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Chapter II (5)

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The past winter in New York has scarcely kept pace with its immediate predecessor in the number and merit of the collections of pictures opened to public inspection or disposed of at auction. The unprecedented prices obtained for the really excellent collection of Mr. Wolfe, in Christmas week of 1863, seemed to have inoculated art collectors and dealers with what may be called a _cacoethes vendendi_, and until far into the succeeding summer the picture auctioneers were called upon to knock down dozens of galleries of "private gentlemen about to leave the country," varying in merit from respectable to positively bad. In these sales the moderns had decidedly the best of it, the few {137} "old masters" who ventured to appeal to the sympathies and pockets of our collectors being at last treated with proper contempt. But the prices realized by the Wolfe gallery, even when reduced to a specie basis, were too high to become a recognized standard of value, and gradually the interest in such sales, as well as the bids, declined, until the sellers became aware (the purchasers had become aware some time previous) that the market was overstocked and the demand for pictures had ceased. The contributions of the foreign artists to the New York Sanitary Fair brought probably less than a third of the money that would have been obtained for them had they been sold in January instead of June, and such collections as have been scraped together for sale during the present season have met with but moderate pecuniary success. It is gratifying to know, however, that our resident artists, both native and foreign-born, have for the most part been busily and profitably employed, and that in landscape, and in some departments of _genre_, their works have not suffered in competition with similar ones by reputable European painters. Without wishing in any respect to recommend or suggest a protective system for fostering native art, we cannot but rejoice that the overthrow of the late exaggerated prices for foreign works will tend to encourage and develop American artists.

The principal art event in anticipation is the opening of next exhibition of the National Academy of Design in the building now hastening to completion at the corner of Fourth avenue and Twenty-third streets. It is to be hoped that the contributions will be worthy of the place and the occasion. Recent exhibitions have not been altogether creditable to the Academy.

Durand, the late president of the Academy, and one of our oldest and most careful landscape painters, has a characteristic work on exhibition at Avery's Art Agency, corner of Fourth street and Broadway. It is called "A Summer Afternoon," and is pervaded by a soft, pensive sentiment of rural repose. In the elaboration of the trees and in the soft, mellow distances the artist shows his early skill, albeit in some of his later pieces the timid handling inseparable from age is discernible.

A collection of several hundred sketches and studies of no special merit, by Hicks, has recently been disposed of at auction. The essays of this gentleman in landscape are not happy, and the specimens in this collection had better, perhaps, have been excluded.

Rossiter's pictures representing Adam and Eve in Paradise, now on exhibition in New York, have excited more remark than commendation. It may be said briefly, that they fail to do justice to the subject.

Curnmings's "Historic Annals of the Academy of Design" have been published, and constitute an interesting addition to the somewhat meagre collection of works illustrating American art history.

Mr. Thomas Ball, the well-known sculptor of Boston, is about to depart for Italy, with the intention of remaining several years in Florence, and executing there in marble a number of plaster models. Among these are a life-size statue of Edwin Forrest in the part of "Coriolanus," and busts of the late Rev. Thomas Starr King and Edward Everett. The latter is said to be an admirable likeness.

M. J. Heade, an American artist, formerly of Boston and Providence, is publishing in London a work upon the humming-birds of Brazil, illustrated from designs by himself.

The United States Senate was recently the scene of a somewhat animated debate on art matters, arising out of a proposition to authorize the artist Powell to "paint a picture for the Capitol at a cost not to exceed $25,000." The scheme was defeated, chiefly through the opposition of Senator Sumner, who thought the present an improper time to devote so large a sum to such a purpose.

A very remarkable picture by Gerome, the most original, and realistic of living French painters, is now on exhibition at Goupil's, in this city. It is entitled "The Prayer of the Arab in the Desert," and in a small space presents a complete epitome of Oriental life.

In London the General Exhibition of water-color drawings, and collections of works of Holman Hunt, Madox Brown, and the late David Roberts, have recently been opened. The last named contains 900 pictures, drawings, and sketches, showing the amazing industry of the artist, and his skill as a draughtsman.

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A monument to Shakespeare, from penny subscriptions, is to be erected on Primrose Hill, near London.

The sale of the celebrated Pourtales collection at Paris has been the all-absorbing art topic abroad. The gallery, at last accounts, was daily crowded with representatives from all parts of Europe, and the prices surpassed the estimates of the experts. The value set upon the whole collection was upward of 3,000,000 francs, but that sum will probably fall far short of the real total. The bronzes and terra-cotta occupied four days, and produced over 150,000 francs. The following are among the most remarkable items: A very small statuette of Jupiter, found at Besancon in 1820, 8,000 francs; another small statuette of the same, seated, formerly in the Denon collection, 12,000 francs; the celebrated statuette of Apollo, supposed to date from the sixth century B.C., from the Neri collection, 5,000 francs; small statuette of Minerva, arms missing, found at Besancon, 19,200 francs; armor found at Herculaneum, and presented by the Queen of Naples to Josephine, purchased by the Emperor for 13,000 francs; a small Roman bust, supposed by Visconti to be a Balbus, bought for the Louvre for 4,550 francs; a tripod, found in the ruins of the town of Metapont, and described by Panofka, purchased for the Berlin gallery, 10,000 francs; fine old Roman seat, in bronze, bought for the Louvre, 5,300 francs; vase from Locres, 7,000 francs; another vase, found in one of the tombs of the Vulci, 9,000 francs.

At the sale of the collection of the Marquis de Lambertye, in Paris, a charming work by Meissonier, "Reynard in his Study, reading a Manuscript," was purchased for 12,600 francs; had it not been for the effect of the Pourtales sale on the art market, the work would have fetched considerably more money. It was purchased of the artist himself, for 16,000 francs, by the late marquis. Another and smaller picture, not six inches by four, also by Meissonier, was sold on the same occasion--subject, "Van de Velde in his Atelier"--for 7,020 francs. In the same collection were four works by Decamps, whose pictures are in great request. One of these, an Eastern landscape, sold for 15,500 francs; another, a small work, a peasant girl in the forest, for 4,240 francs; and two still smaller and less important works, "Tide Out, with Sunset," and "Gorges d'Ollioule," for 1,500 francs each. Three small works by Eugene Delacroix, a "Tiger attacking a Serpent," "Combat between Moors and Arabs," and "The Scotch Ballad," sold, respectively, for 1,820 francs, 1,300 francs, and 2,300 francs. A minute picture by Paul Delaroche, "Jesus on the Mount of Olives," sold for 2,200 francs; Diogenes sitting on the edge of an immense jar, holding his lantern, by Gerome, 1,950 francs; and "Arnauts at Prayer," by the same, 3,900 francs. "The Beach at Trouville," by the lately deceased painter, Troyon, 4,000 francs, and "Feeding the Poultry," by the same, 4,850 francs.

At the sale of a collection of the works of M. Cordier, the sculptor, who has earned considerable popularity by his variegated works, composed of marbles, onyx and bronze, and variously tinted and decorated, a marble statue, called "La Belle Gallinara," sold for 4,100 francs; a young Kabyle child carrying a branch loaded with oranges, in Algerian onyx and bronze, and partly colored, 3,000 francs; an Arab woman, a statue of the same materials as the preceding, intended to support a lamp or candelabrum, purchased by the Due de Morny for 6,825 francs.

There is a report that the collections of pictures and curiosities belonging to the Comte de Chambord will shortly be dispersed by the hammer in Paris.

The scaffolding before the north front of the cathedral of Notre Dame, in Paris, has been removed, and the facade, with the magnificent Gothic window, forty feet in diameter, can now be seen to great perfection, all the rich sculptures having been admirably restored.

A Paris letter says: "The celebrated painting of the 'Assassination of the Bishop of Liege,' by Eugene Delacroix, was recently sold at auction at 35,000 francs. The 'Death of Ophelia,' in pencil, by the same painter, was knocked down for 2,020 francs, which was considered a large sum for a sketch. 'St. Louis at the Bridge of Taillebourg,' in water-colors, fetched 3,100 francs. Some copper-plates engraved by Eugene Delacroix himself were likewise sold."

At the sale of the collection of the Chevalier de Knyff, at Brussels, the Virgin with the host and surrounded by angels, by Ingres, was withdrawn at 28,500 francs.

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Among the works of art destroyed in the recent conflagration of the ducal palace at Brunswick was the colossal bronze figure of Brunonia, the patron goddess of the town, standing in a car of victory, drawn by four horses. It was executed by Professor Howaldt and his sons, after a design by Rietschel.

The colossal bronze statue of Hercules, lately exhumed at Rome, has been safely deposited in the Vatican.

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BOOK NOTICES.

SERMONS ON OUR LORD JESUS CHRIST, AND ON HIS BLESSED MOTHER. By his Eminence Cardinal Wiseman. 8vo., pp. 421. New York: D. & J. Sadlier & Co.

Coming to us almost in the same moment in which we hear of Cardinal Wiseman's death, these sermons will be read with a deep and peculiar interest, now that the eloquent lips which uttered them are closed for ever. Most of them were preached in Rome, some so long ago as 1827. These were addressed to congregations composed partly of ecclesiastics, partly of Catholic sojourners in the Eternal City, and partly of Protestants. At least one was delivered in Ireland in 1858. But although some of the discourses belong to the period of the author's noviceship in the pulpit, and between some there is an interval of more than thirty years, we are struck by no incongruity of either thought or style. The earliest have the finish and elegance of maturity; the latest all the vigor and enthusiasm of youth.

They are not controversial, and hardly any of them can even be called dogmatic sermons. They are addressed more to the heart than directly to the understanding, although reasoning and exhortation are often so skilfully blended that it is hard to say where one begins and the other ends. They are the outpourings, in fact, of a warm and loving heart and a full brain. The argument is all the more effective because the cardinal covers his frame-work of logic with the rich drapery of his brilliant rhetoric. And yet, with all their gorgeous phraseology, they are characterized by a simplicity of thought which brings them down to the level of the commonest intellect.

The greater part of them were preached during the seasons of Lent and Advent, and the subjects will therefore be found especially appropriate to the present period. Here is a beautiful passage in reference to our Lord's agony in the garden:

"There are plants in the luxurious East, my dearly beloved brethren,
which men gash and cut, that from them may distil the precious
balsams they contain; but that is ever the most sought and valued
which, issuing forth of its own accord, pure and unmixed, trickles
down like tears upon the parent tree. And so it seems to me, we may
without disparagement speak of the precious streams of our dear
Redeemer's blood. When forced from his side, in abundant flow, it
came mixed with another mysterious fluid; when shed by the cruel
inflictions of his enemies, by their nails, their thorns, and
scourges, there is a painful association with the brutal instruments
that drew it, as though in some way their defilement could attaint
it. But here we have the first yield of that saving and life-giving
heart, gushing forth spontaneously, pure and untouched by the
unclean hand of man, dropping as dew upon the ground. It is the
first juice of the precious vine; before the wine-press hath bruised
its grapes, richer and sweeter to the loving and sympathizing soul,
than what is afterward pressed out. It is every drop of it ours; and
alas, how painfully so! For here no lash, no impious palm, no
pricking thorn hath called it forth; but our sins, yes, our sins,
the executioners not of the flesh, but of the heart of Jesus, have
driven it all out, thence to water that garden of sorrows! Oh, is it
not dear to us; is it not gathered up by our affections, with far
more reverence and love than by virgins of old was the blood of
martyrs, to be placed for ever in the very sanctuary, yea, within
the very altar of our hearts?"

From the discourse on the "Triumphs of the Cross," we select the closing paragraph:

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"O blessed Jesus, may the image of these sacred wounds, as expressed
by the cross, never depart from my thoughts. As it is a badge and
privilege of the exalted office, to which, most unworthy, I have
been raised, to wear ever upon my breast the figure of that cross,
and in it, as in a holy shrine, a fragment of that blessed tree
whereon thou didst hang on Golgotha, so much more let the lively
image of thee crucified dwell within my bosom, and be the source
from which shall proceed every thought, and word, and action of my
ministry! Let me preach thee, and thee crucified, not the plausible
doctrines of worldly virtue and human philosophy. In prayer and
meditation let me ever have before me thy likeness, as thou
stretchest forth thine arms to invite us to seek mercy and to draw
us into thine embrace. Let my Thabor be on Calvary; there it is best
for me to dwell. There thou hast prepared three tabernacles; one for
such as, like Magdalen, have offended much, but love to weep at thy
blessed feet; one for those who, like John, have wavered in
steadfastness for a moment, but long again to rest their head upon
thy bosom; and one whereinto only she may enter whose love burns
without a reproach, whose heart, always one with thine, finds its
home in the centre of thine, fibre intertwined with fibre, till both
are melted into one in that furnace of sympathetic love. With these
favorites of the cross, let me ever, blessed Saviour, remain in
meditation and prayer, and loving affection for thy holy rood. I
will venerate its very substance, whenever presented to me, with
deep and solemn reverence. I will honor its image, wherever offered
to me, with lowly and respectful homage. But still more I will
hallow and love its spirit and inward form, impressed on the heart,
and shown forth in the holiness of life. And oh! divine Redeemer,
from thy cross, thy true mercy-seat, look down in compassion upon
this thy people. Pour forth thence abundantly the streams of
blessing, which flow from thy sacred wounds. Accomplish within them,
during this week of forgiveness, the work which holy men have so
well begun, [Footnote 40] that all may worthily partake of thy
Paschal feast. Plant thy cross in every heart; may each one embrace
it in life, may it embrace him in death; and may it be a beacon of
salvation to his departing soul, a crown of glory to his immortal
spirit! Amen."

[Footnote 40: Alluding to the mission just closed by the Fathers of
the Institute of Charity.]

What follows is from the sermon on the "Veneration of the Blessed Virgin:"

"If, then, any one shall accuse me of wasting upon the mother of my
Saviour feelings and affections which he hath jealously reserved for
himself. I will appeal from the charge to his judgment, and lay the
cause before him, at any stage of his blessed life. I will go unto
him at the crib of Bethlehem, and acknowledge that, while, with the
kings of the East, I have presented to him all my gold and
frankincense and myrrh, I have ventured, with the shepherds, to
present an humbler oblation of respect to her who was enduring the
winter's frost in an unsheltered stable, entirely for his sake. Or I
will meet him, as the holy fugitives repose on their desert-path to
Egypt, and confess that, knowing from the example of Agar, how a
mother cast forth from her house into the wilderness, for her
infant's sake, only loves it the more, and needs an angel to comfort
her in her anguish (Gen. xxi. 17), I have not restrained my eyes
from her whose fatigues and pain were a hundred-fold increased by
his, when I have sympathized with him in this his early flight,
endured for my sins. Or I will approach a more awful tribunal, and
step to the foot of his cross, and own to him, that while I have
adored his wounds, and stirred up in my breast my deepest feelings
of grief and commiseration for what I have made him suffer, my
thoughts could not refrain from sometimes glancing toward her whom I
saw resignedly standing at his feet, and sharing his sorrows; and
that, knowing how much Respha endured while sitting opposite to her
children justly crucified by command of God (2 Kings xxi. 10), I had
felt far greater compassion for her, and had not withheld the
emotions, which nature itself dictated, of love, and veneration, and
devout affection toward her. And to the judgment of such a son I
will gladly bow, and his meek mouth shall speak my sentence, and I
will not fear it. For I have already heard it from the cross,
addressed to me, to you, to all, as he said: 'Woman, behold thy
son;' and again: 'Behold thy mother.' (John xix. 26, 27.)"

An appendix to the volume contains six beautiful pastorals, on devotion to the Sacred Heart of Jesus, in connection with education.

SPIRITUAL PROGRESS. By J. W. Cummings, D.D., LL.D., of St. Stephen's Church, New York City. 12mo., pp. 330. New York: P. O'Shea.

We cannot better state the purpose of this excellent little book than in the words of the author's preface: "_Spiritual Progress_ is a familiar exposition of Catholic morality, which has for its object to tell people of common intelligence what they are expected to do in {141} order to be good Christians, and how they shall do it, and the results that will follow." It is written not for those strong, heroic souls, whose faith is firm, whose devotion is ardent, and who crave strong spiritual food; but for that numerous class of weak Christians, recent converts, honest inquirers, and fervent but uninstructed Catholics, who are not yet prepared to accept the more difficult counsels of perfection; who are ready perhaps to do what God says they must do; but need a little training before they can be brought to do any more. To put an ascetic work into the hands of such persons would often be like giving beef to a young baby: it would hurt, not help them. Dr. Cummings's book, in fact, is a sort of spiritual primer for the use of those who are just beginning their spiritual education. It is simple, straightforward, and practical. There is a charm in the style--so clear, so terse, often almost epigrammatic, and sometimes rising to the poetical--which carries the reader along in spite of himself. The tone is not conversational; yet when you read, it seems as if you were not so much reading as listening. And that argues great literary merit.

Here is an extract from the chapter on "Faults of Conversation:"

"Gossip is the bane of conversation, for it is the name under which
injustice makes her entrance into society. There is an element in
the breast of the most civilized communities, even in times of great
refinement, that explains how man may, under certain circumstances,
become a cannibal. It is exhibited in the turns our humor takes in
conversation. We are not ill-natured, nor disposed to lay a straw in
the way of any one who has not injured us, and yet, when spurred on
by the stimulus of talking and being talked to, we can bring
ourselves to mimic, revile, and misrepresent others, traduce and
destroy their good name, reveal their secrets, and proclaim their
faults; and all this merely to follow the lead of others, or for the
sake of appearing facetious and amusing, or for the purpose of
building up ourselves by running down those whom in our hearts we
know and believe to be better than we are.... But as the gossip
attacks the absent because the absent cannot defend himself or
herself, shall not we, dear readers, form a society to assist the
weak and the persecuted? Shall we not enter into a compact to defend
those who cannot defend themselves? Let us answer as a love of fair
play suggests. If we are at all influenced by regard for Christian
charity, let us remember that it takes two to carry on a
conversation against our neighbor, and that if our visitor is guilty
of being a gossip, a false witness, or a detractor, we are also
guilty by consenting to officiate as listeners."

In a chapter on the "Schooling of the Imagination," Dr. Cummings shows how the imaginative faculty may be made to serve the cause of religion, especially in the practice of meditation, and how dangerous it becomes when it is not held in check:

"We hear songs and the flutters of many wings at Bethlehem, and see
the light streaming from heaven upon the face of the new-born
Saviour. We look out over the blue waters of the Lake of Genesareth,
and see the quaint little bark of Peter as it lay near the shore
when Jesus preached to the people from its side, or as it flew
before the wind when the sea waxed wroth, and a great storm arose,
he meanwhile sleeping and they fearing they would perish. With the
aid of this wonderful faculty we see him before us in the hour of
his triumph, surrounded by the multitudes singing, 'Hosanna to the
son of David,' and in that sad day of his final sorrow, when the
same voices swelled the fearful cry, 'Crucify him, crucify him.'"

A GENERAL HISTORY OF THE CATHOLIC CHURCH, FROM THE COMMENCEMENT OF THE CHRISTIAN ERA UNTIL THE PRESENT TIME. By M. L'Abbe J. E. Darras. First American from the last French edition. With an Introduction and Notes, by the Most Rev. M. J. Spalding, D.D., Archbishop of Baltimore. Parts 1, 2, and 3. 8vo. New York: P. O'Shea.

This valuable work, which Mr. O'Shea, with a laudable spirit of enterprise, is giving us by instalments, is intended for just that class of readers who stand most in need of a readable and pretty full Church history. When completed it will fill four portly volumes, imperial octavo; yet it is a work adapted more especially to family reading than to the use of the scholar in his closet. The Abbe Darras has judiciously refrained from obstructing the flow of his narrative by minute references and quotations, nor has he suffered his pen to run away into long discussions of controverted questions. What he says of the chronology which he has followed, he might have said, if we have read him {142} aright, of his whole work: "We have adopted a system already completed, not that it may perhaps be the most exact in all its details, but because it is the one most generally followed." This seems to be the principle which he has kept before his eyes throughout; and considering the purpose for which he wrote, we think it a good one. With all the simplicity and modesty of his style, however, he shows a thorough knowledge of the intricacies of his subject, and an acquaintance with what the best scholars have written before him. His history, therefore, fills a void which has long been aching.

The translation, made by a lady well known and respected by the Catholics of the United States, reads smoothly, and we doubt not is accurate. It has been revised by competent theologians, and has the special sanction of the Archbishop of Baltimore, beside the approbation of the Archbishops of New York and Cincinnati. The work in the original French received the warmest encomiums from the European clergy, and the author was honored, at the conclusion of his labors, by a kind letter from the Pope.

The mechanical execution of the book is beautiful. The paper is good, and the type large and clear. We thank Mr. O'Shea for giving us so important a work in such a rich and appropriate dress.

THE PROGRESS OF THE AGE, AND THE DANGER OF THE AGE. Two lectures delivered before the St. Xavier Conference of the St. Vincent de Paul Brotherhood in the Hall of St. Louis University. By the Rev. Louis Heylen, S. J. 12mo., pp. 107. Cincinnati: John P. Walsh.

These two lectures formed parts of a course delivered during the winter of 1862-63, by some of the professors of the St. Louis University. They are admirable compositions, redolent of good sense, learning, and ripe thought, and deeply interesting. The style has a true oratorical ring. In the first lecture Father Heylen, after adverting to the fact that every age since the days of Adam has been marked by some special characteristic, examines the claim set forth by our own century to be emphatically the age of progress. In part he admits and in part he denies it. In material progress, and in the natural sciences, especially as applied to the purposes of industry and commerce, it stands at the head of ages. But moral progress is not one of its characteristics. "Here I feel," says he, "that I am entering upon a difficult question. Has there been, in the last fifty years, any marked increase of crime? Is our age, all things considered, really worse than preceding ages? This question I shall not undertake to decide; but there are some forms of crime which appear to me decidedly peculiar to our age." A brief review of these sins of the day leads naturally to the subject of the second lecture. Father Heylen sees our greatest danger in that practical materialism which places material interests and materialistic passions above the interests of the soul and the claims of virtue. He considers successively its extent, its effects, and the means to avert it--the last being, of course, the ennobling and spiritualizing influence of Catholicism.

We advise those who wish to see how a scholar and an orator can throw a fresh charm into a stale subject, to read Father Heylen's review of the startling discoveries of modern science in the first lecture, and his brilliant description in the second of the ruins with which materialism has spread the pages of history and the new life which Catholicism has infused into effete civilizations.

Prefixed to the little volume before us is a short biographical sketch of Father Heylen, who died in 1863.

UNDINE, OR THE WATER-SPIRIT. Also SINTRAM AND HIS COMPANIONS. From the German of Friedrich de la Motte Fouque. I vol. 12mo., pp. 238. New York: James Miller.

THIODOLF, THE ICELANDER. A Romance. From the German of the Baron de la Motte Fouque. 12mo., pp. 308. New York: James Miller.

For a man of refined and cultivated taste we know of hardly any more delightful literary recreation than to turn from the novels of our own day to one of the exquisite romances of La Motte Fouque. There is a nobleness of sentiment in his wild and beautiful fancies which seems to lift us out of this world into a higher sphere. All his writings are pervaded by an ideal Christian chivalry, {143} spiritualizing and refining the supernatural machinery which he is so fond of borrowing from the old Norse legends. No other author has ever treated the Northern mythology so well; because no other has attempted to give us its beauties without its grossness. The gods and heroes of the Norsemen have been very much in fashion of late years; but take almost any of the Scandinavian tales recently translated--tales which, if they have any moral, seem to inculcate the morality of lying and cheating, and the virtue of strong muscles and how immeasurably finer and more beautiful by the side of them appear the fairy legends which Fouque interweaves with his romances, mingling old superstitions with Christian faith and virtues, in so delicate a manner that we see no incongruity in the association. This mutual adaptation, if we may call it so, he effects partly by transporting us back to those early times when the faith was as yet only half-rooted in the Northern soil, and when even many Christian converts clung almost unconsciously to some of their old pagan beliefs; partly by the genuine religious spirit which inspires every page of his books, no matter what their subject; and partly by the allegorical significance which his romances generally convey. So from tales of water-sprites and evil spirits, devils, dwarfs, and all manner of supernatural appearances, we rise with the feeling that we have been reading a lesson of piety, truth, integrity, and honor. Carlyle calls the chivalry of Fouque more extravagant than that which we supposed Cervantes had abolished; but we are far from agreeing in such a judgment. A chivalry which rests upon "wise and pious thoughts, treasured in a pure heart," deserves something better to be said of it.

The three tales whose titles are given above are specimens of three somewhat different styles in which Fouque treats his darling subject of Christian knighthood. The story of "Undine" has always been a pet in every language of Europe. Sir Walter Scott called it "ravishing;" Coleridge expressed unbounded admiration of it; the author himself termed it his darling child. For the tale of "Sintram" we have a particular affection. As a work of art, it is not to be compared with the former: it has but little of that tender aerial fancy which makes the story of the {144} water-sprite so inexpressibly graceful; but there is a sombre beauty in it which is not less captivating. It is a story of temptation and trial, of battle with self and triumph over sin. Its allegorical meaning is more distinct than that of Undine; it speaks more unmistakably of faith and heroic virtue. "Thiodolf, the Icelander," is a picture of Norse and Byzantine manners in the tenth century, and presents an interesting contrast between the rough manliness of the former and the luxury of the court of Constantinople. To the merits of wealth of imagination, skilful delineation of character, and dramatic power of narration, it is said to add historical accuracy.

OUR FARM OF FOUR ACRES, AND THE MONEY WE MADE BY IT. 12mo., pp. 128. New York: James Miller.

It is no slight proof of the merit of this little book that it has gone through at least twelve editions in England, and had so many imitators that it may almost be called the founder of a school of literature. Its popularity is still undiminished, and promises long to continue so. Hardly any one can fail of being interested in this simple narrative of the blunders, mishaps, and final triumphs of two city-bred sisters, in their effort to keep a little farm and make it pay; but to those who, either for health's sake or economy, are about entering on a similar enterprise, we cannot too strongly recommend it. It is so practical that we cannot doubt it is all true--indeed its directness and air of truth and good sense are the secrets of its remarkable success. We commend it to our readers as an interesting exemplification of a truth which ought to be more widely known than it is--that with proper management a small family on a small place in the country can raise all their own vegetables, not only to their great comfort, but with considerable pecuniary profit. Men who spend half-a-year's income in the rent of a city house would do well to take to heart the lessons of this little book.

THE IRVINGTON STORIES. By M. E. Dodge. Illustrated by F. O. C. Darley. 16mo., pp. 256. New York: James O'Kane.

This is a collection of tales for young people, manufactured with considerable {145} taste and neatness. Some of the stories bear a good moral, distinctly brought out.

REPLY TO THE CHRISTIAN EXAMINER ON CATHOLICITY AND NATURALISM. 8vo., pp. 24. Boston: Patrick Donahoe.

The _Christian Examiner_ for January, 1865, contained an article on "The Order of St. Paul the Apostle, and the New Catholic Church," in which the writer, after describing a visit to the Paulist establishment in Fifty-ninth street, and representing Father Hecker and his companions as being engaged in the attempt to found a new Catholic Church, passed on to the consideration of the question what form of religion is best adapted to the wants of the American people. It was a remarkable article--remarkable not only for its graceful diction, but for its curious admissions of the failure of Protestantism as a religious system. "The process of disintegration," says the _Examiner_, "is going forward with immense rapidity throughout Protestant Christendom. Organizations are splitting asunder, institutions are falling into decay, customs are becoming uncustomary, usages are perishing from neglect, sacraments are deserted by the multitude, creeds are decomposing under the action of liberal studies and independent thought." But from these falling ruins mankind will seek refuge not in the bosom of the Catholic Church, says the Christian Examiner, but in Naturalism. The object of the pamphlet before us is to show, after correcting certain misstatements concerning the congregation of Paulists, that Naturalism is utterly unable to satisfy those longings of the heart which, as the _Examiner_ confesses, no Protestant sect can appease.

PASTORAL LETTER OF THE MOST REV. MARTIN JOHN SPALDING, D. D., ARCHBISHOP OF BALTIMORE, ETC., TOGETHER WITH THE LATE ENCYCLICAL OF THE HOLY FATHER, AND THE SYLLABUS OF ERRORS CONDEMNED. 8vo., pp. 43. Baltimore: Kelly & Piet.

In promulgating the jubilee lately proclaimed by the sovereign pontiff, the Most Rev. Archbishop Spalding takes occasion to make a few timely remarks on the Encyclical, the character of Pius IX., the temporal power of the Popes, and the errors recently condemned. He explains the true purport of the much-abused Encyclical, shows against whom it is directed--namely, the European radicals and infidels--and proves that it never was the intention of the Pope, as has been alleged, to assail the institutions of this country. In view of the absurd mistranslations of the Encyclical which have been published by the Protestant press, Catholics will be glad to have the correct English version of that important document, which is given by way of appendix to the pastoral.

We have received the _First Supplement to the Catalogue of the Library of the Young Men's Association of the City of Milwaukee_, with the annual report of the Board of Directors for 1863.

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THE CATHOLIC WORLD.

VOL. I., NO. 2. MAY, 1865.

From the Dublin Review.

HEDWIGE, QUEEN OF POLAND.

Hedwige was the youngest daughter of Lewis, nephew and successor to Casimir the Great, who, on account of the preference he evinced for his Hungarian subjects, drew upon himself the continued ill-will of the nation he was called upon to govern. Finding he was unable to cope with the numerous factions everywhere ready to oppose him, he, not without many humiliating concessions to the nobles of Poland, induced them to elect as his successor his daughter Maria, wife of Sigismund, Marquis of Brandenburg (afterward emperor), and having appointed the Duke of Oppelen regent of the kingdom, retired to his native Hungary, unwilling to relinquish the shadow of the sceptre which continually evaded his grasp.

On his death, which happened in 1382, Poland became the theatre of intestine disorders fomented by the turbulent nobles, who, notwithstanding the allegiance they had sworn to the Princess Maria, refused to allow her even to enter the kingdom. Sigismund was not, however, inclined thus easily to forego his wife's claims; and as the Lord of Mazovia at the same time aspired to the vacant throne, many of the provinces became so desolated by civil war that the leaders of the adverse factions threw down their arms, and simultaneously agreed to offer the crown to the Princess Hedwige, then residing in Hungary under the care of her mother Elizabeth. By no means approving of a plan which thus unceremoniously excluded her eldest daughter from the throne, the queen dowager endeavored to oppose injustice by policy. Hedwige was at the time only fourteen years of age, and the deputies were informed that, as the princess was too young to undertake the heavy responsibilities of sovereignty, her brother-in-law Sigismund must act in her stead until such time as she herself should be considered capable of assuming the reins of government. This stratagem did not succeed; the duke was not allowed to cross the frontiers of Poland, and Elizabeth found herself compelled to part with her daughter, if she would not see the crown placed on the brow of whomever the diet might elect.

Now commenced the trials of the young Hedwige, who was thus early called upon to exercise those virtues of heroic fortitude, patient endurance, and self-denial which rendered her life a sort of continual martyrdom, a sacrifice daily offered up at the shrines of religion and patriotism. At the early age of four years she had been affianced to William, Duke of Austria, {146} who, in accordance with the custom of the times, had been educated in Hungary; his affection for his betrothed growing with his growth, and increasing with his years. Ambition had no charms for Hedwige; her fervent piety, shrinking modesty, and feminine timidity sought to conceal, not only her extraordinary beauty, but those rare mental endowments of which she was possessed. Bitter were the tears shed by this gentle girl, when her mother, alarmed at the menaces of the Polish nobles, informed her she must immediately depart for Cracow, under the protection of Cardinal Demetrius, Bishop of Strigonia, who was pledged to deliver her into the hands of those whom she was disposed to regard rather as her masters than as her subjects. There had been one stipulation made, which, had she been aware of its existence, would have added a sharper pang to the already poignant anguish of Hedwige: the Poles required that their young sovereign should marry only with the consent of the diet, and that her husband should not only reside constantly in Poland, but pledge himself never to attempt to render that country dependent on any other power. Although aware of the difficulties thus thrown in the way of her union with Duke William, her mother had subscribed to these conditions; and Hedwige, having been joyfully received by the prelates and nobles of her adopted country, was solemnly crowned in the cathedral at Cracow, October 15, 1385, being the festival of her patron, St. Hedwige. Her youth, loveliness, grace, and intellectual endowments won from the fierce chieftains an enthusiastic affection which had been denied to the too yielding Lewis; their national pride was flattered, their loyalty awakened, by the innocent fascinations of their young sovereign, and they almost sought to defer the time which, in her husband, would necessarily give them a ruler of sterner mould. Nor was Hedwige undeserving of the exalted station she had been compelled to fill: a worthy descendant of the sainted Lewis, her every word and action waa marked by a gravity and maturity which bore witness to the supernatural motives and heavenly wisdom by which it was inspired; and yet, in the silence of her chamber, many were the tears she shed over the memory of ties severed, she feared, for ever. Amongst the earliest candidates for her hand was Ziemovit, Duke of Mazovia, already mentioned as one of the competitors for the crown after the death of her father; but the Poles, still smarting from the effects of his unbridled ambition, dismissed his messengers with a refusal couched in terms of undisguised contempt. The question of her marriage once agitated, the mind of Hedwige naturally turned to him on whom her heart was unalterably fixed, and whom from her childhood she had been taught to consider as her future husband; but an alliance with the house of Austria formed no part of Polish policy, and neither the wishes nor the entreaties of their queen could induce the diet to entertain the idea for a moment; in short, their whole energy was employed in bringing about a union which, however disagreeable to the young sovereign, was likely to be in every way advantageous to the country and favorable to the interests of religion.

Jagello, the pagan Duke of Lithuania, was from his proximity and the extent of his possessions (comprising Samogitia and a large portion of Russia [Footnote 41]) a formidable enemy to Poland. Fame was not slow in wafting to his ears rumors of the beauty and accomplishments of Hedwige, which being more than corroborated by ambassadors employed to ascertain the truth, the impetuous Jagello determined to secure the prize, even at the cost of national independence. The idolatry of the Lithuanians and the early betrothal of Hedwige to Duke William were the chief obstacles with which he had to contend; but, after a brief {147} deliberation, an embassy was despatched, headed by Skirgello, brother to the grand-duke, and bearing the most costly presents; Jagello himself being with difficulty dissuaded from accompanying them in person. The envoys were admitted into the presence of the council, at which the queen herself presided, and the prince proceeded to lay before the astonished nobles the offers of the barbarian suitor, offers too tempting to be weighed in the balance against such a trifle as a girl's happiness, or the violation of what these overbearing politicians were pleased to term a mere childish engagement, contracted before the parties were able to judge for themselves. After a long harangue, in which Skirgello represented how vainly the most illustrious potentates and the most powerful rulers had hitherto endeavored to effect the conversion of Lithuania, he offered as "a tribute to the charms of the queen" that Jagello and his brothers, together with the princes, lords, and people of Lithuania and Samogitia, should at once embrace the Catholic faith; that all the Christian captives should be restored unransomed; and the _whole of their extensive dominions be incorporated with Poland_; the grand-duke also pledging himself to reconquer for that country Pomerania, Silesia, and whatever other territories had been torn from Poland by neighboring states; and, finally, promising to make good to the Poles the sum of two hundred thousand florins, which had been sent to William of Austria as the dowry forfeited by the non-fulfilment of the engagement entered into by their late king Lewis. A murmur of applause at this unprecedented generosity ran through the assembly; the nobles hailed the prospect of so unlooked-for an augmentation of national power and security; and the bishops could not but rejoice at the prospect of rescuing so many souls from the darkness of heathenism, and securing at one and the same time the propagation of the Catholic faith and the peace of Poland. But the queen herself shared not these feelings of satisfaction: no sooner had Skirgello ceased than she started from her seat, cast a hasty glance round the assembly, and, as if reading her fate in the countenances of the nobles, buried her face in her hands and burst into a flood of tears. All attempts to soothe and pacify her were in vain: in a strain of passionate eloquence, which was not without its effect, she pleaded her affection for Duke William, the sacred nature of the engagement by which she was pledged to become his wife, pointed to the ring on her finger, and reminded an aged prelate who had accompanied her from Hungary that he had himself witnessed their being laid in the same cradle at the ceremony of their betrothal. It was impossible to behold unmoved the anguish of so gentle a creature; not a few of the younger chieftains espoused the cause of their sovereign; and, at the urgent solicitation of Hedwige, it was finally determined that the Lithuanian ambassadors, accompanied by three Polish nobles, should repair to Buda for the purpose of consulting her mother, the Queen of Hungary.

[Footnote 41: The territories of many of the Russian or Ruthenian
dukes which were conquered by the Lithuanian pagans.]

But Elizabeth, though inaccessible to the temptations of worldly ambition, was too pious, too self-denying, to allow maternal affection to preponderate over the interests of religion. Aware that the betrothal of her daughter to the Duke of Austria had never been renewed from the time of their infancy, she, without a moment's hesitation, replied that, for her own part, she desired nothing, but that the queen ought to sacrifice every human feeling for the glory of Christianity and the welfare of Poland. To Hedwige herself she wrote affectionately, though firmly, bidding her lay every natural inclination at the foot of the cross, and desiring her to praise that God who had chosen so unworthy an instrument as the means by which the pure splendor of Catholicity should penetrate the darkness of Lithuania and the other pagan nations. Elizabeth was aware {148} of the real power of religion over the mind of her child, and doubted not but that, after the first paroxysm of grief had subsided, she should be able to overcome by its means the violence of her daughter's repugnance to the proposed measure. In order to give a color of impartiality to their proceedings, a diet was convoked at Cracow, immediately on the return of the embassy, to deliberate on the relative claims of Jagello, William of Austria, and the Dukes of Mazovia and Oppelen, all of whom aspired to the hand of Hedwige and the crown of Poland. The discussion was long and stormy, for amongst those nobles more immediately around the queen's person there were many, including a large body of ecclesiastics, who, although convinced that no lawful impediment existed to the marriage, yet shrank from the cruelty of uniting the gentle princess to a barbarian; and these failed not to insist upon the insult which would be implied by such a choice to the native Catholic princes. The majority, however, were of a different opinion, and at the close of the diet it was decided that an ambassador should be despatched to Jagello, inviting him to Cracow for the purpose of continuing the negotiations in his own person. But William of Austria was too secure in the justice of his cause and the affection of his betrothed to resign his pretensions without an effort; and his ardor being by no means diminished by a letter which he received from the queen herself, imploring him to hasten to her assistance, he placed himself at the head of a numerous retinue, and, with a treasure by which he hoped to purchase the good-will of the adverse faction, appeared so suddenly at Cracow as to deprive his opponents of their self-possession. The determination of Hedwige to unite herself to the object of her early and deep affection was loudly expressed, and, as there were many powerful leaders--among others, Gniewosz, Vice-chamberlain of Cracow--who espoused her cause, and rallied round Duke William, the Polish nobles, not daring openly to oppose their sovereign, were on the point of abandoning the cause of Jagello, when Dobeslas, Castellain of Cracow, one of the staunchest supporters of the Lithuanian alliance, resolved at any risk to prevent the meeting of the lovers, and actually went so far as to refuse the young prince admission into the castle, where the queen at the time was residing, not only drawing his sword, but dragging the duke with him over the drawbridge, which he commanded to be immediately lowered. William, thus repulsed, fixed his quarters at the Franciscan monastery; and Hedwige, fired by the insult, rode forth accompanied by a chosen body of knights and her female attendants, determined by the completion of her marriage to place an insuperable bar between her and Jagello.

In the refectory of the monastery, the queen and the prince at length met; and, after several hours spent in considering how best to avert the separation with which they were threatened, it was arranged that William should introduce himself privately into the castle of Cracow, where they were to be united by the queen's confessor. Some time elapsed before this plan could be carried into execution; for although even Dobeslas hesitated to confine his sovereign within her own palace, the castle gates were kept shut against the entrance of the Duke of Austria. Exasperated at this continued opposition, and her affection augmented by the presence of its object, from whom the arrival, daily expected, of Jagello would divide her for ever, Hedwige determined to admit the prince disguised as one of her household, and a day was accordingly fixed for the execution of this romantic project. By some means or other the whole plan came to the knowledge of the vigilant castellain; the adventurous prince was seized in a passage leading to the royal apartments, loaded with insult, and driven from the palace, within the walls of which the queen now found herself a prisoner. {149} It was in vain she wept, and implored to be allowed to see her betrothed once more, if only to bid him farewell; her letters were intercepted, her attendants became spies on her movements, and, on the young prince presenting himself before the gates, his life was threatened by the barons who remained within the fortress. This was too much; alarmed for her lover's safety, indignant at the restraint to which she was subjected, the passion of the girl triumphed over the dignity of the sovereign. Quitting her apartment, she hurried to the great gate, which, as she apprehended, was secured in such a manner as to baffle all her efforts; trembling with fear, and eager only to effect her escape, she called for a hatchet, and, raising it with both hands, repeatedly struck the locks and bolts that prevented her egress. The childish simplicity of the attempt, the agony depicted in the beautiful and innocent countenance of their mistress, so touched the hearts of the rude soldiery, that, but for their dread of the nobles, Hedwige would through their means have effected her purpose. As it was, they offered no opposition, but stood in mournful and respectful silence; when the venerable Demetrius, grand-treasurer of the kingdom, approached, and falling on his knees, implored her to be calm, and to sacrifice her own happiness, if not to the wishes of her subjects and the welfare of her country, at least to the interests of religion. At the sight of that aged man, whose thin white hairs and sorrowful countenance inspired both reverence and affection, the queen paused, and, giving him her hand, burst into an agony of tears; then, hurrying to her oratory, she threw herself on the ground before an image of the Blessed Virgin, where, after a sharp interior conflict, she succeeded in resigning herself to what she now believed to be the will of God--embracing for his sake the heavy cross which she was to bear for the remainder of her life.

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The Catholic World, Vol. 01, April to September, 1865Chapter II (5)

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