Chapter XIV (2)

{88} His mind was dreamy, his system mystical, but he realized intensely the existence of things unseen, and declared that "he was more sure of the next world than of this present." He mistrusted, indeed, the reality of material phenomena, and rested in the thought of two, and two only, luminously self-evident beings, himself and his creator. But genius is a dangerous gift to the student of theology, and perhaps Ballanche would have been more sound if he had been less clever. From the moment he saw Madame Récamier, he became ardently attached to her society. Her praise was his richest reward, and the prospect of reading his essays and poems to her more than doubled the pleasure of composing them. The first time he conversed with her a curious incident occurred. After getting over the difficulty he experienced in talking on ordinary topics, he had risen to a higher strain, and expatiated in glowing language on philosophical and literary subjects, till Madame Récamier, who had for some time been much incommoded by the smell of the detestable blacking with which his shoes had been cleaned, was obliged to tell him timidly that she really could not bear it any longer. M. Ballanche apologized humbly, left the room, and, returning a minute later without his shoes, took up the conversation where he had dropped it, and was soon in the clouds again. But his shoes were not his only drawback. He was hideously ugly, and that by a cruel mishap. A charlatan, like the one who practiced upon Scarron, had prescribed such violent remedies for his headaches that his jaw had become carious, and a part of it was removed by trepanning. A terrible inroad was made on one of his cheeks by this operation; but his magnificent eyes and lofty forehead redeemed his uncomely traits, and amid all his awkwardness and timidity his friends always discerned an expression of tenderness and often a kind of inspiration breathing from his face. Madame Récamier's talents were of a high order, for she could appreciate those of others. She soon forgot Ballanche's shoes, forgot his ungainly movements and ghastly deformity, and fixed her gaze on that inner man which was all nobility and gentleness, glowing with poetry, and steeped in the dews of Hermon. Let us leave him now at Lyons; we shall meet him again before long.

There was a vast and dreary city toward the south of Italy which had once been called Rome. It was now the capital of the department of the Tiber. Without the Caesars or the Pope, it was Rome no more. No foreigners thronged its streets and fanes, its prelates were scattered, and its scanty inhabitants looked sullenly on the Frank soldiers who turned its palaces and sanctuaries into barracks. Hither came Madame Récamier, and her apartment in the Corso was soon hailed as an oasis in the wilderness. All the strangers in the deserted capital, and many of the Romans, paid their court to this queen of society; and Canova, one of the few stars left in the twilight, visited her every evening, and wrote to her every morning. He chiselled her bust as no hand but his could chisel it, and seized ideal beauty while copying what was before him. He called it "Beatrice," and it was worthy of the name. Ballanche, too, came all the way from Lyons to visit the universal favorite. He travelled night and day, and could remain at Rome only one week. The very evening of his arrival Madame Récamier began to do the honors of the Eternal City. Three carriages full of friends drove from her house to St. Peter's and the Coliseum, where they all alighted. Ballanche moved solemnly, with his hands beside him, overpowered by the grandeur of all around. On a sudden his _parfaite amie_ looked back. He was not without his shoes this time, but without his hat. "M. Ballanche," she said, "where is your hat?" "Ah!" replied the philosopher, "I have left it at Alexandria." And so it was--so {89} little did his thoughts dwell on external life.

From Rome the travellers proceeded to Naples. A cordial welcome awaited Madame Récamier from Caroline Bonaparte, whom she had known of old. A page from the royal palace brought her a magnificent basket of fruit and flowers immediately on her arrival, and she soon became the confidante of both king and queen. Joachim Murat sat on a usurped throne, and was reaping the bitter fruits of a false position. Duty bound him to Napoleon, interest to the allies. First he was perfidious to his master, next to his colleagues. One day he entered his wife's saloon in great agitation, and finding Madame Récamier, avowed to her that he had signed the coalition. He then asked her opinion of his act, taking it for granted that it would be favorable. But, though not an imperialist, she was a Frenchwoman. "Sire!" she replied, "you are French, and to France you should be faithful." Murat turned pale. "I am a traitor then," he exclaimed, and, opening the window in haste, pointed to the British fleet sailing into the bay. Then burying his face in his hands, he sunk upon a sofa and wept. The year after, faithless alike to Europe and to the empire, a tempest cast him on the shore of Pizzo, and he was taken and shot like a brigand.

A dense crowd was collected in the Piazza del Popolo to see the entry of Pius VII., after the Apollyon of kingdoms had been sent to Elba. The Roman nobles and gentleman headed the procession, and their sons drew the pontiff's carriage. In it he knelt, with his hair unsilvered by age, and his fine face expressing deep humility. His hand was extended to bless his people, but his head bowed before the almighty disposer of human events. It was the triumph of a confessor rather than of a sovereign--of a principle, not of a person. Never did such a rain of tears fall on the marble paving at St. Peter's as when at last he traversed the church and prostrated himself before the altar over the tomb of the apostles. Then the _Te Deum_ rose and echoed through those gorgeous arches, and Madame Récamier was not insensible to the affecting scene. Before leaving Rome the second time, she paid a farewell visit to General Miollis, who had commanded the French forces. He was extremely touched by this civility, and received her in a villa he had bought, and which still bears his name. He was quite alone, with an old soldier for his servant. She was, he said, the only person who had called upon him since he had ceased to govern Rome.

After three years' absence she returned to Paris, and, still radiant with beauty and overflowing with gladness, resumed her undisputed empire over polite society. Her husband had regained his lost ground, and was again a prosperous banker, while she possessed in her own right a fortune inherited from her mother. The restoration of Louis XVIII. had changed the face of her salon and of society in general. Her friends were once more in power, and those who had vexed her and them were banished or forgotten. The Duke of Wellington often visited her, and she presented him to Queen Hortense. He shocked her, however, after the battle of Waterloo, by saying of Napoleon, "I have well beaten him!" She had no love for the ex-emperor; but France was her country, and she could not exult over its defeat. Her niece declares that Wellington was not free from intoxication with his success, and that nothing but the indignant murmurs of the pit prevented him from entering the royal box with his aides-de-camp. [Footnote 11] Madame de Staël died in 1817, and her friend, Mathieu de Montmorency, gathered up with piety and hope every indication of a religious spirit which she had left behind. She never raised her eyes to heaven without thinking of him, and she believed that {90} in his prayers his spirit answered hers. [Footnote 12] Prayer, she wrote, was the bond which united all religious beings in one, and the life of the soul. Sin and suffering were inseparable, and she had never done wrong without falling into trouble. During the long sleepless nights of her last illness she repeated constantly the Lord's prayer to calm her mind, and she learned to enjoy the "Imitation of Jesus Christ."

[Footnote 11: "_Souvenirs de Madame Récamier_," vol. i., p.268.]

[Footnote 12: "_Dix années d'Exil._" ]

The void she left in Madame Récamier's circle was filled by one whose writings were, the talk and admiration of Europe. This was Chateaubriand. Professor Robertson has lately brought him very agreeably to our remembrance in his able and interesting lectures on modern history. The Duc de Noailles, that contemporary, as he has been called, of Louis XIV., pronounced his eulogy when taking his place in the French Academy, and he has left us his biography in the most charming form in which that of any one can be read, viz., written by himself. The portrait a man draws of himself in writing rarely deceives; for the very attempt to falsify would betray the real character. Chateaubriand's vanity escapes him in his memoirs as frequently as it did in his conversation, yet there cannot be a doubt that he had great qualities, and has built himself an enduring name. That extreme refinement of thought which is inseparable from genius makes him difficult to appreciate, and the phases of society through which he passed were so conflicting as to be fatal to the consistency of almost all public men. Yet he was on the whole faithful through life to his first principles. At one time he defended monarchy, at another freedom, pleading most eloquently for that which for the moment seemed most in danger. He knew the value of their mutual support, and, like all who move on a double line, he was often misunderstood. Born of an ancient and noble family, he chose at the same time the profession of arts and arms. The popular excesses of 1791 drove him from Paris, and he embarked for America. There, in the immense forests and savannas of Canada and the Floridas, often living among savages, he stored up materials for his early romances, and acquired that grandeur and depth of coloring in descriptions of natural scenery for which he is so remarkable. He was near the tropics, in the land of the fire-fly and hummingbird, when he heard of the flight of Louis XVI. and his arrest at Varennes. Hastening back to rejoin the standard of his royal master, he again took arms, and was seriously wounded at the siege of Thionville. From Jersey he was transported to London, where he lived in extreme want, taught French, and translated for publishers. Here, too, he produced his first work, which was tainted with the infidelity of the day. The death of his pious mother recalled him to a better mind, and awakened in him a train of thought which issued at length in the "_Génie du Christianisme._" "_Atala_" and "René," likewise under the form of romance, serving as episodes to his great work, avenged the cause of religion, and powerfully aided in producing a reaction in favor of Christianity. The First Consul hailed the rising star, and attached him as secretary to Cardinal Fesch's embassy at Rome. In 1804 he had just been appointed to represent France in the republic of Valais, when he heard of the odious execution of the Duc d'Enghien, and immediately sent in his resignation. He could serve a ruler who had brought order out of chaos, but not an assassin. From that day he never ceased to be hostile to the empire. After wandering, as Ampère did later, along the classic shores of Greece and the monuments of Egypt, and kissing the footprints of his Redeemer on the mount of Calvary, he returned to France, and in the Vallée-aux-Loups composed his prose poem, the "Martyrs," in {91} which, as in "Fabiola" and "Callista," the glowing imagery of pagan art is blended with the ethical grandeur of the religion of Christ. A place was awarded him in the French Academy, which he was not permitted to take till the Bourbons were restored. Their return filled him with joy, and a pamphlet he had written against Bonaparte was said by Louis XVIII. to have been worth an army to his cause. On the escape of Napoleon from Elba he accompanied the king to Ghent, and, on re-entering Paris, was raised to the peerage and made minister of state. In 1816, having published his "Monarchy according to the Charter," he lost the royal favor and his honorary title. His work, however, continues to this day "a textbook of French constitutional law." [Footnote 13]

[Footnote 13: Robertson's "Lectures," p. 291.]

Such was the statesman, apologist, philosopher, and poet who, in his forty-ninth year, obtained an ascendancy over Madame Récamier's imagination so complete that the religious Montmorency trembled, and the thoughtful Ballanche dreamed some ill. They thought, too, that her manners changed toward them, but she soon restored their confidence. It would be vain, indeed, to deny that her regard for Chateaubriand caused her many anxious thoughts and secret tears, particularly when, after a few years, he neglected her for the din of political debate and the society of beings less exalted and pure. But this estrangement was only temporary, and both before it and after it, till he died, her daily task was to soothe the irritability to which poets are said to be especially subject; to amuse him herself, as Madame de Maintenon amused Louis XIV.; and to surround him with those who, for her sake as well as for his, labored for the same charitable end.

Another reverse befel her in 1819. M. Récamier fouled again, and £4,000, which his wife had invested in his bank, went with the rest. Trusting in the security of his position, she had shortly before purchased a house in the Rue d'Anjou and furnished it handsomely. There was a garden belonging to it, and an alley of linden-trees, where Chateaubriand tells us he used to walk with Madame Récamier. But the house and garden were sold, and the occupant removed to a small apartment in the quaint old Abbaye-aux-Bois. She placed her husband and M. Bernard with M. Bernard's aged friend in the neighborhood, and dined with them, her niece, Ballanche, and Paul David every day. In the evening she received company, and her cell soon became the fashion, if not the rage. It was an incommodious room, with a brick floor, on the third story. The staircase was irregular; and Chateaubriand complains of being out of breath when he reached the top. A piano, a harp, books, a portrait of Madame de Staël, and a view of Coppet by moonlight, adorned it. Flower-pots stood in the windows; and in the green garden beneath nuns and boarders were seen walking to and fro. The top of an acacia rose to a level with the eye, tall spires stood out against the sky, and the hills of Sèvres bounded the distant horizon. The setting sun used to gild the picture and pierce through the open casements. Birds nestled in the Venetian blinds, and the hum of the great city scarce broke the silence.

Here Madame Récamier received every morning a note from Chateaubriand, and here he came at three o'clock so regularly that the neighbors, it is said, used to set their watches by his approach. Few persons were allowed to meet him, for he was singular and exclusive; but, when evening closed, the _élite_ of France and half the celebrities of Europe found their way here by turns. The Duchess of Devonshire and Sir Humphrey Davy, Maria Edgeworth, Humboldt, Villemain, Montalembert, Alexis de Tocqueville, and Sainte-Beuve were frequent guests, and so also was one who {92} deserves more special notice, Jean Jacques Ampère.

It was on the 1st of January, 1820, that his illustrious father presented him, then in his twentieth year, to the circle of friends who met at the Abbaye-aux-Bois. [Footnote 14] The enthusiasm with which he spoke, the gentleness of his disposition, the nobility of his sentiments, and the brilliancy of his talents, soon secured him a high place in Madame Récamier's esteem. He attached himself to her with an ardor that never cooled, and that appeared quite natural to the elder guests who had long experienced her magical influence. During the career of fame which he ran her counsels were his guide, and her goodness his theme. However deep his studies, however distant his wanderings, among the surges of the Categat or the pyramids of the Pharaohs, his thoughts always reverted to her, and letters full of respect and devotion proved how amiable was his character, how observant and gifted his mind.

[Footnote 14: _Le Correspondant_, Mai, 1864, p. 46.]

In November, 1823, he and the faithful Ballanche accompanied her to Italy. Her niece, whom she treated as a daughter, was suffering from a pulmonary complaint, and change was thought desirable for her. Chateaubriand's visits had grown less frequent. A political rivalry also had sprung up between her dearest friends, Chateaubriand having, in December, 1822, accepted the office of minister of foreign affairs vacant by the resignation of Mathieu de Montmorency. They disdained alike riches and honors, but each was bent on the triumph of a conviction, and on linking his name with a public act. Many thorns beset her path in consequence of their disunion, and absence for a time from France seemed to offer several advantages. She fully possessed the confidence of Madame de Chateaubriand, and all who knew the _capricieux immorel,_ as that lady called her husband, were of opinion that by going to Italy she might avoid many occasions of bitterness, and recall him to a calmer and nobler frame.

Nearly a month was passed in the journey from Paris to Rome. The travellers paused in every town, and explored its monuments, churches, and libraries. During the halt at midday, and again in the evening, they talked over all they had seen, and read aloud by turns. Ballanche and his young friend Ampère discussed questions of history and philosophy, and Madame Récamier gave an air of elegance to an apartment in the meanest inn. She had her own table-cloth to spread, together with books and flowers; and her presence alone, so dignified, so graceful, invested every place with the charm of poetry. Ballanche and Ampère projected a guide-book, and thus the latter was unconsciously laying up stores for that graphic "Histoire Romaine à Rome," [Footnote 15] on which his reputation as an author mainly rests. The year was just closing when they arrived in Rome. It was here that he met Prince Louis Bonaparte, the present emperor, who was then a boy, and here he had long and frequent conversations with Prince Napoleon, his elder brother, while Queen Hortense, then called the Duchess of Saint-Leu, was walking with Madame Récamier in the Coliseum, or the campagna around the church of St. John Lateran or the tomb of Cecilia Metella. Rome was then the asylum of the Bonapartes, as it has ever been the home of the outcast and the consolation of the wretched. The aspect was greatly changed since the former visit Pius VII. had lately yielded up his saintly spirit to God, and Leo XII. sat on his throne. The fêtes and ceremonies that attended his elevation were all over except that of the pontifical blessing given from the balcony of St Peter's. Madame Récamier took her place beside the Duchess of Devonshire in joint sovereignty over society at Rome. {93} The Duc de Laval, Montmorency's cousin, who was then the French ambassador, placed his house, horses, and servants at her disposal, and began or ended every evening with her. The duchess just mentioned was in her sixty-fourth year, and preserved the traces of remarkable beauty. Her eyes were full of fire, her skin was smooth and white. She was tall, erect, queenly, and thin as an apparition. Her skeleton hands and arms were like ivory, and she covered them with bracelets and rings. Her manners were distinguished, and she seemed at the same time very affectionate and rather sad.

[Footnote 15: Published in the _Revue des Deux Mondes,_ 1866-67.]

The long friendship which subsisted between this English Protestant lady and Cardinal Consalvi was not the least singular feature in her history. Her intimacy with Adrien and Mathieu de Montmorency was such that they always called her the _duchesse-cousine_, though they were not related to her at all. The Duc de Laval, whom she had known in England, writes thus of her to Madame Récamier, in May, 1823:

"The duchess and I are agreed in admiring you. She possesses some of
your qualities, and they have been the cause of her success though
life. She is of all women the most attaching. She rules by
gentleness, and is always obeyed. What she did in her youth in
London, that she now recommences here. She has all Rome at her
disposal--ministers, cardinals, painters, sculptors, society, all
are at her feet."

Her days, however, were dwindling to a close, as were those also of Cardinal Consalvi. Just seven months after the decease of Pius VII. that eminent statesman followed him to the tomb. All Rome went to see him laid in state--all except Madame Récamier, who, full of the sorrow which the duchess would feel for his loss, and imagining that she would only be pained by such idle curiosity, drove to the solitude of the villa Borghese. On alighting from her carriage, she saw the tall and elegant figure of the duchess in deep mourning, and looking the picture of despair. To her astonishment the latter proposed that they should go and see the lifeless cardinal. It was, indeed, a solemn scene. The chaplains had retired for a brief space to dine, and the public were excluded. The ladies only entered to take their last look of human greatness. There he lay--the steady foe of the French revolution and the imperial despot, the minister of two popes during five-and-thirty years, the able and successful nuncio at the congress of Vienna. There he lay in the sleep of death, with his purple round him, and with his features still beautiful, calm, and severe.

Madame Récamier and her niece fell on their knees, praying fervently for the departed, and still more so for the lonely friend beside them, who had survived all the affections of her youth. She did not long survive. In March, 1824, she expired after a few days' illness. No one had been allowed to approach her till the last moment and for this extraordinary exclusion different reasons are assigned. Madame Récamier and the Duc de Laval believed that it was through fear lest she should declare herself a Catholic. They were admitted just before the vital spark was extinguished, and she died while they knelt beside her, and Madame Récamier held her wan hand, and bathed it with tears. After again visiting Naples, after excursions round the gulf, and reading as she went the glowing descriptions of Chateaubriand and de Staël, while the ardent Ampère and the meditative Ballanche supplied their living comments, Madame Récamier returned to spend her second winter in Rome, and enjoy the society of the Duc de Noailles and Madame Swetchine. The duke was in his twenty-third year, and she used to say that he was the last and youngest of those whom she called her real friends. His subsequent history of Madame de Maintenon proves how just a claim he had to be so regarded.

{94}

Madame Swetchine, when she arrived in Rome, was imbued with some prejudices against Madame Récamier, but they vanished at the first interview, and the love that sprang up between them was of the holiest kind:

"I feel the want of you (she wrote in 1825) as if we had passed a
long time together, as if we had old associations in common. How
strange that I should feel so impoverished by losing what a short
time since I did not possess! Surely there is something of eternity
in certain emotions. There are souls--and I think yours and mine are
among the number--which no sooner come in contact with each other
than they throw off the conditions of their mortal existence, and
obey the laws of a higher and better world."

After an absence of eighteen months, Madame Récamier returned to Paris. It was in May, 1825. Charles X. was being consecrated at Rheims, and both Chateaubriand and Montmorency were there for the ceremony. When the former received a line to inform him that the cell in the Abbaye was again occupied, he lost no time in paying his usual visit at the same hour as before. Madame Récamier's residence in Italy had produced the desired effect on him. His fitful mood was over. Not a word of explanation or reproach was heard, and from that day to his death, twenty-three years later, the purest and most perfect harmony existed between them. He had again fallen from power, and had been rudely dismissed. His only crime had been silence. He would not advocate the reduction of interest on the public debt, which appeared to him an act of injustice. How many would be half ruined by the change from five to three per cent! He abstained from voting. De Villèle was incensed, and a heartless note informed one of the greatest men in France that his services were no longer needed. By a strange mishap he did not receive it at the right time, went to the Tuileries, attended a levee, and was going to take his place at a cabinet council, when he was told that he was no longer admissible. He had ordered his carriage for a later hour, and was now obliged to walk back in his full court robes through the streets of Paris. He long and bitterly remembered this ungenerous treatment. In his opposition to the Villèle ministry he displayed prodigious talent; and in January, 1828, it gave place to that of Martignae, and he was himself appointed ambassador at Rome.

Among the letters he wrote during his embassy, there is one very brief and touching, addressed to the little Greek Canaris, then educated in Paris by the Hellenic committee. The emancipation of the Christians of the East, whether Catholic or schismatic, was an object dear to Chateaubriand's heart, as well as to the royalists in general. The question was not embarrassed by those false views of freedom which make many who love it afraid to speak its praise lest they should seem to countenance its abuse. "My dear Canaris," he says, "I ought to have written to you long ago. Pardon me, for I am full of business. My advice to you is this: Love Madame Récamier. Never forget that you were born in Greece, and that my country has shed its blood for the freedom of yours. Above all, be a good Christian; that is, an honest man submitting to the will of God. Thus, my dear little friend, you will keep your name on the list of those famous Greeks of yore where your illustrious father has already inscribed it. I embrace you.--Chateaubriand." How delighted must the young Athenian have been to carry this note to the Abbaye-aux-Bois the next time he went to visit Madame Récamier, as he did on almost every holiday!

We have already spoken of Mathieu de Montmorency's singular death. Madame Récamier was one of the first to hear of it. She hastened to sit beside the corpse of her revered friend, and mingled her tears with those of his mother and widow. The {95} latter, who had always been attached to her, now became her intimate companion, and, when she came to Paris, stayed at the Abbaye expressly to be near her. Even Chateaubriand, who had been Montmorency's political rival, joined the train of mourners, and composed a prayer on the occasion for Madame Récamier's use. It is somewhat inflated, and breathes the language of a poet rather than of a Christian. It ends thus: "O miracle of goodness! I shall find again in thy bosom the virtuous friend I have lost! Through thee and in thee I shall love him anew, and my entire spirit will once more be united to that of my friend. Then our divine attachment will be shared through eternity." These expressions are overstrained; but they illustrate the character of Madame Récamier's affection for her male friends. Of these Chateaubriand became henceforward the chief, and his letters to her from Rome, together with his subsequent intercourse with her in Paris, form the most important part of her remaining history. Everything was summed up in him,--diplomacy, politics, literature: he was to her, and not to her only, their chief representative. His correspondence, as preserved by her niece, is sparkling and pointed, full of incident, and especially interesting to those who remember Rome during the last years of Leo XII. and the pontificate of Pius VIII. Three letters a week reached her while his embassy lasted, and he has inserted several of them in his "_Mémoires_," though not without dressing them up a little for posterity. Veneration and regard for her is their key-note. _Mille tendres hommages_, he writes. _Que je suis heureux de vous aimer!_ But French politeness always sounds strange and fulsome when dissected in English. In May, 1829, he obtained leave to return to Paris for a time, and he was welcomed at the Abbaye by numerous admirers. There he read aloud his "_Moise,_" in the presence of Cousin, Villemain, Lamartine, Mérimée, and a host of _literati_ beside. There he expressed all his fears for the ancient dynasty under the guidance of Prince Polignac. He had no personal feeling for the minister, save that of friendship. But he could discern the signs of the times. He sought an audience of the king, to warn him of the reefs on which he was being steered; but he was no favorite with Charles X., and his request was refused. Yet he might, if his counsels had been listened to, have saved his master from exile and France from the revolution of July. The crown was in his idea above all things except the law. He would neither abandon the charter for the king, nor the king for the charter. The ordinances of July were subversive of the constitution, but the moment they were recalled he was on the monarch's side.

It was too late to stem the tide of insurrection. A ducal democrat was called to the throne. His partisans and those of the dethroned sovereign did not usually mix in society; but the salon in the Abbaye was an exception to every rule. There and at Dieppe, in the bathing season, the royalists Grenarde and Chateaubriand constantly met Ballanche, Ampère, Lacordaire, and Villemain, who welcomed the new regime. Madame Récamier, with admirable tact, kept them in social harmony, and her efforts in this direction were the more praiseworthy because she was not indifferent to their respective bias. She had always loved the old dynasty, both because of its hereditary rights and the glorious associations attached to it in history. She lamented the shortsightedness of the Polignac ministry; but she lamented still more the accession of Louis Philippe, which drove the greater part of her friends into the obscurity of private life.

In April, 1830, her husband died. He was then in his eightieth year, and during his last illness was removed to the Abbaye, that he might be surrounded by every sort of attention. In taste, character, and understanding he differed from Madame Récamier {96} as widely as possible. They had but one quality in common: each was good and kind. Notwithstanding the singularity of their tie, they lived together thirty-five years without any disagreement. M. Bernard and his old friend Simonard were also gone. Madame Lenormant was married, and though the family circle that used to dine at the Abbaye was no more, some faithful friends, such as Ballanche and Paul David, met daily at the widow's hospitable board. The former of these was especially disappointed by the fall of the elder Bourbon branch. He had hoped to see its alliance with that moral, political, and social progress which was the dream of his existence. Elective monarchy now seemed to hold out better prospects of his _palingénésie sociale_.

The attitude assumed by Chateaubriand at this period was such as to command general respect. He attempted, but in vain, to procure the recognition of Henry V., and to place his rights under the protection of the Duke of Orleans. Then, declining to take the oath of allegiance to Louis Philippe, he retired from the peerage, and gave up his pension. The friends, however, from whom he differed were delighted to perceive that his cordiality with them in private was in no degree lessened. But there was a circle within the circle that frequented the Abbaye, and it was in 1832 that the Duc de Noailles became enrolled among the select few. This was owing in part to the sympathy which existed between him and Chateaubriand, and the high estimate which the latter formed of his judgment. Neither was he so dazzled by the future of society as to forget or despise its past. Both found in the history of the kings of France the sources of all subsequent improvement. The Duc de Noailles did not come alone to the Abbaye. His regard for Madame Récamier was such that he brought with him every member of his family whom he thought most worthy of her acquaintance, and invited her in turn and her friends to grace with their presence the fair domain of Maintenon. Here, surrounded by souvenirs of Louis XIV., Chateaubriand took notes for a chapter in his "Memoirs," which was not inserted, but given in manuscript to Madame Récamier. It fills seventeen pages, and forms one of the most striking parts of the volume under review. The writer recalls the delicious gardens he has visited in Greece, Ithaca, Grenada, Rome, and the East, and compares them with the surroundings of the château of Maintenon. He touches on many salient points in the history of that remarkable lady who bought it in 1675, and whose corpse had, in his own day, been dragged round the sacred enclosure of St. Cyr with a halter round the neck. He then passes to the night spent in the château by Charles X., when the king, driven from the seat of government, dismissed his Swiss Guards, and placed himself almost in the condition of a prisoner. It was in Madame Récamier's drawing-room that the auto-biography for which this description was intended was first published, and that in the way so fashionable among the ancient Romans and still common in France--by the author's reading it aloud to an assembly of friends. Thus Statius read his "Thebais," [Footnote 16] thus Alfieri his tragedies, at Rome. The readings of the "_Mémoires d'outre Tombe_" spread over two years, and his fame extended so fast that it was difficult to find room for those who craved admittance. Publishers, also, were eager to purchase the manuscript, to be printed at the writer's death; and some royalist friends availed themselves of this circumstance to obtain for him a pension for life. The excitement attending the recitals relieved his ennui, and literary labor helped to pay his debts. The work itself, though intensely interesting to all who heard it and felt personally interested in the events it recorded, is too lengthy, detailed, peevish, {97} and egotistic to add much to Chateaubriand's fame. Any theme he handled was sure to call forth eloquence and genius; but himself was the very worst subject he could choose,--the worst, not, perhaps, for the entertainment of his readers, but for the reputation of the writer.

[Footnote 16: Juvenal, Sat. VII., 82-86.]

In October, 1836, Louis Napoleon made his attempt at Strasburg, and having been arrested, was brought to Paris for trial. His mother, the ex-queen Hortense, fearing lest her presence there might only add to his danger, paused at Viry, and allowed her devoted follower, Madame Salvage, to proceed. This lady, relying on Madame Récamier's fidelity to her friends, repaired immediately to the Abbaye, and, with a portfolio of treasonable correspondence, sought an asylum there. On the morrow, Madame Récamier visited the queen, or, to speak more correctly, the Duchess of St. Leu, at Viry, and found her in extreme distress. Her worst fears, indeed, were over. The prince's life was spared, but, before his trial was concluded, he was shipped off to New York. The prospect of thus losing him afflicted the duchess greatly, for she had a mortal malady, and knew that her time on earth could not be long. The next year, in fact, Louis Napoleon, informed of her dangerous illness, hastened to Europe to see her once more. In 1840 he again asserted, at Boulogne, his claim to the throne. He was tried by the chamber of peers, and Madame Récamier, though she had been obliged to appear and answer some questions before the _juge d'instruction_, was not deterred by this annoyance from asking permission to visit the prisoner. She saw him at the _Conciergerie_, not through attachment to his cause, but for his departed mother's sake. Two years after, when imprisoned in the fortress of Ham, he sent her his "_Fragmens Historiques_." In writing to her, he said: "I have long wanted to thank you, madam, for the kind visit you paid me in the _Conciergerie_, and I am happy to have the opportunity now of expressing my gratitude. . . . . You are so accustomed to delight those who approach you, that you will not be surprised at the pleasure I have felt in receiving a proof of your sympathy, and in learning that you feel for my misfortunes." Enclosed in this letter was another for Chateaubriand, much longer, and highly creditable to the prince's talents and good taste. In it he declared his intention of beguiling his prison hours by writing a history of Charlemagne as soon as he should have collected the necessary materials. The prominent place which that prince held in his thoughts is strikingly brought before us in the preface to his "Julius Caesar." In 1848, when fortune smiled, and he arrived in Paris already elected deputy, one of his first visits was to the Abbaye-aux-Bois. It was just after the death of Chateaubriand, and Madame Récamier had not the pleasure of seeing him. In another year, she had entered into her rest, and he was far on the turbulent way to an imperial throne.

We must not forget to mention among her friends one with whom we may be excused for having more sympathy than with Napoleon III. This was Frederic Ozanam. He was born in 1813, and was still a student, and in his twentieth year, when first presented by Ampère to Madame Récamier. Chateaubriand was much struck by him, and he was present at several readings of the "_Mémoires_." But he came to the Abbaye rarely, and when his friend Ampère asked him the reason, he replied: "It is an assembly of persons too illustrious for my obscurity. In seven years, when I become professor, I will avail myself of the kindness shown me." With rare modesty, the young man kept his word. In seven years, and no less, he took his place in the renowned circle. His talents were already appreciated, and though timid and all but awkward, his conversation often {98} broke through the restraints of habit, and swept along its shining course as if he were surrounded by his pupils in the lecture-room. Every year added to his celebrity. His character, his philosophy, his scholarship, were all Christian, and his professional life was devoted to one end. He vindicated the moral and literary attainments of the middle ages against modern detractors--against those who mean by the dark ages the ages about which they are in the dark. He traced in all his works the history of letters in barbarous times, and showed how, through successive periods of decadence and renaissance, the Church has ever been carrying forward the civilization of mankind. [Footnote 17] His publications have been edited by friends of whom he was worthy--Lacordaire and Ampère; and who would come to lay a votive wreath on Madame Récamier's tomb, without having one also for the grave of Ozanam?

[Footnote 17: "_La Civilisation au Ve Siècle_," etc.]

The winter of 1840-41 was a disastrous one for Lyons and its neighborhood. The swollen waters of the Rhone and Saone rising, overflowed their banks, and ravaged the surrounding country with resistless violence. The government was not slow to relieve the sufferers, and public as well as private charity poured in from every quarter. Madame Récamier felt deeply for her native city, and resolved on making an extraordinary to aid it in its distress. She organized a _soirée_ to which persons were to be admitted by tickets. These were sold at twenty francs each, but were generally paid tor at a higher rate. Lady Byron gave a hundred for hers. Rachel recited _Esther;_ Garcia, Rubini, and Lablache sang; the Marquis de Vérac placed his carriages at their disposal; and the Duc de Noailles supplied refreshments, footmen, and his _maître d'hôtel_. The Russians residing in Paris were especially active in disposing of tickets; Chateaubriand from eight o'clock to the end of the _soirée_ did the honors of the saloon by which the company entered. Reschid-Pacha sat on the steps of the musician's platform, half buried beneath waves of silk and flowers. The rooms were adorned with exquisite objects of art, and 4,390 francs were received and transmitted to the mayor of Lyons. Sixty poor families were selected by the curés to receive this bounty; Madame Récamier having requested that it might not be broken up into petty sums. In the midst of the glittering throng that assembled in the old Abbaye that evening, it is said that she eclipsed them all in beauty and grace. This may appear fabulous to many, for she was then in her sixty-third year; yet her niece would hardly assert it if it had not been the general opinion.

In 1842, Madame Récamier had the satisfaction of seeing Ballanche take his place in the French Academy. His friends, indeed, were more elated on the occasion than the philosopher himself. Literary honors were little in his eyes compared with the exertion of a moral and philosophic influence. His passion for machinery had nearly ruined him; and his generosity was always beyond his narrow means. Like Socrates in the basket, he lived above the earth, and the trivial concerns of daily life dried up the sap of his sublime speculations. [Footnote 18] Chateaubriand used to call him the hierophant; for he had a small sect of followers whom he initiated in his mysticism.

[Footnote 18: Aristophanes. "The Clouds." ]

A cloud was gathering over his existence, and over the gladness of all who frequented the Abbaye. Since the year 1839, Madame Récamier's health had been growing feebler, and a cataract was perceived slowly forming on her eyes. She bore the affliction with her usual calm, and the fear of becoming less able to amuse Chateaubriand was her chief distress. When her blindness became confirmed, her eyes were still brilliant; and her ear being {99} fine, she knew all who approached her by their voice. The valet took care to set everything in her apartment in its fixed place, so that she could move about without stumbling. In this way she often dissembled her loss of sight, and many who visited her came away with the impression that she saw pretty well. Long intercourse with Chateaubriand had made her habits as methodical as his. He still came to her daily at half-past two. They took tea together, and talked for an hour. Then the door opened to visitors, and the good Ballanche was always the first. This would have been mere dissipation, but for the more serious occupations of the morning. She rose early, had the papers read to her rapidly, then the choicest of new works, and afterward some standard author. Modern literature had always been her delight; and it cheered her even in her darkness. When she drove out, it was generally with some charitable purpose; for the time was passed for paying other visits. Never, since Montmorency had recommended it, did she forget to read or hear read, daily some work of piety; and as age advanced and sorrow weighed more heavily, she derived from the practice increasing solace and strength.

Now came what Ballanche called "the dispersion," from which afterward he dated his letters. Prince Augustus of Prussia died in 1845, and charged Humboldt to execute his last commands with regard to her whom he had never ceased to respect and love. Her portrait, by Gerard, which she had given him, and her letters, were returned when he could no longer treasure them. His death affected her deeply; for other flowers also were fading from life's garden, and the winter of age was freezing everything but her affections. From Maintenon she passed into Normandy with her niece and Ampère, who had just returned from Egypt, weary and sick with travel. Wherever she went, the blind beauty of the first empire wanted no one claim to respectful and devoted attention. By the use of belladonna, she sometimes dilated the pupil, and acquired for a few hours the sense of sight. In this way she saw and admired Ary Scheffer's beautiful picture of St. Augustine, which he brought from the exhibition to the Abbaye-aux-Bois, on purpose that Chateaubriand and herself might inspect it. But such brief enjoyment only made returning darkness more gloomy; and an operation offered the best prospect of permanent relief. Meanwhile, Chateaubriand having broken his collar-bone in stepping from his carriage, a delay occurred. Madame Récamier would not deprive herself of the pleasure of diverting him during his confinement to the house. Her friends often assembled under his roof; and when he visited the Abbaye again, he was always carried into the roam by two domestics. Indeed, he never walked any more. Nor in her case did the operation for cataract succeed, for the patient did not enjoy that composure which was indispensable for a cure. Ballanche had been seized with pleurisy, and was dangerously ill. The blind lady to whom he had so long been devoted, breaking through all her surgeon's instructions, and braving the light she should have shunned, crossed the street which separated her from the dying man, and sat by his pillow to the last.

One who has often looked on death declares that she never saw it present so grand a spectacle as in Ballanche. All his philosophy was heightened into faith; all his poetry was wrapt into devotion. Serenely trusting in the divine goodness, he realized intensely the mysteries of the unseen world; and, with the holy viaticum on his lips, quitted his earthly tabernacle with joy, whilst she who watched at his side lost all hope of sight in her streaming tears. Ballanche's mortal remains lie in the vault of the Récamier family; and his life has been written by Ampère. He and Madame Récamier {100} together selected the choicest passages from his works; and beneath the shade of beech-trees, amid the calm of nature, her niece's daughters read aloud to her Ballanche's long-treasured letters. She would scarcely have survived her grief had not Chateaubriand's infirmities still given a scope to her existence. Madame de Chateaubriand died in the winter of 1846-7. She abounded in charitable works, and the poor loved her name. The desolate widower proposed that Madame Récamier should take her place. He pressed his suit, but she persisted in her refusal. She thought the little variety caused by his daily visits to her essential for his comfort; and that if she were always with him, he would be less consoled. "What end," she asked, "could marriage answer? At our age there is no service I may not reasonably render you. The world allows the purity of our attachment; let it remain unaltered. If we were younger, I would not hesitate a moment to become your wife, and so consecrate my life to you."

A second operation was performed, with no better result than before. The hope of being enabled to serve Chateaubriand more effectually alone induced her to submit to it. His end was fast approaching, and society itself seemed about to be dissolved. Without were contests; within were fears. The revolution of February, 1848, undid the revolution of July, 1830. The streets of the capital flowed with blood, and the roar of cannon in the insurrection of June shook the chamber of the expiring poet, and brought tears to his eyes. He heard with keen interest of the death of Monseigneur Affre, the good shepherd who gave his life for his sheep. The intrepid courage of that glorious martyr lent fresh nerve to his jaded spirit; and though his brilliant intellect had for some time past lost its lustre, his thoughts were perfectly collected to the last. He was heard to mutter to himself the words he had written in 1814: "No; I will never believe that I write on the tomb of France." The chill waters of the river of death could not extinguish the patriotism that burned in his breast. The Abbé Guerry, his confessor and friend, stood near him with the consolations of religion; his nephew, Louis de Chateaubriand, and the superioress of the convent of Marie-Therése, which he and his wife had founded. After receiving the blessed sacrament, he never spoke again; but his eyes followed Madame Récamier with an expression of anguish whenever she left the room. This was her crowning sorrow, that she could not see the sufferer she sought to relieve. When the worst was over, the calm of despair spread over her face, and a deathly paleness, which nothing could remove. She gratefully assented to everything which was proposed for her comfort; but her sad smile proved how vain was the effort to restore her to gladness. Those affectionate beings alone who live on friendship can comprehend the extent of her desolation.

Chateaubriand's obsequies were performed in the church of the _Missions étrangères_, where a large concourse assembled, notwithstanding the city and the state were still in the agony of a social crisis. But his ashes were transferred to his own Brittany, where a solitary rock in the bay had long before been granted him by the municipality of St. Malo, as a place of burial. More than 50,000 persons were present at this strange and solemn interment. They seemed to represent France mourning his loss. The sea was covered with boats; the roofs of the houses, and the shores beneath, were crowded with spectators; banners floated from rock and tower; while mournful canticles and booming cannon broke the stillness of the air. The coffin was laid in a recess of the steep cliff, and surmounted by a granite cross. Ampère was deputed by the French Academy to pronounce his eulogy on the occasion; and he concluded his report to that body in these {101} words: "It would seem that the genius of the incomparable painter had been stamped on this last magnificent spectacle; and that to him alone among men it had been given to add, even after death, a splendid page to the immortal poem of his life."

On Easter day in the following year Madame Récamier was persuaded to remove from the Abbaye-aux-Bois to the National Library, where her niece and nephew resided. The cholera had broken out in the neighborhood of the Abbaye; and though she did not fear death, she had a peculiar horror of that dreadful pestilence. But her flight was vain; the scourge pursued her, and fell with sadden violence on her enfeebled frame. The day before, Ampère and Madame Salvage had dined with her, and on the morning of her seizure her niece's daughter Juliette had been reading to her the memoirs of Madame de Motteville. During twelve hours she suffered extreme torture, but spoke with her confessor, and received the sacrament of extreme unction. Continual vomiting prevented the administration of the eucharist. Ampère, Paul David, the Abbé de Cazalès, her relations and servants, knelt around her bed to join in the prayers for the dying. Sobs and tears choked their voices, and "Adieu, adieu, we shall meet again; we shall see each other again," were the only words her agony allowed her to utter.

Madame Récamier breathed her last on the 11th of May, 1849. The terrible epidemic, which generally leaves hideous traces behind, spared her lifeless frame, and left it like a beautiful piece of sculptured marble. Achille Devéria took a drawing of her as she lay in her cold sleep, and his faithful sketch expresses at the same time suffering and repose.