Chapter M: Drayton

ONE DAY I WROTE HER NAME

One day I wrote her name upon the strand,
But came the waves and washèd it away:
Again I wrote it with a second hand,
But came the tide and made my pains his prey.
'Vain man,' said she, 'that dost in vain essay
A mortal thing so to immortalize;
For I myself shall like to this decay,
And eke my name be wipèd out likewise.'
'Not so,' quoth I; 'let baser things devise
To die in dust, but you shall live by fame;
My verse your virtues rare shall eternize,
And in the heavens write your glorious name:
Where, whenas Death shall all the world subdue,
Our love shall live, and later life renew.'

E. SPENSER.

WELL I REMEMBER HOW YOU SMILED

Well I remember how you smiled
To see me write your name upon
The soft sea-sand--'O! _what a child!_
_You think you're writing upon stone!_'

I have since written what no tide
Shall ever wash away, what men
Unborn shall read o'er ocean wide
And find Ianthe's name again.

W. S. LANDOR.

THE MULTIPLICITY OF BOOKS

Solomon saith truly, Of making many books there is no end, so insatiable is the thirst of men therein; as also endless is the desire of many in buying and reading them. But we come to our rules.

1. _It is a vanity to persuade the world one hath much learning, by getting a great library._ As soon shall I believe every one is valiant that hath a well-furnished armoury. I guess good housekeeping by the smoking, not the number of the tunnels, as knowing that many of them, built merely for uniformity, are without chimneys, and more without fires. Once a dunce void of learning but full of books flouted a libraryless scholar with these words: _Salve doctor sine libris._ But the next day the scholar coming into this jeerer's study, crowded with books; _Salvete libri_, saith he, _sine doctore_.

2. _Few books, well selected, are best._ Yet, as a certain fool bought all the pictures that came out, because he might have his choice, such is the vain humour of many men in gathering of books: yet when they have done all, they miss their end, it being in the editions of authors as in the fashions of clothes, when a man thinks he hath gotten the latest and newest, presently another newer comes out.

3. _Some books are only cursorily to be tasted of._ Namely, first, voluminous books, the task of a man's life to read them over; secondly, auxiliary books, only to be repaired to on occasions; thirdly, such as are mere pieces of formality, so that if you look on them, you look through them; and he that peeps through the casement of the index sees as much as if he were in the house. But the laziness of those cannot be excused who perfunctorily pass over authors of consequence, and only trade in their tables and contents. These, like city-cheaters, having gotten the names of all country gentlemen, make silly people believe they have long lived in those places where they never were, and flourish with skill in those authors they never seriously studied.

4. _The genius of the author is commonly discovered in the dedicatory epistle._ Many place the purest grain in the mouth of the sack for chapmen to handle or buy: and from the dedication one may probably guess at the work, saving some rare and peculiar exceptions. Thus, when once a gentleman admired how so pithy, learned, and witty a dedication was matched to a flat, dull, foolish book; _In truth_, said another, _they may be well matched together, for I profess they are nothing akin_.

5. _Proportion an hour's meditation to an hour's reading of a staple author._ This makes a man master of his learning, and dispirits the book into the scholar. The king of Sweden never filed his men above six deep in one company, because he would not have them lie in useless clusters in his army, but so that every particular soldier might be drawn out into service. Books that stand thin on the shelves, yet so as the owner of them can bring forth every one of them into use, are better than far greater libraries....

But what do I, speaking against multiplicity of books in this age, who trespass in this nature myself? What was a learned man's compliment, may serve for my confession and conclusion: _Multi mei similes hoc morbo laborant, ut cum scribere nesciant tamen a scribendo temperare non possint_.--T. FULLER. _The Holy State and the Profane State._

SUPERFLUOUS BOOKS

I have heard some with deep sighs lament the lost lines of Cicero; others with as many groans deplore the combustion of the library of Alexandria. For my own part, I think there be too many in the world, and could with patience behold the urn and ashes of the Vatican, could I, with a few others, recover the perished leaves of Solomon. I would not omit a copy of _Enoch's Pillars_, had they many nearer authors than Josephus, or did not relish somewhat of the fable. Some men have written more than others have spoken. Pineda quotes more authors in one work than are necessary in a whole world. Of those three great inventions in Germany, there are two which are not without their incommodities, and 'tis disputable whether they exceed not their use and commodities. 'Tis not a melancholy _Utinam_ of mine own, but the desires of better heads that there were a general synod; not to unite the incompatible differences of religion, but for the benefit of learning, to reduce it as it lay at first, in a few and solid authors; and to condemn to the fire those swarms and millions of rhapsodies, begotten only to distract and abuse the weaker judgements of scholars, and to maintain the trade and mystery of typographers.--SIR T. BROWNE. _Religio Medici._

MULTIPLICATION IS VEXATION

The reason that books are multiplied, in spite of the general law that beings shall not be multiplied without necessity, is, that books are made from books. A new history of France or Spain is manufactured from several volumes already printed, without adding anything new. All dictionaries are made from dictionaries; almost all new geographical books are made from other books of geography; St. Thomas's dream has brought forth two thousand large volumes of divinity; and the same race of little worms that have devoured the parent are now gnawing the children.--VOLTAIRE. _Philosophical Dictionary: Books._

THE MULTIPLICATION OF ORIGINALS

The invention of printing has not, perhaps, multiplied books, but only the copies of them; and if we believe there were six hundred thousand in the library of Ptolemy, we shall hardly pretend to equal it by any of ours, nor, perhaps, by all put together; I mean so many originals that have lived any time, and thereby given testimony to their having been thought worth preserving. For the scribblers are infinite, that like mushrooms or flies are born and die in small circles of time; whereas books, like proverbs, receive their chief value from the stamp and esteem of ages through which they have passed.--SIR W. TEMPLE. _Ancient and Modern Learning._

THE AUTHORS' ADVANTAGE

The circumstance which gives authors an advantage ... is this, that they can multiply their originals; or rather can make copies of their works, to what number they please, which shall be as valuable as the originals themselves. This gives a great author something like a prospect of eternity, but at the same time deprives him of those other advantages which artists meet with. The artist finds greater returns in profit, as the author in fame. What an inestimable price would a Virgil or a Homer, a Cicero or an Aristotle bear, were their works like a statue, a building, or a picture, to be confined only in one place, and made the property of a single person!--J. ADDISON. _Spectator_, 166.

AN IGNORANT AGE HATH MANY BOOKS

It is observed that _a corrupt society has many laws_; I know not whether it is not equally true, that _an ignorant age has many books_. When the treasures of ancient knowledge lie unexamined, and original authors are neglected and forgotten, compilers and plagiaries are encouraged who give us again what we had before, and grow great by setting before us what our own sloth had hidden from our view.--S. JOHNSON. _Idler_, 85.

THE DIFFUSION OF BOOKS AND ITS EFFECT ON CULTURE

Nothing can supply the place of books. They are cheering or soothing companions in solitude, illness, affliction. The wealth of both continents would not compensate for the good they impart. Let every man, if possible, gather some good books under his roof, and obtain access for himself and family to some social library. Almost any luxury should be sacrificed to this.

One of the very interesting features of our times is the multiplication of books, and their distribution through all conditions of society. At a small expense a man can now possess himself of the most precious treasures of English literature. Books, once confined to a few by their costliness, are now accessible to the multitude; and in this way a change of habits is going on in society, highly favourable to the culture of the people. Instead of depending on casual rumour and loose conversation for most of their knowledge and objects of thought; instead of forming their judgements in crowds, and receiving their chief excitement from the voice of neighbours; men are now learning to study and reflect alone, to follow out subjects continuously, to determine for themselves what shall engage their minds, and to call to their aid the knowledge, original views, and reasonings of men of all countries and ages; and the results must be, a deliberateness and independence of judgement, and a thoroughness and extent of information, unknown in former times. The diffusion of these silent teachers, books, through the whole community, is to work greater effects than artillery, machinery, and legislation. Its peaceful agency is to supersede stormy revolutions. The culture, which is to spread, whilst an unspeakable good to the individual, is also to become the stability of nations.--W. E. CHANNING. _Self-Culture._

THE DISTRACTION OF CHOICE

Under our present enormous accumulation of books, I do affirm, that a miserable distraction of choice (which is the germ of such a madness) must be very generally incident to the times; that the symptoms of it are, in fact, very prevalent; and that one of the chief symptoms is an enormous 'gluttonism' for books, and for adding language to language; and in this way it is that literature becomes much more a source of torment than of pleasure. Nay, I will go further, and will say that of many, who escape this disease, some owe their privilege simply to the narrowness of their minds and the contracted range of their sympathies with literature--which enlarged, they would soon lose it! others, again, owe it to their situation; as, for instance, in a country town, where, books being few, a man can use up all his materials, his appetite is unpalled--and he is grateful for the loan of a MS., &c.: but bring him up to London--show him the wagon-loads of unused stores--which he is at liberty to work up--tell him that these even are but a trifle, perhaps, to what he may find in the libraries of Paris, Dresden, Milan, &c.--of religious houses--of English noblemen, &c.; and this same man, who came up to London blithe and happy, will leave it pale and sad. You have ruined his peace of mind: a subject which he fancied himself capable of exhausting, he finds to be a labour for centuries: he has no longer the healthy pleasure of feeling himself master of his materials; he is degraded into their slave.--T. DE QUINCEY. _Letters to a Young Man._

A LIBRARY OF ONE

Were I to name, out of the times gone by,
The poets dearest to me, I should say,
Pulci for spirits, and a fine, free way;
Chaucer for manners, and close, silent eye;
Milton for classic taste, and harp strung high;
Spenser for luxury, and sweet, sylvan play;
Horace for chatting with, from day to day;
Shakespeare for all, but most, society.

But which take with me, could I take but one?
Shakespeare,--as long as I was unoppressed
With the world's weight, making sad thoughts intenser;
But did I wish, out of the common sun
To lay a wounded heart in leafy rest,
And dream of things far off and healing,--Spenser.

J. H. LEIGH HUNT.

A LIBRARY OF TWELVE

You may get the whole of Sir Thomas Browne's works more easily than the _Hydrotaphia_ in a single form.... If I were confined to a score of English books, this I think would be one of them; nay, probably, it would be one if the selection were cut down to twelve. My library, if reduced to those bounds, would consist of Shakespeare, Chaucer, Spenser, and Milton; Lord Clarendon; Jackson, Jeremy Taylor, and South; Isaac Walton, Sidney's _Arcadia_, Fuller's _Church History_, and Sir Thomas Browne; and what a wealthy and well-stored mind would that man have, what an inexhaustible reservoir, what a Bank of England to draw upon for profitable thoughts and delightful associations, who should have fed upon them.--R. SOUTHEY (Letter to G. C. Bedford).

ANCIENT AND MODERN BOOKS

Whoever converses much among the old books will be something hard to please among the new; yet these must have their part, too, in the leisure of an idle man, and have, many of them, their beauties as well as their defaults. Those of story, or relations of matter of fact, have a value from their substance as much as from their form, and the variety of events is seldom without entertainment or instruction, how indifferently soever the tale is told. Other sorts of writings have little of esteem but what they receive from the wit, learning, or genius of the authors, and are seldom met with of any excellency, because they do but trace over the paths that have been beaten by the ancients, or comment, critic, and flourish upon them, and are at best but copies after those originals, unless upon subjects never touched by them, such as are all that relate to the different constitutions of religions, laws, or governments in several countries, with all matters of controversy that arise upon them.--SIR W. TEMPLE. _Ancient and Modern Learning._

THE BATTLE OF THE BOOKS

Immediately the two main bodies withdrew, under their several ensigns, to the farther parts of the library, and there entered into cabals and consults upon the present emergency. The Moderns were in very warm debates upon the choice of their leaders; and nothing less than the fear impending from their enemies could have kept them from mutinies upon this occasion. The difference was greatest among the horse, where every private trooper pretended to the chief command, from Tasso and Milton to Dryden and Wither. The light-horse were commanded by Cowley and Despreaux. There came the bowmen under their valiant leaders, Descartes, Gassendi, and Hobbes; whose strength was such that they could shoot their arrows beyond the atmosphere, never to fall down again, but turn, like that of Evander, into meteors; or, like the cannon-ball, into stars. Paracelsus brought a squadron of stinkpot-flingers from the snowy mountains of Rhaetia. There came a vast body of dragoons, of different nations, under the leading of Harvey, their great aga: part armed with scythes, the weapons of death; part with lances and long knives, all steeped in poison; part shot bullets of a most malignant nature, and used white powder, which infallibly killed without report. There came several bodies of heavy-armed foot, all mercenaries, under the ensigns of Guiccardini, Davila, Polydore, Virgil, Buchanan, Mariana, Camden, and others. The engineers were commanded by Regiomontanus and Wilkins. The rest was a confused multitude, led by Scotus, Aquinas, and Bellarmine; of mighty bulk and stature, but without either arms, courage, or discipline. In the last place came infinite swarms of calones, a disorderly rout led by L'Estrange; rogues and ragamuffins, that follow the camp for nothing but the plunder, all without coats to cover them.

The Army of the Ancients was much fewer in number; Homer led the horse, and Pindar the light-horse; Euclid was chief engineer; Plato and Aristotle commanded the bowmen; Herodotus and Livy the foot; Hippocrates, the dragoons; the allies, led by Vossius and Temple, brought up the rear.

All things violently tending to a decisive battle, Fame, who much frequented, and had a large apartment assigned her in the regal library, fled up straight to Jupiter, to whom she delivered a faithful account of all that passed between the two parties below; for among the Gods she always tells truth. Jove, in great concern, convokes a council in the Milky Way. The senate assembled, he declares the occasion of convening them; a bloody battle just impendent between two mighty armies of ancient and modern creatures, called books, wherein the celestial interest was but too deeply concerned. Momus, the patron of the Moderns, made an excellent speech in their favour, which was answered by Pallas, the protectress of the Ancients. The assembly was divided in their affections; when Jupiter commanded the Book of Fate to be laid before him. Immediately were brought by Mercury three large volumes in folio, containing memoirs of all things past, present, and to come. The clasps were of silver double gilt, the covers of celestial turkey leather, and the paper such as here on earth might almost pass for vellum. Jupiter, having silently read the decree, would communicate the import to none, but presently shut up the book....

Meanwhile Momus, fearing the worst, and calling to mind an ancient prophecy which bore no very good face to his children the Moderns, bent his flight to the region of a malignant deity called Criticism. She dwelt on the top of a snowy mountain in Nova Zembla; there Momus found her extended in her den, upon the spoils of numberless volumes, half devoured. At her right hand sat Ignorance, her father and husband, blind with age; at her left, Pride, her mother, dressing her up in the scraps of paper herself had torn. There was Opinion, her sister, light of foot, hoodwinked, and headstrong, yet giddy and perpetually turning. About her played her children, Noise and Impudence, Dullness and Vanity, Positiveness, Pedantry, and Ill-manners.... 'Goddess,' said Momus, 'can you sit idly here while our devout worshippers, the Moderns, are this minute entering into a cruel battle, and perhaps now lying under the swords of their enemies? Who then hereafter will ever sacrifice or build altars to our divinities? Haste, therefore, to the British Isle, and, if possible, prevent their destruction; while I make factions among the gods, and gain them over to our party.' ...

The goddess and her train, having mounted the chariot, which was drawn by tame geese, flew over infinite regions, shedding her influence in due places, till at length she arrived at her beloved island of Britain; but in hovering over its metropolis, what blessings did she not let fall upon her seminaries of Gresham and Covent Garden! And now she reached the fatal plain of St. James's library, at what time the two armies were upon the point to engage; where, entering with all her caravan unseen, and landing upon a case of shelves, now desert, but once inhabited by a colony of virtuosos, she stayed awhile to observe the posture of both armies.--J. SWIFT. _The Battle of the Books._

OLD AUTHORS TO READ

Alonso of Aragon was wont to say, in commendation of Age, that Age appeared to be best in four things; Old wood best to burn, old wine to drink, old friends to trust, and old authors to read.--F. BACON, LORD VERULAM. _Apophthegmes._

CLASSICUS

Classicus is a man of learning, and well versed in all the best authors of antiquity. He has read them so much that he has entered into their spirit, and can very ingeniously imitate the manner of any of them. All their thoughts are his thoughts, and he can express himself in their language. He is so great a friend to this improvement of the mind that if he lights on a young scholar he never fails to advise him concerning his studies.

Classicus tells his young man he must not think that he has done enough when he has only learnt languages; but that he must be daily conversant with the best authors, read them again and again, catch their spirit by living with them, and that there is no other way of becoming like them, or of making himself a man of taste and judgement.

How wise might Classicus have been and how much good might he have done in the world, if he had but thought as justly of devotion as he does of learning!... The two testaments would not have had so much as a place amongst his books, but that they are both to be had in Greek.

Classicus thinks that he sufficiently shows his regard for the holy scriptures when he tells you that he has no other book of piety besides them.--W. LAW. _A serious Call to a devout and holy Life._

THE DEAD ALONE CANONIZED

That critic must indeed be bold
Who pits new authors against old.
Only the ancient coin is prized,
The dead alone are canonized:
What was even Shakespeare until then?
A poet scarce compared with Ben:
And Milton in the streets no taller
Than sparkling easy-ambling Waller.
Waller now walks with rhyming crowds,
While Milton sits above the clouds,
Above the stars, his fixed abode,
And points to men their way to God.

W. S. LANDOR.

THE CLASSICS

Will nothing but from Greece or Rome
Please me? is nothing good at home?
Yes; better; but I look in vain
For a Molière or La Fontaine.
Swift in his humour was as strong,
But there was gall upon his tongue.
Bitters and acids may excite,
Yet satisfy not appetite.

W. S. LANDOR.

THE MOONS OF LITERATURE

SIR, ... we must read what the world reads at the moment. It has been maintained that this superfoetation, this teeming of the press in modern times, is prejudicial to good literature, because it obliges us to read so much of what is of inferior value, in order to be in the fashion; so that better works are neglected for want of time, because a man will have more gratification of his vanity in conversation, from having read modern books than from having read the best books of antiquity. But it must be considered, that we have now more knowledge generally diffused; all our ladies read now, which is a great extension. Modern writers are the moons of literature; they shine with reflected light, with light borrowed from the ancients. Greece appears to me to be the fountain of knowledge; Rome of elegance.--S. JOHNSON. (Boswell's _Life_.)

THE READING OF NEW BOOKS

From Lien Chi Altangi to Fum Hoam, First President of the
Ceremonial Academy at Pekin, in China

There are numbers in this city who live by writing new books; and yet there are thousands of volumes in every large library unread and forgotten. This, upon my arrival, was one of those contradictions which I was unable to account for. Is it possible, said I, that there should be any demand for new books before those already published are read? Can there be so many employed in producing a commodity with which the market is overstocked; and with goods also better than any of modern manufacture!

What at first view appeared an inconsistency is a proof at once of this people's wisdom and refinement. Even allowing the works of their ancestors better written than theirs, yet those of the moderns acquire a real value, by being marked with the impression of the times. Antiquity has been in the possession of others; the present is our own: let us first therefore learn to know what belongs to ourselves, and then, if we have leisure, cast our reflections back to the reign of Shonsu, who governed twenty thousand years before the creation of the moon.

The volumes of antiquity, like medals, may very well serve to amuse the curious; but the works of the moderns, like the current coin of a kingdom, are much better for immediate use; the former are often prized above their intrinsic value, and kept with care, the latter seldom pass for more than they are worth, and are often subject to the merciless hands of sweating critics and clipping compilers: the works of antiquity were ever praised, those of the moderns read; the treasures of our ancestors have our esteem, and we boast the passion; those of contemporary genius engage our heart, although we blush to own it. The visits we pay the former resemble those we pay the great; the ceremony is troublesome, and yet such as we would not choose to forgo; our acquaintance with modern books is like sitting with a friend; our pride is not flattered in the interview, but it gives more internal satisfaction....

In England, where there are as many new books published as in all the rest of Europe together, a spirit of freedom and reason reigns among the people; they have been often known to act like fools, they are generally found to think like men.--O. GOLDSMITH. _Letters from a Citizen of the World._

THE CLASSICS ALWAYS MODERN

In science read, by preference, the newest works; in literature, the oldest. The classic literature is always modern. New books revive and re-decorate old ideas; old books suggest and invigorate new ideas.--E. G. E. L. BULWER-LYTTON, LORD LYTTON. _Caxtoniana._

ON READING OLD BOOKS

I hate to read new books. There are twenty or thirty volumes that I have read over and over again, and these are the only ones that I have any desire ever to read at all. It was a long time before I could bring myself to sit down to the _Tales of My Landlord_, but now that author's works have made a considerable addition to my scanty library.... Women judge of books as they do of fashions or complexions, which are admired only 'in their newest gloss'. That is not my way. I am not one of those who trouble the circulating libraries much, or pester the booksellers for mail-coach copies of standard periodical publications. I cannot say that I am greatly addicted to black-letter, but I profess myself well versed in the marble bindings of Andrew Millar, in the middle of the last century; nor does my taste revolt at Thurloe's _State Papers_, in russia leather; or an ample impression of Sir William Temple's _Essays_, with a portrait after Sir Godfrey Kneller in front. I do not think altogether the worse of a book for having survived the author a generation or two. I have more confidence in the dead than the living.... When I take up a work that I have read before (the oftener the better), I know what I have to expect. The satisfaction is not lessened by being anticipated. When the entertainment is altogether new, I sit down to it as I should to a strange dish--turn and pick out a bit here and there, and am in doubt what to think of the composition. There is a want of confidence and security to second appetite. New-fangled books are also like made-dishes in this respect, that they are generally little else than hashes and _rifaccimentos_ of what has been served up entire and in a more natural state at other times. Besides, in thus turning to a well-known author, there is not only an assurance that my time will not be thrown away, or my palate nauseated with the most insipid or vilest trash, but I shake hands with, and look an old, tried, and valued friend in the face, compare notes, and chat the hours away. It is true, we form dear friendships with such ideal guests--dearer, alas! and more lasting, than those with our most intimate acquaintance. In reading a book which is an old favourite with me (say the first novel I ever read) I not only have the pleasure of imagination and of a critical relish of the work, but the pleasures of memory added to it. It recalls the same feelings and associations which I had in first reading it, and which I can never have again in any other way. Standard productions of this kind are links in the chain of our conscious being. They bind together the different scattered divisions of our personal identity. They are landmarks and guides in our journey through life. They are pegs and loops on which we can hang up, or from which we can take down, at pleasure, the wardrobe of a moral imagination, the relics of our best affections, the tokens and records of our happiest hours. They are 'for thoughts and for remembrance'! They are like Fortunatus's Wishing Cap--they give us the best riches--those of Fancy; and transport us, not over half the globe, but (which is better) over half our lives, at a word's notice!

My father Shandy solaced himself with Bruscambille. Give me for this purpose a volume of _Peregrine Pickle_ or _Tom Jones_. Open either of them anywhere--at the memoirs of Lady Vane, or the adventures at the masquerade with Lady Bellaston, or the disputes between Thwackum and Square, or the escape of Molly Seagrim, or the incident of Sophia and her muff, or the edifying prolixity of her aunt's lecture--and there I find the same delightful, busy, bustling scene as ever, and feel myself the same as when I was first introduced into the midst of it. Nay, sometimes the sight of an odd volume of these good old English authors on a stall, or the name lettered on the back among others on the shelves of a library, answers the purpose, revives the whole train of ideas, and sets 'the puppets dallying'. Twenty years are struck off the list, and I am a child again. A sage philosopher, who was not a very wise man, said, that he should like very well to be young again, if he could take his experience along with him. This ingenious person did not seem to be aware, by the gravity of his remark, that the great advantage of being young is to be without this weight of experience, which he would fain place upon the shoulders of youth, and which never comes too late with years. Oh! what a privilege to be able to let this hump, like Christian's burthen, drop from off one's back, and transport oneself, by the help of a little musty duodecimo, to the time when 'ignorance was bliss', and when we first got a peep at the raree-show of the world, through the glass of fiction--gazing at mankind, as we do at wild beasts in a menagerie, through the bars of their cages--or at curiosities in a museum, that we must not touch! For myself, not only are the old ideas of the contents of the work brought back to my mind in all their vividness, but the old associations of the faces and persons of those I then knew, as they were in their lifetime--the place where I sat to read the volume, the day when I got it, the feeling of the air, the fields, the sky--return, and all my early impressions with them. This is better to me--those places, those times, those persons, and those feelings that come across me as I retrace the story and devour the page, are to me better far than the wet sheets of the last new novel.--W. HAZLITT. _The Plain Speaker._

ON READING NEW BOOKS

I cannot understand the rage manifested by the greater part of the world for reading new books. If the public had read all those that have gone before, I can conceive how they should not wish to read the same work twice over; but when I consider the countless volumes that lie unopened, unregarded, unread, and unthought of, I cannot enter into the pathetic complaints that I hear made that Sir Walter writes no more--that the press is idle--that Lord Byron is dead. If I have not read a book before, it is, to all intents and purposes, new to me, whether it was printed yesterday or three hundred years ago. If it be urged that it has no modern, passing incidents, and is out of date and old-fashioned, then it is so much the newer; it is farther removed from other works that I have lately read, from the familiar routine of ordinary life, and makes so much more addition to my knowledge. But many people would as soon think of putting on old armour as of taking up a book not published within the last month, or year at the utmost. There is a fashion in reading as well as in dress, which lasts only for the season. One would imagine that books were, like women, the worse for being old; that they have a pleasure in being read for the first time; that they open their leaves more cordially; that the spirit of enjoyment wears out with the spirit of novelty; and that, after a certain age, it is high time to put them on the shelf. This conceit seems to be followed up in practice.... The knowledge which so many other persons have of its contents deadens our curiosity and interest altogether. We set aside the subject as one on which others have made up their minds for us (as if we really could have ideas in their heads), and are quite on the alert for the next new work, teeming hot from the press, which we shall be the first to read, criticize, and pass an opinion on. Oh, delightful! To cut open the leaves, to inhale the fragrance of the scarcely dry paper, to examine the type to see who is the printer (which is some clue to the value that is set upon the work), to launch out into regions of thought and invention never trod till now, and to explore characters that never met a human eye before--this is a luxury worth sacrificing a dinner-party, or a few hours of a spare morning to. Who, indeed, when the work is critical and full of expectation, would venture to dine out, or to face a coterie of blue-stockings in the evening, without having gone through this ordeal, or at least without hastily turning over a few of the first pages, while dressing, to be able to say that the beginning does not promise much, or to tell the name of the heroine?

A new work is something in our power: we mount the bench, and sit in judgement on it; we can damn or recommend it to others at pleasure, can decry or extol it to the skies, and can give an answer to those who have not yet read it, and expect an account of it; and thus show our shrewdness and the independence of our taste before the world have had time to form an opinion. If we cannot write ourselves, we become, by busying ourselves about it, a kind of _accessories after the fact_.--W. HAZLITT. _Sketches and Essays._

A PREFERENCE FOR GREAT MODELS

By the by, I observe a point in which your taste and mine differ from each other materially. It is about new publications. I read them unwillingly. You abstain from them with difficulty, and as a matter of duty and self-denial. Their novelty has very little attraction for me; and in literature I am fond of confining myself to the best company, which consists chiefly of my old acquaintance, with whom I am desirous of becoming more intimate; and I suspect that nine times out of ten it is more profitable, if not more agreeable, to read an old book over again, than to read a new one for the first time. If I hear of a new poem, for instance, I ask myself first, whether it is superior to Homer, Shakespeare, Ariosto, Virgil, or Racine; and, in the next place, whether I already have all these authors completely at my fingers' ends. And when both questions have been answered in the negative, I infer that it is better (and, to me, it is certainly pleasanter) to give such time as I have to bestow on the reading of poetry to Homer, Ariosto and Co., and so of other things.

Is it not better to try, at least, to elevate and adorn one's mind, by the constant study and contemplation of the great models, than merely to know of one's own knowledge that such a book an't worth reading?--J. W. WARD, EARL OF DUDLEY (Letter to the Bishop of Llandaff).

THE VALUE OF MODERN BOOKS

The great productions of Athenian and Roman genius are indeed still what they were. But though their positive value is unchanged, their relative value, when compared with the whole mass of mental wealth possessed by mankind, has been constantly falling. They were the intellectual all of our ancestors. They are but a part of our treasures. Over what tragedy could Lady Jane Grey have wept, over what comedy could she have smiled, if the ancient dramatists had not been in her library? A modern reader can make shift without _Oedipus_ and _Medea_, while he possesses _Othello_ and _Hamlet_. If he knows nothing of _Pyrgopolynices_ and _Thraso_, he is familiar with _Bobadil_, and _Bessus_, and _Pistol_, and _Parolles_. If he cannot enjoy the delicious irony of Plato, he may find some compensation in that of Pascal. If he is shut out from _Nephelococcygia_, he may take refuge in _Lilliput_.... We believe that the books which have been written in the languages of Western Europe, during the last two hundred and fifty years--translations from the ancient languages of course included,--are of greater value than all the books which at the beginning of that period were extant in the world.--LORD MACAULAY. _Lord Bacon._

A SORT OF THIRD ESTATE

Each age, it is found, must write its own books; or, rather, each generation for the next succeeding. The books of an older period will not fit this. Yet hence arises a grave mischief. The sacredness which attaches to the act of creation--the act of thought--is transferred to the record. The poet chanting, was felt to be a divine man: henceforth the chant is divine also. The writer was a just and wise spirit: henceforward it is settled, the book is perfect; as love of the hero corrupts into worship of his statue. Instantly, the book becomes noxious: the guide is a tyrant. The sluggish and perverted mind of the multitude, slow to open to the incursions of Reason, having once so opened, having once received this book, stands upon it, and makes an outcry if it is disparaged. Colleges are built on it. Books are written on it by thinkers, not by Man Thinking; by men of talent, that is, who start wrong, who set out from accepted dogmas, not from their own sight of principles. Meek young men grow up in libraries, believing it their duty to accept the views which Cicero, which Locke, which Bacon, have given, forgetful that Cicero, Locke, and Bacon were only young men in libraries when they wrote these books.

Hence, instead of Man Thinking, we have the book-worm. Hence, the book-learned class, who value books as such; not as related to nature and the human constitution, but as making a sort of Third Estate with the world and the soul. Hence, the restorers of readings, the emendators, the bibliomaniacs of all degrees.

Books are the best of things, well used; abused, among the worst.--R. W. EMERSON. _The American Scholar._

OLD AND NEW BOOKS

Old books, as you well know, are books of the world's youth, and new books are fruits of its age. How many of all these ancient folios round me are like so many old cupels? The gold has passed out of these long ago, but their pores are full of the dross with which it was mingled.--O. W. HOLMES. _The Professor at the Breakfast-Table._

SECURITY IN OLD BOOKS

What a sense of security in an old book which Time has criticized for us! What a precious feeling of seclusion in having a double wall of centuries between us and the heats and clamours of contemporary literature! How limpid seems the thought, how pure the old wine of scholarship that has been settling for so many generations in those silent crypts and Falernian _amphorae_ of the Past! No other writers speak to us with the authority of those whose ordinary speech was that of our translation of the Scriptures; to no modern is that frank unconsciousness possible which was natural to a period when reviews were not; and no later style breathes that country charm characteristic of days ere the metropolis drew all literary activity to itself, and the trampling feet of the multitude had banished the lark and the daisy from the fresh privacies of language. Truly, as compared with the present, these old voices seem to come from the morning fields and not the paved thoroughfares of thought....

There are volumes which have the old age of Plato, rich with gathering experience, meditation, and wisdom, which seem to have sucked colour and ripeness from the genial autumns of all the select intelligences that have steeped them in the sunshine of their love and appreciation;--these quaint freaks of russet tell of Montaigne; these stripes of crimson fire, of Shakespeare; this sober gold, of Sir Thomas Browne; this purpling bloom, of Lamb;--in such fruits we taste the legendary gardens of Alcinoüs and the orchards of Atlas; and there are volumes again which can claim only the inglorious senility of Old Parr or older Jenkins, which have outlived their half-dozen of kings to be the prize of showmen and treasuries of the born-to-be-forgotten trifles of a hundred years ago....

There is to us a sacredness in a volume, however dull; we live over again the author's lonely labours and tremulous hopes; we see him, on his first appearance after parturition, 'as well as could be expected,' a nervous sympathy yet surviving between the late-severed umbilical cord and the wondrous offspring, doubtfully entering the Mermaid, or the Devil Tavern, or the Coffee-house of Will or Button, blushing under the eye of Ben or Dryden or Addison, as if they must needs know him for the author of the _Modest Enquiry into the Present State of Dramatique Poetry_, or of the _Unities briefly considered by Philomusus_, of which they have never heard and never will so much as hear the names; we see the country-gentlemen (sole cause of its surviving to our day) who buy it as a book no gentleman's library can be complete without; we see the spendthrift heir, whose horses and hounds and Pharaonic troops of friends, drowned in a Red Sea of claret, bring it to the hammer, the tall octavo in tree-calf following the ancestral oaks of the park. Such a volume is sacred to us. But it must be the original foundling of the book-stall, the engraved blazon of some extinct baronetcy within its cover, its leaves enshrining memorial-flowers of some passion smothered while the Stuarts were not yet unkinged, suggestive of the trail of laced ruffles, burnt here and there with ashes from the pipe of some dozing poet, its binding worn and weather-stained, that has felt the inquisitive finger, perhaps, of Malone, or thrilled to the touch of Lamb, doubtful between desire and the odd sixpence. When it comes to a question of reprinting we are more choice. The new duodecimo is bald and bare, indeed, compared with its battered prototype that could draw us with a single hair of association.--J. R. LOWELL. _Library of Old Authors._

TO MY BOOK

It will be looked for, book, when some but see
Thy title, Epigrams, and named of me,
Thou shouldst be bold, licentious, full of gall,
Wormwood and sulphur, sharp, and toothed withal,
Become a petulant thing, hurl ink and wit
As madmen stones; not caring whom they hit.
Deceive their malice, who could wish it so;
And by thy wiser temper let men know
Thou art not covetous of least self-fame,
Made from the hazard of another's shame:
Much less with lewd, profane, and beastly phrase,
To catch the world's loose laughter, or vain gaze.
He that departs with his own honesty
For vulgar praise, doth it too dearly buy.

BEN JONSON.

HIS PRAYER FOR ABSOLUTION

For those my unbaptizèd rhymes,
Writ in my wild unhallowed times;
For every sentence, clause, and word,
That's not inlaid with thee, my Lord,
Forgive me, God, and blot each line
Out of my book that is not thine.
But if, 'mongst all, thou findst here one
Worthy thy benediction;
That one of all the rest shall be
The glory of my work and me.

R. HERRICK. _Noble Numbers._

BOOKS THAT DO HURT

In our forefathers' time, when papistry, as a standing pool, covered and overflowed all England, few books were read in our tongue, saving certain books of chivalry, as they said for pastime and pleasure; which, as some say, were made in monasteries by idle monks or wanton canons. As one for example, 'Morte Arthur', the whole pleasure of which book standeth in two special points, in open manslaughter and bold bawdry.... This is good stuff for wise men to laugh at, or honest men to take pleasure at: yet I know, when God's Bible was banished the court, and 'Morte Arthur' received into the prince's chamber.

What toys the daily reading of such a book may work in the will of a young gentleman, or a young maid, that liveth wealthily or idly, wise men can judge, and honest men do pity. And yet ten 'Morte Arthurs' do not the tenth part so much harm, as one of these books made in Italy and translated in England.... Suffer these books to be read, and they shall soon displace all books of godly learning.--R. ASCHAM. _The Schoolmaster._

BOOKS AND THIEVES

A good book steals the mind from vain pretences,
From wicked cogitations and offences;
It makes us know the world's deceiving pleasures,
And set our hearts on never-ending treasures.
So when thieves steal our cattle, coin, or ware,
It makes us see how mutable they are:
Puts us in mind that we should put our trust
Where felon cannot steal or canker rust.
Bad books through eyes and ears do break and enter,
And take possession of the heart's frail centre,
Infecting all the little kingdom man
With all the poisonous mischief that they can,
Till they have robbed and ransacked him of all
Those things which men may justly goodness call;
Rob him of virtue and of heavenly grace,
And leave him beggared in a wretched state.
So of our earthly goods, thieves steal the best,
And richest jewels, and leave us the rest.
Men know not thieves from true men by their looks,
Nor by their outsides no man can know books.
Both are to be suspected, all can tell,
And wise men, ere they trust, will try them well:
Some books not worth the reading for their fruits,
Some thieves not worth the hanging, for their suits.
And as with industry, and art, and skill
One thief doth daily rob another still,
So one book from another, in this age,
Steals many a line, a sentence, or a page.
And as the veriest thief may have some friend
So the worst books some knave will still defend.

* * * * *

Still books and thieves in one conceit do join,
For, if you mark them, they are all for coin.

J. TAYLOR. _An Arrant Thief._

MOUNTEBANK AUTHORS

They [the Stationers] have so pestered their printing-houses and shops with fruitless volumes that the ancient and renowned authors are almost buried among them as forgotten; and that they have so much work to prefer their termly pamphlets, which they provide to take up the people's money and time, that there is neither of them left to bestow on a profitable book: so they who desire knowledge are still kept ignorant; their ignorance increaseth their affection to vain toys; their affection makes the stationer to increase his provision of such stuff, and at last you shall see nothing to be sold amongst us but Curranto's _Bevis of Southampton_ or such trumpery. The Arts are already almost lost among the writings of mountebank authors. For if any one among us would study Physic, the Mathematics, Poetry, or any of the liberal sciences, they have in their warehouses so many volumes of quack-salving receipts; of false propositions; and of inartificial rhymings (of which last sort they have some of mine there, God forgive me!) that unless we be directed by some artist, we shall spend half our age before we can find those authors which are worth our readings. For what need the stationer be at the charge of printing the labours of him that is master of his art, and will require that respect which his pain deserveth, seeing he can hire for a matter of forty shillings some needy ignoramus to scribble upon the same subject, and by a large promising title, make it as vendible for an impression or two, as though it had the quintessence of all art?--G. WITHER. _The Scholler's Purgatory._

PRINTERS GAIN BY BAD BOOKS

_Learning hath gained most by those books by which the printers have lost._ Arius Montanus, in printing the Hebrew Bible, commonly called the Bible of the king of Spain, much wasted himself, and was accused in the court of Rome for his good deed, and being cited thither, _Pro tantorum laborum praemio vix veniam impetravit_. Likewise Christopher Plantin, by printing of his curious interlineary Bible in Antwerp, through the unseasonable exactions of the king's officers, sunk and almost ruined his estate. And our worthy English knight, who set forth the golden-mouthed father in a silver print, was a loser by it.

_Whereas foolish pamphlets prove most beneficial to the printers._ When a French printer complained that he was utterly undone by printing a solid serious book of Rabelais concerning physic, Rabelais, to make him recompense, made that his jesting scurrilous work, which repaired the printer's loss with advantage. Such books the world swarms too much with. When one had set out a witless pamphlet, writing _finis_ at the end thereof, another wittily wrote beneath it:

----_Nay there thou liest, my friend,
In writing foolish books there is no end._

And surely such scurrilous scandalous papers do more than conceivable mischief. First, their lusciousness puts many palates out of taste, that they can never after relish any solid and wholesome writers; secondly, they cast dirt on the faces of many innocent persons, which dried on by continuance of time can never after be washed off; thirdly, the pamphlets of this age may pass for records with the next, because publicly uncontrolled, and what we laugh at, our children may believe: fourthly, grant the things true they jeer at, yet this music is unlawful in any Christian church, to play upon the sins and miseries of others, the fitter object of the elegies than the satires of all truly religious.--T. FULLER. _The Holy State and the Profane State._

THE EVIL THAT MEN DO

If writings are thus durable, and may pass from age to age throughout the whole course of time, how careful should an author be of committing anything to print that may corrupt posterity, or poison the minds of men with vice and error! Writers of great talents, who employ their parts in propagating immorality, and seasoning vicious sentiments with wit and humour, are to be looked upon as the pests of society and the enemies of mankind: they leave books behind them, as it is said of those who die in distempers which breed an ill will towards their own species, to scatter infection and destroy their posterity. They act the counterparts of a Confucius or a Socrates; and seem to have been sent into the world to deprave human nature, and sink it into the condition of brutality.--J. ADDISON. _Spectator_, 166.

He who has published an injurious book, sins, as it were, in his very grave; corrupts others while he is rotting himself.--R. SOUTH.

BOOKS BAD AND GOOD

A mind unnerved, or indisposed to bear
The weight of subjects worthiest of her care,
Whatever hopes a change of scene inspires,
Must change her nature, or in vain retires.
An idler is a watch that wants both hands,
As useless if it goes as when it stands,
Books therefore, not the scandal of the shelves,
In which lewd sensualists print out themselves;
Nor those in which the stage gives vice a blow,
With what success let modern manners show;
Nor his who, for the bane of thousands born,
Built God a church, and laughed His word to scorn,
Skilful alike to seem devout and just,
And stab religion with a sly side-thrust;
Nor those of learned philologists, who chase
A panting syllable through time and space,
Start it at home, and hunt it in the dark,
To Gaul, to Greece, and into Noah's ark;
But such as learning without false pretence,
The friend of truth, the associate of sound sense,
And such as, in the zeal of good design,
Strong judgement labouring in the scripture mine,
All such as manly and great souls produce,
Worthy to live, and of eternal use:
Behold in these what leisure hours demand,
Amusement and true knowledge hand in hand.
Luxury gives the mind a childish cast,
And while she polishes, perverts the taste;
Habits of close attention, thinking heads,
Become more rare as dissipation spreads,
Till authors hear at length, one gen'ral cry,
Tickle and entertain us, or we die.
The loud demand, from year to year the same,
Beggars invention and makes fancy lame,
Till farce itself, most mournfully jejune,
Calls for the kind assistance of a tune;
And novels (witness every month's review)
Belie their name and offer nothing new.
The mind, relaxing into needful sport,
Should turn to writers of an abler sort,
Whose wit well managed, and whose classic style,
Give truth a lustre, and make wisdom smile.
Friends (for I cannot stint, as some have done,
Too rigid in my view, that name to one;
Though one, I grant it, in the generous breast,
Will stand advanced a step above the rest:
Flowers by that name promiscuously we call,
But one, the rose, the regent of them all)--
Friends, not adopted with a school-boy's haste,
But chosen with a nice discerning taste,
Well-born, well-disciplined, who, placed apart
From vulgar minds, have honour much at heart,
And, though the world may think the ingredients odd,
The love of virtue, and the fear of God!
Such friends prevent what else would soon succeed,
A temper rustic as the life we lead,
And keep the polish of the manners clean,
As their's who bustle in the busiest scene;
For solitude, however some may rave,
Seeming a sanctuary, proves a grave,
A sepulchre in which the living lie,
Where all good qualities grow sick and die.

W. COWPER, _Retirement_.

ON CERTAIN BOOKS

Faith and fixed hope these pages may peruse,
And still be faith and hope; but, O ye winds!
Blow them far off from all unstable minds,
And foolish grasping hands of youth! Ye dews
Of heaven! be pleased to rot them where they fall,
Lest loitering boys their fancies should abuse,
And they get harm by chance, that cannot choose;
So be they stained and sodden, each and all!
And if, perforce, on dry and gusty days,
Upon the breeze some truant leaf should rise,
Brittle with many weathers, to the skies,
Or flit and dodge about the public ways--
Man's choral shout, or organ's peal of praise
Shall shake it into dust, like older lies.