Chapter IV: Part 4

"This story happened a long while ago," he said, "in those uncomfortable piebald times when a third of the people were Pagan, and a third Christian, and the biggest third of all just followed whichever religion the Court happened to profess. There was a certain king called Hkrikros, who had a fearful temper and no immediate successor in his own family; his married sister, however, had provided him with a large stock of nephews from which to select his heir. And the most eligible and royally-approved of all these nephews was the sixteen-year-old Vespaluus. He was the best looking, and the best horseman and javelin-thrower, and had that priceless princely gift of being able to walk past a supplicant with an air of not having seen him, but would certainly have given something if he had. My mother has that gift to a certain extent; she can go smilingly and financially unscathed through a charity bazaar, and meet the organizers next day with a solicitous 'had I but known you were in need of funds' air that is really rather a triumph in audacity. Now Hkrikros was a Pagan of the first water, and kept the worship of the sacred serpents, who lived in a hallowed grove on a hill near the royal palace, up to a high pitch of enthusiasm. The common people were allowed to please themselves, within certain discreet limits, in the matter of private religion, but any official in the service of the Court who went over to the new cult was looked down on, literally as well as metaphorically, the looking down being done from the gallery that ran round the royal bear-pit. Consequently there was considerable scandal and consternation when the youthful Vespaluus appeared one day at a Court function with a rosary tucked into his belt, and announced in reply to angry questionings that he had decided to adopt Christianity, or at any rate to give it a trial. If it had been any of the other nephews the king would possibly have ordered something drastic in the way of scourging and banishment, but in the case of the favoured Vespaluus he determined to look on the whole thing much as a modern father might regard the announced intention of his son to adopt the stage as a profession. He sent accordingly for the Royal Librarian. The royal library in those days was not a very extensive affair, and the keeper of the king's books had a great deal of leisure on his hands. Consequently he was in frequent demand for the settlement of other people's affairs when these strayed beyond normal limits and got temporarily unmanageable.

"'You must reason with Prince Vespaluus,' said the king, 'and impress on him the error of his ways. We cannot have the heir to the throne setting such a dangerous example.'

"'But where shall I find the necessary arguments?' asked the Librarian.

"'I give you free leave to pick and choose your arguments in the royal woods and coppices,' said the king; 'if you cannot get together some cutting observations and stinging retorts suitable to the occasion you are a person of very poor resource.'

"So the Librarian went into the woods and gathered a goodly selection of highly argumentative rods and switches, and then proceeded to reason with Vespaluus on the folly and iniquity and above all the unseemliness of his conduct. His reasoning left a deep impression on the young prince, an impression which lasted for many weeks, during which time nothing more was heard about the unfortunate lapse into Christianity. Then a further scandal of the same nature agitated the Court. At a time when he should have been engaged in audibly invoking the gracious protection and patronage of the holy serpents, Vespaluus was heard singing a chant in honour of St. Odilo of Cluny. The king was furious at this new outbreak, and began to take a gloomy view of the situation; Vespaluus was evidently going to show a dangerous obstinacy in persisting in his heresy. And yet there was nothing in his appearance to justify such perverseness; he had not the pale eye of the fanatic or the mystic look of the dreamer. On the contrary, he was quite the best-looking boy at Court; he had an elegant, well-knit figure, a healthy complexion, eyes the colour of very ripe mulberries, and dark hair, smooth and very well cared for."

"It sounds like a description of what you imagine yourself to have been like at the age of sixteen," said the Baroness.

"My mother has probably been showing you some of my early photographs," said Clovis. Having turned the sarcasm into a compliment, he resumed his story.

"The king had Vespaluus shut up in a dark tower for three days, with nothing but bread and water to live on, the squealing and fluttering of bats to listen to, and drifting clouds to watch through one little window slit. The anti-Pagan section of the community began to talk portentously of the boy-martyr. The martyrdom was mitigated, as far as the food was concerned, by the carelessness of the tower warden, who once or twice left a portion of his own supper of broiled meat and fruit and wine by mistake in the prince's cell. After the punishment was over, Vespaluus was closely watched for any further symptom of religious perversity, for the king was determined to stand no more opposition on so important a matter, even from a favourite nephew. If there was any more of this nonsense, he said, the succession to the throne would have to be altered.

"For a time all went well; the festival of summer sports was approaching, and the young Vespaluus was too engrossed in wrestling and foot-running and javelin-throwing competitions to bother himself with the strife of conflicting religious systems. Then, however, came the great culminating feature of the summer festival, the ceremonial dance round the grove of the sacred serpents, and Vespaluus, as we should say, 'sat it out.' The affront to the State religion was too public and ostentatious to be overlooked, even if the king had been so minded, and he was not in the least so minded. For a day and a half he sat apart and brooded, and every one thought he was debating within himself the question of the young prince's death or pardon; as a matter of fact he was merely thinking out the manner of the boy's death. As the thing had to be done, and was bound to attract an enormous amount of public attention in any case, it was as well to make it as spectacular and impressive as possible.

"'Apart from his unfortunate taste in religions;' said the king, 'and his obstinacy in adhering to it, he is a sweet and pleasant youth, therefore it is meet and fitting that he should be done to death by the winged envoys of sweetness.'

"'Your Majesty means--?' said the Royal Librarian.

"'I mean,' said the king, 'that he shall be stung to death by bees. By the royal bees, of course.'

"'A most elegant death,' said the Librarian.

"'Elegant and spectacular, and decidedly painful,' said the king; 'it fulfils all the conditions that could be wished for.'

"The king himself thought out all the details of the execution ceremony. Vespaluus was to be stripped of his clothes, his hands were to be bound behind him, and he was then to be slung in a recumbent position immediately above three of the largest of the royal beehives, so that the least movement of his body would bring him in jarring contact with them. The rest could be safely left to the bees. The death throes, the king computed, might last anything from fifteen to forty minutes, though there was division of opinion and considerable wagering among the other nephews as to whether death might not be almost instantaneous, or, on the other hand, whether it might not be deferred for a couple of hours. Anyway, they all agreed, it was vastly preferable to being thrown down into an evil smelling bear-pit and being clawed and mauled to death by imperfectly carnivorous animals.

"It so happened, however, that the keeper of the royal hives had leanings towards Christianity himself, and moreover, like most of the Court officials, he was very much attached to Vespaluus. On the eve of the execution, therefore, he busied himself with removing the stings from all the royal bees; it was a long and delicate operation, but he was an expert bee-master, and by working hard nearly all night he succeeded in disarming all, or almost all, of the hive inmates."

"I didn't know you could take the sting from a live bee," said the Baroness incredulously.

"Every profession has its secrets," replied Clovis; "if it hadn't it wouldn't be a profession. Well, the moment for the execution arrived; the king and Court took their places, and accommodation was found for as many of the populace as wished to witness the unusual spectacle. Fortunately the royal bee-yard was of considerable dimensions, and was commanded, moreover, by the terraces that ran round the royal gardens; with a little squeezing and the erection of a few platforms room was found for everybody. Vespaluus was carried into the open space in front of the hives, blushing and slightly embarrassed, but not at all displeased at the attention which was being centred on him."

"He seems to have resembled you in more things than in appearance," said the Baroness.

"Don't interrupt at a critical point in the story," said Clovis. "As soon as he had been carefully adjusted in the prescribed position over the hives, and almost before the gaolers had time to retire to a safe distance, Vespaluus gave a lusty and well-aimed kick, which sent all three hives toppling one over another. The next moment he was wrapped from head to foot in bees; each individual insect nursed the dreadful and humiliating knowledge that in this supreme hour of catastrophe it could not sting, but each felt that it ought to pretend to. Vespaluus squealed and wriggled with laughter, for he was being tickled nearly to death, and now and again he gave a furious kick and used a bad word as one of the few bees that had escaped disarmament got its protest home. But the spectators saw with amazement that he showed no signs of approaching death agony, and as the bees dropped wearily away in clusters from his body his flesh was seen to be as white and smooth as before the ordeal, with a shiny glaze from the honey-smear of innumerable bee-feet, and here and there a small red spot where one of the rare stings had left its mark. It was obvious that a miracle had been performed in his favour, and one loud murmur, of astonishment or exultation, rose from the onlooking crowd. The king gave orders for Vespaluus to be taken down to await further orders, and stalked silently back to his midday meal, at which he was careful to eat heartily and drink copiously as though nothing unusual had happened. After dinner he sent for the Royal Librarian.

"'What is the meaning of this fiasco?' he demanded.

"'Your Majesty,' said that official, 'either there is something radically wrong with the bees--'

"'There is nothing wrong with my bees,' said the king haughtily, 'they are the best bees.'

"'Or else,' said the Librarian, 'there is something irremediably right about Prince Vespaluus.'

"'If Vespaluus is right I must be wrong,' said the king.

"The Librarian was silent for a moment. Hasty speech has been the downfall of many; ill-considered silence was the undoing of the luckless Court functionary.

"Forgetting the restraint due to his dignity, and the golden rule which imposes repose of mind and body after a heavy meal, the king rushed upon the keeper of the royal books and hit him repeatedly and promiscuously over the head with an ivory chessboard, a pewter wine-flagon, and a brass candlestick; he knocked him violently and often against an iron torch sconce, and kicked him thrice round the banqueting chamber with rapid, energetic kicks. Finally, he dragged him down a long passage by the hair of his head and flung him out of a window into the courtyard below."

"Was he much hurt?" asked the Baroness.

"More hurt than surprised," said Clovis. You see, the king was notorious for his violent temper. However, this was the first time he had let himself go so unrestrainedly on the top of a heavy meal. The Librarian lingered for many days--in fact, for all I know, he may have ultimately recovered, but Hkrikros died that same evening. Vespaluus had hardly finished getting the honey stains off his body before a hurried deputation came to put the coronation oil on his head. And what with the publicly-witnessed miracle and the accession of a Christian sovereign, it was not surprising that there was a general scramble of converts to the new religion. A hastily consecrated bishop was overworked with a rush of baptisms in the hastily improvised Cathedral of St. Odilo. And the boy-martyr-that-might-have-been was transposed in the popular imagination into a royal boy-saint, whose fame attracted throngs of curious and devout sightseers to the capital. Vespaluus, who was busily engaged in organizing the games and athletic contests that were to mark the commencement of his reign, had no time to give heed to the religious fervour which was effervescing round his personality; the first indication he had of the existing state of affairs was when the Court Chamberlain (a recent and very ardent addition to the Christian community) brought for his approval the outlines of a projected ceremonial cutting-down of the idolatrous serpent-grove.

"'Your Majesty will be graciously pleased to cut down the first tree with a specially consecrated axe,' said the obsequious official.

"'I'll cut off your head first, with any axe that comes handy,' said Vespaluus indignantly; 'do you suppose that I'm going to begin my reign by mortally affronting the sacred serpents? It would be most unlucky.'

"'But your Majesty's Christian principles?' exclaimed the bewildered Chamberlain.

"'I never had any,' said Vespaluus; 'I used to pretend to be a Christian convert just to annoy Hkrikros. He used to fly into such delicious tempers. And it was rather fun being whipped and scolded and shut up in a tower all for nothing. But as to turning Christian in real earnest, like you people seem to do, I couldn't think of such a thing. And the holy and esteemed serpents have always helped me when I've prayed to them for success in my running and wrestling and hunting, and it was through their distinguished intercession that the bees were not able to hurt me with their stings. It would be black ingratitude, to turn against their worship at the very outset of my reign. I hate you for suggesting it.'

"The Chamberlain wrung his hands despairingly.

"'But, your Majesty,' he wailed, 'the people are reverencing you as a saint, and the nobles are being Christianized in batches, and neighbouring potentates of that Faith are sending special envoys to welcome you as a brother. There is some talk of making you the patron saint of beehives, and a certain shade of honey-yellow has been christened Vespaluusian gold at the Emperor's Court. You can't surely go back on all this.'

"'I don't mind being reverenced and greeted and honoured,' said Vespaluus; 'I don't even mind being sainted in moderation, as long as I'm not expected to be saintly as well. But I wish you clearly and finally to understand that I will NOT give up the worship of the august and auspicious serpents.'

"There was a world of unspoken bear-pit in the way he uttered those last words, and the mulberry-dark eyes flashed dangerously.

"'A new reign,' said the Chamberlain to himself, 'but the same old temper.'

"Finally, as a State necessity, the matter of the religions was compromised. At stated intervals the king appeared before his subjects in the national cathedral in the character of St. Vespaluus, and the idolatrous grove was gradually pruned and lopped away till nothing remained of it. But the sacred and esteemed serpents were removed to a private shrubbery in the royal gardens, where Vespaluus the Pagan and certain members of his household devoutly and decently worshipped them. That possibly is the reason why the boy-king's success in sports and hunting never deserted him to the end of his days, and that is also the reason why, in spite of the popular veneration for his sanctity, he never received official canonization."

"It has stopped raining," said the Baroness.

THE WAY TO THE DAIRY

The Baroness and Clovis sat in a much-frequented corner of the Park exchanging biographical confidences about the long succession of passers-by.

"Who are those depressed-looking young women who have just gone by?" asked the Baroness; "they have the air of people who have bowed to destiny and are not quite sure whether the salute will be returned."

"Those," said Clovis, "are the Brimley Bomefields. I dare say you would look depressed if you had been through their experiences."

"I'm always having depressing experiences;" said the Baroness, "but I never give them outward expression. It's as bad as looking one's age. Tell me about the Brimley Bomefields."

"Well," said Clovis, "the beginning of their tragedy was that they found an aunt. The aunt had been there all the time, but they had very nearly forgotten her existence until a distant relative refreshed their memory by remembering her very distinctly in his will; it is wonderful what the force of example will accomplish. The aunt, who had been unobtrusively poor, became quite pleasantly rich, and the Brimley Bomefields grew suddenly concerned at the loneliness of her life and took her under their collective wings. She had as many wings around her at this time as one of those beast-things in Revelation."

"So far I don't see any tragedy from the Brimley Bomefields' point of view," said the Baroness.

"We haven't got to it yet," said Clovis. "The aunt had been used to living very simply, and had seen next to nothing of what we should consider life, and her nieces didn't encourage her to do much in the way of making a splash with her money. Quite a good deal of it would come to them at her death, and she was a fairly old woman, but there was one circumstance which cast a shadow of gloom over the satisfaction they felt in the discovery and acquisition of this desirable aunt: she openly acknowledged that a comfortable slice of her little fortune would go to a nephew on the other side of her family. He was rather a deplorable thing in rotters, and quite hopelessly top-hole in the way of getting through money, but he had been more or less decent to the old lady in her unremembered days, and she wouldn't hear anything against him. At least, she wouldn't pay any attention to what she did hear, but her nieces took care that she should have to listen to a good deal in that line. It seemed such a pity, they said among themselves, that good money should fall into such worthless hands. They habitually spoke of their aunt's money as 'good money,' as though other people's aunts dabbled for the most part in spurious currency.

"Regularly after the Derby, St. Leger, and other notable racing events they indulged in audible speculations as to how much money Roger had squandered in unfortunate betting transactions.

"'His travelling expenses must come to a big sum,' said the eldest Brimley Bomefield one day; 'they say he attends every race-meeting in England, besides others abroad. I shouldn't wonder if he went all the way to India to see the race for the Calcutta Sweepstake that one hears so much about.'

"'Travel enlarges the mind, my dear Christine,' said her aunt.

"'Yes, dear aunt, travel undertaken in the right spirit,' agreed Christine; 'but travel pursued merely as a means towards gambling and extravagant living is more likely to contract the purse than to enlarge the mind. However, as long as Roger enjoys himself, I suppose he doesn't care how fast or unprofitably the money goes, or where he is to find more. It seems a pity, that's all.'

"The aunt by that time had begun to talk of something else, and it was doubtful if Christine's moralizing had been even accorded a hearing. It was her remark, however--the aunt's remark, I mean--about travel enlarging the mind, that gave the youngest Brimley Bomefield her great idea for the showing-up of Roger.

"'If aunt could only be taken somewhere to see him gambling and throwing away money,' she said, 'it would open her eyes to his character more effectually than anything we can say.'

"'My dear Veronique,' said her sisters, 'we can't go following him to race-meetings.'

"'Certainly not to race-meetings,' said Veronique, 'but we might go to some place where one can look on at gambling without taking part in it.'

"'Do you mean Monte Carlo?' they asked her, beginning to jump rather at the idea.

"'Monte Carlo is a long way off, and has a dreadful reputation,' said Veronique; 'I shouldn't like to tell our friends that we were going to Monte Carlo. But I believe Roger usually goes to Dieppe about this time of year, and some quite respectable English people go there, and the journey wouldn't be expensive. If aunt could stand the Channel crossing the change of scene might do her a lot of good.'

"And that was how the fateful idea came to the Brimley Bomefields.

"From the very first set-off disaster hung over the expedition, as they afterwards remembered. To begin with, all the Brimley Bomefields were extremely unwell during the crossing, while the aunt enjoyed the sea air and made friends with all manner of strange travelling companions. Then, although it was many years since she had been on the Continent, she had served a very practical apprenticeship there as a paid companion, and her knowledge of colloquial French beat theirs to a standstill. It became increasingly difficult to keep under their collective wings a person who knew what she wanted and was able to ask for it and to see that she got it. Also, as far as Roger was concerned, they drew Dieppe blank; it turned out that he was staying at Pourville, a little watering-place a mile or two further west. The Brimley Bomefields discovered that Dieppe was too crowded and frivolous, and persuaded the old lady to migrate to the comparative seclusion of Pourville.

"'You won't find it dull, you know,' they assured her; 'there is a little casino attached to the hotel, and you can watch the people dancing and throwing away their money at PETITS CHEVAUX.'

"It was just before PETITS CHEVAUX had been supplanted by BOULE.

"Roger was not staying in the same hotel, but they knew that the casino would be certain of his patronage on most afternoons and evenings.

"On the first evening of their visit they wandered into the casino after a fairly early dinner, and hovered near the tables. Bertie van Tahn was staying there at the time, and he described the whole incident to me. The Brimley Bomefields kept a furtive watch on the doors as though they were expecting some one to turn up, and the aunt got more and more amused and interested watching the little horses whirl round and round the board.

"'Do you know, poor little number eight hasn't won for the last thirty-two times,' she said to Christine; 'I've been keeping count. I shall really have to put five francs on him to encourage him.'

"'Come and watch the dancing, dear,' said Christine nervously. It was scarcely a part of their strategy that Roger should come in and find the old lady backing her fancy at the PETITS CHEVAUX table.

"'Just wait while I put five francs on number eight,' said the aunt, and in another moment her money was lying on the table. The horses commenced to move round, it was a slow race this time, and number eight crept up at the finish like some crafty demon and placed his nose just a fraction in front of number three, who had seemed to be winning easily. Recourse had to be had to measurement, and the number eight was proclaimed the winner. The aunt picked up thirty-five francs. After that the Brimley Bomefields would have had to have used concerted force to get her away from the tables. When Roger appeared on the scene she was fifty-two francs to the good; her nieces were hovering forlornly in the background, like chickens that have been hatched out by a duck and are despairingly watching their parent disporting herself in a dangerous and uncongenial element. The supper-party which Roger insisted on standing that night in honour of his aunt and the three Miss Brimley Bomefields was remarkable for the unrestrained gaiety of two of the participants and the funereal mirthlessness of the remaining guests.

"'I do not think,' Christine confided afterwards to a friend, who re-confided it to Bertie van Tahn, 'that I shall ever be able to touch PATE DE FOIE GRAS again. It would bring back memories of that awful evening.'

"For the next two or three days the nieces made plans for returning to England or moving on to some other resort where there was no casino. The aunt was busy making a system for winning at PETITS CHEVAUX. Number eight, her first love, had been running rather unkindly for her, and a series of plunges on number five had turned out even worse.

"'Do you know, I dropped over seven hundred francs at the tables this afternoon,' she announced cheerfully at dinner on the fourth evening of their visit.

"'Aunt! Twenty-eight pounds! And you were losing last night too.'

"'Oh, I shall get it all back,' she said optimistically; 'but not here. These silly little horses are no good. I shall go somewhere where one can play comfortably at roulette. You needn't look so shocked. I've always felt that, given the opportunity, I should be an inveterate gambler, and now you darlings have put the opportunity in my way. I must drink your very good healths. Waiter, a bottle of PONTET CANET. Ah, it's number seven on the wine list; I shall plunge on number seven to-night. It won four times running this afternoon when I was backing that silly number five.'

"Number seven was not in a winning mood that evening. The Brimley Bomefields, tired of watching disaster from a distance, drew near to the table where their aunt was now an honoured habituee, and gazed mournfully at the successive victories of one and five and eight and four, which swept 'good money' out of the purse of seven's obstinate backer. The day's losses totalled something very near two thousand francs.

"'You incorrigible gamblers,' said Roger chaffingly to them, when he found them at the tables.

"'We are not gambling,' said Christine freezingly; 'we are looking on.'

"'I DON'T think,' said Roger knowingly; 'of course you're a syndicate and aunt is putting the stakes on for all of you. Anyone can tell by your looks when the wrong horse wins that you've got a stake on.'

"Aunt and nephew had supper alone that night, or at least they would have if Bertie hadn't joined them; all the Brimley Bomefields had headaches.

"The aunt carried them all off to Dieppe the next day and set cheerily about the task of winning back some of her losses. Her luck was variable; in fact, she had some fair streaks of good fortune, just enough to keep her thoroughly amused with her new distraction; but on the whole she was a loser. The Brimley Bomefields had a collective attack of nervous prostration on the day when she sold out a quantity of shares in Argentine rails. 'Nothing will ever bring that money back,' they remarked lugubriously to one another.

"'Veronique at last could bear it no longer, and went home; you see, it had been her idea to bring the aunt on this disastrous expedition, and though the others did not cast the fact verbally in her face, there was a certain lurking reproach in their eyes which was harder to meet than actual upbraidings. The other two remained behind, forlornly mounting guard over their aunt until such time as the waning of the Dieppe season should at last turn her in the direction of home and safety. They made anxious calculations as to how little 'good money' might, with reasonable luck, be squandered in the meantime. Here, however, their reckoning went far astray; the close of the Dieppe season merely turned their aunt's thoughts in search of some other convenient gambling resort. 'Show a cat the way to the dairy--' I forget how the proverb goes on, but it summed up the situation as far as the Brimley Bomefields' aunt was concerned. She had been introduced to unexplored pleasures, and found them greatly to her liking, and she was in no hurry to forgo the fruits of her newly acquired knowledge. You see, for the first time in her life the old thing was thoroughly enjoying herself; she was losing money, but she had plenty of fun and excitement over the process, and she had enough left to do very comfortably on. Indeed, she was only just learning to understand the art of doing oneself well. She was a popular hostess, and in return her fellow-gamblers were always ready to entertain her to dinners and suppers when their luck was in. Her nieces, who still remained in attendance on her, with the pathetic unwillingness of a crew to leave a foundering treasure ship which might yet be steered into port, found little pleasure in these Bohemian festivities; to see 'good money' lavished on good living for the entertainment of a nondescript circle of acquaintances who were not likely to be in any way socially useful to them, did not attune them to a spirit of revelry. They contrived, whenever possible, to excuse themselves from participation in their aunt's deplored gaieties; the Brimley Bomefield headaches became famous.

"And one day the nieces came to the conclusion that, as they would have expressed it, 'no useful purpose would be served' by their continued attendance on a relative who had so thoroughly emancipated herself from the sheltering protection of their wings. The aunt bore the announcement of their departure with a cheerfulness that was almost disconcerting.

"'It's time you went home and had those headaches seen to by a specialist,' was her comment on the situation.

"The homeward journey of the Brimley Bomefields was a veritable retreat from Moscow, and what made it the more bitter was the fact that the Moscow, in this case, was not overwhelmed with fire and ashes, but merely extravagantly over-illuminated.

"From mutual friends and acquaintances they sometimes get glimpses of their prodigal relative, who has settled down into a confirmed gambling maniac, living on such salvage of income as obliging moneylenders have left at her disposal.

"So you need not be surprised," concluded Clovis, "if they do wear a depressed look in public."

"Which is Veronique?" asked the Baroness.

"The most depressed-looking of the three," said Clovis.

THE PEACE OFFERING

"I want you to help me in getting up a dramatic entertainment of some sort," said the Baroness to Clovis. "You see, there's been an election petition down here, and a member unseated and no end of bitterness and ill-feeling, and the County is socially divided against itself. I thought a play of some kind would be an excellent opportunity for bringing people together again, and giving them something to think of besides tiresome political squabbles."

The Baroness was evidently ambitious of reproducing beneath her own roof the pacifying effects traditionally ascribed to the celebrated Reel of Tullochgorum.

"We might do something on the lines of Greek tragedy," said Clovis, after due reflection; "the Return of Agamemnon, for instance."

The Baroness frowned.

"It sounds rather reminiscent of an election result, doesn't it?"

"It wasn't that sort of return," explained Clovis; "it was a home-coming."

"I thought you said it was a tragedy."

"Well, it was. He was killed in his bathroom, you know."

"Oh, now I know the story, of course. Do you want me to take the part of Charlotte Corday?"

"That's a different story and a different century," said Clovis; "the dramatic unities forbid one to lay a scene in more than one century at a time. The killing in this case has to be done by Clytemnestra."

"Rather a pretty name. I'll do that part. I suppose you want to be Aga--whatever his name is?"

"Dear no. Agamemnon was the father of grown-up children, and probably wore a beard and looked prematurely aged. I shall be his charioteer or bath-attendant, or something decorative of that kind. We must do everything in the Sumurun manner, you know."

"I don't know," said the Baroness; "at least, I should know better if you would explain exactly what you mean by the Sumurun manner."

Clovis obliged: "Weird music, and exotic skippings and flying leaps, and lots of drapery and undrapery. Particularly undrapery."

"I think I told you the County are coming. The County won't stand anything very Greek."

"You can get over any objection by calling it Hygiene, or limb-culture, or something of that sort. After all, every one exposes their insides to the public gaze and sympathy nowadays, so why not one's outside?"

"My dear boy, I can ask the County to a Greek play, or to a costume play, but to a Greek-costume play, never. It doesn't do to let the dramatic instinct carry one too far; one must consider one's environment. When one lives among greyhounds one should avoid giving life-like imitations of a rabbit, unless one want's one's head snapped off. Remember, I've got this place on a seven years' lease. And then," continued the Baroness, "as to skippings and flying leaps; I must ask Emily Dushford to take a part. She's a dear good thing, and will do anything she's told, or try to; but can you imagine her doing a flying leap under any circumstances?"

"She can be Cassandra, and she need only take flying leaps into the future, in a metaphorical sense."

"Cassandra; rather a pretty name. What kind of character is she?"

"She was a sort of advance-agent for calamities. To know her was to know the worst. Fortunately for the gaiety of the age she lived in, no one took her very seriously. Still, it must have been fairly galling to have her turning up after every catastrophe with a conscious air of 'perhaps another time you'll believe what I say.'"

"I should have wanted to kill her."

"As Clytemnestra I believe you gratify that very natural wish."

"Then it has a happy ending, in spite of it being a tragedy?"

"Well, hardly," said Clovis; "you see, the satisfaction of putting a violent end to Cassandra must have been considerably damped by the fact that she had foretold what was going to happen to her. She probably dies with an intensely irritating 'what-did-I-tell-you' smile on her lips. By the way, of course all the killing will be done in the Sumurun manner."

"Please explain again," said the Baroness, taking out a notebook and pencil.

"Little and often, you know, instead of one sweeping blow. You see, you are at your own home, so there's no need to hurry over the murdering as though it were some disagreeable but necessary duty."

"And what sort of end do I have? I mean, what curtain do I get?"

"I suppose you rush into your lover's arms. That is where one of the flying leaps will come in."

The getting-up and rehearsing of the play seemed likely to cause, in a restricted area, nearly as much heart-burning and ill-feeling as the election petition. Clovis, as adapter and stage-manager, insisted, as far as he was able, on the charioteer being quite the most prominent character in the play, and his panther-skin tunic caused almost as much trouble and discussion as Clytemnestra's spasmodic succession of lovers, who broke down on probation with alarming uniformity. When the cast was at length fixed beyond hope of reprieve matters went scarcely more smoothly. Clovis and the Baroness rather overdid the Sumurun manner, while the rest of the company could hardly be said to attempt it at all. As for Cassandra, who was expected to improvise her own prophecies, she appeared to be as incapable of taking flying leaps into futurity as of executing more than a severely plantigrade walk across the stage.

"Woe! Trojans, woe to Troy!" was the most inspired remark she could produce after several hours of conscientious study of all the available authorities.

"It's no earthly use foretelling the fall of Troy," expostulated Clovis, "because Troy has fallen before the action of the play begins. And you mustn't say too much about your own impending doom either, because that will give things away too much to the audience."

After several minutes of painful brain-searching, Cassandra smiled reassuringly.

"I know. I'll predict a long and happy reign for George the Fifth."

"My dear girl," protested Clovis, "have you reflected that Cassandra specialized in foretelling calamities?"

There was another prolonged pause and another triumphant issue.

"I know. I'll foretell a most disastrous season for the foxhounds."

"On no account," entreated Clovis; "do remember that all Cassandra's predictions came true. The M.F.H. and the Hunt Secretary are both awfully superstitious, and they are both going to be present."

Cassandra retreated hastily to her bedroom to bathe her eyes before appearing at tea.

The Baroness and Clovis were by this time scarcely on speaking terms. Each sincerely wished their respective role to be the pivot round which the entire production should revolve, and each lost no opportunity for furthering the cause they had at heart. As fast as Clovis introduced some effective bit of business for the charioteer (and he introduced a great many), the Baroness would remorselessly cut it out, or more often dovetail it into her own part, while Clovis retaliated in a similar fashion whenever possible. The climax came when Clytemnestra annexed some highly complimentary lines, which were to have been addressed to the charioteer by a bevy of admiring Greek damsels, and put them into the mouth of her lover. Clovis stood by in apparent unconcern while the words:

"Oh, lovely stripling, radiant as the dawn," were transposed into:

"Oh, Clytemnestra, radiant as the dawn," but there was a dangerous glitter in his eye that might have given the Baroness warning. He had composed the verse himself, inspired and thoroughly carried away by his subject; he suffered, therefore, a double pang in beholding his tribute deflected from its destined object, and his words mutilated and twisted into what became an extravagant panegyric on the Baroness's personal charms. It was from this moment that he became gentle and assiduous in his private coaching of Cassandra.

The County, forgetting its dissensions, mustered in full strength to witness the much-talked-of production. The protective Providence that looks after little children and amateur theatricals made good its traditional promise that everything should be right on the night. The Baroness and Clovis seemed to have sunk their mutual differences, and between them dominated the scene to the partial eclipse of all the other characters, who, for the most part, seemed well content to remain in the shadow. Even Agamemnon, with ten years of strenuous life around Troy standing to his credit, appeared to be an unobtrusive personality compared with his flamboyant charioteer. But the moment came for Cassandra (who had been excused from any very definite outpourings during rehearsals) to support her role by delivering herself of a few well-chosen anticipations of pending misfortune. The musicians obliged with appropriately lugubrious wailings and thumpings, and the Baroness seized the opportunity to make a dash to the dressing-room to effect certain repairs in her make-up. Cassandra, nervous but resolute, came down to the footlights and, like one repeating a carefully learned lesson, flung her remarks straight at the audience:

"I see woe for this fair country if the brood of corrupt, self-seeking, unscrupulous, unprincipled politicians" (here she named one of the two rival parties in the State) "continue to infest and poison our local councils and undermine our Parliamentary representation; if they continue to snatch votes by nefarious and discreditable means--"

A humming as of a great hive of bewildered and affronted bees drowned her further remarks and wore down the droning of the musicians. The Baroness, who should have been greeted on her return to the stage with the pleasing invocation, "Oh, Clytemnestra, radiant as the dawn," heard instead the imperious voice of Lady Thistledale ordering her carriage, and something like a storm of open discord going on at the back of the room.

* * * * *

The social divisions in the County healed themselves after their own fashion; both parties found common ground in condemning the Baroness's outrageously bad taste and tactlessness.

She has been fortunate in sub-letting for the greater part of her seven years' lease.

THE PEACE OF MOWSLE BARTON

Crefton Lockyer sat at his ease, an ease alike of body and soul, in the little patch of ground, half-orchard and half-garden, that abutted on the farmyard at Mowsle Barton. After the stress and noise of long years of city life, the repose and peace of the hill-begirt homestead struck on his senses with an almost dramatic intensity. Time and space seemed to lose their meaning and their abruptness; the minutes slid away into hours, and the meadows and fallows sloped away into middle distance, softly and imperceptibly. Wild weeds of the hedgerow straggled into the flower-garden, and wallflowers and garden bushes made counter-raids into farmyard and lane. Sleepy-looking hens and solemn preoccupied ducks were equally at home in yard, orchard, or roadway; nothing seemed to belong definitely to anywhere; even the gates were not necessarily to be found on their hinges. And over the whole scene brooded the sense of a peace that had almost a quality of magic in it. In the afternoon you felt that it had always been afternoon, and must always remain afternoon; in the twilight you knew that it could never have been anything else but twilight. Crefton Lockyer sat at his ease in the rustic seat beneath an old medlar tree, and decided that here was the life-anchorage that his mind had so fondly pictured and that latterly his tired and jarred senses had so often pined for. He would make a permanent lodging-place among these simple friendly people, gradually increasing the modest comforts with which he would like to surround himself, but falling in as much as possible with their manner of living.

As he slowly matured this resolution in his mind an elderly woman came hobbling with uncertain gait through the orchard. He recognized her as a member of the farm household, the mother or possibly the mother-in-law of Mrs. Spurfield, his present landlady, and hastily formulated some pleasant remark to make to her. She forestalled him.

"There's a bit of writing chalked up on the door over yonder. What is it?"

She spoke in a dull impersonal manner, as though the question had been on her lips for years and had best be got rid of. Her eyes, however, looked impatiently over Crefton's head at the door of a small barn which formed the outpost of a straggling line of farm buildings.

"Martha Pillamon is an old witch" was the announcement that met Crefton's inquiring scrutiny, and he hesitated a moment before giving the statement wider publicity. For all he knew to the contrary, it might be Martha herself to whom he was speaking. It was possible that Mrs. Spurfield's maiden name had been Pillamon. And the gaunt, withered old dame at his side might certainly fulfil local conditions as to the outward aspect of a witch.

"It's something about some one called Martha Pillamon," he explained cautiously.

"What does it say?"

"It's very disrespectful," said Crefton; "it says she's a witch. Such things ought not to be written up."

"It's true, every word of it," said his listener with considerable satisfaction, adding as a special descriptive note of her own, "the old toad."

And as she hobbled away through the farmyard she shrilled out in her cracked voice, "Martha Pillamon is an old witch!"

"Did you hear what she said?" mumbled a weak, angry voice somewhere behind Crefton's shoulder. Turning hastily, he beheld another old crone, thin and yellow and wrinkled, and evidently in a high state of displeasure. Obviously this was Martha Pillamon in person. The orchard seemed to be a favourite promenade for the aged women of the neighbourhood.

"'Tis lies, 'tis sinful lies," the weak voice went on. "'Tis Betsy Croot is the old witch. She an' her daughter, the dirty rat. I'll put a spell on 'em, the old nuisances."

As she limped slowly away her eye caught the chalk inscription on the barn door.

"What's written up there?" she demanded, wheeling round on Crefton.

"Vote for Soarker," he responded, with the craven boldness of the practised peacemaker.

The old woman grunted, and her mutterings and her faded red shawl lost themselves gradually among the tree-trunks. Crefton rose presently and made his way towards the farm-house. Somehow a good deal of the peace seemed to have slipped out of the atmosphere.

The cheery bustle of tea-time in the old farm kitchen, which Crefton had found so agreeable on previous afternoons, seemed to have soured to-day into a certain uneasy melancholy. There was a dull, dragging silence around the board, and the tea itself, when Crefton came to taste it, was a flat, lukewarm concoction that would have driven the spirit of revelry out of a carnival.

"It's no use complaining of the tea," said Mrs. Spurfield hastily, as her guest stared with an air of polite inquiry at his cup. "The kettle won't boil, that's the truth of it."

Crefton turned to the hearth, where an unusually fierce fire was banked up under a big black kettle, which sent a thin wreath of steam from its spout, but seemed otherwise to ignore the action of the roaring blaze beneath it.

"It's been there more than an hour, an' boil it won't," said Mrs. Spurfield, adding, by way of complete explanation, "we're bewitched."

"It's Martha Pillamon as has done it," chimed in the old mother; "I'll be even with the old toad. I'll put a spell on her."

"It must boil in time," protested Crefton, ignoring the suggestions of foul influences. "Perhaps the coal is damp."

"It won't boil in time for supper, nor for breakfast to-morrow morning, not if you was to keep the fire a-going all night for it," said Mrs. Spurfield. And it didn't. The household subsisted on fried and baked dishes, and a neighbour obligingly brewed tea and sent it across in a moderately warm condition.

"I suppose you'll be leaving us, now that things has turned up uncomfortable," Mrs. Spurfield observed at breakfast; "there are folks as deserts one as soon as trouble comes."

Crefton hurriedly disclaimed any immediate change of plans; he observed, however, to himself that the earlier heartiness of manner had in a large measure deserted the household. Suspicious looks, sulky silences, or sharp speeches had become the order of the day. As for the old mother, she sat about the kitchen or the garden all day, murmuring threats and spells against Martha Pillamon. There was something alike terrifying and piteous in the spectacle of these frail old morsels of humanity consecrating their last flickering energies to the task of making each other wretched. Hatred seemed to be the one faculty which had survived in undiminished vigour and intensity where all else was dropping into ordered and symmetrical decay. And the uncanny part of it was that some horrid unwholesome power seemed to be distilled from their spite and their cursings. No amount of sceptical explanation could remove the undoubted fact that neither kettle nor saucepan would come to boiling-point over the hottest fire. Crefton clung as long as possible to the theory of some defect in the coals, but a wood fire gave the same result, and when a small spirit-lamp kettle, which he ordered out by carrier, showed the same obstinate refusal to allow its contents to boil he felt that he had come suddenly into contact with some unguessed-at and very evil aspect of hidden forces. Miles away, down through an opening in the hills, he could catch glimpses of a road where motor-cars sometimes passed, and yet here, so little removed from the arteries of the latest civilization, was a bat-haunted old homestead, where something unmistakably like witchcraft seemed to hold a very practical sway.

Passing out through the farm garden on his way to the lanes beyond, where he hoped to recapture the comfortable sense of peacefulness that was so lacking around house and hearth--especially hearth--Crefton came across the old mother, sitting mumbling to herself in the seat beneath the medlar tree. "Let un sink as swims, let un sink as swims," she was, repeating over and over again, as a child repeats a half-learned lesson. And now and then she would break off into a shrill laugh, with a note of malice in it that was not pleasant to hear. Crefton was glad when he found himself out of earshot, in the quiet and seclusion of the deep overgrown lanes that seemed to lead away to nowhere; one, narrower and deeper than the rest, attracted his footsteps, and he was almost annoyed when he found that it really did act as a miniature roadway to a human dwelling. A forlorn-looking cottage with a scrap of ill-tended cabbage garden and a few aged apple trees stood at an angle where a swift flowing stream widened out for a space into a decent sized pond before hurrying away again through the willows that had checked its course. Crefton leaned against a tree-trunk and looked across the swirling eddies of the pond at the humble little homestead opposite him; the only sign of life came from a small procession of dingy-looking ducks that marched in single file down to the water's edge. There is always something rather taking in the way a duck changes itself in an instant from a slow, clumsy waddler of the earth to a graceful, buoyant swimmer of the waters, and Crefton waited with a certain arrested attention to watch the leader of the file launch itself on to the surface of the pond. He was aware at the same time of a curious warning instinct that something strange and unpleasant was about to happen. The duck flung itself confidently forward into the water, and rolled immediately under the surface. Its head appeared for a moment and went under again, leaving a train of bubbles in its wake, while wings and legs churned the water in a helpless swirl of flapping and kicking. The bird was obviously drowning. Crefton thought at first that it had caught itself in some weeds, or was being attacked from below by a pike or water-rat. But no blood floated to the surface, and the wildly bobbing body made the circuit of the pond current without hindrance from any entanglement. A second duck had by this time launched itself into the pond, and a second struggling body rolled and twisted under the surface. There was something peculiarly piteous in the sight of the gasping beaks that showed now and again above the water, as though in terrified protest at this treachery of a trusted and familiar element. Crefton gazed with something like horror as a third duck poised itself on the bank and splashed in, to share the fate of the other two. He felt almost relieved when the remainder of the flock, taking tardy alarm from the commotion of the slowly drowning bodies, drew themselves up with tense outstretched necks, and sidled away from the scene of danger, quacking a deep note of disquietude as they went. At the same moment Crefton became aware that he was not the only human witness of the scene; a bent and withered old woman, whom he recognized at once as Martha Pillamon, of sinister reputation, had limped down the cottage path to the water's edge, and was gazing fixedly at the gruesome whirligig of dying birds that went in horrible procession round the pool. Presently her voice rang out in a shrill note of quavering rage:

"'Tis Betsy Croot adone it, the old rat. I'll put a spell on her, see if I don't."