Chapter XXII: Letter V (16)

An instance of what we mean occurred but the other day. An allusion was made in the House of Commons to something in the proceedings in the Court of Chancery, and the Lord Chancellor comes to his place in the Court, with the statement in his hand, fire in his eyes, and a direct charge of falsehood in his mouth, without knowing any thing certain of the matter, without making any inquiry into it, without using any precaution or putting the least restraint upon himself, and all on no better authority than a common newspaper report. The thing was (not that we are imputing any strong blame in this case, we merely bring it as an illustration) it touched himself, his office, the inviolability of his jurisdiction, the unexceptionableness of his proceedings, and the wet blanket of the Chancellor’s temper instantly took fire like tinder! All the fine balancing was at an end; all the doubts, all the delicacy, all the candour real or affected, all the chances that there might be a mistake in the report, all the decencies to be observed towards a Member of the House, are overlooked by the blindness of passion, and the wary Judge pounces upon the paragraph without mercy, without a moment’s delay, or the smallest attention to forms! This was indeed serious business, there was to be no trifling here; every instant was an age till the Chancellor had discharged his sense of indignation on the head of the indiscreet interloper on his authority. Had it been another person’s case, another person’s dignity that had been compromised, another person’s conduct that had been called in question, who doubts but that the matter might have stood over till the next term, that the Noble Lord would have taken the Newspaper home in his pocket, that he would have compared it carefully with other newspapers, that he would have written in the most mild and gentlemanly terms to the Honourable Member to inquire into the truth of the statement, that he would have watched a convenient opportunity good-humouredly to ask other Honourable Members what all this was about, that the greatest caution and fairness would have been observed, and that to this hour the lawyers’ clerks and the junior counsel would have been in the greatest admiration of the Chancellor’s nicety of discrimination, and the utter inefficacy of the heats, importunities, haste, and passions of others to influence his judgment? This would have been true; yet his readiness to decide and to condemn where he himself is concerned, shows that passion is not dead in him, nor subject to the control of reason; but that self-love is the mainspring that moves it, though on all beyond that limit he looks with the most perfect calmness and philosophic indifference.

‘Resistless passion sways us to the mood
Of what it likes or loaths.’

All people are passionate in what concerns themselves, or in what they take an interest in. The range of this last is different in different persons; but the want of passion is but another name for the want of sympathy and imagination.

The Lord Chancellor’s impartiality and conscientious exactness are proverbial; and is, we believe, as inflexible as it is delicate in all cases that occur in the stated routine of legal practice. The impatience, the irritation, the hopes, the fears, the confident tone of the applicants move him not a jot from his intended course, he looks at their claims with the ‘lack lustre eye’ of professional indifference. Power and influence apart, his next strongest passion is to indulge in the exercise of professional learning and skill, to amuse himself with the dry details and intricate windings of the law of equity. He delights to balance a straw, to see a feather turn the scale, or make it even again; and divides and subdivides a scruple to the smallest fraction. He unravels the web of argument and pieces it together again; folds it up and lays it aside, that he may examine it more at his leisure. He hugs indecision to his breast, and takes home a modest doubt or a nice point to solace himself with it in protracted, luxurious dalliance. Delay seems, in his mind, to be of the very essence of justice. He no more hurries through a question than if no one was waiting for the result, and he was merely a _dilettanti_, fanciful judge, who played at my Lord Chancellor, and busied himself with quibbles and punctilios as an idle hobby and harmless illusion. The phlegm of the Chancellor’s disposition gives one almost a surfeit of impartiality and candour: we are sick of the eternal poise of childish dilatoriness; and would wish law and justice to be decided at once by a cast of the dice (as they were in Rabelais) rather than be kept in frivolous and tormenting suspense. But there is a limit even to this extreme refinement and scrupulousness of the Chancellor. The understanding acts only in the absence of the passions. At the approach of the loadstone, the needle trembles, and points to it. The air of a political question has a wonderful tendency to brace and quicken the learned Lord’s faculties. The breath of a court speedily oversets a thousand objections, and scatters the cobwebs of his brain. The secret wish of power is a thumping _make-weight_, where all is so nicely balanced beforehand. In the case of a celebrated beauty and heiress, and the brother of a Noble Lord, the Chancellor hesitated long, and went through the forms, as usual: but who ever doubted, where all this indecision would end? No man in his senses, for a single instant! We shall not press this point, which is rather a ticklish one. Some persons thought that from entertaining a fellow-feeling on the subject, the Chancellor would have been ready to favour the Poet-Laureate’s application to the Court of Chancery for an injunction against Wat Tyler. His Lordship’s sentiments on such points are not so variable, he has too much at stake. He recollected the year 1794, though Mr. Southey had forgotten it!—

The personal always prevails over the intellectual, where the latter is not backed by strong feeling and principle. Where remote and speculative objects do not excite a predominant interest and passion, gross and immediate ones are sure to carry the day, even in ingenuous and well-disposed minds. The will yields necessarily to some motive or other; and where the public good or distant consequences excite no sympathy in the breast, either from shortsightedness or an easiness of temperament that shrinks from any violent effort or painful emotion, self-interest, indolence, the opinion of others, a desire to please, the sense of personal obligation, come in and fill up the void of public spirit, patriotism, and humanity. The best men in the world in their own natural dispositions or in private life (for this reason) often become the most dangerous public characters, from their pliancy to the unruly passions of others, and from their having no set-off in strong moral _stamina_ to the temptations that are held out to them, if, as is frequently the case, they are men of versatile talent or patient industry.—Lord Eldon has one of the best-natured faces in the world; it is pleasant to meet him in the street, plodding along with an umbrella under his arm, without one trace of pride, of spleen, or discontent in his whole demeanour, void of offence, with almost rustic simplicity and honesty of appearance—a man that makes friends at first sight, and could hardly make enemies, if he would; and whose only fault is that he cannot say _Nay_ to power, or subject himself to an unkind word or look from a King or a Minister. He is a thorough-bred Tory. Others boggle or are at fault in their career, or give back at a pinch, they split into different factions, have various objects to distract them, their private friendships or antipathies stand in their way; but he has never flinched, never gone back, never missed his way, he is an _out-and-outer_ in this respect, his allegiance has been without flaw, like ‘one entire and perfect chrysolite,’ his implicit understanding is a kind of taffeta-lining to the Crown, his servility has assumed an air of the most determined independence, and he has

‘Read his history in a Prince’s eyes!’—

There has been no stretch of power attempted in his time that he has not seconded: no existing abuse, so odious or so absurd, that he has not sanctioned it. He has gone the whole length of the most unpopular designs of Ministers. When the heavy artillery of interest, power, and prejudice is brought into the field, the paper pellets of the brain go for nothing: his labyrinth of nice, lady-like doubts explodes like a mine of gunpowder. The Chancellor may weigh and palter—the courtier is decided, the politician is firm, and rivetted to his place in the Cabinet! On all the great questions that have divided party opinion or agitated the public mind, the Chancellor has been found uniformly and without a single exception on the side of prerogative and power, and against every proposal for the advancement of freedom. He was a strenuous supporter of the wars and coalitions against the principles of liberty abroad; he has been equally zealous in urging or defending every act and infringement of the Constitution, for abridging it at home: he at the same time opposes every amelioration of the penal laws, on the alleged ground of his abhorrence of even the shadow of innovation: he has studiously set his face against Catholic emancipation; he laboured hard in his vocation to prevent the abolition of the Slave Trade; he was Attorney-General in the trials for High Treason in 1794; and the other day in giving his opinion on the Queen’s Trial, shed tears and protested his innocence before God! This was natural and to be expected; but on all occasions he is to be found at his post, true to the call of prejudice, of power, to the will of others and to his own interest. In the whole of his public career, and with all the goodness of his disposition, he has not shown ‘so small a drop of pity as a wren’s eye.’ He seems to be on his guard against every thing liberal and humane as his weak side. Others relax in their obsequiousness either from satiety or disgust, or a hankering after popularity, or a wish to be thought above narrow prejudices. The Lord Chancellor alone is fixed and immovable. Is it want of understanding or of principle? No—it is want of imagination, a phlegmatic habit, an excess of false complaisance and good-nature. He signs a warrant in Council, devoting ten thousand men to an untimely death, with steady nerves—Is it that he is cruel and unfeeling? No!—but he thinks neither of their sufferings nor their cries; he sees only the gracious smile, the ready hand stretched out to thank him for his compliance with the dictates of rooted hate. He dooms a Continent to slavery. Is it that he is a tyrant, or an enemy to the human race? No!—but he cannot find in his heart to resist the commands or to give pain to a kind and generous benefactor. Common sense and justice are little better than vague terms to him: he acts upon his immediate feelings and least irksome impulses. The King’s hand is velvet to the touch—the Woolsack is a seat of honour and profit! That is all he knows about the matter. As to abstract metaphysical calculations, the ox that stands staring at the corner of the street troubles his head as much about them as he does: yet this last is a very good sort of animal with no harm or malice in him, unless he is goaded on to mischief, and then it is necessary to keep out of his way, or warn others against him!

Mr. Wilberforce is a less perfect character in his way. He acts from mixed motives. He would willingly serve two masters, God and Mammon. He is a person of many excellent and admirable qualifications, but he has made a mistake in wishing to reconcile those that are incompatible. He has a most winning eloquence, specious, persuasive, familiar, silver-tongued, is amiable, charitable, conscientious, pious, loyal, humane, tractable to power, accessible to popularity, honouring the king, and no less charmed with the homage of his fellow-citizens. ‘What lacks he then?’ Nothing but an economy of good parts. By aiming at too much, he has spoiled all, and neutralised what might have been an estimable character, distinguished by signal services to mankind. A man must take his choice not only between virtue and vice, but between different virtues. Otherwise, he will not gain his own approbation, or secure the respect of others. The graces and accomplishments of private life mar the man of business and the statesman. There is a severity, a sternness, a self-denial, and a painful sense of duty required in the one, which ill-befits the softness and sweetness which should characterise the other. Loyalty, patriotism, friendship, humanity, are all virtues; but may they not sometimes clash? By being unwilling to forego the praise due to any, we may forfeit the reputation of all; and, instead of uniting the suffrages of the whole world in our favour, we may end in becoming a sort of by-word for affectation, cant, hollow professions, trimming, fickleness, and effeminate imbecility. It is best to choose and act up to some one leading character, as it is best to have some settled profession or regular pursuit in life.

We can readily believe that Mr. Wilberforce’s first object and principle of action is to do what he thinks right: his next (and that we fear is of almost equal weight with the first) is to do what will be thought so by other people. He is always at a game of _hawk and buzzard_ between these two: his ‘conscience will not budge,’ unless the world goes with it. He does not seem greatly to dread the denunciation in Scripture, but rather to court it—‘Woe unto you, when all men shall speak well of you!’ We suspect he is not quite easy in his mind, because West-India planters and Guinea traders do not join in his praise. His ears are not strongly enough tuned to drink in the execrations of the spoiler and the oppressor as the sweetest music. It is not enough that one-half of the human species (the images of God carved in ebony, as old Fuller calls them) shout his name as a champion and a saviour through vast burning zones, and moisten their parched lips with the gush of gratitude for deliverance from chains—he must have a Prime-Minister drink his health at a Cabinet-dinner for aiding to rivet on those of his country and of Europe! He goes hand and heart along with Government in all their notions of legitimacy and political aggrandizement, in the hope that they will leave him a sort of _no-man’s ground_ of humanity in the Great Desert, where his reputation for benevolence and public spirit may spring up and flourish, till its head touches the clouds, and it stretches out its branches to the farthest part of the earth. He has no mercy on those who claim a property in negro-slaves as so much live-stock on their estates; the country rings with the applause of his wit, his eloquence, and his indignant appeals to common sense and humanity on this subject—but not a word has he to say, not a whisper does he breathe against the claim set up by the Despots of the Earth over their Continental subjects, but does every thing in his power to confirm and sanction it! He must give no offence. Mr. Wilberforce’s humanity will go all lengths that it can with safety and discretion: but it is not to be supposed that it should lose him his seat for Yorkshire, the smile of Majesty, or the countenance of the loyal and pious. He is anxious to do all the good he can without hurting himself or his fair fame. His conscience and his character compound matters very amicably. He rather patronises honesty than is a martyr to it. His patriotism, his philanthropy are not so ill-bred, as to quarrel with his loyalty or to banish him from the first circles. He preaches vital Christianity to untutored savages; and tolerates its worst abuses in civilized states. He thus shows his respect for religion without offending the clergy, or circumscribing the sphere of his usefulness. There is in all this an appearance of a good deal of cant and tricking. His patriotism may be accused of being servile; his humanity ostentatious; his loyalty conditional; his religion a mixture of fashion and fanaticism. ‘Out upon such half-faced fellowship!’ Mr. Wilberforce has the pride of being familiar with the great; the vanity of being popular; the conceit of an approving conscience. He is coy in his approaches to power: his public spirit is, in a manner, _under the rose_. He thus reaps the credit of independence, without the obloquy; and secures the advantages of servility, without incurring any obligations. He has two strings to his bow:—he by no means neglects his worldly interests, while he expects a bright reversion in the skies. Mr. Wilberforce is far from being a hypocrite; but he is, we think, as fine a specimen of _moral equivocation_ as can well be conceived. A hypocrite is one who is the very reverse of, or who despises the character he pretends to be: Mr. Wilberforce would be all that he pretends to be, and he is it in fact, as far as words, plausible theories, good inclinations, and easy services go, but not in heart and soul, or so as to give up the appearance of any one of his pretensions to preserve the reality of any other. He carefully chooses his ground to fight the battles of loyalty, religion, and humanity, and it is such as is always safe and advantageous to himself! This is perhaps hardly fair, and it is of dangerous or doubtful tendency. Lord Eldon, for instance, is known to be a thorough-paced ministerialist: his opinion is only that of his party. But Mr. Wilberforce is not a party-man. He is the more looked up to on this account, but not with sufficient reason. By tampering with different temptations and personal projects, he has all the air of the most perfect independence, and gains a character for impartiality and candour, when he is only striking a balance in his mind between the _éclat_ of differing from a Minister on some ‘vantage ground, and the risk or odium that may attend it. He carries all the weight of his artificial popularity over to the Government on vital points and hardrun questions; while they, in return, lend him a little of the gilding of court-favour to set off his disinterested philanthropy and tramontane enthusiasm. As a leader or a follower, he makes an odd jumble of interests. By virtue of religious sympathy, he has brought the Saints over to the side of the abolition of Negro slavery. This his adversaries think hard and stealing a march upon them. What have the SAINTS to do with freedom or reform of any kind?—Mr. Wilberforce’s style of speaking is not quite _parliamentary_, it is halfway between that and _evangelical_. He is altogether a _double-entendre_: the very tone of his voice is a _double-entendre_. It winds, and undulates, and glides up and down on texts of Scriptures, and scraps from Paley, and trite sophistry, and pathetic appeals to his hearers in a faltering, in-progressive, side-long way, like those birds of weak wing, that are borne from their strait-forward course

‘By every little breath that under heaven is blown.’

Something of this fluctuating, time-serving principle was visible even in the great question of the Abolition of the Slave Trade. He was, at one time, half inclined to surrender it into Mr. Pitt’s dilatory hands, and seemed to think the gloss of novelty was gone from it, and the gaudy colouring of popularity sunk into the _sable_ ground from which it rose! It was, however, persisted in and carried to a triumphant conclusion. Mr. Wilberforce said too little on this occasion of one, compared with whom he was but the frontispiece to that great chapter in the history of the world—the mask, the varnishing, and painting—the man that effected it by Herculean labours of body, and equally gigantic labours of mind, was Clarkson, the true Apostle of human Redemption on that occasion, and who, it is remarkable, resembles in his person and lineaments more than one of the Apostles in the _Cartoons_ of Raphael. He deserves to be added to the Twelve![59]

MR. COBBETT.

People have about as substantial an idea of Cobbett as they have of Cribb. His blows are as hard, and he himself is as impenetrable. One has no notion of him as making use of a fine pen, but a great mutton-fist; his style stuns his readers, and he ‘fillips the ear of the public with a three-man beetle.’ He is too much for any single newspaper antagonist; ‘lays waste’ a city orator or Member of Parliament, and bears hard upon the Government itself. He is a kind of _fourth estate_ in the politics of the country. He is not only unquestionably the most powerful political writer of the present day, but one of the best writers in the language. He speaks and thinks plain, broad, downright English. He might be said to have the clearness of Swift, the naturalness of Defoe, and the picturesque satirical description of Mandeville; if all such comparisons were not impertinent. A really great and original writer is like nobody but himself. In one sense, Sterne was not a wit, nor Shakespear a poet. It is easy to describe second-rate talents, because they fall into a class and enlist under a standard: but first-rate powers defy calculation or comparison, and can be defined only by themselves. They are _sui generis_, and make the class to which they belong. I have tried half-a-dozen times to describe Burke’s style without ever succeeding;—its severe extravagance; its literal boldness; its matter-of-fact hyperboles; its running away with a subject, and from it at the same time—but there is no making it out, for there is no example of the same thing any where else. We have no common measure to refer to; and his qualities contradict even themselves.

Cobbett is not so difficult. He has been compared to Paine; and so far it is true there are no two writers who come more into juxtaposition from the nature of their subjects, from the internal resources on which they draw, and from the popular effect of their writings and their adaptation (though that is a bad word in the present case) to the capacity of every reader. But still if we turn to a volume of Paine’s (his Common Sense or Rights of Man) we are struck (not to say somewhat refreshed) by the difference. Paine is a much more sententious writer than Cobbett. You cannot open a page in any of his best and earlier works without meeting with some maxim, some antithetical and memorable saying, which is a sort of starting-place for the argument, and the goal to which it returns. There is not a single _bon-mot_, a single sentence in Cobbett that has ever been quoted again. If any thing is ever quoted from him, it is an epithet of abuse or a nickname. He is an excellent hand at invention in that way, and has ‘damnable iteration in him.’ What could be better than his pestering Erskine year after year with his second title of Baron Clackmannan? He is rather too fond of such phrases as _the Sons and Daughters of Corruption_. Paine affected to reduce things to first principles, to announce self-evident truths. Cobbett troubles himself about little but the details and local circumstances. The first appeared to have made up his mind beforehand to certain opinions, and to try to find the most compendious and pointed expressions for them: his successor appears to have no clue, no fixed or leading principles, nor ever to have thought on a question till he sits down to write about it: but then there seems no end of his matters of fact and raw materials, which are brought out in all their strength and sharpness from not having been squared or frittered down or vamped up to suit a theory—he goes on with his descriptions and illustrations as if he would never come to a stop; they have all the force of novelty with all the familiarity of old acquaintance; his knowledge grows out of the subject, and his style is that of a man who has an absolute intuition of what he is talking about, and never thinks of any thing else. He deals in premises and speaks to evidence—the coming to a conclusion and summing up (which was Paine’s _forte_) lies in a smaller compass. The one could not compose an elementary treatise on politics to become a manual for the popular reader; nor could the other in all probability have kept up a weekly journal for the same number of years with the same spirit, interest, and untired perseverance. Paine’s writings are a sort of introduction to political arithmetic on a new plan: Cobbett keeps a day-book, and makes an entry at full of all the occurrences and troublesome questions that start up throughout the year. Cobbett, with vast industry, vast information, and the utmost power of making what he says intelligible, never seems to get at the beginning or come to the end of any question: Paine in a few short sentences seems by his peremptory manner ‘to clear it from all controversy, past, present, and to come.’ Paine takes a bird’s-eye view of things.—Cobbett sticks close to them, inspects the component parts, and keeps fast hold of the smallest advantages they afford him. Or if I might here be indulged in a pastoral allusion, Paine tries to enclose his ideas in a fold for security and repose; Cobbett lets _his_ pour out upon the plain like a flock of sheep to feed and batten. Cobbett is a pleasanter writer for those to read who do not agree with him; for he is less dogmatical, goes more into the common grounds of fact and argument to which all appeal, is more desultory and various, and appears less to be driving at a previous conclusion than urged on by the force of present conviction. He is therefore tolerated by all parties, though he has made himself by turns obnoxious to all; and even those he abuses read him. The Reformers read him when he was a Tory, and the Tories read him now that he is a Reformer. He must, I think, however, be _caviare_ to the Whigs.[60]

If he is less metaphysical and poetical than his celebrated prototype, he is more picturesque and dramatic. His episodes, which are numerous as they are pertinent, are striking, interesting, full of life and _naïveté_, minute, double measure running over, but never tedious—_nunquam sufflaminandus erat_. He is one of those writers who can never tire us—not even of himself; and the reason is, he is always ‘full of matter.’ He never runs to lees, never gives us the vapid leavings of himself, is never ‘weary, stale, and unprofitable,’ but always setting out afresh on his journey, clearing away some old nuisance, and turning up new mould. His egotism is delightful, for there is no affectation in it. He does not talk of himself for lack of something to write about, but because some circumstance that has happened to himself is the best possible illustration of the subject, and he is not the man to shrink from giving the best possible illustration of the subject from a squeamish delicacy. He likes both himself and his subject too well. He does not put himself before it, and say ‘admire me first’; but places us in the same situation with himself, and makes us see all that he does. There is no blindman’s buff, no conscious hints, no awkward ventriloquism, no testimonies of applause, no abstract, senseless self-complacency, no smuggled admiration of his own person by proxy; it is all plain and above-board. He writes himself plain William Cobbett, strips himself quite as naked as any body could wish—in a word, his egotism is full of individuality, and has room for very little vanity in it. We feel delighted, rub our hands, and draw our chair to the fire, when we come to a passage of this sort: we know it will be something new and good, manly and simple, not the same insipid story of self over again. We sit down at table with the writer, but it is of a course of rich viands—flesh, fish, and wild fowl—and not to a nominal entertainment, like that given to Barmecide in the Arabian Nights, who put off his visitors with calling for a number of exquisite things that never appeared, and with the honour of his company. Mr. Cobbett is not a _make-believe_ writer. His worst enemy cannot say that of him. Still less is he a vulgar one. He must be a puny common-place critic indeed, who thinks him so. How fine were the graphical descriptions he sent us from America: what a transatlantic flavour, what a native _gusto_, what a fine _sauce piquante_ of contempt they were seasoned with! If he had sat down to look at himself in the glass, instead of looking about him like Adam in Paradise, he would not have got up these articles in so capital a style. What a noble account of his first breakfast after his arrival in America! It might serve for a month. There is no scene on the stage more amusing. How well he paints the gold and scarlet plumage of the American birds, only to lament more pathetically the want of the wild wood-notes of his native land! The groves of the Ohio that had just fallen beneath the axe’s stroke, ‘live in his description,’ and the turnips that he transplanted from Botley ‘look green’ in prose! How well at another time he describes the poor sheep that had got the tick, and had tumbled down in the agonies of death! It is a portrait in the manner of Bewick, with the strength, the simplicity, and feeling of that great naturalist. What havoc he makes, when he pleases, of the curls of Dr. Parr’s wig and of the Whig consistency of Mr. ——! His Grammar, too, is as entertaining as a storybook. He is too hard, however, upon the style of others, and not enough (sometimes) on his own.

As a political partisan, no one can stand against him. With his brandished club, like Giant Despair in the Pilgrim’s Progress, he knocks out their brains: and not only no individual, but no corrupt system, could hold out against his powerful and repeated attacks; but with the same weapon, swung round like a flail, with which he levels his antagonists, he lays his friends low, and puts his own party _hors de combat_. This is a bad propensity, and a worse principle in political tactics, though a common one. If his blows were straight forward and steadily directed to the same object, no unpopular minister could live before him; instead of which he lays about right and left, impartially and remorselessly, makes a clear stage, has all the ring to himself, and then runs out of it, just when he should stand his ground. He throws his head into his adversary’s stomach, and takes away from him all inclination for the fight, hits fair or foul, strikes at every thing, and as you come up to his aid or stand ready to pursue his advantage, trips up your heels or lays you sprawling, and pummels you when down as much to his heart’s content as ever the Yanguesian carriers belaboured Rosinante with their packstaves. ‘_He has the back-trick simply the best of any man in Illyria._’ He pays off both scores of old friendship and new-acquired enmity in a breath, in one perpetual volley, one raking fire of ‘arrowy sleet’ shot from his pen. However his own reputation or the cause may suffer in consequence, he cares not one pin about that, so that he disables all who oppose or who pretend to help him. In fact, he cannot bear success of any kind, not even of his own views or party; and if any principle were likely to become popular, would turn round against it, to show his power, in shouldering it on one side. In short, wherever power is, there is he against it; he naturally butts at all obstacles, as unicorns are attracted to oak-trees, and feels his own strength only by resistance to the opinions and wishes of the rest of the world. To sail with the stream, to agree with the company, is not his humour. If he could bring about a Reform in Parliament, the odds are that he would instantly fall foul of and try to mar his own handy-work; and he quarrels with his own creatures as soon as he has written them into a little vogue—and a prison. I do not think this is vanity or fickleness so much as a pugnacious disposition, that must have an antagonist power to contend with, and only finds itself at ease in systematic opposition. If it were not for this, the high towers and rotten places of the world would fall before the battering-ram of his hard-headed reasoning: but if he once found them tottering, he would apply his strength to prop them up, and disappoint the expectations of his followers. He cannot agree to any thing established, nor to set up any thing else in its stead. While it is established, he presses hard against it, because it presses upon him, at least in imagination. Let it crumble under his grasp, and the motive to resistance is gone. He then requires some other grievance to set his face against. His principle is repulsion, his nature contradiction: he is made up of mere antipathies; an Ishmaelite indeed, without a fellow. He is always playing at _hunt-the-slipper_ in politics. He turns round upon whoever is next to him. The way to wean him from any opinion, and make him conceive an intolerable hatred against it, would be to place somebody near him who was perpetually dinning it in his ears. When he is in England, he does nothing but abuse the Boroughmongers, and laugh at the whole system: when he is in America, he grows impatient of freedom and a republic. If he had staid there a little longer, he would have become a loyal and a loving subject of his Majesty King George IV. He lampooned the French Revolution when it was hailed as the dawn of liberty by millions: by the time it was brought into almost universal ill-odour by some means or other (partly no doubt by himself) he had turned, with one or two or three others, staunch Bonapartist. He is always of the militant, not of the triumphant party: so far he bears a gallant show of magnanimity; but his gallantry is hardly of the right stamp: it wants principle. For though he is not servile or mercenary, he is the victim of self-will. He must pull down and pull in pieces: it is not in his disposition to do otherwise. It is a pity; for with his great talents he might do great things, if he would go right forward to any useful object, make thorough-stitch work of any question, or join hand and heart with any principle. He changes his opinions as he does his friends, and much on the same account. He has no comfort in fixed principles: as soon as any thing is settled in his own mind, he quarrels with it. He has no satisfaction but in the chase after truth, runs a question down, worries and kills it, then quits it like vermin, and starts some new game, to lead him a new dance, and give him a fresh breathing through bog and brake, with the rabble yelping at his heels and the leaders perpetually at fault. This he calls sport-royal. He thinks it as good as cudgel-playing or single-stick, or any thing else that has life in it. He likes the cut and thrust, the falls, bruises, and dry blows of an argument: as to any good or useful results that may come of the amicable settling of it, any one is welcome to them for him. The amusement is over, when the matter is once fairly decided.

There is another point of view in which this may be put. I might say that Mr. Cobbett is a very honest man, with a total want of principle; and I might explain this paradox thus, I mean that he is, I think, in downright earnest in what he says, in the part he takes at the time; but in taking that part, he is led entirely by headstrong obstinacy, caprice, novelty, pique or personal motive of some sort, and not by a steadfast regard for truth or habitual anxiety for what is right uppermost in his mind. He is not a feed, time-serving, shuffling advocate (no man could write as he does who did not believe himself sincere)—but his understanding is the dupe and slave of his momentary, violent, and irritable humours. He does not adopt an opinion ‘deliberately or for money’; yet his conscience is at the mercy of the first provocation he receives, of the first whim he takes in his head; he sees things through the medium of heat and passion, not with reference to any general principles, and his whole system of thinking is deranged by the first object that strikes his fancy or sours his temper.—One cause of this phenomenon is perhaps his want of a regular education. He is a self-taught man, and has the faults as well as excellences of that class of persons in their most striking and glaring excess. It must be acknowledged that the Editor of the Political Register (the _two-penny trash_, as it was called, till a Bill passed the House to raise the price to sixpence) is not ‘the gentleman and scholar:’ though he has qualities that, with a little better management, would be worth (to the public) both those titles. For want of knowing what has been discovered before him, he has not certain general landmarks to refer to, or a general standard of thought to apply to individual cases. He relies on his own acuteness and the immediate evidence, without being acquainted with the comparative anatomy or philosophical structure of opinion. He does not view things on a large scale or at the horizon (dim and airy enough perhaps); but as they affect himself,—close, palpable, tangible. Whatever he finds out is his own, and he only knows what he finds out. He is in the constant hurry and fever of gestation: his brain teems incessantly with some fresh project. Every new light is the birth of a new system, the dawn of a new world to him. He is continually outstripping and overreaching himself. The last opinion is the only true one. He is wiser to-day than he was yesterday. Why should he not be wiser to-morrow than he was to-day?—Men of a learned education are not so sharp-witted as clever men without it; but they know the balance of the human intellect better: if they are more stupid, they are more steady; and are less liable to be led astray by their own sagacity and the over-weening petulance of hard-earned and late-acquired wisdom. They do not fall in love with every meretricious extravagance at first sight, or mistake an old battered hypothesis for a vestal, because they are new to the ways of this old world. They do not seize upon it as a prize, but are safe from gross imposition by being as wise and no wiser than those who went before them.

Paine said on some occasion, ‘What I have written, I have written’—as rendering any farther declaration of his principles unnecessary. Not so Mr. Cobbett. What he has written is no rule to him what he is to write. He learns something every day, and every week he takes the field to maintain the opinions of the last six days against friend or foe. I doubt whether this outrageous inconsistency, this headstrong fickleness, this understood want of all rule and method, does not enable him to go on with the spirit, vigour, and variety that he does. He is not pledged to repeat himself. Every new Register is a kind of new Prospectus. He blesses himself from all ties and shackles on his understanding; he has no mortgages on his brain; his notions are free and unincumbered. If he was put in trammels, he might become a vile hack like so many more. But he gives himself ‘ample scope and verge enough.’ He takes both sides of a question, and maintains one as sturdily as the other. If nobody else can argue against him, he is a very good match for himself. He writes better in favour of reform than any body else; he used to write better against it. Wherever he is, there is the tug of war, the weight of the argument, the strength of abuse. He is not like a man in danger of being _bed-rid_ in his faculties—he tosses and tumbles about his unwieldy bulk, and when he is tired of lying on one side, relieves himself by turning on the other. His shifting his point of view from time to time not merely adds variety and greater comforts to his topics (so that the Political Register is an armoury and magazine for all the materials and weapons of political warfare), but it gives a greater zest and liveliness to his manner of treating them. Mr. Cobbett takes nothing for granted, as what he has proved before; he does not write a book of reference. We see his ideas in their first concoction, fermenting and overflowing with the ebullitions of a lively conception. We look on at the actual process, and are put in immediate possession of the grounds and materials on which he forms his sanguine, unsettled conclusions. He does not give us samples of reasoning, but the whole solid mass, refuse and all.

——‘He pours out all as plain
As downright Shippen or as old Montaigne.’

This is one cause of the clearness and force of his writings. An argument does not stop to stagnate and muddle in his brain, but passes at once to his paper. His ideas are served up, like pancakes, hot and hot. Fresh theories give him fresh courage. He is like a young and lusty bridegroom, that divorces a favourite speculation every morning, and marries a new one every night. He is not wedded to his notions, not he. He has not one Mrs. Cobbett among all his opinions. He makes the most of the last thought that has come in his way, seizes fast hold of it, rumples it about in all directions with rough strong hands, has his wicked will of it, takes a surfeit, and throws it away.—Our author’s changing his opinions for new ones is not so wonderful; what is more remarkable is his felicity in forgetting his old ones. He does not pretend to consistency (like Mr. Coleridge); he frankly disavows all connexion with himself. He feels no personal responsibility in this way, and cuts a friend or principle with the same decided indifference that Antipholis of Ephesus cuts Ægeon of Syracuse. It is a hollow thing. The only time he ever grew romantic was in bringing over the relics of Mr. Thomas Paine with him from America, to go a progress with them through the disaffected districts. Scarce had he landed in Liverpool, when he left the bones of a great man to shift for themselves; and no sooner did he arrive in London, than he made a speech to disclaim all participation in the political and theological sentiments of his late idol, and to place the whole stock of his admiration and enthusiasm towards him to the account of his financial speculations, and of his having predicted the fate of paper-money. If he had erected a little gold statue to him, it might have proved the sincerity of this assertion: but to make a martyr and a patron-saint of a man, and to dig up ‘his canonized bones’ in order to expose them as objects of devotion to the rabble’s gaze, asks something that has more life and spirit in it, more mind and vivifying soul, than has to do with any calculation of pounds, shillings, and pence! The fact is, he _ratted_ from his own project. He found the thing not so ripe as he had expected. His heart failed him: his enthusiasm fled, and he made his retraction. His admiration is short-lived: his contempt only is rooted, and his resentment lasting.—The above was only one instance of his building too much on practical _data_. He has an ill habit of prophesying, and goes on, though still deceived. The art of prophesying does not suit Mr. Cobbett’s style. He has a knack of fixing names and times and places. According to him, the Reformed Parliament was to meet in March, 1818: it did not, and we heard no more of the matter. When his predictions fail, he takes no farther notice of them, but applies himself to new ones—like the country-people, who turn to see what weather there is in the almanac for the next week, though it has been out in its reckoning every day of the last.

Mr. Cobbett is great in attack, not in defence: he cannot fight an up-hill battle. He will not bear the least punishing. If any one turns upon him (which few people like to do), he immediately turns tail. Like an overgrown school-boy, he is so used to have it all his own way, that he cannot submit to any thing like competition, or a struggle for the mastery: he must lay on all the blows, and take none. He is bullying and cowardly; a Big Ben in politics, who will fall upon others and crush them by his weight, but is not prepared for resistance, and is soon staggered by a few smart blows. Whenever he has been set upon, he has slunk out of the controversy. The Edinburgh Review made (what is called) a dead set at him some years ago, to which he only retorted by an eulogy on the superior neatness of an English kitchen-garden to a Scotch one. I remember going one day into a bookseller’s shop in Fleet-street to ask for the Review; and on my expressing my opinion to a young Scotchman, who stood behind the counter, that Mr. Cobbett might hit as hard in his reply, the North Briton said with some alarm—‘But you don’t think, Sir, Mr. Cobbett will be able to injure the Scottish nation?’ I said I could not speak to that point, but I thought he was very well able to defend himself. He however did not, but has born a grudge to the Edinburgh Review ever since, which he hates worse than the Quarterly. I cannot say I do.[61]

MR. CAMPBELL AND MR. CRABBE.

Mr. Campbell may be said to hold a place (among modern poets) between Lord Byron and Mr. Rogers. With much of the glossy splendour, the pointed vigour, and romantic interest of the one, he possesses the fastidious refinement, the classic elegance of the other. Mr. Rogers, as a writer, is too effeminate, Lord Byron too extravagant: Mr. Campbell is neither. The author of the _Pleasures of Memory_ polishes his lines till they sparkle with the most exquisite finish; he attenuates them into the utmost degree of trembling softness: but we may complain, in spite of the delicacy and brilliancy of the execution, of a want of strength and solidity. The author of the _Pleasures of Hope_, with a richer and deeper vein of thought and imagination, works it out into figures of equal grace and dazzling beauty, avoiding on the one hand the tinsel of flimsy affectation, and on the other the vices of a rude and barbarous negligence. His Pegasus is not a rough, skittish colt, running wild among the mountains, covered with bur-docks and thistles, nor a tame, sleek pad, unable to get out of the same ambling pace; but a beautiful _manège_ horse, full of life and spirit in itself, and subject to the complete controul of the rider. Mr. Campbell gives scope to his feelings and his fancy, and embodies them in a noble and naturally interesting subject; and he at the same time conceives himself called upon (in these days of critical nicety) to pay the exact attention to the expression of each thought, and to modulate each line into the most faultless harmony. The character of his mind is a lofty and self-scrutinising ambition, that strives to reconcile the integrity of general design with the perfect elaboration of each component part, that aims at striking effect, but is jealous of the means by which this is to be produced. Our poet is not averse to popularity (nay, he is tremblingly alive to it)—but self-respect is the primary law, the indispensable condition on which it must be obtained. We should dread to point out (even if we could) a false concord, a mixed metaphor, an imperfect rhyme, in any of Mr. Campbell’s productions; for we think that all his fame would hardly compensate to him for the discovery. He seeks for perfection, and nothing evidently short of it can satisfy his mind. He is a _high finisher_ in poetry, whose every work must bear inspection, whose slightest touch is precious—not a coarse dauber, who is contented to impose on public wonder and credulity by some huge, ill-executed design, or who endeavours to wear out patience and opposition together by a load of lumbering, feeble, awkward, improgressive lines—on the contrary, Mr. Campbell labours to lend every grace of execution to his subject, while he borrows his ardour and inspiration from it, and to deserve the laurels he has earned, by true genius and by true pains. There is an apparent consciousness of this in most of his writings. He has attained to great excellence by aiming at the greatest, by a cautious and yet daring selection of topics, and by studiously (and with a religious horror) avoiding all those faults which arise from grossness, vulgarity, haste, and disregard of public opinion. He seizes on the highest point of eminence, and strives to keep it to himself—he ‘snatches a grace beyond the reach of art,’ and will not let it go—he steeps a single thought or image so deep in the Tyrian dyes of a gorgeous imagination, that it throws its lustre over a whole page—every where vivid _ideal_ forms hover (in intense conception) over the poet’s verse, which ascends, like the aloe, to the clouds, with pure flowers at its top. Or, to take an humbler comparison (the pride of genius must sometimes stoop to the lowliness of criticism), Mr. Campbell’s poetry often reminds us of the purple gilliflower, both for its colour and its scent, its glowing warmth, its rich, languid, sullen hue,

‘Yet sweeter than the lids of Juno’s eyes,
Or Cytherea’s breath!’

There are those who complain of the little that Mr. Campbell has done in poetry, and who seem to insinuate that he is deterred by his own reputation from making any farther or higher attempts. But after having produced two poems that have gone to the heart of a nation, and are gifts to a world, he may surely linger out the rest of his life in a dream of immortality. There are moments in our lives so exquisite that all that remains of them afterwards seems useless and barren; and there are lines and stanzas in our author’s early writings in which he may be thought to have exhausted all the sweetness and all the essence of poetry, so that nothing farther was left to his efforts or his ambition. Happy is it for those few and fortunate worshippers of the Muse (not a subject of grudging or envy to others) who already enjoy in their life-time a foretaste of their future fame, who see their names accompanying them, like a cloud of glory, from youth to age,

‘And by the vision splendid,
Are on their way attended’—

and who know that they have built a shrine for the thoughts and feelings that were most dear to them, in the minds and memories of other men, till the language which they lisped in childhood is forgotten, or the human heart shall beat no more!

The _Pleasures of Hope_ alone would not have called forth these remarks from us; but there are passages in the _Gertrude of Wyoming_ of so rare and ripe a beauty, that they challenge, as they exceed all praise. Such, for instance, is the following peerless description of Gertrude’s childhood:-