Chapter XXIV: Book IX: The poet warns us there will be no more question of talk (3)

When he died, the Holy Grail, which had been piously guarded in Sarras, returned to heaven, for Galahad's work was finished on earth, as is indicated by the frescos of the Boston library, where angels guard a Golden Tree of achievement whose branches reach right up into heaven.

FOOTNOTES:

[Footnote 32: See the author's "Stories of the Wagner Operas" and "Legends of the Rhine."]

EPICS OF THE NETHERLANDS

In searching among Dutch masterpieces of literature we find that their greatest epic is "Joannes Boetgezant," or John the Messenger of Repentance. This epic in six books, on the life of John the Baptist, was written in 1662 by Vondel, and bears many traits of resemblance to Milton's Paradise Lost.

It has been conjectured that the most famous of all the animal epics or beast fables originated in Flanders or Luxembourg, which for a time was included in the Low Countries. This epic, which has been translated into every European language and has even found its way into the Far East, has been frequently remodelled. The oldest extant MS. in Latin dates back to the eleventh or twelfth century. Among modern versions the most clever, finished, and popular is Goethe's "Reinecke Fuchs."[33]

In this poem he describes how the animals assemble at Whitsuntide to complain to their king, Noble, the Lion, about the dark deeds of Reynard the Fox. The main grievance is that of Isegrim, the Wolf, who claims Reynard blinded three of his offspring and insulted his wife. Speaking French, the Lapdog Wackerlos next pathetically describes how he was robbed of a sausage, which the Tomcat vehemently declares was his.

Having heard the depositions of the Wolf, the Dog, the Cat, the Panther, and the Hare, Noble is about to sentence the delinquent, when Grimbart, the Badger,--uncle of Reynard--rises to defend the accused. Artfully he turns the tables and winds up his plausible peroration with the statement that Reynard, repenting of all past sins, has turned hermit, and is now spending his time in fasting, alms-giving, and prayer!

Just as Noble is about to dismiss the case as non-proven, Henning the Cock appears, followed by his sons, who bear on a litter the mangled remains of a hen, strangled by Reynard, who slipped into the chicken-yard in the guise of a monk.

The king immediately dispatches Brown the Bear to Malepartus to summon Reynard to appear at court. On arriving at his destination, the Bear, although still resenting the king's recommendations to be wary, allows himself to be led to a half-split tree-trunk, within which Reynard assures him he will find stores of honey to refresh himself. Just as soon as the Bear's nose and forepaws are greedily inserted into the crack, Reynard slyly removes the wedges and decamps, leaving the Bear a prisoner and howling with pain.

His roars soon attract the peasant and his son, who beat the captive until he wrenches himself loose, at the cost of some patches of skin and of a few claws. The Bear, returning to court in this plight, is taxed with stupidity and greed, and Hintze the Cat is sent to summon Reynard to court. The Cat, hungry also, is led to a small opening in a barn which Reynard declares is swarming with mice, but where the poor Tomcat is caught in a trap, whence he escapes only after having received a beating and lost one eye.

His woful report decides the king to send Grimbart the Badger to summon his nephew to court. Reynard receives this emissary most courteously, and, on hearing the king will raze his fortress if he does not obey, sets out for court. On the way Reynard begs Grimbart to act as his confessor, and, having unburdened his conscience, does penance and receives absolution. But scarcely has this ceremony been completed when Reynard, spying some fat hens, begins to chase them, and is only with difficulty recalled to a sense of what is fitting.

On arriving at court, Reynard hypocritically regrets so many people have slandered him to the king, and tries to refute every charge. He is, however, sentenced to the gallows, but even on the road thither devises a plan to escape. Pretending regret for his past, he humbly begs the king's permission to address the spectators, and in a lengthy speech describes how he was led astray in his youth by Isegrim the Wolf. He also declares his only regret is to die before he can reveal to the king the hiding-place of a vast treasure which would enable him to outwit the plots of some rebels who are even now conspiring to kill him. The king, hearing this, immediately orders a reprieve, and, questioning the Fox in secret, learns that the conspirators are Brown the Bear, Isegrim the Wolf, and others. To reward the Fox for saving her husband's life, the queen now obtains his pardon, which Noble grants in exchange for information in regard to the treasure.

Having given these indications, the Fox sets out on a pilgrimage to Rome, escorted by the Ram and the Hare, which latter is slain as soon as they arrive at Malepartus, where Reynard wishes to bid his family farewell. After feasting upon the flesh of this victim, Reynard puts his bones into a wallet and ties it on the Ram's back, bidding him hasten back to court with this present and receive his reward! Although circumstantial evidence is enough to convict the poor Ram of murder, a few days later new complaints are made against Reynard by a Rabbit and a Crow. Noble, roused again, prepares to batter down the walls of Malepartus, and Grimbart, perceiving Reynard's peril, hurries off to give him warning.

He finds Reynard contemplating some young doves, upon which he intends to dine. On hearing what Grimbart has to say, Reynard declares it would be easy to acquit himself could he only gain the king's ear long enough to explain the real state of affairs. Then he again begs Grimbart to act as his father confessor, and, resuming his confession where he left off, makes a clean breast of all his misdeeds. Shortly after this, Reynard meets the Ape, who tells him that should he ever be in a quandary he must call for the aid of this clever ally or of his wife.

At his second appearance at court, the Fox openly regrets there are so many vile people in the world ready to accuse innocent persons, and proceeds to set all his doings in such a plausible light, that the king, instead of sentencing him again to death, allows him to settle his case by fighting a judiciary duel with the Wolf. The preparations for the duel are ludicrous because the Fox, advised by the Ape, is shaven smooth, greased until too slippery to be held, and duly strengthened by advice and potations. Blinded by the sand continually whisked into his eyes by the Fox's tail, unable to hold his all too slippery opponent, the Wolf is beaten and the Fox acquitted by the Judgment of God!

Although Noble now offers to make Reynard his privy counsellor, the Fox returns home, where his admiring wife and children welcome him rapturously.

In some versions of the tale Reynard further avenges himself by suggesting, when the king is taken ill, that he can be cured if he eats the head of a wolf just seven years old, knowing the only wolf of that age is Isegrim, who throughout the epic is fooled by the clever Fox, the hero of endless adventures which have delighted young and old for centuries.

FOOTNOTES:

[Footnote 33: See the author's "Legends of the Middle Ages."]

SCANDINAVIAN EPICS

The different Scandinavian dialects formed but one language until about 1000 A.D., when they split up into two great groups, the East Northern including the Danish and Swedish; and the West Northern including the Icelandic, Norwegian, and Faroese. Danish literature boasts of some five hundred chivalric ballads (Kjaempeviser), on partly historical and partly mythical themes, which were composed between the fourteenth and sixteenth centuries. It was the Danish translator of the Bible who introduced his countrymen to Charlemagne and Ogier, whose legends received their finished forms at his hands. In 1555 Reynard the Fox was translated into Danish from the French, in 1663 the Heimskringla from the Icelandic, but it was in 1641 that Arrebo composed the Hexaemeron or first real Danish epic. In the nineteenth century Paludan Müller also wrote epics, which, however, are not very popular outside of his country. The runes of Sweden bear witness to the existence of sundry ancient sagas or epics which perished when Christianity was introduced into the land. In the Middle Ages, a gleeman at the court of Queen Euphemia (1303-12) composed the Euphemiaviser, or romances of chivalry done into Swedish verse. The greatest epic work of Sweden is, however, Tegner's Frithjof's Saga (1846), relating the adventures and courtship of an old Scandinavian hero, a work of which a complete synopsis is given in the author's Legends of the Middle Ages.

The élite of the Norwegians emigrated to Iceland for political reasons during the twelfth and thirteenth centuries. Owing to their geographical isolation and to the long winters, these people were thrown entirely on their own resources for amusement. The hours of darkness were beguiled by tales and songs, so young and old naturally delighted in the recitations of the skalds. This gave birth to an oral literature of great value, and, although many of the works of the skalds have perished, the Icelanders fortunately recovered in 1643,--after centuries of oblivion,--the Elder Edda, an eleventh-century collection of thirty-three poems on mythical and heroic subjects by Saemunt the Wise.

There is also a similar work in prose known as the Younger Edda, by Snorro Sturluson, which contains tales of Scandinavian mythology, and this writer also collected many of the old hero tales in his Heimskringla.

Many of the old sagas have been preserved in more or less perfect forms. They are generally divided into three groups, the first including sagas on historical themes, such as the Egilssaga, the Eyrbyggjasaga, the Njalssaga, the Laxdaelasaga, and the already mentioned Heimskringla.

The second, mythical, or heroic group comprises the Grettis saga and the Volsunga, the finest of all the sagas and one of the main sources of the Nibelungenlied and of Wagner's Trilogy. This epic has been wonderfully rendered in modern English by William Morris.

In the third and last group are massed together the romantic epics, translations or imitations of the Latin, French, and German epics and romances, relating to Alexander, Charlemagne, Parsival, etc. The finest saga in this group is the Gunnlaugssaga.

Norwegian literature goes back to the skald Bragi (_c._ 800), whose principal poem, Ragnarsdrapa, relates the marvellous adventures of the national hero Ragnar Lodbrog. This poem was incorporated by Snorro Sturluson in what is known as the Snorro Edda. Most of the poems in the Elder Edda are also of Norwegian origin, as well as Hvin's Haustlöng or account of a famous warrior. In the thirteenth century prose sagas were plentiful among the Danes, who took special pleasure in the Thidrekssaga (1250), or life and adventures of Dietrich von Bern; in the Karlamagnussaga, or story of Charlemagne; and in the Barlaamssaga ok Josaphats, or Hebrew tale of Barlaam and Josaphat.

Norway also possesses a rich fund of folk tales, which have been collected by Asbjörnsen, and which, having many of the qualities of prose epics, have delighted many generations.

THE VOLSUNGA SAGA[34]

The Second Part of the Edda contains the famous Volsunga Saga, or Epic of the Volsungs, which has not only given rise to the Nibelungenlied and to Wagner's famous Trilogy of operas, but also to William Morris' Sigurd the Volsung. The plot of this, the most characteristic and famous of the Scandinavian sagas, is as follows:

Volsung, a lineal descendant from Odin, built his dwelling around the trunk of a mighty oak, the Branstock, whose branches overshadowed his whole dwelling. When Signy, Volsung's only daughter, was married against her will to Siggier, king of the Goths, a one-eyed stranger (Odin) suddenly appeared among the wedding guests, and thrust a priceless sword (Balmung) deep into the bole of the homestead oak. Before departing, as abruptly as he had come, the stranger proclaimed the weapon should belong to the man who pulled it out, and prophesied that it would assure him the victory in every fight.

"Now let the man among you whose heart and hand may shift
To pluck it from the oak-wood e'en take it for my gift.
Then ne'er, but his own heart falter, its point and edge shall fail
Until the night's beginning and the ending of the tale."[35]

Although conscious that Odin had been in their midst, Volsung courteously invited the bridegroom to try his luck first, then himself attempted to draw out the divine sword, before he bade his ten sons exert their strength in turn. Only the youngest, Sigmund, was at last able to perform the required feat, and when Siggier eagerly offered to purchase his trophy from him, he firmly refused to part with it. Full of anger at this refusal, the Goth departed on the morrow, but although Signy loyally warned her kinsmen that her husband was plotting revenge, the Volsungs accepted his invitation to visit them soon.

When Volsung and his ten sons arrived in Gothland, Signy again bade them beware of coming treachery, but all in vain. The brave Volsungs, drawn into an ambush by their wily foe, were seized and bound fast to a fallen tree in a lonely forest, where every night a wild beast devoured one of these helpless men. Closely watched by her cruel husband, Signy could lend no aid to the prisoners, but when none but Sigmund, the youngest, was left, she directed a slave to smear his face with honey. The wild beast, attracted by the sweet odor, licked the face of the last prisoner, who, thus enabled to catch its tongue between his teeth, struggled with the beast until his bonds broke and he was free!

When Siggier sent to investigate as usual the next morning, his messenger reported no prisoners were left bound to the tree and that only a heap of bones was visible. Sure his foes were all dead, Siggier ceased to watch his wife, who, stealing out into the forest to bury the remains of her kin, discovered Sigmund in a thicket, and promised to aid him to obtain his revenge. To redeem this promise she sent to her brother, one after another, two of her sons to be trained as avengers, but, as both of these children proved deficient in courage, she came to the conclusion none but a pure-blooded Volsung would meet their requirements. To secure an offspring of this strain, Signy, disguised as a gypsy, secretly visited her brother's hut, and when their child, Sinfiotli, was older, sent him to Sigmund to foster and train.

With a youthful helper whom nothing could daunt, Sigmund, after achieving sundry adventures, lay in wait in Siggier's cellar, but, warned by two of his young children that murderers were hiding behind his casks, Siggier had them seized and cast into separate cells. There he decreed they should starve to death. But, before their prison was closed, Signy cast into it a bundle of straw, wherein she had concealed Balmung, the magic sword. Thanks to this weapon, Sigmund and Sinfiotli not only hewed their way out of their separate prisons, but slew all the Goths who attempted to escape from Siggier's dwelling, which they set aflame. But, although both proposed to save Signy, she merely stepped out of the house long enough to reveal Sinfiotli's origin and bade them farewell, ere she plunged back into the flames!

And then King Siggier's roof-tree upheaved for its utmost fall,
And its huge walls clashed together, and its mean and lowly things
The fire of death confounded with the tokens of the kings.
A sign for many people on the land of the Goths it lay,
A lamp of the earth none needed, for the bright sun brought the day.

Feeling he had done his duty by avenging his father's and brothers' death, Sigmund now returned home, where in his old age he was slain in battle shortly after his marriage to a young wife. Finding him dying on the battle-field, this wife bore off the fragments of his magic sword as sole inheritance for his child, whom she hoped would prove a boy who could avenge him. One version of the story relates that to escape the pursuit of Sigmund's foes this expectant mother plunged into the woods and sought help and refuge in the smithy of Mimer, a magician as well as a blacksmith. Here she gave birth to Sigurd, who, as she died when he was born, was brought up by Mimer, who marvelled to find the boy absolutely fearless.

Another version claims that, discovered by a Viking, mourning over her dead spouse, the widow was carried off by him, and consented to become his wife on condition he would prove a good foster-father to Sigmund's child. In this home Sigurd was educated by the wisest of men, Regin, who taught him all a hero need know, and directed him how to select his wonderful steed Grane or Greyfell (a descendant of Odin's Sleipnir), from a neighboring stud.

Seeing the youth ready for adventure, Regin now told him how the gods Odin, Hoenir, and Loki, wandering upon earth in the guise of men, once slew an otter, which they carried to a neighboring hut, asking to have its meat served for their dinner. Their host, however, exclaiming they had killed his eldest son who often assumed the form of an otter, seized and bound them fast, vowing they should not be free until they gave as ransom gold enough to cover the huge otter-skin.

The gods, knowing none but a magic treasure would suffice for that, bargained for the release of Loki, who departed in quest of the dwarf Andvari, the collector of an immense hoard of gold by magic means. As the wily Andvari could not easily be found, it required all the astuteness of the god of evil to discover him in the guise of a fish at the source of the Rhine, and to catch him by means of the sea-goddess' infallible net.

Having the dwarf in his power, Loki wrung from him his huge treasure, his Helm of Dread, or cap of invisibility, and even tore from his very finger a magic ring of gold, thus incurring the dwarf's curse.

"For men a curse thou bearest: entangled in my gold,
Amid my woe abideth another woe untold.
Two brethren and a father, eight kings my grief shall slay;
And the hearts of queens shall be broken, and their eyes shall
loathe the day.
Lo, how the wilderness blossoms! Lo, how the lonely lands
Are waving with the harvest that fell from my gathering hands!"

Scorning this prediction, Loki hastened to the rescue of his fellow-gods; but, as the otter-skin stretched further and further, it required not only all the treasure, but even the helmet and the serpent ring of gold, to cover it and thus complete the required ransom.

The new owner of the treasure now gloated over his gold until his very nature changed, and he was transformed into a hideous dragon. One of his two remaining sons, Fafnir, entering the hut, slew the dragon before he realized it was his father, and then, fascinated by treasure and ring, bore them off to a lonely heath, where in the guise of a dragon he too mounted guard over them. This appropriation of these treasures was keenly resented by his brother Regin, who, unable to cope with the robber himself, now begged Sigurd to help him. Like Mimer in the other version of the tale, Regin was an experienced blacksmith, but, notwithstanding all his skill, Sigurd broke every blade he forged for this task. Finally the young hero hammered out of the fragments of his dead father's blade a weapon which sheared the anvil in two, and could neatly divide a number of fleeces floating down a stream.

Properly mounted and armed, Sigurd was guided by Regin to the Glittering Heath, the place where Fafnir guarded his gold. A one-eyed ferry-man (Odin) conveyed the youth across the river, advising him to dig a pit in the track the dragon had worn in his frequent trips to the river to drink. Hidden in this pit--the ferry-man explained--the youth could mortally wound the dragon while he crawled over his head.

This advice being too pertinent to be scorned, Sigurd faithfully carried out the plan and slew the dragon, whose fiery blood poured down upon him and made every part of his body invulnerable, save a tiny spot between his shoulders, where a lime-leaf stuck so closely that the dragon blood did not touch the skin.

While Sigurd was still contemplating the fallen monster, Regin joined him, and, fearing lest he might claim part of the gold, plotted to slay him. First, he bade Sigurd cut out the heart of the dragon and roast it for him, a task which the youth obediently performed, but in the course of which he stuck a burnt finger in his mouth to allay the smart. This taste of Fafnir's heart blood then and there conferred upon Sigurd the power to understand the language of some birds near by, which exclaimed that Regin was coming behind him to slay him with his own sword! Enraged at such ingratitude and treachery, Sigurd now slew Regin, and after piling up most of the treasure in a cave,--where it continued to be guarded by the dragon's corpse,--Sigurd rode away, taking with him his sword, the magic helmet, and the ring.

Still guided by the birds, Sigurd next rode up a mountain, crowned by a baleful light, which he presently discovered emanated from a fire forming a barrier of flame around a fortress. Setting spurs to his divine steed, Sigurd rode right through these flames, which then flickered and died down, and discovered in the centre of the fortress a mound, whereon lay an apparently lifeless warrior. Using his sword to cut the armor fastenings, Sigurd discovered, beneath this armor, the Valkyr or battle-maiden Brynhild, who, on recovering consciousness, hailed her return to life and light with rapture and warmly thanked her deliverer. Then the two, having fallen in love with each other at first sight, explained to each other who they were; and Sigurd, after relating his own origin and adventures, learned that Brynhild, a Valkyr, having defied Odin by saving a man he had doomed to death, had been condemned to mate with any mortal who claimed her hand. Dreading to become the prey of a coward, Brynhild implored Odin to surround her with a barrier of fire which none save a brave man could cross. Although a goddess, she admits she loves her rescuer, and gladly accepts the magic ring he tenders and promises to be his wife.

Then he set the ring on her finger and once, if ne'er again,
They kissed and clung together, and their hearts were full and fain.

The hero, however, doomed to press on in quest of further adventures, soon left Brynhild in the castle where he had found her, still protected by the barrier of flame, and rode off to Burgundy, the land of the Niblungs. Here reigned Guiki, whose fair daughter Gudrun once dreamt that a falcon, after hovering for some time over her house, nestled in her bosom, which she soon beheld dyed red by its life-blood. Disturbed by this ominous dream, Gudrun visited Brynhild and besought her interpretation, only to learn she would marry a king who would in time be slain by his foes.

Shortly after this occurrence, Sigurd reached the land of the Niblungs and challenged Gunnar, brother of Gudrun, to fight. But, rather than cross swords with the slayer of a dragon, Gunnar offered the stranger his hand in friendship and sent for his sister to give him the cup of welcome. While sojourning here with the Niblungs, Sigurd distinguished himself by athletic feats and, when war broke out, by conquering their foes. These proofs of strength and daring captivated the heart of Gudrun, who, seeing Sigurd paid no attention to her, finally prevailed upon her mother to give her a love potion, which she offered to him on his return from one of his adventures.

"He laughed and took the cup: but therein with the blood of the earth
Earth's hidden might was mingled, and deeds of the cold sea's birth,
And things that the high gods turn from, and a tangle of strange love,
Deep guile, and strong compelling, that whoso drank thereof
Should remember not his longing, should cast his love away,
Remembering dead desire but as night remembereth day."

No sooner has this potion been quaffed than our hero, utterly oblivious of earlier promises to Brynhild, sued for Gudrun's hand, and was promised she should be his bride if he helped Gunnar secure Brynhild.

In behalf of his future brother-in-law--whose form he assumed--Sigurd once more rode through the flames, and, although haunted by vague memories of the past, wrested from Brynhild the magic betrothal ring he had given her, and claimed her as bride. Compelled by fate to wed any man who rode through the flames to claim her, Brynhild reluctantly obeyed Sigurd--whom she did not recognize--and was duly married to Gunnar, king of the Niblungs. But, on perceiving Sigurd at his court, she vainly strove to make him remember her and his vows, and was filled with bitter resentment when she perceived his utter devotion to Gudrun, his present bride.

Meantime, although Gunnar had secured the wife he coveted, he was anything but a happy man, for Brynhild would not allow him to approach her. Sigurd, to whom he finally confided this unsatisfactory state of affairs, finally volunteered to exert his fabulous strength to reduce to obedience the rebellious bride, whom he turned over to his brother-in-law in a submissive mood, after depriving her of her girdle and ring, which he carried off as trophies and gave to Gudrun.

Brynhild's resentment, however, still smouldered, and when Gudrun, her sister-in-law, attempted to claim precedence when they were bathing in the river, she openly quarrelled with her. In the course of this dispute, Gudrun exhibited the magic ring, loudly proclaiming her husband had wooed and won Gunnar's bride! Two distinct parties now defined themselves at court, where Högni, a kinsman of the Niblungs, vehemently espoused Brynhild's cause. By some secret means--for his was a dark and tortuous mind, ever plotting evil--Högni discovered the trick of the magic potion, as well as Brynhild's previous wooing by Sigurd, and proposed to her to avenge by blood the insult she had received.

According to one version of the tale, Högni, who discovers in what spot Sigurd is vulnerable, attacks him while he is asleep in bed and runs his lance through the fatal spot. The dying Sigurd therefore has only time to bid his wife watch over their children ere he expires. By order of Gudrun, his corpse is placed on a pyre, where it is to be consumed with his wonderful weapons and horse. Just as the flames are rising, Brynhild, who does not wish to survive the man she loves, either plunges into the flames and is consumed too, or stabs herself and asks that her corpse be burned beside Sigurd's, his naked sword lying between them, and the magic ring on her finger.

"I pray thee a prayer, the last word in the world I speak,
That ye bear me forth to Sigurd and the hand my hand would seek;
The bale for the dead is builded, it is wrought full wide on the plain,
It is raised for Earth's best Helper, and thereon is room for twain:
Ye have hung the shields about it, and the Southland hangings spread,
There lay me adown by Sigurd and my head beside his head:
But ere ye leave us sleeping, draw his Wrath from out the sheath,
And lay that Light of the Branstock and the blade that frighted Death
Betwixt my side and Sigurd's, as it lay that while agone,
When once in one bed together we twain were laid alone:
How then when the flames flare upward may I be left behind?
How then may the road he wendeth be hard for my feet to find?
How then in the gates of Valhall may the door of the gleaming ring
Clash to on the heel of Sigurd, as I follow on my king?"

Another version of the tale relates that Sigurd was slain by Högni while hunting in the forest, as the story runs in the Nibelungenlied. Next we are informed that the king of the Huns demanded satisfaction from Gunnar for his sister Brynhild's death, and was promised Gudrun's hand in marriage. By means of another magic potion, Sigurd's widow was induced to marry the king of the Huns, to whom she bore two sons. But, when the effect of the potion wore off, she loathed this second marriage and dreamed only of avenging Sigurd's death and of getting rid of her second spouse.

As in the Nibelungenlied, Atli invited her kin to Hungary, where they arrived after burying the golden hoard in a secret spot in the Rhine, a spot they pledged themselves never to reveal. Once more we have a ride to Hungary, but Gudrun, seeing her husband means treachery, fights by her brother's side. Throughout this battle Gunnar sustains the courage of the Niblungs by playing on his harp, but, when only he and Högni are left, they are overpowered and flung into prison. There Atli vainly tries to make them confess the hiding-place of the hoard, and, hearing Gunnar will not speak as long as Högni lives, finally orders this warrior slain and his heart brought into Gunnar's presence.

Convinced at last that the momentous secret now lies with him alone, Gunnar flatly refuses to reveal it.

Then was Gunnar silent a little, and the shout in the hall had died,
And he spoke as a man awakening, and turned on Atli's pride.
"Thou all-rich King of the Eastlands, e'en such a man might I be
That I might utter a word, and the heart should be glad in thee,
And I should live and be sorry: for I, I only am left
To tell of the ransom of Odin, and the wealth from the toiler reft.
Lo, once it lay in the water, hid deep adown it lay,
Till the gods were grieved and lacking, and men saw it and the day:
Let it lie in the water once more, let the gods be rich and in peace!
But I at least in the world from the words and the babble shall cease."

In his rage Atli orders the bound prisoner cast into a pit full of venomous serpents, where, his harp being flung after him in derision, Gunnar twangs its strings with his toes until he dies. To celebrate this victory, Atli orders a magnificent banquet, where he is so overcome by his many potations that Gudrun either stabs him to death with Sigurd's sword, or sets fire to the palace and perishes with the Huns, according to different versions of the story.

A third version claims that, either cast into the sea or set adrift in a vessel in punishment for murdering Atli, Gudrun landed in Denmark, where she married the king and bore him three sons. These youths, in an attempt to avenge the death of their fair step-sister Swanhild, were stoned to death. As for Gudrun, overwhelmed by the calamities which had visited her in the course of her life, she finally committed suicide by casting herself into the flames of a huge funeral pyre.

This saga is evidently a sun myth, the blood of the final massacres and the flames of the pyre being emblems of the sunset, and the slaying of Fafnir representing the defeat of cold and darkness which have carried off the golden hoard of summer.

Ye have heard of Sigurd aforetime, how the foes of God he slew;
How forth from the darksome desert the Gold of the Waters he drew;
How he wakened Love on the Mountain, and wakened Brynhild the Bright,
And dwelt upon Earth for a season, and shone in all men's sight.
Ye have heard of the Cloudy People, and the dimming of the day,
And the latter world's confusion, and Sigurd gone away;
Now ye know of the Need of the Niblungs and the end of broken troth,
All the death of kings and of kindreds and the Sorrow of Odin the Goth.

FOOTNOTES:

[Footnote 34: See the author's "Myths of Northern Lands."]

[Footnote 35: All the quotations in this chapter are from Wm. Morris' "Sigurd the Volsung."]

RUSSIAN AND FINNISH EPICS

There is strong evidence that the Finns, or some closely allied race, once spread over the greater part of central Europe. The two or more million Finns who now occupy Finland, and are subject--much against their will--to the Czar, are the proud possessors of an epic poem--the Kalevala--which until last century existed only in the memory of a few peasants. Scattered parts of this poem were published in 1822 by Zacharias Topelius, and Elias Lönnrot, who patiently travelled about to collect the remainder, was the first to arrange the 22,793 verses into 50 runes or cantos. The Kalevala attracted immediate attention and has already been translated into most modern languages. Like most epics, its source is in the mythology and folk-lore of the people, and its style has been closely imitated by Longfellow in his Hiawatha. The latest English adaptation of this great epic is Baldwin's "Sampo."

Although Russian literature is rich in folk poetry and epic songs, none of the latter have been written down until lately, with the exception of the twelfth-century Song of Igor's Band. The outline of this epic is that Igor, prince of Southern Russia, after being defeated and made prisoner, effected his escape with the help of a slave. Among the fine passages in this work we note Nature's grief over the prince's capture and the lament of his faithful consort.

It was only in the nineteenth century, after Zhukovski and Batyushkoff had translated into Russian some of the world's great masterpieces, such as Tasso's Jerusalem Delivered and Homer's Odyssey, that Pushkin wrote (1820) the epic Ruslan and Lyudmila, drawing the materials therefore from Russian antiquity and from popular legends.

There are in Russia and Siberia any number of epic songs or "bylinas," dating from legendary times to the present day, which have recently been collected by Kireyevski and others, and which already fill some ten volumes. The heroes of these songs are either personifications of the forces of nature or favorite historical personages. They form great cycles, one clustering for instance around Vladimir and the ancient capital of Russia, Kiev, another around the free city of Novgorod, and a third belonging to the later Moscow period. The principal hero of many of the Russian folk tales, and of the epic songs most frequently sung by wandering bards, is Ilya Muromets, who nobly protects widows and orphans and often displays his fabulous strength by reducing mighty oaks to kindling wood with a few blows!

THE KALEVALA, OR THE LAND OF HEROES

The national epic of the Finns was rescued from oblivion by Topelius and Lönnrot, two physicians, who took it down from the mouth of the people and published it in the first half of the nineteenth century. It consists in 22,793 lines, divided into fifty runes, and is considered by a great German authority--Steinthal--as one of the four great national epics of the world.

Not only does it relate "the ever-varying contests between Finns and Laplanders," but that between Light and Darkness, Good and Evil, for in the poem the Finns personify Light and Good, while the Lapps are emblems of Darkness and Evil. The Sampo, which is mentioned in this poem, and which seems to have been some sort of a magic grist-mill, holds the same place in Finn mythology as the Golden Fleece in that of the Greeks. Many of the poems incorporated in this epic date back some three thousand years, and the epic itself is composed in alliterative verse, although it also contains rhythm of line and sound, as the following introductory lines prove.

Mastered by desire impulsive,
By a mighty inward urging,
I am ready now for singing,
Ready to begin the chanting
Of our nation's ancient folk-song
Handed down from by-gone ages,
In my mouth the words are melting,
From my lips the tones are gliding,
From my tongue they wish to hasten;
When my willing teeth are parted,
When my ready mouth is opened,
Songs of ancient wit and wisdom
Hasten from me not unwilling.[36]

The proem then invites all people to listen to legends of by-gone times and to the teachings of the wizard Wainamoinen, to admire the works of Ilmarinen and the doings of Youkahainen in the pastures of the Northland and in the meads of Kalevala. It adds that these runes were caught from the winds, the waves, and the forest branches, and have been preserved in the Northland ever since.

_Rune I._ In the first rune we are informed that Ilmater, daughter of the air, weary of floating alone in space, finally descended to the ocean, where she was rocked in the cradle of the deep seven hundred, years. She made use of this time to create, out of the eggs of a wild duck, the canopy of the heavens, and the spherical earth, with its islands, rocks, and continents. At the end of these seven hundred years, Ilmater gave birth to Wainamoinen, having waited all this time to be delivered of him, and having vainly called all living creatures to her aid. After coming into the world, this wonderful child floated about on the ocean eight years, and then drew himself up on a barren promontory to admire the sun, moon, and starry skies.

_Rune II._ After living alone for some time on this promontory or island, Wainamoinen summoned Pellerwoinen, "first-born of the plains and prairies," and bade him scatter broadcast seeds for the trees which were destined to clothe both vales and hillsides. In a twinkling of an eye, every variety of forest growth waved its branches hither and thither, and, although Wainamoinen rejoiced to see the forest, he soon discovered that the oak, the "tree of heaven," was lacking in it. Because the oak still slept within an acorn, Wainamoinen wondered how to conjure it out of its hiding-place, and, after consulting five water-maidens, called the giant Tursus out of the depths of the ocean. After burning the hay the water-maidens raked together, this giant planted in the ashes an acorn, which quickly sprouted, and whence arose a tree of such mighty proportions that its branches hid the rays of the sun and blotted out the starlight.

Terrified by what he had done, Wainamoinen wondered how to get rid of the oak, and implored his mother to send some one to help him. Immediately there rose from the sea a pygmy, armed in copper, whom Wainamoinen deemed incapable of coping with so large a tree, until the dwarf suddenly transformed himself into a giant of such proportions that four blows from his copper axe felled the oak, scattering its trunk to the east, its top to the west, its leaves to the south, and its branches to the north. The chips from the fallen oak were collected by a Northland maiden to make enchanted arrows for a magician, and the soil it overshadowed immediately began to bear vegetation of sundry kinds.

Gazing at this new growth Wainamoinen discovered every kind of seed sprouting there save barley. Soon after he found seven grains of this cereal on the sea-shore and consulted the birds how best to plant them. They advised him to fell the forests, burn the branches, and plant the barley in the land thus cleared. While obeying these directions in the main, Wainamoinen allowed the birch to stand, declaring there must be some place where the cuckoo and the eagle could build their nests. These two birds, greatly pleased by this attention, watched Wainamoinen as he sowed his seed, and heard him chant a prayer to Ukko, Father of Heaven, to send down rain to help it germinate. This prayer was answered to such, good purpose that eight days later Wainamoinen found a crop of barley ready to harvest, and heard the cuckoo's notes as it perched in the birch trees.

"Therefore I have left the birch-tree,
Left the birch-tree only growing,
Home for thee for joyful singing.
Call thou here, O sweet-voiced cuckoo,
Sing thou here from throat of velvet,
Sing thou here with voice of silver,
Sing the cuckoo's golden flute-notes;
Call at morning, call at evening,
Call within the hour of noontide,
For the better growth of forests,
For the ripening of the barley,
For the richness of the Northland,
For the joy of Kalevala."

_Rune III._ In the beautiful Land of the Heroes--Kalevala--Wainamoinen sang songs so wonderful that their fame spread northward to the land of the Lapps, and prompted Youkahainen to journey southward and challenge the "ancient minstrel" to a singing contest. In vain Youkahainen's parents strove to dissuade him from this undertaking; the bold youth harnessed his sledge and drove rapidly southward, colliding with Wainamoinen, who was also out in his sledge that day. Although Wainamoinen was modest, his opponent was boastful and boldly proposed they show their skill by singing. Invited to sing first, Wainamoinen chanted a set of commonplace axioms; but when Youkahainen imitated him, the ancient minstrel challenged his guest to sing of creation or philosophy. Although Youkahainen now claimed he and seven other primeval heroes saw how the earth was fashioned, how the sky was arched, and how the silvery moon and golden sun were set in position, Wainamoinen termed him prince of liars and averred he was not present at the creation as he claimed. This contradiction so enraged Youkahainen that he offered to fight, but, instead of accepting this challenge, Wainamoinen sang a magic song of such power that it resolved Youkahainen's sled and harness to their primitive components, and caused him to sink ever deeper into quicksands which finally rose to his very lips. Realizing his desperate plight, Youkahainen implored Wainamoinen to cease his enchantments, offering as a ransom for his life all manner of magic gifts which Wainamoinen scorned. In fact, it was only when the culprit promised him the hand of his sister Aino that the ancient minstrel reversed his spell, and not only released Youkahainen, but restored to him all his possessions.

The defeated bard now returns to Lapland, and on arriving there smashes his sledge in token of anger. His parents wonderingly question him, and, on learning he has promised his sister's hand in marriage to the magician Wainamoinen, they are delighted that she should marry so influential a man, although the maiden herself mourns because all pleasures are to be taken from her forever.

_Rune IV._ While out in the forest gathering birch shoots for brooms, this maiden soon after is seen by Wainamoinen, who bids her adorn herself for her wedding, whereupon she petulantly casts off the ornaments she wears and returns home weeping without them. When her parents inquire what this means, Aino insists she will not marry the old magician, until her mother bribes her by the offer of some wonderful treasures, bestowed by the Daughter of the Sun and Moon, and which until now have been hidden in the depths of the earth.

Although decked in these magnificent adornments, the girl wanders around the fields, wishing she were dead, for marriage has no attractions for her and she is not anxious to become an old man's bride. Stealing down to the sea-shore, she finally lays aside her garments and ornaments and swims to a neighboring rock, where she no sooner perches than it topples over, and she sinks to the bottom of the sea! There Aino perishes, and the water is formed of her blood, the fish from her flesh, the willows from her ribs, and the sea-grass from her hair! Then all nature wonders how the news of her drowning shall be conveyed to her parents, and when the bear, wolf, and fox refuse to transmit so sad a message, the sea-maidens depute the hare, threatening to roast him unless he does their bidding.

Learning her daughter has perished thus miserably, the mother of Aino recognizes that parents should not compel daughters to marry against their will.

"Listen, all ye mothers, listen,
Learn from me a tale of wisdom:
Never urge unwilling daughters
From the dwellings of their fathers,
To the bridegrooms that they love not,
Not as I, inhuman mother,
Drove away my lovely Aino,
Fairest daughter of the Northland."

Her sorrow is such that three streams of tears flow from her eyes and, increasing as they flow, form cataracts, between which rise three pinnacles of rock, whereon grow birches, upon which cuckoos forever chant of "love, suitors, and consolation!"

_Rune V._ The news of Aino's death travels swiftly southward, and Wainamoinen, hearing that his bride has perished, is plunged in grief. When he seeks consolation from the water-maidens they bid him go out fishing. After angling for many a day, he finally secures a salmon, larger and more beautiful than any fish ever seen before. He is opening his knife to cut the salmon open, when it suddenly springs back into the deep, saying it was Aino who had come to join him but who now escapes in punishment for his cruelty. Not discouraged by this first failure, Wainamoinen fishes on, until the spirit of his mother bids him travel northward and seek a suitable wife among the Lapps.

"Take for thee a life companion
From the honest homes of Suomi,
One of Northland's honest daughters;
She will charm thee with her sweetness,
Make thee happy through her goodness,
Form perfection, manners easy,
Every step and movement graceful,
Full of wit and good behavior,
Honor to thy home and kindred."

_Rune VI._ Preparing for a journey northward, Wainamoinen bestrides his magic steed, and galloping over the plains of Kalevala crosses the Blue Sea as if it were land. The bard Youkahainen, foreseeing his coming, lies in wait for him and prepares arrows to shoot him, although his mother warns him not to attempt anything of the kind. It is the third poisoned arrow from Youkahainen's bow which strikes Wainamoinen's horse, which immediately sinks to the bottom of the sea, leaving its rider to struggle in the water some eight years. Meantime Youkahainen exults because his foe is dead, although his mother insists her son has merely brought woe upon the earth.

_Rune VII._ Instead of treading the waves, Wainamoinen swims about until an eagle--grateful because he left birch-trees for birds to perch upon--swoops down, invites him to climb upon its back, and swiftly bears him to the dismal northland Sariola. There Wainamoinen is discovered by the Maid of Beauty, who sends her mother, toothless Louhi, to invite him into the house, where she bountifully feeds him. Next Louhi promises to supply Wainamoinen with a steed to return home and to give him her daughter in marriage, provided he will forge for her the Sampo, or magic grist-mill. Although Wainamoinen cannot do this, he promises that his brother, the blacksmith Ilmarinen, shall forge it for her, and thus secures the promise of the hand of the Maid of Beauty. This bargain made, Wainamoinen drives away in a sledge provided by his hostess, who cautions him not to look up as he travels along, lest misfortune befall him.

_Rune VIII._ Instead of obeying these injunctions, Wainamoinen gazes upward on his way home, and thus discovers the Maid of Beauty, or Maiden of the Rainbow, weaving "a gold and silver air-gown." When he invites her to come with him, she pertly rejoins the birds have informed her a married woman's life is unenviable, for wives "are like dogs enchained in kennel." When Wainamoinen insists wives are queens, and begs her to listen to his wooing, she retorts when he has split a golden hair with an edgeless knife, has snared a bird's egg with an invisible snare, has peeled a sandstone, and made a whipstock from ice without leaving any shavings, she may consider his proposal.

These impossible tasks are quickly accomplished by the wizard, but, while filling the Rainbow Maiden's last order to fashion a ship out of her broken spindle--Wainamoinen accidentally cuts his knee so badly that the blood flows so fast no charm can stop it. In vain different remedies are tried, in vain Wainamoinen seeks help at sundry houses the blood continues to pour out of his wound until it looks as if he would die.

_Rune IX._ Wainamoinen finally enters a cottage where two girls dip up some of his blood, and where an old man informs him he can be healed if he will only "sing the origin of iron." Thereupon Wainamoinen chants that Ukko, Creator of Heaven, having cut air and water asunder, created three lovely maidens, whose milk, scattered over the earth, supplied iron of three different hues. He adds that Fire then caught Iron, and carried it off to its furnace, where Ilmarinen discovered a way to harden it into steel by means of venom brought to him by the bird of Hades.

This song finished, the old man checks the flow of blood, and sends his daughters to collect various herbs, out of which he manufactures a magic balsam which cures the cut immediately.

_Rune X and XI._ Wainamoinen now hastens back to Kalevala and interviews his brother Ilmarinen, who refuses to journey northward or to forge the magic Sampo. To induce the smith to do his will, Wainamoinen persuades him to climb a lofty fir-tree, on whose branches he claims to have hung the moon and the Great Bear. While Ilmarinen is up in this tree, the wizard Wainamoinen causes a violent storm to blow his brother off to the Northland, where, welcomed by Louhi, Ilmarinen sets up his forge, and after four days' arduous work produces the magic sampo.

"I will forge for thee the Sampo,
Hammer thee the lid in colors,
From the tips of white-swan feathers,
From the milk of greatest virtue,
From a single grain of barley,
From the finest wool of lambkins,
Since I forged the arch of heaven,
Forged the air a concave cover,
Ere the earth had a beginning."

The sorceress is so pleased with the Sampo--by means of which she daily grinds out treasure untold--that, after hiding it away safely in a mountain, she authorizes Ilmarinen to woo the Maid of Beauty, who assures him also she never will marry. Saddened by this refusal, Ilmarinen longs for home, whither he is wafted in Louhi's magic boat of copper.

Meanwhile Wainamoinen has been building a magic boat in which to sail northward. He is aided in this work by Lemminkainen, who, seeing the Maid of Beauty, boldly kidnaps her. But the maiden consents to be his spouse only if he will promise never to fight, a pledge he readily gives in exchange for hers to forego all village dances. These vows duly exchanged, the young couple are united, and all goes well as long as both scrupulously keep their promise.

_Rune XII._ The time comes, however, when Lemminkainen goes fishing, and during his absence his wife secretly attends a village dance. When the husband returns, his sister informs him his bride has broken her promise, whereupon Lemminkainen vows it is time he too should break his, and, harnessing his sleigh, starts off for Lapland to fight. On arriving there he enters sundry houses, and finally meets in one of them a minstrel, whose song he roughly criticises. Then, seizing the man's harp, Lemminkainen chants all sorts of spells, until all present are under their influence save a blind shepherd, whom Lemminkainen allows to go, and who hastens down to the River of Death, declaring he will there await the singer's arrival.

_Runes XIII and XIV._ Lemminkainen now asks Louhi for her second daughter, whom she refuses to give him, declaring that after deserting her first daughter he can obtain her second only by catching the wild moose ranging in the fields of Hisi (Death), by bridling his fire-breathing steed, and by killing with his first arrow the great swan swimming on the River of Death. The first two tasks, although bristling with difficulties, are safely accomplished by Lemminkainen, but when he reaches the River of Death, the blind shepherd--who is lying there in wait for him ruthlessly slays him, chops his body into pieces, and casts them into the stream.