Chapter XXVIII: Canto I: Stanza 38

_Lord Radnor’s park._ For a fuller account of the collections here
referred to, see the volume in the present edition containing
Hazlitt’s Fine Art Criticisms.

14. ‘_Bosomed high_,’ _etc._ _L’Allegro_, 78.

‘_Hands that the rod_,’ _etc._ Gray, _Elegy_, 47.

‘_A forked mountain_,’ _etc._ _Antony and Cleopatra_, Act IV.
Scene 14.

‘_Signifying nothing._’ _Macbeth_, Act V. Scene 5,

15. _When I went to the Louvre._ In 1802. See _Memoirs of William
Hazlitt_, I. 84 _et seq._

_Titian’s Mistress._ The picture so called is in the Louvre. It is
in fact a portrait of Alphonso of Ferrara and Laura Dianti.

_The Transfiguration_, _etc._ On the fall of Napoleon, Raphael’s
_Transfiguration_, and Domenichino’s _Communion of St. Jerome_
were restored to Rome; Titian’s _St. Peter Martyr_ to Venice,
and his Hippolito de Medici to Florence. The _St. Peter Martyr_
was destroyed by fire in 1867. Hazlitt’s copy of ‘A young
Nobleman with a glove’ is still in the possession of Mr. W. C.
Hazlitt.

16. ‘_If thou hast not seen_,’ _etc._ Cf. ‘Wast ever in court,
shepherd?—No, truly.—Then thou art damned.’ _As You Like It_,