Chapter VII: Part 7

The morning of June twelfth, our second Sunday on board, was one to remain memorable among mornings for beauty,--for these were halcyon days, and Nature could not change for a moment from her mood. It was nowise odd or strange, no Nubian of Thibetan beauty, no three-faced Hindoo divinity, but a regular Grecian-featured Apollo, amber in forehead, fitly arrayed, coming to a world worthy of him. Cape-Breton Isle was a strip of denser sky on the southeast horizon; on the west, far away, rose Entry Island, one of the Magdalen group, deliciously ruddy and Mediterranean-looking, seen through the lovely, ethereal, purple haze; while others of the group appeared farther away, one of them, long and low, an island of absolute gold, polished gold, splendid as gold under sunshine can be. The light wind bore us on so serenely as to give the sense of calm more than calm itself; while the music of our motion through the water, that incomparable barytone, rendered this calm into sound.

It was the very Sabbath and Sunday of Nature,--her Sabbath of rest, and her Sunday of joy. I was surprised to find myself not surprised by this wonderful morning. It seemed not new nor foreign, but suggested some divine old-time familiarity and fellowship. It looked me in the eyes out of its immortal hilarity and peace, took me by the hand, and said, "Forever!" And in that "Forever" spoke to me an infinite remembrance and an infinite hope.

At eleven A. M. we drew near to Gannet Rocks. These are three in number, all high, one quite small and conical, a second somewhat larger, the third, which is the home of gannets, several acres in extent. They were all ruddy, being of red sandstone; and the smallest, in that warm light, was actual carmine. The largest rises with precipitous sides, which in parts beetle far over the sea, to a height of four hundred feet, having above a surface nearly level, but sloping gently to the south. By zigzag scrambling one may at a particular point climb to this surface; but it is a hard climb, and a landing can be effected only in extreme calm.

At the distance of two miles or more, on our approach, the surface was visible, owing to its slight southward slope. It had precisely the appearance of being deeply covered with snow, save in one part, about a fourth of its area, where it was bright green. We knew that this snow was no other than the female gannets, crowded together in the act of sitting on their eggs; but by no inspection with powerful glasses could we discern a single point where the rock appeared between them. They were literally _packed_ together, every inch of room being used. Six or eight acres of them!

But where are the males? There is no apparent room for them on the rock. Just as this question occurred to me, some one cried out, "Look in the air! look in the air above the rock!" I lifted my glass, and there they were, a veritable _cloud_. They reminded me, saving the color, of a cloud of midges which astonished me one summer evening when I was a boy,--so thick that you could not see through them. Whether these ever alight I cannot say. One thing is certain: they cannot all, nor any considerable portion of them, alight on this rock together,--unless, indeed, one should roost on another's back.

But the gannet is not particular about alighting. It is just as cheap flying, he thinks. His true home, like that of the frigate-bird and one or two others, is the air. This is indicated in his structure. The skin is not, as in most animals, strictly connected with the flesh, but is attached by separate elastic fibres; and, like the frigate-bird, it can force in under the skin, and into various cellular passages in the body, air which is rarefied by its animal heat, and contributes greatly to its buoyancy.

The gannet is a handsome bird, larger by measurement, though not heavier, than the largest gulls,--snow-white, save the outer third of the wing, which is jet-black,--his wings long and sharp,--his motion in the air not rapid, but singularly home-like and easy. He is unable to rise from level ground, but must launch himself from a height, probably owing to his shortness and inelasticity of leg and length of wing; nor, indeed, can he rise from the water, unless somewhat assisted by its motion. And this suggests a beautiful provision of Nature: the wings of all true swimmers and divers are short and-round, to facilitate their ascent from the water.

If surprised on land, the gannet neither attempts to fly nor offers resistance, conscious of helplessness; but when attacked in the water, where he is more at home, he will fight fiercely. Nuttall, with grange contradiction, says, that, though web-footed, they do not swim,--yet elsewhere speaks of looking down from a cliff and seeing them "swimming and chasing their prey." I cannot testify.

After lingering an hour or two, "breaking the Sabbath," the schooner proceeded,--the wind freshening during the afternoon, and the Gulf growing choppy, as if it could not quite suffer us to pass without exhibiting somewhat of that peevish quality for which it has an evil renown. It was but a passing wrinkle of ill-humor, however,--a feeble hint of what it could do, if it chose.

And when we recrossed it, two and a half months later, it chose!

* * * * *

_June 14._ "Land ho! Labrador!"

"Where? Where is it?" cry a chorus of voices.

"There, a little on the larboard bow."

A long, silent, rather disconcerted gaze.

"I don't see it," says one.

"Nor I."

"There,--there,"--pointing,--"close down to the sea."

"You don't mean that cloud?"

"I mean that land."

"Humph!"

There is something occult about this art of seeing land. The landsman's eyesight is good; he prides himself a little upon it. He looks; and for him the land isn't there. The seaman's eyesight is no better; he looks, and for him the land is so plainly in view that he cannot understand your failure to see it. He is secretly pleased, though,--and may pretend impatience in order to conceal his pleasure. I have sailed in all, perhaps, a distance equal to that around the earth, a good proportion of it along-shore; and I see as far as most men. But once on this very voyage, during a storm, I had occasion to be convinced that nautical optics will assert their advantage. Land was pointed out; it had been some time seen, and we were avoiding it, the weather being thick and our position uncertain. I did my best to descry it, ready to quarrel with my eyes for not doing so, and a little annoyed to find myself but a landsman after all. But see it I couldn't. I did indeed, after a while, make out to fancy that I perceived an infinitesimal densening of the mist there; but the illusion was one difficult to sustain.

At four o'clock in the afternoon we cast anchor in Sleupe Harbor, named for one Admiral Sleupe, of whom I know just this, that a harbor in Labrador, Lat. 51°, is named for him. This region, however, is named generally from Little Mecatina Island, which lies about six miles to the southwest, considerable in size, and a most wild-looking land, tossed, tumbled, twisted, and contorted in every conceivable and inconceivable way. The harbor, too, a snug little hole between islands, was worthy of Labrador. Its shores were all of gray, unbroken rock, not rising in cliffs, but sloping to the sea, and dipping under it in regular decline, like a shore of sand; while not a tree, not a shrub, not a grass-blade, was to be seen. I never beheld a scene so bleak, bare, and hard. Nor did I ever see a shore that seemed so completely "master of the situation." The mightiest cliff confesses the power which it resists. Grand, enduring, awful, it may be; but many a scar on its face and many a fragment at its feet tells of what it endures. But this scarless gray rock, thrusting its hand in a matter-of-course way under the sea, and seeming to hold it as in a cup, suggested a quality so comfortably immitigable that one's eyes grew cold in looking at it.

Suddenly, "I see an inhabitant!" cries one.

Yes, there he was, moving over the rock. Can you imagine how far away and foreign he looked? The gray granite beneath him, the gray cloud above him, seemed nearer akin. Instinctively, one thought of hastening to a book of natural history for some description of the creature. Then came the counter-thought, "This is a man!" And the attempt to realize that fact put him yet farther, put him infinitely away. It was like rebounding from a wall. No form is so foreign as the human, if a bar be placed to the sympathy of him who regards it; and for the time this waif of humanity walked in the circle of an unconquerable strangeness.

He came on board,--another with him; for their hut was near by. Canadian French they proved to be; could tatter English a little; and with the passage of speech the flow of sympathy began, and we felt them to be human. Through the Word the worlds were made!

A wilderness of desert islands lies at this point along the coast, extending out, I judged, not less than fifteen miles. Excepting Little Mecatina, which is a number of miles in length, and must be some fifteen hundred feet high, they are not very considerable either in area or elevation,--from five to five hundred acres in extent, and from thirty to two hundred feet in height. They are swardless and treeless, though in two places I found a few blades of coarse, tawny-green grass; and patches of sombre shrubbery, two and a half feet high, were not wanting. Little lichen grows on the rock, though in the depressions and on many of the slopes grows, or at least exists, a boggy greenish-gray moss, over which it breaks your knees--if, indeed, your spine do not choose to monopolize that enjoyment--to travel long. The rock is pale granite, disposed in layers, which vary from two to ten or twelve feet in thickness. These incline at an angle of from ten to twenty degrees, giving to the islands, as a predominant characteristic, a regular slope on one side and a cliff-like aspect on the other; though not a few are bent up in the middle, perhaps exhibiting there some sharp ridge or vertical wall, while from this they decline to either side.

As beheld on the day of our arrival, this scenery was of an incomparable desolation. Above was the coldest gray sky I remember to have seen; the sea lay all in pallid, deathly gray beneath; islands in all shades of grimmer and grimmest gray checkered it; vast drifts of gray old snow filled the deeper hollows; and a heartless atmosphere pushed in the sense of this grayness to the very marrow. It was as if all the ruddy and verdurous juices had died in the veins of the world, and from core to surface only gray remained. To credit fully the impression of the scene, one would say that Existence was dead, and that we stood looking on its corpse, which even in death could never decay. Eternal Desolation,--Labrador!

But extremes meet.

THE PROCESS OF SCULPTURE.

I have heard so much, lately, about artists who do not do their own work, that I feel disposed to raise the veil upon the mysteries of the studio, and enable those who are interested in the subject to form a just conception of the amount of assistance to which a sculptor is fairly entitled, as well as to correct the false, but very general impression, that the artist, beginning with the crude block, and guided by his imagination only, hews out his statue with his own hands.

So far from this being the case, the first labor of the sculptor is upon a small clay model; in which he carefully studies the composition of his statue, the proportions, and the general arrangement of the drapery, without regard to very careful finish of parts. This being accomplished, and the small model cast in plaster, he employs some one to enlarge his work to any size which he may require; and this is done by scale, and with almost as much precision as the full-size and perfectly finished model is afterwards copied in marble.

The first step in this process is to form a skeleton of iron, the size and strength of the iron rods corresponding to the size of the figure to be modelled; and here, not only strong hands and arms are requisite, but the blacksmith with his forge, many of the irons requiring to be heated and bent upon the anvil to the desired angle. This solid framework being prepared, and the various irons of which it is composed firmly wired and welded together, the next thing is to hang thereon a series of crosses, often several hundred in number, formed by two bits of wood, two or three inches in length, fastened together by wire, one end of which is attached to the framework. All this is necessary for the support of the clay, which would otherwise fall by its own weight. (I speak here of Roman clay,--the clay obtained in many parts of England and America being more properly potter's clay, and consequently more tenacious.) The clay is then pressed firmly around and upon the irons and crosses with strong hands and a wooden mallet, until, from a clumsy and shapeless mass, it acquires some resemblance to the human form. When the clay is properly prepared, and the work advanced as far as the artist desires, his own work is resumed, and he then laboriously studies every part, corrects his ideal by comparison with living models, copies his drapery from actual drapery arranged upon the lay-figure, and gives to his statue the last refinement of beauty.

It will thus be seen that there is an intermediate stage, even in the clay, when the work passes completely out of the sculptor's hands and is carried forward by his assistant,--the work on which the latter is employed, however, obviously requiring not the least exercise of creative power, which is essentially the attribute of the artist. To perform the part assigned him, it is not necessary that the assistant, should be a man of imagination or refined taste,--it is sufficient that he have simply the skill, with the aid of accurate measurements, to construct the framework of iron and to copy the small model before him. But in _originating_ that small model, when the artist had nothing to work from but the image existing in his own brain, imagination, refined feeling, and a sense of grace were essential, and were called into constant exercise. So, again, when the clay model returns into the sculptor's hands, and the work approaches completion, often after the labor of many months, it is he alone who infuses into the clay that refinement and individuality of beauty which constitute his "style," and which are the test of the greater or less degree of refinement of his mind, as the force and originality of the conception are the test of his intellectual power.

The clay model having at last been rendered as perfect as possible, the sculptor's work upon the statue is virtually ended; for it is then cast in plaster and given into the hands of the marble-workers, by whom, almost entirely, it is completed, the sculptor merely directing and correcting the work as it proceeds. This disclosure, I am aware, will shock the many, who often ingeniously discover traces of the sculptor's hand where they do not exist. It is true, that, in some cases, the finishing touches are introduced by the artist himself; but I suspect that few who have accomplished and competent workmen give much of their time to the mallet or the chisel, preferring to occupy themselves with some new creation, or considering that these implements may be more advantageously wielded by those who devote themselves exclusively to their use. It is also true, that, although the process of transferring the statue from plaster to marble is reduced to a science so perfect that to err is almost impossible, yet much depends upon the workmen to whom this operation is intrusted. Still, their position in the studio is a subordinate one. They translate the original thought of the sculptor, written in clay, into the language of marble. The translator may do his work well or ill,--he may appreciate and preserve the delicacy of sentiment and grace which were stamped upon the clay, or he may render the artist's meaning coarsely and unintelligibly. Then it is that the sculptor himself must reproduce his ideal in the marble, and breathe into it that vitality which, many contend, only the artist can inspire. But, whether skilful or not, the relation of these workmen to the artist is precisely the same as that of the mere linguist to the author who, in another tongue, has given to the world some striking fancy or original thought.

But the question when the clay _is_ "properly prepared" forms the debatable ground, and has already furnished a convenient basis for the charge that it is never "properly prepared" for women-artists until it is ready for the caster. I affirm, from personal knowledge, that this charge is utterly without foundation,--and as it would be affectation in me to ignore what has been so freely circulating upon this subject in print, I take this opportunity of stating that I have never yet allowed a statue to leave my studio, upon the clay model of which I had not worked during a period of from four to eight months,--and further, that I should choose to refer all those desirous of ascertaining the truth to Mr. Nucci, who "prepares" my clay for me, rather than to my brother-sculptor, in the _Via Margutta_, who originated the report that I was an impostor. So far, however, as my designs are concerned, I believe even he has not, as yet, found occasion to accuse me of drawing upon other brains than my own.

We women-artists have no objection to its being known that we employ assistants; we merely object to its being supposed that it is a system peculiar to _ourselves_. When Thorwaldsen was called upon to execute his twelve statues of the Apostles, he designed and furnished the small models, and gave them into the hands of his pupils and assistants, by whom, almost exclusively, they were copied in their present colossal dimensions. The great master rarely put his own hand to the clay; yet we never hear them spoken of except as "Thorwaldsen's statues." When Vogelberg accepted the commission to model his colossal equestrian statue of Gustavus Adolphus, physical infirmity prevented the artist from even mounting the scaffolding; but he made the small model, and directed the several workmen employed upon the full-size statue in clay, and we never heard it intimated that Vogelberg was not the sculptor of that great work. Even Crawford, than whom none ever possessed a more rapid or facile hand, could never have accomplished half the immense amount of work which pressed upon him in his later years, had he not had more than one pair of hands to aid him in giving outward form to the images in his fertile brain. Nay, not to refer solely to artists who are no longer among us, I could name many studios, both in Rome and England, belonging to our brothers in Art, in which the assistant-modeller forms as necessary a part of studio-"property" as the living model or the marble-workers,--and many more, on a smaller scale, in which he lends a helping hand whenever required. If there are a few instances in which the sculptor himself conducts his clay model through every stage, it is usually because pecuniary considerations prevent his employing a professional modeller.

I do not wish it to be supposed that Thorwaldsen's general practice was such as I have described in the particular case referred to: probably no artist ever studied or worked more carefully upon the clay model than he. What I have stated was only with the view of showing to what extent he felt himself justified in employing assistance. I am quite persuaded, however, that, had Thorwaldsen and Vogelberg been women, and employed one-half the amount of assistance they did in the cases mentioned, we should long since have heard the great merit of their works attributed to the skill of their workmen.

Nor should we forget--to draw for examples upon a kindred art--how largely the painters of the fifteenth and sixteenth centuries relied upon the mechanical skill of their pupils to assist them in producing the great works which bear their names. All the painters of note of that time, like many of the present day, had their pupils, to whom was intrusted much of the laborious portion of their work, the master furnishing the design and superintending its execution. Raphael, for instance, could never have left one half the treasures of Art which adorn the Vatican and enrich other galleries, had he depended solely upon the rapidity of his own hand; and of the many frescos which exist in the Farnese Palace, and are called "Raphael's frescos," there are but two in which are to be traced the master's hand,--the Galatea, and one of the compartments in the series representing the story of Cupid and Psyche.

It will thus be seen how large a portion of the manual labor which is supposed to devolve entirely upon the artist is, and has always been, really performed by other hands than his own. I do not state this fact in a whisper, as if it were a great disclosure which involved the honor of the artist; it is no secret, and there is no reason why it should be so. The disclosure, it is true, will be received by all who regard sculpture as simply a mechanical art with a feeling of disappointment. They will brand the artist who cannot lay claim to the entire manipulation of his statue, whether in clay or marble, as an impostor,--nor will they resign the idea that the truly conscientious sculptor will carve every ornament upon his sandals and polish every button upon his drapery. But those who look upon sculpture as an intellectual art, requiring the exercise of taste, imagination, and delicate feeling, will never identify the artist who conceives, composes, and completes the design with the workman who simply relieves him from great physical labor, however delicate some portion of that labor may be. It should be a recognized fact, that the sculptor is as fairly entitled to avail himself of mechanical aid in the execution of his work as the architect to call into requisition the services of the stone-mason in the erection of his edifice, or the poet to employ the printer to give his thoughts to the world. Probably the sturdy mason never thinks much about proportion, nor the type-setter much about harmony; but the master-minds which inspire the strong arm and cunning finger with motion think about and study both. It is high time that some distinction should be made between the labor of the hand and the labor of the brain. It is high time, in short, that the public should understand in what the sculptor's work properly consists, and thus render less pernicious the representations of those who, either from thoughtlessness or malice, dwelling upon the fact that assistance has been employed in certain cases, without defining the limits of that assistance, imply the guilt of imposture in the artists, and deprive them, and more particularly women-artists, of the credit to which, by talent or conscientious labor, they are justly entitled.

HARRIET HOSMER.

BRYANT'S SEVENTIETH BIRTHDAY.

O even-handed Nature! we confess
This life that men so honor, love, and bless
Has filled thine olden measure. Not the less

We count the precious seasons that remain;
Strike not the level of the golden grain,
But heap it high with years, that earth may gain

What heaven can lose,--for heaven is rich in song:
Do not all poets, dying, still prolong
Their broken chants amid the seraph throng,

Where, blind no more, Ionia's bard is seen,
And England's heavenly minstrel sits between
The Mantuan and the wan-cheeked Florentine?

This was the first sweet singer in the cage
Of our close-woven life. A new-born age
Claims in his vesper song its heritage:

Spare us, oh, spare us long our heart's desire!
Moloch, who calls our children through the fire,
Leaves us the gentle master of the lyre.

We count not on the dial of the sun
The hours, the minutes, that his sands have run;
Rather, as on those flowers that one by one

From earliest dawn their ordered bloom display
Till evening's planet with her guiding ray
Leads in the blind old mother of the day,

We reckon by his songs, each song a flower,
The long, long daylight, numbering hour by hour,
Each breathing sweetness like a bridal bower.

His morning glory shall we e'er forget?
His noontide's full-blown lily coronet?
His evening primrose has not opened yet;

Nay, even if creeping Time should hide the skies
In midnight from his century-laden eyes,
Darkened like his who sang of Paradise,

Would not some hidden song-bud open bright
As the resplendent cactus of the night
That floods the gloom with fragrance and with light?

How can we praise the verse whose music flows
With solemn cadence and majestic close,
Pure as the dew that filters through the rose?

How shall we thank him that in evil days
He faltered never,--nor for blame, nor praise,
Nor hire, nor party, shamed his earlier lays?

But as his boyhood was of manliest hue,
So to his youth his manly years were true,
All dyed in royal purple through and through!

He for whose touch the lyre of Heaven is strung
Needs not the flattering toil of mortal tongue:
Let not the singer grieve to die unsung!

Marbles forget their message to mankind:
In his own verse the poet still we find,
In his own page his memory lives enshrined,

As in their amber sweets the smothered bees,--
As the fair cedar, fallen before the breeze,
Lies self-embalmed amidst the mouldering trees.

Poets, like youngest children, never grow
Out of their mother's fondness. Nature so
Holds their soft hands, and will not let them go,

Till at the last they track with even feet
Her rhythmic footsteps, and their pulses beat
Twinned with her pulses, and their lips repeat

The secrets she has told them, as their own:
Thus is the inmost soul of Nature known,
And the rapt minstrel shares her awful throne!

O lover of her mountains and her woods,
Her bridal chamber's leafy solitudes,
Where Love himself with tremulous step intrudes,

Her snows fall harmless on thy sacred fire:
Far be the day that claims thy sounding lyre
To join the music of the angel choir!

Yet, since life's amplest measure must be filled,
Since throbbing hearts must be forever stilled,
And all must fade that evening sunsets gild,

Grant, Father, ere he close the mortal eyes
That see a Nation's reeking sacrifice,
Its smoke may vanish from these blackened skies!

Then, when his summons comes, since come it must,
And, looking heavenward with unfaltering trust,
He wraps his drapery round him for the dust,

His last fond glance will show him o'er his head
The Northern fires beyond the zenith spread
In lambent glory, blue and white and red,--

The Southern cross without its bleeding load,
The milky way of peace all freshly strowed,
And every white-throned star fixed in its lost abode!

NOVEMBER 3, 1864.

LEAVES FROM AN OFFICER'S JOURNAL.

II.

CAMP SAXTON, near Beaufort, S.C.
_December 11, 1862._

Haroun Alrashid, wandering in disguise through his imperial streets, scarcely happened upon a greater variety of groups than I, in my evening strolls among our own camp-fires.

Beside some of these fires, the men are cleaning their guns or rehearsing their drill,--beside others, smoking in silence their very scanty supply of the beloved tobacco,--beside others, telling stories and shouting with laughter over the broadest mimicry, in which they excel, and in which the officers come in for a full share. The everlasting "shout" is always within hearing, with its mixture of piety and polka, and its castanet-like clapping of the hands. Then there are quieter prayer-meetings, with pious invocations, and slow psalms, "deaconed out" from memory by the leader, two lines at a time, in a sort of wailing chant. Elsewhere, there are _conversazioni_ around fires, with a woman for queen of the circle,--her Nubian face, gay head-dress, gilt necklace, and white teeth, all resplendent in the glowing light. Sometimes the woman is spelling slow monosyllables out of a primer, a feat which always commands all ears,--they rightly recognizing a mighty spell, equal to the overthrowing of monarchs, in the magic assonance of _cat_, _hat_, _pat_, _bat_, and the rest of it. Elsewhere, it is some solitary old cook, some aged Uncle Tiff, with enormous spectacles, who is perusing a hymn-book by the light of a pine splinter, in his deserted cooking-booth of palmetto-leaves. By another fire there is an actual dance, red-legged soldiers doing right-and-left, and "now-lead-de-lady-ober," to the music of a violin which is rather artistically played, and which may have guided the steps, in other days, of Barnwells and Hugers. And yonder is a stump-orator perched on his barrel, pouring out his exhortations to fidelity in war and in religion. To-night for the first time I have heard an harangue in a different strain, quite saucy, skeptical, and defiant, appealing to them in a sort of French materialistic style, and claiming some personal experience of warfare. "You don't know notin' about it, boys. You tink you's brave enough; how you tink, if you stan' clar in de open field,--here you, an' dar de Secesh? You's got to hab de right ting inside o' you. You must hab it 'served [preserved] in you, like dese yer sour plums dey 'serve in de barr'l; you's got to harden it down inside o' you, or it's notin'." Then he hit hard at the religionists:--"When a man's got de sperit ob de Lord in him, it weakens him all out, can't hoe de corn." He had a great deal of broad sense in his speech; but presently some others began praying vociferously close by, as if to drown this free-thinker, when at last he exclaimed, "I mean to fight de war through, an' die a good sojer wid de last kick,--dat's _my_ prayer!" and suddenly jumped off the barrel. I was quite interested at discovering this reverse side of the temperament, the devotional side preponderates so enormously, and the greatest scamps kneel and groan in their prayer-meetings with such entire zest. It shows that there is some individuality developed among them, and that they will not become too exclusively pietistic.

Their love of the spelling-book is perfectly inexhaustible,--they stumbling on by themselves, or the blind leading the blind, with the same pathetic patience which they carry into everything. The chaplain is getting up a school-house, where he will soon teach them as regularly as he can. But the alphabet must always be a very incidental business in a camp.

* * * * *

_December 14._

Passages from prayers in the camp:--

"Let me so lib dat when I die I shall _hab manners_, dat I shall know what to say when I see my Heabenly Lord."

"Let me lib wid de musket in one hand, an' de Bible in de oder,--dat if I die at de muzzle ob de musket, die in de water, die on de land, I may know I hab de bressed Jesus in my hand, an' hab no fear."

"I hab lef' my wife in de land o' bondage; my little ones dey say eb'ry night, Whar is my fader? But when I die, when de bressed mornin' rises, when I shall stan' in de glory, wid one foot on de water an' one foot on de land, den, O Lord, I shall see my wife an' my little chil'en once more."

These sentences I noted down, as best I could, beside the glimmering camp-fire last night. The same person was the hero of a singular little _contre-temps_ at a funeral in the afternoon. It was our first funeral. The man had died in hospital, and we had chosen a picturesque burial-place above the river, near the old church, and beside a little nameless cemetery, used by generations of slaves. It was a regular military funeral, the coffin being draped with the American flag, the escort marching behind, and three volleys fired over the grave. During the services there was singing, the chaplain deaconing out the hymn in their favorite way. This ended, he announced his text,--"This poor man cried, and the Lord heard him, and delivered him out of all his trouble." Instantly, to my great amazement, the cracked voice of the chorister was uplifted, intoning the text, as if it were the first verse of another hymn. So calmly was it done, so imperturbable were all the black countenances, that I half began to conjecture that the chaplain himself intended it for a hymn, though I could imagine no prospective rhyme for _trouble_, unless it were approximated by _debbil_,--which is, indeed, a favorite reference, both with the men and with his Reverence. But the chaplain, peacefully awaiting, gently repeated his text after the chant, and to my great relief the old chorister waived all further recitative and let the funeral discourse proceed.

Their memories are a vast bewildered chaos of Jewish history and biography; and most of the great events of the past, down to the period of the American Revolution, they instinctively attribute to Moses. There is a fine bold confidence in all their citations, however, and the record never loses piquancy in their hands, though strict accuracy may suffer. Thus, one of my captains, last Sunday, heard a colored exhorter at Beaufort proclaim, "Paul may plant, _and may polish wid water_, but it won't do," in which the sainted Apollos would hardly have recognized himself.

Just now one of the soldiers came to me to say that he was about to be married to a girl in Beaufort, and would I lend him a dollar and seventy-five cents to buy the wedding outfit? It seemed as if matrimony on such moderate terms ought to be encouraged, in these days; and so I responded to the appeal.

* * * * *

_December 16._

To-day a young recruit appeared here, who had been the slave of Colonel Sammis, one of the leading Florida refugees. Two white companions came with him, who also appeared to be retainers of the Colonel, and I asked them to dine. Being likewise refugees, they had stories to tell, and were quite agreeable: one was English-born, the other Floridian, a dark, sallow Southerner, very well-bred. After they had gone, the Colonel himself appeared. I told him that I had been entertaining his white friends, and after a while he quietly let out the remark,--

"Yes, one of those white friends of whom you speak is a boy raised on one of my plantations; he has travelled with me to the North and passed for white, and he always keeps away from the negroes."

Certainly no such suspicion had ever crossed my mind.

I have noticed one man in the regiment who would easily pass for white,--a little sickly drummer, aged fifty at least, with brown eyes and reddish hair, who is said to be the son of one of our commodores. I have seen perhaps a dozen persons as fair or fairer, among fugitive slaves, but they were usually young children. It touched me far more to see this man, who had spent more than half a lifetime in this low estate, and for whom it now seemed too late to be anything but a "nigger." This offensive word, by the way, is almost as common with them as at the North, and far more common than with well-bred slave-holders. They have meekly accepted it. "Want to go out to de nigger-houses, Sah," is the universal impulse of sociability, when they wish to cross the lines. "He hab twenty house-servants, an' two hundred head o' nigger," is a still more degrading form of phrase, in which the epithet is limited to the field-hands, and they estimated like so many cattle. This want of self-respect of course interferes with the authority of the non-commissioned officers, which is always difficult to sustain, even in white regiments. "He needn't try to play de white man ober me," was the protest of a soldier against his corporal the other day. To counteract this, I have often to remind them that they do not obey their officers because they are white, but because they are their officers; and guard-duty is an admirable school for this, because they readily understand that the sergeant or corporal of the guard has for the time more authority than any commissioned officer who is not on duty. It is necessary also for their superiors to treat the non-commissioned officers with careful courtesy, and I often caution the line-officers never to call them "Sam" or "Will," nor omit the proper handle to their names. The value of the habitual courtesies of the regular army is exceedingly apparent with these men: an officer of polished manners can wind them round his finger, while white soldiers seem rather to prefer a certain roughness. The demeanor of my men to each other is very courteous, and yet I see none of that sort of upstart conceit which is sometimes offensive among free negroes at the North, the dandy-barber strut. This is an agreeable surprise, for I feared that freedom and regimentals would produce precisely that.

They seem the world's perpetual children, docile, gay, and lovable, in the midst of this war for freedom on which they have intelligently entered. Last night, before "taps," there was the greatest noise in camp that I had ever heard, and I feared some riot. On going out, I found the most tumultuous sham-fight proceeding in total darkness, two companies playing like boys, beating tin cups for drums. When some of them saw me they seemed a little dismayed, and came and said, beseechingly,--"Cunnel, Sah, you hab no objection to we playin', Sah?"--which objection I disclaimed; but soon they all subsided, rather to my regret, and scattered merrily. Afterward I found that some other officer had told them that I considered the affair too noisy, so that I felt a mild self-reproach when one said, "Cunnel, wish you had let we play a little longer, Sah." Still I was not sorry, on the whole; for these sham-fights between companies would in some regiments lead to real ones, and there is a latent jealousy here between the Florida and South-Carolina men, which sometimes makes me anxious.

The officers are more kind and patient with the men than I should expect, since the former are mostly young, and drilling tries the temper; but they are aided by hearty satisfaction in the results already attained. I have never yet heard a doubt expressed among the officers as to the _superiority_ of these men to white troops in aptitude for drill and discipline, because of their imitativeness and docility, and the pride they take in the service. One captain said to me to-day, "I have this afternoon taught my men to load-in-nine-times, and they do it better than we did it in my former company in three months." I can personally testify that one of our best lieutenants, an Englishman, taught a part of his company the essential movements of the "school for skirmishers" in a single lesson of two hours, so that they did them very passably, though I feel bound to discourage such haste. However, I "formed square" on the third battalion-drill. Three-fourths of drill consist of attention, imitation, and a good ear for time; in the other fourth, which consists of the application of principles, as, for instance, performing by the left flank some movement before learned by the right, they are perhaps slower than better-educated men. Having belonged to five different drill-clubs before entering the army, I certainly ought to know something of the resources of human awkwardness, and I can honestly say that they astonish me by the facility with which they do things. I expected much harder work in this respect.

The habit of carrying burdens on the head gives them erectness of figure, even where physically disabled. I have seen a woman, with a brimming water-pail balanced on her head,--or perhaps a cup, saucer, and spoon,--stop suddenly, turn round, stoop to pick up a missile, rise again, fling it, light a pipe, and go through many evolutions with either hand or both, without spilling a drop. The pipe, by the way, gives an odd look to a well-dressed young girl on Sunday, but one often sees that spectacle. The passion for tobacco among our men continues quite absorbing, and I have piteous appeals for some arrangement by which they can buy it on credit, as we have yet no sutler. Their imploring, "Cunnel, we can't _lib_ widout it, Sah," goes to my heart; and as they cannot read, I cannot even have the melancholy satisfaction of supplying them with the excellent anti-tobacco tracts of Mr. Trask.

* * * * *

_December 19._

Last night the water froze in the adjutant's tent, but not in mine. To-day has been mild and beautiful. The blacks say they do not feel the cold so much as the white officers do, and perhaps it is so, though their health evidently suffers more from dampness. On the other hand, while drilling on very warm days, they have seemed to suffer more from heat than their officers. But they dearly love fire, and at night will always have it, if possible, even on the minutest scale,--a mere handful of splinters, that seems hardly more efficacious than a friction-match. Probably this is a natural habit for the short-lived coolness of an out-door country; and then there is something delightful in this rich pine, which burns like a tar-barrel. It was perhaps encouraged by the masters, as the only cheap luxury the slaves had at hand.

As one grows more acquainted with the men, their individualities emerge; and I find first their faces, then their characters, to be as distinct as those of whites. It is very interesting the desire they show to do their duty and to improve as soldiers; they evidently think about it, and see the importance of the thing; they say to me that we white men cannot stay and be their leaders always, and that they must learn to depend on themselves, or else relapse into their former condition.

Beside the superb branch of uneatable bitter oranges which decks my tent-pole, I have to-day hung up a long bough of finger-sponge, which floated to the riverbank. As winter advances, butterflies gradually disappear: one species (a _Vanessa_) lingers; three others have vanished since I came. Mocking-birds are abundant, but rarely sing; once or twice they have reminded me of the red thrush, but are inferior, as I have always thought. The colored people all say that it will be much cooler; but my officers do not think so, perhaps because last winter was so unusually mild,--with only one frost, they say.

* * * * *

_December 20._

Philoprogenitiveness is an important organ for an officer of colored troops; and I happen to be well provided with it. It seems to be the theory of all military usages, in fact, that soldiers are to be treated like children; and these singular persons, who never know their own age till they are past middle life, and then choose a birthday with such precision,--"Fifty year old, Sah, de fus' last April,"--prolong the privilege of childhood.

I am perplexed nightly for counter-signs,--their range of proper names is so distressingly limited, and they make such amazing work of every new one. At first, to be sure, they did not quite recognize the need of any variation: one night some officer asked a sentinel whether he had the countersign yet, and was indignantly answered,--"Should tink I hab 'em, hab 'em for a fortnight"; which seems a long epoch for that magic word to hold out. To-night I thought I would have "Fredericksburg," in honor of Burnside's reported victory, using the rumor quickly, for fear of a contradiction. Later, in comes a captain, gets the countersign for his own use, but presently returns, the sentinel having pronounced it incorrect. On inquiry, it appears that the sergeant of the guard, being weak in geography, thought best to substitute the more familiar word, "Crockery-ware"; which was, with perfect gravity, confided to all the sentinels, and accepted without question. O life! what is the fun of fiction beside thee?

I should think they would suffer and complain, these cold nights; but they say nothing, though there is a good deal of coughing. I should fancy that the scarlet trousers must do something to keep them warm, and wonder that they dislike them so much, when they are so much like their beloved fires. They certainly multiply fire-light, in any case. I often notice that an infinitesimal flame, with one soldier standing by it, looks like quite a respectable conflagration, and it seems as if a group of them must dispel dampness.

* * * * *

_December 21._

To a regimental commander no book can be so fascinating as the consolidated Morning Report, which is ready about nine, and tells how many in each company are sick, absent, on duty, and so on. It is one's newspaper and daily mail; I never grow tired of it. If a single recruit has come in, I am always eager to see how he looks on paper.

To-night the officers are rather depressed by rumors of Burnside's being defeated, after all. I am fortunately equable and undepressible; and it is very convenient that the men know too little of the events of the war to feel excitement or fear. They know General Saxton and me,--"de General" and "de Cunnel,"--and seem to ask no further questions. We are the war. It saves a great deal of trouble, while it lasts, this childlike confidence; nevertheless, it is our business to educate them to manhood, and I see as yet no obstacle. As for the rumor, the world will no doubt roll round, whether Burnside is defeated or succeeds.

* * * * *

_Christmas Day._

"We'll fight for liberty
Till de Lord shall call us home;
We'll soon be free
Till de Lord shall call us home."

This is the hymn which the slaves at Georgetown, South Carolina, were whipped for singing when President Lincoln was elected. So said a little drummer-boy, as he sat at my tent's edge last night and told me his story; and he showed all his white teeth as he added,--"Dey tink '_de Lord_' meant for say de Yankees."

Last night, at dress-parade, the adjutant read General Saxton's Proclamation for the New-Year's Celebration. I think they understood it, for there was cheering in all the company-streets afterwards. Christmas is the great festival of the year for this people; but, with New-Year's coming after, we could have no adequate programme for to-day, and so celebrated Christmas Eve with pattern simplicity. We omitted, namely, the mystic curfew which we call "taps," and let them sit up and burn their fires and have their little prayer-meetings as late as they desired; and all night, as I waked at intervals, I could hear them praying and "shouting" and clattering with hands and heels. It seemed to make them very happy, and appeared to be at least an innocent Christmas dissipation, as compared with some of the convivialities of the "superior race" hereabouts.

* * * * *

_December 26._

The day passed with no greater excitement for the men than target-shooting, which they enjoyed. I had the private delight of the arrival of our much-desired surgeon and his nephew, the captain, with letters and news from home. They also bring the good tidings that General Saxton is not to be removed, as had been reported.

Two different stands of colors have arrived for us, and will be presented at New-Year's,--one from friends in New York, and the other from a lady in Connecticut. I see that "Frank Leslie's Illustrated Weekly" of December twentieth has a highly imaginative picture of the muster-in of our first company, and also of a skirmish on the late expedition.

I must not forget the prayer overheard last night by one of the captains:--"O Lord! when I tink ob dis Kismas and las' year de Kismas. Las' Kismas he in de Secesh, and notin' to eat but grits, and no salt in 'em. Dis year in de camp, and too much victual!" This "too much" is a favorite phrase out of their grateful hearts, and did not in this case denote an excess of dinner,--as might be supposed,--but of thanksgiving.

* * * * *

_December 29._

Our new surgeon has begun his work most efficiently: he and the chaplain have converted an old gin-house into a comfortable hospital, with ten nice beds and straw pallets. He is now, with a hearty professional faith, looking round for somebody to put into it. I am afraid the regiment will accommodate him; for, although he declares that these men do not sham sickness, as he expected, their catarrh is an unpleasant reality. They feel the dampness very much, and make such a coughing at dress-parade that I have urged him to administer a dose of cough-mixture, all round, just before that pageant. Are the colored race _tough_? is my present anxiety; and it is odd that physical insufficiency, the only discouragement not thrown in our way by the newspapers, is the only discouragement which finds any place in our minds. They are used to sleeping in-doors in winter, herded before fires, and so they feel the change. Still, the regiment is as healthy as the average, and experience will teach us something.[B]

* * * * *

_December 30._

On the first of January we are to have a slight collation, ten oxen or so, barbecued,--or not properly barbecued, but roasted whole. Touching the length of time required to "do" an ox, no two housekeepers appear to agree. Accounts vary from two hours to twenty-four. We shall happily have enough to try all gradations of roasting, and suit all tastes, from Miss A.'s to mine. But fancy me proffering a spare-rib, well done, to some fair lady! What ever are we to do for spoons and forks and plates? Each soldier has his own, and is sternly held responsible for it by "Army Regulations." But how provide for the multitude? Is it customary, I ask you, to help to tenderloin with one's fingers? Fortunately, the Major is to see to that department. Great are the advantages of military discipline: for anything perplexing, detail a subordinate.

* * * * *

_New-Year's Eve._

My housekeeping at home is not, perhaps, on any very extravagant scale. Buying beefsteak, I usually go to the extent of two or three pounds. Yet when, this morning at daybreak, the quartermaster called to inquire how many cattle I would have killed for roasting, I turned over in bed, and answered composedly, "Ten,--and keep three to be fatted."

Fatted, quotha! Not one of the beasts at present appears to possess an ounce of superfluous flesh. Never were seen such lean kine. As they swing on vast spits, composed of young trees, the fire-light glimmers through their ribs, as if they were great lanterns. But no matter, they are cooking,--nay, they are cooked.

One at least is taken off to cool, and will be replaced to-morrow to warm up. It was roasted three hours, and well done, for I tasted it. It is so long since I tasted fresh beef that forgetfulness is possible; but I fancied this to be successful. I tried to imagine that I liked the Homeric repast, and certainly the whole thing has been far more agreeable than was to be expected. The doubt now is, whether I have made a sufficient provision for my household. I should have roughly guessed that ten beeves would feed as many million people, it has such a stupendous sound; but General Saxton predicts a small social party of five thousand, and we fear that meat will run short, unless they prefer bone. One of the cattle is so small, we are hoping it may turn out veal.

For drink, we aim at the simple luxury of molasses-and-water, a barrel per company, ten in all. Liberal housekeepers may like to know that for a barrel of water we allow three gallons of molasses, half a pound of ginger, and a quart of vinegar,--this last being a new ingredient for my untutored palate, though all the rest are amazed at my ignorance. Hard bread, with more molasses, and a dessert of tobacco, complete the festive repast, destined to cheer, but not inebriate.