct its movements. Not so in the production of seeds: many are the hours of watchful care to be bestowed upon it, and stern and unyielding are its demands on the skilled eye and the untiring hand. It is because in some cases the eye is not skilled, and the hand often tires, that so many seeds of more than doubtful worth are imposed upon the market, filling the village and cross-road shops with the germs of disappointment. The history of the seed-culture in the United States is not without interest to those who, like many readers of the "Atlantic," reside in the quiet country; to every family thus situated the certainty of obtaining seeds of trustworthy quality--certain to vegetate, and sure to prove true to name--is of more importance than can be appreciated by those who rely upon the city-market, and have at all times and seasons ample supplies of vegetables within easy reach. On looking round for some individual establishment which we may use as the representative of this branch of industry, we naturally turn to Bloomsdale, as the most prominent and widest-known of seed-farms; and if the reader will join us in a trip thither, we shall be pleased with his company, and perchance he may not wholly regret the time occupied in the excursion. The period we shall choose for the visit is the close of the month of June.

On a bright day we take our seats in the cars at Jersey City, provided with the talisman to insure an attentive reception. Onward we whirl through fertile fields and smiling villages; Newark, Brunswick, Princeton, are successively passed; shortly we reach the Delaware at Trenton; a run of a few miles through Penn's Manor, the garden-spot of the Proprietary Governor, brings us to Bristol, the station from which we most readily reach our destination. As we approach the grounds from the front, a prominent object meets the eye, a noble white pine of gigantic proportions, somewhat the worse for many a winter's storm, but which still stands in all its majestic grandeur, as it has stood whilst generations have come and passed away. On entering the premises, we find ourselves in the midst of a lawn of ten acres in the English style. To enumerate the various trees, in groups or single specimens, which most invite our notice, would interfere with the main object of our visit. We have come for a special purpose, and we can only allude to a very few of the species to which our attention may be supposed to be directed. A white spruce, in rich luxuriance, measuring, as the branches trail upon the sward, upwards of sixty feet in circumference; the Himalayan white pine, with its deep fringe-like foliage, twenty-five feet in height; the Cephalonian fir, with leaves as pungent as an Auricaria, twenty feet high, and many specimens of the same kind of nearly equal magnitude; yews, of more than half a century's growth; a purple beech, of thirty feet in height, its branches as many in circumference, contrasting with the green around; numerous specimens of balm of Gilead, silver firs, and Norway spruces, unsurpassed in beauty of form, the last presenting every variety of habit in which it delights to sport: these are some of the gems of the lawn. But we must hurry onward to the practical business in view.