Chapter IV: Introduction: The Fascination of the Ghost Story (4)

"How can I tell you?" he moaned, almost inaudibly.

"Naphtali!" shrieked the kneeling woman.

But the rabbi staggered backward. The room seemed ablaze before him, like a bright fire. A sharp cry rang from his breast, as if one suffering from some painful wound had been seized by a rough hand. In his hurried attempt to free himself from the embrace of the young woman, who still clung to his knees, it chanced that her head struck heavily against the floor.

"Naphtali!" she cried once again.

"Silence, silence," groaned the rabbi, pressing both hands against his head.

And still again she called out this name, but not with that agonizing cry. It sounded rather like a commingling of exultation and lamentation.

And again he demanded, "Silence! silence!" but this time so imperiously, so forcibly, that the young woman lay on the floor as if conjured, not daring to utter a single word.

The rabbi paced almost wildly up and down the room. There must have been a hard, terrible struggle in his breast. It seemed to the one lying on the floor that she heard him sigh from the depths of his soul. Then his pacing became calmer; but it did not last long. The fierce conflict again assailed him. His step grew hurried; it echoed loudly through the awful stillness of the room. Suddenly he neared the young woman, who seemed to lie there scarcely breathing. He stopped in front of her. Had any one seen the face of the rabbi at this moment the expression on it would have filled him with terror. There was a marvelous tranquillity overlying it, the tranquillity of a struggle for life or death.

"Listen to me now, Veile," he began, slowly. "I will talk with you."

"I listen, rabbi," she whispered.

"But do you hear me well?"

"Only speak," she returned.

"But will you do what I advise you? Will you not oppose it? For I am going to say something that will terrify you."

"I will do anything that you say. Only tell me," she moaned.

"Will you swear?"

"I will," she groaned.

"No, do not swear yet, until you have heard me," he cried. "I will not force you."

This time came no answer.

"Hear me, then, daughter of Ruben Klattaner," he began, after a pause. "You have a twofold sin upon your soul, and each is so great, so criminal, that it can only be forgiven by severe punishment. First you permitted yourself to be infatuated by the gold and silver, and then you forced your heart to lie. With the lie you sought to deceive the man, even though he had intrusted you with his all when he made you his wife. A lie is truly a great sin! Streams of water cannot drown them. They make men false and hateful to themselves. The worst that has been committed in the world was led in by a lie. That is the one sin."

"I know, I know," sobbed the young woman.

"Now hear me further," began the rabbi again, with a wavering voice, after a short pause. "You have committed a still greater sin than the first. You have not only deceived your husband, but you have also destroyed the happiness of another person. You could have spoken, and you did not. For life you have robbed him of his happiness, his light, his joy, but you did not speak. What can he now do, when he knows what has been lost to him?"

"Naphtali!" cried the young woman.

"Silence! silence! do not let that name pass your lips again," he demanded, violently. "The more you repeat it the greater becomes your sin. Why did you not speak when you could have spoken? God can never easily forgive you that. To be silent, to keep secret in one's breast what would have made another man happier than the mightiest monarch! Thereby you have made him more than unhappy. He will nevermore have the desire to be happy. Veile, God in heaven cannot forgive you for that."

"Silence! silence!" groaned the wretched woman.

"No, Veile," he continued, with a stronger voice, "let me talk now. You are certainly willing to hear me speak? Listen to me. You must do severe penance for this sin, the twofold sin which rests upon your head. God is long-suffering and merciful. He will perhaps look down upon your misery, and will blot out your guilt from the great book of transgressions. But you must become penitent. Hear, now, what it shall be."

The rabbi paused. He was on the point of saying the severest thing that had ever passed his lips.

"You were silent, Veile," then he cried, "when you should have spoken. Be silent now forever to all men and to yourself. From the moment you leave this house, until I grant it, you must be dumb; you dare not let a loud word pass from your mouth. Will you undergo this penance?"

"I will do all you say," moaned the young woman.

"Will you have strength to do it?" he asked, gently.

"I shall be as silent as death," she replied.

"And one thing more I have to say to you," he continued. "You are the wife of your husband. Return home and be a Jewish wife."

"I understand you," she sobbed in reply.

"Go to your home now, and bring peace to your parents and husband. The time will come when you may speak, when your sin will be forgiven you. Till then bear what has been laid upon you."

"May I say one thing more?" she cried, lifting up her head.

"Speak," he said.

"Naphtali!"

The rabbi covered his eyes with one hand, with the other motioned her to be silent. But she grasped his hand, drew it to her lips. Hot tears fell upon it.

"Go now," he sobbed, completely broken down.

She let go the hand. The rabbi had seized the candle, but she had already passed him, and glided through the dark hall. The door was left open. The rabbi locked it again.

* * * * *

Veile returned to her home, as she had escaped, unnoticed. The narrow street was deserted, as desolate as death. The searchers were to be found everywhere except there where they ought first to have sought for the missing one. Her mother, Selde, still sat on the same chair on which she had sunk down an hour ago. The fright had left her like one paralyzed, and she was unable to rise. What a wonderful contrast this wedding-room, with the mother sitting alone in it, presented to the hilarity reigning here shortly before! On Veile's entrance her mother did not cry out. She had no strength to do so. She merely said: "So you have come at last, my daughter?" as if Veile had only returned from a walk somewhat too long. But the young woman did not answer to this and similar questions. Finally she signified by gesticulations that she could not speak. Fright seized the wretched mother a second time, and the entire house was filled with her lamentations.

Ruben Klattaner and Veile's husband having now returned from their fruitless search, were horrified on perceiving the change which Veile had undergone. Being men, they did not weep. With staring eyes they gazed upon the silent young woman, and beheld in her an apparition which had been dealt with by God's visitation in a mysterious manner.

From this hour began the terrible penance of the young woman.

The impression which Veile's woeful condition made upon the people of the _gasse_ was wonderful. Those who had danced with her that evening on the wedding now first recalled her excited state. Her wild actions were now first remembered by many. It must have been an "evil eye," they concluded--a jealous, evil eye, to which her beauty was hateful. This alone could have possessed her with a demon of unrest. She was driven by this evil power into the dark night, a sport of these malicious potencies which pursue men step by step, especially on such occasions. The living God alone knows what she must have seen that night. Nothing good, else one would not become dumb. Old legends and tales were revived, each more horrible than the other. Hundreds of instances were given to prove that this was nothing new in the _gasse_. Despite this explanation, it is remarkable that the people did not believe that the young woman was dumb. The most thought that her power of speech had been paralyzed by some awful fright, but that with time it would be restored. Under this supposition they called her "Veile the Silent."

There is a kind of human eloquence more telling, more forcible than the loudest words, than the choicest diction--the silence of woman! Ofttimes they cannot endure the slightest vexation, but some great, heart-breaking sorrow, some pain from constant renunciation, self-sacrifice, they suffer with sealed lips--as if, in very truth, they were bound with bars of iron.

It would be difficult to fully describe that long "silent" life of the young woman. It is almost impossible to cite more than one incident. Veile accompanied her husband to his home, that house resplendent with that gold and silver which had infatuated her. She was, to be sure, the "first" woman in the _gasse_; she had everything in abundance. Indeed, the world supposed that she had but little cause for complaint. "Must one have everything?" was sometimes queried in the _gasse_. "One has one thing; another, another." And, according to all appearances, the people were right. Veile continued to be the beautiful, blooming woman. Her penance of silence did not deprive her of a single charm. She was so very happy, indeed, that she did not seem to feel even the pain of her punishment. Veile could laugh and rejoice, but never did she forget to be silent. The seemingly happy days, however, were only qualified to bring about the proper time of trials and temptations. The beginning was easy enough for her, the middle and end were times of real pain. The first years of their wedded life were childless. "It is well," the people in the _gasse_ said, "that she has no children, and God has rightly ordained it to be so. A mother who cannot talk to her child, that would be something awful!" Unexpectedly to all, she rejoiced one day in the birth of a daughter. And when that affectionate young creature, her own offspring, was laid upon her breast, and the first sounds were uttered by its lips--that nameless, eloquent utterance of an infant--she forgot herself not; she was silent!

She was silent also when from day to day that child blossomed before her eyes into fuller beauty. Nor had she any words for it when, in effusions of tenderness, it stretched forth its tiny arms, when in burning fever it sought for the mother's hand. For days--yes, weeks--together she watched at its bedside. Sleep never visited her eyes. But she ever remembered her penance.

Years fled by. In her arms she carried another child. It was a boy. The father's joy was great. The child inherited its mother's beauty. Like its sister, it grew in health and strength. The noblest, richest mother, they said, might be proud of such children! And Veile was proud, no doubt, but this never passed her lips. She remained silent about things which mothers in their joy often cannot find words enough to express. And although her face many times lighted up with beaming smiles, yet she never renounced the habitual silence imposed upon her.

The idea that the slightest dereliction of her penance would be accompanied with a curse upon her children may have impressed itself upon her mind. Mothers will understand better than other persons what this mother suffered from her penalty of silence.

Thus a part of those years sped away which we are wont to call the best. She still flourished in her wonderful beauty. Her maiden daughter was beside her, like the bud beside the full-blown rose. Suitors were already present from far and near, who passed in review before the beautiful girl. The most of them were excellent young men, and any mother might have been proud in having her own daughter sought by such. Even then Veile did not undo her penance. Those busy times of intercourse which keep mothers engaged in presenting the superiorities of their daughters in the best light were not allowed her. The choice of one of the most favored suitors was made. Never before did any couple in the _gasse_ equal this in beauty and grace. A few weeks before the appointed time for the wedding a malignant disease stole on, spreading sorrow and anxiety over the greater part of the land. Young girls were principally its victims. It seemed to pass scornfully over the aged and infirm. Veile's daughter was also laid hold upon by it. Before three days had passed there was a corpse in the house--the bride!

Even then Veile did not forget her penance. When they bore away the corpse to the "good place," she did utter a cry of anguish which long after echoed in the ears of the people; she did wring her hands in despair, but no one heard a word of complaint. Her lips seemed dumb forever. It was then, when she was seated on the low stool in the seven days of mourning, that the rabbi came to her, to bring to her the usual consolation for the dead. But he did not speak with her. He addressed words only to her husband. She herself dared not look up. Only when he turned to go did she lift her eyes. They, in turn, met the eyes of the rabbi, but he departed without a farewell.

After her daughter's death Veile was completely broken down. Even that which at her time of life is still called beauty had faded away within a few days. Her cheeks had become hollow, her hair gray. Visitors wondered how she could endure such a shock, how body and spirit could hold together. They did not know that that silence was an iron fetter firmly imprisoning the slumbering spirits. She had a son, moreover, to whom, as to something last and dearest, her whole being still clung.

The boy was thirteen years old. His learning in the Holy Scriptures was already celebrated for miles around. He was the pupil of the rabbi, who had treated him with a love and tenderness becoming his own father. He said that he was a remarkable child, endowed with rare talents. The boy was to be sent to Hungary, to one of the most celebrated teachers of the times, in order to lay the foundation for his sacred studies under this instructor's guidance and wisdom. Years might perhaps pass before she would see him again. But Veile let her boy go from her embrace. She did not say a blessing over him when he went; only her lips twitched with the pain of silence.

Long years expired before the boy returned from the strange land, a full-grown, noble youth. When Veile had her son with her again a smile played about her mouth, and for a moment it seemed as if her former beauty had enjoyed a second spring. The extraordinary ability of her son already made him famous. Wheresoever he went people were delighted with his beauty, and admired the modesty of his manner, despite such great scholarship.

The next Sabbath the young disciple of the Talmud, scarcely twenty years of age, was to demonstrate the first marks of this great learning.

The people crowded shoulder to shoulder in this great synagogue. Curious glances were cast through the lattice-work of the women's gallery above upon the dense throng. Veile occupied one of the foremost seats. She could see everything that took place below. Her face was extremely pale. All eyes were turned towards her--the mother, who was permitted to see such a day for her son! But Veile did not appear to notice what was happening before her. A weariness, such as she had never felt before, even in her greatest suffering, crept over her limbs. It was as if she must sleep during her son's address. He had hardly mounted the stairs before the ark of the laws--hardly uttered his first words--when a remarkable change crossed her face. Her cheeks burned. She arose. All her vital energy seemed aroused. Her son meanwhile was speaking down below. She could not have told what he was saying. She did not hear him--she only heard the murmur of approbation, sometimes low, sometimes loud, which came to her ears from the quarters of the men. The people were astonished at the noble bearing of the speaker, his melodious speech, and his powerful energy. When he stopped at certain times to rest it seemed as if one were in a wood swept by a storm. She could now and then hear a few voices declaring that such a one had never before been listened to. The women at her side wept; she alone could not. A choking pain pressed from her breast to her lips. Forces were astir in her heart which struggled for expression. The whole synagogue echoed with buzzing voices, but to her it seemed as if she must speak louder than these. At the very moment her son had ended she cried out unconsciously, violently throwing herself against the lattice-work:

"God! living God! shall I not now speak?" A dead silence followed this outcry. Nearly all had recognized this voice as that of the "silent woman." A miracle had taken place!

"Speak! speak!" resounded the answer of the rabbi from the men's seats below. "You may now speak!"

But no reply came. Veile had fallen back into her seat, pressing both hands against her breast. When the women sitting beside her looked at her they were terrified to find that the "silent woman" had fainted. She was dead! The unsealing of her lips was her last moment.

Long years afterwards the rabbi died. On his death-bed he told those standing about him this wonderful penance of Veile.

Every girl in the _gasse_ knew the story of the "silent woman."

FOOTNOTE:

[D] Copyright, 1890, by Harper Bros.

BANSHEES[E]

Of all Irish ghosts, fairies, or bogles, the Banshee (sometimes called locally the "Boh[=ee]ntha" or "Bank[=ee]ntha") is the best known to the general public: indeed, cross-Channel visitors would class her with pigs, potatoes, and other fauna and flora of Ireland, and would expect her to make manifest her presence to them as being one of the sights of the country. She is a spirit with a lengthy pedigree--how lengthy no man can say, as its roots go back into the dim, mysterious past. The most famous Banshee of ancient times was that attached to the kingly house of O'Brien, Aibhill, who haunted the rock of Craglea above Killaloe, near the old palace of Kincora. In A.D. 1014 was fought the battle of Clontarf, from which the aged king, Brian Boru, knew that he would never come away alive, for the previous night Aibhill had appeared to him to tell him of his impending fate. The Banshee's method of foretelling death in olden times differed from that adopted by her at the present day: now she wails and wrings her hands, as a general rule, but in the old Irish tales she is to be found washing human heads and limbs, or blood-stained clothes, till the water is all dyed with human blood--this would take place before a battle. So it would seem that in the course of centuries her attributes and characteristics have changed somewhat.

Very different descriptions are given of her personal appearance. Sometimes she is young and beautiful, sometimes old and of a fearsome appearance. One writer describes her as "a tall, thin woman with uncovered head, and long hair that floated round her shoulders, attired in something which seemed either a loose white cloak, or a sheet thrown hastily around her, uttering piercing cries." Another person, a coachman, saw her one evening sitting on a stile in the yard; she seemed to be a very small woman, with blue eyes, long light hair, and wearing a red cloak. Other descriptions will be found in this chapter. By the way, it does not seem to be true that the Banshee exclusively follows families of Irish descent, for the last incident had reference to the death of a member of a Co. Galway family English by name and origin.

One of the oldest and best-known Banshee stories is that related in the _Memoirs_ of Lady Fanshaw.[F] In 1642 her husband, Sir Richard, and she chanced to visit a friend, the head of an Irish sept, who resided in his ancient baronial castle, surrounded with a moat. At midnight she was awakened by a ghastly and supernatural scream, and looking out of bed, beheld in the moonlight a female face and part of the form hovering at the window. The distance from the ground, as well as the circumstance of the moat, excluded the possibility that what she beheld was of this world. The face was that of a young and rather handsome woman, but pale, and the hair, which was reddish, was loose and disheveled. The dress, which Lady Fanshaw's terror did not prevent her remarking accurately, was that of the ancient Irish. This apparition continued to exhibit itself for some time, and then vanished with two shrieks similar to that which had first excited Lady Fanshaw's attention. In the morning, with infinite terror, she communicated to her host what she had witnessed, and found him prepared not only to credit, but to account for the superstition. "A near relation of my family," said he; "expired last night in this castle. We disguised our certain expectation of the event from you, lest it should throw a cloud over the cheerful reception which was your due. Now, before such an event happens in this family or castle, the female specter whom you have seen is always visible. She is believed to be the spirit of a woman of inferior rank, whom one of my ancestors degraded himself by marrying, and whom afterwards, to expiate the dishonor done to his family, he caused to be drowned in the moat." In strictness this woman could hardly be termed a Banshee. The motive for the haunting is akin to that in the tale of the Scotch "Drummer of Cortachy," where the spirit of the murdered man haunts the family out of revenge, and appears before a death.

Mr. T.J. Westropp, M.A., has furnished the following story: "My maternal grandmother heard the following tradition from her mother, one of the Miss Ross-Lewins, who witnessed the occurrence. Their father, Mr. Harrison Ross-Lewin, was away in Dublin on law business, and in his absence the young people went off to spend the evening with a friend who lived some miles away. The night was fine and lightsome as they were returning, save at one point where the road ran between trees or high hedges not far to the west of the old church of Kilchrist. The latter, like many similar ruins, was a simple oblong building, with long side-walls and high gables, and at that time it and its graveyard were unenclosed, and lay in the open fields. As the party passed down the long dark lane they suddenly heard in the distance loud keening and clapping of hands, as the country-people were accustomed to do when lamenting the dead. The Ross-Lewins hurried on, and came in sight of the church, on the side wall of which a little gray-haired old woman, clad in a dark cloak, was running to and fro, chanting and wailing, and throwing up her arms. The girls were very frightened, but the young men ran forward and surrounded the ruin, and two of them went into the church, the apparition vanishing from the wall as they did so. They searched every nook, and found no one, nor did any one pass out. All were now well scared, and got home as fast as possible. On reaching their home their mother opened the door, and at once told them that she was in terror about their father, for, as she sat looking out the window in the moonlight, a huge raven with fiery eyes lit on the sill, and tapped three times on the glass. They told her their story, which only added to their anxiety, and as they stood talking, taps came to the nearest window, and they saw the bird again. A few days later news reached them that Mr. Ross-Lewin had died suddenly in Dublin. This occurred about 1776."

Mr. Westropp also writes that the sister of a former Roman Catholic Bishop told his sisters that when she was a little girl she went out one evening with some other children for a walk. Going down the road, they passed the gate of the principal demesne near the town. There was a rock, or large stone, beside the road, on which they saw something. Going nearer, they perceived it to be a little dark, old woman, who began crying and clapping her hands. Some of them attempted to speak to her, but got frightened, and all finally ran home as quickly as they could. Next day the news came that the gentleman near whose gate the Banshee had cried, was dead, and it was found on inquiry that he had died at the very hour at which the children had seen the specter.

A lady who is a relation of one of the compilers, and a member of a Co. Cork family of English descent, sends the two following experiences of a Banshee in her family. "My mother, when a young girl, was standing looking out of the window in their house at Blackrock, near Cork. She suddenly saw a white figure standing on a bridge which was easily visible from the house. The figure waved her arms towards the house, and my mother heard the bitter wailing of the Banshee. It lasted some seconds, and then the figure disappeared. Next morning my grandfather was walking as usual into the city of Cork. He accidentally fell, hit his head against the curbstone, and never recovered consciousness.

"In March, 1900, my mother was very ill, and one evening the nurse and I were with her arranging her bed. We suddenly heard the most extraordinary wailing, which seemed to come in waves round and under her bed. We naturally looked everywhere to try and find the cause, but in vain. The nurse and I looked at one another, but made no remark, as my mother did not seem to hear it. My sister was downstairs sitting with my father. She heard it, and thought some terrible thing had happened to her little boy, who was in bed upstairs. She rushed up, and found him sleeping quietly. My father did not hear it. In the house next door they heard it, and ran downstairs, thinking something had happened to the servant; but the latter at once said to them, 'Did you hear the Banshee? Mrs. P---- must be dying.'"

A few years ago (_i.e._ before 1894) a curious incident occurred in a public school in connection with the belief in the Banshee. One of the boys, happening to become ill, was at once placed in a room by himself, where he used to sit all day. On one occasion, as he was being visited by the doctor, he suddenly started up from his seat, and affirmed that he heard somebody crying. The doctor, of course, who could hear or see nothing, came to the conclusion that the illness had slightly affected his brain. However, the boy, who appeared quite sensible, still persisted that he heard some one crying, and furthermore said, "It is the Banshee, as I have heard it before." The following morning the head-master received a telegram saying that the boy's brother had been accidentally shot dead.[G]

That the Banshee is not confined within the geographical limits of Ireland, but that she can follow the fortunes of a family abroad, and there foretell their death, is clearly shown by the following story. A party of visitors were gathered together on the deck of a private yacht on one of the Italian lakes, and during a lull in the conversation one of them, a Colonel, said to the owner, "Count, who's that queer-looking woman you have on board?" The Count replied that there was nobody except the ladies present, and the stewardess, but the speaker protested that he was correct, and suddenly, with a scream of horror, he placed his hands before his eyes, and exclaimed, "Oh, my God, what a face!" For some time he was overcome with terror, and at length reluctantly looked up, and cried:

"Thank Heavens, it's gone!"

"What was it?" asked the Count.

"Nothing human," replied the Colonel--"nothing belonging to this world. It was a woman of no earthly type, with a queer-shaped, gleaming face, a mass of red hair, and eyes that would have been beautiful but for their expression, which was hellish. She had on a green hood, after the fashion of an Irish peasant."

An American lady present suggested that the description tallied with that of the Banshee, upon which the Count said:

"I am an O'Neill--at least I am descended from one. My family name is, as you know, Neilsini, which, little more than a century ago, was O'Neill. My great-grandfather served in the Irish Brigade, and on its dissolution at the time of the French Revolution had the good fortune to escape the general massacre of officers, and in company with an O'Brien and a Maguire fled across the frontier and settled in Italy. On his death his son, who had been born in Italy, and was far more Italian than Irish, changed his name to Neilsini, by which name the family has been known ever since. But for all that we are Irish."

"The Banshee was yours, then!" ejaculated the Colonel. "What exactly does it mean?"

"It means," the Count replied solemnly, "the death of some one very nearly associated with me. Pray Heaven it is not my wife or daughter."

On that score, however, his anxiety was speedily removed, for within two hours he was seized with a violent attack of angina pectoris, and died before morning.[H]

Mr. Elliott O'Donnell, to whose article on "Banshees" we are indebted for the above, adds: "The Banshee never manifests itself to the person whose death it is prognosticating. Other people may see or hear it, but the fated one never, so that when every one present is aware of it but one, the fate of that one may be regarded as pretty well certain."

FOOTNOTES:

[E] From "True Irish Ghost Stories."

[F] Scott's _Lady of the Lake_, notes to Canto III (edition of 1811).

[G] A.G. Bradley, _Notes on some Irish Superstitions_, p. 9.

[H] _Occult Review_ for September, 1913.

THE MAN WHO WENT TOO FAR

BY E.F. BENSON

The little village of St. Faith's nestles in a hollow of wooded hill up on the north bank of the river Fawn in the county of Hampshire, huddling close round its gray Norman church as if for spiritual protection against the fays and fairies, the trolls and "little people," who might be supposed still to linger in the vast empty spaces of the New Forest, and to come after dusk and do their doubtful businesses. Once outside the hamlet you may walk in any direction (so long as you avoid the high road which leads to Brockenhurst) for the length of a summer afternoon without seeing sign of human habitation, or possibly even catching sight of another human being. Shaggy wild ponies may stop their feeding for a moment as you pass, the white scuts of rabbits will vanish into their burrows, a brown viper perhaps will glide from your path into a clump of heather, and unseen birds will chuckle in the bushes, but it may easily happen that for a long day you will see nothing human. But you will not feel in the least lonely; in summer, at any rate, the sunlight will be gay with butterflies, and the air thick with all those woodland sounds which like instruments in an orchestra combine to play the great symphony of the yearly festival of June. Winds whisper in the birches, and sigh among the firs; bees are busy with their redolent labor among the heather, a myriad birds chirp in the green temples of the forest trees, and the voice of the river prattling over stony places, bubbling into pools, chuckling and gulping round corners, gives you the sense that many presences and companions are near at hand.

Yet, oddly enough, though one would have thought that these benign and cheerful influences of wholesome air and spaciousness of forest were very healthful comrades for a man, in so far as nature can really influence this wonderful human genus which has in these centuries learned to defy her most violent storms in its well-established houses, to bridle her torrents and make them light its streets, to tunnel her mountains and plow her seas, the inhabitants of St. Faith's will not willingly venture into the forest after dark. For in spite of the silence and loneliness of the hooded night it seems that a man is not sure in what company he may suddenly find himself, and though it is difficult to get from these villagers any very clear story of occult appearances, the feeling is widespread. One story indeed I have heard with some definiteness, the tale of a monstrous goat that has been seen to skip with hellish glee about the woods and shady places, and this perhaps is connected with the story which I have here attempted to piece together. It too is well-known to them; for all remember the young artist who died here not long ago, a young man, or so he struck the beholder, of great personal beauty, with something about him that made men's faces to smile and brighten when they looked on him. His ghost they will tell you "walks" constantly by the stream and through the woods which he loved so, and in especial it haunts a certain house, the last of the village, where he lived, and its garden in which he was done to death. For my part I am inclined to think that the terror of the Forest dates chiefly from that day. So, such as the story is, I have set it forth in connected form. It is based partly on the accounts of the villagers, but mainly on that of Darcy, a friend of mine and a friend of the man with whom these events were chiefly concerned.

* * * * *

The day had been one of untarnished midsummer splendor, and as the sun drew near to its setting, the glory of the evening grew every moment more crystalline, more miraculous. Westward from St. Faith's the beechwood which stretched for some miles toward the heathery upland beyond already cast its veil of clear shadow over the red roofs of the village, but the spire of the gray church, over-topping all, still pointed a flaming orange finger into the sky. The river Fawn, which runs below, lay in sheets of sky-reflected blue, and wound its dreamy devious course round the edge of this wood, where a rough two-planked bridge crossed from the bottom of the garden of the last house in the village, and communicated by means of a little wicker gate with the wood itself. Then once out of the shadow of the wood the stream lay in flaming pools of the molten crimson of the sunset, and lost itself in the haze of woodland distances.

This house at the end of the village stood outside the shadow, and the lawn which sloped down to the river was still flecked with sunlight. Garden-beds of dazzling color lined its gravel walks, and down the middle of it ran a brick pergola, half-hidden in clusters of rambler-rose and purple with starry clematis. At the bottom end of it, between two of its pillars, was slung a hammock containing a shirt-sleeved figure.

The house itself lay somewhat remote from the rest of the village, and a footpath leading across two fields, now tall and fragrant with hay, was its only communication with the high road. It was low-built, only two stories in height, and like the garden, its walls were a mass of flowering roses. A narrow stone terrace ran along the garden front, over which was stretched an awning, and on the terrace a young silent-footed man-servant was busied with the laying of the table for dinner. He was neat-handed and quick with his job, and having finished it he went back into the house, and reappeared again with a large rough bath-towel on his arm. With this he went to the hammock in the pergola.

"Nearly eight, sir," he said.

"Has Mr. Darcy come yet?" asked a voice from the hammock.

"No, sir."

"If I'm not back when he comes, tell him that I'm just having a bathe before dinner."

The servant went back to the house, and after a moment or two Frank Halton struggled to a sitting posture, and slipped out on to the grass. He was of medium height and rather slender in build, but the supple ease and grace of his movements gave the impression of great physical strength: even his descent from the hammock was not an awkward performance. His face and hands were of very dark complexion, either from constant exposure to wind and sun, or, as his black hair and dark eyes tended to show, from some strain of southern blood. His head was small, his face of an exquisite beauty of modeling, while the smoothness of its contour would have led you to believe that he was a beardless lad still in his teens. But something, some look which living and experience alone can give, seemed to contradict that, and finding yourself completely puzzled as to his age, you would next moment probably cease to think about that, and only look at this glorious specimen of young manhood with wondering satisfaction.

He was dressed as became the season and the heat, and wore only a shirt open at the neck, and a pair of flannel trousers. His head, covered very thickly with a somewhat rebellious crop of short curly hair, was bare as he strolled across the lawn to the bathing-place that lay below. Then for a moment there was silence, then the sound of splashed and divided waters, and presently after, a great shout of ecstatic joy, as he swam up-stream with the foamed water standing in a frill round his neck. Then after some five minutes of limb-stretching struggle with the flood, he turned over on his back, and with arms thrown wide, floated down-stream, ripple-cradled and inert. His eyes were shut, and between half-parted lips he talked gently to himself.

"I am one with it," he said to himself, "the river and I, I and the river. The coolness and splash of it is I, and the water-herbs that wave in it are I also. And my strength and my limbs are not mine but the river's. It is all one, all one, dear Fawn."

* * * * *

A quarter of an hour later he appeared again at the bottom of the lawn, dressed as before, his wet hair already drying into its crisp short curls again. There he paused a moment, looking back at the stream with the smile with which men look on the face of a friend, then turned towards the house. Simultaneously his servant came to the door leading on to the terrace, followed by a man who appeared to be some half-way through the fourth decade of his years. Frank and he saw each other across the bushes and garden-beds, and each quickening his step, they met suddenly face to face round an angle of the garden walk, in the fragrance of syringa.

"My dear Darcy," cried Frank, "I am charmed to see you."

But the other stared at him in amazement.

"Frank!" he exclaimed.

"Yes, that is my name," he said laughing, "what is the matter?"

Darcy took his hand.

"What have you done to yourself?" he asked. "You are a boy again."

"Ah, I have a lot to tell you," said Frank. "Lots that you will hardly believe, but I shall convince you----"

He broke off suddenly, and held up his hand.

"Hush, there is my nightingale," he said.

The smile of recognition and welcome with which he had greeted his friend faded from his face, and a look of rapt wonder took its place, as of a lover listening to the voice of his beloved. His mouth parted slightly, showing the white line of teeth, and his eyes looked out and out till they seemed to Darcy to be focused on things beyond the vision of man. Then something perhaps startled the bird, for the song ceased.

"Yes, lots to tell you," he said. "Really I am delighted to see you. But you look rather white and pulled down; no wonder after that fever. And there is to be no nonsense about this visit. It is June now, you stop here till you are fit to begin work again. Two months at least."

"Ah, I can't trespass quite to that extent."

Frank took his arm and walked him down the grass.

"Trespass? Who talks of trespass? I shall tell you quite openly when I am tired of you, but you know when we had the studio together, we used not to bore each other. However, it is ill talking of going away on the moment of your arrival. Just a stroll to the river, and then it will be dinner-time."

Darcy took out his cigarette case, and offered it to the other.

Frank laughed.

"No, not for me. Dear me, I suppose I used to smoke once. How very odd!"

"Given it up?"

"I don't know. I suppose I must have. Anyhow I don't do it now. I would as soon think of eating meat."

"Another victim on the smoking altar of vegetarianism?"

"Victim?" asked Frank. "Do I strike you as such?"

He paused on the margin of the stream and whistled softly. Next moment a moor-hen made its splashing flight across the river, and ran up the bank. Frank took it very gently in his hands and stroked its head, as the creature lay against his shirt.

"And is the house among the reeds still secure?" he half-crooned to it. "And is the missus quite well, and are the neighbors flourishing? There, dear, home with you," and he flung it into the air.

"That bird's very tame," said Darcy, slightly bewildered.

"It is rather," said Frank, following its flight.

* * * * *

During dinner Frank chiefly occupied himself in bringing himself up-to-date in the movements and achievements of this old friend whom he had not seen for six years. Those six years, it now appeared, had been full of incident and success for Darcy; he had made a name for himself as a portrait painter which bade fair to outlast the vogue of a couple of seasons, and his leisure time had been brief. Then some four months previously he had been through a severe attack of typhoid, the result of which as concerns this story was that he had come down to this sequestered place to recruit.

"Yes, you've got on," said Frank at the end. "I always knew you would. A.R.A. with more in prospect. Money? You roll in it, I suppose, and, O Darcy, how much happiness have you had all these years? That is the only imperishable possession. And how much have you learned? Oh, I don't mean in Art. Even I could have done well in that."

Darcy laughed.

"Done well? My dear fellow, all I have learned in these six years you knew, so to speak, in your cradle. Your old pictures fetch huge prices. Do you never paint now?"

Frank shook his head.

"No, I'm too busy," he said.

"Doing what? Please tell me. That is what every one is for ever asking me."

"Doing? I suppose you would say I do nothing."

Darcy glanced up at the brilliant young face opposite him.

"It seems to suit you, that way of being busy," he said. "Now, it's your turn. Do you read? Do you study? I remember you saying that it would do us all--all us artists, I mean--a great deal of good if we would study any one human face carefully for a year, without recording a line. Have you been doing that?"

Frank shook his head again.

"I mean exactly what I say," he said, "I have been _doing_ nothing. And I have never been so occupied. Look at me; have I not done something to myself to begin with?"

"You are two years younger than I," said Darcy, "at least you used to be. You therefore are thirty-five. But had I never seen you before I should say you were just twenty. But was it worth while to spend six years of greatly-occupied life in order to look twenty? Seems rather like a woman of fashion."

Frank laughed boisterously.

"First time I've ever been compared to that particular bird of prey," he said. "No, that has not been my occupation--in fact I am only very rarely conscious that one effect of my occupation has been that. Of course, it must have been if one comes to think of it. It is not very important. Quite true my body has become young. But that is very little; I have become young."

Darcy pushed back his chair and sat sideways to the table looking at the other.

"Has that been your occupation then?" he asked.

"Yes, that anyhow is one aspect of it. Think what youth means! It is the capacity for growth, mind, body, spirit, all grow, all get stronger, all have a fuller, firmer life every day. That is something, considering that every day that passes after the ordinary man reaches the full-blown flower of his strength, weakens his hold on life. A man reaches his prime, and remains, we say, in his prime, for ten years, or perhaps twenty. But after his primest prime is reached, he slowly, insensibly weakens. These are the signs of age in you, in your body, in your art probably, in your mind. You are less electric than you were. But I, when I reach my prime--I am nearing it--ah, you shall see."

The stars had begun to appear in the blue velvet of the sky, and to the east the horizon seen above the black silhouette of the village was growing dove-colored with the approach of moon-rise. White moths hovered dimly over the garden-beds, and the footsteps of night tip-toed through the bushes. Suddenly Frank rose.

"Ah, it is the supreme moment," he said softly. "Now more than at any other time the current of life, the eternal imperishable current runs so close to me that I am almost enveloped in it. Be silent a minute."

He advanced to the edge of the terrace and looked out standing stretched with arms outspread. Darcy heard him draw a long breath into his lungs, and after many seconds expel it again. Six or eight times he did this, then turned back into the lamplight.

"It will sound to you quite mad, I expect," he said, "but if you want to hear the soberest truth I have ever spoken and shall ever speak, I will tell you about myself. But come into the garden if it is not too damp for you. I have never told any one yet, but I shall like to tell you. It is long, in fact, since I have even tried to classify what I have learned."

They wandered into the fragrant dimness of the pergola, and sat down. Then Frank began:

"Years ago, do you remember," he said, "we used often to talk about the decay of joy in the world. Many impulses, we settled, had contributed to this decay, some of which were good in themselves, others that were quite completely bad. Among the good things, I put what we may call certain Christian virtues, renunciation, resignation, sympathy with suffering, and the desire to relieve sufferers. But out of those things spring very bad ones, useless renunciations, asceticism for its own sake, mortification of the flesh with nothing to follow, no corresponding gain that is, and that awful and terrible disease which devastated England some centuries ago, and from which by heredity of spirit we suffer now, Puritanism. That was a dreadful plague, the brutes held and taught that joy and laughter and merriment were evil: it was a doctrine the most profane and wicked. Why, what is the commonest crime one sees? A sullen face. That is the truth of the matter.

"Now all my life I have believed that we are intended to be happy, that joy is of all gifts the most divine. And when I left London, abandoned my career, such as it was, I did so because I intended to devote my life to the cultivation of joy, and, by continuous and unsparing effort, to be happy. Among people, and in constant intercourse with others, I did not find it possible; there were too many distractions in towns and work-rooms, and also too much suffering. So I took one step backwards or forwards, as you may choose to put it, and went straight to Nature, to trees, birds, animals, to all those things which quite clearly pursue one aim only, which blindly follow the great native instinct to be happy without any care at all for morality, or human law or divine law. I wanted, you understand, to get all joy first-hand and unadulterated, and I think it scarcely exists among men; it is obsolete."

Darcy turned in his chair.

"Ah, but what makes birds and animals happy?" he asked. "Food, food and mating."

Frank laughed gently in the stillness.

"Do not think I became a sensualist," he said. "I did not make that mistake. For the sensualist carries his miseries pick-a-back, and round his feet is wound the shroud that shall soon enwrap him. I may be mad, it is true, but I am not so stupid anyhow as to have tried that. No, what is it that makes puppies play with their own tails, that sends cats on their prowling ecstatic errands at night?".

He paused a moment.

"So I went to Nature," he said. "I sat down here in this New Forest, sat down fair and square, and looked. That was my first difficulty, to sit here quiet without being bored, to wait without being impatient, to be receptive and very alert, though for a long time nothing particular happened. The change in fact was slow in those early stages."

"Nothing happened?" asked Darcy rather impatiently, with the sturdy revolt against any new idea which to the English mind is synonymous with nonsense. "Why, what in the world _should_ happen?"

Now Frank as he had known him was the most generous but most quick-tempered of mortal men; in other words his anger would flare to a prodigious beacon, under almost no provocation, only to be quenched again under a gust of no less impulsive kindliness. Thus the moment Darcy had spoken, an apology for his hasty question was half-way up his tongue. But there was no need for it to have traveled even so far, for Frank laughed again with kindly, genuine mirth.

"Oh, how I should have resented that a few years ago," he said. "Thank goodness that resentment is one of the things I have got rid of. I certainly wish that you should believe my story--in fact, you are going to--but that you at this moment should imply that you do not, does not concern me."

"Ah, your solitary sojournings have made you inhuman," said Darcy, still very English.

"No, human," said Frank. "Rather more human, at least rather less of an ape."

"Well, that was my first quest," he continued, after a moment, "the deliberate and unswerving pursuit of joy, and my method, the eager contemplation of Nature. As far as motive went, I daresay it was purely selfish, but as far as effect goes, it seems to me about the best thing one can do for one's fellow-creatures, for happiness is more infectious than small-pox. So, as I said, I sat down and waited; I looked at happy things, zealously avoided the sight of anything unhappy, and by degrees a little trickle of the happiness of this blissful world began to filter into me. The trickle grew more abundant, and now, my dear fellow, if I could for a moment divert from me into you one half of the torrent of joy that pours through me day and night, you would throw the world, art, everything aside, and just live, exist. When a man's body dies, it passes into trees and flowers. Well, that is what I have been trying to do with my soul before death."