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Chapter III

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Their hostess’s account of Mr. Cashmore’s motive for his staying on was so far justified as that Vanderbank, while Mr. Longdon came over to Mrs. Brook, appeared without difficulty further to engage him. The lady in question meanwhile had drawn her old friend down, and her present method of approach would have interested an observer aware of the unhappy conviction she had just privately expressed. Some trace indeed of the glimpse of it enjoyed by Mr. Cashmere’s present interlocutor might have been detected in the restlessness that Vanderbank’s desire to keep the other pair uninterrupted was still not able to banish from his attitude. Not, however, that Mrs. Brook took the smallest account of it as she quickly broke out: “How can we thank you enough, my dear man, for your extraordinary kindness?” The reference was vivid, yet Mr. Longdon looked so blank about it that she had immediately to explain. “I mean to dear Van, who has told us of your giving him the great happiness--unless he’s too dreadfully mistaken--of letting him really know you. He’s such a tremendous friend of ours that nothing so delightful can befall him without its affecting us in the same way.” She had proceeded with confidence, but suddenly she pulled up. “Don’t tell me he IS mistaken--I shouldn’t be able to bear it.” She challenged the pale old man with a loveliness that was for the moment absolutely juvenile. “Aren’t you letting him--really?”

Mr. Longdon’s smile was queer. “I can’t prevent him. I’m not a great house--to give orders to go over me. The kindness is Mr. Vanderbank’s own, and I’ve taken up, I’m afraid, a great deal of his precious time.”

“You have indeed.” Mrs. Brook was undiscouraged. “He has been talking with me just now of nothing else. You may say,” she went on, “that it’s I who have kept him at it. So I have, for his pleasure’s a joy to us. If you can’t prevent what he feels, you know, you can’t prevent either what WE feel.”

Mr. Longdon’s face reflected for a minute something he could scarcely have supposed her acute enough to make out, the struggle between his real mistrust of her, founded on the unconscious violence offered by her nature to his every memory of her mother, and his sense on the other hand of the high propriety of his liking her; to which latter force his interest in Vanderbank was a contribution, inasmuch as he was obliged to recognise on the part of the pair an alliance it would have been difficult to explain at Beccles. “Perhaps I don’t quite see the value of what your husband and you and I are in a position to do for him.”

“Do you mean because he’s himself so clever?”

“Well,” said Mr. Longdon, “I dare say that’s at the bottom of my feeling so proud to be taken up by him. I think of the young men of MY time and see that he takes in more. But that’s what you all do,” he rather helplessly sighed. “You’re very, very wonderful!”

She met him with an almost extravagant eagerness that the meeting should be just where he wished. “I don’t take in everything, but I take in all I can. That’s a great affair in London to-day, and I often feel as if I were a circus-woman, in pink tights and no particular skirts, riding half a dozen horses at once. We’re all in the troupe now, I suppose,” she smiled, “and we must travel with the show. But when you say we’re different,” she added, “think, after all, of mamma.”

Mr. Longdon stared. “It’s from her you ARE different.”

“Ah but she had an awfully fine mind. We’re not cleverer than she.”

His conscious honest eyes looked away an instant. “It’s perhaps enough for the present that you’re cleverer than I! I was very glad the other day,” he continued, “to make the acquaintance of your daughter. I hoped I should find her with you.”

If Mrs. Brook cast about it was but for a few seconds. “If she had known you were coming she would certainly have been here. She wanted so to please you.” Then as her visitor took no further notice of this speech than to ask if Nanda were out of the house she had to admit it as an aggravation of failure; but she pursued in the next breath: “Of course you won’t care, but she raves about you.”

He appeared indeed at first not to care. “Isn’t she eighteen?”--it was oddly abrupt.

“I have to think. Wouldn’t it be nearer twenty?” Mrs. Brook audaciously returned. She tried again. “She told me all about your interview. I stayed away on purpose--I had my idea.”

“And what WAS your idea?”

“I thought she’d remind you more of mamma if I wasn’t there. But she’s a little person who sees. Perhaps you didn’t think it, but she knew.”

“And what did she know?” asked Mr. Longdon, who was unable, however, to keep from his tone a certain coldness which really deprived the question of its proper curiosity.

Mrs. Brook just showed the chill of it, but she had always her courage. “Why that you don’t like her.” She had the courage of carrying off as well as of backing out. “She too has her little place with the circus--it’s the way we earn our living.”

Mr. Longdon said nothing for a moment and when he at last spoke it was almost with an air of contradiction. “She’s your mother to the life.”

His hostess, for three seconds, looked at him hard. “Ah but with such differences! You’ll lose it,” she added with a headshake of pity.

He had his eyes only on Vanderbank. “Well, my losses are my own affair.” Then his face came back. “Did she tell you I didn’t like her?”

The indulgence in Mrs. Brook’s view of his simplicity was marked. “You thought you succeeded so in hiding it? No matter--she bears up. I think she really feels a great deal as I do--that it’s no matter how many of us you hate if you’ll only go on feeling as you do about mamma. Show us THAT--that’s what we want.”

Nothing could have expressed more the balm of reassurance, but the mild drops had fallen short of the spot to which they were directed. “‘Show’ you?”

Oh how he had sounded the word! “I see--you DON’T show. That’s just what Nanda saw you thought! But you can’t keep us from knowing it--can’t keep it in fact, I think, from affecting your own behaviour. You’d be much worse to us if it wasn’t for the still warm ashes of your old passion.” It was an immense pity for Vanderbank’s amusement that he was at this moment too far off to fit to the expression of his old friend’s face so much of the cause of it as had sprung from the deeply informed tone of Mrs. Brook’s allusion. To what degree the speaker herself made the connexion will never be known to history, nor whether as she went on she thought she bettered her case or she simply lost her head. “The great thing for us is that we can never be for you quite like other ordinary people.”

“And what’s the great thing for ME?”

“Oh for you, there’s nothing, I’m afraid, but small things--so small that they can scarcely be worth the trouble of your making them out. Our being so happy that you’ve come back to us--if only just for a glimpse and to leave us again, in no matter what horror, for ever; our positive delight in your being exactly so different; the pleasure we have in talking about you, and shall still have--or indeed all the more--even if we’ve seen you only to lose you: whatever all this represents for ourselves it’s for none of us to pretend to say how much or how little YOU may pick out of it. And yet,” Mrs. Brook wandered on, “however much we may disappoint you some little spark of the past can’t help being in us--for the past is the one thing beyond all spoiling: there it is, don’t you think?--to speak for itself and, if need be, only OF itself.” She pulled up, but she appeared to have destroyed all power of speech in him, so that while she waited she had time for a fresh inspiration. It might perhaps frankly have been mentioned as on the whole her finest. “Don’t you think it possible that if you once get the point of view of realising that I KNOW--?”

She held the note so long that he at last supplied a sound. “That you know what?”

“Why that compared with her I’m a poor creeping thing. I mean”--she hastened to forestall any protest of mere decency that would spoil her idea--“that of course I ache in every limb with the certainty of my dreadful difference. It isn’t as if I DIDN’T know it, don’t you see? There it is as a matter of course: I’ve helplessly but finally and completely accepted it. Won’t THAT help you?” she so ingeniously pleaded. “It isn’t as if I tormented you with any recall of her whatever. I can quite see how awful it would be for you if, with the effect I produce on you, I did have her lovely eyes or her distinguished nose or the shape of her forehead or the colour of her hair. Strange as it is in a daughter I’m disconnected altogether, and don’t you think I MAY be a little saved for you by becoming thus simply out of the question? Of course,” she continued, “your real trial is poor Nanda--she’s likewise so fearfully out of it and yet she’s so fearfully in it. And she,” said Mrs. Brook for a climax--“SHE doesn’t know!”

A strange faint flush, while she talked, had come into Mr. Longdon’s face, and, whatever effect, as she put it, she produced on him, it was clearly not that of causing his attention to wander. She held him at least for weal or woe; his bright eyes grew brighter and opened into a stare that finally seemed to offer him as submerged in mere wonder. At last, however, he rose to the surface, and he appeared to have lighted at the bottom of the sea on the pearl of the particular wisdom he needed. “I dare say there may be something in what you so extraordinarily suggest.”

She jumped at it as if in pleasant pain. “In just letting me go--?”

But at this he dropped. “I shall never let you go.”

It renewed her fear. “Not just for what I AM?”

He rose from his place beside her, but looking away from her and with his colour marked. “I shall never let you go,” he repeated.

“Oh you angel!” She sprang up more quickly and the others were by this time on their feet. “I’ve done it, I’ve done it!” she joyously cried to Vanderbank; “he likes me, or at least he can bear me--I’ve found him the way; and now I don’t care even if he SAYS I haven’t.” Then she turned again to her old friend. “We can manage about Nanda--you needn’t ever see her. She’s ‘down’ now, but she can go up again. We can arrange it at any rate--c’est la moindre des choses.”

“Upon my honour I protest,” Mr. Cashmore exclaimed, “against anything of the sort! I defy you to ‘arrange’ that young lady in any such manner without also arranging ME. I’m one of her greatest admirers,” he gaily announced to Mr. Longdon.

Vanderbank said nothing, and Mr. Longdon seemed to show he would have preferred to do the same: that visitor’s eyes might have represented an appeal to him somehow to intervene, to show the due acquaintance, springing from practice and wanting in himself, with the art of conversation developed to the point at which it could thus sustain a lady in the upper air. Vanderbank’s silence might, without his mere kind pacific look, have seemed almost inhuman. Poor Mr. Longdon had finally to do his own simple best. “Will you bring your daughter to see me?” he asked of Mrs. Brookenham.

“Oh, oh--that’s an idea: will you bring her to see ME?” Mr. Cashmore again broke out.

Mrs. Brook had only fixed Mr. Longdon with the air of unutterable things. “You angel, you angel!”--they found expression but in that.

“I don’t need to ask you to bring her, do I?” Vanderbank now said to his hostess. “I hope you don’t mind my bragging all over the place of the great honour she did me the other day in appearing quite by herself.”

“Quite by herself? I say, Mrs. Brook!” Mr. Cashmore flourished on.

It was only now that she noticed him; which she did indeed but by answering Vanderbank. “She didn’t go for YOU I’m afraid--though of course she might: she went because you had promised her Mr. Longdon. But I should have no more feeling about her going to you--and should expect her to have no more--than about her taking a pound of tea, as she sometimes does, to her old nurse, or her going to read to the old women at the workhouse. May you never have less to brag of!”

“I wish she’d bring ME a pound of tea!” Mr. Cashmore resumed. “Or ain’t I enough of an old woman for her to come and read to me at home?”

“Does she habitually visit the workhouse?” Mr. Longdon enquired of Mrs. Brook.

This lady kept him in a moment’s suspense, which another contemplation might moreover have detected that Vanderbank in some degree shared. “Every Friday at three.”

Vanderbank, with a sudden turn, moved straight to one of the windows, and Mr. Cashmore had a happy remembrance. “Why, this is Friday--she must have gone to-day. But does she stay so late?”

“She was to go afterwards to little Aggie: I’m trying so, in spite of difficulties,” Mrs. Brook explained, “to keep them on together.” She addressed herself with a new thought to Mr. Longdon. “You must know little Aggie--the niece of the Duchess: I forget if you’ve met the Duchess, but you must know HER too--there are so many things on which I’m sure she’ll feel with you. Little Aggie’s the one,” she continued; “you’ll delight in her; SHE ought to have been mamma’s grandchild.”

“Dearest lady, how can you pretend or for a moment compare her--?” Mr. Cashmore broke in. “She says nothing to me at all.”

“She says nothing to any one,” Mrs. Brook serenely replied; “that’s just her type and her charm--just above all her education.” Then she appealed to Vanderbank. “Won’t Mr. Longdon be struck with little Aggie and won’t he find it interesting to talk about all that sort of thing with the Duchess?”

Vanderbank came back laughing, but Mr. Longdon anticipated his reply. “What sort of thing do you mean?”

“Oh,” said Mrs. Brook, “the whole question, don’t you know? of bringing girls forward or not. The question of--well, what do you call it?--their exposure. It’s THE question, it appears--the question--of the future; it’s awfully interesting and the Duchess at any rate is great on it. Nanda of course is exposed,” Mrs. Brook pursued--“fearfully.”

“And what on earth is she exposed to?” Mr. Cashmore gaily demanded.

“She’s exposed to YOU, it would seem, my dear fellow!” Vanderbank spoke with a certain discernible impatience not so much of the fact he mentioned as of the turn of their talk.

It might have been in almost compassionate deprecation of this weak note that Mrs. Brookenham looked at him. Her own reply to Mr. Cashmere’s question, however, was uttered at Mr. Longdon. “She’s exposed--it’s much worse--to ME. But Aggie isn’t exposed to anything--never has been and never is to be; and we’re watching to see if the Duchess can carry it through.”

“Why not,” asked Mr. Cashmore, “if there’s nothing she CAN be exposed to but the Duchess herself?”

He had appealed to his companions impartially, but Mr. Longdon, whose attention was now all for his hostess, appeared unconscious. “If you’re all watching is it your idea that I should watch WITH you?”

The enquiry, on his lips, was a waft of cold air, the sense of which clearly led Mrs. Brook to put her invitation on the right ground. “Not of course on the chance of anything’s happening to the dear child--to whom nothing obviously CAN happen but that her aunt will marry her off in the shortest possible time and in the best possible conditions. No, the interest is much more in the way the Duchess herself steers.”

“Ah, she’s in a boat,” Mr. Cashmore fully concurred, “that will take a good bit of that.”

It is not for Mr. Longdon’s historian to overlook that if he was, not unnaturally, mystified he was yet also visibly interested. “What boat is she in?”

He had addressed his curiosity, with politeness, to Mr. Cashmore, but they were all arrested by the wonderful way in which Mrs. Brook managed to smile at once very dimly, very darkly, and yet make it take them all in. “I think YOU must tell him, Van.”

“Heaven forbid!”--and Van again retreated.

“I’LL tell him like a shot--if you really give me leave,” said Mr. Cashmore, for whom any scruple referred itself manifestly not to the subject of the information but to the presence of a lady.

“I DON’T give you leave and I beg you’ll hold your tongue,” Mrs. Brookenham returned. “You handle such matters with a minuteness--! In short,” she broke off to Mr. Longdon, “he would tell you a good deal more than you’ll care to know. She IS in a boat--but she’s an experienced mariner. Basta, as she would say. Do you know Mitchy?” Mrs. Brook suddenly asked.

“Oh yes, he knows Mitchy”--Vanderbank had approached again.

“Then make HIM tell him”--she put it before the young man as a charming turn for them all. “Mitchy CAN be refined when he tries.”

“Oh dear--when Mitchy ‘tries’!” Vanderbank laughed. “I think I should rather, for the job, offer him to Mr. Longdon abandoned to his native wild impulse.”

“I LIKE Mr. Mitchett,” the old man said, endeavouring to look his hostess straight in the eye and speaking as if somewhat to defy her to convict him, even from the point of view of Beccles, of a mistake.

Mrs. Brookenham took it with a wonderful bright emotion. “My dear friend, vous me rendez la vie! If you can stand Mitchy you can stand any of us!”

“Upon my honour I should think so!” Mr. Cashmore was eager to remark. “What on earth do you mean,” he demanded of Mrs. Brook, “by saying that I’m more ‘minute’ than he?”

She turned her beauty an instant on this critic. “I don’t say you’re more minute--I say he’s more brilliant. Besides, as I’ve told you before, you’re not one of us.” With which, as a check to further discussion, she went straight on to Mr. Longdon: “The point about Aggie’s conservative education is the wonderful sincerity with which the Duchess feels that one’s girl may so perfectly and consistently be hedged in without one’s really ever (for it comes to that) depriving one’s own self--”

“Well, of what?” Mr. Longdon boldly demanded while his hostess appeared thoughtfully to falter.

She addressed herself mutely to Vanderbank, in whom the movement produced a laugh. “I defy you,” he exclaimed, “to say!”

“Well, you don’t defy ME!” Mr. Cashmore cried as Mrs. Brook failed to take up the challenge. “If you know Mitchy,” he went on to Mr. Longdon, “you must know Petherton.”

The elder man remained vague and not imperceptibly cold. “Petherton?”

“My brother-in-law--whom, God knows why, Mitchy runs.”

“Runs?” Mr. Longdon again echoed.

Mrs. Brook appealed afresh to Vanderbank. “I think we ought to spare him. I may not remind you of mamma,” she continued to their companion, “but I hope you don’t mind my saying how much you remind me. Explanations, after all, spoil things, and if you CAN make anything of us and will sometimes come back you’ll find everything in its native freshness. You’ll see, you’ll feel for yourself.”

Mr. Longdon stood before her and raised to Vanderbank, when she had ceased, the eyes he had attached to the carpet while she talked. “And must I go now?” Explanations, she had said, spoiled things, but he might have been a stranger at an Eastern court--comically helpless without his interpreter.

“If Mrs. Brook desires to ‘spare’ you,” Vanderbank kindly replied, “the best way to make sure of it would perhaps indeed be to remove you. But hadn’t we a hope of Nanda?”

“It might be of use for us to wait for her?”--it was still to his young friend that Mr. Longdon put it.

“Ah when she’s once on the loose--!” Mrs. Brookenham sighed.

“Unless la voila,” she said as a hand was heard at the door-latch. It was only, however, a footman who entered with a little tray that, on his approaching his mistress, offered to sight the brown envelope of a telegram. She immediately took leave to open this missive, after the quick perusal of which she had another vision of them all. “It IS she--the modern daughter. ‘Tishy keeps me dinner and opera; clothes all right; return uncertain, but if before morning have latch-key.’ She won’t come home till morning!” said Mrs. Brook.

“But think of the comfort of the latch-key!” Vanderbank laughed. “You might go to the opera,” he said to Mr. Longdon.

“Hanged if _I_ don’t!” Mr. Cashmore exclaimed.

Mr. Longdon appeared to have caught from Nanda’s message an obscure agitation; he met his young friend’s suggestion at all events with a visible intensity. “Will you go with me?”

Vanderbank had just debated, recalling engagements; which gave Mrs. Brook time to intervene. “Can’t you live without him?” she asked of her elder friend.

Vanderbank had looked at her an instant. “I think I can get there late,” he then replied to Mr. Longdon.

“I think _I_ can get there early,” Mr. Cashmore declared. “Mrs. Grendon must have a box; in fact I know which, and THEY don’t,” he jocosely continued to his hostess.

Mrs. Brook meanwhile had given Mr. Longdon her hand. “Well, in any case the child SHALL soon come to you. And oh alone,” she insisted: “you needn’t make phrases--I know too well what I’m about.”

“One hopes really you do,” pursued the unquenched Mr. Cashmore.

“If that’s what one gets by having known your mother--!”

“It wouldn’t have helped YOU” Mrs. Brook retorted. “And won’t you have to say it’s ALL you were to get?” she pityingly murmured to her other visitor.

He turned to Vanderbank with a strange gasp, and that comforter said “Come!”

BOOK FIFTH. THE DUCHESS

The lower windows of the great white house, which stood high and square, opened to a wide flagged terrace, the parapet of which, an old balustrade of stone, was broken in the middle of its course by a flight of stone steps that descended to a wonderful garden. The terrace had the afternoon shade and fairly hung over the prospect that dropped away and circled it--the prospect, beyond the series of gardens, of scattered splendid trees and green glades, an horizon mainly of woods. Nanda Brookenham, one day at the end of July, coming out to find the place unoccupied as yet by other visitors, stood there a while with an air of happy possession. She moved from end to end of the terrace, pausing, gazing about her, taking in with a face that showed the pleasure of a brief independence the combination of delightful things--of old rooms with old decorations that gleamed and gloomed through the high windows, of old gardens that squared themselves in the wide angles of old walls, of wood-walks rustling in the afternoon breeze and stretching away to further reaches of solitude and summer. The scene had an expectant stillness that she was too charmed to desire to break; she watched it, listened to it, followed with her eyes the white butterflies among the flowers below her, then gave a start as the cry of a peacock came to her from an unseen alley. It set her after a minute into less difficult motion; she passed slowly down the steps, wandering further, looking back at the big bright house but pleased again to see no one else appear. If the sun was still high enough she had a pink parasol. She went through the gardens one by one, skirting the high walls that were so like “collections” and thinking how, later on, the nectarines and plums would flush there. She exchanged a friendly greeting with a man at work, passed through an open door and, turning this way and that, finally found herself in the park, at some distance from the house. It was a point she had had to take another rise to reach, a place marked by an old green bench for a larger sweep of the view, which, in the distance where the woods stopped, showed in the most English way in the world the colour-spot of an old red village and the tower of an old grey church. She had sunk down upon the bench almost with a sense of adventure, yet not too fluttered to wonder if it wouldn’t have been happy to bring a book; the charm of which precisely would have been in feeling everything about her too beautiful to let her read.

The sense of adventure grew in her, presently becoming aware of a stir in the thicket below, followed by the coming into sight, on a path that, mounting, passed near her seat, of a wanderer whom, had his particular, his exceptional identity not quickly appeared, it might have disappointed her a trifle to have to recognise as a friend. He saw her immediately, stopped, laughed, waved his hat, then bounded up the slope and, brushing his forehead with his handkerchief, confessing as to a red face, was rejoicingly there before her. Her own ejaculation on first seeing him--“Why, Mr. Van!”--had had an ambiguous sharpness that was rather for herself than for her visitor. She made room for him on the bench, where in a moment he was cooling off and they were both explaining. The great thing was that he had walked from the station to stretch his legs, coming far round, for the lovely hour and the pleasure of it, by a way he had learnt on some previous occasion of being at Mertle.

“You’ve already stayed here then?” Nanda, who had arrived but half an hour before, spoke as if she had lost the chance to give him a new impression.

“I’ve stayed here--yes, but not with Mitchy; with some people or other--who the deuce can they have been?--who had the place for a few months a year or two ago.”

“Don’t you even remember?”

Vanderbank wondered and laughed. “It will come to me. But it’s a charming sign of London relations, isn’t it?--that one CAN come down to people this way and be awfully well ‘done for’ and all that, and then go away and lose the whole thing, quite forget to whom one has been beholden. It’s a queer life.”

Nanda seemed for an instant to wish to say that one might deny the queerness, but she said something else instead. “I suppose a man like you doesn’t quite feel that he IS beholden. It’s awfully good of him--it’s doing a great deal for anybody--that he should come down at all; so that it would add immensely to his burden if anybody had to be remembered for it.”

“I don’t know what you mean by a man ‘like me,’” Vanderbank returned. “I’m not any particular kind of a man.” She had been looking at him, but she looked away on this, and he continued good-humoured and explanatory. “If you mean that I go about such a lot, how do you know it but by the fact that you’re everywhere now yourself?--so that, whatever I am, in short, you’re just as bad.”

“You admit then that you ARE everywhere. I may be just as bad,” the girl went on, “but the point is that I’m not nearly so good. Girls are such natural hacks--they can’t be anything else.”

“And pray what are fellows who are in the beastly grind of fearfully busy offices? There isn’t an old cabhorse in London that’s kept at it, I assure you, as I am. Besides,” the young man added, “if I’m out every night and off somewhere like this for Sunday, can’t you understand, my dear child, the fundamental reason of it?”

Nanda, with her eyes on him again, studied an instant this mystery. “Am I to infer with delight that it’s the sweet hope of meeting ME? It isn’t,” she continued in a moment, “as if there were any necessity for your saying that. What’s the use?” But all impatiently she stopped short.

He was eminently gay even if his companion was not. “Because we’re such jolly old friends that we really needn’t so much as speak at all? Yes, thank goodness--thank goodness.” He had been looking round him, taking in the scene; he had dropped his hat on the ground and, completely at his ease, though still more wishing to show it, had crossed his legs and closely folded his arms. “What a tremendously jolly place! If I can’t for the life of me recall who they were--the other people--I’ve the comfort of being sure their minds are an equal blank. Do they even remember the place they had? ‘We had some fellows down at--where was it, the big white house last November?--and there was one of them, out of the What-do-you-call-it?--YOU know--who might have been a decent enough chap if he hadn’t presumed so on his gifts.’” Vanderbank paused a minute, but his companion said nothing, and he pursued. “It does show, doesn’t it?--the fact that we do meet this way--the tremendous change that has taken place in your life in the last three months. I mean, if I’m everywhere as you said just now, your being just the same.”

“Yes--you see what you’ve done.”

“How, what I’VE done?”

“You plunge into the woods for change, for solitude,” the girl said, “and the first thing you do is to find me waylaying you in the depths of the forest. But I really couldn’t--if you’ll reflect upon it--know you were coming this way.”

He sat there with his position unchanged but with a constant little shake in the foot that hung down, as if everything--and what she now put before him not least--was much too pleasant to be reflected on. “May I smoke a cigarette?”

Nanda waited a little; her friend had taken out his silver case, which was of ample form, and as he extracted a cigarette she put forth her hand. “May _I_?” She turned the case over with admiration.

Vanderbank demurred. “Do you smoke with Mr. Longdon?”

“Immensely. But what has that to do with it?”

“Everything, everything.” He spoke with a faint ring of impatience. “I want you to do with me exactly as you do with him.”

“Ah that’s soon said!” the girl replied in a peculiar tone. “How do you mean, to ‘do’?”

“Well then to BE. What shall I say?” Vanderbank pleasantly wondered while his foot kept up its motion. “To feel.”

She continued to handle the cigarette-case, without, however, having profited by its contents. “I don’t think that as regards Mr. Longdon and me you know quite so much as you suppose.”

Vanderbank laughed and smoked. “I take for granted he tells me everything.”

“Ah but you scarcely take for granted _I_ do!” She rubbed her cheek an instant with the polished silver and again the next moment turned over the case. “This is the kind of one I should like.”

Her companion glanced down at it. “Why it holds twenty.”

“Well, I want one that holds twenty.”

Vanderbank only threw out his smoke. “I want so to give you something,” he said at last, “that, in my relief at lighting on an object that will do, I will, if you don’t look out, give you either that or a pipe.”

“Do you mean this particular one?”

“I’ve had it for years--but even that one if you like it.”

She kept it--continued to finger it. “And by whom was it given you?”

At this he turned to her smiling. “You think I’ve forgotten that too?”

“Certainly you must have forgotten, to be willing to give it away again.”

“But how do you know it was a present?”

“Such things always are--people don’t buy them for themselves.”

She had now relinquished the object, laying it upon the bench, and Vanderbank took it up. “Its origin’s lost in the night of time--it has no history except that I’ve used it. But I assure you that I do want to give you something. I’ve never given you anything.”

She was silent a little. “The exhibition you’re making,” she seriously sighed at last, “of your inconstancy and superficiality! All the relics of you that I’ve treasured and that I supposed at the time to have meant something!”

“The ‘relics’? Have you a lock of my hair?” Then as her meaning came to him: “Oh little Christmas things? Have you really kept them?”

“Laid away in a drawer of their own--done up in pink paper.”

“I know what you’re coming to,” Vanderbank said. “You’ve given ME things, and you’re trying to convict me of having lost the sweet sense of them. But you can’t do it. Where my heart’s concerned I’m a walking reliquary. Pink paper? _I_ use gold paper--and the finest of all, the gold paper of the mind.” He gave a flip with a fingernail to his cigarette and looked at its quickened fire; after which he pursued very familiarly, but with a kindness that of itself qualified the mere humour of the thing: “Don’t talk, my dear child, as if you didn’t really know me for the best friend you have in the world.” As soon as he had spoken he pulled out his watch, so that if his words had led to something of a pause this movement offered a pretext for breaking it. Nanda asked the hour and, on his replying “Five-fifteen,” remarked that there would now be tea on the terrace with every one gathered at it. “Then shall we go and join them?” her companion demanded.

He had made, however, no other motion, and when after hesitating she said “Yes, with pleasure” it was also without a change of position. “I like this,” she inconsequently added.

“So do I awfully. Tea on the terrace,” Vanderbank went on, “isn’t ‘in’ it. But who’s here?”

“Oh every one. All your set.”

“Mine? Have I still a set--with the universal vagabondism you accuse me of?”

“Well then Mitchy’s--whoever they are.”

“And nobody of yours?”

“Oh yes,” Nanda said, “all mine. He must at least have arrived by this time. My set’s Mr. Longdon,” she explained. “He’s all of it now.”

“Then where in the world am I?”

“Oh you’re an extra. There are always extras.”

“A complete set and one over?” Vanderbank laughed. “Where then’s Tishy?”

Charming and grave, the girl thought a moment. “She’s in Paris with her mother--on their way to Aix-les-Bains.” Then with impatience she continued: “Do you know that’s a great deal to say--what you said just now? I mean about your being the best friend I have.”

“Of course I do, and that’s exactly why I said it. You see I’m not in the least delicate or graceful or shy about it--I just come out with it and defy you to contradict me. Who, if I’m not the best, is a better one?”

“Well,” Nanda replied, “I feel since I’ve known Mr. Longdon that I’ve almost the sort of friend who makes every one else not count.”

“Then at the end of three months he has arrived at a value for you that I haven’t reached in all these years?”

“Yes,” she returned--“the value of my not being afraid of him.”

Vanderbank, on the bench, shifted his position, turning more to her and throwing an arm over the back. “And you’re afraid of ME?”

“Horribly--hideously.”

“Then our long, our happy relations--?”

“They’re just what makes my terror,” she broke in, “particularly abject. Happy relations don’t matter. I always think of you with fear.”

His elbow rested on the back and his hand supported his head. “How awfully curious--if it be true!”

She had been looking away to the sweet English distance, but at this she made a movement. “Oh Mr. Van, I’m ‘true’!”

As Mr. Van himself couldn’t have expressed at any subsequent time to any interested friend the particular effect upon him of the tone of these words his chronicler takes advantage of the fact not to pretend to a greater intelligence--to limit himself on the contrary to the simple statement that they produced in Mr. Van’s cheek a flush just discernible. “Fear of what?”

“I don’t know. Fear is fear.”

“Yes, yes--I see.” He took out another cigarette and occupied a moment in lighting it. “Well, kindness is kindness too--that’s all one can say.”

He had smoked again a while before she turned to him. “Have I wounded you by saying that?”

A certain effect of his flush was still in his smile. “It seems to me I should like you to wound me. I did what I wanted a moment ago,” he continued with some precipitation: “I brought you out handsomely on the subject of Mr. Longdon. That was my idea--just to draw you.”

“Well,” said Nanda, looking away again, “he has come into my life.”

“He couldn’t have come into a place where it gives me more pleasure to see him.”

“But he didn’t like, the other day when I used it to him, that expression,” the girl returned. “He called it ‘mannered modern slang’ and came back again to the extraordinary difference between my speech and my grandmother’s.”

“Of course,” the young man understandingly assented. “But I rather like your speech. Hasn’t he by this time, with you,” he pursued, “crossed the gulf? He has with me.”

“Ah with you there was no gulf. He liked you from the first.”

Vanderbank wondered. “You mean I managed him so well?”

“I don’t know how you managed him, but liking me has been for him a painful gradual process. I think he does now,” Nanda declared. “He accepts me at last as different--he’s trying with me on that basis. He has ended by understanding that when he talks to me of Granny I can’t even imagine her.”

Vanderbank puffed away. “I can.”

“That’s what Mitchy says too. But you’ve both probably got her wrong.”

“I don’t know,” said Vanderbank--“I’ve gone into it a good deal. But it’s too late. We can’t be Greeks if we would.”

Even for this Nanda had no laugh, though she had a quick attention. “Do you call Granny a Greek?”

Her companion slowly rose. “Yes--to finish her off handsomely and have done with her.” He looked again at his watch. “Shall we go? I want to see if my man and my things have turned up.”

She kept her seat; there was something to revert to. “My fear of you isn’t superficial. I mean it isn’t immediate--not of you just as you stand,” she explained. “It’s of some dreadfully possible future you.”

“Well,” said the young man, smiling down at her, “don’t forget that if there’s to be such a monster there’ll also be a future you, proportionately developed, to deal with him.”

She had closed her parasol in the shade and her eyes attached themselves to the small hole she had dug in the ground with its point. “We shall both have moved, you mean?”

“It’s charming to feel we shall probably have moved together.”

“Ah if moving’s changing,” she returned, “there won’t be much for me in that. I shall never change--I shall be always just the same. The same old mannered modern slangy hack,” she continued quite gravely. “Mr. Longdon has made me feel that.”

Vanderbank laughed aloud, and it was especially at her seriousness. “Well, upon my soul!”

“Yes,” she pursued, “what I am I must remain. I haven’t what’s called a principle of growth.” Making marks in the earth with her umbrella she appeared to cipher it out. “I’m about as good as I can be--and about as bad. If Mr. Longdon can’t make me different nobody can.”

Vanderbank could only speak in the tone of high amusement. “And he has given up the hope?”

“Yes--though not ME altogether. He has given up the hope he originally had.”

“He gives up quickly--in three months!”

“Oh these three months,” she answered, “have been a long time: the fullest, the most important, for what has happened in them, of my life.” She still poked at the ground; then she added: “And all thanks to YOU.”

“To me?”--Vanderbank couldn’t fancy!

“Why, for what we were speaking of just now--my being to-day so in everything and squeezing up and down no matter whose staircase. Isn’t it one crowded hour of glorious life?” she asked. “What preceded it was an age, no doubt--but an age without a name.”

Vanderbank watched her a little in silence, then spoke quite beside the question. “It’s astonishing how at moments you remind me of your mother!”

At this she got up. “Ah there it is! It’s what I shall never shake off. That, I imagine, is what Mr. Longdon feels.”

Both on their feet now, as if ready for the others, they yet--and even a trifle awkwardly--lingered. It might in fact have appeared to a spectator that some climax had come, on the young man’s part, to some state of irresolution about the utterance of something. What were the words so repeatedly on his lips, yet so repeatedly not sounded? It would have struck our observer that they were probably not those his lips even now actually formed. “Doesn’t he perhaps talk to you too much about yourself?”

Nanda gave him a dim smile, and he might indeed then have exclaimed on a certain resemblance, a resemblance of expression that had nothing to do with form. It wouldn’t have been diminished for him moreover by her successful suppression of every sign that she felt his question a little of a snub. The recall he had previously mentioned could, however, as she answered him, only have been brushed away by a supervening sense of his roughness. “It probably isn’t so much that as my own way of going on.” She spoke with a mildness that could scarce have been so full without being an effort. “Between his patience and my egotism anything’s possible. It isn’t his talking--it’s his listening.” She gave up the point, at any rate, as if from softness to her actual companion. “Wasn’t it you who spoke to mamma about my sitting with her? That’s what I mean by my debt to you. It’s through you that I’m always there--through you and perhaps a little through Mitchy.”

“Oh through Mitchy--it MUST have been--more than through me.” Vanderbank spoke with the manner of humouring her about a trifle. “Mitchy, delightful man, felt on the subject of your eternal exile, I think, still more strongly.”

They quitted their place together and at the end of a few steps became aware of the approach of one of the others, a figure but a few yards off, arriving from the quarter from which Nanda had come. “Ah Mr. Longdon!”--she spoke with eagerness now.

Vanderbank instantly waved his hat. “Dear old boy!”

“Between you all, at any rate,” she said more gaily, “you’ve brought me down.”

Vanderbank made no answer till they met their friend, when, by way of greeting, he simply echoed her words. “Between us all, you’ll be glad to know, we’ve brought her down.”

Mr. Longdon looked from one of them to the other. “Where have you been together?”

Nanda was the first to respond. “Only talking--on a bench.”

“Well, _I_ want to talk on a bench!” Their friend showed a spirit.

“With me, of course?”--Vanderbank met it with encouragement.

The girl said nothing, but Mr. Longdon sought her eyes. “No--with Nanda. You must mingle in the crowd.”

“Ah,” the their companion laughed, “you two are the crowd!”

“Well--have your tea first.”

Vanderbank on this, giving it up with the air of amused accommodation that was never--certainly for these two--at fault in him, offered to Mr. Longdon before departing the handshake of greeting he had omitted; a demonstration really the warmer for the tone of the joke that went with it. “Intrigant!”

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The Awkward AgeChapter III

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