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Chapter VII: Conclusion (3)

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"Will you obleege me, Mr. Johns? Take a good strong puff of your cigar,--here, upon the larboard rail, sir," and he took the lantern from the companion-way that he might see the drift of the smoke. For a moment it lifted steadily; then, with a toss it vanished away--shoreward. The first angry puffs of the southeaster were coming.

The captain had seen all, and with an excited voice said, "Mr. Yardley, clew up, fore and aft,--clew up everything; put all snug, and make ready the best bower."

"Mr. Johns," said he, approaching Reuben, "we are on a lee shore; it should be Long Island beach by the soundings; with calm weather, and a kedge, we might work her off with the lift of the tide. But the Devil and all is in that puff from the sou'east."

"O, well, we can anchor," says Reuben.

"Yes, we can anchor, Mr. Johns; but if that sou'easter turns out the gale it promises, the best anchor aboard won't be so good as a gridiron."

"Do you advise taking to the boats, then?" asked Reuben, a little nervously.

"I advise nothing, Mr. Johns. Do you hear the murmur of the surf yonder? It's bad landing under such a pounding of the surf, with daylight; in the dark, where one can't catch the drift of the waves, it might be--death!"

The word startled Reuben. His philosophy had always contemplated it at a distance, toward which easy and gradual approaches might be made: but here it was, now, at a cable's length!

And yet it was very strange; the sea was not high; no gale as yet; only an occasional grating thump of the keel was a reminder that the good Meteor was not still afloat. But the darkness! Yes, the darkness was complete, (hardly a sight even of the topmen who were aloft--as in the sunniest of weather--stowing the canvas,) and to the northward that groan and echo of the resounding surf; to the southward, the whirling white of waves that are lifting now, topped with phosphorescent foam.

The anchor is let go, but even this does not bring the ship's head to the wind. Those griping sands hold her keel fast. The force of the rising gale strikes her full abeam, giving her a great list to shore. It is in vain the masts are cut away, and the rigging drifts free; the hulk lifts only to settle anew in the grasping sands. Every old seaman upon her deck knows that she is a doomed ship.

From time to time, as the crashing spars or the leaden thump upon the sands have startled those below, Madam Maverick and her maid have made their appearance, in a wild flutter of anxiety, asking eager questions; (Reuben alone can understand them or answer them;) but as the southeaster grows, as it does, into a fury of wind, and the poor hulk reels vainly, and is overlaid with a torrent of biting salt spray, Madam Maverick becomes calm. Instinctively, she sees the worst.

"Could I only clasp Adele once more in these arms, I would say, cheerfully, '_Nunc dimittis_.'"

Reuben regarded her calm faith with a hungry eagerness. Not, indeed, that calmness was lacking in himself. Great danger, in many instances, sublimates the faculties of keenly strung minds. But underneath his calmness there was an unrest, hungering for repose,--the repose of a fixed belief. If even then the breaking waves had whelmed him in their mad career, he would have made no wailing outcry, but would have clutched--how eagerly!--at the merest shred of that faith which, in other days and times, he had seen illuminate the calm face of the father. Something to believe,--on which to float upon such a sea!

But the waves and winds make sport of beliefs. Prayers count nothing against that angry surge. Two boats are already swept from the davits, and are gone upon the whirling waters. A third, with infinite pains, is dropped into the yeast. It is hard to tell who gives the orders. But, once afloat, there is a rush upon it, and away it goes,--overcrowded, and within eyeshot lifts, turns, and a crowd of swimmers float for a moment,--one with an oar, another with a thwart that the waves have torn out,--and in the yeast of waters they vanish.

One boat only remains, and it is launched with more careful handling; three cling by the wreck; the rest--save only Madam Maverick and Reuben--are within her, as she tosses still in the lee of the vessel.

"There 's room!" cries some one; "jump quick! for God's sake!"

And Reuben, with some strange, generous impulse, seizes upon Madam Maverick, and, before she can rebel or resist, has dropped her over the rail. The men grapple her and drag her in; but in the next moment the little cockle of a boat is drifted yards away.

The few who are left--the boatswain among them--are toiling on the wet deck to give a last signal from the little brass howitzer on the forecastle. As the sharp crack breaks on the air,--a miniature sound in that howl of the storm,--the red flash of the gun gives Reuben, as the boat lurches toward the wreck again, a last glance of Madam Maverick,--her hands clasped, her eyes lifted, and calm as ever. More than ever too her face was like the face of Adele,--such as the face of Adele must surely become, when years have sobered her and her buoyant faith has ripened into calm. And from that momentary glance of the serene countenance, and that flashing associated memory of Adele, a subtile, mystic influence is born in him, by which he seems suddenly transfused with the same trustful serenity which just now he gazed upon with wonder. If indeed the poor lady is already lost,--he thinks it for a moment,--her spirit has fanned and cheered him as it passed. Once more, as if some mysterious hand had brought them to his reach, he grapples with those lost lines of hope and trust which in that youthful year of his exuberant emotional experience he had held and lost,--once more, now, in hand,--once more he is elated with that wonderful sense of a religious poise, that, it would seem, no doubts or terrors could overbalance. Unconsciously kneeling on the wet deck, he is rapt into a kind of ecstatic indifference to winds, to waves, to danger, to death.

The boom of a gun is heard to the northward. It must be from shore. There are helpers at work, then. Some hope yet for this narrow tide of life, which just seemed losing itself in some infinite flow beyond. Life is, after all, so sweet! The boatswain forward labors desperately to return an answering signal; but the spray, the slanted deck, the overleaping waves, are too much for him. Darkness and storm and despair rule again.

The wind, indeed, has fallen; the force of the gale is broken; but the waves are making deeper and more desperate surges. The wreck, which had remained fixed in the fury of the wind, lifts again under the great swell of the sea, and is dashed anew and anew upon the shoal. With every lift her timbers writhe and creak, and all the remaining upper works crack and burst open with the strain.

Reuben chances to espy an old-fashioned round life-buoy lashed to the taffrail, and, cutting it loose, makes himself fast to it. He overhears the boatswain say, yonder by the forecastle, "These thumpings will break her in two in an hour. Cling to a spar, Jack."

The gray light of dawn at last breaks, and shows a dim line of shore, on which parties are moving, dragging some machine, with which they hope to cast a line over the wreck. But the swell is heavier than ever, the timbers nearer to parting. At last a flash of lurid light from the dim shore-line,--a great boom of sound, and a line goes spinning out like a spider's web up into the gray, bleak sky. Too far! too short! and the line tumbles, plashing into the water. A new and fearful lift of the sea shatters the wreck, the fore part of the ship still holding fast to the sands; but all abaft the mainmast lifts, surges, reels, topples over; with the wreck, and in the angry swirl and torment of waters, Reuben goes down.

LXV.

That morning,--it was the 22d of September, in the year 1842,--Mr. Brindlock came into his counting-room some two hours before noon, and says to his porter and factotum, as he enters the door, "Well, Roger, I suppose you 'll be counting this puff of a southeaster the equinoctial, eh?"

"Indeed, sir, and it 's an awful one. The Meteor 's gone ashore on Long Beach; and there 's talk of young Mr. Johns being lost."

"Good Heavens!" said Brindlock, "you don't tell me so!"

By half past three he was upon the spot; a little remaining fragment only of the Meteor hanging to the sands, and a great _debris_ of bales, spars, shattered timbers, bodies, drifted along the shore,--Reuben's among them.

But he is not dead; at least so say the wreckers, who throng upon the beach; the life-buoy is still fast to him, though he is fearfully shattered and bruised. He is borne away under the orders of Brindlock to some near house, and presently revives enough to ask that he may be carried--"home."

As, in the opening of this story, his old grandfather, the Major, was borne away from the scene of his first battle by easy stages homeward, so now the grandson, far feebler and after more terrible encounter with death, is carried by "easy stages" to his home in Ashfield. Again the city, the boat, the river,--with its banks yellowing with harvests, and brightened with the glowing tints of autumn; again the sluggish brigs drifting down with the tide, and sailors in tasselled caps leaning over the bulwarks; again the flocks feeding leisurely on the rock-strewn hills; again the ferryman, in his broad, cumbrous scow, oaring across; again the stoppage at the wharf of the little town, from which the coach still plies over the hills to Ashfield.

On the way thither, a carriage passes them, in which are Adele and her father. The news of disaster flies fast; they have learned of the wreck, and the names of passengers. They go to learn what they can of the mother, whom the daughter has scarce known. The passing is too hasty for recognition. Brindlock arrives at last with his helpless charge at the door of the parsonage. The Doctor is overwhelmed at once with grief and with joy. The news had come to him, and he had anticipated the worst. But "Thank God! 'Joseph, my son, is yet alive!' Still a probationer; there is yet hope that he may be brought into the fold."

He insists that he shall be placed below, upon his own bed, just out of his study. For himself, he shall need none until the crisis is past. But the crisis does not pass; it is hard to say when it will. The wounds are not so much; but a low fever has set in, (the physician says,) owing to exposure and excitement, and he can predict nothing as to the result. Even Aunt Eliza is warmed into unwonted attention as she sees that poor battered hulk of humanity lying there; she spares herself no fatigue, God knows, but she sheds tears in her own chamber over this great disaster. There are good points even in the spinster; when shall we learn that the best of us are not wholly good, nor the worst wholly bad?

Days and days pass. Reuben hovering between life and death; and the old Doctor, catching chance rest upon the little cot they have placed for him in the study, looks yearningly by the dim light of the sick-lamp upon that dove which his lost Rachel had hung upon his wall above the sword of his father. He fancies that the face of Reuben, pinched with suffering, resembles more than ever the mother. Of sickness, or of the little offices of friends which cheat it of pains, the old gentleman knows nothing: sick souls only have been his care. And it is pitiful to see his blundering, eager efforts to do something, as he totters round the sick-chamber where Reuben, with very much of youthful vigor left in him, makes fight against the arch-enemy who one day conquers us all. For many days after his arrival there is no consciousness,--only wild words (at times words that sound to the ears of the good Doctor strangely wicked, and that make him groan in spirit),--tender words, too, of dalliance, and eager, loving glances,--murmurs of boyish things, of sunny, school-day noonings,--hearing which, the Doctor thinks that, if this light must go out, it had better have gone out in those days of comparative innocence.

Over and over the father appeals to the village physician to know what the chances may be,--to which that old gentleman, fumbling his watch-key, and looking grave, makes very doubtful response. He hints at a possible undermining of the constitution in these later years of city life.

God only knows what habits the young man may have formed in these last years; surely the Doctor does not; and he tells the physician as much, with a groan of anguish.

* * * * *

Meantime, Maverick and Adele have gone upon their melancholy search; and, as they course over the island to the southern beach, the sands, the plains, the houses, the pines, drift by the eye of Adele as in a dream. At last she sees a great reach of water,--piling up, as it rolls lazily in from seaward, into high walls of waves, that are no sooner lifted than they break and send sparkling floods of foam over the sands. Bits of wreck, dark clots of weed, are strewed here and there,--stragglers scanning every noticeable heap, every floating thing that comes in.

Is she dead? is she living? They have heard only on the way that many bodies are lying in the near houses,--many bruised and suffering ones; while some have come safe to land, and gone to their homes. They make their way from that dismal surf-beaten shore to the nearest house. There are loiterers about the door; and within,--within, Adele finds her mother at last, clasps her to her heart, kisses the poor dumb lips that will never more open,--never say to her rapt ears, "My child! my darling!"

Maverick is touched as he has never been touched before; the age of early sentiment comes drifting back to his world-haunted mind; nay, tears come to those eyes that have not known them for years. The grief, the passionate, vain tenderness of Adele, somehow seems to sanctify the memory of the dead one who lies before him, her great wealth of hair streaming dank and fetterless over the floor.

Not more tenderly, scarce more tearfully, could he have ministered to one who had been his life-long companion. Where shall the poor lady be buried? Adele answers that, with eyes flashing through her tears,--nowhere but in Ashfield, nowhere except beside the sister, Marie.

It is a dismal journey for the father and the daughter; it is almost a silent journey. Does she love him less? No, a thousand times, no. Does he love her less? No, a thousand times, no. In such presence love is awed into silence. As the mournful _cortege_ enters the town of Ashfield, it passes the home of that fatherless boy, Arthur, for whom Adele had shown such sympathy. The youngster is there swinging upon the gate, his cap gayly set off with feathers, and he looking wonderingly upon the bier. He sees, too, the sad face of Adele, and, by some strange rush of memory, recalls, as he looks on her, the letter which she had given him long ago, and which till then had been forgotten. He runs to his mother: it is in his pocket,--it is in that of some summer jacket. At last it is found; and the poor woman herself, that very morning, with numberless apologies, delivers it at the door of the parsonage.

Phil is the first to meet this exceptional funeral company, and is the first to tell Adele how Reuben lies stricken almost to death at the parsonage. She thanks him: she thanks him again for the tender care which he shows in all relating to the approaching burial. When an enemy even comes forward to help us bury the child we loved or the parent we mourn, our hearts warm toward him as they never warmed before; but when a friend assumes these offices of tenderness, and takes away the harshest edge of grief by assuming the harshest duties of grief, our hearts shower upon him their tenderest sympathies. We never forget it.

Of course, the arrival of this strange freight in Ashfield gives rise to a world of gossip. We cannot follow it; we cannot rehearse it. The poor woman is buried, as Adele had wished, beside her sister. No _De Profundis_ except the murmur of the winds through the crimson and the scarlet leaves of later September.

The Tourtelots have been eager with their gossip. The dame has queried if there should not be some town demonstration against the burial of the Papist. But the little Deacon has been milder; and we give our last glimpse of him--altogether characteristic--in a suggestion which he makes in a friendly way to Squire Elderkin, who is the host of the French strangers.

"Square, have they ordered a moniment yit for Miss Maverick?"

"Not that I 'm aware of, Deacon."

"Waal, my nevvy's got a good slab of Varmont marble, which he ordered for his fust wife; but the old folks did n't like it, and it's in his barn on the heater-piece. 'T ain't engraved, nor nothin'. If it should _suit_ the Mavericks, I dare say they could git it tol'able low."

LXVI.

Reuben is still floating between death and life. There is doubt whether the master of the long course or of the short course will win. However that may be, his consciousness has returned; and it has been with a great glow of gratitude that the poor Doctor has welcomed that look of recognition in his eye,--the eye of Rachel!

He is calm,--he knows all. That calmness which had flashed into his soul when last he saw the serene face of his fellow-voyager upon that mad sea is _his_ still.

The poor father had been moved unwontedly by that unconsciousness which was blind to all his efforts at spiritual consolation; but he is not less moved when he sees reason stirring again,--a light of eager inquiry in those eyes fearfully sunken, but from their cavernous depths seeing farther and more keenly than ever.

"Adele's mother,--was she lost?" He whispers it to the Doctor; and Miss Eliza, who is sewing yonder, is quickened into eager listening.

"Lost! my son, lost! Lost, I apprehend, in the other world as well as this, I fear the true light never dawned upon her."

A faint smile--as of one who sees things others do not see--broke over the face of Reuben. "'T is a broad light, father; it reaches beyond our blind reckoning."

There was a trustfulness in his manner that delighted the Doctor. "And you see it, my son?--Repentance, Justification by Faith, Adoption, Sanctification, Election?"

"Those words are a weariness to me, father; they suggest methods, dogmas, perplexities. Christian hope, pure and simple, I love better."

The Doctor is disturbed; he cannot rightly understand how one who seems inspired by so calm a trust--the son of his own loins too--should find the authoritative declarations of the divines a weariness. Is it not some subtle disguise of Satan, by which his poor boy is being cheated into repose?

Of course the letter of Adele, which had been so long upon its way, Miss Eliza had handed to Reuben after such time as her caution suggested, and she had explained to him its long delay.

Reading is no easy matter for him; but he races through those delicately penned lines with quite a new strength. The spinster sees the color come and go upon his wan cheek, and with what a trembling eagerness he folds the letter at the end, and, making a painful effort, tries to thrust it under his pillow. The good woman has to aid him in this. He thanks her, but says nothing more. His fingers are toying nervously at a bit of torn fringe upon the coverlet. It seems a relief to him to make the rent wider and wider. A little glimpse of the world has come back to him, which disturbs the repose with which but now he would have quitted it forever.

Adele has been into the sick-chamber from time to time,--once led away weeping by the good Doctor, when the son had fallen upon his wild talk of school-days; once, too, since consciousness has come to him again, but before her letter had been read. He had met her with scarce more than a touch of those fevered fingers, and a hard, uncertain quiver of a smile, which had both shocked and disappointed the poor girl. She thought he would have spoken some friendly consoling word of her mother; but his heart, more than his strength, failed him. Her mournful, pitying eyes were a reproach to him; they had haunted him through the wakeful hours of two succeeding nights, and now, under the light of that laggard letter, they blaze with a new and an appealing tenderness. His fingers still puzzle wearily with that tangle of the fringe. The noon passes. The aunt advises a little broth. But no, his strength is feeding itself on other aliment. The Doctor comes in with a curiously awkward attempt at gentleness and noiselessness of tread, and, seeing his excited condition, repeats to him some texts which he believes must be consoling. Reuben utters no open dissent; but through and back of all he sees the tender eyes of Adele, which, for the moment, outshine the promises, or at the least illuminate them with a new meaning.

"I must see Adele," he says to the Doctor; and the message is carried,--she herself presently bringing answer, with a rich glow upon her cheek.

"Reuben has sent for me,"--she murmurs it to herself with pride and joy.

She is in full black now; but never had she looked more radiantly beautiful than when she stepped to the side of the sick-bed, and took the hand of Reuben with an eager clasp--that was met, and met again. The Doctor is in his study, (the open door between,) and the spinster is fortunately just now busy at some of her household duties.

Reuben fumbles under his pillow nervously for that cherished bit of paper, (Adele knows already its history,) and when he has found it and shown it (his thin fingers crumpling it nervously) he says, "Thank you for this, Adele!"

She answers only by clasping his hand with a sudden mad pressure of content, while the blood mounted into either cheek with a rosy exuberance that magnified her beauty tenfold.

He saw it,--he felt it all; and through her beaming eyes, so full of tenderness and love, saw the world to which he had bidden adieu shining before him more beguilingly than ever. Yesterday it was a dim and weary world that he could leave without a pang; to-day it is a brilliant world, where hopes, promises, joys pile in splendid proportions.

He tells her this. "Yesterday I would have died with scarce a regret; to-day, Adele, I would live."

"You will, you will, Reuben!" and she grappled more and more passionately those shrunken fingers. "'T is not hopeless!" (sobbing).

"No, no, Adele, darling, not hopeless. The cloud is lifted,--not hopeless!"

"Thank God, thank God!" said she, dropping upon her knees beside him, and with a smile of ecstasy he gathered that fair head to his bosom.

The Doctor, hearing her sobs, came softly in. The son's smile, as he met his father's inquiring look, was more than ever like the smile of Rachel. He has been telling the poor girl of her mother's death, thinks the old gentleman; yet the Doctor wonders that he could have kept so radiant a face with such a story.

Of these things, however, Reuben goes on presently to speak: of his first sight of the mother of Adele, and of her devotional attitude as they floated down past the little chapel of Notre Dame to enter upon the fateful voyage; he recounts their talks upon the tranquil moon-lit nights of ocean; he tells of the mother's eager listening to his description of her child.

"I did not tell her the half, Adele; yet she loved me for what I told her."

And Adele smiles through her tears.

At last he comes to those dismal scenes of the wreck, relating all with a strange vividness; living over again, as it were, that fearful episode, till his brain whirled, his self-possession was lost, and he broke out into a torrent of delirious raving.

He sleeps brokenly that night, and the next day is feebler than ever. The physician warns against any causes of excitement. He is calm only at intervals. The old school-days seem present to him again; he talks of his fight with Phil Elderkin as if it happened yesterday.

"Yet I like Phil," he says (to himself), "and Rose is like Amanda, the divine Amanda. No--not she. I've forgotten: it's the French girl. She's a ---- Pah! who cares? She's as pure as heaven; she's an angel. Adele! Adele! Not good enough! I'm not good enough. Very well, very well, now I'll be bad enough! Clouds, wrangles, doubts! Is it my fault? _AEdificabo meam Ecclesiam._ How they kneel! Puppets! mummers! No, not mummers, they see a Christ. What if they see it in a picture? You see him in words. Both in earnest. Belief--belief! That is best. Adele, Adele, I believe!"

The Doctor is a pained listener of this incoherent talk of his son. "I am afraid,--I am afraid," he murmurs to himself, "that he has no clear views of the great scheme of the Atonement."

The next day Reuben is himself once more, but feeble, to a degree that startles the household. It is a charming morning of later September; the window is wide open, and the sick one looks out over a stretch of orchard (he knew its every tree), and upon wooded hills beyond (he knew every coppice and thicket), and upon a background of sky over which a few dappled white clouds floated at rest.

"It is most beautiful!" said Reuben.

"All things that He has made are beautiful," said the Doctor; and thereupon he seeks to explore his way into the secrets of Reuben's religious experience,--employing, as he was wont to do, all the Westminster formulas by which his own belief stood fast.

"Father, father, the words are stumbling-blocks to me," says the son.

"I would to God, Reuben, that I could make my language always clear."

"No, father, no man can, in measuring the Divine mysteries. We must carry this draggled earth-dress with us always,--always in some sort fashionists, even in our soberest opinions. The robes of light are worn only Beyond. Thought, at the best, is hampered by this clog of language, that tempts, obscures, misleads."

"And do you see any light, my son?"

"I hope and tremble. A great light is before me; it shines back upon outlines of doctrines and creeds where I have floundered for many a year."

"But some are clear,--some are clear, Reuben!"

"Before, all seems clear; but behind--"

"And yet, Reuben," (the Doctor cannot forbear the discussion,) "there is the cross,--Election, Adoption, Sanctification--"

"Stop, father; the cross, indeed, with a blaze of glory, I see; but the teachers of this or that special form of doctrine I see only catching radiations of the light. The men who teach, and argue, and declaim, and exorcise, are using human weapons; the great light only strikes here and there upon some sword-point which is nearest to the cross."

"He wanders," says the Doctor to Adele, who has slipped in and stands beside the sick-bed.

"No wandering, father; on the brink where I stand, I cannot."

"And what do you see, Reuben, my boy?" (tenderly).

Is it the presence of Adele that gives a new fervor, a kind of crazy inspiration to his talk? "I see the light-hearted clashing cymbals; and those who love art, kneeling under blazing temples and shrines; but the great light touches the gold no more effulgently than the steeple of your meeting-house, father, but no less. I see eyes of chanting girls streaming with joy in the light; and haggard men with ponderous foreheads working out contrivances to bridge the gap between the finite and the infinite. Father, they are no nearer to a passage than the radiant girls who chant and tell their beads. Angels in all shapes of beauty flit over and amid the throngs I see,--in shape of fleecy clouds that fan them,--in shape of brooks that murmur praise,--in shape of leafy shadows that tremble and flicker,--in shape of birds that make a concert of song." The birds even then were singing, the clouds floating in his eye, the leafy shadows trailing on the chamber floor, and, from the valley, the murmur of the brook came to his sensitive ear.

"He wanders,--he wanders!" said the poor Doctor.

Reuben turns to Adele. "Adele, kiss me!" A rosy tint ran over her face as she stooped and kissed him with a freedom a mother might have shown,--leaving one hand toying caressingly with his hair. "The cloud is passing, Adele,--passing! God is Justice; Christ is Mercy. In him I trust."

"Reuben, darling," says Adele, "come back to us!"

"Darling,--darling!" he repeated with a strange, eager, satisfied smile,--so sweet a sound it was.

The chamber was filled with the delightful perfume of a violet bed beneath the window. Suddenly there came from the Doctor, whose old eyes caught sooner than any the change, a passionate outcry. "Great God! Thy will be done!"

With that one loud, clear utterance, his firmness gave way,--for the first time in sixty years broke utterly; and big tears streamed down his face as he gazed yearningly upon the dead body of his first-born.

LXVII.

In the autumn of 1845, three years after the incidents related in our last chapter, Mr. Philip Elderkin, being at that time president of a railroad company, which was establishing an important connection of travel that was to pass within a few miles of the quiet town of Ashfield, was a passenger on the steamer Caledonia, for Europe. He sailed, partly in the interest of the company,--to place certain bonds,--and partly in his own interest, as an intelligent man, eager to add to his knowledge of the world.

At Paris, where he passed some time, it chanced that he was one evening invited to the house of a resident American, where, he was gayly assured, he would meet with a very attractive American heiress, the only daughter of a merchant of large fortune.

Philip Elderkin--brave, straightforward fellow that he was--had never forgotten his early sentiment. He had cared for those French graves in Ashfield with an almost religious attention. In all the churchyard there was not such scrupulously shorn turf, or such orderly array of bloom. He counted--in a fever of doubt--upon a visit to Marseilles before his sail for home.

But at the _soiree_ we have mentioned he was amazed and delighted to meet, in the person of the heiress, Adele Maverick,--not changed essentially since the time he had known her. That life at Marseilles--even in the well-appointed home of her father--has none of that domesticity which she had learned to love; and this first winter in Paris for her does not supply the lack. That she has a great company of admirers it is easy to understand; but yet she gives a most cordial greeting to Phil Elderkin,--a greeting that by its manner makes the pretenders doubtful. Philip finds it possible to reconcile the demands of his business with a week's visit to Marseilles. To the general traveller it is not a charming region. The dust abounds; the winds are terrible; the sun is scalding. But Mr. Philip Elderkin found it delightful. And, indeed, the country-house of Mr. Maverick had attractions of its own; attractions so great that his week runs over into two,--into three. There are excursions to the Pont du Gard, to the Arene of Arles. And, before he leaves, he has an engagement there (which he has enforced by very peremptory proposals) for the next spring.

On his return to Ashfield, he reports a very successful trip. To his sister Rose (now Mrs. Catesby, with a blooming little infant, called Grace Catesby) he is specially communicative. And she thinks it was a glorious trip, and longs for the time when he will make the next. He, furthermore, to the astonishment of Dame Tourtelot (whose husband sleeps now under the sod), has commenced the establishment of a fine home, upon a charming site, overlooking all Ashfield. The Squire, still stalwart, cannot resist giving a hint of what is expected to the old Doctor, who still wearily goes his rounds, and prays for the welfare of his flock.

He is delighted at the thought of meeting again with Adele, though he thinks with a sigh of his lost boy. Yet he says in his old manner, "'T is the hand of Providence; she first bloomed into grace under the roof of our church; she comes back to adorn it with her faith and her works."

* * * * *

At a date three years later we take one more glimpse at that quiet village of Ashfield, where we began our story. The near railway has brought it into more intimate connection with the shore towns and the great cities. But there is no noisy clatter of the cars to break the quietude. On still days, indeed, the shriek of the steam-whistle or the roar of a distant train is heard bursting over the hills, and dying in strange echoes up and down the valley. The stage-driver's horn is heard no longer; no longer the coach whirls into the village and delivers its leathern pouch of letters. The Tew partners we once met are now partners in the grave. Deacon Tourtelot (as we have already hinted) has gone to his long home; and the dame has planted over him the slab of "Varmont" marble, which she has bought at a bargain from his "nevvy."

The Boody tavern-keeper has long since disappeared; no teams wheel up with the old dash at the doors of the Eagle Tavern. The creaking sign-board even is gone from the overhanging sycamore.

Miss Almira is still among the living. She sings treble, however, no longer; she wears spectacles; she writes no more over mystical asterisks for the Hartford Courant. Age has brought to her at least this much of wisdom.

The mill groans, as of old, in the valley. A new race of boys pelt the hanging nests of the orioles; a new race of school-girls hang swinging on the village gates at the noonings.

As for Miss Johns, she lives still,--scarce older to appearance than twenty years before,--prim, wiry, active,--proof against all ailments, it would seem. It is hard to conceive of her as yielding to the great conqueror. If the tongue and an inflexibility of temper were the weapons, she would whip Death from her chamber at the last. It seems like amiability almost to hear such a one as she talk of her approaching, inevitable dissolution,--so kindly in her to yield that point!

And she does; she declares it over and over, there are far feebler ones who do not declare it half so often. If she is to be conquered and the Johns banner go down, she will accept the defeat so courageously and so long in advance that the defeat shall become a victorious confirmation of the Johns prophecy.

She is still earnest in all her duties; she gives cast-away clothing to the poor, and good advice with it. She is rigorous in the observance of every propriety; no storm keeps her from church. If the children of a new generation climb unduly upon the pew-backs, or shake their curly heads too wantonly, she lifts a prim forefinger at them, which has lost none of its authoritative meaning. She is the impersonation of all good severities. A strange character! Let us hope that, as it sloughs off its earthly cerements, it may in the Divine presence scintillate charities and draw toward it the love of others. A good, kind, bad gentlewoman,--unwearied in performance of duties. We wonder as we think of her! So steadfast, we cannot sneer at her,--so true to her line of faith, we cannot condemn her,--so utterly forbidding, we cannot love her! May God give rest to her good, stubborn soul!

* * * * *

Upon Sundays of August and September there may be occasionally seen in the pew of Elderkin Junior a gray-haired old gentleman, dressed with scrupulous care, and still carrying an erect figure, though somewhat gouty in his step. This should be Mr. Maverick, a retired merchant, who is on a visit to his daughter. He makes wonderful gifts to a certain little boy who bears a Puritan name, and gives occasional ponderous sums to the parish. In winter, his head-quarters are at the Union Club.

And Doctor Johns? Yes, he is living still,--making his way wearily each morning along the street with his cane. Going oftenest, perhaps, to the home of Adele, who is now a matron,--a tender, and most womanly and joyful matron,--and with her little boy--Reuben Elderkin by name--he wanders often to the graves where sleep his best beloved,--Rachel, so early lost,--the son, in respect to whom he feels at last a "reasonable assurance" that the youth has entered upon a glorious inheritance in those courts where one day he will join him, and the sainted Rachel too, and clasp again in his arms (if it be God's will) the babe that was his but for an hour on earth.

TIED TO A ROPE.

You don't know what a Hircus Oepagrus is, Tommy? Well, it is a big name for him, isn't it? And if you should ask that somewhat slatternly female, who appears to employ tubs for the advantage of others rather than herself, what the animal is, she would tell you it is a goat. See what a hardy, sturdy little creature he is; and how he lifts up his startled head, as the cars come thundering along, and bounds away as if he were on the rugged hills that his ancestors climbed, ages ago, in wild freedom. O that cruel rope! how it stops him in his career with a sudden jerk that pulls him to the ground! See where it has worn away the hair round his neck, in his constant struggles to escape. See how he has browsed the scanty grass of that dry pasture, in the little circle to which he is confined, and is now trying to reach an uncropped tuft, just beyond his tether. And the sun is beating down upon him, and there is not the shade of a leaf for him to creep into, this July day. Poor little fellow!

Not waste my sympathy on a common goat? My dear Madam, I can assure you that ropes are not knotted around the neck of Hirci Oepagri alone. And when I was bemoaning the captivity of yonder little browser we have left behind, I was bewailing the fortune of another great order of the Mammalian class,--an order that Mr. Huxley and Mr. Darwin and other great thinkers of the day are proving to be close connections of their humbler brethren that bleat and bark and bray. The bimanal species of this order are similarly appendaged, though they are not apt to be staked beside railways or confined to a rood of ground.

Do you see Vanitas at the other end of the car? Does he look as though he carried about with him a "lengthening chain"? No one would certainly suppose it. Yet he is bound as securely as the poor little goat. We may go to the fresh air of his country-seat this July day, or to the sea-breezes of his Newport cottage next month, or he may sit here, "the incarnation of fat dividends," while you and I envy him his wealth and comforts; but he can never break his bonds. They are riveted to the counters of the money-changers, knotted around the tall masts of his goodly ships, bolted to the ore of his distant mines. He bears them to his luxurious home, and his fond wife, his caressing children, his troops of friends, can never strike them off. Ever and anon, as the car of fortune sweeps by to start him from his comfortable ease, they gall him with their remorseless restraint. You may cut the poor goat's rope and set him free, to roam where he will; but Vanitas has forged his own fetters, and there comes to him no blessed day of emancipation.

My dear Madam, the bright blue ether around us is traversed by a wonderful network of these invisible bonds that hold poor human beings to their fate. Over the green hills and over the blue waters, far, far away they reach,--a warp and woof of multiform, expansive strands, over which the sense of bondage moves with all the wondrous celerity of that strange force which, on the instant, speaks the thought of the Antipodes. You don't know that you carry about any such? Ah! it is well that they weigh so lightly. Utter your grateful thanks, to-night, when you seek your pillow, that the chains you wear are not galling ones. But you are most irrevocably bound. Frank holds you fast. One of these days, when you are most peaceful and content in your bondage, scarcely recognized, there may come a stately tread, a fiery eye, a glowing heart, to startle you from your quiet ease; and when you bound, trembling and breathless in their mighty sway, you may feel the chain--before so light--wearing its way deep into your throbbing heart. May you never wake on the morn of that day, Madam! You don't carry any such? Round a little white tablet, half hidden in the sighing grass, is linked a chain which holds you, at this moment, by your inmost soul. You are not listening to me now; for I have but touched it, and your breast is swelling 'neath its pressure, and the tears start to your eyes at its momentary tightness. You don't carry any such? We all carry them; and were human ears sensitive to other than the grosser sounds of nature, they would hear a strange music sweeping from these mystic chords, as they tremble at the touch of time and fate.

Master Tommy seems to be tolerably free from any sort of restraint, I acknowledge. In fact, it is he who keeps myself and Mrs. A. in the most abject servitude. He holds our nasal appendages close to the grindstone of his imperious will. And yet--please take him into the next car, Madam, while I speak of him. You cannot? What is this? Let me see, I pray you. As I live, it is his mother's apron-string. Ah! I fear, Madam, that all your efforts cannot break that tie. In the years to come, it will doubtless be frayed and worn; and, some day or other, he will bound loose from his childhood's captivity; but long ere that he will have other bonds thrown around him, some of which he can never break. He will weave with his own hands the silken cord of love, coil it about him, knot it with Gordian intricacy, net it with Vulcan strength, and then, with blind simplicity, place it in Beauty's hand to lead him captive to her capricious will. My dear Madam, did not Tommy's father do the same foolish thing? And is he not grateful to the lovely Mrs. Asmodeus for the gentleness with which she holds him in her power? Some of our bonds are light to bear. We glory in them, and hold up our gyves to show them to the world. Tommy may be a little shamefaced when his playmates jeer at the maternal tie; but he will walk forth, glowing with pride and joy, to parade his self-woven fetters ostentatiously in the sight of men. When you had done some such foolish thing yourself, did not your young mates gather round to view, with wondering and eager eyes, the result of your own handiwork at the cordage of love? Were there not many loquacious conclaves held to sit in secret judgment thereon? Were there not many soft cheeks flushing, and bright eyes sparkling, and fresh hearts beating, as you brought forth, with a pride you did not pretend to hide, the rose-colored fabric you had woven? And did they not all envy you, and wonder when their distaffs were to whirl to the tread of their own ready feet?

But we are not always eager or proud to exhibit our bonds. Indeed, we sedulously conceal them from every eye; we cover up the marks upon our scarred hearts with such jealous care, that none, not even our bosom friends, can ever see them. They hold us where the sweet herbage of life has become dry and sere, where no shelter offers us a grateful retreat. Vanitas can bear away with him his "lengthening chain" to his leafy groves; but Scripsit is confined to the torrid regions of his scanty garret. In vain he gazes afar, beyond the smoky haze of his stony prison, upon the green slopes and shady hills. In vain he toils and strains to burst the links that bind him. His soul is yearning for the cooling freshness, the sweet fragrance, the beauty, the glory, of the outer world. It is just beyond his reach; and, wearied with futile exertions, he sinks, fainting and despairing, in his efforts to rend the chain of penury. And there are many other bonds which hold us to areas of life from which we have gathered all the fresh bloom and the rich fruit. We may tread their barren soil with jewelled sandals, wrap around us ermined robes in winter's cold, and raise our silken tents in summer's glare, while our souls are hungering and thirsting for the ambrosia and the nectar beyond our tethered reach. We are held fast by honor, virtue, fidelity, pity,--ties which we dare not break if we could. We must not even bear their golden links to their extremest length; we must not show that they are chains which bind us; we must not show that we are hungering and thirsting in the confines to which they restrain us. We must seem to be feasting as from the flesh-pots of Egypt,--fattening on the husks which we have emptied,--while our souls are starving and fainting and dying within us. 'T is a sad music that swells from these chords. How fortunate that our ears are not attuned to their notes. And we are not always solitary in our bondage; nor do we tread round the cropped circuit, held to senseless pillars. We are chained to each other; and unhappy are they who, straining at the bond, seek food for their hearts in opposite directions. We are chained to each other; and light or heavy are the bonds, as Fortune shall couple us. Now you and Frank, I know, are leashed with down; and when Mrs. Asmodeus went to the blacksmith, the Vulcan of our days, to order my fetters, she bespoke gossamers, to which a spider's web were cable. But we are among the favored of Fortune's children. There are many poor unfortunates whose daily round is but the measured clank of hateful chains; who eat, drink, sleep, live together, in a bondage worse than that of Chillon,--round whom the bright sun shines, the sweet flowers bloom, the soft breezes play,--and yet who stifle in the gloom of a domestic dungeon.

And there are others fettered as firmly,--but how differently! The clasping links are soft, caressing arms; the tones their sounding chains give out are cheerful voices, joyous accents, words of love, that echo far beyond the little circle that they keep, and spread their harmony through many hearts. That little circle is a happy home; love spun the bonds that hold them close therein, and many are the strands that bind them there. They come from beauteous eyes that beam with light; from lisping tongues more sweet than seraph choirs; from swelling hearts that beat in every pulse with fond affection, which is richer far than all the nectar of the ancient gods. Bind me with these, O Fortune! and I hug my chains o'erjoyed. Be these the cords which hold me to the rock around which break the surging waves of time, and let the beak of Fate tear as it will, I hold the bondage sweet and laugh at liberty.

My dear Madam, there are chains which hold us as the cable holds the ship; and, in their sure restraint, we safely ride through all the howling blasts of adverse fate. The globe we tread whirls on through endless space, kept ever in the circuit that it makes by that restraining force which holds it to the pillar of the sun. Loose but the bond an instant, and it flies in wild, tangential flight, to shatter other worlds. The very bondage that we curse, and seek, in fretful mood, to break and burst, may keep us to the orbit that is traced, by overruling wisdom, for our good. We gravitate towards duty, though we sweep with errant course along the outer marge of the bare area of its tightened cord. Let but the wise restraint be rudely broke, and through life's peopled space we heedless rush, trampling o'er hearts, and whirling to our fate, leaving destruction on our reckless way.

Did you ever chance to see, Madam, a picture of those venturous hunters, who are lowered by a rope to the nests of sea-birds, built on some inaccessible cliff? Hanging between heaven and earth they sway;--above, the craggy rock, o'er which the single cord is strained that holds them fast; below, a yawning chasm, whose jagged depth would be a fearful grave to him who should fall. You and I would never dream of bird-nesting under such circumstances. I can see you shudder, even now, at the bare idea. Yet do we not sometimes hang ourselves over cliffs from which a fall were worse than death? Do we not trust ourselves, in venturous mood, to the frail tenure of a single strand which sways 'twixt heaven and earth? Not after birds' eggs, I grant you. We are not all of us so fond of omelettes. But over the wild crags of human passion many drop, pursuing game that shuns the beaten way, and sway above the depths of dark despair. Intent upon their prey, they further go, secure in the firm hold they think they have, nor heed the fraying line that, grating on the edge of the bare precipice, at last is worn and weak; while, one by one, the little threads give way, and they who watch above in terror call to warn them of the danger. But in vain! no friendly voice can stay their flushed success; till, at its height, the cord is suddenly snapped, and crushed upon the rocks beneath they lie. You and I will never go bird-nesting after this fashion, my dear Madam. Let us hover then around the crags of life, and watch the twisting strands that others, more adventurous than we, have risked themselves upon. Be ours the part to note the breaking threads, and, with our words of kindly warning, seek to save our fellows from a fall so dread.

And, if the ties of earth keep us from falling, so also do they keep us from rising above the level of grosser things. They hold us down to the dull, tedious monotony of worldly cares, aims, purposes. Like birds withheld from flight into the pure regions of the upper air by cruel, frightening cords, we fluttering go, stifled amid the vapors men have spread, and panting for the freedom that we seek.

Madam, our bright-eyed little goat has, by this time, settled himself calmly on the grass; and I see, near at hand, the shady groves where King Tommy is wont to lead Mrs. A. and myself in his summer wanderings. Let me hope that all our bonds may be those which hold us fast to peace, content, and virtue; and that, when the silver cord which holds us here to earth shall be loosed, we then on sweeping pinions may arise, pure and untrammelled, into cloudless skies.

GIOTTO'S TOWER.

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The Atlantic Monthly, Volume 17, No. 104, June, 1866Chapter VII: Conclusion (3)

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