Chapter VII: Part 7

"He told me nothing. Don't you know that he misdoubts me? I got it out of him, by sleight of hand--where we had met before. Has he never told you anything of that morning when we left your house together?"

"Never." The admission cost her an effort.

He mused at her. "As I said, he told _me_ nothing, but it occurred to me when he came in that we might be there on the same errand."

She paled. "You mean--?"

"I mean I thought it might be safer all around that you should not see him that morning; so I got him away. He hasn't asked you for it since?"

"The sapphire?" she faltered. "No!" The more her instinct warned that it had been the jewel Harry had returned for, the more she repudiated the idea to Kerr.

"Why should you think he came for that? What has he to do with it?" she murmured.

"My God! how you do champion him!" He leaned forward sharply across the table. "What is this man to you?"

He was going too far. He had no right to that question. "The man I have promised to marry." Her hot look, her cold manner defied him to command her here. Yet for a moment, leaning forward with his clenched hands on the table, he looked ready to spring up and force her words back on her. The next he let it go and dropped back in his chair again.

"Quite so," he said. "But I didn't believe it." He stared at her with a dull, profound resentment. "Yet it's most possible; since it isn't the sapphire it would be that." He mused. "But, you extraordinary woman, why on earth--" he broke off, still looking at her, looking with a persistent, sharp, studying eye, as if she were the most puzzling and, it came to her gradually, the most dubious thing on earth. He was verily a magician, a worker of black magic; for under the spell of his eyes she felt herself turning into something horrible. However innocent she was in intention, the ugly appearance was covering her.

"Then what are you doing here with the ring on you?" he demanded solemnly. "Why are you dealing with me? What do you think you'll get out of it? Good God! women are hideous! How can you betray the man you love?"

"Oh," she cried, with a wail of horror. She stood up trembling and pale. "I don't--I don't--I don't! I've kept it from them. I'm standing against them all. I shall never give it to them. When have I ever betrayed you?"

He drew back, away from her, as if to ward off her meaning, but she leaned toward him, her hands flung out, holding herself up to him for all she meant. He got up slowly and the creeping tide of red, dusky and violent, rising over his face, swelling his features, darkening his eyes, hung before her like a banner of shame.

"I didn't know, I didn't know," he repeated in a low voice. His eyes were on the ground. Then, with a sharp motion, as if merely standing in front of her was unendurable, "Oh, Lord!" he said, and, turning, walked from her toward the window. He went precipitately, as if he meant to go through it, but he only leaned against it and stood motionless; and from her side of the table, trembling, breathless, she watched his stricken silhouette black upon the gray, fading light.

The knowledge of how far she had gone, of how much she had betrayed herself, swelled and swelled before her mind until it seemed to fill her life, but she looked at it hardily and unabashed. All the decencies in the world should sink before he thought her a traitor. She came softly up beside him.

"Don't be sorry for what I told you."

"I'm not," he said. His voice sounded muffled. He did not look at her, only held out his arm in a mute sign to her to come. She felt it around her, but it was a mere symbol of protection. It lay limp on her shoulder, and he continued to stare through the window at the street. "I'm not sorry for what you said," he repeated slowly. "I'm glad; but, child, I wish it wasn't true."

"Don't, don't!" she besought him, "for I don't."

He gave her a look. "That's beautiful of you, but"--and he turned to the window again and spoke to himself--"it puts an awful face on my business. All along you've made me think for you, and of you, more than you deserve, more than I can afford." The stare she gave this forced out of him a reluctant smile. "Why, didn't you know it? Do you think I couldn't have had the sapphire that first night I saw it on your hand, if it hadn't been--well, for the way I thought of you? I fancied you knew that then." He made a restless movement. His arm fell from her shoulder. "There's been only one thing to do from the first," he said, "and I don't see my way to it."

"Oh, don't take it! Leave it!" she pleaded. "Leave it with me! What does it matter so much? A jewel! If only you would leave it and go away from me!"

He whirled on her. "In Heaven's name, a fine piece of logic! Leave the sapphire to people who can make no better use of it than I? Leave you to go on with this business and marry this Cressy? Even suppose you gave me the sapphire, I couldn't let you do that!"

"If I gave you the sapphire," Flora said, "oh, he wouldn't marry me then!" She couldn't tell how this had come to her, but all at once it was clear, like a sign of her complete failure; but Kerr only wondered at her distress.

"Well, if you don't want to marry him, what do you care?"

"Oh, I don't, I don't care for that." She sank back listlessly in her chair again. She couldn't explain, but in her own mind she knew that if she lost the sapphire she would so lose in her own esteem; so fail at every point that counted, that she would never be able to see or be seen in the world again as the same creature. Even to Kerr--even to him to whom she would have yielded she would have become a different thing. She realized now she had staked everything on the premise that she wouldn't have to yield; and now it began to appear to her that she would. His weakness was appearing now as a terrible strength, a strength that seemed on the point of crushing her, but it could never convince her. That strength of his had brought her here. Was it to happen here, that strange thing she had foreseen, the end of her? Was it here she was to lose the sapphire, and him?

She looked vaguely around the room, at the most impassive aspect of the place, as at a place she never expected to leave; the darkening windows, the fast-shut door, the child leaning on the desk, watching them with sharp, incurious eyes--this would be her niche for ever. She would be left for ever with the crusts and the dregs. And Kerr's figure in the twilight seemed each time it moved to be on the point of vanishing into the grayness. He moved continually up and down the narrow spaces between the tables. He troubled the dry repose of the place. Sometimes he looked at her, studying, questioning, undecided. Once he stopped, as if just there an idea had arrested him. He looked at her, as if, she thought, he were afraid of her. Then for long moments he stood looking blankly, steadily out of the window. He did not approach her. He seemed to avoid her, until, as though he had come at last to his decision, he walked straight up to her and stood above her. She rose to meet him. He was smiling.

"Don't you know that you could easily get rid of me?" he demanded. "Cressy would be too glad to do it for you; and there are more ways than one that I could get the sapphire from you, if I could face the idea of it--but really, really we care too much for each other. There's only one way out for you and me and the sapphire. I'll take you both."

Her clenched hands opened and fell at her sides. A great wave of helplessness flowed over her. Her eyes, her throat filled up with a rush of blinding tears. She put out her hands, trying to thrust him off, but he took the wrists and held them apart, and held her a moment helpless before him.

"Oh, no," she whispered.

"But I love you."

Her head fell back. She looked at him as if he had spoken the incredible.

"I love you," he repeated, "though God knows how it has happened!"

The blood rushed to her heart.

He was drawing her nearer.

She felt his breath upon her face; she saw the image of herself in his eyes. She started to herself on the edge of danger, and made a struggle to release her wrists. He let them go. She sank down into her chair.

"Why not? Why won't you go with me?" she heard him say again, still close beside her.

"I can't, I can't!" She clung to the words, but for the moment she had forgotten her reasons. She had forgotten everything but the wonderful fact that he loved her. He was there within reach, and she had only to stretch out her hand, only to say one word, and he would cut through the ranks of her perplexities and terrors, and carry her away.

"Why not, if you love me?" he insisted. "Are you afraid of those people? Are you afraid of Cressy? He shall never come near you."

She shook her head. "No, it isn't that."

He stooped and looked into her face. "Then what keeps you?"

She looked up slowly.

"My honor."

"Your honor!" For a moment her answer seemed to have him by surprise. He mused, and again it came dreamily back to her that he was looking at her across a vast difference no will of hers could ever bridge.

"Don't you see what I am?" she murmured. "Can't you imagine where I stand in this hideous business? It's my trust. I'm on their side; and, oh, in spite of everything, I can't make myself believe in giving it to you!"

He pondered this very gravely.

"Yes, I can see how you might feel that way. But is the feeling really yours? Are you sure they haven't put it on you? Might not my honor do as well for you, if you were mine?" It struck her she had never connected him with honor, and he read her thought with a flash of humor. "Evidently it hasn't occurred to you that I have an honor."

She looked at him sadly. "In spite of everything I'm on the other side. I belong to them."

"You belong to me." His hand closed on hers. "Mine is the only honor you have to think of. Can't you trust that I am right? Can't you see it through my eyes? Can't you make yourself all mine?" His arm was around her now, holding her fast, but she turned her face away, and his kisses fell only on her cheek and hair.

"Oh," she cried, "if only I could!"

"Don't you love me?"

"Oh, yes, but that makes me see, all the more, the dreadful difference between us."

"You silly child, there is no difference, really."

"Ah, yes, you know it as well as I. You were afraid of it, too. All that long time you were walking around you were wondering whether you dared to take me."

He denied her steadily, "Never!"

She loved him for that gallant denial, for she knew he had been afraid, horribly afraid, more afraid than she was now; but that strange quality of his that gave to a double risk a double zest had set him all the hotter on this resolution.

He sat for some long moments thoughtfully looking straight before him. She, glancing at his profile, white and faintly glimmering in the twilight, thought it looked sharp, absorbed and set. She could see his great determination growing there in the gloom between them, looming and overshadowing them both.

"I see," he said at last. "I'll simply have to take you in spite of it." He turned around to her, and reached his hands down through the dusk. She was being drawn up into arms which she could not see. Her hands were clasped around a neck, her cheek was against a face which she had never hoped to touch. Her reason and her fears were stifled and caught away from her lips with her breath. She was giving up to her awful weakness. She was giving up to the power of love. She was letting herself sink into it as she would sink into deep water. The sense of drowning in this profound, unfathomable element, of shutting her eyes and opening her arms to it, was the highest she had ever touched; but all at once the memory of what she was leaving behind her, like a last glimpse of sky, swept her with fear. She made a desperate effort to rescue herself before the waters quite closed over her head.

She pulled herself free. Without his arms around her for the first moment she could hardly stand. She took an uncertain step forward; then with a rush she reached the white curtains. They flapped behind her. She heard Kerr laugh, a note, quiet, caressing, almost content. It came from the gloom like a disembodied voice of triumph. Her rush had carried her into the middle of the anteroom. At this last moment was there to be no miracle to save her? There was no rescue among these dumb walls and closed-up windows. The purple child gave her a sharp, bird-like glance, as if the most that this wild woman could want was "change." Flora looked behind her and saw Kerr, who had put aside the curtains and was standing looking at her. He was bright and triumphant in that twilight room. He was not afraid of losing her now. He knew in that one moment he had imprisoned her for ever! She saw him approaching, but though all her mind and spirit strained for flight, something had happened to her will. It tottered like her knees.

He stooped and picked up an artificial rose, which had fallen from her hat, and put it into her hand. A moment, with his head bent, he stood looking into her face, but without touching her.

"Sit down over there," he said, and pointed toward a chair against the wall. She went meekly like a prisoner. He spoke to the child in the purple apron, who was still sitting behind the desk. He put some money on the cash-desk in front of her. It was gold. It shone gorgeously in the dull surrounding, and the child pounced upon it, incredulous of her luck. Then he turned, crossed the room, soundlessly opened the door, and went out into the violet dark of the street.

The child furtively tested her coin, biting it as if to taste the glitter, and Flora waited, lost, given up by herself, passively watching for the room to be filled again with his presence. He was back after a long minute, and this time took up his stand at the door, where, pushing aside the tight-drawn curtain a little, from time to time he looked out into the street. Sometimes his eyes followed the cracks of the plastered wall, sometimes he studied the floor at his feet; every moment she saw he was alert, expectantly watching and waiting; and though he never looked at her sitting behind him, she felt his protection between her and the darkening street. She sat in the shadow of it, feeling it all around her, claiming her as it would claim her henceforth, from, the world. A ghost of light glimmered along the curtains of the window, and stopped, quivering, in the middle of the curtained door. Then he turned about and beckoned her. Sheer weakness kept her sitting. He went to her, took her face between his hands, and looked into it long and intently.

"You don't want to go!" The words fell from his lips like an accusal. His sudden realization of what she felt held him there dumb with disappointment. "You have won me," her look was saying, "and yet I have immediately become a worthless thing, because I am going; and I don't believe in going." She felt she had failed him--how cruelly, was written in his face. But it was only for a moment that she made him hesitate. The next he shook himself free.

"Well, come," he said.

She felt that all doors would fly open at his bidding. She felt herself swept powerless at his will with all the yielding in her soul that she had felt in her body when his arms were around her. He had taken her by the hand--he was leading her out into the gusty night, where all lights flared--the gas-lights marching up the street over the hill into the unknown, and the lights gleaming at her like eyes in the dark bulk of the carriage waiting before the door. It all glimmered before her--a picture she might never see again--might not see after she passed through the carriage door that gaped for her. The will that had swept her out of the door was moving her beyond her own will, as it had moved her that morning in the garden, beyond all things that she knew. There was no feeling left in her but the despair of extreme surrender.

She found herself in the carriage. She saw his face in the carriage door as pale as anger, yet not angry; it was some bigger thing that looked at her from his eyes. He looked a long while, as if he bade her never to forget this moment. Then, "I'll give you twenty-four hours," he said. "This man will take you home." He shut the carriage door--shut it between them. Before she had gathered breath he had straightened, fallen back, raised his hat, and the carriage was turning. Flora thrust her head, straw hat and ribbons out of the window.

"Oh, I love you!" she called to him. She sank back in the cushions and covered her face with her hands.

XVIII

GOBLIN TACTICS

For a little she kept her face hidden, shutting out the present, jealously living with the wonderful thing that had happened to her. It was as wonderful as anything she had dreamed might come when she had written him that letter. And if she needed any proof of his love, she had had it in the moment when he had let her go. There he had transcended her hope. She felt lifted up, she felt triumphant, though the triumph had not been hers. It was all his; he had saved her from her own weakness; his was the miracle. How he shone to her! The dark, swaying hollow of the carriage seemed still full of his presence, full of his hurried whispering; and again she seemed to see him standing outside the window in the deep blue evening holding out his hands to her cry of "I love you!"

He had been wonderful in a way she had not expected. He had shown her so beautifully that he could be reached in spite of his obsession. Might not she hope to touch him just a little further? Was there any height now that he might not rise to? She seemed to see the possible end of it all shaping itself out of his magnanimity. She seemed to see him finally relinquishing his passion for the jewel, and his passion for her for the sake of something finer than both. She had seen it foreshadowed in what he had done this day--having them both in his hands, he had put them away from him. Yet in that action she knew there had been no finality. She had touched him, but she had not convinced him, and as long as he was unconvinced he would be at her again in some other way.

Her hands dropped from her face, and she confronted the fact drearily. "No," she thought, "he never gives up what he wants."

She looked out of the window. The flickers of gas-lamps fell intermittently through it upon her. Her queer vehicle was rattling crazily--jolting as if every spring were at its last leap. She was out of the quiet, blue street. Montgomery Avenue, with its lights, its glittering gilt names and Latin insignia, was traveling by on either side of her. The voice of the city was growing louder in her ears, the crowd on the pavement increased. At intervals the carriage dipped through glares of electric lights that illuminated its interior in a flash broader than day--the ragged cushions, the raveled tassels, the limp-swinging shutters, and, glimmering in the midst, wild and disheveled, herself in all the little wavy mirrors. She sat looking out at the maze of moving lights and figures without seeing them, intent on an idea that was growing clearer, larger, moment by moment in her mind.

Kerr's appearance in her garden--his capture of her--had not been the fantastic freak it had seemed. He had had his purpose. He had taken her out of her environment; he had carried her beyond succor or menace just that he might carry them both so much further and faster through their differences. They had not reached the point of agreement yet, but might they not on some other ground, where they could be unchallenged? It seemed to her if she could only meet him on her own ground for once--instead of for ever on Clara's or Harry's--only meet him alone, somewhere beyond their reach, it might be accomplished, it might be brought to the end she so wished. Yet where to go to be rid of Clara and Harry, the two so closely associated with every fact of her life?

The hack, which had been moving along at a rapid pace, slowed now to a walk among the thickening traffic, and from a mere moving mass the crowd appeared as individuals--a stream of dark figures and white faces. Her eyes slipped from one to another. Here one stood still on the lamp-lit corner, looking down, with lips moving quickly and silently. It was strange to see those rapid, eager, moving lips with no sound from them audible. Then her eyes were startled by something familiar in the figure, though the direct down-glare of the ball of light above him distorted the features with shadows. She pressed her face against the window-glass in palpitating doubt. It was Harry.

She cowered in the corner of the carriage. In a moment the risks of her situation were before her. Had he seen her? Oh, no, at least not yet. He had been too intent on whomever he was talking to. She peered to make sure that he was still safely on the street corner. He was just opposite, and now that the eddy of the crowd had left a little clear space around him she saw with whom he was talking. It was a small, very small, shabby, nondescript man--possibly only a boy, so short he seemed. His back was toward her. His clothes hung upon him with an odd un-Anglo-Saxon air. He was foreign with a foreignness no country could explain--Italian, Portuguese, Greek--whatever he was, he was a strange foil to Harry, so bright and burnished.

The hack was turning. She realized with dismay that it was turning sharp around that very corner where they stood. Suppose Harry should chance to glance through its window and see Flora Gilsey sitting trembling within. The hack wheezed and cramped, and all at once she heard it scrape the curb. Then she was lost! She looked up brave in her desperation, ready to meet Harry's eyes. She saw the back of his head. For a moment it loomed directly above her, then it moved. He was separating from his companion. With one stride he vanished out of the square frame of the window, and there remained full fronting her, staring in upon her, the face of his companion.

Back flashed to her memory the goldsmith's shop--dull hues and odors all at once--and that wide unwinking stare that had fixed her from the other side of the counter. The blue-eyed Chinaman! In the glare of white light, in his terrible clearness and nearness, she knew him instantly.

The hack plunged forward, the face was gone. But she remained nerveless, powerless to move, frozen in her stupefaction, while her vehicle pursued its crazy course. It was clattering up Sutter Street toward Kearney, where at this hour the town was widest awake, and the crowd was a crowd she knew. At any instant people she knew might be going in and out of the florists' shops and restaurants, or passing her in carriages. And what of Flora Gilsey in her morning dress and garden hat, in a night-hawk of a Telegraph Hill hack, flying through their midst like a mad woman? They were the least of her fears. She had forgotten them. The only thing that remained to her was the memory of Harry and the blue-eyed Chinaman together on the street corner.

She had been given a glimpse of that large scheme that Harry was carrying forward somewhere out of her sight--such a glimpse as Clara had given her in the rifling of her room, as Ella had shown in her hysterical revelation. Again she felt the threat of these ominous signs of danger, as a lone general at a last stand with his troops clustered at his back sees in front, and behind, on either side of him, the glitter of bayonets in the bushes.

She was in the midst of the tangled traffic of Kearney Street. Swimming lights and crowds were all around her. She peered forth cautiously upon it. She saw a florid face, a woman, she knew casually--and there her eyes fastened, not for the woman's brilliant presence, but for what she saw directly in front of it, thrown into relief upon its background--a short and shabby figure, foreign, equivocal, reticent, the figure of a blue-eyed Chinaman.

He was standing still while the crowd flowed past him. This time he was alone. He seemed to be waiting, yet not to watch, as if he had already seen what he was expecting and knew that it must pass his way. It was uncanny, his reappearance, at a second interval of her route, standing as if he had stood there from the first, patient, expectant, motionless. It was worse than uncanny.

All at once an idea, wild and illogical enough, jumped up in her mind. Couldn't this miserable vehicle that was lumbering like a disabled bug move faster and rattle her on out of reach of the glare, the publicity, the threat of discovery, and, above all, of her discomforting notion? She breathed out relief as the carriage dipped into the comparative quiet again, and she felt herself being driven on and up a gently rising street between block-apart, lone gas-lamps. She thrust her face as far out of the window as she dared, looking back at the lights and traffic which were drifting behind her. At this distance she could single out no one figure from the crowd, and no figure which could possibly be that of the blue-eyed Chinaman was moving up the street behind her. There only remained a disquieting memory of him on the corner with Harry. Together they made a combination, to her mind, threatening to the man she loved, for whom she so desperately feared.

If ever she had felt herself helpless, it was in this moment passing along the half-lit, half-empty city street. By what she knew, by what she wore around her neck, she was separated from all peace-abiding citizens--she was outlawed. Every closed door and shaded window (so many she had opened or looked out of!) now seemed shut and shaded against her for ever. Night and the reticent gray city, averting their eyes, let her slip through unregarded.

She was passing that section of large, old-fashioned mansions, cupolaed, towered, indistinct at the top of their high, broad steps, or back among the trees of their gardens. Along the front of one stretched a high hedge of laurestinas black as a ribbon of the night, capacious of shadows; and it seemed to Flora that all at once a shadow detached itself. She looked with a start. It flashed along the pavement--if shadow it were--running head down with a strange, scattering movement of arms and legs, yet seeming to make such speed that for a moment it kept abreast of the cab. She could see no features, no lineament of this strange thing to recognize, yet instantly she knew what it must be--what she had feared and thought impossible. She thrust her head far out and addressed the driver.

"Go as fast as you can, faster! and I'll give you twice what he gave you." The words rang so wildly to her own ears that she half expected the driver to peer down like an old bird of prey from his perch and demand her reason. But he made no sound or sign. It may have been that in his time he had heard even wilder requests than hers. He only sent his whip cracking forward to the ears of the lean horse, and the cab began to rattle like a mad thing.

Flora leaned back with a sigh of relief. The mere sensation of being borne along at such a rate, the sight of houses, lamp-posts, even people here and there, flitting away from the eye, unable to interrupt her course, or even to glimpse her identity, gave her a feeling of safety. The more she was getting into the residence part of the city, the more deserted the streets, the closer shut the windows of the houses, the more it seemed to her as if the night itself covered and abetted her flight. So swiftly she went it was only a wonder how the cab held together. She had never traveled more rapidly in her light and silent carriage. Now they whirled the corner and plunged at the steep rise of a cross street. Just above, over the crown of the hill, she saw the sky, moonless, blackish, spattered with stars. Then against it a little fluttering shape like a sentinel wisp--the only living thing in sight. It was incredible, impossible, horrible that he should be there, in front of her, waiting for her, who had driven so fast--too fast, it had seemed, for human foot to follow. By what unimaginable route had he traveled? She was ready to believe he had flown over the housetops. And above all other horrors, why was he pursuing her?

The carriage was abreast the Chinaman now, and immediately he took up his trot, for a little while keeping up, dodging along between light and shadow, presently falling behind. At intervals she heard the patter, patter, patter of his footsteps following; at intervals she lost the sound, and shadows would engulf the figure, and she would wait in a panic for its reappearance. For she knew it was there somewhere, on one side of the street or the other. But, oh, not to see it! To expect at any moment it might start up again--Heaven knew where, perhaps at her very carriage window. Her unconscious hand was doubled to a fist upon her breast, fast closed upon the sapphire.

With all her body braced, she leaned and looked far backward, and far forward, and now for a long time saw nothing. The distance was empty. The glare of arc-lights showed her the shadows of her own progress--the shadow of her vehicle shooting huge and misshapen now on the cobbles, now along a blank wall, wheels, body and driver, all lurching like one; now heaped on each other, now tenuously drawn out, now twisting themselves into shapes the mind could not account for. For here, whirling the corner, the carriage seemed to wave an arm, and now between the wheels, fast twinkling, she saw a pair of legs. She leaned and looked, so mesmerized with this grotesque appearance that it scarcely troubled her that all the way down the last long hill she knew it must be that a man was running at her wheel.

The warm lights of her house were just before her, offering succor, stiffening courage. It would be but a dash from the door of the cab to her own door. There was no second course, once the cab stopped. She felt that to lurk in its gloom would mean robbery, perhaps death. She thought without fear, but with an intense calculation. Her hand held the door at swing as the cab drew up. Before it should stop she must leap. She gathered her skirts and sprang--sprang clean to the sidewalk. The steps of her house rushed by her in her upward flight. Her bell pealed. She covered her eyes.

For the moment before Shima opened the door there was nothing but darkness and silence. She had never been so glad of anything in her life as of the kind, astute, yellow face he presented to her distressed appeal.

"Shima," she panted, "pay the cab; and if there's any one else there say that I'll call the police--no, no, send him away." There was no question or hesitation in Shima's obedience. Through the glass of the door she watched him descend upon his errand, until he disappeared over the edge of the illumination of the vestibule. She waited, dimly aware of voices going on beyond the curtains of the drawing-room, but all her listening power was concentrated on the silence without--a silence that remained unbroken, and out of which Shima returned with the same imperturable countenance.

"He wants ten dollars."

"Oh, yes, give him anything," Flora gasped. If that was all the Chinaman had followed her for! But her relief was momentary, for instantly Shima was back again.

"I gave him ten dollars, the cabman."

Now she gasped indeed. "Oh, the cabman! But the other one!" For an instant Shima seemed to hesitate; glancing past her shoulder as if there was something that he doubted behind her. Then as she still hung on his answer he brought it out in a lowered voice.

"Madam, there was no one else there."

XIX

THE FACE IN THE GARDEN

With her hand at her distressed forehead she turned, and saw, between the curtains of the drawing-room, Harry, and behind him Clara, looking out at her with faces of amazement, and she fancied, horror. Harry came straight for her.

"Why, you poor child, what's happened to you?"

She gave him a look. She couldn't forget their scene in the red room, but the mixture of apprehension and real concern in his face went far toward melting her. She might even have told him something, at least a part of the truth, but for that other standing watching her from the drawing-room door. With Clara, there was nothing for it but to ignore her disordered hair, her hat in her hand, her ruffle torn and trailing on the floor.

She put on a splendid nonchalance, as if it were none of their business. "Oh, I am sorry if I kept you waiting."

It was Clara who spoke to her, past Harry's blank astonishment. "Why, we don't mind waiting a few moments more while you dress."

"I shan't have to dress." Such a statement Flora felt must amaze even Shima, waiting like an image on the threshold of the dining-room. But if these people were waiting to be amazed she felt herself equal to amazing them to the top of their expectations.

"Oh, but at least go up and let Marrika give you some pins," Clara protested, hurrying forward as if fairly to drive her.

"Thank you, no, this will do," Flora said. On one point she was quite clear. She wasn't going to leave those two together for a moment to discuss her plight; not till she could first get at Harry alone. Then and there she turned to the mirror and with her combs began to catch back and smooth the disorder of her hair, seeing all the while Clara's reflection hovering perturbed and vigilant in the background of her own.

While her hands were busy seeming to accommodate Clara, her mind was marshaled to Clara's outwitting. The only thing to do was to tell nothing. Let Clara spend her time in guessing. Unless by some wild chance she had seen Kerr in the garden she couldn't come near the truth of what had happened. But what was to be done with Harry? Harry was too close to her to be ignored. Her attitude toward him had undergone a change. In the moment in the red room, when she had seen him break the one feeling that had held her to him, the feeling of awe and respect had evaporated. She felt that it was quite impossible now for them to go on on the same footing; yet, as long as she kept the sapphire she must somehow manage to keep up an appearance of it. She must tell him something.

At that dreadful dinner, where she sat a conscious frustrater of these two silent ones, glancing at Harry's face, she knew that if she didn't attack she would be attacked by him. It was here in the midst of the noiseless passings of Shima, watching Harry's suspicious glances flashing across the table at her strange disorder, that the idea occurred to her of a way out of it. She was bold enough to try a daring thrust at the mystery. If ever a hunter was to be led off on a false scent, Harry was that one. She was amazed at the sudden, fearless impulse that had sprung up in her. She wasn't even afraid to say to him under Clara's nose, "Harry, I want you to myself after dinner. Come up into the garden study."

He was very willing to follow her. She thought she detected in his alacrity something more than curiosity or concern. It seemed almost as if Harry was ashamed of that scene in the red room, and anxious to make it up with her. He even tried before they had reached the head of the stairs. "Oh, Flora--I say, Flora, I--"

But an explanation between them was the last thing she wanted just then. She fairly ran, leaving him panting in the wake of her airy skirts.

For the first time since the thing began Clara was left out completely. Flora knew she was even left out of a possibility of listening at the keyhole. For the bright, tight, little room into which Harry followed her was approached by a square entry and a double door. The room itself overhung the garden as a ship's deck overhangs the sea. Leather books and long red curtains were the note of it. She and Harry had often been here together before. Harry had made love to her here, and she had found it pleasurable enough. But the fact that she could recall it now with distaste made this familiar surrounding seem strange, and they themselves strangest of all.

He hadn't got his breath. He had hardly shut the door on them before she began. "Well, something has happened." She had his attention. His other purpose was arrested. "Oh, something extraordinary. I would have told you on the spot, only I thought you would rather Clara didn't know it."

"I?" That left him staring. "What have I to do with it?"

At this she gave him a long look. "It was through you he ever had the chance of seeing me. I mean the blue-eyed Chinaman. He has followed me all the evening. He followed me here to the very door." Flora's array of facts fell so fast, so hard, so pointed, that for a moment they held him speechless in the middle of the room.

Any fleeting suspicion she might have had of his complicity in the Chinaman's pursuit vanished. He showed plain bewilderment. For a moment he was more at sea than herself. The next she saw the shadow of a thought so disturbing that it sharpened his ruddy face to harshness. He stepped toward her. "What did he say to you?" He loomed directly above her, threatening.

"Nothing. He didn't say anything. But I know he followed me quite to the house, for I saw his shadow all the way down the hill."

Harry still breathed quickly. "Where--how did he come across you?"

She'd been prepared for that question.

"I was driving down Sutter Street and he saw me at the carriage window."

Harry stood tense, poised, catching everything as she tossed it off; then as if all at once he felt the full weight of the burden, "Lord!" he said, and let himself down heavily into a chair. It was plain in his helpless stare that he knew exactly what it all meant. Laying her hands on the high chair-arms, leaning down so that she could look into his face, Flora made her thrust.

"What do you think he wants?" she gently asked. It was as if she would coax it out of him. His answer was correspondingly low and soft.

"It's that damned ring."

She heard her secret fear spoken aloud with such assurance that she waited, certain at the next moment Harry's voice would people the silence with all the facts that had so far escaped her. But when, after a moment of looking before him he did speak, he went back to the beginning, which they both knew.

"You know he didn't want to part with it in the first place."

"Yes, yes; but he did," Flora insisted.

"Well," he answered quickly, "but that was before--" He caught himself and went on with a scarcely perceptible break: "He may have had a better offer for it since."

He couldn't have put it more mildly, and yet that temperate phrase brought back to her in a flash a windy night full of raucous voices and the great figures in the paper that had covered half a page--the reward for the Crew Idol. Could it be that--that sum so overwhelming to human caution and human decency which Harry had cloaked by his grudging phrase "some better offer"? What else could he mean? And what else could the blue-eyed Chinaman mean by his strange pursuit of her?

"Some one must have wanted it awfully," Flora tried again, keeping step with his mild admission.

Harry covered her with an impressive stare. "There's something queer about that ring," he nodded to her. He was going to tell her at last! She gazed at him in expectation, but presently she realized that nothing more was coming. He had stopped at the beginning. She tried to urge him on.

"Queer, what do you mean?" She was feigning surprise.

He looked at her cautiously. "Why, you must have noticed it yourself when we were at the shop. And now, to-night, his having followed you."

She could see him hesitate, choosing his words. She knew well enough her own fear of saying too much--but, what was Harry afraid of? Did he suspect her feeling for Kerr? Was that why he was holding back, leaving out, giving her the small, expurgated version of what he knew. She tried again, making it plainer.

"You think the ring is something he ought not to have had; something that belongs somewhere else?"

He looked away from her, around the room, as if to pick up his answer from some of the corners. "Well, anyway, it's lucky we waited about that setting," he said with quick irrelevance. "If you're going to be annoyed in this way you'd better let me have it."

Why hadn't she thought of that! It was what any man might say, after hearing such a story as hers, yet it was the last thing she had thought of, and the last thing she wanted.

"Oh, leave it with me," she quavered, "at least till you're sure!"

"Oh, no!" He gave his head a quick, decided shake. "If something should come out you wouldn't want to be mixed up in it."

"Then why not give it back to the Chinaman?" she tried him.

"Oh, that's ridiculous." He was in a passion. His darkening eyes, his swelling nostrils, his aspect so out of proportion to her mild and almost playful suggestion, frightened her. He saw it and instantly his mood dropped to mere irritation. "Oh, Flora, don't make a scene about it. This thing has been on my mind for days--the thought that you had the ring. I was afraid I had no business to let you have it in the first place, and what you've told me to-night has clean knocked me out. I don't know what I'm saying. Come, let me have it; and if there's anything queer about the business, at least we'll get it cleared up."

But, smiling, she retreated before him.

"Why, Flora," he argued, half laughing, but still with that dry end of irritation in his voice, "what on earth do you want to keep the thing for?"

By this time she backed against the window, and faced him. "Why, it's my engagement ring."

He looked at her. She couldn't tell whether he was readiest to laugh or rage.

"You gave it to me for that," she pleaded. "Why shouldn't I keep it, until you give me a real reason for giving it up? If you really know anything, why don't you tell me?" She was sure she had him there; but he burst out at last:

"Well, for a fact, I know it is stolen!" He leaned toward her; and his arms, still flung out with the hands open as argument had left them, seemed to her frightened eyes all ready for her, ready with his last argument, his strength.

Once before she had feared herself face to face with the same threat in the eyes and body of another man, but here, her only fear was lest Harry should get the sapphire away from her. His doing so would dash down no ideal of him. It was mere physical terror that made her tremble and raise her hand to her breast. Instantly she saw how she had betrayed the sapphire again. He had taken hold of her wrist, and, twist as she might, he held it, horribly gentle.

She pressed back against the glass until she felt it hard behind her.

"Harry," she whispered, "if you care anything, if you ever want me for yours, you'll take your hands away." She meant it; she was sincere in that moment, for all she shrank from him. Her body and mind would not have been too great a price to give him for the sapphire.

But these he seemed to set aside as trivial. These he expected as a matter of course; he was going to have that other thing, too--the thing she had clung to as a man clings to life; and that now, parting from, she would give up not without a struggle as sharp as that with which the body gives up breath. She wrestled. He seemed all hands. He put aside her struggles, her pleadings, as if they were thistle-down.

Then all at once she felt his arm around her neck. She couldn't move her body. She could only turn her head from his hot breath. For a moment he held her, and yet another moment; and then, terrified at what this strange immobility might mean, she raised her eyes and saw he was not looking at her. Though he held her fast he was not conscious of her. Straight over her head he looked, through the window and down, into the garden. Her eyes followed. It lay beneath, the wonder of its morning aspect all blanched and dim. She saw the silhouette of rose branches in black on the sky. She saw the flowers and bushes all one dull tone. But in the midst of them the oval of the path shone white; and there, as in the afternoon, standing, looking upward, was the dark figure of a man.

Her heart gave a great leap. Just so she'd been summoned once before that day, but what infernal freak had fetched him back to repeat that dangerous sally, and brought him finally into his enemy's grasp? She tried to make a gesture to warn him, and just there Harry released her, dropped her so that she half fell upon the window-seat, and made a dash across the room for the light. In a moment they were in darkness. In a moment, to Flora pressed against the window, the garden sprang clear, and on the formless figure below the face appeared, white in the starlight looking up. She cried out in wonder. It was not Kerr. It was the blue-eyed Chinaman.

After her haunted drive, after her escape, after Shima's search, he was there, still inexorably there; small, diminished by the great façade of the house, but looking up at it with his calm eye, surveying it, measuring its height, numbering its doors, trying its windows. Harry was beside her again. He was tugging frantically at the window. It resisted. She saw his hands trembling while he wrestled with it. Then it went shrieking up and he leaned out.

"What do you want?" he called, and, though he used no name, Flora saw he knew with whom he was speaking. The Chinaman stood immobile, lifting his round, white face, whose mouth seemed to gape a little. Harry leaned far out and lowered his voice.

"Go away, Joe! Don't come here; never come here!" There was a quiver in his voice. Anger or apprehension, or both, whatever his passion was, for the moment it overwhelmed him, and as the Chinaman stood unmoved, unmoving, at his commands, Harry turned sharp from the window and dashed out of the room. Flora heard him running, running down the stairs. She hung there breathless, waiting to see him meet the motionless figure; but while she looked and waited that motionless figure suddenly took life. It moved, it turned, it flitted, it mixed with shadows, became a shadow; and then there was nothing there.

Nothing was there when Harry burst out of the garden door and stood staring in the empty oval. How distracted, how violent he looked, balked of his prey! He was stalking the garden, beating the bushes, walking up and down. All at once he stopped and raised a white baffled face to her window. She shrank away. _She_ was in peril of Harry now. He knew her no longer innocent. She had held the ring against him in the face of the fact he had told her it was stolen. And he must guess her motive. He must suspect her now.

In her turn she ran, up and up a twisted side stair, shortest passage to her own rooms. At least lock and key could keep her safe for the next few hours. After that she must think of something else.

XX

FLIGHT

By five o'clock in the morning she was already moving softly to and fro, so softly as not to rouse the sleeping Marrika. By seven her lightest bag was packed, herself was bathed, brushed, dressed even to hat and gloves, and standing at her window with all the listening alert look of one in a waiting-room expecting a train. She was watching for the city to begin to stir; watching for enough traffic below in the streets to make her own movement there not too noticeable. Yet every moment she waited she was in terror lest her fate should take violent form at last and assail her in the moment of escape. She listened for a foot ascending to her room with a message from Clara demanding an audience. She listened for the peal of the electric bell under Harry's hasty hand--Harry, arrived even at this unwarranted hour with Heaven knew what representative of law to force the sapphire from her.

But all her household was still unstirring when at last she went, soft step after step, down the broad and polished stair and across the empty hall. She went quiet, direct, determined, not at all as she had fled on her other perilous enterprise only yesterday. She shut the outer door after her without a sound and with great relief breathed in the fresh and faintly smoky air of morning.