Skip to content

Chapter I

Text size

Mr Holcroft, as he had intended, let part of his house, in Southampton Buildings, to lodgers. Among other inmates, were Miss Kemble (afterwards Mrs. Whitelocke) and his friend N——. Holcroft used to take frequent opportunities of urging this gentleman to devote his talents to works of taste and imagination, and his mind teemed with the plots of comedies and subjects of novels, which he wished his friend to write. But as Mr N——’s pursuits were of a totally different kind, it generally happened that Holcroft himself, in the end, executed the works which he had planned for another. Of this kind was his first novel, entitled Alwyn, or, the Gentleman Comedian, which it was originally intended that Mr N. should compile from materials to be furnished by Holcroft, but of which he, in fact, only wrote a few short letters, evidently very much _against the grain_.

This novel came out in the year 1780, in two small volumes, and was printed for Fielding and Walker. What terms he procured for it with the bookseller, I do not know: its success was very moderate; and it was to his own novel that Mr Holcroft alludes, when he complains, in Hugh Trevor, that Wilmot’s novel had been characterized in the Monthly Review, as ‘a vulgar narrative of uninteresting occurrences.’

The most curious part of it is the account which Mr Holcroft has inserted of some of his own adventures as a strolling actor; for he himself is not the _Gentleman Comedian_. He has disguised his own name under that of Hilkirk, and Alwyn is the hero of the piece. The story is as follows: Alwyn, a young man, who is patronized by a Mr Stamford, in consequence of the friendship which had subsisted between him and Alwyn’s father, who had saved his life, falls in love with Maria, the daughter of his guardian or master. His passion preys upon his health; and, in order to conceal it from the family, and to try what absence may do towards effecting a cure, he determines to leave his patron’s house, and commence comedian. Young Stamford, Maria’s brother, is alone in the secret, and is the person to whom Alwyn addresses the account of his subsequent adventures. Mr Hilkirk, on whose story our author has chosen to ingraft his own, in like manner, falls in love with his master’s niece, is on this account, and for his frequenting sporting clubs and billiard rooms, discarded from his service as a clerk, and betakes himself to the stage. These two romantic youths correspond together, and endeavour to console one another, by comparing their mutual mishaps,—the pains of absence, poverty, and hopeless love. Alwyn proceeds to Kendal, where he is received by the inhabitants with extraordinary marks of attention; is supposed to be a gentleman in disguise; is envied by the players; and being invited to the assembly (a distinction never before allowed to any comedian), dances with a young, rich, lively widow, a West-Indian, who falls in love with him, and makes him an offer of her hand and fortune. This the youth politely declines, his affections being irrevocably engaged to another; and, in consequence of this, the lady being piqued by his refusal, enters into a plot against him in concert with one of the players (a veteran in the corps, who was offended that the part of Romeo, which he had played _for fifty years_, should be taken from him, and given to Alwyn). His pocket-book is searched; the name of the lady’s rival is discovered; and a letter is dispatched to old Stamford, informing him of the liberties which Mr Alwyn is said to have taken with his daughter’s name, and the equal presumption he had shewn in paying his addresses to the anonymous writer of the epistle. This letter, which is believed, gives a death-blow to his hopes. Maria Stamford, who had secretly returned his passion, is ashamed of her folly; the father is shocked; and the brother is incensed at the baseness and ingratitude of his friend. Another lover is now provided for Alwyn’s mistress, the son of a Mr Maitland, a rattling, thoughtless young fellow, who is not half sentimental enough for the young lady; and is accordingly rejected by her. The father of young Maitland is represented as an odd character, a half-crazy humourist, who, like the people of Laputa, makes every thing a subject of mathematical demonstration. He calculates the height and size of meteors, and is made to follow every _ignis fatuus_ that he sees, through bog and briar. His graceless son ties a lantern to the house-dog’s tail, and sends his father on a bootless chase after it: the dog escapes from his keeper, gets in at the library window with his meteorological apparatus about him, and sets fire to the house. Maitland-Hall is converted into a heap of ruins; and what is worse, Mr Maitland’s strong-box, containing nearly all his property, is lost. Mr Stamford, his son, and daughter, are on a visit there at the time; and Maria Stamford must have perished in the flames, but that Alwyn, the ungrateful, the supposed worthless Alwyn, who had left the Kendal company, and was travelling homeward, happens, at that instant, to be passing by, and comes in time to rescue his lovely mistress from the flames. He however remains unknown, and pursues his journey. Tom Maitland’s fortune being thus dissipated by his frolic, it becomes a point of honour that Maria should give up her scruples, and join her hand to his; when this, now almost inevitable event, is put a stop to by a discovery,—that it was not the dog Pompey that had set fire to the house, but a gang of thieves, who had committed this flagrant act in order to carry off old Maitland’s strong box: that they had been detected, and their prize secured by the vigilance and activity of Alwyn’s friend, Hilkirk, who now appears to be the son of his former master, Seldon, and who is rewarded with the hand of his old sweet-heart, Julia Gowland, for the difficulties he has had to encounter, and to which he was purposely exposed by his father to enable him to bear adversity, and make a man of him. At the same time, Alwyn is recognized by a rich uncle, who adopts him as his heir; the story of the anonymous letter, and of his pretended treachery, is cleared up, and the whole ends happily in marriage.

There is in this story neither much probability nor much invention. The characters, such as they are, are tolerably supported: but some of the attempts at humour which are inserted, shock all common sense. Such are the accounts of the school-master, the methodist parson, the mathematical calculation of the reasons for marrying, etc. These however were not written by Holcroft, but by his friend. The reason, why men of real and great abilities do not succeed in different kinds of writing, is perhaps, less for want of power, than of industry and inclination. They naturally set the highest value on that department of taste or genius, to which they have devoted themselves, and they have not respect enough for any other to take the pains necessary to excel in it. Thus the philosopher and man of science is apt to think he pays a sufficient compliment to the efforts of humour or fancy, if he only unbends his mind to engage in them; that any thing is good enough for a novel, or poem; and that the absence of wisdom is wit.

The character of Handford, Alwyn’s uncle, is the most amusing and original in the work: let it speak for itself.

This gentleman had conceived the idea of establishing a humane asylum for animals, the consequences of which he describes thus:

‘I am pestered, plagued, teazed, tormented to death. I believe all the cats in Christendom are assembled in Oxfordshire. I am obliged to hire a clerk to pay the people, and the village where I live, is become a constant fair. A fellow has set up the sign of the three Blind Kittens, and has the impudence to tell the neighbours, that if my whims and my money only hold out for one twelve-month, he shall not care a fig for the king. I thought to prevent this inundation, by buying up all the old cats, and secluding them in convents and monasteries of my own: but the value of the breeders is increased to such a degree, that I do not believe my whole fortune is capable of the purchase.—Besides, I am made an ass of. A rascal, who is a known sharper in these parts, hearing of the aversion I had to cruelty, bought an old, one-eyed horse, that was going to the dogs, for five shillings. Then taking a hammer in his hand, watched an opportunity of finding me alone, and addressed me in the following manner: “Look you, master, I know that you don’t love to see any dumb creature abused, and so, if you don’t give me ten pounds, why I shall scoop out this old rip’s odd eye, with the sharp end of this here hammer, now, before your face.” Aye, and the villain would have done it too, if I had not instantly complied: but what was worse, the abominable scoundrel had the audacity to tell me, when I wanted him to deliver the horse first, for fear he should extort a farther sum from me, that he had more honour than to break his word. A whelp of a boy had yesterday caught a young hedgehog, and perceiving me, threw it into the water to make it extend its legs; then with the rough side of a knotty stick, sawed upon them till the creature cried like a child; and when I ordered him to desist, told me he would not, till I had given him six-pence. There is something worse than all this. The avaricious rascals, when they can find nothing that they think will excite my pity, disable the first animal which is not dignified with the title of Christian; and then bring it to me as an object worthy of commiseration; so that in fact, instead of protecting, I destroy. The women have entertained a notion that I hate two-legged animals: and one of them called after me the other day, to tell me I was an old rogue, and that I had better give my money to the poor, than keep a parcel of dogs and cats that eat up the village. I perceive it is in vain to attempt carrying on the scheme much longer, and then my poor invalids will be worse off than they were before.’

This account was probably intended by the author as an indirect satire upon his friend Ritson’s arguments on the inhumanity of eating animal food.

Mr Holcroft may now be considered as having commenced regular author; or in other words, he now began to write constantly for the booksellers. He was employed by them to write a pamphlet, under the name of Wm. Vincent, Esq. of Gray’s Inn, containing an account of the riots in 1780. For this purpose he had attended the trials at the Old Bailey, where he was the means of saving the life of an innocent man, who was brought there as a prisoner. I have heard Mr Holcroft mention this circumstance, with tears of pleasure at the recollection. One of his most habitual feelings was a strong sense of the value of human life; and his having been in more than one instance an instrument in saving it, was a subject of the most grateful reflection to him.

A young man was brought to the bar, and tried as one of the rioters. The witness against him swore, that as he was standing in a shop, where he had taken refuge, at the bottom of Holborn, he saw the prisoner coming down Holborn Hill, at the head of a body of rioters, with a drawn sword in his hand, which he brandished furiously in the air. The witness swore positively to the facts, and there is little doubt that the prisoner would have been found guilty, if by great good fortune Mr Holcroft, who was taking notes of the evidence, had not recollected the prisoner’s face. He felt himself much agitated while the evidence was giving; and when it was over, he addressed the judge, and begged that he might be admitted as an evidence, for that he had something very material to depose to the prisoner’s innocence. He then declared that he had been present at the real transaction; that he had been standing at the corner of one of the streets near the bottom of Holborn, when the rioters passed; that the prisoner was not one of them, but that some time after they were gone by, he had seen the prisoner, who was walking quietly along the street, pick up a sword, which had probably been dropped in some scuffle by one of the rioters, and carry it away with him. This he said was the whole of the transaction, and that the circumstances of his marching at the head of the mob, and brandishing the sword in a threatening manner, were utterly false. This evidence was so clear and satisfactory, that the man was acquitted. Loughborough was the judge on this occasion. Mr Holcroft used to mention another anecdote which happened at the same time, when the prisoners were tried and convicted in that wholesale way, and upon such slender evidence, that it was not easy for them to escape, whether guilty or not. A man with a strong, stern, sensible countenance, after sentence of condemnation had been passed upon him, muttered to himself, in a scarcely audible voice, and evidently without intending to excite any one’s notice; ‘Short and sweet—innocent by G—d!’

Comments

Log in to leave a comment.

The collected works of William Hazlitt, Vol. 02 (of 12)Chapter I

0%10 min left in chapter