Chapter III: Part II (1)

“Tell me, HENRY WADSWORTH, ALFRED POET CLOSE, or MISTER TUPPER,
Do you write the bon bon mottoes my ELVIRA pulls at supper?”

But HENRY WADSWORTH smiled, and said he had not had that honour;
And ALFRED, too, disclaimed the words that told so much upon her.

“MISTER MARTIN TUPPER, POET CLOSE, I beg of you inform us;”
But my question seemed to throw them both into a rage enormous.

MISTER CLOSE expressed a wish that he could only get anigh to me;
And MISTER MARTIN TUPPER sent the following reply to me:

“A fool is bent upon a twig, but wise men dread a bandit,”—
Which I know was very clever; but I didn’t understand it.

Seven weary years I wandered—Patagonia, China, Norway,
Till at last I sank exhausted at a pastrycook his doorway.

There were fuchsias and geraniums, and daffodils and myrtle,
So I entered, and I ordered half a basin of mock turtle.

He was plump and he was chubby, he was smooth and he was rosy,
And his little wife was pretty and particularly cosy.

And he chirped and sang, and skipped about, and laughed with laughter
hearty—
He was wonderfully active for so very stout a party.

And I said, “O gentle pieman, why so very, very merry?
Is it purity of conscience, or your one-and-seven sherry?”

But he answered, “I’m so happy—no profession could be dearer—
If I am not humming ‘Tra! la! la!’ I’m singing ‘Tirer, lirer!’

“First I go and make the patties, and the puddings, and the jellies,
Then I make a sugar bird-cage, which upon a table swell is;

“Then I polish all the silver, which a supper-table lacquers;
Then I write the pretty mottoes which you find inside the crackers.”—

“Found at last!” I madly shouted. “Gentle pieman, you astound me!”
Then I waved the turtle soup enthusiastically round me.

And I shouted and I danced until he’d quite a crowd around him—
And I rushed away exclaiming, “I have found him! I have found him!”

And I heard the gentle pieman in the road behind me trilling,
“‘Tira, lira!’ stop him, stop him! ‘Tra! la! la!’ the soup’s a
shilling!”

But until I reached ELVIRA’S home, I never, never waited,
And ELVIRA to her FERDINAND’S irrevocably mated!

LORENZO DE LARDY

DALILAH DE DARDY adored
The very correctest of cards,
LORENZO DE LARDY, a lord—
He was one of Her Majesty’s Guards.

DALILAH DE DARDY was fat,
DALILAH DE DARDY was old—
(No doubt in the world about that)
But DALILAH DE DARDY had gold.

LORENZO DE LARDY was tall,
The flower of maidenly pets,
Young ladies would love at his call,
But LORENZO DE LARDY had debts.

His money-position was queer,
And one of his favourite freaks
Was to hide himself three times a year,
In Paris, for several weeks.

Many days didn’t pass him before
He fanned himself into a flame,
For a beautiful “DAM DU COMPTWORE,”
And this was her singular name:

ALICE EULALIE CORALINE
EUPHROSINE COLOMBINA THÉRÈSE
JULIETTE STEPHANIE CELESTINE
CHARLOTTE RUSSE DE LA SAUCE MAYONNAISE.

She booked all the orders and tin,
Accoutred in showy fal-lal,
At a two-fifty Restaurant, in
The glittering Palais Royal.

He’d gaze in her orbit of blue,
Her hand he would tenderly squeeze,
But the words of her tongue that he knew
Were limited strictly to these:

“CORALINE CELESTINE EULALIE,
Houp là! Je vous aime, oui, mossoo,
Combien donnez moi aujourd’hui
Bonjour, Mademoiselle, parlez voo.”

MADEMOISELLE DE LA SAUCE MAYONNAISE
Was a witty and beautiful miss,
Extremely correct in her ways,
But her English consisted of this:

“Oh my! pretty man, if you please,
Blom boodin, biftek, currie lamb,
Bouldogue, two franc half, quite ze cheese,
Rosbif, me spik Angleesh, godam.”

A waiter, for seasons before,
Had basked in her beautiful gaze,
And burnt to dismember MILOR,
_He loved_ DE LA SAUCE MAYONNAISE.

He said to her, “Méchante THÉRÈSE,
Avec désespoir tu m’accables.
Penses-tu, DE LA SAUCE MAYONNAISE,
Ses intentions sont honorables?

“Flirtez toujours, ma belle, si tu ôses—
Je me vengerai ainsi, ma chère,
_Je lui dirai de quoi l’on compose_
_Vol au vent à la Financière_!”

LORD LARDY knew nothing of this—
The waiter’s devotion ignored,
But he gazed on the beautiful miss,
And never seemed weary or bored.

The waiter would screw up his nerve,
His fingers he’d snap and he’d dance—
And LORD LARDY would smile and observe,
“How strange are the customs of France!”

Well, after delaying a space,
His tradesmen no longer would wait:
Returning to England apace,
He yielded himself to his fate.

LORD LARDY espoused, with a groan,
MISS DARDY’S developing charms,
And agreed to tag on to his own,
Her name and her newly-found arms.

The waiter he knelt at the toes
Of an ugly and thin coryphée,
Who danced in the hindermost rows
At the Théatre des Variétés.

MADEMOISELLE DE LA SAUCE MAYONNAISE
Didn’t yield to a gnawing despair
But married a soldier, and plays
As a pretty and pert Vivandière.

DISILLUSIONED BY AN EX-ENTHUSIAST

OH, that my soul its gods could see
As years ago they seemed to me
When first I painted them;
Invested with the circumstance
Of old conventional romance:
Exploded theorem!

The bard who could, all men above,
Inflame my soul with songs of love,
And, with his verse, inspire
The craven soul who feared to die
With all the glow of chivalry
And old heroic fire;

I found him in a beerhouse tap
Awaking from a gin-born nap,
With pipe and sloven dress;
Amusing chums, who fooled his bent,
With muddy, maudlin sentiment,
And tipsy foolishness!

The novelist, whose painting pen
To legions of fictitious men
A real existence lends,
Brain-people whom we rarely fail,
Whene’er we hear their names, to hail
As old and welcome friends;

I found in clumsy snuffy suit,
In seedy glove, and blucher boot,
Uncomfortably big.
Particularly commonplace,
With vulgar, coarse, stockbroking face,
And spectacles and wig.

My favourite actor who, at will,
With mimic woe my eyes could fill
With unaccustomed brine:
A being who appeared to me
(Before I knew him well) to be
A song incarnadine;

I found a coarse unpleasant man
With speckled chin—unhealthy, wan—
Of self-importance full:
Existing in an atmosphere
That reeked of gin and pipes and beer—
Conceited, fractious, dull.

The warrior whose ennobled name
Is woven with his country’s fame,
Triumphant over all,
I found weak, palsied, bloated, blear;
His province seemed to be, to leer
At bonnets in Pall Mall.

Would that ye always shone, who write,
Bathed in your own innate limelight,
And ye who battles wage,
Or that in darkness I had died
Before my soul had ever sighed
To see you off the stage!

BABETTE’S LOVE

BABETTE she was a fisher gal,
With jupon striped and cap in crimps.
She passed her days inside the Halle,
Or catching little nimble shrimps.
Yet she was sweet as flowers in May,
With no professional bouquet.

JACOT was, of the Customs bold,
An officer, at gay Boulogne,
He loved BABETTE—his love he told,
And sighed, “Oh, soyez vous my own!”
But “Non!” said she, “JACOT, my pet,
Vous êtes trop scraggy pour BABETTE.

“Of one alone I nightly dream,
An able mariner is he,
And gaily serves the Gen’ral Steam-
Boat Navigation Companee.
I’ll marry him, if he but will—
His name, I rather think, is BILL.

“I see him when he’s not aware,
Upon our hospitable coast,
Reclining with an easy air
Upon the _Port_ against a post,
A-thinking of, I’ll dare to say,
His native Chelsea far away!”

“Oh, mon!” exclaimed the Customs bold,
“Mes yeux!” he said (which means “my eye”)
“Oh, chère!” he also cried, I’m told,
“Par Jove,” he added, with a sigh.
“Oh, mon! oh, chère! mes yeux! par Jove!
Je n’aime pas cet enticing cove!”

The _Panther’s_ captain stood hard by,
He was a man of morals strict
If e’er a sailor winked his eye,
Straightway he had that sailor licked,
Mast-headed all (such was his code)
Who dashed or jiggered, blessed or blowed.

He wept to think a tar of his
Should lean so gracefully on posts,
He sighed and sobbed to think of this,
On foreign, French, and friendly coasts.
“It’s human natur’, p’raps—if so,
Oh, isn’t human natur’ low!”

He called his BILL, who pulled his curl,
He said, “My BILL, I understand
You’ve captivated some young gurl
On this here French and foreign land.
Her tender heart your beauties jog—
They do, you know they do, you dog.

“You have a graceful way, I learn,
Of leaning airily on posts,
By which you’ve been and caused to burn
A tender flame on these here coasts.
A fisher gurl, I much regret,—
Her age, sixteen—her name, BABETTE.

“You’ll marry her, you gentle tar—
Your union I myself will bless,
And when you matrimonied are,
I will appoint her stewardess.”
But WILLIAM hitched himself and sighed,
And cleared his throat, and thus replied:

“Not so: unless you’re fond of strife,
You’d better mind your own affairs,
I have an able-bodied wife
Awaiting me at Wapping Stairs;
If all this here to her I tell,
She’ll larrup you and me as well.

“Skin-deep, and valued at a pin,
Is beauty such as VENUS owns—
_Her_ beauty is beneath her skin,
And lies in layers on her bones.
The other sailors of the crew
They always calls her ‘Whopping Sue!’”

“Oho!” the Captain said, “I see!
And is she then so very strong?”
“She’d take your honour’s scruff,” said he
“And pitch you over to Bolong!”
“I pardon you,” the Captain said,
“The fair BABETTE you needn’t wed.”

Perhaps the Customs had his will,
And coaxed the scornful girl to wed,
Perhaps the Captain and his BILL,
And WILLIAM’S little wife are dead;
Or p’raps they’re all alive and well:
I cannot, cannot, cannot tell.

TO MY BRIDE (WHOEVER SHE MAY BE)

OH! little maid!—(I do not know your name
Or who you are, so, as a safe precaution
I’ll add)—Oh, buxom widow! married dame!
(As one of these must be your present portion)
Listen, while I unveil prophetic lore for you,
And sing the fate that Fortune has in store for you.

You’ll marry soon—within a year or twain—
A bachelor of _circa_ two and thirty:
Tall, gentlemanly, but extremely plain,
And when you’re intimate, you’ll call him “BERTIE.”
Neat—dresses well; his temper has been classified
As hasty; but he’s very quickly pacified.

You’ll find him working mildly at the Bar,
After a touch at two or three professions,
From easy affluence extremely far,
A brief or two on Circuit—“soup” at Sessions;
A pound or two from whist and backing horses,
And, say three hundred from his own resources.

Quiet in harness; free from serious vice,
His faults are not particularly shady,
You’ll never find him “_shy_”—for, once or twice
Already, he’s been driven by a lady,
Who parts with him—perhaps a poor excuse for him—
Because she hasn’t any further use for him.

Oh! bride of mine—tall, dumpy, dark, or fair!
Oh! widow—wife, maybe, or blushing maiden,
I’ve told _your_ fortune; solved the gravest care
With which your mind has hitherto been laden.
I’ve prophesied correctly, never doubt it;
Now tell me mine—and please be quick about it!

You—only you—can tell me, an’ you will,
To whom I’m destined shortly to be mated,
Will she run up a heavy _modiste’s_ bill?
If so, I want to hear her income stated
(This is a point which interests me greatly).
To quote the bard, “Oh! have I seen her lately?”

Say, must I wait till husband number one
Is comfortably stowed away at Woking?
How is her hair most usually done?
And tell me, please, will she object to smoking?
The colour of her eyes, too, you may mention:
Come, Sibyl, prophesy—I’m all attention.

THE FOLLY OF BROWN BY A GENERAL AGENT

I KNEW a boor—a clownish card
(His only friends were pigs and cows and
The poultry of a small farmyard),
Who came into two hundred thousand.

Good fortune worked no change in BROWN,
Though she’s a mighty social chymist;
He was a clown—and by a clown
I do not mean a pantomimist.

It left him quiet, calm, and cool,
Though hardly knowing what a crown was—
You can’t imagine what a fool
Poor rich uneducated BROWN was!

He scouted all who wished to come
And give him monetary schooling;
And I propose to give you some
Idea of his insensate fooling.

I formed a company or two—
(Of course I don’t know what the rest meant,
I formed them solely with a view
To help him to a sound investment).

Their objects were—their only cares—
To justify their Boards in showing
A handsome dividend on shares
And keep their good promoter going.

But no—the lout sticks to his brass,
Though shares at par I freely proffer:
Yet—will it be believed?—the ass
Declines, with thanks, my well-meant offer!

He adds, with bumpkin’s stolid grin
(A weakly intellect denoting),
He’d rather not invest it in
A company of my promoting!

“You have two hundred ‘thou’ or more,”
Said I. “You’ll waste it, lose it, lend it;
Come, take my furnished second floor,
I’ll gladly show you how to spend it.”

But will it be believed that he,
With grin upon his face of poppy,
Declined my aid, while thanking me
For what he called my “philanthroppy”?

Some blind, suspicious fools rejoice
In doubting friends who wouldn’t harm them;
They will not hear the charmer’s voice,
However wisely he may charm them!

I showed him that his coat, all dust,
Top boots and cords provoked compassion,
And proved that men of station must
Conform to the decrees of fashion.

I showed him where to buy his hat
To coat him, trouser him, and boot him;
But no—he wouldn’t hear of that—
“He didn’t think the style would suit him!”

I offered him a county seat,
And made no end of an oration;
I made it certainty complete,
And introduced the deputation.

But no—the clown my prospect blights—
(The worth of birth it surely teaches!)
“Why should I want to spend my nights
In Parliament, a-making speeches?

“I haven’t never been to school—
I ain’t had not no eddication—
And I should surely be a fool
To publish that to all the nation!”

I offered him a trotting horse—
No hack had ever trotted faster—
I also offered him, of course,
A rare and curious “old master.”

I offered to procure him weeds—
Wines fit for one in his position—
But, though an ass in all his deeds,
He’d learnt the meaning of “commission.”

He called me “thief” the other day,
And daily from his door he thrusts me;
Much more of this, and soon I may
Begin to think that BROWN mistrusts me.

So deaf to all sound Reason’s rule
This poor uneducated clown is,
You can_not_ fancy what a fool
Poor rich uneducated BROWN is.

SIR MACKLIN

OF all the youths I ever saw
None were so wicked, vain, or silly,
So lost to shame and Sabbath law,
As worldly TOM, and BOB, and BILLY.

For every Sabbath day they walked
(Such was their gay and thoughtless natur)
In parks or gardens, where they talked
From three to six, or even later.

SIR MACKLIN was a priest severe
In conduct and in conversation,
It did a sinner good to hear
Him deal in ratiocination.

He could in every action show
Some sin, and nobody could doubt him.
He argued high, he argued low,
He also argued round about him.

He wept to think each thoughtless youth
Contained of wickedness a skinful,
And burnt to teach the awful truth,
That walking out on Sunday’s sinful.

“Oh, youths,” said he, “I grieve to find
The course of life you’ve been and hit on—
Sit down,” said he, “and never mind
The pennies for the chairs you sit on.

“My opening head is ‘Kensington,’
How walking there the sinner hardens,
Which when I have enlarged upon,
I go to ‘Secondly’—its ‘Gardens.’

“My ‘Thirdly’ comprehendeth ‘Hyde,’
Of Secresy the guilts and shameses;
My ‘Fourthly’—‘Park’—its verdure wide—
My ‘Fifthly’ comprehends ‘St. James’s.’

“That matter settled, I shall reach
The ‘Sixthly’ in my solemn tether,
And show that what is true of each,
Is also true of all, together.

“Then I shall demonstrate to you,
According to the rules of WHATELY,
That what is true of all, is true
Of each, considered separately.”

In lavish stream his accents flow,
TOM, BOB, and BILLY dare not flout him;
He argued high, he argued low,
He also argued round about him.

“Ha, ha!” he said, “you loathe your ways,
You writhe at these my words of warning,
In agony your hands you raise.”
(And so they did, for they were yawning.)

To “Twenty-firstly” on they go,
The lads do not attempt to scout him;
He argued high, he argued low,
He also argued round about him.

“Ho, ho!” he cries, “you bow your crests—
My eloquence has set you weeping;
In shame you bend upon your breasts!”
(And so they did, for they were sleeping.)

He proved them this—he proved them that—
This good but wearisome ascetic;
He jumped and thumped upon his hat,
He was so very energetic.

His Bishop at this moment chanced
To pass, and found the road encumbered;
He noticed how the Churchman danced,
And how his congregation slumbered.

The hundred and eleventh head
The priest completed of his stricture;
“Oh, bosh!” the worthy Bishop said,
And walked him off as in the picture.

THE YARN OF THE “NANCY BELL”

’TWAS on the shores that round our coast
From Deal to Ramsgate span,
That I found alone on a piece of stone
An elderly naval man.

His hair was weedy, his beard was long,
And weedy and long was he,
And I heard this wight on the shore recite,
In a singular minor key:

“Oh, I am a cook and a captain bold,
And the mate of the _Nancy_ brig,
And a bo’sun tight, and a midshipmite,
And the crew of the captain’s gig.”

And he shook his fists and he tore his hair,
Till I really felt afraid,
For I couldn’t help thinking the man had been drinking,
And so I simply said:

“Oh, elderly man, it’s little I know
Of the duties of men of the sea,
And I’ll eat my hand if I understand
However you can be

“At once a cook, and a captain bold,
And the mate of the _Nancy_ brig,
And a bo’sun tight, and a midshipmite,
And the crew of the captain’s gig.”

Then he gave a hitch to his trousers, which
Is a trick all seamen larn,
And having got rid of a thumping quid,
He spun this painful yarn:

“’Twas in the good ship _Nancy Bell_
That we sailed to the Indian Sea,
And there on a reef we come to grief,
Which has often occurred to me.

“And pretty nigh all the crew was drowned
(There was seventy-seven o’ soul),
And only ten of the _Nancy’s_ men
Said ‘Here!’ to the muster-roll.

“There was me and the cook and the captain bold,
And the mate of the _Nancy_ brig,
And the bo’sun tight, and a midshipmite,
And the crew of the captain’s gig.

“For a month we’d neither wittles nor drink,
Till a-hungry we did feel,
So we drawed a lot, and, accordin’ shot
The captain for our meal.

“The next lot fell to the _Nancy’s_ mate,
And a delicate dish he made;
Then our appetite with the midshipmite
We seven survivors stayed.

“And then we murdered the bo’sun tight,
And he much resembled pig;
Then we wittled free, did the cook and me,
On the crew of the captain’s gig.

“Then only the cook and me was left,
And the delicate question, ‘Which
Of us two goes to the kettle?’ arose,
And we argued it out as sich.

“For I loved that cook as a brother, I did,
And the cook he worshipped me;
But we’d both be blowed if we’d either be stowed
In the other chap’s hold, you see.

“‘I’ll be eat if you dines off me,’ says TOM;
‘Yes, that,’ says I, ‘you’ll be,—
‘I’m boiled if I die, my friend,’ quoth I;
And ‘Exactly so,’ quoth he.

“Says he, ‘Dear JAMES, to murder me
Were a foolish thing to do,
For don’t you see that you can’t cook _me_,
While I can—and will—cook _you_!’

“So he boils the water, and takes the salt
And the pepper in portions true
(Which he never forgot), and some chopped shalot,
And some sage and parsley too.

“‘Come here,’ says he, with a proper pride,
Which his smiling features tell,
‘’T will soothing be if I let you see
How extremely nice you’ll smell.’

“And he stirred it round and round and round,
And he sniffed at the foaming froth;
When I ups with his heels, and smothers his squeals
In the scum of the boiling broth.

“And I eat that cook in a week or less,
And—as I eating be
The last of his chops, why, I almost drops,
For a wessel in sight I see!

* * * *

“And I never larf, and I never smile,
And I never lark nor play,
But sit and croak, and a single joke
I have—which is to say:

“Oh, I am a cook and a captain bold,
And the mate of the _Nancy_ brig,
And a bo’sun tight, and a midshipmite,
And the crew of the captain’s gig!’”

THE BISHOP OF RUM-TI-FOO

FROM east and south the holy clan
Of Bishops gathered to a man;
To Synod, called Pan-Anglican,
In flocking crowds they came.
Among them was a Bishop, who
Had lately been appointed to
The balmy isle of Rum-ti-Foo,
And PETER was his name.

His people—twenty-three in sum—
They played the eloquent tum-tum,
And lived on scalps served up, in rum—
The only sauce they knew.
When first good BISHOP PETER came
(For PETER was that Bishop’s name),
To humour them, he did the same
As they of Rum-ti-Foo.

His flock, I’ve often heard him tell,
(His name was PETER) loved him well,
And, summoned by the sound of bell,
In crowds together came.
“Oh, massa, why you go away?
Oh, MASSA PETER, please to stay.”
(They called him PETER, people say,
Because it was his name.)

He told them all good boys to be,
And sailed away across the sea,
At London Bridge that Bishop he
Arrived one Tuesday night;
And as that night he homeward strode
To his Pan-Anglican abode,
He passed along the Borough Road,
And saw a gruesome sight.

He saw a crowd assembled round
A person dancing on the ground,
Who straight began to leap and bound
With all his might and main.
To see that dancing man he stopped,
Who twirled and wriggled, skipped and hopped,
Then down incontinently dropped,
And then sprang up again.

The Bishop chuckled at the sight.
“This style of dancing would delight
A simple Rum-ti-Foozleite.
I’ll learn it if I can,
To please the tribe when I get back.”
He begged the man to teach his knack.
“Right Reverend Sir, in half a crack,”
Replied that dancing man.

The dancing man he worked away,
And taught the Bishop every day—
The dancer skipped like any fay—
Good PETER did the same.
The Bishop buckled to his task,
With _battements_, and _pas de basque_.
(I’ll tell you, if you care to ask,
That PETER was his name.)

“Come, walk like this,” the dancer said,
“Stick out your toes—stick in your head,
Stalk on with quick, galvanic tread—
Your fingers thus extend;
The attitude’s considered quaint.”
The weary Bishop, feeling faint,
Replied, “I do not say it ain’t,
But ‘Time!’ my Christian friend!”

“We now proceed to something new—
Dance as the PAYNES and LAURIS do,
Like this—one, two—one, two—one, two.”
The Bishop, never proud,
But in an overwhelming heat
(His name was PETER, I repeat)
Performed the PAYNE and LAURI feat,
And puffed his thanks aloud.

Another game the dancer planned—
“Just take your ankle in your hand,
And try, my lord, if you can stand—
Your body stiff and stark.
If, when revisiting your see,
You learnt to hop on shore—like me—
The novelty would striking be,
And must attract remark.”

“No,” said the worthy Bishop, “no;
That is a length to which, I trow,
Colonial Bishops cannot go.
You may express surprise
At finding Bishops deal in pride—
But if that trick I ever tried,
I should appear undignified
In Rum-ti-Foozle’s eyes.

“The islanders of Rum-ti-Foo
Are well-conducted persons, who
Approve a joke as much as you,
And laugh at it as such;
But if they saw their Bishop land,
His leg supported in his hand,
The joke they wouldn’t understand—
’Twould pain them very much!”

THE PRECOCIOUS BABY. A VERY TRUE TALE

(_To be sung to the Air of the_ “_Whistling Oyster_.”)

AN elderly person—a prophet by trade—
With his quips and tips
On withered old lips,
He married a young and a beautiful maid;
The cunning old blade!
Though rather decayed,
He married a beautiful, beautiful maid.

She was only eighteen, and as fair as could be,
With her tempting smiles
And maidenly wiles,
And he was a trifle past seventy-three:
Now what she could see
Is a puzzle to me,
In a prophet of seventy—seventy-three!

Of all their acquaintances bidden (or bad)
With their loud high jinks
And underbred winks,
None thought they’d a family have—but they had;
A dear little lad
Who drove ’em half mad,
For he turned out a horribly fast little cad.

For when he was born he astonished all by,
With their “Law, dear me!”
“Did ever you see?”
He’d a pipe in his mouth and a glass in his eye,
A hat all awry—
An octagon tie—
And a miniature—miniature glass in his eye.

He grumbled at wearing a frock and a cap,
With his “Oh, dear, oh!”
And his “Hang it! ’oo know!”
And he turned up his nose at his excellent pap—
“My friends, it’s a tap
Dat is not worf a rap.”
(Now this was remarkably excellent pap.)

He’d chuck his nurse under the chin, and he’d say,
With his “Fal, lal, lal”—
“’Oo doosed fine gal!”
This shocking precocity drove ’em away:
“A month from to-day
Is as long as I’ll stay—
Then I’d wish, if you please, for to toddle away.”

His father, a simple old gentleman, he
With nursery rhyme
And “Once on a time,”
Would tell him the story of “Little Bo-P,”
“So pretty was she,
So pretty and wee,
As pretty, as pretty, as pretty could be.”

But the babe, with a dig that would startle an ox,
With his “C’ck! Oh, my!—
Go along wiz ’oo, fie!”
Would exclaim, “I’m afraid ’oo a socking ole fox.”
Now a father it shocks,
And it whitens his locks,
When his little babe calls him a shocking old fox.

The name of his father he’d couple and pair
(With his ill-bred laugh,
And insolent chaff)
With those of the nursery heroines rare—
Virginia the Fair,
Or Good Goldenhair,
Till the nuisance was more than a prophet could bear.

“There’s Jill and White Cat” (said the bold little brat,
With his loud, “Ha, ha!”)
“’Oo sly ickle Pa!
Wiz ’oo Beauty, Bo-Peep, and ’oo Mrs. Jack Sprat!
I’ve noticed ’oo pat
_My_ pretty White Cat—
I sink dear mamma ought to know about dat!”

He early determined to marry and wive,
For better or worse
With his elderly nurse—
Which the poor little boy didn’t live to contrive:
His hearth didn’t thrive—
No longer alive,
He died an enfeebled old dotard at five!

MORAL.

Now, elderly men of the bachelor crew,
With wrinkled hose
And spectacled nose,
Don’t marry at all—you may take it as true
If ever you do
The step you will rue,
For your babes will be elderly—elderly too.

TO PHŒBE

“GENTLE, modest little flower,
Sweet epitome of May,
Love me but for half an hour,
Love me, love me, little fay.”
Sentences so fiercely flaming
In your tiny shell-like ear,
I should always be exclaiming
If I loved you, PHŒBE dear.

“Smiles that thrill from any distance
Shed upon me while I sing!
Please ecstaticize existence,
Love me, oh, thou fairy thing!”
Words like these, outpouring sadly
You’d perpetually hear,
If I loved you fondly, madly;—
But I do not, PHŒBE dear.

BAINES CAREW, GENTLEMAN

OF all the good attorneys who
Have placed their names upon the roll,
But few could equal BAINES CAREW
For tender-heartedness and soul.

Whene’er he heard a tale of woe
From client A or client B,
His grief would overcome him so
He’d scarce have strength to take his fee.

It laid him up for many days,
When duty led him to distrain,
And serving writs, although it pays,
Gave him excruciating pain.

He made out costs, distrained for rent,
Foreclosed and sued, with moistened eye—
No bill of costs could represent
The value of such sympathy.

No charges can approximate
The worth of sympathy with woe;—
Although I think I ought to state
He did his best to make them so.

Of all the many clients who
Had mustered round his legal flag,
No single client of the crew
Was half so dear as CAPTAIN BAGG.

Now, CAPTAIN BAGG had bowed him to
A heavy matrimonial yoke—
His wifey had of faults a few—
She never could resist a joke.

Her chaff at first he meekly bore,
Till unendurable it grew.
“To stop this persecution sore
I will consult my friend CAREW.

“And when CAREW’S advice I’ve got,
Divorce _a mensâ_ I shall try.”
(A legal separation—not
_A vinculo conjugii_.)

“Oh, BAINES CAREW, my woe I’ve kept
A secret hitherto, you know;”—
(And BAINES CAREW, ESQUIRE, he wept
To hear that BAGG _had_ any woe.)

“My case, indeed, is passing sad.
My wife—whom I considered true—
With brutal conduct drives me mad.”
“I am appalled,” said BAINES CAREW.

“What! sound the matrimonial knell
Of worthy people such as these!
Why was I an attorney? Well—
Go on to the _sævitia_, please.”

“Domestic bliss has proved my bane,—
A harder case you never heard,
My wife (in other matters sane)
Pretends that I’m a Dicky bird!

“She makes me sing, ‘Too-whit, too-wee!’
And stand upon a rounded stick,
And always introduces me
To every one as ‘Pretty Dick’!”

“Oh, dear,” said weeping BAINES CAREW,
“This is the direst case I know.”
“I’m grieved,” said BAGG, “at paining you—
To COBB and POLTHERTHWAITE I’ll go—

“To COBB’S cold, calculating ear,
My gruesome sorrows I’ll impart”—
“No; stop,” said BAINES, “I’ll dry my tear,
And steel my sympathetic heart.”

“She makes me perch upon a tree,
Rewarding me with ‘Sweety—nice!’
And threatens to exhibit me
With four or five performing mice.”

“Restrain my tears I wish I could”
(Said BAINES), “I don’t know what to do.”
Said CAPTAIN BAGG, “You’re very good.”
“Oh, not at all,” said BAINES CAREW.

“She makes me fire a gun,” said BAGG;
“And, at a preconcerted word,
Climb up a ladder with a flag,
Like any street performing bird.

“She places sugar in my way—
In public places calls me ‘Sweet!’
She gives me groundsel every day,
And hard canary-seed to eat.”

“Oh, woe! oh, sad! oh, dire to tell!”
(Said BAINES). “Be good enough to stop.”
And senseless on the floor he fell,
With unpremeditated flop!

Said CAPTAIN BAGG, “Well, really I
Am grieved to think it pains you so.
I thank you for your sympathy;
But, hang it!—come—I say, you know!”

But BAINES lay flat upon the floor,
Convulsed with sympathetic sob;—
The Captain toddled off next door,
And gave the case to MR. COBB.

THOMAS WINTERBOTTOM HANCE

IN all the towns and cities fair
On Merry England’s broad expanse,
No swordsman ever could compare
With THOMAS WINTERBOTTOM HANCE.

The dauntless lad could fairly hew
A silken handkerchief in twain,
Divide a leg of mutton too—
And this without unwholesome strain.

On whole half-sheep, with cunning trick,
His sabre sometimes he’d employ—
No bar of lead, however thick,
Had terrors for the stalwart boy.

At Dover daily he’d prepare
To hew and slash, behind, before—
Which aggravated MONSIEUR PIERRE,
Who watched him from the Calais shore.

It caused good PIERRE to swear and dance,
The sight annoyed and vexed him so;
He was the bravest man in France—
He said so, and he ought to know.

“Regardez donc, ce cochon gros—
Ce polisson! Oh, sacré bleu!
Son sabre, son plomb, et ses gigots
Comme cela m’ennuye, enfin, mon Dieu!

“Il sait que les foulards de soie
Give no retaliating whack—
Les gigots morts n’ont pas de quoi—
Le plomb don’t ever hit you back.”

But every day the headstrong lad
Cut lead and mutton more and more;
And every day poor PIERRE, half mad,
Shrieked loud defiance from his shore.

HANCE had a mother, poor and old,
A simple, harmless village dame,
Who crowed and clapped as people told
Of WINTERBOTTOM’S rising fame.

She said, “I’ll be upon the spot
To see my TOMMY’S sabre-play;”
And so she left her leafy cot,
And walked to Dover in a day.

PIERRE had a doating mother, who
Had heard of his defiant rage;
_His_ Ma was nearly ninety-two,
And rather dressy for her age.

At HANCE’S doings every morn,
With sheer delight _his_ mother cried;
And MONSIEUR PIERRE’S contemptuous scorn
Filled _his_ mamma with proper pride.

But HANCE’S powers began to fail—
His constitution was not strong—
And PIERRE, who once was stout and hale,
Grew thin from shouting all day long.

Their mothers saw them pale and wan,
Maternal anguish tore each breast,
And so they met to find a plan
To set their offsprings’ minds at rest.

Said MRS. HANCE, “Of course I shrinks
From bloodshed, ma’am, as you’re aware,
But still they’d better meet, I thinks.”
“Assurément!” said MADAME PIERRE.

A sunny spot in sunny France
Was hit upon for this affair;
The ground was picked by MRS. HANCE,
The stakes were pitched by MADAME PIERRE.

Said MRS. H., “Your work you see—
Go in, my noble boy, and win.”
“En garde, mon fils!” said MADAME P.
“Allons!” “Go on!” “En garde!” “Begin!”

(The mothers were of decent size,
Though not particularly tall;
But in the sketch that meets your eyes
I’ve been obliged to draw them small.)

Loud sneered the doughty man of France,
“Ho! ho! Ho! ho! Ha! ha! Ha! ha!”
“The French for ‘Pish’” said THOMAS HANCE.
Said PIERRE, “L’Anglais, Monsieur, pour ‘Bah.’”

Said MRS. H., “Come, one! two! three!—
We’re sittin’ here to see all fair.”
“C’est magnifique!” said MADAME P.,
“Mais, parbleu! ce n’est pas la guerre!”

“Je scorn un foe si lache que vous,”
Said PIERRE, the doughty son of France.
“I fight not coward foe like you!”
Said our undaunted TOMMY HANCE.

“The French for ‘Pooh!’” our TOMMY cried.
“L’Anglais pour ‘Va!’” the Frenchman crowed.
And so, with undiminished pride,
Each went on his respective road.

THE REVEREND MICAH SOWLS

THE REVEREND MICAH SOWLS,
He shouts and yells and howls,
He screams, he mouths, he bumps,
He foams, he rants, he thumps.

His armour he has buckled on, to wage
The regulation war against the Stage;
And warns his congregation all to shun
“The Presence-Chamber of the Evil One,”

The subject’s sad enough
To make him rant and puff,
And fortunately, too,
His Bishop’s in a pew.

So REVEREND MICAH claps on extra steam,
His eyes are flashing with superior gleam,
He is as energetic as can be,
For there are fatter livings in that see.

The Bishop, when it’s o’er,
Goes through the vestry door,
Where MICAH, very red,
Is mopping of his head.

“Pardon, my Lord, your SOWLS’ excessive zeal,
It is a theme on which I strongly feel.”
(The sermon somebody had sent him down
From London, at a charge of half-a-crown.)

The Bishop bowed his head,
And, acquiescing, said,
“I’ve heard your well-meant rage
Against the Modern Stage.

“A modern Theatre, as I heard you say,
Sows seeds of evil broadcast—well it may;
But let me ask you, my respected son,
Pray, have you ever ventured into one?”

“My Lord,” said MICAH, “no!
I never, never go!
What! Go and see a play?
My goodness gracious, nay!”

The worthy Bishop said, “My friend, no doubt
The Stage may be the place you make it out;
But if, my REVEREND SOWLS, you never go,
I don’t quite understand how you’re to know.”

“Well, really,” MICAH said,
“I’ve often heard and read,
But never go—do you?”
The Bishop said, “I do.”

“That proves me wrong,” said MICAH, in a trice:
“I thought it all frivolity and vice.”
The Bishop handed him a printed card;
“Go to a theatre where they play our Bard.”

The Bishop took his leave,
Rejoicing in his sleeve.
The next ensuing day
SOWLS went and heard a play.

He saw a dreary person on the stage,
Who mouthed and mugged in simulated rage,
Who growled and spluttered in a mode absurd,
And spoke an English SOWLS had never heard.

For “gaunt” was spoken “garnt,”
And “haunt” transformed to “harnt,”
And “wrath” pronounced as “rath,”
And “death” was changed to “dath.”

For hours and hours that dismal actor walked,
And talked, and talked, and talked, and talked,
Till lethargy upon the parson crept,
And sleepy MICAH SOWLS serenely slept.

He slept away until
The farce that closed the bill
Had warned him not to stay,
And then he went away.

“I thought _my_ gait ridiculous,” said he—
“_My_ elocution faulty as could be;
I thought _I_ mumbled on a matchless plan—
I had not seen our great Tragedian!

“Forgive me, if you can,
O great Tragedian!
I own it with a sigh—
You’re drearier than I!”

A DISCONTENTED SUGAR BROKER

A GENTLEMAN of City fame
Now claims your kind attention;
East India broking was his game,
His name I shall not mention:
No one of finely-pointed sense
Would violate a confidence,
And shall _I_ go
And do it? No!
His name I shall not mention.

He had a trusty wife and true,
And very cosy quarters,
A manager, a boy or two,
Six clerks, and seven porters.
A broker must be doing well
(As any lunatic can tell)
Who can employ
An active boy,
Six clerks, and seven porters.

His knocker advertised no dun,
No losses made him sulky,
He had one sorrow—only one—
He was extremely bulky.
A man must be, I beg to state,
Exceptionally fortunate
Who owns his chief
And only grief
Is—being very bulky.

“This load,” he’d say, “I cannot bear;
I’m nineteen stone or twenty!
Henceforward I’ll go in for air
And exercise in plenty.”
Most people think that, should it come,
They can reduce a bulging tum
To measures fair
By taking air
And exercise in plenty.

In every weather, every day,
Dry, muddy, wet, or gritty,
He took to dancing all the way
From Brompton to the City.
You do not often get the chance
Of seeing sugar brokers dance
From their abode
In Fulham Road
Through Brompton to the City.

He braved the gay and guileless laugh
Of children with their nusses,
The loud uneducated chaff
Of clerks on omnibuses.
Against all minor things that rack
A nicely-balanced mind, I’ll back
The noisy chaff
And ill-bred laugh
Of clerks on omnibuses.

His friends, who heard his money chink,
And saw the house he rented,
And knew his wife, could never think
What made him discontented.
It never entered their pure minds
That fads are of eccentric kinds,
Nor would they own
That fat alone
Could make one discontented.

“Your riches know no kind of pause,
Your trade is fast advancing;
You dance—but not for joy, because
You weep as you are dancing.
To dance implies that man is glad,
To weep implies that man is sad;
But here are you
Who do the two—
You weep as you are dancing!”

His mania soon got noised about
And into all the papers;
His size increased beyond a doubt
For all his reckless capers:
It may seem singular to you,
But all his friends admit it true—
The more he found
His figure round,
The more he cut his capers.

His bulk increased—no matter that—
He tried the more to toss it—
He never spoke of it as “fat,”
But “adipose deposit.”
Upon my word, it seems to me
Unpardonable vanity
(And worse than that)
To call your fat
An “adipose deposit.”

At length his brawny knees gave way,
And on the carpet sinking,
Upon his shapeless back he lay
And kicked away like winking.
Instead of seeing in his state
The finger of unswerving Fate,
He laboured still
To work his will,
And kicked away like winking.

His friends, disgusted with him now,
Away in silence wended—
I hardly like to tell you how
This dreadful story ended.
The shocking sequel to impart,
I must employ the limner’s art—
If you would know,
This sketch will show
How his exertions ended.

MORAL.

I hate to preach—I hate to prate—
I’m no fanatic croaker,
But learn contentment from the fate
Of this East India broker.
He’d everything a man of taste
Could ever want, except a waist;
And discontent
His size anent,
And bootless perseverance blind,
Completely wrecked the peace of mind
Of this East India broker.

THE PANTOMIME “SUPER” TO HIS MASK

VAST empty shell!
Impertinent, preposterous abortion!
With vacant stare,
And ragged hair,
And every feature out of all proportion!
Embodiment of echoing inanity!
Excellent type of simpering insanity!
Unwieldy, clumsy nightmare of humanity!
I ring thy knell!

To-night thou diest,
Beast that destroy’st my heaven-born identity!
Nine weeks of nights,
Before the lights,
Swamped in thine own preposterous nonentity,
I’ve been ill-treated, cursed, and thrashed diurnally,
Credited for the smile you wear externally—
I feel disposed to smash thy face, infernally,
As there thou liest!

I’ve been thy brain:
_I’ve_ been the brain that lit thy dull concavity!
The human race
Invest _my_ face
With thine expression of unchecked depravity,
Invested with a ghastly reciprocity,
_I’ve_ been responsible for thy monstrosity,
I, for thy wanton, blundering ferocity—
But not again!

’T is time to toll
Thy knell, and that of follies pantomimical:
A nine weeks’ run,
And thou hast done
All thou canst do to make thyself inimical.
Adieu, embodiment of all inanity!
Excellent type of simpering insanity!
Unwieldy, clumsy nightmare of humanity!
Freed is thy soul!

(_The Mask respondeth_.)

Oh! master mine,
Look thou within thee, ere again ill-using me.
Art thou aware
Of nothing there
Which might abuse thee, as thou art abusing me?
A brain that mourns _thine_ unredeemed rascality?
A soul that weeps at _thy_ threadbare morality?
Both grieving that _their_ individuality
Is merged in thine?

THE FORCE OF ARGUMENT

LORD B. was a nobleman bold
Who came of illustrious stocks,
He was thirty or forty years old,
And several feet in his socks.

To Turniptopville-by-the-Sea
This elegant nobleman went,
For that was a borough that he
Was anxious to rep-per-re-sent.

At local assemblies he danced
Until he felt thoroughly ill;
He waltzed, and he galoped, and lanced,
And threaded the mazy quadrille.

The maidens of Turniptopville
Were simple—ingenuous—pure—
And they all worked away with a will
The nobleman’s heart to secure.

Two maidens all others beyond
Endeavoured his cares to dispel—
The one was the lively ANN POND,
The other sad MARY MORELL.

ANN POND had determined to try
And carry the Earl with a rush;
Her principal feature was eye,
Her greatest accomplishment—gush.

And MARY chose this for her play:
Whenever he looked in her eye
She’d blush and turn quickly away,
And flitter, and flutter, and sigh.

It was noticed he constantly sighed
As she worked out the scheme she had planned,
A fact he endeavoured to hide
With his aristocratical hand.

Old POND was a farmer, they say,
And so was old TOMMY MORELL.
In a humble and pottering way
They were doing exceedingly well.

They both of them carried by vote
The Earl was a dangerous man;
So nervously clearing his throat,
One morning old TOMMY began:

“My darter’s no pratty young doll—
I’m a plain-spoken Zommerzet man—
Now what do ’ee mean by my POLL,
And what do ’ee mean by his ANN?”

Said B., “I will give you my bond
I mean them uncommonly well,
Believe me, my excellent POND,
And credit me, worthy MORELL.

“It’s quite indisputable, for
I’ll prove it with singular ease,—
You shall have it in ‘Barbara’ or
‘Celarent’—whichever you please.

‘You see, when an anchorite bows
To the yoke of intentional sin,
If the state of the country allows,
Homogeny always steps in—

“It’s a highly æsthetical bond,
As any mere ploughboy can tell—”
“Of course,” replied puzzled old POND.
“I see,” said old TOMMY MORELL.

“Very good, then,” continued the lord;
“When it’s fooled to the top of its bent,
With a sweep of a Damocles sword
The web of intention is rent.

“That’s patent to all of us here,
As any mere schoolboy can tell.”
POND answered, “Of course it’s quite clear”;
And so did that humbug MORELL.

“Its tone’s esoteric in force—
I trust that I make myself clear?”
MORELL only answered, “Of course,”
While POND slowly muttered, “Hear, hear.”

“Volition—celestial prize,
Pellucid as porphyry cell—
Is based on a principle wise.”
“Quite so,” exclaimed POND and MORELL.

“From what I have said you will see
That I couldn’t wed either—in fine,
By Nature’s unchanging decree
_Your_ daughters could never be _mine_.

“Go home to your pigs and your ricks,
My hands of the matter I’ve rinsed.”
So they take up their hats and their sticks,
And _exeunt ambo_, convinced.

THE GHOST, THE GALLANT, THE GAEL, AND THE GOBLIN

O’ER unreclaimed suburban clays
Some years ago were hobblin’
An elderly ghost of easy ways,
And an influential goblin.
The ghost was a sombre spectral shape,
A fine old five-act fogy,
The goblin imp, a lithe young ape,
A fine low-comedy bogy.

And as they exercised their joints,
Promoting quick digestion,
They talked on several curious points,
And raised this delicate question:
“Which of us two is Number One—
The ghostie, or the goblin?”
And o’er the point they raised in fun
They fairly fell a-squabblin’.

They’d barely speak, and each, in fine,
Grew more and more reflective:
Each thought his own particular line
By chalks the more effective.
At length they settled some one should
By each of them be haunted,
And so arrange that either could
Exert his prowess vaunted.

“The Quaint against the Statuesque”—
By competition lawful—
The goblin backed the Quaint Grotesque,
The ghost the Grandly Awful.
“Now,” said the goblin, “here’s my plan—
In attitude commanding,
I see a stalwart Englishman
By yonder tailor’s standing.

“The very fittest man on earth
My influence to try on—
Of gentle, p’r’aps of noble birth,
And dauntless as a lion!
Now wrap yourself within your shroud—
Remain in easy hearing—
Observe—you’ll hear him scream aloud
When I begin appearing!”

The imp with yell unearthly—wild—
Threw off his dark enclosure:
His dauntless victim looked and smiled
With singular composure.
For hours he tried to daunt the youth,
For days, indeed, but vainly—
The stripling smiled!—to tell the truth,
The stripling smiled inanely.

For weeks the goblin weird and wild,
That noble stripling haunted;
For weeks the stripling stood and smiled,
Unmoved and all undaunted.
The sombre ghost exclaimed, “Your plan
Has failed you, goblin, plainly:
Now watch yon hardy Hieland man,
So stalwart and ungainly.

“These are the men who chase the roe,
Whose footsteps never falter,
Who bring with them, where’er they go,
A smack of old SIR WALTER.
Of such as he, the men sublime
Who lead their troops victorious,
Whose deeds go down to after-time,
Enshrined in annals glorious!

“Of such as he the bard has said
‘Hech thrawfu’ raltie rorkie!
Wi’ thecht ta’ croonie clapperhead
And fash’ wi’ unco pawkie!’
He’ll faint away when I appear,
Upon his native heather;
Or p’r’aps he’ll only scream with fear,
Or p’r’aps the two together.”

The spectre showed himself, alone,
To do his ghostly battling,
With curdling groan and dismal moan,
And lots of chains a-rattling!
But no—the chiel’s stout Gaelic stuff
Withstood all ghostly harrying;
His fingers closed upon the snuff
Which upwards he was carrying.

For days that ghost declined to stir,
A foggy shapeless giant—
For weeks that splendid officer
Stared back again defiant.
Just as the Englishman returned
The goblin’s vulgar staring,
Just so the Scotchman boldly spurned
The ghost’s unmannered scaring.

For several years the ghostly twain
These Britons bold have haunted,
But all their efforts are in vain—
Their victims stand undaunted.
This very day the imp, and ghost,
Whose powers the imp derided,
Stand each at his allotted post—
The bet is undecided.

THE PHANTOM CURATE. A FABLE

A BISHOP once—I will not name his see—
Annoyed his clergy in the mode conventional;
From pulpit shackles never set them free,
And found a sin where sin was unintentional.
All pleasures ended in abuse auricular—
The Bishop was so terribly particular.

Though, on the whole, a wise and upright man,
He sought to make of human pleasures clearances;
And form his priests on that much-lauded plan
Which pays undue attention to appearances.
He couldn’t do good deeds without a psalm in ’em,
Although, in truth, he bore away the palm in ’em.

Enraged to find a deacon at a dance,
Or catch a curate at some mild frivolity,
He sought by open censure to enhance
Their dread of joining harmless social jollity.
Yet he enjoyed (a fact of notoriety)
The ordinary pleasures of society.

One evening, sitting at a pantomime
(Forbidden treat to those who stood in fear of him),
Roaring at jokes, _sans_ metre, sense, or rhyme,
He turned, and saw immediately in rear of him,
His peace of mind upsetting, and annoying it,
A curate, also heartily enjoying it.

Again, ’t was Christmas Eve, and to enhance
His children’s pleasure in their harmless rollicking,
He, like a good old fellow, stood to dance;
When something checked the current of his frolicking:
That curate, with a maid he treated lover-ly,
Stood up and figured with him in the “Coverley!”

Once, yielding to an universal choice
(The company’s demand was an emphatic one,
For the old Bishop had a glorious voice),
In a quartet he joined—an operatic one.
Harmless enough, though ne’er a word of grace in it,
When, lo! that curate came and took the bass in it!

One day, when passing through a quiet street,
He stopped awhile and joined a Punch’s gathering;
And chuckled more than solemn folk think meet,
To see that gentleman his Judy lathering;
And heard, as Punch was being treated penalty,
That phantom curate laughing all hyænally.

Now at a picnic, ’mid fair golden curls,
Bright eyes, straw hats, _bottines_ that fit amazingly,
A croquêt-bout is planned by all the girls;
And he, consenting, speaks of croquêt praisingly;
But suddenly declines to play at all in it—
The curate fiend has come to take a ball in it!

Next, when at quiet sea-side village, freed
From cares episcopal and ties monarchical,
He grows his beard, and smokes his fragrant weed,
In manner anything but hierarchical—
He sees—and fixes an unearthly stare on it—
That curate’s face, with half a yard of hair on it!

At length he gave a charge, and spake this word:
“Vicars, your curates to enjoyment urge ye may;
To check their harmless pleasuring’s absurd;
What laymen do without reproach, my clergy may.”
He spake, and lo! at this concluding word of him,
The curate vanished—no one since has heard of him.

THE SENSATION CAPTAIN

NO nobler captain ever trod
Than CAPTAIN PARKLEBURY TODD,
So good—so wise—so brave, he!
But still, as all his friends would own,
He had one folly—one alone—
This Captain in the Navy.

I do not think I ever knew
A man so wholly given to
Creating a sensation,
Or p’raps I should in justice say—
To what in an Adelphi play
Is known as “situation.”

He passed his time designing traps
To flurry unsuspicious chaps—
The taste was his innately;
He couldn’t walk into a room
Without ejaculating “Boom!”
Which startled ladies greatly.

He’d wear a mask and muffling cloak,
Not, you will understand, in joke,
As some assume disguises;
He did it, actuated by
A simple love of mystery
And fondness for surprises.

I need not say he loved a maid—
His eloquence threw into shade
All others who adored her.
The maid, though pleased at first, I know,
Found, after several years or so,
Her startling lover bored her.

So, when his orders came to sail,
She did not faint or scream or wail,
Or with her tears anoint him:
She shook his hand, and said “Good-bye,”
With laughter dancing in her eye—
Which seemed to disappoint him.

But ere he went aboard his boat,
He placed around her little throat
A ribbon, blue and yellow,
On which he hung a double-tooth—
A simple token this, in sooth—
’Twas all he had, poor fellow!

“I often wonder,” he would say,
When very, very far away,
“If ANGELINA wears it?
A plan has entered in my head:
I will pretend that I am dead,
And see how ANGY bears it.”

The news he made a messmate tell.
His ANGELINA bore it well,
No sign gave she of crazing;
But, steady as the Inchcape Rock,
His ANGELINA stood the shock
With fortitude amazing.

She said, “Some one I must elect
Poor ANGELINA to protect
From all who wish to harm her.
Since worthy CAPTAIN TODD is dead,
I rather feel inclined to wed
A comfortable farmer.”