Chapter II (6)

The golden bells are ringing across the distant hill,
Their merry peals come to me soft and clear,
But in my heart's deep chapel all incense-filled and still
A sweeter bell is sounding for thee, dear.

The bell of love invites thee to come and seek the shrine
Whose altar is erected unto thee,
The offerings, the sacrifice, the prayers, the chants are thine,
And I, my love, thy humble priest will be.

ON A CLEAN BOOK

TO F. N.

Like sea-washed sand upon the shore,
So fine and clean the tale,
So clear and bright I almost see,
The flashing of a sail.

The tang of salt is in its veins,
The freshness of the spray
God give you love and lore and strength,
To give us such alway.

TO THE EASTERN SHORE

I 's feelin' kin' o' lonesome in my little room to-night,
An' my min 's done los' de minutes an' de miles,
Wile it teks me back a-flyin' to de country of delight,
Whaih de Chesapeake goes grumblin' er wid smiles.
Oh, de ol' plantation 's callin' to me, Come, come back,
Hyeah 's de place fu' you to labouh an' to res',
'Fu my sandy roads is gleamin' w'ile de city ways is black;
Come back, honey, case yo' country home is bes'.

I know de moon is shinin' down erpon de Eastern sho',
An' de bay 's a-sayin' "Howdy" to de lan';
An' de folks is all a-settin' out erroun' de cabin do',
Wid dey feet a-restin' in de silvah san';
An' de ol' plantation 's callin' to me, Come, oh, come,
F'om de life dat 's des' a-waihin' you erway,
F'om de trouble an' de bustle, an' de agernizin' hum
Dat de city keeps ergoin' all de day.

I 's tiahed of de city, tek me back to Sandy Side,
Whaih de po'est ones kin live an' play an' eat;
Whaih we draws a simple livin' f'om de fo'est an' de tide,
An' de days ah faih, an' evah night is sweet.
Fu' de ol' plantation 's callin' to me, Come, oh, come.
An' de Chesapeake 's a-sayin' "Dat's de t'ing,"
W'ile my little cabin beckons, dough his mouf is closed an' dumb,
I 's a-comin, an' my hea't begins to sing.

RELUCTANCE

Will I have some mo' dat pie?
No, ma'am, thank-ee, dat is--I--
Bettah quit daihin' me.
Dat ah pie look sutny good:
How 'd you feel now ef I would?
I don' reckon dat I should;
Bettah quit daihin' me.

Look hyeah, I gwine tell de truf,
Mine is sholy one sweet toof:
Bettah quit daihin' me.
Yass'm, yass'm, dat's all right,
I 's done tried to be perlite:
But dat pie 's a lakly sight,
Wha 's de use o' daihin' me?

My, yo' lips is full an' red,
Don't I wish you 'd tu'n yo' haid?
Bettah quit daihin' me.
Dat ain't faih, now, honey chile,
I 's gwine lose my sense erwhile
Ef you des set daih an' smile,
Bettah quit daihin' me.

Nuffin' don' look ha'f so fine
Ez dem teef, deah, w'en dey shine:
Bettah quit daihin' me.
Now look hyeah, I tells you dis;
I 'll give up all othah bliss
Des to have one little kiss,
Bettah quit daihin' me.

Laws, I teks yo' little han',
Ain't it tendah? bless de lan'--
Bettah quit daihin' me.
I 's so lonesome by myse'f,
'D ain't no fun in livin' lef';
Dis hyeah life's ez dull ez def:
Bettah quit daihin' me.

Why n't you tek yo' han' erway?
Yass, I 'll hol' it: but I say
Bettah quit daihin' me.
Holin' han's is sholy fine.
Seems lak dat 's de weddin' sign.
Wish you 'd say dat you 'd be mine;--
Dah you been daihin' me.

BALLADE

By Mystic's banks I held my dream.
(I held my fishing rod as well,)
The vision was of dace and bream,
A fruitless vision, sooth to tell.
But round about the sylvan dell
Were other sweet Arcadian shrines,
Gone now, is all the rural spell,
Arcadia has trolley lines.

Oh, once loved, sluggish, darkling stream,
For me no more, thy waters swell,
Thy music now the engines' scream,
Thy fragrance now the factory's smell;
Too near for me the clanging bell;
A false light in the water shines
While Solitude lists to her knell,--
Arcadia has trolley lines.

Thy wooded lanes with shade and gleam
Where bloomed the fragrant asphodel,
Now bleak commercially teem
With signs "To Let," "To Buy," "To Sell."
And Commerce holds them fierce and fell;
With vulgar sport she now combines
Sweet Nature's piping voice to quell.
Arcadia has trolley lines.

L'ENVOI.

Oh, awful Power whose works repel
The marvel of the earth's designs,--
I 'll hie me otherwhere to dwell,
Arcadia has trolley lines.

SPEAKIN' AT DE COU'T-HOUSE

Dey been speakin' at de cou't-house,
An' laws-a-massy me,
'T was de beatness kin' o' doin's
Dat evah I did see.
Of cose I had to be dah
In de middle o' de crowd,
An' I hallohed wid de othahs,
Wen de speakah riz and bowed.

I was kind o' disapp'inted
At de smallness of de man,
Case I 'd allus pictered great folks
On a mo' expansive plan;
But I t'ought I could respect him
An' tek in de wo'ds he said,
Fu' dey sho was somp'n knowin'
In de bald spot on his haid.

But hit did seem so't o' funny
Aftah waitin' fu' a week
Dat de people kep' on shoutin'
So de man des could n't speak;
De ho'ns dey blared a little,
Den dey let loose on de drums,--.
Some one toll me dey was playin'
"See de conkerin' hero comes."

"Well," says I, "you all is white folks,
But you 's sutny actin' queer,
What's de use of heroes comin'
Ef dey cain't talk w'en dey's here?"
Aftah while dey let him open,
An' dat man he waded in,
An' he fit de wahs all ovah
Winnin' victeries lak sin.

Wen he come down to de present,
Den he made de feathahs fly.
He des waded in on money,
An' he played de ta'iff high.
An' he said de colah question,
Hit was ovah, solved, an' done,
Dat de dahky was his brothah,
Evah blessed mothah's son.

Well he settled all de trouble
Dat's been pesterin' de lan',
Den he set down mid de cheerin'
An' de playin' of de ban'.
I was feelin' moughty happy
'Twell I hyeahed somebody speak,
"Well, dat's his side of de bus'ness,
But you wait for Jones nex' week."

BLACK SAMSON OF BRANDYWINE

"In the fight at Brandywine, Black Samson, a giant negro armed with
a scythe, sweeps his way through the red ranks...." C. M. Skinner's
"_Myths and Legends of Our Own Land_."

Gray are the pages of record,
Dim are the volumes of eld;
Else had old Delaware told us
More that her history held.
Told us with pride in the story,
Honest and noble and fine,
More of the tale of my hero,
Black Samson of Brandywine.

Sing of your chiefs and your nobles,
Saxon and Celt and Gaul,
Breath of mine ever shall join you,
Highly I honor them all.
Give to them all of their glory,
But for this noble of mine,
Lend him a tithe of your tribute,
Black Samson of Brandywine.

There in the heat of the battle,
There in the stir of the fight,
Loomed he, an ebony giant,
Black as the pinions of night.
Swinging his scythe like a mower
Over a field of grain,
Needless the care of the gleaners,
Where he had passed amain.

Straight through the human harvest,
Cutting a bloody swath,
Woe to you, soldier of Briton!
Death is abroad in his path.
Flee from the scythe of the reaper,
Flee while the moment is thine,
None may with safety withstand him,
Black Samson of Brandywine.

Was he a freeman or bondman?
Was he a man or a thing?
What does it matter? His brav'ry
Renders him royal--a king.
If he was only a chattel,
Honor the ransom may pay
Of the royal, the loyal black giant
Who fought for his country that day.

Noble and bright is the story,
Worthy the touch of the lyre,
Sculptor or poet should find it
Full of the stuff to inspire.
Beat it in brass and in copper,
Tell it in storied line,
So that the world may remember
Black Samson of Brandywine.

THE LOOKING-GLASS

Dinah stan' befo' de glass,
Lookin' moughty neat,
An' huh purty shadder sass
At huh haid an' feet.
While she sasshay 'roun' an' bow,
Smilin' den an' poutin' now,
An' de lookin'-glass, I 'low,
Say: "Now, ain't she sweet?"

All she do, de glass it see,
Hit des see, no mo',
Seems to me, hit ought to be
Drappin' on de flo'.
She go w'en huh time git slack,
Kissin' han's an' smilin' back,
Lawsy, how my lips go smack,
Watchin' at de do'.

Wisht I was huh lookin'-glass,
Wen she kissed huh han';
Does you t'ink I 'd let it pass,
Settin' on de stan'?
No; I'd des' fall down an' break,
Kin' o' glad 't uz fu' huh sake;
But de diffunce, dat whut make
Lookin'-glass an' man.

A MISTY DAY

Heart of my heart, the day is chill,
The mist hangs low o'er the wooded hill,
The soft white mist and the heavy cloud
The sun and the face of heaven shroud.
The birds are thick in the dripping trees,
That drop their pearls to the beggar breeze;
No songs are rife where songs are wont,
Each singer crouches in his haunt.

Heart of my heart, the day is chill,
Whene'er thy loving voice is still,
The cloud and mist hide the sky from me,
Whene'er thy face I cannot see.
My thoughts fly back from the chill without,
My mind in the storm drops doubt on doubt,
No songs arise. Without thee, love,
My soul sinks down like a frightened dove.

LI'L' GAL

Oh, de weathah it is balmy an' de breeze is sighin' low.
Li'l' gal,
An' de mockin' bird is singin' in de locus' by de do',
Li'l' gal;
Dere 's a hummin' an' a bummin' in de lan' f'om eas' to wes',
I 's a-sighin' fu' you, honey, an' I nevah know no res'.
Fu' dey 's lots o' trouble brewin' an' a-stewin' in my breas',
Li'l' gal.

Whut 's de mattah wid de weathah, whut's de mattah wid de breeze,
Li'l' gal?
Whut 's de mattah wid de locus' dat 's a-singin' in de trees,
Li'l' gal?
W'y dey knows dey ladies love 'em, an' dey knows dey love 'em true,
An' dey love 'em back, I reckon, des' lak I 's a-lovin' you;
Dat 's de reason dey 's a-weavin' an' a-sighin', thoo an' thoo,
Li'l' gal.

Don't you let no da'ky fool you 'cause de clo'es he waihs is fine,
Li'l' gal.
Dey 's a hones' hea't a-beatin' unnerneaf dese rags o' mine,
Li'l' gal.
Cose dey ain' no use in mockin' whut de birds an' weathah do,
But I 's so'y I cain't 'spress it w'en I knows I loves you true,
Dat 's de reason I 's a-sighin' an' a-singin now fu' you,
Li'l' gal.

DOUGLASS

Ah, Douglass, we have fall'n on evil days,
Such days as thou, not even thou didst know,
When thee, the eyes of that harsh long ago
Saw, salient, at the cross of devious ways,
And all the country heard thee with amaze.
Not ended then, the passionate ebb and flow,
The awful tide that battled to and fro;
We ride amid a tempest of dispraise.

Now, when the waves of swift dissension swarm,
And Honor, the strong pilot, lieth stark,
Oh, for thy voice high-sounding o'er the storm,
For thy strong arm to guide the shivering bark,
The blast-defying power of thy form,
To give us comfort through the lonely dark.

WHEN SAM'L SINGS

Hyeah dat singin' in de medders
Whaih de folks is mekin' hay?
Wo'k is pretty middlin' heavy
Fu' a man to be so gay.
You kin tell dey 's somep'n special
F'om de canter o' de song;
Somep'n sholy pleasin' Sam'l,
W'en he singin' all day long.

Hyeahd him wa'blin' 'way dis mo'nin'
'Fo' 't was light enough to see.
Seem lak music in de evenin'
Allus good enough fu' me.
But dat man commenced to hollah
'Fo' he 'd even washed his face;
Would you b'lieve, de scan'lous rascal
Woke de birds erroun' de place?

Sam'l took a trip a-Sad'day;
Dressed hisse'f in all he had,
Tuk a cane an' went a-strollin',
Lookin' mighty pleased an' glad.
Some folks don' know whut de mattah,
But I do, you bet yo' life;
Sam'l smilin' an' a-singin'
'Case he been to see his wife.

She live on de fu' plantation,
Twenty miles erway er so;
But huh man is mighty happy
Wen he git de chanst to go.
Walkin' allus ain' de nices'--
Mo'nin' fin's him on de way--
But he allus comes back smilin',
Lak his pleasure was his pay.

Den he do a heap o' talkin',
Do' he mos'ly kin' o' still,
But de wo'ds, dey gits to runnin'
Lak de watah fu' a mill.
"Whut 's de use o' havin' trouble,
Whut 's de use o' havin' strife?"
Dat 's de way dis Sam'l preaches
W'en he been to see his wife.

An' I reckon I git jealous,
Fu' I laff an' joke an' sco'n,
An' I say, "Oh, go on, Sam'l,
Des go on, an' blow yo' ho'n."
But I know dis comin' Sad'day,
Dey 'll be brighter days in life;
An' I 'll be ez glad ez Sam'l
W'en I go to see my wife.

BOOKER T. WASHINGTON

The word is writ that he who runs may read.
What is the passing breath of earthly fame?
But to snatch glory from the hands of blame--
That is to be, to live, to strive indeed.
A poor Virginia cabin gave the seed,
And from its dark and lowly door there came
A peer of princes in the world's acclaim,
A master spirit for the nation's need.
Strong, silent, purposeful beyond his kind,
The mark of rugged force on brow and lip,
Straight on he goes, nor turns to look behind
Where hot the hounds come baying at his hip;
With one idea foremost in his mind,
Like the keen prow of some on-forging ship.

THE MONK'S WALK

In this sombre garden close
What has come and passed, who knows?
What red passion, what white pain
Haunted this dim walk in vain?

Underneath the ivied wall,
Where the silent shadows fall,
Lies the pathway chill and damp
Where the world-quit dreamers tramp.

Just across, where sunlight burns,
Smiling at the mourning ferns,
Stand the roses, side by side,
Nodding in their useless pride.

Ferns and roses, who shall say
What you witness day by day?
Covert smile or dropping eye,
As the monks go pacing by.

Has the novice come to-day
Here beneath the wall to pray?
Has the young monk, lately chidden,
Sung his lyric, sweet, forbidden?

Tell me, roses, did you note
That pale father's throbbing throat?
Did you hear him murmur, "Love!"
As he kissed a faded glove?

Mourning ferns, pray tell me why
Shook you with that passing sigh?
Is it that you chanced to spy
Something in the Abbot's eye?

Here no dream, nor thought of sin,
Where no worlding enters in;
Here no longing, no desire,
Heat nor flame of earthly fire.

Branches waving green above,
Whisper naught of life nor love;
Softened winds that seem a breath,
Perfumed, bring no fear of death.

Is it living thus to live?
Has life nothing more to give?
Ah, no more of smile or sigh--
Life, the world, and love, good-bye.

Gray, and passionless, and dim,
Echoing of the solemn hymn,
Lies the walk, 'twixt fern and rose,
Here within the garden close.

LOVE-SONG

If Death should claim me for her own to-day,
And softly I should falter from your side,
Oh, tell me, loved one, would my memory stay,
And would my image in your heart abide?
Or should I be as some forgotten dream,
That lives its little space, then fades entire?
Should Time send o'er you its relentless stream,
To cool your heart, and quench for aye love's fire?

I would not for the world, love, give you pain,
Or ever compass what would cause you grief;
And, oh, how well I know that tears are vain!
But love is sweet, my dear, and life is brief;
So if some day before you I should go
Beyond the sound and sight of song and sea,
'T would give my spirit stronger wings to know
That you remembered still and wept for me.

SLOW THROUGH THE DARK

Slow moves the pageant of a climbing race;
Their footsteps drag far, far below the height,
And, unprevailing by their utmost might,
Seem faltering downward from each hard won place.
No strange, swift-sprung exception we; we trace
A devious way thro' dim, uncertain light,--
Our hope, through the long vistaed years, a sight
Of that our Captain's soul sees face to face.
Who, faithless, faltering that the road is steep,
Now raiseth up his drear insistent cry?
Who stoppeth here to spend a while in sleep
Or curseth that the storm obscures the sky?
Heed not the darkness round you, dull and deep;
The clouds grow thickest when the summit's nigh.

THE MURDERED LOVER

Say a mass for my soul's repose, my brother,
Say a mass for my soul's repose, I need it,
Lovingly lived we, the sons of one mother,
Mine was the sin, but I pray you not heed it.

Dark were her eyes as the sloe and they called me,
Called me with voice independent of breath.
God! how my heart beat; her beauty appalled me,
Dazed me, and drew to the sea-brink of death.

Lithe was her form like a willow. She beckoned,
What could I do save to follow and follow,
Nothing of right or result could be reckoned;
Life without her was unworthy and hollow.

Ay, but I wronged thee, my brother, my brother;
Ah, but I loved her, thy beautiful wife.
Shade of our father, and soul of our mother,
Have I not paid for my love with my life?

Dark was the night when, revengeful, I met you,
Deep in the heart of a desolate land.
Warm was the life-blood which angrily wet you
Sharp was the knife that I felt from your hand.

Wept you, oh, wept you, alone by the river,
When my stark carcass you secretly sank.
Ha, now I see that you tremble and shiver;
'T was but my spirit that passed when you shrank!

Weep not, oh, weep not, 't is over, 't is over;
Stir the dark weeds with the turn of the tide;
Go, thou hast sent me forth, ever a rover,
Rest and the sweet realm of heaven denied.

Say a mass for my soul's repose, my brother,
Say a mass for my soul, I need it.
Sin of mine was it, and sin of no other,
Mine was it all, but I pray you not heed it.

PHILOSOPHY

I been t'inkin' 'bout de preachah; whut he said de othah night,
'Bout hit bein' people's dooty, fu' to keep dey faces bright;
How one ought to live so pleasant dat ouah tempah never riles,
Meetin' evahbody roun' us wid ouah very nicest smiles.

Dat 's all right, I ain't a-sputin' not a t'ing dat soun's lak fac',
But you don't ketch folks a-grinnin' wid a misery in de back;
An' you don't fin' dem a-smilin' w'en dey 's hongry ez kin be,
Leastways, dat 's how human natur' allus seems to 'pear to me.

We is mos' all putty likely fu' to have our little cares,
An' I think we 'se doin' fus' rate w'en we jes' go long and bears,
Widout breakin' up ouah faces in a sickly so't o' grin,
W'en we knows dat in ouah innards we is p'intly mad ez sin.

Oh dey 's times fu' bein' pleasant an' fu' goin' smilin' roun',
'Cause I don't believe in people allus totin' roun' a frown,
But it's easy 'nough to titter w'en de stew is smokin' hot,
But hit's mighty ha'd to giggle w'en dey's nuffin' in de pot.

A PREFERENCE

Mastah drink his ol' Made'a,
Missy drink huh sherry wine,
Ovahseah lak his whiskey,
But dat othah drink is mine,
Des' 'lasses an' watah, 'lasses an' watah.

Wen you git a steamin' hoe-cake
On de table, go way, man!
'D ain but one t'ing to go wid it,
'Sides de gravy in de pan,
Dat 's 'lasses an' watah, 'lasses an' watah.

W'en hit 's 'possum dat you eatin',
'Simmon beer is moughty sweet;
But fu' evahday consumin'
'D ain't no mo'tal way to beat
Des' 'lasses an' watah, 'lasses an' watah.

W'y de bees is allus busy,
An' ain' got no time to was'?
Hit's beca'se dey knows de honey
Dey 's a makin', gwine to tas'
Lak 'lasses an' watah, 'lasses an' watah.

Oh, hit 's moughty mil' an' soothin',
An' hit don' go to yo' haid;
Dat 's de reason I 's a-backin'
Up de othah wo'ds I said,
"Des 'lasses an' watah, 'lasses an' watah."

THE DEBT

This is the debt I pay
Just for one riotous day,
Years of regret and grief,
Sorrow without relief.

Pay it I will to the end--
Until the grave, my friend,
Gives me a true release--
Gives me the clasp of peace.

Slight was the thing I bought,
Small was the debt I thought,
Poor was the loan at best--
God! but the interest!

ON THE DEDICATION OF DOROTHY HALL

TUSKEGEE, ALA., APRIL 22, 1901.

Not to the midnight of the gloomy past,
Do we revert to-day; we look upon
The golden present and the future vast
Whose vistas show us visions of the dawn.

Nor shall the sorrows of departed years
The sweetness of our tranquil souls annoy,
The sunshine of our hopes dispels the tears,
And clears our eyes to see this later joy.

Not ever in the years that God hath given
Have we gone friendless down the thorny way,
Always the clouds of pregnant black were riven
By flashes from His own eternal day.

The women of a race should be its pride;
We glory in the strength our mothers had,
We glory that this strength was not denied
To labor bravely, nobly, and be glad.

God give to these within this temple here,
Clear vision of the dignity of toil,
That virtue in them may its blossoms rear
Unspotted, fragrant, from the lowly soil.

God bless the givers for their noble deed,
Shine on them with the mercy of Thy face,
Who come with open hearts to help and speed
The striving women of a struggling race.

A ROADWAY

Let those who will stride on their barren roads
And prick themselves to haste with self-made goads,
Unheeding, as they struggle day by day,
If flowers be sweet or skies be blue or gray:
For me, the lone, cool way by purling brooks,
The solemn quiet of the woodland nooks,
A song-bird somewhere trilling sadly gay,
A pause to pick a flower beside the way.

BY RUGGED WAYS

By rugged ways and thro' the night
We struggle blindly toward the light;
And groping, stumbling, ever pray
For sight of long delaying day.
The cruel thorns beside the road
Stretch eager points our steps to goad,
And from the thickets all about
Detaining hands reach threatening out.

"Deliver us, oh, Lord," we cry,
Our hands uplifted to the sky.
No answer save the thunder's peal,
And onward, onward, still we reel.
"Oh, give us now thy guiding light;"
Our sole reply, the lightning's blight.
"Vain, vain," cries one, "in vain we call;"
But faith serene is over all.

Beside our way the streams are dried,
And famine mates us side by side.
Discouraged and reproachful eyes
Seek once again the frowning skies.
Yet shall there come, spite storm and shock,
A Moses who shall smite the rock,
Call manna from the Giver's hand,
And lead us to the promised land!

The way is dark and cold and steep,
And shapes of horror murder sleep,
And hard the unrelenting years;
But 'twixt our sighs and moans and tears,
We still can smile, we still can sing,
Despite the arduous journeying.
For faith and hope their courage lend,
And rest and light are at the end.

LOVE'S SEASONS

When the bees are humming in the honeysuckle vine
And the summer days are in their bloom,
Then my love is deepest, oh, dearest heart of mine,
When the bees are humming in the honeysuckle vine.

When the winds are moaning o'er the meadows chill and gray,
And the land is dim with winter gloom,
Then for thee, my darling, love will have its way,
When the winds are moaning o'er the meadows chill and gray.

In the vernal dawning with the starting of the leaf,
In the merry-chanting time of spring,
Love steals all my senses, oh, the happy-hearted thief!
In the vernal morning with the starting of the leaf.

Always, ever always, even in the autumn drear,
When the days are sighing out their grief,
Thou art still my darling, dearest of the dear,
Always, ever always, even in the autumn drear.

TO A DEAD FRIEND

It is as if a silver chord
Were suddenly grown mute,
And life's song with its rhythm warred
Against a silver lute.

It is as if a silence fell
Where bides the garnered sheaf,
And voices murmuring, "It is well,"
Are stifled by our grief.

It is as if the gloom of night
Had hid a summer's day,
And willows, sighing at their plight,
Bent low beside the way.

For he was part of all the best
That Nature loves and gives,
And ever more on Memory's breast
He lies and laughs and lives.

TO THE SOUTH

ON ITS NEW SLAVERY

Heart of the Southland, heed me pleading now,
Who bearest, unashamed, upon my brow
The long kiss of the loving tropic sun,
And yet, whose veins with thy red current run.

Borne on the bitter winds from every hand,
Strange tales are flying over all the land,
And Condemnation, with his pinions foul,
Glooms in the place where broods the midnight owl.

What art thou, that the world should point at thee,
And vaunt and chide the weakness that they see?
There was a time they were not wont to chide;
Where is thy old, uncompromising pride?

Blood-washed, thou shouldst lift up thine honored head,
White with the sorrow for thy loyal dead
Who lie on every plain, on every hill,
And whose high spirit walks the Southland still:

Whose infancy our mother's hands have nursed.
Thy manhood, gone to battle unaccursed,
Our fathers left to till th' reluctant field,
To rape the soil for what she would not yield;

Wooing for aye, the cold unam'rous sod,
Whose growth for them still meant a master's rod;
Tearing her bosom for the wealth that gave
The strength that made the toiler still a slave.

Too long we hear the deep impassioned cry
That echoes vainly to the heedless sky;
Too long, too long, the Macedonian call
Falls fainting far beyond the outward wall,

Within whose sweep, beneath the shadowing trees,
A slumbering nation takes its dangerous ease;
Too long the rumors of thy hatred go
For those who loved thee and thy children so.

Thou must arise forthwith, and strong, thou must
Throw off the smirching of this baser dust,
Lay by the practice of this later creed,
And be thine honest self again indeed.

There was a time when even slavery's chain
Held in some joys to alternate with pain,
Some little light to give the night relief,
Some little smiles to take the place of grief.

There was a time when, jocund as the day,
The toiler hoed his row and sung his lay,
Found something gleeful in the very air,
And solace for his toiling everywhere.

Now all is changed, within the rude stockade,
A bondsman whom the greed of men has made
Almost too brutish to deplore his plight,
Toils hopeless on from joyless morn till night.

For him no more the cabin's quiet rest,
The homely joys that gave to labor zest;
No more for him the merry banjo's sound,
Nor trip of lightsome dances footing round.

For him no more the lamp shall glow at eve,
Nor chubby children pluck him by the sleeve;
No more for him the master's eyes be bright,--
He has nor freedom's nor a slave's delight.

What, was it all for naught, those awful years
That drenched a groaning land with blood and tears?
Was it to leave this sly convenient hell,
That brother fighting his own brother fell?

When that great struggle held the world in awe,
And all the nations blanched at what they saw,
Did Sanctioned Slavery bow its conquered head
That this unsanctioned crime might rise instead?

Is it for this we all have felt the flame,--
This newer bondage and this deeper shame?
Nay, not for this, a nation's heroes bled,
And North and South with tears beheld their dead.

Oh, Mother South, hast thou forgot thy ways,
Forgot the glory of thine ancient days,
Forgot the honor that once made thee great,
And stooped to this unhallowed estate?

It cannot last, thou wilt come forth in might,
A warrior queen full armored for the fight;
And thou wilt take, e'en with thy spear in rest,
Thy dusky children to thy saving breast.

Till then, no more, no more the gladsome song,
Strike only deeper chords, the notes of wrong;
Till then, the sigh, the tear, the oath, the moan,
Till thou, oh, South, and thine, come to thine own.

THE HAUNTED OAK

Pray why are you so bare, so bare,
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?

My leaves were green as the best, I trow,
And sap ran free in my veins,
But I saw in the moonlight dim and weird
A guiltless victim's pains.

I bent me down to hear his sigh;
I shook with his gurgling moan,
And I trembled sore when they rode away,
And left him here alone.

They 'd charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?

He prayed his prayer and he swore his oath,
And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
And the steady tread drew nigh.

Who is it rides by night, by night,
Over the moonlit road?
And what is the spur that keeps the pace,
What is the galling goad?

And now they beat at the prison door,
"Ho, keeper, do not stay!
We are friends of him whom you hold within,
And we fain would take him away

"From those who ride fast on our heels
With mind to do him wrong;
They have no care for his innocence,
And the rope they bear is long."

They have fooled the jailer with lying words,
They have fooled the man with lies;
The bolts unbar, the locks are drawn,
And the great door open flies.

Now they have taken him from the jail,
And hard and fast they ride,
And the leader laughs low down in his throat,
As they halt my trunk beside.

Oh, the judge, he wore a mask of black,
And the doctor one of white,
And the minister, with his oldest son,
Was curiously bedight.

Oh, foolish man, why weep you now?
'Tis but a little space,
And the time will come when these shall dread
The mem'ry of your face.

I feel the rope against my bark,
And the weight of him in my grain,
I feel in the throe of his final woe
The touch of my own last pain.

And never more shall leaves come forth
On a bough that bears the ban;
I am burned with dread, I am dried and dead,
From the curse of a guiltless man.

And ever the judge rides by, rides by,
And goes to hunt the deer,
And ever another rides his soul
In the guise of a mortal fear.

And ever the man he rides me hard,
And never a night stays he;
For I feel his curse as a haunted bough,
On the trunk of a haunted tree.

WELTSCHMERTZ

You ask why I am sad to-day,
I have no cares, no griefs, you say?
Ah, yes, 't is true, I have no grief--
But--is there not the falling leaf?

The bare tree there is mourning left
With all of autumn's gray bereft;
It is not what has happened me,
Think of the bare, dismantled tree.

The birds go South along the sky,
I hear their lingering, long good-bye.
Who goes reluctant from my breast?
And yet--the lone and wind-swept nest.

The mourning, pale-flowered hearse goes by,
Why does a tear come to my eye?
Is it the March rain blowing wild?
I have no dead, I know no child.

I am no widow by the bier
Of him I held supremely dear.
I have not seen the choicest one
Sink down as sinks the westering sun.

Faith unto faith have I beheld,
For me, few solemn notes have swelled;
Love bekoned me out to the dawn,
And happily I followed on.

And yet my heart goes out to them
Whose sorrow is their diadem;
The falling leaf, the crying bird,
The voice to be, all lost, unheard--

Not mine, not mine, and yet too much
The thrilling power of human touch,
While all the world looks on and scorns
I wear another's crown of thorns.

Count me a priest who understands
The glorious pain of nail-pierced hands;
Count me a comrade of the thief
Hot driven into late belief.

Oh, mother's tear, oh, father's sigh,
Oh, mourning sweetheart's last good-bye,
I yet have known no mourning save
Beside some brother's brother's grave.

ROBERT GOULD SHAW

Why was it that the thunder voice of Fate
Should call thee, studious, from the classic groves,
Where calm-eyed Pallas with still footstep roves,
And charge thee seek the turmoil of the state?
What bade thee hear the voice and rise elate,
Leave home and kindred and thy spicy loaves,
To lead th' unlettered and despised droves
To manhood's home and thunder at the gate?

Far better the slow blaze of Learning's light,
The cool and quiet of her dearer fane,
Than this hot terror of a hopeless fight,
This cold endurance of the final pain,--
Since thou and those who with thee died for right
Have died, the Present teaches, but in vain!

ROSES

Oh, wind of the spring-time, oh, free wind of May,
When blossoms and bird-song are rife;
Oh, joy for the season, and joy for the day,
That gave me the roses of life, of life,
That gave me the roses of life.

Oh, wind of the summer, sing loud in the night,
When flutters my heart like a dove;
One came from thy kingdom, thy realm of delight,
And gave me the roses of love, of love,
And gave me the roses of love.

Oh, wind of the winter, sigh low in thy grief,
I hear thy compassionate breath;
I wither, I fall, like the autumn-kissed leaf,
He gave me the roses of death, of death,
He gave me the roses of death.

A LOVE SONG

Ah, love, my love is like a cry in the night,
A long, loud cry to the empty sky,
The cry of a man alone in the desert,
With hands uplifted, with parching lips,

Oh, rescue me, rescue me,
Thy form to mine arms,
The dew of thy lips to my mouth,
Dost thou hear me?--my call thro' the night?

Darling, I hear thee and answer,
Thy fountain am I,
All of the love of my soul will I bring to thee,
All of the pains of my being shall wring to thee,
Deep and forever the song of my loving shall sing to thee,
Ever and ever thro' day and thro' night shall I cling to thee.
Hearest thou the answer?
Darling, I come, I come.

ITCHING HEELS

Fu' de peace o' my eachin' heels, set down;
Don' fiddle dat chune no mo'.
Don' you see how dat melody stuhs me up
An' baigs me to tek to de flo'?
You knows I 's a Christian, good an' strong;
I wusship f'om June to June;
My pra'ahs dey ah loud an' my hymns ah long:
I baig you don' fiddle dat chune.

I 's a crick in my back an' a misery hyeah
Whaih de j'ints 's gittin' ol' an' stiff,
But hit seems lak you brings me de bref o' my youf;
W'y, I 's suttain I noticed a w'iff.
Don' fiddle dat chune no mo', my chile,
Don' fiddle dat chune no mo';
I 'll git up an' taih up dis groun' fu' a mile,
An' den I 'll be chu'ched fu' it, sho'.

Oh, fiddle dat chune some mo', I say,
An' fiddle it loud an' fas':
I's a youngstah ergin in de mi'st o' my sin;
De p'esent 's gone back to de pas'.
I 'll dance to dat chune, so des fiddle erway;
I knows how de backslidah feels;
So fiddle it on 'twell de break o' de day
Fu' de sake o' my eachin' heels.

TO AN INGRATE

This is to-day, a golden summer's day
And yet--and yet
My vengeful soul will not forget
The past, forever now forgot, you say.

From that half height where I had sadly climbed,
I stretched my hand,
I lone in all that land,
Down there, where, helpless, you were limed.

Our fingers clasped, and dragging me a pace,
You struggled up.
It is a bitter Cup,
That now for naught, you turn away your face.

I shall remember this for aye and aye.
Whate'er may come,
Although my lips are dumb,
My spirit holds you to that yesterday.

IN THE TENTS OF AKBAR

In the tents of Akbar
Are dole and grief to-day,
For the flower of all the Indies
Has gone the silent way.

In the tents of Akbar
Are emptiness and gloom,
And where the dancers gather,
The silence of the tomb.

Across the yellow desert,
Across the burning sands,
Old Akbar wanders madly,
And wrings his fevered hands.

And ever makes his moaning
To the unanswering sky,
For Sutna, lovely Sutna,
Who was so fair to die.

For Sutna danced at morning,
And Sutna danced at eve;
Her dusky eyes half hidden
Behind her silken sleeve.

Her pearly teeth out-glancing
Between her coral lips,
The tremulous rhythm of passion
Marked by her quivering hips.

As lovely as a jewel
Of fire and dewdrop blent,
So danced the maiden Sutna
In gallant Akbar's tent.

And one who saw her dancing,
Saw her bosom's fall and rise
Put all his body's yearning
Into his lovelit eyes.

Then Akbar came and drove him--
A jackal--from his door,
And bade him wander far and look
On Sutna's face no more.

Some day the sea disgorges,
The wilderness gives back,
Those half-dead who have wandered,
Aimless, across its track.

And he returned--the lover,
Haggard of brow and spent;
He found fair Sutna standing
Before her master's tent.

"Not mine, nor Akbar's, Sutna!"
He cried and closely pressed,
And drove his craven dagger
Straight to the maiden's breast.

Oh, weep, oh, weep, for Sutna,
So young, so dear, so fair,
Her face is gray and silent
Beneath her dusky hair.

And wail, oh, wail, for Akbar,
Who walks the desert sands,
Crying aloud for Sutna,
Wringing his fevered hands.

In the tents of Akbar
The tears of sorrow run,
But the corpse of Sutna's slayer,
Lies rotting in the sun.

THE FOUNT OF TEARS

All hot and grimy from the road,
Dust gray from arduous years,
I sat me down and eased my load
Beside the Fount of Tears.

The waters sparkled to my eye,
Calm, crystal-like, and cool,
And breathing there a restful sigh,
I bent me to the pool.

When, lo! a voice cried: "Pilgrim, rise,
Harsh tho' the sentence be,
And on to other lands and skies--
This fount is not for thee.

"Pass on, but calm thy needless fears,
Some may not love or sin,
An angel guards the Fount of Tears;
All may not bathe therein."

Then with my burden on my back
I turned to gaze awhile,
First at the uninviting track,
Then at the water's smile.

And so I go upon my way,
Thro'out the sultry years,
But pause no more, by night, by day,
Beside the Fount of Tears.

LIFE'S TRAGEDY

It may be misery not to sing at all
And to go silent through the brimming day.
It may be sorrow never to be loved,
But deeper griefs than these beset the way.

To have come near to sing the perfect song
And only by a half-tone lost the key,
There is the potent sorrow, there the grief,
The pale, sad staring of life's tragedy.

To have just missed the perfect love,
Not the hot passion of untempered youth,
But that which lays aside its vanity
And gives thee, for thy trusting worship, truth--

This, this it is to be accursed indeed;
For if we mortals love, or if we sing,
We count our joys not by the things we have,
But by what kept us from the perfect thing.

DE WAY T'INGS COME

De way t'ings come, hit seems to me,
Is des' one monst'ous mystery;
De way hit seem to strike a man,
Dey ain't no sense, dey ain't no plan;
Ef trouble sta'ts a pilin' down,
It ain't no use to rage er frown,
It ain't no use to strive er pray,
Hit's mortal boun' to come dat way.

Now, ef you 's hongry, an' yo' plate
Des' keep on sayin' to you, "Wait,"
Don't mek no diffunce how you feel,
'T won't do no good to hunt a meal,
Fu' dat ah meal des' boun' to hide
Ontwell de devil's satisfied,
An' 'twell dey's some'p'n by to cyave
You 's got to ease yo'se'f an' sta've.

But ef dey 's co'n meal on de she'f
You need n't bothah 'roun' yo'se'f,
Somebody's boun' to amble in
An' 'vite you to dey co'n meal bin;
An' ef you 's stuffed up to be froat
Wid co'n er middlin', fowl er shoat,
Des' look out an' you 'll see fu' sho
A 'possum faint befo' yo' do'.

De way t'ings happen, huhuh, chile,
Dis worl' 's done puzzled me one w'ile;
I 's mighty skeered I 'll fall in doubt,
I des' won't try to reason out
De reason why folks strive an' plan
A dinnah fu' a full-fed man,
An' shet de do' an' cross de street
F'om one dat raaly needs to eat.

NOON

Shadder in de valley
Sunlight on de hill,
Sut'ny wish dat locus'
Knowed how to be still.
Don't de heat already
Mek a body hum,
'Dout dat insec' sayin'
Hottah days to come?

Fiel' 's a shinin' yaller
Wid de bendin' grain,
Guinea hen a callin',
Now's de time fu' rain;
Shet yo' mouf, you rascal,
Wha' 's de use to cry?
You do' see no rain clouds
Up dah in de sky.

Dis hyeah sweat's been po'in'
Down my face sence dawn;
Ain't hit time we 's hyeahin'
Dat ah dinnah ho'n?
Go on, Ben an' Jaspah,
Lif yo' feet an' fly,
Hit out fu' de shadder
Fo' I drap an' die.

Hongry, lawd a' mussy,
Hongry as a baih,
Seems lak I hyeah dinnah
Callin' evahwhaih;
Daih 's de ho'n a blowin'!
Let dat cradle swing,
One mo' sweep, den da'kies,
Beat me to de spring!

AT THE TAVERN

A lilt and a swing,
And a ditty to sing,
Or ever the night grow old;
The wine is within,
And I 'm sure 't were a sin
For a soldier to choose to be cold, my dear,
For a soldier to choose to be cold.

We 're right for a spell,
But the fever is--well,
No thing to be braved, at least;
So bring me the wine;
No low fever in mine,
For a drink is more kind than a priest, my dear,
For a drink is more kind than a priest.

DEATH

Storm and strife and stress,
Lost in a wilderness,
Groping to find a way,
Forth to the haunts of day

Sudden a vista peeps,
Out of the tangled deeps,
Only a point--the ray
But at the end is day.

Dark is the dawn and chill,
Daylight is on the hill,
Night is the flitting breath,
Day rides the hills of death.

NIGHT, DIM NIGHT

Night, dim night, and it rains, my love, it rains,
(Art thou dreaming of me, I wonder)
The trees are sad, and the wind complains,
Outside the rolling of the thunder,
And the beat against the panes.

Heart, my heart, thou art mournful in the rain,
(Are thy redolent lips a-quiver?)
My soul seeks thine, doth it seek in vain?
My love goes surging like a river,
Shall its tide bear naught save pain?

LYRICS OF LOVE AND SORROW