Chapter III: The Lake Poets: William Wordsworth88 (1)

[88] Composed of articles in _Tait's Magazine_ for January,
February, and April 1839, as revised and recast by De Quincey,
published, with some additions, for the second volume of the
Collective Edinburgh Edition of his writings in 1854.--M.

In 1807 it was, at the beginning of winter, that I first saw William Wordsworth. I have already mentioned[89] that I had introduced myself to his notice by letter as early as the spring of 1803. To this hour it has continued, I believe, a mystery to Wordsworth why it was that I suffered an interval of four and a half years to slip away before availing myself of the standing invitation with which I had been honoured to the poet's house. Very probably he accounted for this delay by supposing that the new-born liberty of an Oxford life, with its multiplied enjoyments, acting upon a boy just emancipated from the restraints of a school, and, in one hour, elevated into what we Oxonians so proudly and so exclusively denominate "a man,"[90] might have tempted me into pursuits alien from the pure intellectual passions which had so powerfully mastered my youthful heart some years before. Extinguished such a passion could not be; nor could he think so, if remembering the fervour with which I had expressed it, the sort of "nympholepsy" which had seized upon me, and which, in some imperfect way, I had avowed with reference to the very lakes and mountains amongst which the scenery of this most original poetry had chiefly grown up and moved. The very names of the ancient hills--Fairfield, Seat Sandal, Helvellyn, Blencathara, Glaramara; the names of the sequestered glens--such as Borrowdale, Martindale, Mardale, Wasdale, and Ennerdale; but, above all, the shy pastoral recesses, not garishly in the world's eye, like Windermere or Derwentwater, but lurking half unknown to the traveller of that day--Grasmere, for instance, the lovely abode of the poet himself, solitary, and yet sowed, as it were, with a thin diffusion of humble dwellings--here a scattering, and there a clustering, as in the starry heavens--sufficient to afford, at every turn and angle, human remembrances and memorials of time-honoured affections, or of passions (as the "Churchyard amongst the Mountains" will amply demonstrate) not wanting even in scenic and tragical interest: these were so many local spells upon me, equally poetic and elevating with the Miltonic names of Valdarno and Vallombrosa.

[89] _Ante_, p. 59.--M.

[90] At the Universities of Oxford and Cambridge, where the town
is viewed as a mere ministerial appendage to the numerous
colleges--the civic Oxford, for instance, existing for the sake of
the academic Oxford, and not _vice versâ_--it has naturally
happened that the students honour with the name of "_a man_" him
only who wears a cap and gown.

Deep are the voices which seem to call, deep is the lesson which would be taught, even to the most thoughtless of men,

"Could field, or grove, or any spot of earth,
Show to his eye an image of the pangs
Which it hath witnessed; render back an echo
Of the sad steps by which it hath been trod."[91]

[91] See the divine passage (in the Sixth Book of "The Excursion")
beginning--

"Ah, what a lesson to a thoughtless man," &c.

Meantime, my delay was due to anything rather than to waning interest. On the contrary, the real cause of my delay was the too great profundity, and the increasing profundity, of my interest in this regeneration of our national poetry, and the increasing awe, in due proportion to the decaying thoughtlessness of boyhood, which possessed me for the character of its author. So far from neglecting Wordsworth, it is a fact that twice I had undertaken a long journey expressly for the purpose of paying my respects to Wordsworth; twice I came so far as the little rustic inn (then the sole inn of the neighbourhood) at Church Coniston; and on neither occasion could I summon confidence enough to present myself before him. It was not that I had any want of proper boldness for facing the most numerous company of a mixed or ordinary character: reserved, indeed, I was, perhaps even shy--from the character of my mind, so profoundly meditative, and the character of my life, so profoundly sequestered--but still, from counteracting causes, I was not deficient in a reasonable self-confidence towards the world generally. But the very image of Wordsworth, as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul. Twice, as I have said, did I advance as far as the Lake of Coniston; which is about eight miles from the church of Grasmere, and once I absolutely went forwards from Coniston to the very gorge of Hammerscar, from which the whole Vale of Grasmere suddenly breaks upon the view in a style of almost theatrical surprise, with its lovely valley stretching before the eye in the distance, the lake lying immediately below, with its solemn ark-like island of four and a half acres in size seemingly floating on its surface, and its exquisite outline on the opposite shore, revealing all its little bays[92] and wild sylvan margin, feathered to the edge with wild flowers and ferns. In one quarter, a little wood, stretching for about half a mile towards the outlet of the lake; more directly in opposition to the spectator, a few green fields; and beyond them, just two bowshots from the water, a little white cottage gleaming from the midst of trees, with a vast and seemingly never-ending series of ascents rising above it to the height of more than three thousand feet. That little cottage was Wordsworth's from the time of his marriage, and earlier; in fact, from the beginning of the century to the year 1808. Afterwards, for many a year, it was mine. Catching one hasty glimpse of this loveliest of landscapes, I retreated like a guilty thing, for fear I might be surprised by Wordsworth, and then returned faintheartedly to Coniston, and so to Oxford, _re infectâ_.

[92] All which inimitable graces of nature have, by the hands of
mechanic art, by solid masonry, by whitewashing, &c., been
exterminated, as a growth of weeds and nuisances, for thirty
years.--_August 17, 1853._

This was in 1806. And thus far, from mere excess of nervous distrust in my own powers for sustaining a conversation with Wordsworth, I had for nearly five years shrunk from a meeting for which, beyond all things under heaven, I longed. In early youth I laboured under a peculiar embarrassment and penury of words, when I sought to convey my thoughts adequately upon interesting subjects: neither was it words only that I wanted; but I could not unravel, I could not even make perfectly conscious to myself, the subsidiary thoughts into which one leading thought often radiates; or, at least, I could not do this with anything like the rapidity requisite for conversation. I laboured like a sibyl instinct with the burden of prophetic woe, as often as I found myself dealing with any topic in which the understanding combined with deep feelings to suggest mixed and tangled thoughts: and thus partly--partly also from my invincible habit of reverie--at that era of my life, I had a most distinguished talent "_pour le silence_." Wordsworth, from something of the same causes, suffered (by his own report to myself) at the same age from pretty much the same infirmity. And yet, in more advanced years--probably about twenty-eight or thirty--both of us acquired a remarkable fluency in the art of unfolding our thoughts colloquially. However, at that period my deficiencies were what I have described. And, after all, though I had no absolute cause for anticipating contempt, I was so far right in my fears, that since that time I have had occasion to perceive a worldly tone of sentiment in Wordsworth, not less than in Mrs. Hannah More and other literary people, by which they were led to set a higher value upon a limited respect from a person high in the world's esteem than upon the most lavish spirit of devotion from an obscure quarter. Now, in that point, _my_ feelings are far otherwise.

Meantime, the world went on; events kept moving; and, amongst them, in the course of 1807, occurred the event of Coleridge's return to England from his official station in the Governor's family at Malta. At Bridgewater, as I have already recorded, in the summer of 1807, I was introduced to him. Several weeks after he came with his family to the Bristol Hot-Wells, at which, by accident, I was then visiting. On calling upon him, I found that he had been engaged by the Royal Institution to lecture at their theatre in Albemarle Street during the coming winter of 1807-8, and, consequently, was embarrassed about the mode of conveying his family to Keswick. Upon this, I offered my services to escort them in a post-chaise. This offer was cheerfully accepted; and at the latter end of October we set forwards--Mrs. Coleridge, viz., with her two sons--Hartley, aged nine, Derwent, about seven--her beautiful little daughter,[93] about five, and, finally, myself. Going by the direct route through Gloucester, Bridgenorth, &c., on the third day we reached Liverpool, where I took up my quarters at a hotel, whilst Mrs. Coleridge paid a visit of a few days to a very interesting family, who had become friends of Southey during his visit to Portugal. These were the Misses Koster, daughters of an English gold-merchant of celebrity, who had recently quitted Lisbon on the approach of the French army under Junot. Mr. Koster did me the honour to call at my quarters, and invite me to his house; an invitation which I very readily accepted, and had thus an opportunity of becoming acquainted with a family the most accomplished I had ever known. At dinner there appeared only the family party--several daughters, and one son, a fine young man of twenty, but who was _consciously_ dying of asthma. Mr. Koster, the head of the family, was distinguished for his good sense and practical information; but, in Liverpool, even more so by his eccentric and obstinate denial of certain notorious events; in particular, some two years later, he denied that any such battle as Talavera had ever been fought, and had a large wager depending upon the decision. His house was the resort of distinguished foreigners; and, on the first evening of my dining there, as well as afterwards, I there met that marvel of women, Madame Catalani. I had heard her repeatedly; but never before been near enough to see her smile and converse--even to be honoured with a smile myself. She and Lady Hamilton were the most effectively brilliant women I ever saw. However, on this occasion, the Misses Koster outshone even La Catalani; to her they talked in the most fluent Italian; to some foreign men, in Portuguese; to one in French; and to most of the party in English; and each, by turns, seemed to be their native tongue. Nor did they shrink, even in the presence of the mighty enchantress, from exhibiting their musical skill.

[93] That most accomplished, and to Coleridge most pious daughter,
whose recent death afflicted so very many who knew her only by her
writings. She had married her cousin, Mr. Serjeant Coleridge, and
in that way retained her illustrious maiden name as a wife. At
seventeen, when last I saw her, she was the most perfect of all
pensive, nun-like, intellectual beauties that I have seen in real
breathing life. The upper parts of her face were verily divine.
See, for an artist's opinion, the Life of that admirable man
Collins, by his son.

Leaving Liverpool, after about a week's delay, we pursued our journey northwards. We had slept on the first day at Lancaster. Consequently, at the rate of motion which then prevailed throughout England--which, however, was rarely equalled on that western road, where all things were in arrear by comparison with the eastern and southern roads of the kingdom--we found ourselves, about three o'clock in the afternoon, at Ambleside, fourteen miles to the north-west of Kendal, and thirty-six from Lancaster. There, for the last time, we stopped to change horses; and about four o'clock we found ourselves on the summit of the White Moss, a hill which rises between the second and third milestones on the stage from Ambleside to Keswick, and which then retarded the traveller's advance by a full fifteen minutes, but is now evaded by a lower line of road. In ascending this hill, from weariness of moving so slowly, I, with the two Coleridges, had alighted; and, as we all chose to refresh ourselves by running down the hill into Grasmere, we had left the chaise behind us, and had even lost the sound of the wheels at times, when all at once we came, at an abrupt turn of the road, in sight of a white cottage, with two yew-trees breaking the glare of its white walls. A sudden shock seized me on recognising this cottage, of which, in the previous year, I had gained a momentary glimpse from Hammerscar, on the opposite side of the lake. I paused, and felt my old panic returning upon me; but just then, as if to take away all doubt upon the subject, I saw Hartley Coleridge, who had gained upon me considerably, suddenly turn in at a garden gate; this motion to the right at once confirmed me in my belief that here at last we had reached our port; that this little cottage was tenanted by that man whom, of all the men from the beginning of time, I most fervently desired to see; that in less than a minute I should meet Wordsworth face to face. Coleridge was of opinion that, if a man were really and _consciously_ to see an apparition, in such circumstances death would be the inevitable result; and, if so, the wish which we hear so commonly expressed for such experience is as thoughtless as that of Semele in the Grecian Mythology, so natural in a female, that her lover should visit her _en grand costume_--presumptuous ambition, that unexpectedly wrought its own ruinous chastisement! Judged by Coleridge's test, my situation could not have been so terrific as _his_ who anticipates a ghost; for, certainly, I survived this meeting; but at that instant it seemed pretty much the same to my own feelings.

Never before or since can I reproach myself with having trembled at the approaching presence of any creature that is born of woman, excepting only, for once or twice in my life, woman herself. Now, however, I _did_ tremble; and I forgot, what in no other circumstances I could have forgotten, to stop for the coming up of the chaise, that I might be ready to hand Mrs. Coleridge out. Had Charlemagne and all his peerage been behind me, or Cæsar and his equipage, or Death on his pale horse, I should have forgotten them at that moment of intense expectation, and of eyes fascinated to what lay before me, or what might in a moment appear. Through the little gate I pressed forward; ten steps beyond it lay the principal door of the house. To this, no longer clearly conscious of my own feelings, I passed on rapidly; I heard a step, a voice, and, like a flash of lightning, I saw the figure emerge of a tallish man, who held out his hand, and saluted me with most cordial expressions of welcome. The chaise, however, drawing up to the gate at that moment, he (and there needed no Roman nomenclator to tell me that this _he_ was Wordsworth) felt himself summoned to advance and receive Mrs. Coleridge. I, therefore, stunned almost with the actual accomplishment of a catastrophe so long anticipated and so long postponed, mechanically went forward into the house. A little semi-vestibule between two doors prefaced the entrance into what might be considered the principal room of the cottage. It was an oblong square, not above eight and a half feet high, sixteen feet long, and twelve broad; very prettily wainscoted from the floor to the ceiling with dark polished oak, slightly embellished with carving. One window there was--a perfect and unpretending cottage window, with little diamond panes, embowered at almost every season of the year with roses, and in the summer and autumn with a profusion of jasmine and other fragrant shrubs. From the exuberant luxuriance of the vegetation around it, and from the dark hue of the wainscoting, this window, though tolerably large, did not furnish a very powerful light to one who entered from the open air. However, I saw sufficiently to be aware of two ladies just entering the room, through a doorway opening upon a little staircase, The foremost, a tallish young woman, with the most winning expression of benignity upon her features, advanced to me, presenting her hand with so frank an air that all embarrassment must have fled in a moment before the native goodness of her manner. This was Mrs. Wordsworth, cousin of the poet, and, for the last five years or more, his wife.[94] She was now mother of two children, a son and a daughter; and she furnished a remarkable proof how possible it is for a woman neither handsome nor even comely according to the rigour of criticism--nay, generally pronounced very plain--to exercise all the practical fascination of beauty, through the mere compensatory charms of sweetness all but angelic, of simplicity the most entire, womanly self-respect and purity of heart speaking through all her looks, acts, and movements. _Words_, I was going to have added; but her words were few. In reality, she talked so little that Mr. Slave-Trade Clarkson used to allege against her that she could only say "_God bless you!_" Certainly, her intellect was not of an active order; but, in a quiescent, reposing, meditative way, she appeared always to have a genial enjoyment from her own thoughts; and it would have been strange, indeed, if she, who enjoyed such eminent advantages of training, from the daily society of her husband and his sister, failed to acquire some power of judging for herself, and putting forth some functions of activity. But undoubtedly that was not her element: to feel and to enjoy in a luxurious repose of mind--there was her _forte_ and her peculiar privilege; and how much better this was adapted to her husband's taste, how much more adapted to uphold the comfort of his daily life, than a blue-stocking loquacity, or even a legitimate talent for discussion, may be inferred from his verses, beginning--

"She was a phantom of delight,
When first she gleam'd upon my sight."

Once for all,[95] these exquisite lines were dedicated to Mrs. Wordsworth; were understood to describe her--to have been prompted by the feminine graces of her character; hers they are, and will remain for ever. To these, therefore, I may refer the reader for an idea of what was most important in the partner and second self of the poet. And I will add to this abstract of her _moral_ portrait these few concluding traits of her appearance in a physical sense. Her figure was tolerably good. In complexion she was fair, and there was something peculiarly pleasing even in this accident of the skin, for it was accompanied by an animated expression of health, a blessing which, in fact, she possessed uninterruptedly. Her eyes, the reader may already know, were

"Like stars of twilight fair;
Like twilight, too, her dark brown hair;
But all things else about her drawn
From May-time and the cheerful dawn."

Yet strange it is to tell that, in these eyes of vesper gentleness, there was a considerable obliquity of vision; and much beyond that slight obliquity which is often supposed to be an attractive foible in the countenance: this _ought_ to have been displeasing or repulsive; yet, in fact, it was not. Indeed all faults, had they been ten times more and greater, would have been neutralized by that supreme expression of her features to the unity of which every lineament in the fixed parts, and every undulation in the moving parts, of her countenance, concurred, viz. a sunny benignity--a radiant graciousness--such as in this world I never saw surpassed.

[94] Mary Hutchinson, who became Wordsworth's wife in October
1802, had been known to him since 1777, when she was his
fellow-pupil in a Dame's school at Penrith.--M.

[95] _Once for all_, I say--on recollecting that Coleridge's
verses to _Sara_ were made transferable to any Sara who reigned at
the time. At least three Saras appropriated them; all three long
since in the grave.

Immediately behind her moved a lady, shorter, slighter, and perhaps, in all other respects, as different from her in personal characteristics as could have been wished for the most effective contrast. "Her face was of Egyptian brown"; rarely, in a woman of English birth, had I seen a more determinate gipsy tan. Her eyes were not soft, as Mrs. Wordsworth's, nor were they fierce or bold; but they were wild and startling, and hurried in their motion. Her manner was warm and even ardent; her sensibility seemed constitutionally deep; and some subtle fire of impassioned intellect apparently burned within her, which, being alternately pushed forward into a conspicuous expression by the irrepressible instincts of her temperament, and then immediately checked, in obedience to the decorum of her sex and age, and her maidenly condition, gave to her whole demeanour, and to her conversation, an air of embarrassment, and even of self-conflict, that was almost distressing to witness. Even her very utterance and enunciation often suffered, in point of clearness and steadiness, from the agitation of her excessive organic sensibility. At times, the self-counteraction and self-baffling of her feelings caused her even to stammer, and so determinately to stammer that a stranger who should have seen her and quitted her in that state of feeling would have certainly set her down for one plagued with that infirmity of speech as distressingly as Charles Lamb himself. This was Miss Wordsworth, the only sister of the poet--his "Dorothy"; who naturally owed so much to the lifelong intercourse with her great brother in his most solitary and sequestered years; but, on the other hand, to whom he has acknowledged obligations of the profoundest nature; and, in particular, this mighty one, through which we also, the admirers and the worshippers of this great poet, are become equally her debtors--that, whereas the intellect of Wordsworth was, by its original tendency, too stern, too austere, too much enamoured of an ascetic harsh sublimity, she it was--the lady who paced by his side continually through sylvan and mountain tracks, in Highland glens, and in the dim recesses of German charcoal-burners--that first _couched_ his eye to the sense of beauty, humanized him by the gentler charities, and engrafted, with her delicate female touch, those graces upon the ruder growths of his nature which have since clothed the forest of his genius with a foliage corresponding in loveliness and beauty to the strength of its boughs and the massiness of its trunks. The greatest deductions from Miss Wordsworth's attractions, and from the exceeding interest which surrounded her in right of her character, of her history, and of the relation which she fulfilled towards her brother, were the glancing quickness of her motions, and other circumstances in her deportment (such as her stooping attitude when walking), which gave an ungraceful, and even an unsexual character to her appearance when out-of-doors. She did not cultivate the graces which preside over the person and its carriage. But, on the other hand, she was a person of very remarkable endowments intellectually; and, in addition to the other great services which she rendered to her brother, this I may mention, as greater than all the rest, and it was one which equally operated to the benefit of every casual companion in a walk--viz. the exceeding sympathy, always ready and always profound, by which she made all that one could tell her, all that one could describe, all that one could quote from a foreign author, reverberate, as it were, _à plusieurs reprises_, to one's own feelings, by the manifest impression it made upon _hers_. The pulses of light are not more quick or more inevitable in their flow and undulation, than were the answering and echoing movements of her sympathizing attention. Her knowledge of literature was irregular, and thoroughly unsystematic. She was content to be ignorant of many things; but what she knew and had really mastered lay where it could not be disturbed--in the temple of her own most fervid heart.

Such were the two ladies who, with himself and two children, and at that time one servant, composed the poet's household. They were both, I believe, about twenty-eight years old; and, if the reader inquires about the single point which I have left untouched in their portraiture--viz. the style of their manners--I may say that it was, in _some_ points, naturally of a plain household simplicity, but every way pleasing, unaffected, and (as respects Mrs. Wordsworth) even dignified. Few persons had seen so little as this lady of the world. She had seen nothing of high life, for she had seen little of any. Consequently, she was unacquainted with the conventional modes of behaviour, prescribed in particular situations by high breeding. But, as these modes are little more than the product of dispassionate good sense, applied to the circumstances of the case, it is surprising how few deficiencies are perceptible, even to the most vigilant eye--or, at least, essential deficiencies--in the general demeanour of any unaffected young woman, acting habitually under a sense of sexual dignity and natural courtesy. Miss Wordsworth had seen more of life, and even of good company; for she had lived, when quite a girl, under the protection of Dr. Cookson, a near relative, canon of Windsor, and a personal favourite of the Royal Family, especially of George III. Consequently, she ought to have been the more polished of the two; and yet, from greater natural aptitudes for refinement of manner in her sister-in-law, and partly, perhaps, from her more quiet and subdued manner, Mrs. Wordsworth would have been pronounced very much the more lady-like person.

From the interest which attaches to anybody so nearly connected as these two ladies with a great poet, I have allowed myself a larger latitude than else might have been justifiable in describing them. I now go on with my narrative:--

I was ushered up a little flight of stairs, fourteen in all, to a little drawing-room, or whatever the reader chooses to call it. Wordsworth himself has described the fireplace of this room as his

"Half-kitchen and half-parlour fire."

It was not fully seven feet six inches high, and, in other respects, pretty nearly of the same dimensions as the rustic hall below. There was, however, in a small recess, a library of perhaps three hundred volumes, which seemed to consecrate the room as the poet's study and composing room; and such occasionally it was. But far oftener he both studied, as I found, and composed, on the high road. I had not been two minutes at the fireside, when in came Wordsworth, returning from his friendly attentions to the travellers below, who, it seemed, had been over-persuaded by hospitable solicitations to stay for this night in Grasmere, and to make out the remaining thirteen miles of their road to Keswick on the following day. Wordsworth entered. And "_what-like_"--to use a Westmoreland as well as a Scottish expression--"_what-like_" was Wordsworth? A reviewer in "Tait's Magazine," noticing some recent collection of literary portraits, gives it as his opinion that Charles Lamb's head was the finest among them.[96] This remark may have been justified by the engraved portraits; but, certainly, the critic would have cancelled it, had he seen the original heads--at least, had he seen them in youth or in maturity; for Charles Lamb bore age with less disadvantage to the intellectual expression of his appearance than Wordsworth, in whom a sanguine complexion had, of late years, usurped upon the original bronze-tint; and this change of hue, and change in the quality of skin, had been made fourfold more conspicuous, and more unfavourable in its general effect, by the harsh contrast of grizzled hair which had displaced the original brown. No change in personal appearance ever can have been so unfortunate; for, generally speaking, whatever other disadvantages old age may bring along with it, one effect, at least in male subjects, has a compensating tendency--that it removes any tone of vigour too harsh, and mitigates the expression of power too unsubdued. But, in Wordsworth, the effect of the change has been to substitute an air of animal vigour, or, at least, hardiness, as if derived from constant exposure to the wind and weather, for the fine sombre complexion which he once wore, resembling that of a Venetian senator or a Spanish monk.

[96] Vol. iv. p. 793 (Dec. 1837).--So De Quincey notes; but I may
add that the paper in _Tait_ referred to was a Review of Books of
the Season, one of them being "Tilt's Medallion Portraits of
Modern English Authors, with Illustrative notices by H. F.
Chorley." The reviewer's words were "The finest head, in every
way, in the series, is that of Charles Lamb."--M.

Here, however, in describing the personal appearance of Wordsworth, I go back, of course, to the point of time at which I am speaking. He was, upon the whole, not a well-made man. His legs were pointedly condemned by all female connoisseurs in legs; not that they were bad in any way which _would_ force itself upon your notice--there was no absolute deformity about them; and undoubtedly they had been serviceable legs beyond the average standard of human requisition; for I calculate, upon good data, that with these identical legs Wordsworth must have traversed a distance of 175,000 to 180,000 English miles--a mode of exertion which, to him, stood in the stead of alcohol and all other stimulants whatsoever to the animal spirits; to which, indeed, he was indebted for a life of unclouded happiness, and we for much of what is most excellent in his writings. But, useful as they have proved themselves, the Wordsworthian legs were certainly not ornamental; and it was really a pity, as I agreed with a lady in thinking, that he had not another pair for evening dress parties--when no boots lend their friendly aid to mask our imperfections from the eyes of female rigorists--those _elegantes formarum spectatrices_. A sculptor would certainly have disapproved of their contour. But the worst part of Wordsworth's person was the bust; there was a narrowness and a droop about the shoulders which became striking, and had an effect of meanness, when brought into close juxtaposition with a figure of a more statuesque build. Once on a summer evening, walking in the Vale of Langdale with Wordsworth, his sister, and Mr. J---, a native Westmoreland clergyman, I remember that Miss Wordsworth was positively mortified by the peculiar illustration which settled upon this defective conformation. Mr. J---, a fine towering figure, six feet high, massy and columnar in his proportions, happened to be walking, a little in advance, with Wordsworth; Miss Wordsworth and myself being in the rear; and from the nature of the conversation which then prevailed in our front rank, something or other about money, devises, buying and selling, we of the rear-guard thought it requisite to preserve this arrangement for a space of three miles or more; during which time, at intervals, Miss Wordsworth would exclaim, in a tone of vexation, "Is it possible,--can that be William? How very mean he looks!" And she did not conceal a mortification that seemed really painful, until I, for my part, could not forbear laughing outright at the serious interest which she carried into this trifle. She was, however, right, as regarded the mere visual judgment. Wordsworth's figure, with all its defects, was brought into powerful relief by one which had been cast in a more square and massy mould; and in such a case it impressed a spectator with a sense of absolute meanness, more especially when viewed from behind and not counteracted by his countenance; and yet Wordsworth was of a good height (five feet ten), and not a slender man; on the contrary, by the side of Southey, his limbs looked thick, almost in a disproportionate degree. But the total effect of Wordsworth's person was always worst in a state of motion. Meantime, his face--that was one which would have made amends for greater defects of figure. Many such, and finer, I have seen amongst the portraits of Titian, and, in a later period, amongst those of Vandyke, from the great era of Charles I, as also from the court of Elizabeth and of Charles II, but none which has more impressed me in my own time.

Haydon, in his great picture of "Christ's Entry into Jerusalem," has introduced Wordsworth in the character of a disciple attending his Divine Master, and Voltaire in the character of a sneering Jewish elder. This fact is well known; and, as the picture itself is tolerably well known to the public eye, there are multitudes now living who will have seen a very impressive likeness of Wordsworth--some consciously, some not suspecting it. There will, however, always be many who have _not_ seen any portrait at all of Wordsworth; and therefore I will describe its general outline and effect. It was a face of the long order, often falsely classed as oval: but a greater mistake is made by many people in supposing the long face which prevailed so remarkably in the Elizabethan and Carolinian periods to have become extinct in our own. Miss Ferrier, in one of her novels ("Marriage," I think), makes a Highland girl protest that "no Englishman _with his round face_" shall ever wean her heart from her own country; but England is not the land of round faces; and those have observed little, indeed, who think so: France it is that grows the round face, and in so large a majority of her provinces that it has become one of the national characteristics. And the remarkable impression which an Englishman receives from the eternal recurrence of the orbicular countenance proves of itself, without any _conscious_ testimony, how the fact stands; in the blind sense of a monotony, not felt elsewhere, lies involved an argument that cannot be gainsaid. Besides, even upon an _a priori_ argument, how is it possible that the long face so prevalent in England, by all confession, in certain splendid eras of our history, should have had time, in some five or six generations, to grow extinct? Again, the character of face varies essentially in different provinces. Wales has no connexion in this respect with Devonshire, nor Kent with Yorkshire, nor either with Westmoreland. England, it is true, tends, beyond all known examples, to a general amalgamation of differences, by means of its unrivalled freedom of intercourse. Yet, even in England, law and necessity have opposed as yet such and so many obstacles to the free diffusion of labour that every generation occupies, by at least five-sixths of its numbers, the ground of its ancestors.

The movable part of a population is chiefly the higher part; and it is the lower classes that, in every nation, compose the _fundus_, in which lies latent the national face, as well as the national character. Each exists here in racy purity and integrity, not disturbed in the one by alien intermarriages, nor in the other by novelties of opinion, or other casual effects, derived from education and reading. Now, look into this _fundus_, and you will find, in many districts, no such prevalence of the round orbicular face as some people erroneously suppose; and in Westmoreland, especially, the ancient long face of the Elizabethan period, powerfully resembling in all its lineaments the ancient Roman face, and often (though not so uniformly) the face of northern Italy in modern times. The face of Sir Walter Scott, as Irving, the pulpit orator, once remarked to me, was the indigenous face of the Border: the mouth, which was bad, and the entire lower part of the face, are seen repeated in thousands of working-men; or, as Irving chose to illustrate his position, "in thousands of Border horse-jockeys." In like manner, Wordsworth's face was, if not absolutely the indigenous face of the Lake district, at any rate a variety of that face, a modification of that original type. The head was well filled out; and there, to begin with, was a great advantage over the head of Charles Lamb, which was absolutely truncated in the posterior region--sawn off, as it were, by no timid sawyer. The forehead was not remarkably lofty--and, by the way, some artists, in their ardour for realizing their phrenological preconceptions, not suffering nature to surrender quietly and by slow degrees her real alphabet of signs and hieroglyphic characters, but forcing her language prematurely into conformity with their own crude speculations, have given to Sir Walter Scott a pile of forehead which is unpleasing and cataphysical, in fact, a caricature of anything that is ever seen in nature, and would (if real) be esteemed a deformity; in one instance--that which was introduced in some annual or other--the forehead makes about two-thirds of the entire face. Wordsworth's forehead is also liable to caricature misrepresentations in these days of phrenology: but, whatever it may appear to be in any man's fanciful portrait, the real living forehead, as I have been in the habit of seeing it for more than five-and-twenty years, is not remarkable for its height; but it is, perhaps, remarkable for its breadth and expansive development. Neither are the eyes of Wordsworth "large," as is erroneously stated somewhere in "Peter's Letters"[97]; on the contrary, they are (I think) rather small; but _that_ does not interfere with their effect, which at times is fine, and suitable to his intellectual character. At times, I say, for the depth and subtlety of eyes, even their colouring (as to condensation or dilation), varies exceedingly with the state of the stomach; and, if young ladies were aware of the magical transformations which can be wrought in the depth and sweetness of the eye by a few weeks' walking exercise, I fancy we should see their habits in this point altered greatly for the better. I have seen Wordsworth's eyes oftentimes affected powerfully in this respect; his eyes are not, under any circumstances, bright, lustrous, or piercing; but, after a long day's toil in walking, I have seen them assume an appearance the most solemn and spiritual that it is possible for the human eye to wear. The light which resides in them is at no time a superficial light; but, under favourable accidents, it is a light which seems to come from unfathomed depths: in fact, it is more truly entitled to be held "the light that never was on land or sea," a light radiating from some far spiritual world, than any the most idealizing that ever yet a painter's hand created. The nose, a little arched, is large; which, by the way (according to a natural phrenology, existing centuries ago amongst some of the lowest amongst the human species), has always been accounted an unequivocal expression of animal appetites organically strong. And that expressed the simple truth: Wordsworth's intellectual passions were fervent and strong: but they rested upon a basis of preternatural animal sensibility diffused through _all_ the animal passions (or appetites); and something of that will be found to hold of all poets who have been great by original force and power, not (as Virgil) by means of fine management and exquisite artifice of composition applied to their conceptions. The mouth, and the whole circumjacencies of the mouth, composed the strongest feature in Wordsworth's face; there was nothing specially to be noticed that I know of in the mere outline of the lips; but the swell and protrusion of the parts above and around the mouth are both noticeable in themselves, and also because they remind me of a very interesting fact which I discovered about three years after this my first visit to Wordsworth.

[97] Lockhart's famous publication of 1819 under the name of
_Peter's Letters to his Kinsfolk_.--M.

Being a great collector of everything relating to Milton, I had naturally possessed myself, whilst yet very young, of Richardson the painter's thick octavo volume of notes on the "Paradise Lost."[98] It happened, however, that my copy, in consequence of that mania for portrait collecting which has stripped so many English classics of their engraved portraits, wanted the portrait of Milton. Subsequently I ascertained that it ought to have had a very good likeness of the great poet; and I never rested until I procured a copy of the book which had not suffered in this respect by the fatal admiration of the amateur. The particular copy offered to me was one which had been priced unusually high, on account of the unusually fine specimen which it contained of the engraved portrait. This, for a particular reason, I was exceedingly anxious to see; and the reason was--that, according to an anecdote reported by Richardson himself, this portrait, of all that were shown to her, was the only one acknowledged by Milton's last surviving daughter to be a strong likeness of her father. And her involuntary gestures concurred with her deliberate words:--for, on seeing all the rest, she was silent and inanimate; but the very instant she beheld that crayon drawing from which is derived the engraved head in Richardson's book, she burst out into a rapture of passionate recognition; exclaiming--"That is my father! that is my dear father!" Naturally, therefore, after such a testimony, so much stronger than any other person in the world could offer to the authentic value of this portrait, I was eager to see it.[99]

[98] Jonathan Richardson (born about 1665, died 1745) published in
1734 a volume of Explanatory Notes and Remarks on _Paradise Lost_,
with a Life of Milton, containing particulars which Richardson had
collected about Milton personally.--M.

[99] It was between 1721 and 1725, when Mrs. Deborah Clarke,
Milton's youngest and only surviving daughter, was living in old
age and in very humble circumstances in Moorfields, London, that
the engraver Vertue and others went to see her for the special
purpose of consulting her about portraits of her father. Some that
were shown her she rejected at once; but one "crayon drawing"
moved her in the manner which De Quincey reports. This is the
portrait which came into Richardson's possession; and after
Richardson's death in 1745 it was acquired by Jacob Tonson
tertius, of the Tonson publishing family. There seems to be little
doubt that it was a drawing of Milton from the life by Faithorne
about 1670, when Milton's _History of Britain_ appeared with that
portrait of him by Faithorne which is the only authentic print of
him in later life, and worth all the other current portraits put
together. Faithorne seems to have made two drawings, closely
resembling each other, of Milton,--that (now lost) from which the
engraving was made for the _History of Britain_, and this other
"crayon drawing" which Richardson possessed. Richardson's
reproduction of it in his book is spoilt by a laureate wreath and
other flummery about the head; and the only genuine copy of it
known to me is a beautiful one prefixed to Mr. Leigh Sotheby's
sumptuous volume entitled _Ramblings in Elucidation of the
Autograph of Milton_, published in 1871. The face there is
identically the same in essentials as that in the Faithorne
engraving of 1670, though somewhat less sad in expression; and the
two drawings must have been by the same hand.--M.

Judge of my astonishment when, in this portrait of Milton, I saw a likeness nearly perfect of Wordsworth, better by much than any which I have since seen of those expressly painted for himself. The likeness is tolerably preserved in that by Carruthers, in which one of the little Rydal waterfalls, &c., composes a background; yet this is much inferior, as a mere portrait of Wordsworth, to the Richardson head of Milton; and this, I believe, is the last which represents Wordsworth in the vigour of his power. The rest, which I have not seen, may be better as works of art (for anything I know to the contrary), but they must labour under the great disadvantage of presenting the features when "defeatured," in the degree and the way I have described, by the peculiar ravages of old age, as it affects this family; for it is noticed of the Wordsworths, by those who are familiar with their peculiarities, that in their very blood and constitutional differences lie hidden causes that are able, in some mysterious way,

"Those shocks of passion to prepare
That kill the bloom before its time,
And blanch, without the owner's crime,
The most resplendent hair."

Some people, it is notorious, live faster by much than others, the oil is burned out sooner in one constitution than another: and the cause of this may be various; but in the Wordsworths one part of the cause is, no doubt, the secret fire of a temperament too fervid; the self-consuming energies of the brain, that gnaw at the heart and life-strings for ever. In that account which "The Excursion" presents to us of an imaginary Scotsman who, to still the tumult of his heart, when visiting the cataracts of a mountainous region, obliges himself to study the laws of light and colour as they affect the rainbow of the stormy waters, vainly attempting to mitigate the fever which consumed him by entangling his mind in profound speculations; raising a cross-fire of artillery from the subtilizing intellect, under the vain conceit that in this way he could silence the mighty battery of his impassioned heart: there we read a picture of Wordsworth and his own youth. In Miss Wordsworth every thoughtful observer might read the same self-consuming style of thought. And the effect upon each was so powerful for the promotion of a premature old age, and of a premature expression of old age, that strangers invariably supposed them fifteen to twenty years older than they were. And I remember Wordsworth once laughingly reporting to me, on returning from a short journey in 1809, a little personal anecdote, which sufficiently showed what was the spontaneous impression upon that subject of casual strangers, whose feelings were not confused by previous knowledge of the truth. He was travelling by a stage-coach, and seated outside, amongst a good half-dozen of fellow-passengers. One of these, an elderly man, who confessed to having passed the grand climacterical year (9 multiplied into 7) of 63, though he did not say precisely by how many years, said to Wordsworth, upon some anticipations which they had been mutually discussing of changes likely to result from enclosures, &c., then going on or projecting--"Ay, ay, another dozen of years will show us strange sights; but you and I can hardly expect to see them."--"How so?" said Wordsworth. "How so, my friend? How old do you take me to be?"--"Oh, I beg pardon," said the other; "I meant no offence--but what?" looking at Wordsworth more attentively--"you'll never see threescore, I'm of opinion"; meaning to say that Wordsworth _had_ seen it already. And, to show that he was not singular in so thinking, he appealed to all the other passengers; and the motion passed (_nem. con._) that Wordsworth was rather over than under sixty. Upon this he told them the literal truth--that he had not yet accomplished his thirty-ninth year. "God bless me!" said the climacterical man; "so then, after all, you'll have a chance to see your childer get up like, and get settled! Only to think of that!" And so closed the conversation, leaving to Wordsworth an undeniable record of his own prematurely expressed old age in this unaffected astonishment, amongst a whole party of plain men, that he could really belong to a generation of the forward-looking, who live by hope; and might reasonably expect to see a child of seven years old matured into a man. And yet, as Wordsworth lived into his 82d year,[100] it is plain that the premature expression of decay does not argue any real decay.

[100] Into his 81st only.--M.

Returning to the question of portraits, I would observe that this Richardson engraving of Milton has the advantage of presenting, not only by far the best likeness of Wordsworth, but of Wordsworth in the prime of his powers--a point essential in the case of one so liable to premature decay. It may be supposed that I took an early opportunity of carrying the book down to Grasmere, and calling for the opinions of Wordsworth's family upon this most remarkable coincidence. Not one member of that family but was as much impressed as myself with the accuracy of the likeness. All the peculiarities even were retained--a drooping appearance of the eyelids, that remarkable swell which I have noticed about the mouth, the way in which the hair lay upon the forehead. In two points only there was a deviation from the rigorous truth of Wordsworth's features--the face was a little too short and too broad, and the eyes were too large. There was also a wreath of laurel about the head, which (as Wordsworth remarked) disturbed the natural expression of the whole picture[101]; else, and with these few allowances, he also admitted that the resemblance was, _for that period of his life_, perfect, or as nearly so as art could accomplish.

[101] See footnote (99), p. 247.--M.

I have gone into so large and circumstantial a review of my recollections on this point as would have been trifling and tedious in excess, had these recollections related to a less important man; but I have a certain knowledge that the least of them will possess a lasting and a growing interest in connexion with William Wordsworth. How peculiar, how different from the interest which we grant to the ideas of a great philosopher, a great mathematician, or a great reformer, is that burning interest which settles on the great poets who have made themselves necessary to the human heart; who have first brought into consciousness, and have clothed in words, those grand catholic feelings that belong to the grand catholic situations of life through all its stages; who have clothed them in such words that human wit despairs of bettering them! Mighty were the powers, solemn and serene is the memory, of Archimedes; and Apollonius shines like "the starry Galileo" in the firmament of human genius; yet how frosty is the feeling associated with these names by comparison with that which, upon every sunny lawn, by the side of every ancient forest, even in the farthest depths of Canada, many a young innocent girl, perhaps at this very moment--looking now with fear to the dark recesses of the infinite forest, and now with love to the pages of the infinite poet, until the fear is absorbed and forgotten in the love--cherishes in her heart for the name and person of Shakspere!

The English language is travelling fast towards the fulfilment of its destiny. Through the influence of the dreadful Republic[102] that within the thirty last years has run through all the stages of infancy into the first stage of maturity, and through the English colonies--African, Canadian, Indian, Australian--the English language (and, therefore, the English literature) is running forward towards its ultimate mission of eating up, like Aaron's rod, all other languages. Even the German and the Spanish will inevitably sink before it; perhaps within 100 or 150 years. In the recesses of California, in the vast solitudes of Australia, _The Churchyard amongst the Mountains_, from Wordsworth's "Excursion," and many a scene of his shorter poems, will be read, even as now Shakspere is read amongst the forests of Canada. All which relates to the writer of these poems will then bear a value of the same kind as that which attaches to our personal memorials (unhappily so slender) of Shakspere.

[102] Not many months ago, the blind hostility of the Irish
newspaper editors in America forged a ludicrous estimate of the
Irish numerical preponderance in the United States, from which it
was inferred, as at least a possibility, that the Irish Celtic
language might come to dispute the pre-eminence with the English.
Others anticipated the same destiny for the German. But, in the
meantime, the unresting career of the law-courts, of commerce, and
of the national senate, that cannot suspend themselves for an
hour, reduce the case to this dilemma: If the Irish and the
Germans in the United States adapt their general schemes of
education to the service of their public ambition, they must
begin by training themselves to the use of the language now
prevailing on all the available stages of ambition. On the other
hand, by refusing to do this, they lose in the very outset every
point of advantage. In other words, adopting the English, they
renounce the contest--_not_ adopting it, they disqualify
themselves for the contest.

Let me now attempt to trace, in a brief outline, the chief incidents in the life of William Wordsworth, which are interesting, not only in virtue of their illustrious subject, but also as exhibiting a most remarkable (almost a providential) arrangement of circumstances, all tending to one result--that of insulating from worldly cares, and carrying onward from childhood to the grave, in a state of serene happiness, one who was unfitted for daily toil, and, at all events, who could not, under such demands upon his time and anxieties, have prosecuted those genial labours in which all mankind have an interest.