Chapter I: Prologue: The Cotton Blossom 7

PART SECOND--THE BOLL.

I. COTTON 13
II. RICHARD TRAVIS 18
III. JUD CARPENTER 27
IV. FOOD FOR THE FACTORY 39
V. THE FLY CATCHER CAUGHT 50
VI. THE FLINT AND THE COAL 64
VII. HILLARD WATTS 84
VIII. WESTMORELAND 92
IX. A MUTUAL UNDERSTANDING 103
X. A STAR AND A SATELLITE 108
XI. A MIDNIGHT BURIAL 117
XII. JACK BRACKEN 127

PART THIRD--THE GIN.

I. ALICE WESTMORE 143
II. THE REAL HEROES 151
III. FRANKLIN 154

PART FOURTH--THE LINT.

I. COTTONTOWN 179
II. BEN BUTLER 187
III. AN ANSWER TO PRAYER 199
IV. HOW THE BISHOP FROZE 205
V. THE FLOCK 209
VI. A BISHOP MILITANT 213
VII. MARGARET ADAMS 219
VIII. HARD-SHELL SUNDAY 226
IX. THE RETURN 232
X. THE SWAN SONG OF THE CREPE MYRTLE 239
XI. THE CASKET AND THE GHOST 248
XII. A MIDNIGHT GUARD 254
XIII. THE THEFT OF A CHILDHOOD 258
XIV. UNCLE DAVE'S WILL 275
XV. EDWARD CONWAY 287
XVI. HELEN'S DESPAIR 296
XVII. THE WHIPPER-IN 305
XVIII. SAMANTHA CAREWE 312
XIX. A QUICK CONVERSION 317
XX. A LIVE FUNERAL 326
XXI. JACK AND THE LITTLE ONES 336
XXII. THE BROKEN THREAD 344
XXIII. GOD WILL PROVIDE 350
XXIV. BONAPARTE'S WATERLOO 355
XXV. A BORN NATURALIST 366
XXVI. BEN BUTLER'S LAST RACE 380
XXVII. YOU'LL COME BACK A MAN 414

PART FIFTH--THE LOOM.

I. A NEW MILL GIRL 419
II. IN THE DEPTHS 431
III. WORK IN A NEW LIGHT 438
IV. MAGGIE 443
V. PAY-DAY 447
VI. THE PLOT 456
VII. MRS. WESTMORE TAKES A HAND 464
VIII. A QUESTION BROUGHT HOME 473
IX. THE PEDIGREE OF ACHIEVEMENT 487
X. MARRIED IN GOD'S SIGHT 493
XI. THE QUEEN IS DEAD 499
XII. IN THYSELF THERE IS WEAKNESS 508
XIII. HIMSELF AGAIN 512
XIV. THE JOY OF THE MORNING 519
XV. THE TOUCH OF GOD 526
XVI. MAMMY MARIA 533
XVII. THE DOUBLE THAT DIED 545
XVIII. THE DYING LION 552
XIX. FACE TO FACE WITH DEATH 564
XX. THE ANGEL WITH THE FLAMING SWORD 572
XXI. THE GREAT FIRE 581
XXII. A CONWAY AGAIN 588
XXIII. DIED FOR THE LAW 596
XXIV. THE ATONEMENT 611
XXV. THE SHADOWS AND THE CLOUDS 624
XXVI. THE MODEL MILL 633

[Transcriber's Note: Obvious printer errors, have been silently corrected. For clarity, have added new paragraphs with respect to dialogue within paragraphs. The name Hillard and Hilliard have been uniformly changed to Hillard. Corrected incorrect usages of 'its' and 'it's.' All other inconsistencies (i.e. The inconsistent spellings--sombre/somber, gray/grey, hyphen/no hyphen) have been left as they were in the original.]

PART FIRST--THE BLOOM

THE COTTON BLOSSOM

The cotton blossom is the only flower that is born in the shuttle of a sunbeam and dies in a loom.

It is the most beautiful flower that grows, and needs only to become rare to be priceless--only to die to be idealized.

For the world worships that which it hopes to attain, and our ideals are those things just out of our reach.

Satiety has ten points and possession is nine of them.

If, in early August, the delicately green leaves of this most aristocratic of all plants, instead of covering acres of Southland shimmering under a throbbing sun, peeped daintily out, from among the well-kept beds of some noble garden, men would flock to see that plant, which, of all plants, looks most like a miniature tree.

A stout-hearted plant,--a tree, dwarfed, but losing not its dignity.

Then, one morning, with the earliest sunrise, and born of it, there emerges from the scalloped sea-shell of the bough an exquisite, pendulous, cream-white blossom, clasping in its center a golden yellow star, pinked with dawn points of light, and, setting high up under its sky of milk-white petals flanked with yellow stars, it seems to the little nestling field-wrens born beneath it to be the miniature arch of daybreak, ere the great eye of the morning star closes.

Later, when the sun rises and the sky above grows pink and purple, it, too, changes its color from pink to purple, copying the sky from zone to zone, from blue to deeper blue, until, at late evening the young nestlings may look up and say, in their bird language: "It is twilight."

What other flower among them can thus copy Nature, the great master?

Under every sky is a sphere, and under this sky picture, when night falls and closes it, a sphere is born. And in that sphere is all of earth.

Its oils and its minerals are there, and one day, becoming too full of richness, it bursts, and throws open a five-roomed granary, stored with richer fabric than ever came from the shuttles of Fez and holding globes of oil such as the olives of Hebron dreamed not of.

And in that fabric is the world clothed.

Oh, little loom of the cotton-plant, poet that can show us the sky, painter that paints it, artisan that reaches out, and, from the skein of a sunbeam, the loom of the air and the white of its own soul, weaves the cloth that clothes the world!

From dawn and darkness building a loom. From sunlight and shadow weaving threads of such fineness that the spider's were ropes of sand and the hoar frost's but clumsy icicles.

Weaving--weaving--weaving them. And the delicately patterned tapestry of ever-changing clouds forming patterns of a fabric, white as the snow of the centuries, determined that since it has to make the garments of men, it will make them unsullied.

Oh, little plant, poet, painter, master-artisan!

It is true to Nature to the last. The summer wanes and the winter comes, and when the cotton sphere bursts, 'tis a ball of snow, but a dazzling white, spidery snow, which warms and does not chill, brings comfort and not care, wealth and the rich warm blood, and not the pinches of poverty.

There are those who cannot hear God's voice unless He speaks to them in the thunders of Sinai, nor see Him unless He flares before them in the bonfires of a burning bush. They grumble because His Messenger came to a tribe in the hill countries of Long Ago. They wish to see the miracle of the dead arising. They see not the miracle of life around them. Death from Life is more strange to them than life from death.

'Tis the silent voice that speaks the loudest. Did Sinai speak louder than this? Hear it:

"I am a bloom, and yet I reflect the sky from the morning's star to the midnight's. I am a flower, yet I show you the heaven from the dawn of its birth to the twilight of its death. I am a boll, and yet a miniature earth stored with silks and satins, oils of the olives, minerals of all lands. And when I am ripe I throw open my five-roomed granary, each fitted to the finger and thumb of the human hand, with a depth between, equalled only by the palm."

O voice of the cotton-plant, do we need to go to oracles or listen for a diviner voice than yours when thus you tell us: Pluck?

PART SECOND--THE BOLL