Chapter V: Reminiscences of the Past (7)

What we said of the statuary we may repeat with equal reason of religious paintings. How easy it would be to adorn our churches and chapels with these books of the eye, one glance at which often teaches more than a sermon. The artists at home capable of producing a religious painting worthy of being placed in a church are few, perhaps might be counted on one's fingers. European painters capable of giving an original ask such prices for their work as generally to put them as far beyond our means as if they were to be painted at home. Even at that, their conception and treatment of a subject will scarcely stand comparison with approved works of the best masters who have already treated the same subjects. But there is a large class of painters here who devote themselves to copying and reproducing those old paintings, on every scale as to size. The execution of many of them is good, and the prices for which the artists are willing to work seem very low. It is wonderful how much painting, and good painting, five hundred dollars well laid out in Rome will obtain. Several of our clerical friends, who have visited Rome this winter, carry back with them evidences of this fact.

Next to the paintings should come the stained glass, which is superb, and is offered at a price which seems really astonishing--about five dollars a square foot for the richest kind, with life-size figures.

The large windows, from several competing manufacturers, are so mounted that the light shines through them, and you can examine at full leisure and carefully the wondrous effects of united brilliancy and softness in these works of peculiarly Christian art. The art of painting on glass, which many, up to a recent period, thought entirely lost, has revived in this century, and seems fast approaching the perfection which it attained in the middle ages. There is one marked difference observable between the old windows and some of the work here. The ancients displayed their skill in combining together thousands of minute pieces of glass of different colors, so as to make up a picture in its proper colors and its lights and shadows. The modern artists have attempted the task of producing the picture on a single large sheet of glass. This would free it from the single defect almost unavoidable in this work--the stiffness of the figures. But the earlier attempts presented such variation in the perfections of the several colors used as to be failures, in point of that brilliancy and play of light which constitute the charm of this work. The source of the defect was to be found in the laws of nature, on which every work, and this work directly, depends. The general mode of procedure in which glass is colored is this: The subject is painted on the surface of a sheet of glass with metallic paints. The glass is placed in an oven and slowly and carefully raised to that point of heat at which it grows soft. The particles of metal constituting the colors sink into the glass and become portions of its substance. The difficulty was found to spring from the great difference in the rate and manner in which the colors would sink into the softened substance. What would give some colors perfectly, would leave others imperfect; and continuing the work until these were perfect, would often destroy the first. But patient study and careful work have overcome these difficulties to a degree which we did not expect. There are full-size figures here in stained glass rivalling those of the middle ages in brilliancy, and possessing the freedom of a painting on canvas.

The perfection of the Gobelins tapestry is almost incredible. A large canvas, twenty-five feet by ten, presents the Assumption by Titian, and near it is a life-size figure of our Lord in the tomb. It is a sermon but to look on the cold, rigid body of him who bore our transgressions. There are specimens of photography, some showing life-size figures, of oleography, lithography, chromo-lithography, engravings on copper, for which Rome cannot be excelled, on steel, and on wood. In many of these branches France and Germany rival, if they do not surpass Italy. But Rome stands unrivalled in mosaics, of which there are here exquisite specimens.

In architecture, we find plans of churches and colleges, very full and clear, but not striking; designs for the interior of chapels and sanctuaries, of a far higher order of art, several miniatures of churches; a fac-simile in white marble of the front of St. Peter's, and another in wood, on the scale of about one inch to ten feet, showing the entire exterior of the church front and dome in all its details, the colonnades, fountains, and square before it, and so constructed that it can be opened in several ways, in order to give an equally correct and minute view of the interior with all its ornamentation. You may recognize every painting and statue in the basilica. It took years of patient labor to make this model, and it is said to have been sold to an Italian prince for twenty thousand dollars. What a pity such a work should be shut up in some palace in the city where every one can go to the real St. Peter's. It should rather be sent to distant countries, where thousands, who will never go to Rome, might be able to obtain from it a far clearer conception than any books can give of the form and splendor of this great temple, which is deservedly the pride and the glory of the Christian world.

In music, there are organs with the latest and best improvements, harmoniums, Alexandre organs of various powers and many stops, and chimes and church-bells hung on a new patent system, by which a mere boy can swing easily and ring loudly a bell of nearly a ton weight. As for texts of church music, you may turn over the parchment leaves of huge folio graduals and antiphonaries, in which the good old monks of past ages wrote the Gregorian notes and the words so large and so clear as to be easily read in the choir, even at the distance of ten feet. There are later ones printed nearly as large, and collections of modern church music from Italy, Germany, and from France.

Ecclesiastical vestments abound in the exposition. Rome, Milan, and other cities of Italy are represented by the most celebrated of their manufacturers. France has sent a multitude from Paris, Lyons, Grenoble, Montpellier, Nismes, and elsewhere. Others have come from Germany and from Spain. Here are copes and chasubles, dalmatics, antipendiums, and veils, of the richest material and exquisite workmanship. You can examine the ample yet light and pliable vestments of Italy, the rich and stiffer ones of France, the narrow and scantier form of Austria, and the heavier ones from Spain, that ought never to wear out. In the matter of vestments you are taught a lesson of history. For here, carefully preserved in large glass wardrobes, are shown the vestments used six hundred and eight hundred years ago, if not a thousand years ago, in St. Peter's, in St. Mary Major's, in St. John Lateran's, and in the cathedral of Anagni.

The emperors of the Holy Roman Empire, as it was called, which sprung into existence in the ninth century, and died in the convulsions of Europe consequent on the French revolution, were bound to come, if circumstances allowed it, to Rome, to receive their royal consecration in St. Peter's at the hands of the pope. On such occasions, the emperor was admitted for that time into the sanctuary, wore a deacon's dalmatic, and chanted a gospel. Here you may look at the identical dalmatic which they wore a thousand years ago. It is of silk, and the figures which decorate it were worked with the needle, in gold thread. Near by are copes, and chasubles, and mitres faded and worn; which still give evidence of the art and care in making them, the richness of the materials used, and of the skill of the embroidery and painting which decorated them. What will the modern chasubles and copes around us, now so fresh and splendid, look like in A.D. 2500?

Church vessels of every class are equally abundant. Chalices, pixes, cruets, censers, incense-cups, crosses, crucifixes, ostensories, croziers, every thing that can be thought of, are here, often in their richest forms. There are chapelles for priests, and chapelles for bishops. Altar candlesticks and candelabra of every size and graceful form tempt you. Perhaps the most interesting in a scientific and also a pecuniary view, is the large collection of all those vessels made of bronze aluminium, of a light gold color, and not liable to tarnish. The weight is light, and the prices low.

There are altars of marble, of cast-iron, of bronze gilt, and of wood colored and illuminated, the last-named truly beautiful, and they would well replace some of those far more costly constructions sometimes to be met in our churches.

Altars lead us to candelabra, candlesticks, and chandeliers; and here they are displayed in every size, from an immense chandelier to be suspended in a church, of metal gilt, ornamented with angels and religious emblems, and bearing sixty-five lights, down to the tasteful bongie, or tiny candlestick which an acolyth holds in his hand when he attends a bishop at the altar. Altar candlesticks and candelabra seem a specialty with the French artists. The graceful curve of the outlines, the appropriateness and suggestiveness of the decoration, and the ease with which all these pieces may be combined to produce on the altar a whole simple and tasteful, or rich and splendid, can scarcely be conceived. They bring to their work the spirit of the children of Israel in the desert, offering their gold and jewels to Moses for the ornamentation of the tabernacle of the Most High. Man can never do too much to testify his homage and his loving obedience to God.

In Christian bibliography the chief Catholic publishers have done well. The polyglott press of the Propaganda exhibits many of its late publications; among others an accurate _fac-simile_ of the Codex Vaticanus of the Scriptures, and a volume containing the Lord's Prayer in two hundred and fifty languages, in the proper characters of each language, where it has any. The volume presents one hundred and eighty different forms of type. Salviucci, of Rome; Pustet, of Ratisbon; Dessain, of Malines, and many others exhibit well printed and richly bound copies of their chief publications. Vecco & Co., of Turin, show the eighteen volumes they have already printed of the new edition of the _Magnum Bullarium_. Victor Palmé, of Paris, displays an enormous line of folio volumes, the _Acta Sanctorum_ of the great Bollandists, the republication of which he has just finished in fifty-eight volumes. To this he adds his edition of the _Ideologia_, by the professors of Salamanca, his _Gallia Christiana_, his edition of _Annales Baronii_, and the introductory volume of a new edition of the _Collectio Maxima Conciliorum_, which he has just commenced.

It was sad not to find the veteran Migne here, and to think of that sad conflagration which consumed the work of a lifetime. He had undertaken, and after fifty years of steady persevering labor, was finishing the greatest bibliographical achievement of the publishers of this century. The twelve or thirteen hundred large volumes he had published in his collection, embracing all the fathers, Greek and Latin, ample courses of Scripture, theology, and canon law, encyclopædias, history, theologians, preachers, etc., would have presented the largest and most imposing array of volumes--almost a complete theological library in itself. Great as was his loss, that to the clergy was greater.

We mention last a collection which every visitor to the exposition hurries to see first, as most deserving of his attention, the collection of articles which the Holy Father himself directed should be sent here from the Sixtine Chapel: 1. The famous tiara presented to him by the Queen of Spain. The three crowns on it are of brilliants and pearls, the roses are rubies and emeralds, the ball on the summit is of rubies, and the cross above of diamonds. As a work of art, it is considered a _chef-d'œuvre_ of grace and elegance, and does honor to the artists of Spain. 2. A chalice of gold covered with brilliants and diamonds. These diamonds and brilliants were a present from Mehemet Ali. 3. A large golden ostensory, of Byzantine style, the rays of which are studded with brilliants, from the same donor. 4. A large processional cross of gold, the staff of silver gilt. The cross is of an elegantly flowering Gothic form, and is adorned with precious stones and enamel. It was made to order in France, and is a present from the Marquis of Bute. Chalices, mitres, vestments, cruets, an ancient MS. missal, exquisitely illuminated and richly bound, with many other objects, make up a large list of articles which His Holiness has sent to give additional interest to the exposition. Others have acted in the same spirit; and certainly, if the number, the richness, and the exquisite taste and elegance of the articles displayed can effect it, the exposition is a success. The attendance has been pretty fair, and as the governmental outlay has been but small, may prove remunerative. The exhibitors will certainly succeed in introducing their works to the religious world far more generally than they could have ordinarily looked for. And the visitors seem all satisfied that each repeated visit to the exposition is a renewed and increased pleasure. We may perhaps endeavor next month to be able to write more at length of the more prominent articles in the exposition, with reference to the needs of our American churches.

NEW PUBLICATIONS.

AN ESSAY IN AID OF A GRAMMAR OF ASSENT. By John Henry Newman,
D.D. 1 vol. 12mo. New York: The Catholic Publication Society.
1870.

It would be quite impossible without exceeding proper limits to give any thing more than an incomplete sketch of the plan of this able work; it must, of course, be read in full to be appreciated.

At the outset three states of mind are distinguished, assent, inference, and doubt, corresponding to the external actions of assertion, conclusion, and interrogation, though not necessarily accompanying them. The subject of the essay is, as its name implies, principally the first of these; doubt being merely alluded to, and inference treated in its relation to assent, and only that species being considered at length which is not strictly demonstrative. The various modes in which assent exists, and in which it is formed, are the first objects of examination.

The division made here of assent, and which recurs throughout the work, is into real and notional, the former relating to propositions whose terms, in the words of the author, "stand for things external to us, unit and individual," the latter "for what is abstract, general, and non-existing;" and this last is distinguished under the names of profession, credence, opinion, presumption, and speculation, which terms are necessarily used in senses somewhat different from those ordinarily attached to them.

The strength of real assents in comparison to notional ones is shown, and the difference in this point of view between assent and inference; the latter being clearest in purely abstract matters. Not but that assent is always unconditional or absolute; still, its material, when real, is so much more vividly apprehended that the assent elicited is much more energetic and operative. Thus also when notional assents become real, as they may in consequence of some special circumstances, their hold upon the mind and control upon action is much increased.

This subject is illustrated by a discussion of religious assents, with special reference to the being of God, and to the Holy Trinity; it is shown that the former truth, and the constituent parts of the latter, can be, and usually are, the objects of real assent, though the latter in its completeness or unity can only be notionally apprehended; and though the definition of the Divine Being may give only a notional idea. The implicit assent which unlearned Christians give to all the definitions of the church is also explained.

The absolute and unconditional character of assent is next treated, and it is shown that it has this character even when given without good grounds, or when those grounds are forgotten; and that it is not necessarily conceded to convincing proofs, and may disappear while the inference which led to it still remains. Without this character the act is not assent at all, or at least is only that notional form of it called by the author opinion, which he defines as assent to the probable truth of a proposition. The possibility and continual occurrence of full assent without intuition or demonstration is defended against those who, though really they have no doubt about some theoretically uncertain matters, yet "think it a duty to remind us that, since the full etiquette of logical requirements has not been satisfied, we must believe those truths at our peril."

The distinction is drawn between simple or unconscious assent and the conscious, reflex, or complex assent, as the author calls it, which, when the thing believed is true, has the name of certitude, and is irreversible or indefectible. In simple assent we do not give any place, or in any way incline mentally to the opposite belief, though we may examine the grounds of our own for various reasons; but when we are certain, we explicitly refuse to admit any thing opposed to it. The occurrence of false or supposed certitudes does not suffice to prove the non-existence of real ones; and certitude is not to be confounded with infallibility, which is a faculty applicable "to all possible propositions in a given subject matter," while certitude is "directed to this or that particular proposition."

The next part is the discussion of the act of inference. In its most perfect or formal state it can be used without limitation only upon abstractions; it "comes short of proof in concrete matters, because it has not a full command over the objects to which it relates, but merely assumes its premises." Hence, even when what we do assume is true, as shown in an earlier part of the work, processes of inference in concrete matters may easily end in mysteries. In many cases it cannot profitably be used, owing to the labor required for taking account of all the circumstances, as well as the real difference of the first principles from which our syllogisms proceed. We are, therefore, obliged to resort to informal inference, in which arguments and probabilities are estimated in the mass, and have a different force to different individuals, according to the character in them of what Dr. Newman calls the illative sense. He concludes by treating of the exercise of this combining and directing faculty in its application to religious inferences, both in natural and revealed religion, and shows that by means of it we may fairly arrive at certitude regarding Christianity, and that such a method is at least as likely to succeed as more formal demonstrations. The lawfulness and reasonableness of assent in religious matters, as well as in others, without such demonstrations, may be regarded as one of the main objects of the work, though by no means its only one.

* * * * *

DE L'UNITÉ DANS L'ENSEIGNEMENT DE LA PHILOSOPHIE AU SEIN
DES ECOLES CATHOLIQUES D'APRÈS LES RECENTES DECISIONS DES
CONGREGATIONS ROMAINES. Par le P. H. Ramière, S.J. Paris, 1862.

F. Ramière is well known as the head of the admirable confraternity of "The Apostleship of Prayer," and the author of a number of excellent works on spiritual subjects, and also on the great religious questions of the day. We have recently been indebted to him for some extremely able essays in defence of the rights of the Holy See, for which he has received the eulogium of the Holy Father himself. The work whose title is given above has been sent to us by the reverend father himself, we presume on account of the article translated, with some preliminary observations of our own, from F. Vercellone, on the ideology of St. Augustine, which appeared in a recent number; and we beg to thank him for his kindness. We had not before had the pleasure of reading it, although it has been eight years published. We have read it with attention, and, we are happy to say, with much satisfaction. The learning and logical force of the author command our respect, and his calmness, candor, impartiality, and truly Christian charity win our esteem, throughout the whole course of his argument. The argument is divided into three parts. In the first part, the author sustains the possibility and the great importance of unity in philosophical instruction, and lays down the conditions by which it can be obtained. In all that he says under this head we fully and cordially concur with him. In the second part, he discusses traditionalism; and here again we find ourselves in perfect agreement with all his positions. In the third part, he attacks the grand difficulty of the origin of rational cognition, and, of course, discusses the vexed question of ontologism. It would be a futile effort to attempt a critical appreciation of this part of F. Ramière's work in a brief critical notice, and we will not attempt it. An opinion on these very grave and much controverted topics, in order to be worth attention, must be supported by elaborate arguments, and based on deep and patient study of all the principal authors, ancient and modern, whose works are the great sources of philosophical knowledge. We agree perfectly with F. Ramière, that thorough discussion, carried on in the spirit of moderation, directed by a pure love of truth, and regulated by obedience to the authority of the church, is the only road by which we can attain to that degree of unity in philosophical doctrines which prevails among all truly orthodox theologians in respect to dogmatic and moral theology. We desire to see this discussion go on, and hope for a good result from it; and as a necessary preparation, we cannot too earnestly insist on the necessity of a more thorough study of scholastic philosophy than has been common among those who have written on these subjects in the English language. Both in theology and philosophy, we hold it as certain that we must follow the great fathers and doctors of the church as our guides and masters, or go astray and lose our labor. The essential truths of philosophy must be contained in that system which the church authorizes, and in which she trains up her clergy.

As we understand them, there is no difference between F. Vercellone and F. Ramière on this point. We are not authorized to speak for Dr. Brownson, who is the great philosophical writer among American Catholics; but we think he would agree with us fully in this judgment; and that the passage in a contrary sense, quoted by F. Ramière, is to be regarded as one of those _obiter dicta_ which his mature, deliberate wisdom would not ratify. We cheerfully acknowledge that the doctrine which F. Ramière so lucidly exposes as the Thomistic doctrine of the origin of cognition is sufficient as a basis of rational certitude and natural theology, and we are perfectly agreed with him that this is the main point to be secured. As for the profound and difficult, and therefore intensely interesting and attractive, questions which relate to the nature of the intellectual light itself, and the objective truth seen by its aid, it does not seem to us that they have yet been as thoroughly discussed as they need to be, in order to bring the various schools into a closer agreement. This is certainly so as respects philosophy in the English language, which is yet in its cradle, and we think it is true universally. Of course, the great question to be settled at the outset is, how far the boundary of philosophical doctrine, as rendered certain by the consent of the great doctors, intrinsic evidence, and the decisions of the supreme ecclesiastical authority, extends; and where opinion begins. The true understanding of the famous decisions of 1861 is absolutely necessary to this end, so far as ideology is concerned; and F. Ramière has given an explanation of their sense and intention which perfectly agrees with that of F. Vercellone in a supplement to the article which we translated. It is, namely, the intuition of the essence of God, and created things in that essence, as the natural, intellectual light of reason, which we are forbidden to affirm.

Are we, therefore, required, as an only alternative, to adopt the Peripatetic philosophy as taught by the Thomists? It would seem that this has not yet been sufficiently proved. The works of Gerdil, Vercellone, and others, who profess to find in Plato, St. Augustine, St. Bonaventure, St. Anselm, and other great authors, a philosophical wisdom which supplies a want not fully satisfied by St. Thomas, have not yet been marked by any note of disapprobation. It is true that F. Ramière tells us that Gerdil changed his opinions in his later years. But F. Vercellone denies this, on the authority of Cardinal Lambruschini. F. Ramière is extremely tolerant of opinions differing from his own, where he thinks he has only a greater probability on his side. He does not censure the following of these great authors, or discourage the study of them; but he thinks they are misunderstood, and that a better study of them would result in making us all Peripatetics and Thomists. Let us by all means, then, especially those who have youth, strength, and leisure, study the old masters of philosophy more deeply than we have done, and truth and unity will be the gainers. F. Ramière protests strongly, however, against the high esteem which some Catholic writers have expressed for Gioberti. As it happens that one of our correspondents has done the same in the present number, we feel bound to assure F. Ramière, and our readers generally, that we detest, as much as any one can, the rebellious conduct of Gioberti toward the sovereign pontiff, that we have no sympathy with his hatred of the Jesuits, and condemn every thing in his works which the Holy See intended to censure when they were placed on the Index. Nevertheless, as F. Perrone has had the generosity to place his name on the list of illustrious Catholic writers, we do not think it improper to give him credit for the genius he undoubtedly possessed, or the true and elevated teachings which his works may contain. Even if the worst things said against him be true, there is no reason why we should not make use of every thing good in his works, as we do in those of Tertullian, Photius, and the Port Royal divines.

In conclusion, we recommend and applaud F. Ramière's essay as a specimen of that kind of discussion which he so strongly advocates, with the most ardent sympathy in his desire that sound philosophy may go hand in hand with theology, to deliver the world from the destructive influence of scepticism, sophistry, and every species of error.

* * * * *

GUYOT'S GEOGRAPHICAL SERIES. By Professor Arnold Guyot. New
York: Charles Scribner & Co.

Since Humboldt gave his scientific facts to the world, and Ritter generalized upon them, the study of geography has been converted from an exercise of the memory upon unrelated facts to a science whose laws of mutual dependence of cause and effect hold good in common with other physical sciences. But it has remained for the American mind to generalize the later scientific discoveries of Maury, Hugh Miller, Livingstone, Kane, and others, and, adding them to former achievements, give the results in the modern school geographies. The very number of these text-books presented by aspiring authors and publishers to the public is an encouraging symptom to the lover of improvement in knowledge, though sadly annoying to the practical teacher, who is so frequently urged to change the text-books in the hands of his pupils.

The series before us is evidently the result of the profoundest research united to a practical knowledge of the best manner of presenting facts to young minds. None but an enthusiast in physical science, a good expounder of original ideas, and a polished English scholar could have given so complete a series of text-books to our schools and teachers. The language in which the facts are presented is one of the chief recommendations of the books; for nothing more certainly impresses itself upon the youthful mind than the language of the text-books used in schools, affecting the habits of thought and expression in all after-life. With a view also to the varied peoples among whom these books would be adopted, and in answer to the demands of the age and period, a world-wide and catholic spirit seemed to animate the author when treating the subject of the governments and religions of different sections and political divisions. Facts, as generally understood, are fairly stated. Opinions based upon those facts judiciously withheld. Some improvements might be made in the execution of the maps, and also in the text of the primary book, the style of which is weak and careless compared with the rest of the series. But the illustrations, and print, and style of getting up are equal, if not superior, to any books of the kind published.

* * * * *

STATUTES OF THE SECOND SYNOD OF THE DIOCESE OF ALBANY. 1869.
Troy: Scribner & Co. Received from P. J. Dooley, 182 River
street, Troy.

We have read this beautifully printed document with great pleasure, and we will cite several of the statutes, which have in our opinion a special importance, giving, however, only their import in our own language, without quoting _verbatim_ the Latin text, which is easily accessible to those who are interested in ecclesiastical matters.

1. Confessors and pastors are commanded to teach their spiritual children the evil and danger of attending the sermons and religious exercises of sectarians, and not to permit it under any pretext.

2. The faithful, especially heads of families, are admonished to exclude non-Catholic versions of the Bible, and all kinds of noxious books and papers, from their houses, and to make use of good and Catholic books and periodicals.

3. All who are concerned in the publication of books relating to religion and the divine worship are admonished not to venture to publish any thing without the license of the ordinary. The desire is also expressed that clergymen will not publish any thing whatever without the previous consent of the bishop. It is announced that several members of the episcopal council will be designated as censors of books. In the recent bull of Pope Pius IX., abrogating all previous laws inflicting the censure of excommunication reserved to the pope, and promulgating anew the causes of incurring this censure, the authors and publishers of books _de rebus sacris_, who put forth such books without the permission of the ordinary, are declared to incur the censure of excommunication _latæ sententiæ_. It is, therefore, of the utmost importance that regulations should be made and published in every diocese, prescribing to authors and publishers the conditions under which the ordinary permits the publication of books _de rebus sacris_, and the Bishop of Albany has given an excellent example, which we hope will be universally followed.

4. The faithful are to be seasonably exhorted to sustain the sovereign pontiff in maintaining his temporal authority by their contributions.

5. Pastors are earnestly exhorted to use earnest efforts to extirpate the vice of intemperance, which is the cause of such immense scandals.

6. The necessity of sustaining Catholic schools, and the dangers of theatrical exhibitions, immodest dances, and festive amusements or exhibitions intended for the benefit of pious causes, such as picnics, fairs, and excursions, are noticed.

7. Priests will be subjected to an annual examination _in scriptis_, before theological examiners, during the first five years after their ordination.

8. The faithful are to be sedulously warned and exhorted not to contract mixed marriages.

These are only a few of the great number of excellent statutes, entirely in accordance with the decrees of general councils, the plenary and provincial councils of the United States, and the decrees of the Apostolic See, enacted by this admirable synod, which is indeed worthy of the best days of the church.

* * * * *

THE SUN. By Anedee Guillemin. From the French, by A. L.
Phipson, Ph.D. With fifty-eight illustrations.

WONDERS OF GLASS-MAKING IN ALL AGES. By A. Sanzay. Illustrated
with sixty-three engravings on wood.

THE SUBLIME IN NATURE; compiled from the descriptions of
travellers and celebrated writers. By Ferdinand de Lanoye; with
large additions. New York: Charles Scribner & Co. 1870.

The above are the titles of three beautiful volumes, the latest additions to the "Illustrated Library of Wonders," now being published by Messrs. Scribner. These little books must prove highly interesting, especially to the young, and are very well adapted for premiums. The illustrations are well executed, and give additional value to the books.

* * * * *

NATURAL HISTORY OF ANIMALS. By Sanborn Tenney and Alby A.
Tenney. Illustrated by five hundred wood engravings, chiefly of
North American animals. New York: Charles Scribner & Co. 1870.

A very useful book, well adapted to aid parents and teachers in interesting the young in the delightful and important study of natural history.

* * * * *

DIALOGUES FROM DICKENS. For School and Home Amusement. Arranged
by W. Eliot Fette, A.M. Boston: Lee & Shepard.

The dialogues contained in this volume have been selected for the most part, and we think very judiciously, with a view to thorough, unalloyed amusement. There are, doubtless, other portions of Dickens's works no less characteristic, full of tenderness and pathos, over which we fain would linger, and to which we gladly return again and again; these, however, we prefer to peruse alone, and at leisure. But for an evening's entertainment in company, commend us to the good fellowship the compiler has here selected for us--the Wellers, Dick Swiveller, Bob Sawyer, Mark Tapley, Sairey Gamp, etc., etc.

* * * * *

BOOKS RECEIVED.

From PATRICK DONOHUE, Boston: The Charlestown Convent; its
Destruction by a Mob, on the night of August 11th, 1834; with a
history of the excitement before the burning, and the strange
and exaggerated reports relating thereto; the feeling of regret
and indignation afterward; the proceedings of meetings, and
expressions of the contemporary press. Also, the Trials of
the Rioters, the testimony, and the speeches of counsel; with
a review of the incidents, and sketches and record of the
principal actors; and a contemporary appendix. Compiled from
authentic sources. Pamphlet: Price, 30 cents.

* * * * *

CORRIGENDA.

In our last number, the English translation of the _Stabat
Mater_ was ascribed to our unknown correspondent, G. J. G., at
whose request it was published. A note since received from the
same correspondent informs us that G. J. G. is not the author,
as we inferred incorrectly from his previous communication, but
some other person unknown to him.

Two errors were also inadvertently passed over in the article
in reply to _The New Englander_. The first was the omission of
Baden and Bavaria from the table at the top of page 112. The
populations of these countries in millions are, respectively,
Protestant, 0.47; and 1.23; Catholic, 0.93 and 3.18, and their
rates 16.2 and 22.5, as given in the previous tables. The
addition of these would increase the Catholic average more than
the Protestant; but the second error, namely, a wrong placing
of the decimal point in the product for Sweden and Norway, when
corrected, more than compensates for this, making the true
result of this table--

Protestant 9.5
Catholic 7.9

The sums of the Catholic and Protestant populations in the
above cases, as in others also, do not exactly equal the totals
elsewhere given, on account of the difference of date between
the latest censuses available, as well as the existence of
other religious bodies.

A review of _Janus_, which we had expected to publish in our
last number, but which was delayed by the illness of the
writer, will be given in our next. We are also expecting to
receive soon the English translation of Dr. Hergenroether's
_Anti-Janus_, by Mr. Robertson.

THE

CATHOLIC WORLD.

VOL. XI., No. 63.--JUNE, 1870.

MR. FROUDE'S HISTORY OF ENGLAND.[52]

If we accept general encomium and popular demand as criteria of excellence, it is evident that Mr. Froude must be the first historian of the period. That, with a vivid pen, he possesses a style at once clear and graphic; that his fulness of knowledge and skill in description are exceptional; that his phrase is brilliant, his analysis keen, and that with ease and spirit, grace and energy, pictorial and passionate power, he combines consummate art in imagery and diction, we have been told so often and by so many writers that it would seem churlish not to accord him very high merit. Then, too, Mr. Froude is very much in earnest. Whatever he does he does with all his might, and in his enthusiasm often fairly carries his reader along with him.

But, in common with those who seek, not literary excitement, but the facts of history, we go at once to the vital question, Is the work truthful? Is it impartial? If not, its author's gifts are perverted, his attainments abused, and their fruits, so bright and attractive to the eye, are filled with ashes.

Impartial! Difficult indeed, is the attainment of that admirable equilibrium of judgment which secures perfect fairness of decision, and whose essential condition precedent is the thorough elimination of personal preference and party prejudice. And here is the serious obstacle in writing a history of England; for there are few, very few, of the great historical questions of the sixteenth century that have not left to us living men of to-day a large legacy of hopes, doubts, and prejudices--nowhere so full of vitality as in England, and in countries of English tongue. Not that we mean to limit such a difficulty to one nation or to one period; for it is not certain that we free ourselves from the spell of prejudice by taking refuge in a more remote age. It might be thought that, in proportion as we go back toward antiquity, leaving behind us to-day's interests, the historian's impartiality would become perfect. And yet, there are few writers of whom even this is true. Reverting historically to the cradle of Christianity, it cannot be asserted of Gibbon.

Nor can it be said even of modern historians of nations long extinct, in common with which one might suppose the people of this century had not a single prejudice. Take, for instance, all the English historians of ancient Greece, whose works (that of Grote being an honorable exception) are so many political pamphlets arguing for oligarchy against democracy, elevating Sparta at the sacrifice of Athens, and thrusting at a modern republic through the greatest of the Hellenic commonwealths. If Merivale is thought to treat Roman history with impartiality, the same cannot be said of many modern European writers, who, disguising modern politics in the ancient toga and helmet, cannot discuss the Roman imperial period without attacking the Cæsars of Paris, St. Petersburg, and Berlin.

The great religious questions which agitated England in the sixteenth century are not dead. They still live, and for the Anglican, the Puritan, and the Catholic have all the deep interest of a family history. It might, therefore, be unreasonable to demand from Mr. Froude a greater degree of dispassionate inquiry and calm treatment of subjects that were "burning questions" in the days of Henry and Elizabeth, than we find in Milman and Gillies, when they discuss the political life of Athens and Lacedæmon. So far from exacting it, we should be disposed to be most liberal in the allowance of even a strongly expressed bias. But after granting all this, and even more, we might yet not unreasonably demand a system which is not a paradox, a show at least of fairness, and a due regard for the proprieties of historical treatment.

Mr. Froude's first four volumes present the history of half the reign of Henry VIII., a prince "chosen by Providence to conduct the Reformation," and abolish the iniquities of the papal system.

The historical Tudor king known of all men before the advent of Mr. Froude with his modern appliances of hero-worship and muscular Christianity, "melted so completely" in our new historian's hands that his despotism, persecution, diplomatic assassinations, confiscations, divorces, legalized murders, bloody vagrancy laws, tyranny over conscience, and the blasphemous assumption of spiritual supremacy are made to appear as the praiseworthy measures of an ascetic monarch striving to regenerate his country and save the world.

There was such a sublimity of impudence in a paradox presented with so much apparently sincere vehemence that most readers were struck with dumb astonishment. A fascinated few declared the deodorized infamy perfectly pure. Some, pleased with pretty writing, were delighted with poetic passages about "daisies," and "destiny," "wild spirits" and "August suns" that "shone in autumn." Many liked its novelty, some admired its daring, and some there were who looked upon the thing as an enormous joke. All these formed the great body of readers.

Others there were, though, who declined to accept results which were violations of morality, and verdicts against evidence obtained by systematic vilification of some of the best, and the elevation of some of the worst men who ever lived, and by a blind idolatry incapable of discerning flaw or stain in the unworthy object of its worship; who saw Mr. Froude's multifarious ignorance of matters essential for a historian to know, and his total want of that judicial quality of mind, without which no one, even though possessed of all knowledge, can ever be an historian. They resolved that such an historical system as this was a nuisance to be abated, and that the new and unworthy man-worship should be put an end to. Accordingly the idol was smashed;[53] and in the process, the idol's historian left so badly damaged as to render his future availability highly problematical.

The Scotch treatment was of instant efficacy; for we find Mr. Froude coming to his work on the fifth volume in chastened frame of mind and an evidently corrected demeanor. He narrates the reigns of Mary and Edward VI. with style and tone subdued, and in what musicians designate as _tempo moderato_.

With the seventh volume we reach the accession of Queen Elizabeth. We opened it with some curiosity; for it was understood from Mr. Froude, at the outset of his historical career, that he intended to present Elizabeth as "a great nature destined to remould the world," and that he was prepared to visit with something like astonishment and unknown pangs all who should dare question the immaculate purity of her virtue. It is not improbable that the contemplation of the strewn and broken fragments of the paternal idol materially modified this purpose--a change on which Mr. Froude must more than once have fervently congratulated himself as he gradually penetrated deeper into the treasures of the State paper collections, and stared with stiffened jaw at the astounding revelations of Simancas.

We need not wonder that the historian altered his programme; and that instead of going on to the "death of Elizabeth," to record the horrors of that most horrible of death-bed scenes, he should close his work with the wreck of the Spanish Armada.

The researches of our American historian, Motley, were terribly damaging to Elizabeth; and in the preparation of his seventh volume, Mr. Froude comes upon discoveries so fatal to her that he is evidently glad to drop his showy narrative and fill his pages with letters of the Spanish ambassador, who gives simple but wonderfully vivid pictures of scenes at the English court.

Future historians will doubtless take heed how they associate with the reputation of the sovereign any glory they may claim for England under Elizabeth, remembering that she was ready to marry Leicester notwithstanding her strong suspicion, too probably assurance, of his crime, (Amy Robsart's murder,) and that in the language of one of Mr. Froude's English critics, "She was thus in the eye of heaven, which judges by the intent and not the act, nearer than Englishmen would like to believe to the guilt of an adulteress and a murderess."

But Mr. Froude plucks up courage, and, true to his first love, while appearing to handle Elizabeth with cruel condemnation, treats her with real kindness.

We have all heard of Alcibiades and his dog, and of what befell that animal. Mr. Froude assumes an air of stern severity for those faults of Elizabeth for which concealment is out of the question--her mean parsimony, her insincerity, her cruelty, her matchless mendacity--while industriously concealing or artistically draping her more repulsive offences.

But we have not started out to treat Mr. Froude's work as a whole. A chorus of repudiation from the most opposite schools of criticism has so effectually covered his attempted apotheosis of a bad man with ridicule and contempt that no further remark need be made on that subject. As to Elizabeth, the less said the better, if we are friendly to her memory.

Careful perusal of Mr. Froude's first six volumes will convince any competent judge that he is not a historian, but, as yet, only in training to become one. He plunged into a great historical subject without the requisite knowledge or the necessary preparation. In his earlier volumes his very defective knowledge of all history before the sixteenth century led him into the most grotesque blunders--errors in general and in details, in geography, jurisprudence, titles, offices, and military affairs. So far from meriting the compliment paid him, of accurate knowledge, acquired in the "course of his devious theological career," of the tenets and peculiar observances of the leading religious sects, it is precisely in such matters that he seriously fails in accuracy.

With a half-grasp of his material, Mr. Froude totally fails to make it up into an interesting consecutive narrative. He lacks, too, the all-important power of generalization, and, as has been aptly remarked, handles a microscope skilfully, but is apparently unable to see through a telescope. Heroic and muscular, his over haste to produce some startling result came near wrecking him in the morning of his career.

While his work was in course of publication, our historian wrote from Simancas a sensational article for _Fraser's Magazine_, in which he announced some astounding historical discoveries, which only a few weeks later he was only too glad to recall. The trouble was that he had totally misunderstood the Spanish documents on which his discovery was grounded.

Along with his apparent incapacity for sound and impartial judgment, there is an evident inability in Mr. Froude to distinguish the relative value of different state papers, and the most striking proof that he is still in his apprenticeship as a writer of history, is his indiscriminate acceptance of written authorities of a certain class. Historical results long since settled by the unanimous testimony of Camden, Carte, and Lingard, the three great English historians of the seventeenth, eighteenth, and nineteenth centuries respectively, are thrust aside by Mr. Froude and made to give way to some MS. of doubtful value or questionable authenticity. The term "original document" magically invests every writing falling into his hands with all the attributes of truth. When he finds a paper three hundred years old, he gives it speech and sets it up as an oracle. Nor can the simile be arrested here; for, treating his oracle with the tyrannic familiarity of a heathen priest, the paper Mumbo Jumbo must speak as ordered, or else be sadly cuffed. It is a puerile idea to imagine that when the historian has found a mass of original historical papers, his labor of investigation is ended, and he has but to transcribe, to put his personages on the stage, let them act and declaim as these writings relate, and thus place before the reader the truthful portrait of bygone times. Far from it. It is at this point that his work really begins. He must ascertain by comparison, by sifting of evidence, by many precautions, who lies and who speaks truth. In matters of Elizabethan diplomacy, for instance, the truth floats not on the surface. A royal dispatch gives orders, but it does not give motives. And even if the motives are stated, is it certain they are truly stated? A minister is explicit as to what he wishes done; but he does not say why he wants it done, nor what results he looks for. Cases numberless will suggest themselves as to the difficulties of such documents. Very few of these difficulties have any terrors for Mr. Froude. Commencing his investigation with his theory perfected, it is with him a mere choice of papers. Swift is the fate of facts not suiting his theory. So much the worse for them, if they are not what he would have them to be; they are cast forth into outer darkness.

Mr. Froude has fine perceptive and imaginative faculties--admirable gifts for literature, but not for history. Precious, if history depended on fiction, not on fact. Invaluable, if historic truth were subjective. Above all price, where the literary artist has the privilege of evolving from the inner depths of his own consciousness the virtues or the vices wherewith it suits him to endow his characters. But alas! otherwise utterly fatal, because historic truth is eminently objective.

It is well said that to be a good historical student, a man should not find it in him to desire that any historical fact should be otherwise than it is. Now, we cannot consent to a lower standard in logic and morality for the historian than for the student; and thus testing Mr. Froude, it is not pleasant to contemplate his sentence when judged by stern votaries of truth. For we have a well-grounded belief that not only is it possible for Mr. Froude to desire an historical fact to be otherwise than it is, but that he is capable of carrying that desire into effect. It is idle to talk of the judicial quality of an historian who scarcely puts on a semblance of impartiality.

In matters of state, Mr. Froude is a pamphleteer; in personal questions he is an advocate. He holds a brief for Henry. He holds a brief against Mary Stuart. He is the most effective of advocates, for he fairly throws himself into his case. He is the friend or the enemy of all the personages in his history. Their failure and their success affect his spirits and his style. He rejoices with them or weeps with them. There are some whose misfortunes uniformly make him sad. There are others over whose calamities he becomes radiant. He has no unerring standard of justice, no ethical principle which estimates actions as they are in themselves, and not in the light of sympathy or repulsion.

It must be admitted, nevertheless, that Mr. Froude makes up an attractive-looking page. Foot-notes and citations in quantity, imposing capitals and inverted commas, like little flags gayly flying, all combine to give it a typographical vivacity truly charming. Great as are his rhetorical resources, he does not despise the cunning devices of print. Quotation-marks are usually supposed to convey to the reader the conventional assurance that they include the precise words of the text. But Mr. Froude's system is not so commonplace. He inserts therein language of his own, and in all these cases his use of authorities is not only dangerous but deceptive. He has a way of placing some of the actual words of a document in his narrative in such a manner as totally to pervert their sense. The historian who truthfully condenses a page into a paragraph saves labor for the reader; but Mr. Froude has a trick of giving long passages in quotation-marks without sign of alteration or omission, which we may or may not discover from a note to be "abridged."

Other objectionable manipulations of Mr. Froude are the joining together of two distinct passages of a document, and entirely changing their original sense; the connection of two phrases from two different authorities and connecting them as one; and the tacking of irresponsible or anonymous authorities to one that is responsible, concealing the first, and avowing the last.