Chapter I: HAD called upon my friend, Mr. Sherlock Holmes, one day in the autumn (8)

"There is little enough to tell, Heavens knows," said young Scarmelli, with a sigh, accepting the invitation after he had gratefully wrung Cleek's hand, and his fiancée, with a burst of happy tears, had caught it up as it slipped from his and had covered it with thankful kisses. "That, Mr. Cleek, is where the greatest difficulty lies, there is so little to explain that has any bearing upon the matter at all. It is only that the lion, Nero, that is, the chevalier's special pride and special pet, seems to have undergone some great and inexplicable change, as though he is at times under some evil spell, which lasts but a moment and yet makes that moment a tragical one. It began, no one knows why nor how, two weeks ago, when, without hint or warning, he killed the person he loved best in all the world, the chevalier's eldest son. Doubtless you have heard of that?"

"Yes," said Cleek. "But what you are now telling me sheds a new light upon the matter. Am I to understand, then, that all that talk, on the bills and in the newspapers, about the lion being savage and a dangerous one is not true, and that he really is attached to his owner and his owner's family?"

"Yes," said Scarmelli. "He is indeed the gentlest, most docile, most intelligent beast of his kind living. In short, sir, there's not a 'bite' in him; and, added to that, he is over thirty years old. Zelie, Miss di Roma, will tell you that he was born in captivity; that from his earliest moment he has been the pet of her family; that he was, so to speak, raised with her and her brothers; that, as children, they often slept with him; and that he will follow those he loves like any dog, fight for them, protect them, let them tweak his ears and pull his tail without showing the slightest resentment, even though they may actually hurt him. Indeed, he is so general a favorite, Mr. Cleek, that there isn't an attendant connected with the show who would not, and, indeed, has not at some time, put his head in the beast's mouth, just as the chevalier does in public, certain that no harm could possibly come of the act.

"You may judge, then, sir, what a shock, what a horrible surprise it was when the tragedy of two weeks ago occurred. Often, to add zest to the performance, the chevalier varies it by allowing his children to put their heads into Nero's mouth instead of doing so himself, merely making a fake of it that he has the lion under such control that he will respect any command given by him. That is what happened on that night. Young Henri was chosen to put his head into Nero's mouth, and did so without fear or hesitation. He took the beast's jaws and pulled them apart, and laid his head within them, as he had done a hundred times before; but, of a sudden an appalling, an uncanny, thing happened. It was as though some supernatural power laid hold of the beast and made a thing of horror of what a moment before had been a noble-looking animal. Suddenly a strange hissing noise issued from its jaws, its lips curled upward until it smiled--smiled, Mr. Cleek!--oh, the ghastliest, most awful, most blood-curdling smile imaginable, and then, with a sort of mingled snarl and bark, it clamped its jaws together and crushed the boy's head as though it were an egg-shell!"

He put up his hands and covered his eyes as if to shut out some appalling vision, and for a moment or two nothing was heard but the low sobbing of the victim's sister.

"As suddenly as that change had come over the beast, Mr. Cleek," Scarmelli went on presently, "just so suddenly it passed, and it was the docile, affectionate animal it had been for years. It seemed to understand that some harm had befallen its favorite--for Henri was its favorite--and, curling itself up beside his body, it licked his hands and moaned disconsolately in a manner almost human. That's all there is to tell, sir, save that at times the horrid change, the appalling smile, repeat themselves when either the chevalier or his son bend to put a head within its jaws, and but for their watchfulness and quickness the tragedy of that other awful night would surely be repeated. Sir, it is not natural; I know now, as surely as if the lion itself had spoken, that some one is at the bottom of this ghastly thing, that some human agency is at work, some unknown enemy of the chevalier's is doing something, God alone knows what or why, to bring about his death as his son's was brought about."

And here, for the first time, the chevalier's daughter spoke.

"Ah, tell him all, Jim, tell him all!" she said, in her pretty broken English. "Monsieur, may the good God in heaven forgive me if I wrong her; but--but---- Ah, Monsieur Cleek, sometimes I feel that she, my stepmother, and that man, that 'rider' who knows not how to ride as the artist should, monsieur, I cannot help it, but I feel that they are at the bottom of it."

"Yes, but why?" queried Cleek. "I have heard of your father's second marriage, mademoiselle, and of this Signor Antonio Martinelli, to whom you allude. Mr. Narkom has told me. But why should you connect these two persons with this inexplicable thing? Does your father do so, too?"

"Oh, no! oh, no!" she answered excitedly. "He does not even know that we suspect, Jim and I. He loves her, monsieur. It would kill him to doubt her."

"Then why should you?"

"Because I cannot help it, monsieur. God knows, I would if I could, for I care for her dearly, I am grateful to her for making my father happy. My brothers, too, cared for her. We believed she loved him; we believed it was because of that that she married him. And yet--and yet---- Ah, monsieur, how can I fail to feel as I do when this change in the lion came with that man's coming? And she--ah, monsieur, why is she always with him? Why does she curry favor of him and his rich friend?"

"He has a rich friend, then?"

"Yes, monsieur. The company was in difficulties; Monsieur van Zant, the proprietor, could not make it pay, and it was upon the point of disbanding. But suddenly this indifferent performer, this rider who is, after all, but a poor amateur and not fit to appear with a company of trained artists, suddenly this Signor Martinelli comes to Monsieur van Zant to say that, if he will engage him, he has a rich friend, one Señor Sperati, a Brazilian coffee planter, who will 'back' the show with his money, and buy a partnership in it. Of course M. van Zant accepted; and since then this Señor Sperati has traveled everywhere with us, has had the entrée like one of us, and his friend, the bad rider, has fairly bewitched my stepmother, for she is ever with him, ever with them both, and--and---- Ah, mon Dieu! the lion smiles, and my people die! Why does it 'smile' for no others? Why is it only they, my father, my brother, they alone?"

"Is that a fact?" said Cleek, turning to young Scarmelli. "You say that all connected with the circus have so little fear of the beast that even attendants sometimes do this foolhardy trick? Does the lion never 'smile' for any of those?"

"Never, Mr. Cleek, never under any circumstances. Nor does it always smile for the chevalier and his son. That is the mystery of it. One never knows when it is going to happen; one never knows why it does happen. But if you could see that uncanny smile----"

"I should like to," interposed Cleek. "That is, if it might happen without any tragical result. Hum-m-m! Nobody but the chevalier and the chevalier's son! And when does it happen in their case, during the course of the show, or when there is nobody about but those connected with it?"

"Oh, always during the course of the entertainment, sir. Indeed, it has never happened at any other time--never at all."

"Oho!" said Cleek. "Then it is only when they are dressed and made up for the performance, eh? Hum-m-m! I see." Then he lapsed into silence for a moment, and sat tracing circles on the floor with the toe of his boot. But, of a sudden: "You came here directly after the matinée, I suppose?" he queried, glancing up at young Scarmelli.

"Yes; in fact, before it was wholly over."

"I see. Then it is just possible that all the performers have not yet got into their civilian clothes. Couldn't manage to take me round behind the scenes, so to speak, if Mr. Narkom will lend us his motor to hurry us there? Could, eh? That's good. I think I'd like to have a look at that lion and, if you don't mind, an introduction to the parties concerned. No! don't fear; we won't startle anybody by revealing my identity or the cause of the visit. Let us say that I'm a vet. to whom you have appealed for an opinion regarding Nero's queer conduct. All ready, Mr. Narkom? Then let's be off."

Two minutes later the red limousine was at the door, and, stepping into it with his two companions, he was whizzed away to Olympia and the first step toward the solution of the riddle.

II

As it is the custom of those connected with the world of the circus to eat, sleep, have their whole being, as it were, within the environment of the show, to the total exclusion of hotels, boarding-houses, or outside lodgings of any sort, he found on his arrival at his destination the entire company assembled in what was known as the "living-tent," chatting, laughing, reading, playing games and killing time generally whilst waiting for the call to the "dining-tent," and this gave him an opportunity to meet all the persons connected with the "case," from the "chevalier" himself to the Brazilian coffee planter who was "backing" the show.

He found this latter individual a somewhat sullen and taciturn man of middle age, who had more the appearance of an Austrian than a Brazilian, and with a swinging gait and an uprightness of bearing which were not to be misunderstood.

"Humph! Known military training," was Cleek's mental comment as soon as he saw the man walk. "Got it in Germany, too; I know that peculiar 'swing.' What's his little game, I wonder? And what's a Brazilian doing in the army of the Kaiser? And, having been in it, what's he doing dropping into this line; backing a circus, and traveling with it like a Bohemian?"

But although these thoughts interested him, he did not put them into words nor take anybody into his confidence regarding them.

As for the other members of the company, he found "the indifferent rider," known as Signor Antonio Martinelli, an undoubted Irishman of about thirty years of age, extremely handsome, but with a certain "shiftiness" of the eye which was far from inspiring confidence, and with a trick of the tongue which suggested that his baptismal certificate probably bore the name of Anthony Martin. He found, too, that all he had heard regarding the youth and beauty of the chevalier's second wife was quite correct, and although she devoted herself a great deal to the Brazilian coffee planter and the Irish-Italian "Martinelli," she had a way of looking over at her middle-aged spouse, without his knowledge, that left no doubt in Cleek's mind regarding the real state of her feelings toward the man. And last, but not least by any means, he found the chevalier himself a frank, open-minded, open-hearted, lovable man, who ought not, in the natural order of things, to have an enemy in the world. Despite his high-falutin _nom de théâtre_, he was a Belgian, a big, soft-hearted, easy-going, unsuspicious fellow, who worshiped his wife, adored his children, and loved every creature of the animal world.

How well that love was returned, Cleek saw when he went with him to that part of the building where his animals were kept, and watched them "nose" his hand or lick his cheek whenever the opportunity offered. But Nero, the lion, was perhaps the greatest surprise of all, for so tame, so docile, so little feared was the animal, that its cage door was open, and they found one of the attendants squatting cross-legged inside and playing with it as though it were a kitten.

"There he is, doctor," said the chevalier, waving his hand toward the beast. "Ah, I will not believe that it was anything but an accident, sir. He loved my boy. He would hurt no one that is kind to him. Fetch him out, Tom, and let the doctor see him at close quarters."

Despite all these assurances of the animal's docility Cleek could not but remember what the creature had done, and, in consequence, did not feel quite at ease when it came lumbering out of the cage with the attendant and ranged up alongside of him, rubbing its huge head against the chevalier's arm after the manner of an affectionate cat.

"Don't be frightened, sir," said Tom, noticing this. "Nothing more'n a big dog, sir. Had the care of him for eight years, I have--haven't I, chevalier?--and never a growl or scratch out of him. No 'smile' for your old Tom, is there, Nero, boy, eh? No fear! Ain't a thing as anybody does with him, sir, that I wouldn't do off-hand and feel quite safe."

"Even to putting your head in his mouth?" queried Cleek.

"Lor', yes!" returned the man, with a laugh. "That's nothing. Done it many a day. Look here!" With that he pulled the massive jaws apart, and, bending down, laid his head within them. The lion stood perfectly passive, and did not offer to close his mouth until it was again empty. It was then that Cleek remembered, and glanced round at young Scarmelli.

"He never 'smiles' for any but the chevalier and his son, I believe you said," he remarked. "I wonder if the chevalier himself would be as safe if he were to make a feint of doing that?" For the chevalier, like most of the other performers, had not changed his dress after the matinée, since the evening performance was so soon to begin; and if, as Cleek had an idea, the matter of costume and make-up had anything to do with the mystery of the thing, here, surely, was a chance to learn.

"Make a feint of it? Certainly I will, doctor," the chevalier replied. "But why a feint? Why not the actual thing?"

"No, please--at least, not until I have seen how the beast is likely to take it. Just put your head down close to his muzzle, chevalier. Go slow, please, and keep your head at a safe distance."

The chevalier obeyed. Bringing his head down until it was on a level with the animal's own, he opened the ponderous jaws. The beast was as passive as before; and, finding no trace of the coming of the mysterious and dreaded "smile," he laid his face between the double row of gleaming teeth, held it there a moment, and then withdrew it uninjured. Cleek took his chin between his thumb and forefinger and pinched it hard. What he had just witnessed would seem to refute the idea of either costume or make-up having any bearing upon the case.

"Did you do that to-day at the matinée performance, chevalier?" he hazarded, after a moment's thoughtfulness.

"Oh, yes," he replied. "It was not my plan to do so, however. I alter my performance constantly to give variety. To-day I had arranged for my little son to do the trick; but somehow---- Ah! I am a foolish man, monsieur; I have odd fancies, odd whims, sometimes odd fears, since--since that awful night. Something came over me at the last moment, and just as my boy came into the cage to perform the trick I changed my mind. I would not let him do it. I thrust him aside and did the trick myself."

"Oho!" said Cleek. "Will the boy do it to-night, then, chevalier?"

"Perhaps," he made reply. "He is still dressed for it. Look, here he comes now, monsieur, and my wife, and some of our good friends with him. Ah, they are so interested, they are anxious to hear what report you make upon Nero's condition."

Cleek glanced round. Several members of the company were advancing toward them from the "living-tent." In the lead was the boy, a little fellow of about twelve years of age, fancifully dressed in tights and tunic. By his side was his stepmother, looking pale and anxious. But although both Signor Martinelli and the Brazilian coffee planter came to the edge of the tent and looked out, it was observable that they immediately withdrew, and allowed the rest of the party to proceed without them.

"Dearest, I have just heard from Tom that you and the doctor are experimenting with Nero," said the chevalier's wife, as she came up with the others and joined him. "Oh, do be careful, do! Much as I like the animal, doctor, I shall never feel safe until my husband parts with it or gives up that ghastly 'trick.'"

"My dearest, my dearest, how absurdly you talk!" interrupted her husband. "You know well that without that my act would be commonplace, that no manager would want either it or me. And how, pray, should we live if that were to happen?"

"There would always be my salary; we could make that do."

"As if I would consent to live upon your earnings and add nothing myself! No, no! I shall never do that, never. It is not as though that foolish dream of long ago had come true, and I might hope one day to retire. I am of the circus, and of it I shall always remain."

"I wish you might not; I wish the dream might come true, even yet," she made reply. "Why shouldn't it? Wilder ones have come true for other people; why should they not for you?"

Before her husband could make any response to this, the whole trend of the conversation was altered by the boy.

"Father," he said, "am I to do the trick to-night? Señor Sperati says it is silly of me to sit about all dressed and ready if I am to do nothing, like a little super, instead of a performer, and an artist."

"Oh, but that is not kind of the señor to say that," his father replied, soothing his ruffled feelings. "You are an artist, of course; never super--no, never. But if you shall do the trick or not, I cannot say. It will depend, as it did at the matinée. If I feel it is right, you shall do it; but if I feel it is wrong, then it must be no. You see, doctor," catching Cleek's eye, "what a little enthusiast he is, and with how little fear."

"Yes, I do see, chevalier; but I wonder if he would be willing to humor me in something? As he is not afraid, I've an odd fancy to see how he'd go about the thing. Would you mind letting him make the feint you yourself made a few minutes ago? Only, I must insist that in this instance it be nothing more than a feint, chevalier. Don't let him go too near at the time of doing it. Don't let him open the lion's jaws with his own hands. You do that. Do you mind?"

"Of a certainty not, monsieur. Gustave, show the good doctor how you go about it when papa lets you do the trick. But you are not really to do it just yet, only to bend the head near to Nero's mouth. Now then, come see."

As he spoke he divided the lion's jaws and signaled the child to bend. He obeyed. Very slowly the little head drooped nearer to the gaping, full-fanged mouth, very slowly and very carefully, for Cleek's hand was on the boy's shoulder, Cleek's eyes were on the lion's face. The huge brute was as meek and as undisturbed as before, and there was actual kindness in its fixed eyes. But of a sudden, when the child's head was on a level with those gaping jaws, the lips curled backward in a ghastly parody of a smile, a weird, uncanny sound whizzed through the bared teeth, the passive body bulked as with a shock, and Cleek had just time to snatch the boy back when the great jaws struck together with a snap that would have splintered a skull of iron had they closed upon it.

The hideous and mysterious "smile" had come again, and, brief though it was, its passing found the boy's sister lying on the ground in a dead faint, the boy's stepmother cowering back, with covered eyes and shrill, affrighted screams, and the boy's father leaning, shaken and white, against the empty cage and nursing a bleeding hand.

In an instant the whole place was in an uproar. "It smiled again! It smiled again!" ran in broken gasps from lip to lip; but through it all Cleek stood there, clutching the frightened child close to him, but not saying one word, not making one sound. Across the dark arena came a rush of running footsteps, and presently Señor Sperati came panting up, breathless and pale with excitement.

"What's the matter? What's wrong?" he cried. "Is it the lion again? Is the boy killed? Speak up!"

"No," said Cleek very quietly, "nor will he be. The father will do the trick to-night, not the son. We've had a fright and a lesson, that's all." And, putting the sobbing child from him, he caught young Scarmelli's arm and hurried him away. "Take me somewhere that we can talk in safety," he said. "We are on the threshold of the end, Scarmelli, and I want your help."

"Oh, Mr. Cleek, have you any idea, any clue?"

"Yes, more than a clue. I know how, but I have not yet discovered why. Now, if you know, tell me what did the chevalier mean, what did his wife mean, when they spoke of a dream that might have come true but didn't? Do you know? Have you any idea? Or, if you have not, do you think your fiancée has?"

"Why, yes," he made reply. "Zelie has told me about it often. It is of a fortune that was promised and never materialized. Oh, such a long time ago, when he was quite a young man, the chevalier saved the life of a very great man, a Prussian nobleman of great wealth. He was profuse in his thanks and his promises, that nobleman; swore that he would make him independent for life, and all that sort of thing."

"And didn't?"

"No, he didn't. After a dozen letters promising the chevalier things that almost turned his head, the man dropped him entirely. In the midst of his dreams of wealth a letter came from the old skinflint's steward enclosing him the sum of six hundred marks, and telling him that as his master had come to the conclusion that wealth would be more of a curse than a blessing to a man of his class and station, he had thought better of his rash promise. He begged to tender the enclosed as a proper and sufficient reward for the service rendered, and 'should not trouble the young man any further.' Of course, the chevalier didn't reply. Who would, after having been promised wealth, education, everything one had confessed that one most desired? Being young, high-spirited, and bitterly, bitterly disappointed, the chevalier bundled the six hundred marks back without a single word, and that was the last he ever heard of the Baron von Steinheid from that day to this."

"The Baron von Steinheid?" repeated Cleek, pulling himself up as though he had trodden upon something. "Do you mean to say that the man whose life he saved---- Scarmelli, tell me something: Does it happen by any chance that the 'Chevalier di Roma's' real name is Peter Janssen Pullaine?"

"Yes," said Scarmelli, in reply. "That is his name. Why?"

"Nothing, but that it solves the riddle, and the lion has smiled for the last time! No, don't ask me any questions; there isn't time to explain. Get me as quickly as you can to the place where we left Mr. Narkom's motor. Will this way lead me out? Thanks! Get back to the others, and look for me again in two hours' time; and Scarmelli?"

"Yes, sir?"

"One last word: don't let that boy get out of your sight for one instant, and don't, no matter at what cost, let the chevalier do his turn to-night before I get back. Good-bye for a time. I'm off."

Then he moved like a fleetly passing shadow round the angle of the building, and two minutes later was with Narkom in the red limousine.

"To the German embassy as fast as we can fly," he said as he scrambled in. "I've something to tell you about that lion's smile, Mr. Narkom, and I'll tell it while we're on the wing."

III

It was nine o'clock and after. The great show at Olympia was at its height; the packed house was roaring with delight over the daring equestrianship of "Mademoiselle Marie de Zanoni," and the sound of the cheers rolled in to the huge dressing-tent, where the artists awaited their several turns, and the chevalier, in spangled trunks and tights, all ready for his call, sat hugging his child and shivering like a man with the ague.

"Come, come, buck up, man, and don't funk it like this," said Señor Sperati, who had graciously consented to assist him with his dressing because of the injury to his hand. "The idea of you losing your nerve, you of all men, and because of a little affair like that. You know very well that Nero is as safe as a kitten to-night, that he never has two smiling turns in the same week, much less the same day. Your act's the next on the program. Buck up and go at it like a man."

"I can't, señor, I can't!" almost wailed the chevalier. "My nerve is gone. Never, if I live to be a thousand, shall I forget that awful moment, that appalling 'smile.' I tell you there is wizardry in the thing; the beast is bewitched. My work in the arena is done, done forever, señor. I shall never have courage to look into the beast's jaws again."

"Rot! You're not going to ruin the show, are you, and after all the money I've put into it? If you have no care for yourself, it's your duty to think about me. You can at least try. I tell you you must try! Here, take a sip of brandy, and see if that won't put a bit of courage into you. Hallo!" as a burst of applause and the thud of a horse's hoofs down the passage to the stables came rolling in, "there's your wife's turn over at last; and there--listen! the ringmaster is announcing yours. Get up, man; get up and go out."

"I can't, señor, I can't! I can't!"

"But I tell you you must."

And just here an interruption came.

"Bad advice, my dear captain," said a voice, Cleek's voice, from the other end of the tent; and with a twist and a snarl the "señor" screwed round on his heel in time to see that other intruders were putting in an appearance as well as this unwelcome one.

"Who the deuce asked you for your opinion?" rapped out the "señor" savagely. "And what are you doing in here, anyhow? If we want the service of a vet., we're quite capable of getting one for ourselves without having him shove his presence upon us unasked."

"You are quite capable of doing a great many things, my dear captain, even making lions smile!" said Cleek serenely. "It would appear that the gallant Captain von Gossler, nephew, and, in the absence of one who has a better claim, heir to the late Baron von Steinheid---- That's it, nab the beggar. Played, sir, played! Hustle him out and into the cab, with his precious confederate, the Irish-Italian 'signor,' and make a clean sweep of the pair of them. You'll find it a neck-stretching game, captain, I'm afraid, when the jury comes to hear of that poor boy's death and your beastly part in it."

By this time the tent was in an uproar, for the chevalier's wife had come hurrying in, the chevalier's daughter was on the verge of hysterics, and the chevalier's prospective son-in-law, was alternately hugging the great beast-tamer and then shaking his hand and generally deporting himself like a respectable young man who had suddenly gone daft.

"Governor!" he cried, half laughing, half sobbing. "Bully old governor. It's over--it's over. Never any more danger, never any more bad times, never any more lion's smiles."

"No, never," said Cleek. "Come here, Madame Pullaine, and hear the good news with the rest. You married for love, and you've proved a brick. The dream's come true, and the life of ease and of luxury is yours at last, Mr. Pullaine."

"But, sir, I--I do not understand," stammered the chevalier. "What has happened? Why have you arrested the Señor Sperati? What has he done? I cannot comprehend."

"Can't you? Well, it so happens, chevalier, that the Baron von Steinheid died something like two months ago, leaving the sum of sixty thousand pounds sterling to one Peter Janssen Pullaine and the heirs of his body, and that a certain Captain von Gossler, son of the baron's only sister, meant to make sure that there was no Peter Janssen Pullaine and no heirs of his body to inherit one farthing of it."

"Sir! Dear God, can this be true?"

"Perfectly true, chevalier. The late baron's solicitors have been advertising for some time for news regarding the whereabouts of Peter Janssen Pullaine, and if you had not so successfully hidden your real name under that of your professional one, no doubt some of your colleagues would have put you in the way of finding it out long ago. The baron did not go back on his word and did not act ungratefully. His will, dated twenty-nine years ago, was never altered in a single particular. I rather suspect that that letter and that gift of money which came to you in the name of his steward, and was supposed to close the affair entirely, was the work of his nephew, the gentleman whose exit has just been made. A crafty individual that, chevalier, and he laid his plans cleverly and well. Who would be likely to connect him with the death of a beast-tamer in a circus, who had perished in what would appear an accident of his calling? Ah, yes, the lion's smile was a clever idea. He was a sharp rascal to think of it."

"Sir! You--you do not mean to tell me that he caused that? He never went near the beast--never--even once."

"Not necessary, chevalier. He kept near you and your children; that was all that he needed to do to carry out his plan. The lion was as much his victim as anybody else. What it did it could not help doing. The very simplicity of the plan was its passport to success. All that was required was the unsuspected sifting of snuff on the hair of the person whose head was to be put in the beast's mouth. The lion's smile was not, properly speaking, a smile at all, chevalier; it was the torture which came of snuff getting into its nostrils, and when the beast made that uncanny noise and snapped its jaws together, it was simply the outcome of a sneeze. The thing would be farcical if it were not that tragedy hangs on the thread of it, and that a life, a useful human life, was destroyed by means of it. Yes, it was clever, it was diabolically clever; but you know what Bobby Burns says about the best-laid schemes of mice and men. There's always a Power higher up that works the ruin of them."

With that he walked by and, going to young Scarmelli, put out his hand.

"You're a good chap and you've got a good girl, so I expect you will be happy," he said; and then lowered his voice so that the rest might not reach the chevalier's ears. "You were wrong to suspect the little stepmother," he added. "She's true blue, Scarmelli. She was only playing up to those fellows because she was afraid the 'señor' would drop out and close the show if she didn't, and that she and her husband and the children would be thrown out of work. She loves her husband--that's certain--and she's a good little woman; and, Scarmelli?"

"Yes, Mr. Cleek?"

"There's nothing better than a good woman on this earth, my lad. Always remember that. I think you, too, have got one. I hope you have. I hope you will be happy. What's that? Owe me? Not a rap, my boy. Or, if you feel that you must give me something, give me your prayers for equal luck when my time comes, and send me a slice of the wedding cake. The riddle's solved, old chap. Good-night!"

FOOTNOTE:

[O] Reprinted by special permission from "Cleek, the Master Detective." Copyright, 1918, by Doubleday, Page and Company.

XVII.--The Roll-Call of The Reef[P]

_By A. T. Quiller-Couch_

"YES, sir," said my host, the quarryman, reaching down the relics from their hook in the wall over the chimney-piece; "they've hung there all my time, and most of my father's. The women won't touch 'em; they're afraid of the story. So here they'll dangle, and gather dust and smoke, till another tenant comes and tosses 'em out o' doors for rubbish. Whew! 'tis coarse weather, surely."

He went to the door, opened it, and stood studying the gale that beat upon his cottage-front, straight from the Manacle Reef. The rain drove past him into the kitchen, aslant like threads of gold silk in the shine of the wreck-wood fire. Meanwhile, by the same firelight, I examined the relics on my knee. The metal of each was tarnished out of knowledge. But the trumpet was evidently an old cavalry trumpet, and the threads of its parti-colored sling, though fretted and dusty, still hung together. Around the side-drum, beneath its cracked brown varnish, I could hardly trace a royal coat-of-arms and a legend running, "Per Mare Per Terram"--the motto of the marines. Its parchment, though black and scented with woodsmoke, was limp and mildewed; and I began to tighten up the straps--under which the drumsticks had been loosely thrust--with the idle purpose of seeing if some music might be got out of the old drum yet.

But as I turned it on my knee, I found the drum attached to the trumpet-sling by a curious barrel-shaped padlock, and paused to examine this. The body of the lock was composed of half a dozen brass rings, set accurately edge to edge; and, rubbing the brass with my thumb, I saw that each of the six had a series of letters engraved around it.

I knew the trick of it, I thought. Here was one of those word padlocks, once so common; only to be opened by getting the rings to spell a certain word, which the dealer confides to you.

My host shut and barred the door, and came back to the hearth.

"'Twas just such a wind--east by south--that brought in what you've got between your hands. Back in the year 'nine, it was; my father has told me the tale a score o' times. You're twisting round the rings, I see. But you'll never guess the word. Parson Kendall, he made the word, and he locked down a couple o' ghosts in their graves with it; and when his time came he went to his own grave and took the word with him."

"Whose ghosts, Matthew?"

"You want the story, I see, sir. My father could tell it better than I can. He was a young man in the year 'nine, unmarried at the time, and living in this very cottage, just as I be. That's how he came to get mixed up with the tale."

He took a chair, lighted a short pipe, and went on, with his eyes fixed on the dancing violet flames:

"Yes, he'd ha' been about thirty year old in January, eighteen 'nine. The storm got up in the night o' the twenty-first o' that month. My father was dressed and out long before daylight; he never was one to bide in bed, let be that the gale by this time was pretty near lifting the thatch over his head. Besides which, he'd fenced a small 'taty-patch that winter, down by Lowland Point, and he wanted to see if it stood the night's work. He took the path across Gunner's Meadow--where they buried most of the bodies afterward. The wind was right in his teeth at the time, and once on the way (he's told me this often) a great strip of oarweed came flying through the darkness and fetched him a slap on the cheek like a cold hand. He made shift pretty well till he got to Lowland, and then had to drop upon hands and knees and crawl, digging his fingers every now and then into a shingle to hold on, for he declared to me that the stones, some of them as big as a man's head, kept rolling and driving past till it seemed the whole foreshore was moving westward under him. The fence was gone, of course; not a stick left to show where it stood; so that, when first he came to the place, he thought he must have missed his bearings. My father, sir, was a very religious man; and if he reckoned the end of the world was at hand--there in the great wind and night, among the moving stones--you may believe he was certain of it when he heard a gun fired, and, with the same, saw a flame shoot up out of the darkness to windward, making a sudden fierce light in all the place about. All he could find to think or say was, 'The Second Coming! The Second Coming! The Bridegroom cometh, and the wicked He will toss like a ball into a large country'; and being already upon his knees, he just bowed his head and 'bided, saying this over and over.

"But by'm by, between two squalls, he made bold to lift his head and look, and then by the light--a bluish color 'twas--he saw all the coast clear away to Manacle Point, and off the Manacles in the thick of the weather, a sloop-of-war with topgallants housed, driving stern foremost toward the reef. It was she, of course, that was burning the fire. My father could see the white streak and the ports of her quite plain as she rose to it, a little outside the breakers, and he guessed easy enough that her captain had just managed to wear ship and was trying to force her nose to the sea with the help of her small bower anchor and the scrap or two of canvas that hadn't yet been blown out of her. But while he looked, she fell off, giving her broadside to it, foot by foot, and drifting back on the breakers around Carn Du and the Varses. The rocks lie so thick thereabout that 'twas a toss up which she struck first; at any rate, my father couldn't tell at the time, for just then the flare died down and went out.

"Well, sir, he turned then in the dark and started back for Coverack to cry the dismal tidings--though well knowing ship and crew to be past any hope, and as he turned the wind lifted him and tossed him forward 'like a ball,' as he'd been saying, and homeward along the foreshore. As you know, 'tis ugly work, even by daylight, picking your way among the stones there, and my father was prettily knocked about at first in the dark. But by this 'twas nearer seven than six o'clock, and the day spreading. By the time he reached North Corner, a man could see to read print; hows'ever, he looked neither out to sea nor toward Coverack, but headed straight for the first cottage--the same that stands above North Corner to-day. A man named Billy Ede lived there then, and when my father burst into the kitchen bawling, 'Wreck! wreck!' he saw Billy Ede's wife, Ann, standing there in her clogs with a shawl over her head, and her clothes wringing wet.

"'Save the chap,' says Billy Ede's wife, Ann. 'What d'ee mean by crying stale fish at that rate?'

"'But 'tis a wreck, I tell 'e,'

"'I'v a-zeed'n, too; and so has every one with an eye in his head,'

"And with that she pointed straight over my father's shoulder, and he turned; and there, close under Dolor Point, at the end of Coverack town he saw another wreck washing, and the point black with people, like emmets, running to and fro in the morning light. While he stood staring at her, he heard a trumpet sounded on board, the notes coming in little jerks, like a bird rising against the wind; but faintly, of course, because of the distance and the gale blowing--though this had dropped a little.

"'She's a transport,' said Billy Ede's wife, Ann, 'and full of horse-soldiers, fine long men. When she struck they must ha' pitched the horses over first to lighten the ship, for a score of dead horses had washed in afore I left, half an hour back. An' three or four soldiers, too--fine long corpses in white breeches and jackets of blue and gold. I held the lantern to one. Such a straight young man.'

"My father asked her about the trumpeting.

"'That's the queerest bit of all. She was burnin' a light when me an' my man joined the crowd down there. All her masts had gone; whether they carried away, or were cut away to ease her, I don't rightly know. Her keelson was broke under her and her bottom sagged and stove, and she had just settled down like a setting hen--just the leastest list to starboard; but a man could stand there easy. They had rigged up ropes across her, from bulwark to bulwark, an' beside these the men were mustered, holding on like grim death whenever the sea made a clean breach over them, an' standing up like heroes as soon as it passed. The captain an' the officers were clinging to the rail of the quarter-deck, all in their golden uniforms, waiting for the end as if 'twas King George they expected. There was no way to help, for she lay right beyond cast of line, though our folk tried it fifty times. And beside them clung a trumpeter, a whacking big man, an' between the heavy seas he would lift his trumpet with one hand, and blow a call; and every time he blew the men gave a cheer. There (she says)--hark 'ee now--there he goes agen! But you won't hear no cheering any more, for few are left to cheer, and their voices weak. Bitter cold the wind is, and I reckon it numbs their grip o' the ropes, for they were dropping off fast with every sea when my man sent me home to get his breakfast. Another wreck, you say? Well, there's no hope for the tender dears if 'tis the Manacles. You'd better run down and help yonder; though 'tis little help any man can give. Not one came in alive while I was there. The tide's flowing, an' she won't hold together another hour, they say.'

"Well, sure enough, the end was coming fast when my father got down to the Point. Six men had been cast up alive, or just breathing--a seaman and five troopers. The seaman was the only one that had breath to speak; and while they were carrying him into the town, the word went round that the ship's name was the 'Despatch,' transport, homeward bound from Corunna, with a detachment of the Seventh Hussars, that had been fighting out there with Sir John Moore. The seas had rolled her further over by this time, and given her decks a pretty sharp slope; but a dozen men still held on, seven by the ropes near the ship's waist, a couple near the break of the poop, and three on the quarter-deck. Of these three my father made out one to be the skipper; close to him clung an officer in full regimentals--his name, they heard after, was Captain Duncanfield; and last came the tall trumpeter; and if you'll believe me, the fellow was making shift there, at the very last, to blow 'God Save the King.' What's more, he got to 'Send us victorious,' before an extra big sea came bursting across and washed them off the deck--every man but one of the pair beneath the poop--and he dropped his hold before the next wave; being stunned, I reckon. The others went out of sight at once, but the trumpeter--being, as I said, a powerful man as well as a tough swimmer--rose like a duck, rode out a couple of breakers, and came in on the crest of the third. The folks looked to see him broke like an egg at their very feet; but when the smother cleared, there he was, lying face downward on a ledge below them; and one of the men that happened to have a rope round him--I forget the fellow's name, if I ever heard it--jumped down and grabbed him by the ankle as he began to slip back. Before the next big sea, the pair were hauled high enough to be out of harm, and another heave brought them up to grass. Quick work, but master trumpeter wasn't quite dead; nothing worse than a cracked head and three staved ribs. In twenty minutes or so they had him in bed, with the doctor to tend him.

Now was the time--nothing being left alive upon the transport--for my father to tell of the sloop he'd seen driving upon the Manacles. And when he got a hearing, though the most were set upon salvage, and believed a wreck in the hand, so to say, to be worth half a dozen they couldn't see, a good few volunteered to start off with him and have a look. They crossed Lowland Point; no ship to be seen on the Manacles nor anywhere upon the sea. One or two was for calling my father a liar. 'Wait till we come to Dean Point,' said he. Sure enough, on the far side of Dean Point they found the sloop's mainmast washing about with half a dozen men lashed to it, men in red jackets, every mother's son drowned and staring; and a little further on, just under the Dean, three or four bodies cast up on the shore, one of them a small drummer-boy, side-drum and all; and nearby part of a ship's gig, with 'H.M.S. Primrose' cut on the sternboard. From this point on the shore was littered thick with wreckage and dead bodies--the most of them marines in uniform--and in Godrevy Cove, in particular, a heap of furniture from the captain's cabin, and among it a water-tight box, not much damaged, and full of papers, by which, when it came to be examined, next day, the wreck was easily made out to be the 'Primrose' of eighteen guns, outward bound from Portsmouth, with a fleet of transports for the Spanish war--thirty sail, I've heard, but I've never heard what became of them. Being handled by merchant skippers, no doubt they rode out the gale, and reached the Tagus safe and sound. Not but what the captain of the 'Primrose'--Mein was his name--did quite right to try and club-haul his vessel when he found himself under the land; only he never ought to have got there, if he took proper soundings. But it's easy talking.

"The 'Primrose,' sir, was a handsome vessel--for her size one of the handsomest in the King's service--and newly fitted out at Plymouth Dock. So the boys had brave pickings from her in the way of brass-work, ship's instruments, and the like, let alone some barrels of stores not much spoiled. They loaded themselves with as much as they could carry, and started for home, meaning to make a second journey before the preventive men got wind of their doings, and came to spoil the fun. 'Hullo!' says my father, and dropped his gear, 'I do believe there's a leg moving!' and running fore, he stooped over the small drummer-boy that I told you about. The poor little chap was lying there, with his face a mass of bruises, and his eyes closed; but he had shifted one leg an inch or two, and was still breathing. So my father pulled out a knife, and cut him free from his drum--that was lashed on to him with a double turn of Manila rope--and took him up and carried him along here to this very room that we're sitting in. He lost a good deal by this; for when he went back to fetch the bundle he'd dropped, the preventive men had got hold of it, and were thick as thieves along the foreshore; so that 'twas only by paying one or two to look the other way that he picked up anything worth carrying off; which you'll allow to be hard, seeing that he was the first man to give news of the wreck.

"Well, the inquiry was held, of course, and my father gave evidence, and for the rest they had to trust to the sloop's papers, for not a soul was saved besides the drummer-boy, and he was raving in a fever, brought on by the cold and the fright. And the seaman and the five troopers gave evidence about the loss of the 'Despatch.' The tall trumpeter, too, whose ribs were healing, came forward and kissed the book; but somehow his head had been hurt in coming ashore, and he talked foolish-like, and 'twas easy seen he would never be a proper man again. The others were taken up to Plymouth, and so went their ways; but the trumpeter stayed on in Coverack; and King George, finding he was fit for nothing, sent him down a trifle of a pension after a while--enough to keep him in board and lodging, with a bit of tobacco over.

"Now the first time that this man--William Tallifer he called himself--met with the drummer-boy, was about a fortnight after the little chap had bettered enough to be allowed a short walk out of doors, which he took, if you please, in full regimentals. There never was a soldier so proud of his dress. His own suit had shrunk a brave bit with the salt water; but into ordinary frock an' corduroy he declared he would not get, not if he had to go naked the rest of his life; so my father--being a good-natured man, and handy with the needle--turned to and repaired damages with a piece or two of scarlet cloth cut from the jacket of one of the drowned Marines. Well, the poor little chap chanced to be standing, in this rig out, down by the gate of Gunner's Meadow, where they had buried two score and over of his comrades. The morning was a fine one, early in March month; and along came the cracked trumpeter, likewise taking a stroll.

"'Hullo!' says he; 'good mornin'! And what might you be doin' here?'

"'I was a-wishin',' says the boy, 'I had a pair o' drumsticks. Our lads were buried yonder without so much as a drum tapped or a musket fired; and that's not Christian burial for British soldiers.'

"'Phut!' says the trumpeter, and spat on the ground; 'a parcel of Marines!'

"The boy eyed him a second or so, and answered up: 'If I'd a tav of turf handy, I'd bung it at your mouth, you greasy cavalryman, and learn you to speak respectful of your betters. The Marines are the handiest body o' men in the service.'

"The trumpeter looked down on him from the height of six-foot-two, and asked: 'Did they die well?'