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Chapter XIII: Introduction (11)

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"Yes--Mrs. Peters," he said, his glance resting on the woman who was not Mrs. Peters, the big farmer woman who stood behind the sheriff's wife. "Of course Mrs. Peters is one of us," he said, in a manner of entrusting responsibility. "And keep your eye out Mrs. Peters, for anything that might be of use. No telling; you women might come upon a clue to the motive--and that's the thing we need."

Mr. Hale rubbed his face after the fashion of a show man getting ready for a pleasantry.

"But would the women know a clue if they did come upon it?" he said; and, having delivered himself of this, he followed the others through the stair door.

* * *

The women stood motionless and silent, listening to the footsteps, first upon the stairs, then in the room above them.

Then, as if releasing herself from something strange, Mrs. Hale began to arrange the dirty pans under the sink, which the county attorney's disdainful push of the foot had deranged.

"I'd hate to have men comin' into my kitchen," she said testily--"snoopin' round and criticizin'."

"Of course it's no more than their duty," said the sheriff's wife, in her manner of timid acquiescence.

"Duty's all right," replied Mrs. Hale bluffly; "but I guess that deputy sheriff that come out to make the fire might have got a little of this on." She gave the roller towel a pull. "Wish I'd thought of that sooner! Seems mean to talk about her for not having things slicked up, when she had to come away in such a hurry."

She looked around the kitchen. Certainly it was not "slicked up." Her eye was held by a bucket of sugar on a low shelf. The cover was off the wooden bucket, and beside it was a paper bag--half full.

Mrs. Hale moved toward it.

"She was putting this in there," she said to herself--slowly.

She thought of the flour in her kitchen at home--half sifted, half not sifted. She had been interrupted, and had left things half done. What had interrupted Minnie Foster? Why had that work been left half done? She made a move as if to finish it,--unfinished things always bothered her,--and then she glanced around and saw that Mrs. Peters was watching her--and she didn't want Mrs. Peters to get that feeling she had got of work begun and then--for some reason--not finished.

"It's a shame about her fruit," she said, and walked toward the cupboard that the county attorney had opened, and got on the chair, murmuring: "I wonder if it's all gone."

It was a sorry enough looking sight, but "Here's one that's all right," she said at last. She held it toward the light. "This is cherries, too." She looked again. "I declare I believe that's the only one."

With a sigh, she got down from the chair, went to the sink, and wiped off the bottle.

"She'll feel awful bad, after all her hard work in the hot weather. I remember the afternoon I put up my cherries last summer."

She set the bottle on the table, and, with another sigh, started to sit down in the rocker. But she did not sit down. Something kept her from sitting down in that chair. She straightened--stepped back, and, half turned away, stood looking at it, seeing the woman who had sat there "pleatin' at her apron."

The thin voice of the sheriff's wife broke in upon her: "I must be getting those things from the front room closet." She opened the door into the other room, started in, stepped back. "You coming with me, Mrs. Hale?" she asked nervously. "You--you could help me get them."

They were soon back--the stark coldness of that shut-up room was not a thing to linger in.

"My!" said Mrs. Peters, dropping the things on the table and hurrying to the stove.

Mrs. Hale stood examining the clothes the woman who was being detained in town had said she wanted.

"Wright was close!" she exclaimed, holding up a shabby black skirt that bore the marks of much making over. "I think maybe that's why she kept so much to herself. I s'pose she felt she couldn't do her part; and then, you don't enjoy things when you feel shabby. She used to wear pretty clothes and be lively--when she was Minnie Foster, one of the town girls, singing in the choir. But that--oh, that was twenty years ago."

With a carefulness in which there was something tender, she folded the shabby clothes and piled them at one corner of the table. She looked up at Mrs. Peters and there was something in the other woman's look that irritated her.

"She don't care," she said to herself. "Much difference it makes to her whether Minnie Foster had pretty clothes when she was a girl."

Then she looked again, and she wasn't so sure; in fact, she hadn't at any time been perfectly sure about Mrs. Peters. She had that shrinking manner, and yet her eyes looked as if they could see a long way into things.

"This all you was to take in?" asked Mrs. Hale.

"No," said the sheriff's wife; "she said she wanted an apron. Funny thing to want," she ventured in her nervous little way, "for there's not much to get you dirty in jail, goodness knows. But I suppose just to make her feel more natural. If you're used to wearing an apron--. She said they were in the bottom drawer of this cupboard. Yes--here they are. And then her little shawl that always hung on the stair door."

She took the small gray shawl from behind the door leading upstairs, and stood a minute looking at it.

Suddenly Mrs. Hale took a quick step toward the other woman.

"Mrs. Peters!"

"Yes, Mrs. Hale?"

"Do you think she--did it?"

A frightened look blurred the other thing in Mrs. Peters' eyes.

"Oh, I don't know," she said, in a voice that seemed to shrink away from the subject.

"Well, I don't think she did," affirmed Mrs. Hale stoutly. "Asking for an apron, and her little shawl. Worryin' about her fruit."

"Mr. Peters says--." Footsteps were heard in the room above; she stopped, looked up, then went on in a lowered voice: "Mr. Peters says--it looks bad for her. Mr. Henderson is awful sarcastic in a speech, and he's going to make fun of her saying she didn't--wake up."

For a moment Mrs. Hale had no answer. Then, "Well, I guess John Wright didn't wake up--when they was slippin' that rope under his neck," she muttered.

"No, it's _strange_," breathed Mrs. Peters. "They think it was such a--funny way to kill a man."

She began to laugh; at sound of the laugh, abruptly stopped.

"That's just what Mr. Hale said," said Mrs. Hale, in a resolutely natural voice. "There was a gun in the house. He says that's what he can't understand."

"Mr. Henderson said, coming out, that what was needed for the case was a motive. Something to show anger--or sudden feeling."

"Well, I don't see any signs of anger around here," said Mrs. Hale. "I don't--"

She stopped. It was as if her mind tripped on something. Her eye was caught by a dish-towel in the middle of the kitchen table. Slowly she moved toward the table. One half of it was wiped clean, the other half messy. Her eyes made a slow, almost unwilling turn to the bucket of sugar and the half empty bag beside it. Things begun--and not finished.

After a moment she stepped back, and said, in that manner of releasing herself:

"Wonder how they're finding things upstairs? I hope she had it a little more red up up there. You know,"--she paused, and feeling gathered,--"it seems kind of _sneaking_: locking her up in town and coming out here to get her own house to turn against her!"

"But, Mrs. Hale," said the sheriff's wife, "the law is the law."

"I s'pose 'tis," answered Mrs. Hale shortly.

She turned to the stove, saying something about that fire not being much to brag of. She worked with it a minute, and when she straightened up she said aggressively:

"The law is the law--and a bad stove is a bad stove. How'd you like to cook on this?"--pointing with the poker to the broken lining. She opened the oven door and started to express her opinion of the oven; but she was swept into her own thoughts, thinking of what it would mean, year after year, to have that stove to wrestle with. The thought of Minnie Foster trying to bake in that oven--and the thought of her never going over to see Minnie Foster--.

She was startled by hearing Mrs. Peters say: "A person gets discouraged--and loses heart."

The sheriff's wife had looked from the stove to the sink--to the pail of water which had been carried in from outside. The two women stood there silent, above them the footsteps of the men who were looking for evidence against the woman who had worked in that kitchen. That look of seeing into things, of seeing through a thing to something else, was in the eyes of the sheriff's wife now. When Mrs. Hale next spoke to her, it was gently:

"Better loosen up your things, Mrs. Peters. We'll not feel them when we go out."

Mrs. Peters went to the back of the room to hang up the fur tippet she was wearing. A moment later she exclaimed, "Why, she was piecing a quilt," and held up a large sewing basket piled high with quilt pieces.

Mrs. Hale spread some of the blocks out on the table.

"It's log-cabin pattern," she said, putting several of them together. "Pretty, isn't it?"

They were so engaged with the quilt that they did not hear the footsteps on the stairs. Just as the stair door opened Mrs. Hale was saying:

"Do you suppose she was going to quilt it or just knot it?"

The sheriff threw up his hands.

"They wonder whether she was going to quilt it or just knot it!"

There was a laugh for the ways of women, a warming of hands over the stove, and then the county attorney said briskly:

"Well, let's go right out to the barn and get that cleared up."

"I don't see as there's anything so strange," Mrs. Hale said resentfully, after the outside door had closed on the three men--"our taking up our time with little things while we're waiting for them to get the evidence. I don't see as it's anything to laugh about."

"Of course they've got awful important things on their minds," said the sheriff's wife apologetically.

They returned to an inspection of the block for the quilt. Mrs. Hale was looking at the fine, even sewing, and preoccupied with thoughts of the woman who had done that sewing, when she heard the sheriff's wife say, in a queer tone:

"Why, look at this one."

She turned to take the block held out to her.

"The sewing," said Mrs. Peters, in a troubled way. "All the rest of them have been so nice and even--but--this one. Why, it looks as if she didn't know what she was about!"

Their eyes met--something flashed to life, passed between them; then, as if with an effort, they seemed to pull away from each other. A moment Mrs. Hale sat her hands folded over that sewing which was so unlike all the rest of the sewing. Then she had pulled a knot and drawn the threads.

"Oh, what are you doing, Mrs. Hale?" asked the sheriff's wife, startled.

"Just pulling out a stitch or two that's not sewed very good," said Mrs. Hale mildly.

"I don't think we ought to touch things," Mrs. Peters said, a little helplessly.

"I'll just finish up this end," answered Mrs. Hale, still in that mild, matter-of-fact fashion.

She threaded a needle and started to replace bad sewing with good. For a little while she sewed in silence. Then, in that thin, timid voice, she heard:

"Mrs. Hale!"

"Yes, Mrs. Peters?"

"What do you suppose she was so--nervous about?"

"Oh, _I_ don't know," said Mrs. Hale, as if dismissing a thing not important enough to spend much time on. "I don't know as she was--nervous. I sew awful queer sometimes when I'm just tired."

She cut a thread, and out of the corner of her eye looked up at Mrs. Peters. The small, lean face of the sheriff's wife seemed to have tightened up. Her eyes had that look of peering into something. But next moment she moved, and said in her thin, indecisive way:

"Well, I must get those clothes wrapped. They may be through sooner than we think. I wonder where I could find a piece of paper--and string."

"In that cupboard, maybe," suggested Mrs. Hale, after a glance around.

* * *

One piece of the crazy sewing remained unripped. Mrs. Peters' back turned, Martha Hale now scrutinized that piece, compared it with the dainty, accurate sewing of the other blocks. The difference was startling. Holding this block made her feel queer, as if the distracted thoughts of the woman who had perhaps turned to it to try and quiet herself were communicating themselves to her.

Mrs. Peters' voice roused her.

"Here's a bird-cage," she said. "Did she have a bird, Mrs. Hale?"

"Why, I don't know whether she did or not." She turned to look at the cage Mrs. Peter was holding up. "I've not been here in so long." She sighed. "There was a man round last year selling canaries cheap--but I don't know as she took one. Maybe she did. She used to sing real pretty herself."

Mrs. Peters looked around the kitchen.

"Seems kind of funny to think of a bird here." She half laughed--an attempt to put up a barrier. "But she must have had one--or why would she have a cage? I wonder what happened to it."

"I suppose maybe the cat got it," suggested Mrs. Hale, resuming her sewing.

"No; she didn't have a cat. She's got that feeling some people have about cats--being afraid of them. When they brought her to our house yesterday, my cat got in the room, and she was real upset and asked me to take it out."

"My sister Bessie was like that," laughed Mrs. Hale.

The sheriff's wife did not reply. The silence made Mrs. Hale turn round. Mrs. Peters was examining the bird-cage.

"Look at this door," she said slowly. "It's broke. One hinge has been pulled apart."

Mrs. Hale came nearer.

"Looks as if some one must have been--rough with it."

Again their eyes met--startled, questioning, apprehensive. For a moment neither spoke nor stirred. Then Mrs. Hale, turning away, said brusquely:

"If they're going to find any evidence, I wish they'd be about it. I don't like this place."

"But I'm awful glad you came with me, Mrs. Hale," Mrs. Peters put the bird-cage on the table and sat down. "It would be lonesome for me--sitting here alone."

"Yes, it would, wouldn't it?" agreed Mrs. Hale, a certain determined naturalness in her voice. She had picked up the sewing, but now it dropped in her lap, and she murmured in a different voice: "But I tell you what I _do_ wish, Mrs. Peters. I wish I had come over sometimes when she was here. I wish--I had."

"But of course you were awful busy, Mrs. Hale. Your house--and your children."

"I could've come," retorted Mrs. Hale shortly. "I stayed away because it weren't cheerful--and that's why I ought to have come. I"--she looked around--"I've never liked this place. Maybe because it's down in a hollow and you don't see the road. I don't know what it is, but it's a lonesome place, and always was. I wish I had come over to see Minnie Foster sometimes. I can see now--" She did not put it into words.

"Well, you mustn't reproach yourself," counseled Mrs. Peters. "Somehow, we just don't see how it is with other folks till--something comes up."

"Not having children makes less work," mused Mrs. Hale, after a silence, "but it makes a quiet house--and Wright out to work all day--and no company when he did come in. Did you know John Wright, Mrs. Peters?"

"Not to know him. I've seen him in town. They say he was a good man."

"Yes--good," conceded John Wright's neighbor grimly. "He didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him--." She stopped, shivered a little. "Like a raw wind that gets to the bone." Her eye fell upon the cage on the table before her, and she added, almost bitterly: "I should think she would've wanted a bird!"

Suddenly she leaned forward, looking intently at the cage. "But what do you s'pose went wrong with it?"

"I don't know," returned Mrs. Peters; "unless it got sick and died."

But after she said it she reached over and swung the broken door. Both women watched it as if somehow held by it.

"You didn't know--her?" Mrs. Hale asked, a gentler note in her voice.

"Not till they brought her yesterday," said the sheriff's wife.

"She--come to think of it, she was kind of like a bird herself. Real sweet and pretty, but kind of timid and--fluttery. How--she--did--change."

That held her for a long time. Finally, as if struck with a happy thought and relieved to get back to every-day things, she exclaimed:

"Tell you what, Mrs. Peters, why don't you take the quilt in with you? It might take up her mind."

"Why, I think that's a real nice idea, Mrs. Hale," agreed the sheriff's wife, as if she too were glad to come into the atmosphere of a simple kindness. "There couldn't possibly be any objection to that, could there? Now, just what will I take? I wonder if her patches are in here--and her things."

They turned to the sewing basket.

"Here's some red," said Mrs. Hale, bringing out a roll of cloth. Underneath that was a box. "Here, maybe her scissors are in here--and her things." She held it up. "What a pretty box! I'll warrant that was something she had a long time ago--when she was a girl."

She held it in her hand a moment; then, with a little sigh, opened it.

Instantly her hand went to her nose.

"Why--!"

Mrs. Peters drew nearer--then turned away.

"There's something wrapped up in this piece of silk," faltered Mrs. Hale.

"This isn't her scissors," said Mrs. Peters, in a shrinking voice.

Her hand not steady, Mrs. Hale raised the piece of silk. "Oh, Mrs. Peters!" she cried. "It's--"

Mrs. Peters bent closer.

"It's the bird," she whispered.

"But, Mrs. Peters!" cried Mrs. Hale. "_Look_ at it! Its _neck_--look at its neck! It's all--other side _to_."

She held the box away from her.

The sheriff's wife again bent closer.

"Somebody wrung its neck," said she, in a voice that was slow and deep.

And then again the eyes of the two women met--this time clung together in a look of dawning comprehension, of growing horror. Mrs. Peters looked from the dead bird to the broken door of the cage. Again their eyes met. And just then there was a sound at the outside door.

Mrs. Hale slipped the box under the quilt pieces in the basket, and sank into the chair before it. Mrs. Peters stood holding to the table. The county attorney and the sheriff came in from outside.

"Well, ladies," said the county attorney, as one turning from serious things to little pleasantries, "have you decided whether she was going to quilt it or knot it?"

"We think," began the sheriff's wife in a flurried voice, "that she was going to--knot it."

He was too preoccupied to notice the change that came in her voice on that last.

"Well, that's very interesting, I'm sure," he said tolerantly. He caught sight of the bird-cage. "Has the bird flown?"

"We think the cat got it," said Mrs. Hale in a voice curiously even.

He was walking up and down, as if thinking something out.

"Is there a cat?" he asked absently.

Mrs. Hale shot a look up at the sheriff's wife.

"Well, not _now_," said Mrs. Peters. "They're superstitious, you know; they leave."

She sank into her chair.

The county attorney did not heed her. "No sign at all of any one having come in from the outside," he said to Peters, in the manner of continuing an interrupted conversation. "Their own rope. Now let's go upstairs again and go over it, piece by piece. It would have to have been some one who knew just the--"

The stair door closed behind them and their voices were lost.

The two women sat motionless, not looking at each other, but as if peering into something and at the same time holding back. When they spoke now it was as if they were afraid of what they were saying, but as if they could not help saying it.

"She liked the bird," said Martha Hale, low and slowly. "She was going to bury it in that pretty box."

"When I was a girl," said Mrs. Peters, under her breath, "my kitten--there was a boy took a hatchet, and before my eyes--before I could get there--" She covered her face an instant. "If they hadn't held me back I would have"--she caught herself, looked upstairs where footsteps were heard, and finished weakly--"hurt him."

Then they sat without speaking or moving.

"I wonder how it would seem," Mrs. Hale at last began, as if feeling her way over strange ground--"never to have had any children around?" Her eyes made a slow sweep of the kitchen, as if seeing what that kitchen had meant through all the years. "No, Wright wouldn't like the bird," she said after that--"a thing that sang. She used to sing. He killed that too." Her voice tightened.

Mrs. Peters moved uneasily.

"Of course we don't know who killed the bird."

"I knew John Wright," was Mrs. Hale's answer.

"It was an awful thing was done in this house that night, Mrs. Hale," said the sheriff's wife. "Killing a man while he slept--slipping a thing round his neck that choked the life out of him."

Mrs. Hale's hand went out to the bird-cage.

"His neck. Choked the life out of him."

"We don't _know_ who killed him," whispered Mrs. Peters wildly. "We don't _know_."

Mrs. Hale had not moved. "If there had been years and years of--nothing, then a bird to sing to you, it would be awful--still--after the bird was still."

It was as if something within her not herself had spoken, and it found in Mrs. Peters something she did not know as herself.

"I know what stillness is," she said, in a queer, monotonous voice. "When we homesteaded in Dakota, and my first baby died--after he was two years old--and me with no other then--"

Mrs. Hale stirred.

"How soon do you suppose they'll be through looking for the evidence?"

"I know what stillness is," repeated Mrs. Peters, in just that same way. Then she too pulled back. "The law has got to punish crime, Mrs. Hale," she said in her tight little way.

"I wish you'd seen Minnie Foster," was the answer, "when she wore a white dress with blue ribbons, and stood up there in the choir and sang."

The picture of that girl, the fact that she had lived neighbor to that girl for twenty years, and had let her die for lack of life, was suddenly more than she could bear.

"Oh, I _wish_ I'd come over here once in a while!" she cried. "That was a crime! That was a crime! Who's going to punish that?"

"We mustn't take on," said Mrs. Peters, with a frightened look toward the stairs.

"I might 'a' _known_ she needed help! I tell you, it's _queer_, Mrs. Peters. We live close together, and we live far apart. We all go through the same things--it's all just a different kind of the same thing! If it weren't--why do you and I _understand_? Why do we _know_--what we know this minute?"

She dashed her hand across her eyes. Then, seeing the jar of fruit on the table, she reached for it and choked out:

"If I was you I wouldn't _tell_ her her fruit was gone! Tell her it _ain't_. Tell her it's all right--all of it. Here--take this in to prove it to her! She--she may never know whether it was broke or not."

She turned away.

Mrs. Peters reached out for the bottle of fruit as if she were glad to take it--as if touching a familiar thing, having something to do, could keep her from something else. She got up, looked about for something to wrap the fruit in, took a petticoat from the pile of clothes she had brought from the front room, and nervously started winding that round the bottle.

"My!" she began, in a high, false voice, "it's a good thing the men couldn't hear us! Getting all stirred up over a little thing like a--dead canary." She hurried over that. "As if that could have anything to do with--with--My, wouldn't they _laugh_?"

Footsteps were heard on the stairs.

"Maybe they would," muttered Mrs. Hale--"maybe they wouldn't."

"No, Peters," said the county attorney incisively; "it's all perfectly clear, except the reason for doing it. But you know juries when it comes to women. If there was some definite thing--something to show. Something to make a story about. A thing that would connect up with this clumsy way of doing it."

In a covert way Mrs. Hale looked at Mrs. Peters. Mrs. Peters was looking at her. Quickly they looked away from each other. The outer door opened and Mr. Hale came in.

"I've got the team round now," he said. "Pretty cold out there."

"I'm going to stay here awhile by myself," the county attorney suddenly announced. "You can send Frank out for me, can't you?" he asked the sheriff. "I want to go over everything. I'm not satisfied we can't do better."

Again, for one brief moment, the two women's eyes found one another.

The sheriff came up to the table.

"Did you want to see what Mrs. Peters was going to take in?"

The county attorney picked up the apron. He laughed.

"Oh, I guess they're not very dangerous things the ladies have picked out."

Mrs. Hale's hand was on the sewing basket in which the box was concealed. She felt that she ought to take her hand off the basket. She did not seem able to. He picked up one of the quilt blocks which she had piled on to cover the box. Her eyes felt like fire. She had a feeling that if he took up the basket she would snatch it from him.

But he did not take it up. With another little laugh, he turned away, saying:

"No; Mrs. Peters doesn't need supervising. For that matter, a sheriff's wife is married to the law. Ever think of it that way, Mrs. Peters?"

Mrs. Peters was standing beside the table. Mrs. Hale shot a look up at her; but she could not see her face. Mrs. Peters had turned away. When she spoke, her voice was muffled.

"Not--just that way," she said.

"Married to the law!" chuckled Mrs. Peters' husband. He moved toward the door into the front room, and said to the county attorney:

"I just want you to come in here a minute, George. We ought to take a look at these windows."

"Oh--windows," said the county attorney scoffingly.

"We'll be right out, Mr. Hale," said the sheriff to the farmer, who was still waiting by the door.

Hale went to look after the horses. The sheriff followed the county attorney into the other room. Again--for one final moment--the two women were alone in that kitchen.

Martha Hale sprang up, her hands tight together, looking at that other woman, with whom it rested. At first she could not see her eyes, for the sheriff's wife had not turned back since she turned away at that suggestion of being married to the law. But now Mrs. Hale made her turn back. Her eyes made her turn back. Slowly, unwillingly, Mrs. Peters turned her head until her eyes met the eyes of the other woman. There was a moment when they held each other in a steady, burning look in which there was no evasion nor flinching. Then Martha Hale's eyes pointed the way to the basket in which was hidden the thing that would make certain the conviction of the other woman--that woman who was not there and yet who had been there with them all through that hour.

For a moment Mrs. Peters did not move. And then she did it. With a rush forward, she threw back the quilt pieces, got the box, tried to put it in her handbag. It was too big. Desperately she opened it, started to take the bird out. But there she broke--she could not touch the bird. She stood there helpless, foolish.

There was the sound of a knob turning in the inner door. Martha Hale snatched the box from the sheriff's wife, and got it in the pocket of her big coat just as the sheriff and the county attorney came back into the kitchen.

"Well, Henry," said the county attorney facetiously, "at least we found out that she was not going to quilt it. She was going to--what is it you call it, ladies?"

Mrs. Hale's hand was against the pocket of her coat.

"We call it--knot it, Mr. Henderson."

THE BUNKER MOUSE[12]

[Note 12: Copyright, 1917, by The Century Company. Copyright, 1918, by Frederick Stuart Greene.]

By FREDERICK STUART GREENE

From _The Century Magazine_

LARRY WALSH slowly climbed the stairs of a house near the waterfront, in a run-down quarter of old New York. He halted on the top floor, blinking in the dim light that struggled through the grime-coated window of the hallway. After a time he knocked timidly on the door before him.

There was nothing in the pleasant "Come in" to alarm the small man; he started to retreat, but stopped when the door was thrown wide.

"Then it's yourself, Mouse! It's good for the eyes just to look at you."

The woman who greeted Walsh was in striking contrast to her shabby surroundings. Everything about the old-fashioned house, one floor of which was her home, spoke of neglected age. This girl, from the heavy, black braids encircling her head to the soles of her shoes, vibrated youth. Her cheeks glowed with the color of splendid health; her blue Irish eyes were bright with it. Friendliness had rung in the tones of her rich brogue, and showed now in her smile as she waited for her visitor to answer.

Larry stood before her too shy to speak.

"Is it word from Dan you're bringin' me?" she encouraged. "But there, now, I'm forgettin' me manners! Come in, an' I'll be makin' you a cup of tea." She took his arm impulsively, with the frank comradeship of a young woman for a man much older than herself, and led him to a chair.

Larry sat ready for flight, his cap held stiffly across his knees. He watched every movement of the girl, a look of pathetic meekness in his eyes.

"You're right, Mrs. Sullivan," he said after an effort; "Dan was askin' me to step in on my way to the ship."

She turned quickly from the stove.

"You're not tellin' me now Dan ain't comin' himself, an' the boat leavin' this night?"

Larry was plainly uneasy.

"Well, you see--it's--now it's just like I'm tellin' you, Mrs. Sullivan; he's that important to the chief, is Dan, they can't get on without him to-day at all."

"Then bad luck, I say, to the chief! Look at the grand supper I'm after fixin' for Dan!"

"Oh, Mary--Mrs. Sullivan, don't be speakin' disrespectful' of the chief, an' him thinkin' so highly of Dan!"

Mary's blue eyes flashed.

"An' why wouldn't he! It's not every day he'll find the likes of Dan, with the strong arms an' the great legs of him, not to mention his grand looks." She crossed to Larry, her face aglow. "Rest easy now while you drink your tea," she urged kindly, "an' tell me what the chief be wantin' him for."

She drew her chair close to Larry, but the small man turned shyly from her searching gaze.

"Well, you see, Mrs.--"

"Call me Mary. It's a year an' more now since the first time you brought Dan home to me." A sudden smile lighted her face. "Well I remember how frightened you looked when first you set eyes on me. Was you thinkin' to find Dan's wife a slip of a girl?"

"No; he told me you was a fine, big lass." He looked from Mary to the picture of an older woman that hung above the mantel. "That'll be your mother, I'm thinkin'." Then, with abrupt change, "When did you leave the old country, Mary?"

"A little more'n a year before I married Dan. But tell me, Mouse, about the chief wantin' him."

"We'll you see, Dan's that handy-like--"

"That's the blessed truth you're speakin'," she interupted, her face lovely with its flush of pride. "But tell me more, that's a darlin'."

Larry thought rapidly before he spoke again.

"Only the last trip I was hearin' the chief say: 'Dan,' says he, 'it's not long now you'll be swingin' the shovel. I'll be makin' you water-tender soon.'"

Mary leaned nearer, and caught both of Larry's hands in hers.

"Them's grand words you're sayin'; they fair makes my heart jump." She paused; the gladness faded quickly from her look. "Then the chief don't know Dan sometimes takes a drop?"

"Ain't the chief Irish himself? Every man on the boilers takes his dram." Her wistful eyes spurred him on. "Sure's I'm sittin' here, Dan's the soberest of the lot."

Mary shook her head sadly.

"Good reason I have to fear the drink; 't was that spoiled my mother's life."

Larry rose quickly.

"Your mother never drank!"

"No; the saints preserve us!" She looked up in surprise at Larry's startled face. "It was my father. I don't remember only what mother told me; he left her one night, ravin' drunk, an' never come back."

Larry hastily took up his cap.

"I must be goin' back to the ship now," he said abruptly. "An' thank you, Mary, for the tea." He hurried from the room.

When Larry reached the ground floor he heard Mary's door open again.

"Can I be troublin' you, Mouse, to take something to Dan?" She came down the stairs, carrying a dinner-pail. "I'd thought to be eatin' this supper along with him," Mary said, disappointment in her tone. She followed Larry to the outer landing. "It's the true word you was sayin', he'll be makin' Dan water-tender?"

Larry forced himself to look into her anxious eyes.

"Sure; it's just as I said, Mary."

"Then I'll pray this night to the Mother of God for that chief; for soon"--Mary hesitated; a light came to her face that lifted the girl high above her squalid surroundings--"the extra pay'll be comin' handy soon," she ended, her voice as soft as a Killarney breeze.

Larry, as he looked at the young wife standing between the scarred columns of the old doorway, was stirred to the farthest corner of his heart.

"They only smile like that to the angels," he thought. Then aloud: "Bad cess to me! I was forgettin' entirely! Dan said to leave this with you." He pushed crumpled, coal-soiled money into her hand, and fled down the steps.

When Larry heard the door close creakily behind him, he looked back to where Mary had stood, his eyes blinking rapidly. After some moments he walked slowly on toward the wharves. In the distance before him the spars and funnels of ships loomed through the dusk, their outlines rapidly fading into the sky beyond--a late September sky, now fast turning to a burned-out sheet of dull gray.

Larry went aboard his ship, and, going to the forecastle, peered into an upper bunk.

"Your baby's not to home, Mouse," a voice jeered. "I saw him over to Flanagan's awhile ago."

A hopeless look crossed Larry's face.

"Give me a hand up the side, like a good lad, Jim, when I come aboard again."

A few minutes later the little man was making his way back to the steamer, every step of his journey harassed by derisive shouts as he dodged between the lines of belated trucks that jammed West Street from curb to string-piece. He pushed a wheelbarrow before him, his knees bending under the load it held. Across the barrow, legs and head dangling over the sides, lay an unconscious heap that when sober answered to the name of Dan Sullivan.

* * *

Larry Walsh, stoker on the coastwise freighter _San Gardo_, was the butt of the ship; every man of the crew imposed on his good nature. He was one of those persons "just fool enough to do what he's told to do." For thirty of his fifty years he had been a seaman, and the marks of a sailor's life were stamped hard on his face. His weathered cheeks were plowed by wrinkles that stretched, deep furrowed, from his red-gray hair to the corners of his mouth. From under scant brows he peered out on the world with near-sighted eyes; but whenever a smile broadened his wide mouth, his eyes would shine with a kindly light.

Larry's defective sight had led to his banishment as a sailor from the decks. During a storm off Hatteras a stoker had fallen and died on the boiler-room plates.

"It don't take no eyes at all to see clean to the back of a Scotch boiler," the boatswain had told the chief engineer. "I can give you that little squint-eyed feller." So, at the age of forty or thereabouts, Larry left the cool, wind-swept deck to take up work new to him in the superheated, gas-stifling air of the fire-room. Though entered on the ship's papers as a sailor, he had gone without complaint down the straight ladders to the very bottom of the hull. Bidden to take the dead stoker's place, "he was just fool enough to do what he was told to do."

Larry was made the coal-passer of that watch, and began at once the back-breaking task of shoveling fuel from the bunkers to the floor outside, ready for the stokers to heave into the boilers. He had been passing less than an hour during his first watch when the coal ran short in the lower bunker. He speared with a slice-bar in the bunker above. The fuel rested at a steeper angle than his weak eyes could see, and his bar dislodged a wedged lump; an instant later the new passer was half buried under a heap of sliding coal. Bewildered, but unhurt, he crawled to the boiler-room, shaking the coal from his back and shoulders. Through dust-filled ears he heard the general laugh at his plight.

"Look at the nigger Irishman!" a stoker called.

"Irishman!" came the answer. "It's no man at all; it's a mouse you're seein'--a bunker mouse."

From that moment the name Larry Walsh was forgotten.

* * *

The _San Gardo_ was late getting away that night; two bells of the evening watch had sounded when at last she backed from her pier into the North River and began the first mile of her trip to Galveston. Though she showed a full six inches of the red paint below her water-line, the loading of her freight had caused the delay. In the hold lay many parts of sawmill machinery. When the last of this clumsy cargo had settled to its allotted place, there was left an unusual void of empty blackness below the deck hatches.

"It's up to you now, Matie," the stevedore had said to the impatient first officer. "My job's done right, but she'll roll her sticks out if it's rough outside."

"That's nice; hand me all the cheerful news you have when you know they hung out storm-warnings at noon," the officer had growled as the stevedore went ashore.

Signs that both the Government and the stevedore had predicted correctly began to show as soon as the vessel cleared the Hook. The wind was blowing half a gale from the southeast and had already kicked up a troublesome sea. The ship, resenting her half-filled hold, pitched with a viciousness new to the crew.

There was unusual activity on board the _San Gardo_ that night. Long after the last hatch-cover had been placed the boatswain continued to inspect, going over the deck from bow to stern to see that every movable thing was lashed fast.

In the engine-room as well, extra precautions were taken. It was Robert Neville's watch below; he was the first of the three assistant engineers. Neville, a young man, was unique in that most undemocratic institution, a ship's crew, for he apparently considered the stokers under him as human beings. For one of his fire-room force he had an actual liking.

"Why do you keep that fellow they call Bunker Mouse in your watch?" the chief once asked.

"Because he's willing and the handiest man I have," Neville answered promptly.

"Well, suit yourself; but that brute Sullivan will kill him some day, I hear."

"I don't know about that, Chief. The Mouse is game."

"So's a trout; but it's got a damn poor show against a shark," the chief had added with a shrug.

Neville's watch went on duty shortly after the twin lights above Sandy Hook had dropped astern. The ship was then rolling heavily enough to make walking difficult on the oily floor of the engine-room; in the boiler-room, lower by three feet, to stand steady even for a moment was impossible. Here, in this badly lighted quarter of the ship, ill humor hung in the air thicker than the coal-gas.

Dan Sullivan, partly sobered, fired his boiler, showing ugly readiness for a fight. Larry, stoking next to him, kept a weather-eye constantly on his fellow-laborer.

Neville's men had been on duty only a few minutes when the engineer came to the end of the passage and called Larry.

"That's right," Dan growled; "run along, you engineer's pet, leavin' your work for me to do!"

Larry gave him no answer as he hurried away.

"Make fast any loose thing you see here," Neville ordered.

Larry went about the machinery-crowded room securing every object that a lurching ship might send flying from its place. When he returned to the fire-room he heard the water-tender shouting:

"Sullivan, you're loafin' on your job! Get more fire under that boiler!"

"An' ain't I doin' double work, with that damn Mouse forever sneakin' up to the engine-room?"

Larry, giving no sign that he had heard Dan's growling answer, drove his scoop into the coal, and with a swinging thrust spread its heaped load evenly over the glowing bed in the fire-box. He closed the fire-door with a quick slam, for in a pitching boiler-room burning coal can fall from an open furnace as suddenly as new coal can be thrown into it.

"So, you're back," Dan sneered. "It's a wonder you wouldn't stay the watch up there with your betters."

Larry went silently on with his work.

"Soft, ain't it, you jellyfish, havin' me do your job? You eel, you--." Dan poured out a stream of abusive oaths.

Still Larry did not answer.

"Dan's ravin' mad," a man on the port boilers said. "Will he soak the Mouse to-night, I wonder."

"Sure," the stoker beside him answered. "An' it's a dirty shame for a big devil like him to smash the little un."

"You're new on this ship; you don't know 'em. The Mouse is a regular mother to that booze-fighter, an' small thanks he gets. But wait, an' you'll see somethin' in a minute."

Dan's temper, however, was not yet at fighting heat. He glared a moment longer at Larry, then turned sullenly to his boiler. He was none too steady on his legs, and this, with the lurching of the ship, made his work ragged. After a few slipshod passes he struck the door-frame squarely with his scoop, spilling the coal to the floor.

"Damn your squint eyes!" he yelled. "You done that, Mouse! You shoved ag'in' me. Now scrape it all up, an' be quick about it!"

Without a word, while his tormentor jeered and cursed him, Larry did as he was told.

"Ain't you got no fight at all in your shriveled-up body?" Dan taunted as Larry finished. "You're a disgrace to Ireland, that's what you are."

Larry, still patient, turned away. Dan sprang to him and spun the little man about.

"Where's the tongue in your ugly mouth?" Dan was shaking with rage. "I'll not be havin' the likes of you followin' me from ship to ship, an' sniffin' at my heels ashore. I won't stand for it no longer, do you hear? Do you think I need a nurse? Now say you'll leave this ship when we makes port, or I'll break every bone in you."

Dan towered above Larry, his arm drawn back ready to strike. Every man in the room stopped work to watch the outcome of the row.

At the beginning of the tirade Larry's thin shoulders had straightened; he raised his head; his lower jaw, undershot, was set hard. The light from the boiler showed his near-sighted eyes steady on Sullivan, unafraid.

"Get on with your work, an' don't be a fool, Dan," he said quietly.

"A fool, am I!"

Dan's knotted fist flashed to within an inch of Larry's jaw. The Bunker Mouse did not flinch. For a moment the big stoker's arm quivered to strike, then slowly fell.

"You ain't worth smashin'," Sullivan snarled, and turned away.

"Well, what d'yer know about that!" the new stoker cried.

"It's that way all the time," he was answered; "there ain't a trip Dan don't ball the Mouse out to a fare-you-well; but he never lays hand to 'im. None of us knows why."

"You don't? Well, I do. The big slob's yeller, an' I'll show 'im up." The stoker crossed to Sullivan. "See here, Bo, why don't you take on a man your size?" He thrust his face close to Dan's and shouted the answer to his question: "I'll tell you why. You ain't got sand enough."

Dan's teeth snapped closed, then parted to grin at his challenger.

"Do you think you're big enough?" The joy of battle was in his growl.

"Yes, I do." The man put up his hands.

Instantly Dan's left broke down the guard; his right fist landed squarely on the stoker's jaw, sending him reeling to the bunker wall, where he fell. It was a clean knock-out.

"Go douse your friend with a pail of water, Mouse." Dan, still grinning, picked up his shovel and went to work.

* * *

When Neville's watch went off duty, Larry found the sea no rougher than on countless other runs he had made along the Atlantic coast. The wind had freshened to a strong gale, but he reached the forecastle with no great difficulty.

Without marked change the _San Gardo_ carried the same heavy weather from Barnegat Light to the Virginia capes. Beyond Cape Henry the blow began to stiffen and increased every hour as the freighter plowed steadily southward. Bucking head seas every mile of the way, she picked up Diamond Shoals four hours behind schedule. As she plunged past the tossing light-ship, Larry, squinting through a forecastle port, wondered how long its anchor chains would hold. The _San Gardo_ was off Jupiter by noon the third day out, running down the Florida coast; the wind-bent palms showed faintly through the driving spray.

Neville's watch went on duty that night at eight. As his men left the forecastle a driving rain beat against their backs, and seas broke over the port bow at every downward plunge of the ship. To gain the fire-room door, they clung to rail or stanchion to save themselves from being swept overboard. They held on desperately as each wave flooded the deck, watched their chance, then sprang for the next support. On freighters no cargo space is wasted below decks in passageways for the crew.

When Larry reached the fire-room there was not a dry inch of cloth covering his wiry body. He and his fellow-stokers took up immediately the work of the men they had relieved, and during the first hours of their watch fired the boilers with no more difficulty than is usual in heavy weather.

At eleven o'clock the speaking-tube whistled, and a moment later Neville came to the end of the passage.

"What are you carrying?" he shouted to the water-tender. "We've got to keep a full head of steam on her to-night."

"We've got it, Mr. Neville--one hundred and sixty, an' we've held between that and sixty-five ever since I've been on."

"The captain says we've made Tortugas. We lost three hours on the run from Jupiter," Neville answered, and went back to his engine.

During the next hour no one on deck had to tell these men, toiling far below the water-line, that wind and sea had risen. They had warnings enough. Within their steel-incased quarters every bolt and rivet sounded the overstrain forced upon it. In the engine-room the oiler could no longer move from the throttle. Every few minutes now, despite his watchfulness, a jarring shiver spread through the hull as the propeller, thrown high, raced wildly in mid-air before he could shut off steam.

At eleven-thirty the indicator clanged, and its arrow jumped to half-speed ahead. A moment later the men below decks "felt the rudder" as the _San Gardo_, abandoning further attempts to hold her course, swung about to meet the seas head on.

Eight bells--midnight--struck, marking the end of the shift; but no one came down the ladders to relieve Neville's watch. The growls of the tired men rose above the noise in the fire-room. Again Neville came through the passage.

"The tube to the bridge is out of commission," he called, "but I can raise the chief. He says no man can live on deck; one's gone overboard already. The second watch can't get out of the forecastle. It's up to us, men, to keep this ship afloat, and steam's the only thing that'll do it."

For the next hour and the next the fire-room force and the two men in the engine-room stuck doggedly to their work. They knew that the _San Gardo_ was making a desperate struggle, that it was touch and go whether the ship would live out the hurricane or sink to the bottom. They knew also, to the last man of them, that if for a moment the ship fell off broadside to the seas, the giant waves would roll her over and over like an empty barrel in a mill-race. The groaning of every rib and plate in the hull, the crash of seas against the sides, the thunder of waves breaking on deck, drowned the usual noises below.

The color of the men's courage began to show. Some kept grimly at their work, dumb from fear. Others covered fright with profanity, cursing the storm, the ship, their mates, cursing themselves. Larry, as he threw coal steadily through his fire-doors, hummed a broken tune. He gave no heed to Dan, who grew more savage as the slow hours of overtoil dragged by.

About four in the morning Neville called Larry to the engine-room. On his return Dan blazed out at him:

"Boot-lickin' Neville ag'in, was you? I'd lay you out, you shrimp, only I want you to do your work."

Larry took up his shovel; as usual his silence enraged Sullivan.

"You chicken-livered wharf-rat, ain't you got no spunk to answer wid?" Dan jerked a slice-bar from the fire and hurled it to the floor at Larry's feet. The little man leaped in the air; the white-hot end of the bar, bounding from the floor, missed his legs by an inch.

Larry's jaw shot out; he turned on Sullivan, all meekness gone.

"Dan," he cried shrilly, "if you try that again--"

"Great God! what's that!"

Dan's eyes were staring; panic showed on every face in the room. The sound of an explosion had come from the forward hold. Another followed, and another, a broadside of deafening reports. The terrifying sounds came racing aft. They reached the bulkhead nearest them, and tore through the fire-room, bringing unmasked fear to every man of the watch. The crew stood for a moment awed, then broke, and, rushing for the ladder, fought for a chance to escape this new, unknown madness of the storm.

Only Larry kept his head.

"Stop! Come back!" His shrill voice carried above the terrifying noise. "It's the plates bucklin' between the ribs."

"Plates! Hell! she's breakin' up!"

Neville rushed in from the engine-room.

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The best short stories of 1917, and the yearbook of the American short storyChapter XIII: Introduction (11)

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