Chapter IV: Act IV: Scene VIII

_Before the Curtain representing the Milky Way_

(_Enter_ TYLTYL _and_ LIGHT.)

TYLTYL

Where are we?

LIGHT

Near to the stars and yet within yourself. Before you is the great veil of the Milky Way. Beyond it stretches the region in which your unborn children are waiting to show you the mother whom they have chosen.

TYLTYL

It's a little like the Kingdom of the Future in "The Blue Bird."

LIGHT

Perhaps; and yet not quite the same thing. There it was the whole kingdom, with everybody's children; here it is only a province, in which are no children but yours.

TYLTYL

Have I many?

LIGHT

As many children as you have ancestors, as innumerable and no less infinite. But, as with the Ancestors, we shall see only those who are nearest to you, especially the youngest and smallest.

TYLTYL

Why the smallest?

LIGHT

Because they are nearest to their birth. As this approaches, they grow smaller and younger; so that the youngest, who are the first to be born, can hardly walk or stand.

TYLTYL

And the others? Are there any big ones?

LIGHT

There are children of all sizes, but I do not know that we shall see the biggest, that is to say, those who will be born hundreds or thousands of years hence.... There will not have been time to tell them; they do not keep close to the doors, like the very little ones, but wander far away waiting for their time to come.

TYLTYL

They must find it very tiresome to be kept waiting like that!

LIGHT

Nothing is ever tiresome in infinity. Besides they have to learn here all that they will forget on earth.

TYLTYL

It seems hardly worth while then, to take so much trouble!

LIGHT

Oh, but it is! Something always remains and helps to build up the deep happiness of life.

TYLTYL

Well, so much the better for them! As for me, I shall soon know what I am to do. I hope we shall get through to-day, because, you see, I'd like to have things settled.... But where on earth can they be, those girls of mine and Destiny? (_Looking below him, on the right_.) The poor little dears are up to their knees in the snow. This place is even higher and more difficult to get at than where the Ancestors lived.

LIGHT

(_Looking down_.) They are not very far away.... But you have taken off your hat again; that's a bad habit of yours. Put it on quickly, before they come, and be careful to make no mistake this time, for, if you do, the result may be very unpleasant.

(TYLTYL _puts on his hat and turns the sapphire. Forthwith from the
earth and from every side little creatures of different sizes
appear, dressed like him and resembling him in nearly every
respect. They surround him, rush against him, hustle him and try to
drag him, some to the right, others to the left, while he struggles
in the midst of them without knowing to which he should give his
attention_.)

TYLTYL

(_Distraught_.) Hullo, hullo, what's all this? What does it mean? That sapphire really is becoming impossible!

LIGHT

Don't worry: you'll have turned it the wrong way again. What did you do?

TYLTYL

How can I tell?... This is getting too much for me! Too mixed up, really.... I must have pressed it instead of turning it.

LIGHT

That's what I thought. You have simply released some of your other "You's."

TYLTYL

(_Dumbfounded_.) Some of my other "Me's"?

LIGHT

Yes, what I mean is that you are not alone inside yourself and that....

TYLTYL

(_More and more dumbfounded_.) I am not alone inside myself?...

LIGHT

Why, no, there are a number of other personalities there, more or less like you and all the time trying to get the upper hand.

TYLTYL

No, but really, what else is there inside me? I must be a sort of menagerie or Noah's ark! There's no end to it!

LIGHT

That's true: there would be no end if we had the time to go into it all.... But press the sapphire down now and all will be well.

(TYLTYL _presses the sapphire and all his_ DOUBLES _disappear_.)

TYLTYL

My word! A good riddance!... Well, as you say, they may be the least bit like me, but some of them are very ugly. Particularly a big dark one, who kept on tripping me up and very nearly made me fall.

LIGHT

Of course, there are some of all kinds, as in every man. One must learn to choose the best and avoid the worst.... But here come your little friends.

(_Enter first_ THE WHITE PHANTOM.)

TYLTYL

(_Amazed_.) Hullo!... What's the matter with her?... She seems quite in a hurry to-day and moves like an angel.

(_Enter next_ MILETTE, BELLINE, ROSELLE _and_ ROSARELLE, _followed
by_ AIMETTE _and_ Jalline, _who are supporting_ DESTINY _between
them. He is now a head shorter than_ TYLTYL, _wears the same tragic
costume as before, seems very weary and sinks down on a heap of
snow_.)

TYLTYL

(_Going to him, with a certain solicitude_.) Are you ill?

DESTINY

I? Not at all: I am always the same, I am unchangeable.... But when you alone are responsible for everything, when you have to manage everything, direct everything and foresee everything and when nobody helps you (_casting an aggressive eye on_ LIGHT), you are entitled to a moment's rest.... I therefore order a halt. It is decided irrevocably: to-day we go no farther.

LIGHT Admirable! And so it shall be, for we have arrived; and with Destiny's permission, we shall find ourselves, without taking another step, among the children who are awaiting us....

(_The curtain parts and opens upon the next scene_.)

SCENE IX

_The Abode of the Children_

_The immense halls, the lofty vaults, the infinite perspectives of
arches and columns of the Kingdom of the Future in "The Blue Bird";
but this time, it being the nuptial hour, everything is of a soft,
milky white, gleaming and transparent. The radiant shapes of
amber-coloured light bathe in unspeakable gladness all the things
that they touch; and everywhere are signs of a deep and unfaltering
joy. The boundless horizon stretches towards the veiled white of
the Milky Way, the ether quivering with myriads of unknown stars_.

(_When the curtain opens_, TYLTYL, LIGHT, DESTINY _and_ THE SIX
GIRLS _are in the foreground, on the right, at the foot of one of
the alabaster columns supporting the entrance-arch. They take a few
steps into the immense deserted hall, while_ THE WHITE PHANTOM
_hides timidly behind the column_.)

TYLTYL

(_A little disappointed_.) There's nobody here!...

LIGHT

I know why it is. There are several doors; as you were all very tired, I chose the one that was nearest. They are probably waiting for us at the principal entrance.

TYLTYL

How shall we let them know?

LIGHT

The atmosphere will do that: here everything is known immediately and every event happens everywhere at the same moment.

TYLTYL

It's a very fine place, this: splendid large rooms and a very high ceiling; lots of light and air....

LIGHT

And it's still always inside yourself.

TYLTYL

What, this is inside me too?

LIGHT

Why, yes; of course it is.

TYLTYL

Very well, then; that's all right. Please step in: you're very welcome. Won't you sit down while you wait?

LIGHT

We shall not have long to wait, for I believe they have seen us.

(A CHILD'S _head appears for an instant between two columns and is
then briskly withdrawn, exclaiming_, "This way! This way! They're
here!" _Soon after, seven or eight_ CHILDREN _of about twelve years
of age, in short white tunics, with bare arms, legs and feet, run
up from the back of the hall and stop in front of the visitors. The
largest holds out his hand to_ TYLTYL.)

THE CHILD

Good-evening, grandpapa!

TYLTYL

Grandpapa?... Who's that?... Where is he?...

THE CHILD

(_Bursting into laughter_.) Why, it's you!

TYLTYL

(_Dumbfounded_.) I? Am I a grandpapa already?

THE CHILD

Of course you are, eighty times over!... We are the first to arrive. The others are on their way.... (_To the other_ CHILDREN.) He doesn't seem to believe it!

ANOTHER CHILD

You might give us a kiss.

TYLTYL

(_Kissing them all_.) I will! I will!... But how do I come to be a grandpapa?

THE CHILD

Surely it's quite simple: you will be our grandpapa when we are your grandchildren.

TYLTYL

Obviously, that's clear.... So you exist already?

THE CHILD

Naturally, since you yourself exist.... I say, are those the grandmammas you're bringing us?

TYLTYL

Yes; it seems you're to pick out the best one.

ANOTHER CHILD

(_Clapping his hands and dancing for joy_.) Oh, how pretty they are!... (_Throwing himself into_ JALLINE'S _arms_.) I take this one, because she is so soft!...

ANOTHER CHILD

(_Throwing his arms round_ AIMETTE'S _neck_.) And I this one, because she is so sad!...

ANOTHER CHILD

(_Kissing_ ROSELLE.) I choose this one, because's she's always laughing!...

THREE OTHER CHILDREN

(_Each taking one of_ THE GIRLS, _kissing and fondling her and laughing and skipping with delight_.) And I choose this one, because she smells so nice!... I choose this one!... I choose this one!...

THE FIRST CHILD

(_Intervening_.) One moment, one moment, if you please.... This has nothing to do with us; our turn will come. You know that only the smallest have the right to choose who is to be their mother. All we have to do is to help them with our advice and to stop them if they make mistakes; but that's a thing which has never happened yet. They were quite some distance away, at the principal gate, but they won't be long now.

TYLTYL

Here come some bigger ones!

(_Enter a new group of_ CHILDREN, _apparently about fifteen years
of age. The oldest goes to_ TYLTYL _and shakes hands with him_.)

THE OLDEST CHILD

Good-evening, great-grandfather!...

TYLTYL

Who's that? I? I'm a great-grandfather now!...

THE OLDEST CHILD

Of course you are!... I am very glad to see you for a minute, for we shall most nicely not have the pleasure of meeting on earth.... Well, I understand that your visit to the Ancestors was not much of a success.

TYLTYL

Let's rather put it that they hadn't quite made up their minds. But how is it that you already know what happened there?

THE OLDEST CHILD

Why, of course we know everything that happens inside you; we're there ourselves. Besides, there's very little that separates us from the Ancestors: our interests are the same and our paths often meet.

THE FIRST CHILD

Look out! Here are the little ones!... I see five coming.... There's only one missing, the littlest....

(_From the back of the halls come five_ LITTLE CHILDREN _holding
one another's hands_.)

TYLTYL

Who are those five little ones? They are very sweet.

THE FIRST CHILD

Why, they are your children: two boys and three girls!

TYLTYL

Mine? Shall I have five children?

THE FIRST CHILD

Six, you will have six, for the last little one isn't here yet.... I promise you, the world can do with them, after what people have been up to, down there!...

TYLTYL

But I shall never be able to feed them all!...

(THE FIVE LITTLE ONES, _still holding hands, have stopped in front
of_ THE SIX GIRLS _and stand looking at them solemnly, without
speaking. By degrees, the halls have become filled with a host of
other_ CHILDREN _who gather round_ THE FIVE LITTLE ONES _and watch
them. The silence at last becomes irksome and_ TYLTYL _breaks it_.)

TYLTYL

Well, children, aren't you going to kiss your papa?

THE YOUNGEST CHILD

(_Ordering him with a serious gesture to be silent_.) Mamma first.... Where is she?

TYLTYL

Why, she must be here; she's one of those. You have only to choose.

THE YOUNGEST CHILD

(_To the one beside him_.) Do you see her?

THE OTHER

(_Shaking his head sadly_.) No.

THE THREE OTHERS

(_In succession_.) No more do I.... No more do I.... No more do I....

JALLINE

(_Rushing forward, catching hold of one of the_ CHILDREN _and kissing him_.) But that's impossible!... Here, look at me?... Don't you see how much I'll love you?...

THE CHILD

Yes, but you're not the one.

ROSELLE

(_Taking another_ CHILD _on her knees_.) And me? Won't you have me for your mamma?

THE CHILD

No, no, it's not you.

ROSARELLE

(_Catching hold of another_ CHILD.) And me? Don't you love me? You'll see how happy we shall be!... We shall have a lovely house full of toys and I shall give you everything you want....

THE CHILD

(_Vainly trying to contain its tears_.) No, no!...

BELLINE

(_Taking_ THE YOUNGEST.) Look here, you seem to know more than the others.... Don't you recognize me?... Are you fond of sweets?...

THE YOUNGEST CHILD

(_Struggling until she lets him go and crying without disguise_.) Let me go! Let me go!

TYLTYL

Here's a pretty business! He's crying!... And the other one as well!... But what do they want?... They're very hard to please....

(THE YOUNGEST CHILD _wipes his eyes and takes the hand of the next,
who does the same by his neighbour, until they all hold hands
again_.)

THE YOUNGEST CHILD

Come!...

(THE FIVE LITTLE CHILDREN _move away, with staid dignity, and go
out on the left_.)

TYLTYL

What's the matter with them? Where are they going?

ONE OF THE BIG CHILDREN

They are going to the other door.

ANOTHER

They are going to fetch the smallest of them all.

ANOTHER

The smaller they are, the more they know.

THE FIRST CHILD

But where is he, the smallest one? Haven't you seen him?

ANOTHER

No, no one has seen him since this morning.... It's strange, for he is always with his little sisters.

TYLTYL

(_Looking at the throng of_ CHILDREN _filling the halls_.) How many there are!

ONE OF THE BIG CHILDREN

It's only one part of the family.

A CHILD

(_Which has been following the progress of_ THE FIVE CHILDREN _with his eyes_.) They are stopping at the third door.

TYLTYL

Who?

THE CHILD

The five little ones.

ANOTHER CHILD

They seem to be looking for something.

THE FIRST CHILD

Let us go and see what they're doing. They know what they know.

OTHER CHILDREN

Yes, yes, let us all go.... They know, they know!

(_A great stir in the crowd of_ CHILDREN. _They all run in the same
direction and go out on the left. In a moment the hall is emptied
of all except_ TYLTYL, LIGHT, THE SIX GIRLS _and_ DESTINY.)

TYLTYL

Let us go after them too!

(_He goes out, followed by LIGHT and_ THE SIX GIRLS, _with_ DESTINY
_bringing up the rear. The only occupant of the stage is_ THE WHITE
PHANTOM, _whom everybody has overlooked and who has never left the
column on the right against which she has been leaning. The stage
remains empty for a moment and then, from the back of the halls,
comes a_ CHILD _even smaller than the youngest of the_ FIVE LITTLE
ONES. _He walks with resolute step; on reaching the columns in the
foreground, he appears to take his bearings, turns his head to
right and left and then, suddenly, goes straight to_ THE WHITE
PHANTOM, _in front of whom he stops and takes up his stand,
contemplating her at length, gravely and silently, with his finger
in his mouth. At last he puts out one hand and takes_ THE PHANTOM
_by the hem of her dress_.)

THE SMALLEST OF THEM ALL

Is it ... really you?

THE PHANTOM

(_Speaking for the first time and struggling to find her voice, which seems to come from far away and to stick in her throat_.) Yes.

THE SMALLEST OF THEM ALL

I knew it. Come....

THE PHANTOM

Where to?

THE SMALLEST OF THEM ALL

Over here.... I'm going to tell the others....

THE PHANTOM

Not yet.... I can't yet....

THE SMALLEST OF THEM ALL

(_Still dragging her by her dress towards a marble bench which stands between the columns in the foreground_.) Come.... (_He makes her sit down, settles her on the bench, caresses her and kisses her_.) Come ... it's you.... I knew it.... I'm kissing you.... Don't you know how to kiss yet? (THE PHANTOM _shakes her head_.) No?... Like this.... I'll teach you.... (_He kisses and caresses her slowly and deliberately_.) You're no longer cold?

THE PHANTOM

(_Smiling at last_.) No.

THE SMALLEST OF THEM ALL

(_Still kissing her_.) You see, that's better already.

(_Under_ THE CHILD'S _kisses and caresses_, THE STATUE _has
gradually taken life: the eyes open, the lips flutter, the face
begins to colour, the body loses its terrible stiffness, the arms
become supple and circle round the_ THE CHILD'S _neck_.)

THE SMALLEST OF THEM ALL

(_Nestling against her_.) You're better, aren't you?... Not sleepy any more?... How good it is, being together!... They're still looking for you, you know.... And it's I who found you!... I knew, I knew....

THE PHANTOM

So did I, so did I.... I was waiting....

THE SMALLEST OF THEM ALL

It's splendid, isn't it?... (_Nestling more closely_.) Oh, such fun!... Do you like it too?

THE PHANTOM

Yes.... Yes, I am happy.

THE SMALLEST OF THEM ALL

Why aren't you laughing?

THE PHANTOM

Because I am too happy.

THE SMALLEST OF THEM ALL

So am I, so am I!... Don't look: I'm going to cry a little, but it doesn't mean anything....

THE PHANTOM

(_Beginning to return his kisses and caresses_.) I'm going to cry too.

THE SMALLEST OF THEM ALL

(_Intoxicated with rapture_.) You're kissing me!... Mummy!... Then it's true, then it's true, it is you!... Again, again!... No, not any more: I can't bear it!... Will they understand, will they be able to understand?

THE PHANTOM

Call them, it is time.

THE SMALLEST OF THEM ALL

Don't cover your face: they wouldn't see it and they wouldn't believe me.... (_Drawing aside the veils_.) Oh, mummy, how lovely you are!... (_Her hair spreads all over her shoulders_.) Oh, mummy, your hair!... What lots of it!... There, that's much better, I can kiss you better so.... (_Listening_.) Listen, they're coming back! They're here!

(THE FIVE LITTLE ONES _come rushing headlong into the hall_.)

THE FIVE LITTLE ONES

Where is she?... Where is she?... Where is she?...

THE SMALLEST OF THEM ALL

(_Standing up on the bench, beside his_ MOTHER, _showing her to the others and dancing with delight_.) Here! Here!... She's here, she's here!... I found her!...

(THE MOTHER _tries to rise and take them in her arms, but they do
not give her time. They fling themselves upon her, load her with
kisses and caresses, make her sit down again and clamber on her
knees, swarming and scrambling over her and all speaking
together_.)

THE FIVE LITTLE ONES

It's she!... It's she!... It's mummy!... Where was she?... Did you know her?... I should think so! I should think so!... You too? Yes, I too, I too!... You're taking up all the room!... You're kissing her all the time!... It's not fair, it's my turn!... She's my mummy too!... We looked for you so hard!... We waited for you so long!... She is lovely, isn't she?... She's the loveliest of them all!... There's no one like her!... Tell us, tell us!... What?... I love you! Do you love me?... Kiss, kiss, kiss, kiss!... What sweet things mummies are!... How delicious it is to kiss!... To think one didn't know!... All for us, all for us!... The only happiness!... You're everything in the world to us, we're everything in the world to you!... I dote on you!... I say, do you know me? I shall be the second.... And I the third.... And I the last!... Kiss me first, I shall have the longest to wait!... She's laughing!... She's happy too!... Answer us, speak to us!... Your arm, I want to feel your arm round my neck!... Mine too, mine too!... Don't go away, whatever you do!... We don't know where we are, we're mad with delight!... We can't wait any longer!...

(_While they are thus kissing and talking, the other_, BIGGER
CHILDREN, _those of the future generations, gradually return and
fill the halls again. The first arrivals stop behind the group
formed by_ THE MOTHER _and_ THE SIX LITTLE ONES; _and whispers are
heard and rise from the growing crowd_: "They've found her!...
They've found her!.... It's she!... How happy they are!... How
beautiful she is!... How kind she looks!... Can we kiss her?...
Wait, wait, it's their turn now!... Ours will come!..." TYLTYL,
_followed by_ LIGHT, THE SIX GIRLS _and_ DESTINY, _now enters the
hall_. THE CHILDREN _fall back to let him pass_. THE SMALLEST OF
THEM ALL _sees him first, goes to him and, taking him by the hand,
leads him to_ THE MOTHER.)

THE SMALLEST OF THEM ALL

(_Gravely_.) It is she.... I found her....

(THE MOTHER _rises and stands in front of_ TYLTYL.)

ANOTHER LITTLE ONE

Do you recognize her?

(TYLTYL _hesitates, passes his hand over his forehead, vainly
searches his memory_.)

TYLTYL

Not yet.... She's beautiful!

ANOTHER LITTLE ONE

Kiss her; it's she.

ANOTHER LITTLE ONE

There is no other.

THE SMALLEST OF THEM ALL

We want no other.

TYLTYL

(_Taking_ THE MOTHER'S _hand_.) Where do you come from?... Who are you?... Where have I seen you before?... I can't remember....

(THE MOTHER _does not reply. Her colour comes and goes, her eyes
open and shut, her life fluctuates with the ebb and flow of the
memory which she strives to awaken_.)

THE SMALLEST OF THEM ALL

Take care! You're hurting her!

(THE OTHER LITTLE ONES _form a line in front of her as though to
defend her_.)

A LITTLE ONE

Go away!

ANOTHER LITTLE ONE

Go away! You sha'n't have her until you know her!

ANOTHER LITTLE ONE

You sha'n't have any other!

ANOTHER LITTLE ONE

Go away! She shall stay with us till you know!

ANOTHER LITTLE ONE

Go away! We'll wait for you; we shall all be down there!

THE FIRST LITTLE ONE

Go away, go away!... You're hurting her dreadfully!

THE SMALLEST OF THEM ALL

(_Embracing his_ MOTHER.) Come, mummy, come!... He doesn't know yet!...

(_They all gather and press closely round their_ MOTHER, _hurrying
and dragging her along and waving good-bye to_ TYLTYL: "See you
soon! See you soon again!... Down there, down there!... See you
soon!" ...THE MOTHER _turns and gazes fixedly at_ TYLTYL; _then the
outlines of the hall darken, lose their colour and distinctness,
dissolve and disappear. Only_ TYLTYL, LIGHT, DESTINY _and_ THE SIX
GIRLS _remain in front of the Curtain representing the Milky Way_.)

TYLTYL

Well, I'm in a nice mess!... What am I to do?... Is it my fault if I can't remember?...

LIGHT

Don't be afraid. They know what they are saying. You will find her again.... Let us go, quickly!... I am sure that she is waiting for you where you least expect her.

TYLTYL

(_Dreamily_.) She really is beautiful!... I believe they are right.... I believe it's really she....

(_They all go out_.)

CURTAIN