Chapter CXIV: Appendix: First printed in 1863

1. To Nature. [_Letters, Conversations_, &c., 1836, i. 144.]
2. Farewell to Love. [Ibid., i. 143.]
3. 'I yet remain', &c. [First six lines by W. L. Bowles.]
4. Count Rumford's Essays. [By W. L. Bowles.]
5. 'The early Year's', &c. [Ver perpetuum, _ante_, p. 148.]
6. To the Rev. W. J. H. [1796.]
7. To a Primrose. [_The Watchman_.]
8. On the Christening of a Friend's Child. [1797.]
9. Mutual Passion. [_Sibylline Leaves._]
10. From a Young Lady. [The Silver Thimble, _ante_, p. 104.]
11. Translation of a Paraphrase of the Gospels. [_Biog. Lit._, 1807,
i. 203, 204.]
12. Israel's Lament. [_Ante_, pp. 433, 434.]

_Notes._--(1) No. 4 forms part of a Poem 'On Mr. Howard's Account of Lazarettos,' _Sonnets, with other Poems_, 1794, pp. 52, 53. See Mr. T. Hutchinson's note in the _Athenæum_, May 3, 1902.

(2) An MS. of No. 10, 'From a Young Lady', is preserved in the library of Rugby School. The poem is dated August, 1795, and is partly in the 'Young Lady's' handwriting. It is signed 'Sara[*h*] Fricker', a proof that her future husband meant from the first to alter the spelling of her name.

(3) The frontispiece of this edition is a lithograph by W. Hall of a portrait of Coleridge, aet. 26, formerly in the possession of Thomas Poole.

XL

THE POEMS of Samuel Taylor Coleridge. Edited by Derwent and Sara Coleridge. With an Appendix. A new and enlarged edition, with a brief Life of the author. London: E. Moxon and Co., 44 Dover Street. [1870.] [8{o}, pp. lxvii + 429.

_Note._--The Contents of 1870 are identical with those of 1863, with the addition of an Introductory Essay (i. e. a Critical Memoir) by Derwent Coleridge, pp. xxiii-lix. 'The Rime of the Ancyent Mariner,' in Seven Parts, was reprinted verbatim from the original as it appeared in _Lyrical Ballads_, 1798. The Introductory Memoir (an 'Essay in a Brief Model') has never been reprinted.

XLI

THE RAVEN. A Poem by Samuel Taylor Coleridge. Illustrated by Ella Hallward With an Introduction by the Hon. Stephen Coleridge. H. S. Nichols L{td}, 39 Charing Cross Road London W.C. MDCCCXCVIII. [4{o}.

_Note._--The text is printed on 14 sheets, unpaged. There are thirteen illustrations and other embellishments.

XLII

OSORIO A Tragedy _As originally written in_ 1797 By Samuel Taylor Coleridge Now first printed from a Copy recently discovered by the Publisher with the Variorum Readings of 'Remorse' and a Monograph on The History of the Play in its earlier and later form by the Author of 'Tennysoniana' London John Pearson York Street Covent Garden 1873. [8{o}, pp. xxii + 204.

XLIII

THE POETICAL WORKS of Samuel Taylor Coleridge Edited with an Introductory Memoir and Illustrations by William B. Scott. London. George Routledge and Sons. [1874.] [8{o}, pp. xxviii + 420.

XLIV

THE POETICAL WORKS OF COLERIDGE AND KEATS With a Memoir of Each Four Volumes in Two. New York Published by Hurd and Houghton Boston: H. O. Houghton and Company The Riverside Press, Cambridge. 1878. [8{o}.

Vol. I, pp. cxl + 372.

Vol. II, pp. vi + 331 + pp. xxxvi + 438 (Life and Poetical Works of Keats).

_Note._--This edition was a reprint of the 'Poetical and Dramatic Works' of 1852.

XLV

THE POETICAL AND DRAMATIC WORKS OF SAMUEL TAYLOR COLERIDGE. FOUNDED ON THE AUTHOR'S LATEST EDITION OF 1834 WITH MANY ADDITIONAL PIECES NOW FIRST INCLUDED, AND A COLLECTION OF VARIOUS READINGS Volume the First [Volume the Second, &c.] [The Aldine device and motto.] London Basil Montagu Pickering 196 Piccadilly 1877. [Reissued, with additions and with the imprint of London Macmillan and Co. 1880.]

_Contents._--Vol. I. Contents, &c., pp. viii; Memoir of S. T. Coleridge, pp. [ix]-cxviii; Poems, pp. [1]-217; Appendix (including Southey's Translation of a 'Greek Ode on Astronomy', &c.), pp. 219-224.

Vol. II. Contents, &c., pp. xii; Poems, pp. [1]-352; Supplement, pp. 355*-364*; Appendix, pp. 353-381.

Vol. III. Remorse, and Zapolya, pp. 290.

Vol. IV. Fall of Robespierre, and _Translation of Schiller's 'Wallenstein'_, pp. 413.

_Note._--The Editor, Richard Herne Shepherd, included in the first two volumes the poems published by Coleridge in 1796, 1797, _An. Anth._, 1800, 1803, _Sibylline Leaves_ (1817), 1828, 1829, 1834, together with those published by H. N. Coleridge in _Literary Remains_, 1836, by Sara and Derwent Coleridge in 1844, 1852 (with the exception of the Hymn, 1814), and by Derwent Coleridge in the Appendix of 1863.

The following poems collected from various sources were reprinted for the first time:--

Vol. I. (1) Julia; (2) First version of the Sonnet to the Rev. W. L. Bowles; (3) On a late Connubial Rupture; (4) Sonnets signed Nehemiah Higginbottom.

Vol. II. (1) Talleyrand to Lord Granville; (2) A Stranger Minstrel; (3) To Two Sisters, &c.; (4) Water Ballad; (5) Modern Critics; (6) 'The Poet in his lone', &c. [Apologia, &c., _ante_, p. 345]; (7) Song, ex improviso, &c.; (8) The Old Man of the Alps; (9) Three Epigrams from _The Watchman_; (10) Sonnet on the birth of a son; (11) On Deputy ----; (12) To a Musical Critic; (13) Εγωενκαιπαν; (14) The Bridge-street Committee; (15) 'What boots to tell', &c.; (16) Mr. Baker's Courtship; (17) Lines in a German Student's Album; (18) On Kepler; (19) Distich from the Greek.

The Supplement published in 1880 (Vol. II, pp. 355*-364*) contains (1) Monody on Chatterton [First Version]; (2) To the Evening Star; (3) Anna and Harland; (4) Translation of Wrangham's _Hendecasyllabi_, &c.; (5) To Miss Brunton; (6) The Mad Monk. Bibliographical matter of interest and importance is contained in the Memoir, and in the Notes to Vol. II, pp. 375-381. Variants of the text, derived from the _Morning Post_, and from earlier editions, are printed as footnotes to the text. In Vol. III. the Editor supplies a collation of the text of _Remorse_ as published in 1852 with that of _Osorio_ [London: John Pearson, 1873] and with that of the First and Second Editions of _Remorse_ published in 1813.

XLVI

The Poetical Works of Samuel Taylor Coleridge. With Life. Engravings on Steel. Gale and Inglis. Edinburgh: Bernard Terrace. London: 26 Paternoster Square. [1881.] [8{o}, pp. xxviii + 420.

_Note._--This edition includes the _Fall of Robespierre_, and _Christobell_. _A Gothic Tale_ as published in the _European Magazine_, April, 1815.

XLVII

THE POETICAL WORKS of Samuel Taylor Coleridge Edited with Introduction and Notes by T. Ashe, B.A. of St. John's College, Cambridge In Two Volumes. London George Bell and Sons, York Street Covent Garden 1885. [The Frontispiece of Vol. I is a portrait of S. T. Coleridge, aet. 23, from a crayon drawing by Robert Hancock: of Vol. II, a view of Greta Hall, Keswick.] [8{o}.

Vol. I. Title, &c., pp. [iii]-xiv; Introduction, &c., pp. [xv]-clxxxvi; Poems, pp. 1-212.

Vol. II. Contents, &c., pp. [v]-xiii; Poems, pp. 1-409.

_Note._--Section 3 of the Introduction, pp. cxxxviii-clxxxvi, supplies a Bibliography of the Poems. The Dramas are not included in the _Poetical Works_. In the 'Table of Contents' poems not included in 1834 are marked by an asterisk, but of these only three, (1) 'The Tears of a Grateful People'; (2) 'The Humour of Pallas' ['My Godmother's Beard'], and (3) 'Lines written in the Common Place Book of Miss Barbour', were collected for the first time. The 'Introduction', the work of a genuine poet, contains much that is valuable and interesting, but the edition as a whole is by no means an advancement on _P. and D. W._, 1877-1880.

XLVIII

THE POETICAL WORKS of Samuel Taylor Coleridge Edited with a Biographical Introduction by James Dykes Campbell [=London=] Macmillan and Co. And New York 1893 _All rights reserved._ [8{o}, pp. cxxiv + 667.

_Contents._--Authorities cited in the Introduction--Corrigenda, p. vi; Preface, pp. [vii]-x; Introduction, pp. [xi]-cxxiv; Poems, pp. [1]-210; Dramatic Works, pp. [211]-442; Addenda, (i) Epigrams, pp. [443]-453, (ii) Fragments from a Common Place Book, pp. 453-458, (iii) Fragments from various sources, pp. [459]-470; (iv) Adaptations, pp. [471]-474; Appendix A. The Raven, pp. [475]-476; Appendix B. Greek Prize Ode, &c. [from MS.], pp. 476-477; Appendix C. To a Young Ass [from MS.], pp. 477-478; Appendix D. Osorio [from MSS.], pp. 479-512; Appendix E. The Rime of the Ancient Mariner [1798], pp. 512-520; Appendix F. Mont Blanc. The Summit of the Vale of Chamouny, an Hour before Sunrise--An Hymn (_Coleorton Letters_, 1887, i. 26-29), pp. 521-522; Appendix G. Dejection: An Ode (_M. P._, Oct. 4, 1802), pp. 522-524; Appendix H. To a Gentleman [W. Wordsworth] (_Coleorton Letters_, i. 213-218), pp. 525-526; Appendix I. Apologetic Preface to 'Fire, Famine and Slaughter', pp. 527-533; Appendix J. Allegoric Verses, pp. 534-537; Appendix K. Titles, Prefaces, and Contents, &c., pp. 537-559; Notes, pp. [561]-654; Index to the Poems, &c., pp. [655]-659; Index to First Lines, pp. [661]-667.

The Poems include all those published in 1877-1880 with the addition of the _Hymn_, first published in 1852, and the omission of 'The Old Man of the Alps' (_M. P._, Apr. 13, 1798) together with the following pieces collected for the first time (*), or printed for the first time from MSS. (MS.):--(1) Dura Navis (MS.); (2) Nil pejus, &c. (MS.); (3) Quae nocent, &c. (MS.); (4) Invocation (MS.); (5) On a Lady Weeping (MS.); (6) A Wish written, &c. (MS.); (7) An Ode in the Manner of Anacreon (MS.); (8) A Lover's Complaint, &c.; (9) To Fortune (*); (10) The Faded Flower (*); (11) On Bala Hill [by R. Southey] (MS.); (12) Count Rumford [by W. L. Bowles] (*); (13) Verses to J. Horne Tooke (*); (14) Ad Vilmum Axiologum (MS.); (15) The Snowdrop (MS.); (16) To Matilda Betham, &c. (*); (17) Homeless (*); (18) Sonnet. Translated from Marini (MS.) (19) A Sunset (MS.); (20) Tears of a Grateful People (*); (21) To Mary Pridham (MS.).

Of the Epigrams, pp. 443-455, the following were first printed from MS., (1) 'You're careful', &c.; (2) 'Say what you will', &c.; (3) On an Insignificant 'No doleful', &c.; (4) On a Slanderer 'From yonder tomb', &c.; (5) 'Money I've heard', &c.

Of fifty-four Fragments from a Common Place Book eighteen were first printed in _Literary Remains_, i. 277-281, and the rest were published or collected for the first time: of sixty-six Fragments from Various Sources thirty-three were first published from MSS., and others were collected for the first time.

Much had been accomplished by the Editor of _P. and D. W._, 1877-1880, but the excellence of the critical apparatus, the style and substance of the critical and explanatory notes, and the amount and quality of fresh material have made and must continue to make the Edition of 1893 the standard edition of Coleridge's _Poetical Works_. The 'Introductory Memoir' was republished as 'A Narrative of the Life of Samuel Taylor Coleridge', Macmillan, 1894.

XLIX

COLERIDGE'S POEMS _A Facsimile Reproduction Of The Proofs And MSS. Of Some_ OF THE POEMS EDITED BY THE LATE JAMES DYKES CAMPBELL _Author of "Samuel Taylor Coleridge, A Narrative of the Events of his Life"; and Editor of "The Poetical Works of Samuel Taylor Coleridge."_ With Preface and Notes By W. Hale White Westminster Archibald Constable and Co. 1899.

_Note._--This volume contains a reprint of a volume of proofs endorsed 'Coleridge's MSS. Corrected Copy of a Work'--'Mr. Cottle's', and a facsimile reproduction of three MSS., with the original erasures and alternative readings. The volume of proofs formerly in the possession of J. Dykes Campbell was reproduced by him, and he added the facsimile of the MSS. in the British Museum which he had deciphered and prepared for publication. Four years after his death the sheets were bound up and published with an elucidatory preface by Mr. W. Hale White. A copy of this literary curiosity as it was left by Mr. Campbell, without the Preface, is in the possession of the Editor.

L

CHRISTABEL By Samuel Taylor Coleridge Illustrated by a Facsimile of the Manuscript And by Textual and other Notes By Ernest Hartley Coleridge Hon. F.R.S.L. London: Henry Frowde MCMVII. [8{o}, pp. ix + 113.

_Note._--The Frontispiece is a photogravure (by Emery Walker) of a pastel drawing of S. T. Coleridge aet. 26. The Collotype Facsimile (thirty-eight leaves unpaged) is inserted between pp. 53 and 54. The text, as collated with three MSS., two transcriptions, and the First Edition, &c., is on pp. 61-96; a Bibliographical Index [Appendix IV] on pp. 111-113. This Edition (dedicated to the Poet's grand-daughters Edith and Christabel Rose Coleridge) was issued by Henry Frowde at the expense of the Royal Society of Literature.

LI

THE POEMS OF COLERIDGE With An Introduction By Ernest Hartley Coleridge And Illustrations By Gerald Metcalfe John Lane The Bodley Head London, W. John Lane Company New York.

[8{o}, pp. xxxi + 460 + Index to the Poems [461]-466 + Index to First Lines [469]-477.]

_Note._--The Illustrations consist of twenty-three full-page illustrations, together with numerous headings, tailpieces, and vignettes. The Contents include all poems previously published which were not subject to the law of copyright:--'The Walk Before Supper', 'The Reproof and Reply', and 'Sancti Dominici Pallium' were printed for the first time from the original MSS.

LII

THE RIME OF THE ANCIENT MARINER. By Samuel Taylor Coleridge, Illustrated by Twenty-Five Poetic and Dramatic Scenes, Designed and Etched By David Scott, Member of the Scottish Academy of Painting. Edinburgh: Alexander Hill, 50, Princes Street; Ackermann & Co. London. M. DCCC. XXXVII. [Folio.

_Note._--Text with marginal glosses in Gothic letters, pp. [5]-25 + twenty-four full-page etchings unpaged, preceded by an illustrated title-page. Scenes from Coleridge's Rime of the Ancient Mariner, By David Scott, S.A. [Etching of the Ancient Mariner on a storm-tost coast ringing a bell, with a motto (_from Kubla Khan_) "All who saw would cry Beware", COLERIDGE.] Edinburgh Published By Alex{r}. Hill, 50 Princes Street 1837. The cloth binding is embellished with a vignette--a lyre encircled by a winged serpent.

LIII

COLERIDGE'S RIME OF THE ANCIENT MARINER Illustrated by J. Noel Paton, R.S.A. Art Union of London 1863 [W. H. M{c}Farlane Lithog{r} Edinburgh] [Oblong Folio.

_Note._--The text, pp. [1]-12, is followed by twenty full-page illustrations. The title-page and cloth binding are embellished with a symbolic vignette--a cross-bow, with twisted snake, resting on a cross encircled with stars.

LIV

THE POETICAL WORKS of Samuel T. Coleridge Edited, with a Critical Memoir, By William Michael Rossetti. Illustrated By Thomas Seccombe. London: E. Moxon, Son, & Co., Dover Street. [8{o}, pp. xxxii + 424.

_Note._--In a Note affixed to the 'Prefatory Notice' the Editor states that this edition includes all Coleridge's 'Dramas . . . with the exception of _Zapolya_. In lieu of this _The Fall of Robespierre_, which has never as yet been reprinted in England, is introduced.'

FOOTNOTES:

[1135:1]

Felix curarum &c.
. . . . . . . . . . . . Nos otia vitae
Solamur cantu, ventosaque gaudia famae
Quaerimus.
STATIUS, _Silvarum_ lib. iv, iv, ll. 46-51.

[1135:2] The following Advertisement was issued on a separate sheet:--

London, April 16. / _This day was Published._ / Printed on Wove Paper, and Hot-Pressed, / Price 5_s._ in Boards,--Fools-cap 8 vo. / POEMS / ON VARIOUS SUBJECTS, by / S. T. COLERIDGE, / Late of Jesus College, Cambridge. / [=London=]: Printed for G. G. and J. Robinsons, Pater-Noster Row, and / J. Cottle, Bookseller, Bristol; and to be had of the / PUBLISHERS of the WATCHMAN / 1796. /

[1136:1] From 'An Evening Address to a Nightingale', by Cuthbert Shaw--Anderson's _British Poets_, xi. 564.

[1136:2]

'Why may not LANGHORNE, simple in his lay,
_Effusion_ on _Effusion_, pour away?'
_The Candidate_, ll. 41-2.

[1140:1] The ancient little Wits wrote many poems in the shape of Eggs, Altars, and Axes. (_MS. Note by S. T. C._)

[1140:2] The title of the volume is 'Sonnets and Odes, by Henry Francis Cary. Author of an Irregular Ode to General Elliot. London 1787.'

Lines 6-9 of the Sonnet read thus:--

From him deriv'd who shun'd and spurn'd the throng
And warbled sweet, thy Brooks and streams among,
Lonely Valclusa! and that heir of Fame
Our English Milton--

Line 14 reads:--

A grandeur, grace and spirit all their own.

The Poems were the first publication of 'Dante' Cary, then a boy of fifteen, whom Coleridge first met at Muddiford in October, 1816, and whose translation of the _Divina Commedia_ he helped to make famous.

[1141:1] The three Sonnets of Bowles are not in any Edition since the last quarto pamphlet of his Sonnets. (_MS. Note by S. T. C._)

[1144:1] Ossian.

[1146:1] Compare _The Pursuits of Literature_, Dialogue 1, lines 50, 55, 56.

The self-supported melancholy Gray

* * * * *

With his high spirit strove the master bard,
And was his own _exceeding great_ reward.

The first Dialogue was published in May 1794. The lines on Gray may have suggested Coleridge's quotation from Genesis, chap. xv, ver. 1, which is supplied in a footnote to line 56.

[1150:1] The 'Eolian Harp', with the title 'Effusion xxxv. Composed August 20, 1795, at Clevedon, Somersetshire', was first published in 1796, and included as 'Composed at Clevedon' in 1797 and 1803. It is possible that it may have been originally printed in a newspaper.

[1150:2] The fourth and last edition of the _Lyrical Ballads_ was issued in 1805.

[1151:1] The List numbers thirty, and of these not more than twenty are strictly speaking _Errata_. Of the remainder the greater number are textual corrections, emendations, and afterthoughts.

[1151:2] The allusion is to the prolonged and embittered controversy between Coleridge and his friends at Bristol, who had printed his works and advanced him various sums of money on the security of the sheets as printed and the future sale of the works when published. They were angry with him for postponing completion of these works, and keeping them out of their money, and he was naturally and reasonably indignant at the excessive sum charged for paper and printing. The fact was that they had done and intended to do him a kindness, but that in so far as it was a business transaction he suffered at their hands.

[1151:3] The title of these Iambic lines is 'Relictis Aliis Studiis Philosophiam Epicuream amplectitur'.

[1151:4] Ben Jonson, vide _ante_, p. 1118.

[1151:5] Vide _ante_, pp. 419, 420.

[1169:1] See Wordsworth's _P. W._ 1896, in. 21: _The Small Celandine_, ll. 21, 22.

BIBLIOGRAPHICAL APPENDIX

No. I

POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS

_The Cambridge Intelligencer._

Lines written at the King's Arms, Ross, formerly the
House of the Man of Ross Sept. 27, 1794
Absence Oct. 11, 1794
Sonnet [Anna and Harland] Oct. 25, 1794
Sonnet [Genevieve] Nov. 1, 1794
To a Young Man of Fortune, &c. Dec. 17, 1796
Ode for the Last Day of the Year, 1796 Dec. 31, 1796
Parliamentary Oscillators Jan. 6, 1798

_The Morning Chronicle._

To Fortune Nov. 7, 1793
Elegy [Elegy imitated from Akenside] Sept. 23, 1794
Epitaph on an Infant. 'Ere sin could blight', &c. Sept. 23, 1794

_Sonnets on Eminent Characters._
I. To the Honourable Mr. Erskine Dec. 1, 1794
II. Burke Dec. 9, 1794
III. Priestley Dec. 11, 1794
IV. La Fayette Dec. 15, 1794
V. Kosciusko Dec. 16, 1794
VI. Pitt Dec. 23, 1794
VII. To the Rev. W. L. Bowles Dec. 26, 1794
VIII. Mrs. Siddons Dec. 29, 1794
IX. To William Godwin Jan. 10, 1795
X. To Robert Southey Jan. 14, 1795
XI. To Richard Brinsley Sheridan, Esq. Jan. 29, 1795

To Lord Stanhope Jan. 31, 1795
Address to a Young Jack Ass and its tethered Mother,
In Familiar Verse Dec. 30, 1794

_The Watchman._

No. 1. To a Young Lady with a Poem on the French
Revolution Mar. 1, 1796
No. 2. Casimir. Ad Lyram. Imitation. 'The solemn-breathing
air', &c. Mar. 9, 1796
No. 3. Elegy. 'Near the lone Pile', &c. Mar. 17, 1796
The Hour when we shall meet again. 'Dim hour',
&c. Mar. 17, 1796
No. 4. 'The early Year's fast-flying Vapours stray' Mar. 25, 1796
A Morning Effusion. 'Ye Gales', &c. Mar. 25, 1796
No. 5. To Mercy. 'Not always should the Tears', &c. Apr. 2, 1796
Recollection. 'As the tir'd savage', &c. Apr. 2, 1796
No. 6. Lines on Observing a Blossom on the First of
February, 1796. 'Sweet Flower that peeping',
&c. Apr. 11, 1796
No. 8. To a Primrose. 'Thy smiles I note', &c. Apr. 27, 1796
No. 9. Epitaph on an Infant. [Reprinted from the
_Morning Chronicle_, Sept. 23, 1794.] 'Ere
Sin could blight', &c. May 5, 1796

_The Monthly Magazine._

On a Late Connubial Rupture, (ii, p. 647) Sept. 1796
Reflections on Entering into Active Life, (ii, p. 732.)
'Low was our pretty Cot', &c. Oct. 1796
Sonnets attempted in the Manner of Contemporary Writers,
(iv, p. 374) Nov. 1797

_The Annual Register._

Lines to a Beautiful Spring in a Village, (xxxviii, pp. 494-5) 1796
Tranquillity, An Ode. (xliii, pp. 525-6) 1801
Stanzas Addressed to a Lady on Her Recovery from a severe attack
of Pain. (The Two Founts.) (lxix, pp. 537-8) 1827

_The Morning Post._

To an Unfortunate Woman in the Back Seats of the Boxes
at the Theatre. 'Maiden that with sullen brow' Dec. 7, 1797
Melancholy: A Fragment Dec. 12, 1797
Fire, Famine, and Slaughter: A War Eclogue Jan. 8, 1798
The Old Man of the Alps. Mar. 8, 1798
The Raven Mar. 10, 1798
Lines Imitated from Catullus. 'My Lesbia', &c. Apr. 11, 1798
Lewti, or the Circassian Love Chaunt Apr. 13, 1798
The Recantation: An Ode Apr. 16, 1798
Moriens Superstiti. 'The hour-bell sounds', &c. May 10, 1798
A Tale. [Recantation. Illustrated in the Story of the
Mad Ox] July 30, 1798
The British Stripling's War-Song Aug. 24, 1799
The Devil's Thoughts Sept. 6, 1799
Lines written in the Album at Elbingerode Sept. 17, 1799
Lines Composed in a Concert Room Sept. 24, 1799
To a Young Lady. 'Why need I say', &c. Dec. 9, 1799
Introduction to the Tale of the Dark Ladié Dec. 21, 1799
Ode to Georgiana, Duchess of Devonshire Dec. 24, 1799
A Christmas Carol Dec. 25, 1799
Talleyrand to Lord Granville Jan. 10, 1800
The Mad Monk Oct. 13, 1800
Inscription for a Seat by the Road-side, &c. Oct. 21, 1800
Alcaeus to Sappho Nov. 24, 1800
The Two Round Spaces: A Skeltoniad Dec. 4, 1800
On Revisiting the Sea Shore Sept. 15, 1801
Tranquillity, An Ode Dec. 4, 1801
The Picture, or The Lover's Resolution Sept. 6, 1802
Chamouni. The Hour before Sunrise. A Hymn Sept. 11, 1802
The Keepsake Sept. 17, 1802
How seldom Friend, &c. [The Good Great Man] Sept. 23, 1802
Inscription on a Jutting Stone over a Spring Sept. 24, 1802
Dejection: An Ode Oct. 4, 1802
Ode to the Rain Oct. 7, 1802
France: An Ode Oct. 14, 1802
The Language of Birds. 'Do you ask, what the Birds
say?' &c. Oct. 16, 1802
The Day-dream. From an Emigrant to his Absent Wife Oct. 19, 1802

_The Courier._

The Exchange of Hearts Apr. 16, 1804
Lines on a King-and-Emperor-making Emperor and King
(Adaptation) Sept. 12, 1806
Farewell to Love. [_Morning Herald_, Oct. 11,
1806] Sept. 27, 1806
To Two Sisters Dec. 10, 1807
Epitaph on an Infant. 'Its milky lips', &c. Mar. 20, 1811
The Hour Glass (Adaptation) Aug. 30, 1811
The Virgin's Cradle Hymn Aug. 30, 1811
Mutual Passion (Adaptation) Sept. 21, 1811

_The Friend._

[Ode to Tranquillity] No. 1, June 1, 1809
The Three Graves, A Sexton's Tale No. 6, Sept. 21, 1809
Hymn. _Before Sun-rise, in the Vale of
Chamouny_ No. 11, Oct. 26, 1809
Tis True, IDOLOCLASTES SATYRANE No. 14, Nov. 23, 1809

_The Gentleman's Magazine._

Farewell to Love. (lxxxv, p. 448) 1815
Overlooked Poem by Coleridge. The Volunteer Stripling. (xxix,
p. 160, N. S.) 1848

_Felix Farley's Bristol Journal._

Fancy in Nubibus, or The Poet in the Clouds Feb. 7, 1818
Written on a Blank Leaf of Faulkner's Shipwreck,
presented by a friend to Miss K Feb. 21, 1818

_Blackwood's Edinburgh Magazine._

Fancy in Nubibus. (Vol. vi, p. 196) Nov. 1819
The poet in his lone, &c. [Apologia, &c.] (Vol. xi, p. 12) Jan. 1822
The Old Man's Sigh: A Sonnet. (Vol. xxxi, p. 956) June, 1832

_Co-operative Magazine and Monthly Herald._

On the Prospect of Establishing a Pantisocracy in
America Apr. 6, 1826

_Literary Magnet._

An Impromptu on Christmas Day, &c. N. S., Vol. iii, 1827, p. 71

_The Evening Standard._

Sancti Dominici Pallium May 21, 1827

_The Crypt, a Receptacle for Things Past._

Job's Luck 1827, pp. 30, 31

_The Literary Souvenir._

The Exchange 1826, p. 408
Lines Suggested by the Last Words of Berengarius 1827, p. 17
[Epitaphium Testamentarium] 1827, p. 17
Youth and Age 1828, p. 1
What is Life? 1829, p. 346

_The Bijou, 1828._

The Wanderings of Cain. A Fragment p. 17
Work without Hope 28
Youth and Age 144
A Day Dream. 'My eyes make pictures' 146
The Two Founts 202

_The Amulet._

New Thoughts on Old Subjects. The Improvisatore 1828, pp. 37-47
Three Scraps 1833, pp. 31, 32
(i) Love's Burial Place.
(ii) The Butterfly.
(iii) A Thought suggested by a View of Saddleback in Cumberland.

_New York Mirror._

Lines written in Miss Barbour's Common Place Book Dec. 19, 1829

_The Keepsake._

The Garden of Boccaccio 1829, p. 282
Song, Ex Improviso, &c. 1830, p. 264
The Poet's Answer to a Lady's Question, &c. 'O'er
wayward Childhood', &c. 1830, p. 279

_The Athenæum._

Water Ballad Oct. 29, 1831

_Friendship's Offering, 1834._

PAGE
My Baptismal Birthday 163
Fragments from the Wreck of Memory, &c.--
I. Hymn to the Earth 165
II. English Hexameters, written during a temporary Blindness,
in the Year 1799 167
III. The Homeric Hexameter, &c. 168
IV. The Ovidian Elegiac Metre, &c. 168
V. A Versified Reflection. 'On stern BLENCARTHUR'S', &c. 168
Love's Apparition and Evanishment 355
Lightheartednesses in Rhyme--
I. The Reproof and Reply 356
II. In Answer to a Friend's Question. 'Her attachment may
differ', &c. 359
III. Lines to a Comic Author, on an abusive Review 359
IV. An Expectoration, &c. 'As I am (_sic_) Rhymer', &c. 360
Expectoration the Second. 'In COLN, a town of monks and bones' 360

_The New Monthly Magazine._

The Faded Flower Aug. 1836

_Dublin University Magazine._

A Stranger Minstrel 1845, xxvi, 112-13

No. II

EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS

1. An Apology for Spencers. _Watchman_, No. 4, Mar. 25, 1796.
2. On a Late Marriage between an Old Maid, &c. Ibid., No. 5, April 2,
1796.
3. On an Amorous Doctor. Ibid., ibid.
4. 'Of smart pretty Fellows', &c. Ibid., p. 159.
5. On Deputy ----. _M. P._, Jan. 2, 1798.
6. To a Well-known Musical Critic, &c. _M. P._, Jan. 4, 1798.
7. Hippona. _M. P._, Aug. 29, 1799.
8. On a Reader of His Own Verses. _M. P._, Sept. 7, 1799.
9. On a Report of a Minister's Death. 'Last Monday', &c. _M. P._,
Sept. 18, 1799.
10. 'Jem writes his Verses', &c. _M. P._, Sept. 23, 1799.
11. On Sir Rubicund Naso. _M. P._, Dec. 7, 1799.
12. Job's Luck, 1799. _M. P._, Sept. 26, 1801.
13. On the Sickness of a Great Minister. _M. P._, Oct. 1, 1799.
14. To a Virtuous Oeconomist. _M. P._, Oct. 28, 1799.
15. 'Jack drinks fine wines', &c. _M. P._, Nov. 16, 1799.
16. To Mr. Pye. _M. P._, Jan. 24, 1800.
17. 'If the guilt of all lying', &c. _An. Anth._, 1800.
18. 'O would the Baptist', &c. _An. Anth._, 1800.
19. Occasioned by the Former. 'I hold of all', &c. _An. Anth._, 1800.
20. 'As Dick and I at Charing Cross', &c. _An. Anth._, 1800.
21. To a Proud Parent. _An. Anth._, 1800.
22. Rufa. _An. Anth._, 1800.
23. On a Volunteer Singer. _An. Anth._, 1800.
24. Occasioned by the Last. 'A joke (cries Jack)', &c. _An. Anth._,
1800.
25. Song to be Sung by the Lovers of all the Noble Liquors, &c.
_M. P._, Sept. 18, 1801.
26. Epitaph on a Bad Man. _M. P._, Sept. 22, 1801.
27. Drinking _versus_ Thinking. _M. P._, Sept. 25, 1801.
28. The Wills of the Wisp. _M. P._, Dec. 1, 1801.
29. To a Certain Modern Narcissus. _M. P._, Dec. 16, 1801.
30. To a Critic. _M. P._, Dec. 16, 1801.
31. Always Audible. _M. P._, Dec. 19, 1801.
32. Pondere non Numero. _M. P._, Dec. 26, 1801.
33. 'To Wed a fool'. _M. P._, Dec. 26, 1801.
34. What is an Epigram? _M. P._, Sept. 23, 1802.
35. 'Charles, grave or merry', &c. Sept. 23, 1802.
36. 'An Evil Spirit's on thee, friend '. _M. P._, Sept. 23, 1802.
37. 'Here lies the Devil', &c. _M. P._, Sept. 23, 1802.
38. To One who Published in Print. _M. P._, Sept. 23, 1802.
39. 'Scarce any scandal', &c. _M. P._, Sept. 23, 1802.
40. 'Old Harpy jeers', &c. _M. P._, Sept. 23, 1802.
41. To a Vain Young Lady. _M. P._, Sept. 23, 1802.
42. A Hint to Premiers and First Consuls. _M. P._, Sept. 27, 1802.
43. 'From me, Aurelia', &c. _M. P._, Oct. 2, 1802.
44. For a House-dog's Collar. _M. P._, Oct. 2, 1802.
45. 'In vain I praise thee', &c. _M. P._, Oct. 2, 1802.
46. Epitaph on a Mercenary Miser. _M. P._, Oct. 9, 1802.
47. A Dialogue between an Author and his Friend. _M. P._, Oct. 11,
1802.
48. Μωροσοφία or Wisdom in Folly. _M. P._, Oct. 11, 1802.
49. 'Each Bond-street buck', &c. _M. P._, Oct. 11, 1802.
50. From an old German Poet. _M. P._, Oct. 11, 1802.
51. On the Curious Circumstance, that in the German, &c. _M. P._, Oct.
11, 1802.
52. Spots in the Sun. _M. P._, Oct. 11, 1802.
53. 'When Surface talks', &c. _M. P._, Oct. 11, 1802.
54. To my Candle. The Farewell Epigram. _M. P._, Oct. 11, 1802.
55. The Taste of the Times. _Athenæum_, Jan. 9, 1904.
56. 'An Excellent Adage', &c. _The Friend_, No. 12, Nov. 9, 1809.
57. Epigram on the Secrecy of a Certain Lady. _The Courier_, Jan. 3,
1814.
58. To a Lady who requested me to write a Poem on Nothing. _Gazette of
Fashion_, Feb. 2, 1822.
59. Authors and Publishers. _News of Literature_, Dec. 10, 1825.
60. Association of Ideas. _Fraser's Magazine_, Jan. 1835.
61. To a Child. 'Little Miss Fanny'. _Athenæum_, Jan. 28, 1888.

No. III

POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS

PAGE
1. _Poems, supposed to have been written..._ By Thomas
Rowley,... 1794.
Monody on the Death of Chatterton xxv

2. _Poems by Francis Wrangham, M.A._, 1795.
Translation of Hendecasyllabi ad Bruntonam, &c. 79
To Miss Brunton with the Preceding Translation.

3. _Poems on the Death of Priscilla Farmer._ By her grandson
Charles Lloyd, 1796.
Sonnet. 'The Piteous sobs', &c.

4. _Lyrical Ballads_, 1798.
The Rime of the Ancyent Marinere 1
The Foster Mother's Tale 53
The Nightingale 63
The Dungeon 139

5. _Lyrical Ballads_ (in two volumes), 1800.
Vol. I. Love [with the four poems published in 1798] 138

6. _Annual Anthology_, 1800.
*Lewti, or The Circassian Love-Chant 23
*To a Young Lady, on her first Appearance after a Dangerous
Illness. 32
*Recantation, Illustrated in the Story of the Mad Ox 59
*Lines Written in the Album at Elbingerode, in the Hartz
Forest 74
*A Christmas Carol 79
To a Friend, who had declared his intention of writing no
more Poetry 103
This Lime-Tree Bower my Prison. A Poem, addressed to
CHARLES LAMB, of the India House, London 140
To W. L. Esq. while he sung a Song to Purcell's Music. 156
*The British Stripling's War-Song 173
Something childish, but very natural. Written in Germany 192
Home-Sick. Written in Germany 193
*Ode to GEORGIANA, Dutchess of Devonshire 212
*Fire, Famine, and Slaughter. A War Eclogue 231
*The Raven 240
*To an unfortunate Woman. 'Sufferer, that with sullen brow' 291

[_Note._ Poems marked with an asterisk were reprinted from the _Morning Post_.]

7. _Memoirs of the late Mrs. Robinson_, &c. Four
volumes, 1801.
A Stranger Minstrel Vol. iv, p. 141

8. _Melmoth's Beauties of British Poets_, 1801.
To a Young Ass 21
To a Spring in a beautiful Village 119
The Sigh 167
The Kiss 201

9. _The Wild Wreath._ Edited by M. E. Robinson, 1804.
The Mad Monk 142

10. _The Poetical Register and Repository of the Fine Arts._

Vol. II. For 1802 (1803).

*Chamouny. The Hour before Sunrise. A Hymn 308
*Inscription on a Jutting Stone over a Spring 338
*The Picture; or, The Lover's Resolution 354

Vol. III. For 1803 (1805).

From the German of Leasing. 'I ask'd my fair', &c. [Signed
'Harley Philadelphia'.] 274
Sonnets, Attempted in the Manner of 'Contemporary
Writers' 346

Vol. IV. For 1804 (1805).

The Exchange.

Vol. VI. For 1806, 1807 (1811).

On a Late Connubial Rupture in High Life 365

Vol. VII. For 1808, 1809 (1812).

Fears in Solitude. By S. T. Coleridge, Esq. 227
France, An Ode. By S. T. Coleridge, Esq. 332
Frost at Midnight. By S. T. Coleridge Esq. 530

[_Note._ Sonnets Attempted, &c., in Vol. III, and On a Late, &c., in Vol. VI, were reprinted from the _Monthly Magazine_: the three poems in Vol. VII were reprinted from the quarto pamphlet of 1798, and were again set up as a small octavo pamphlet by Law & Gilbert, the printers of the _Poetical Register_. Vide Bibliography, No. X.]

11. _Selection of Poems for Young Persons_, by J. Cottle.
Third edition, n. d.
Epitaph on an Infant 129
Sonnet to the River Otter 155
Domestic Peace 157

12. _English Minstrelsy_; being a Selection of Fugitive Poetry from
the Best English Authors. Two volumes, 1810.

Vol. II.

Fragment. S. T. Coleridge ['Introduction to the Tale of the
dark Ladie' as published in the Morning Post] 131

13. _Poetical Class-Book._ Edited by W. F. Mylius, 1810.
This Lime Tree Bower my Prison.

14. _Nugæ Canoræ_. Poems by Charles Lloyd, 1819.
Sonnet. 'The piteous sobs ', &c. 145

15. _The British Minstrel._ Glasgow, 1821.
The Three Graves

16. _Castle Dangerous._ By Sir W. Scott, 1832. Notes by J. G.
Lockhart. Galignani, 1834.
The Knight's Tomb. 'Where is the grave', &c. 10

17. _A History of . . . Christ's Hospital._ By the Rev. W.
Trollope, 1834.
Julia 192

18. _Letters, Conversations_, &c., of S. T. Coleridge. In
two volumes, 1836.

Vol. I.

Farewell to Love 143
To Nature. 144
Sonnet. To Lord Stanhope 217

Vol II.

'What boots to tell how o'er his grave' 75

19. _Early Recollections_, &c. By Joseph Cottle, 1837.

Vol. I.

Monody on . . . Chatterton, ll. 137-54 32
To W. J. H. While playing on his flute 33
The Fox and Statesman, &c. 172
Sonnet. To Lord Stanhope 203
Written After a Walk Before Supper 209
To an unfortunate Young Woman, Whom I had known in the days
of her Innocence. 'Maiden! that with sullen brow'. 213
Allegorical Lines on the same subject. 'Myrtle Leaf, that
ill besped' 214
On an Unfortunate Woman at the Theatre 216
On an Unfortunate, &c. 217
EXAMPLES. 'O what a life', &c. 226
Another Specimen, describing Hexameters, &c. 226
Another Specimen. 'In the Hexameter', &c. 227
The English Duodecasyllable. 'Hear my beloved', &c. 227
Foster-Mother's Tale 235
To a Friend, [Charles Lloyd (_sic_)] who had declared
his intention, &c., ll. 17-35 245
Lines Addressed to Joseph Cottle 283
'As oft mine eye', &c. [The Silver Thimble] 236
Sonnets, Attempted in the Manner of Contemporary Writers 290
To the Author of the Ancient Mariner 293

Vol. II.

Five 'Epigrams, translated . . . from the German' 65-6
My Love. 'I ask'd my love', &c. 67
_Joan of Arc_, Book the Second. 4{o}, 1796 (including the
lines claimed by S. T. C.) 241-52

20. _The Book of Gems._ Edited by S. C. Hall, 1838.

The Garden of Boccaccio 51
Love 52
The Nightingale 53
Lines written in the Album at Elbingerode, &c. 58
Recollections of Love 59

21. _Memoirs of William Wordsworth._ In two volumes, 1851.

Vol. I.

English Hexameters. 'William, my teacher', &c. 139

22. _An Old Man's Diary._ By J. Payne Collier, 1871, 2.

My Godmother's Beard Part I, pp. 34, 35.
Epigram. 'A very old proverb commands', &c.
Epitaph on Sir James Mackintosh. [The Two Round
Spaces on the Tombstone] Part I, pp. 61, 62.
A Character. 'A Bird who for his other sins'
(15 lines) Part IV, p. 57.

23. _Unpublished letters from Samuel Taylor Coleridge to the Rev.
John Prior Estlin_: Communicated to the Philobiblon Society.

To An Unfortunate Princess. [On a Late Connubial, &c.] 20
Lines Addressed to J. Horne Tooke. 'Britons! when last', &c. 22

24. _Letters from the Lake Poets. . . To Daniel Stuart_, 1889.

Alcaeus to Sappho 16

25. _Memorials of Coleorton._ Edited by W. Knight. Two vols., 1887.

Vol. I.

Mont Blanc, The Summit of the Vale of Chamouny, An Hour
before Sunrise--A Hymn. [As sent to Sir George
Beaumont.] 26
To WILLIAM WORDSWORTH. Composed for the greater part
on the same night after the finishing of his recitation
of the Poem in thirteen Books, on the Growth of his
own Mind. [As sent to Sir G. Beaumont, Jan. 1807.]

26. _Golden Treasury of Songs and Lyrics._ Edited by F. T. Palgrave
1896.

Love 199
Kubla Khan 308
Youth and Age 323

No. IV

POEMS FIRST PRINTED OR REPRINTED IN _Literary Remains_, 1836.

Vol. I.

The Fall or Robespierre 1
Julia 33
'--I yet remain' (By W. L. Bowles) 34
To the Rev W. J. Hort 35
To Charles Lamb ('Thus far my scanty brain', &c.) 36
To the Nightingale 38
To Sara ('The stream', &c.) 39
To Joseph Cottle 40
Casimir ('The solemn-breathing air', &c.) 41
Darwiniana ('Dim Hour', &c.) 43
'The Early Year's fast-flying', &c. [Ver perpetuum]. 44
To a Primrose 47
On the Christening of a Friend's Child 48
Inscription by the Rev. W. L. Bowles, &c. 50
Translation 50
Introduction to the Tale of the Dark Ladie 50
Epilogue to the Rash Conjuror 52
Psyche 53
Complaint ('How seldom Friend', &c.) 53
An Ode to the Rain 54
Translation of a Passage in Ottfried's . . . Paraphrase of the
Gospels 56
Israel's Lament, &c. 57
Sentimental 59
The Alternative 59
The Exchange 59
What is Life! 60
Inscription for a Time-Piece 60
Επιτάφιον αὐτογραπτόν 60

POEMS AND POETICAL FRAGMENTS.

'My Lesbia', &c. 274
'Pity, mourn in plaintive tones' 274
Moriens superstiti 275
Morienti superstes 275
The Stripling's War Song. Imitated from Stolberg 276
Eighteen Fragments from Note book (1795-8) 277-81
'I mix in life, and labour to seem free.' [To ----] 280
Farewell to Love 280
'Within these circling hollies', &c. [An Angel Visitant] 280
Grant me a Patron 281

POEMS FIRST PRINTED OR REPRINTED IN _Essays on His Own Times_, 1850.

Vol. III.

Recantation. Illustrated in the story of the Mad Ox 963
Parliamentary Oscillators 969
The Devil's Thoughts 972
The British Stripling's War Song 988
Tranquillity. An Ode 991
The Day Dream. _From an Emigrant to his absent Wife_ 993
Mutual Passion 995
The Alienated Mistress ('If love be dead', &c.) 997
To a lady (''Tis not the lily', &c.) 997
A Thought suggested by the View of Saddleback, &c. 997
L'Envoy to 'Like a Lone Arab' ('In vain we', &c.) 998

INDEX OF FIRST LINES

PAGE
A bird, who for his other sins 451
A blesséd lot hath he, who having passed 173
A green and silent spot, amid the hills 256
'A heavy wit shall hang at every lord' 973
A joke (cries Jack) without a sting 961
A little further, O my father 288
A long deep lane 992
A lovely form there sate beside my bed 484
A low dead Thunder mutter'd thro' the night 1005
A Lutheran stout, I hold for Goose-and-Gaundry 975
A maniac in the woods 993
A mount, not wearisome and bare and steep 155
A poor benighted Pedlar knock'd 967
A sumptuous and magnificent Revenge 1000
A sunny shaft did I behold 426, 919
A sworded man whose trade is blood 397
A wind that with Aurora hath abiding 1011
Ah! cease thy tears and sobs, my little Life 91
Ah! not by Cam or Isis, famous streams 424
All are not born to soar--and ah! how few 26
All look and likeness caught from earth 393
All Nature seems at work. Slugs leave their lair 447, 1111
All thoughts, all passions, all delights 330
Almost awake? Why, what is this, and whence 211
An evil spirit's on thee, friend! of late! 964
An excellent adage commands that we should 971
An Ox, long fed with musty hay 299
And arrows steeled with wrath 994
And cauldrons the scoop'd earth, a boiling sea 989
And in Life's noisiest hour 1002
And my heart mantles in its own delight 1002
And Pity's sigh shall answer thy tale of Anguish 990
And re-implace God's Image of the Soul 994
And this place our forefathers made for man 185
And this reft house is that the which he built 211
And with my whole heart sing the stately song 994
And write Impromptus 989
Are there two things, of all which men possess 361
As Dick and I at Charing Cross were walking 960
As I am a Rhymer 477
As late each flower that sweetest blows 45
As late I journey'd o'er the extensive plain 11
As late I lay in Slumber's shadowy vale 80
As late, in wreaths, gay flowers I bound 33
As late on Skiddaw's mount I lay supine 350
As long as ere the life-blood's running 961
As oft mine eye with careless glance 104
As some vast Tropic tree, itself a wood 1001
As the shy hind, the soft-eyed gentle Brute 1013
As the tir'd savage, who his drowsy frame 1023
As when a child on some long Winter's night 85
As when far off the warbled strains are heard 82
As when the new or full Moon urges 1005
At midnight by the stream I roved 253
Auspicious Reverence! Hush all meaner song 131, 1024
Away, those cloudy looks, that labouring sigh 90

Be proud as Spaniards! Leap for pride ye Fleas! 980
'Be, rather than be called, a child of God' 312
Behind the thin Grey cloud 992
Behold yon row of pines, that shorn and bow'd 1006
Beneath the blaze of a tropical sun 396
Beneath this stone does William Hazlitt lie 962
Beneath this thorn when I was young 269
Beneath yon birch with silver bark 293
Benign shooting stars, ecstatic delight 1015
Bob now resolves on marriage schemes to trample 953
Bright cloud of reverence, sufferably bright 998
Britannia's boast, her glory and her pride 970
Britons! when last ye met, with distant streak 150
Broad-breasted Pollards, with broad-branching heads 992
Broad-breasted rook-hanging cliff that glasses 988
By many a booby's vengeance bit 953

Charles, grave or merry, at no lie would stick 964
Charles! my slow heart was only sad, when first 154
Child of my muse! in Barbour's gentle hand 483
Come, come thou bleak December wind 1001
Come hither, gently rowing 311
Come; your opinion of my manuscript 967
Cupid, if storying Legends tell aright 46

Dear Charles! whilst yet thou wert a babe, I ween 158
Dear native Brook! wild Streamlet of the West 48
Dear tho' unseen! tho' I have left behind 468
Deep in the gulph of Vice and Woe 12
Depart in joy from this world's noise and strife 177
Didst thou think less of thy dear self 965
Dim Hour! that sleep'st on pillowing clouds afar 96
Discontent mild as an infant 991
Do call, dear Jess, whene'er my way you come 962
Do you ask what the birds say? The Sparrow, the Dove 386
Dormi, Jesu! Mater ridet 417
Due to the Staggerers, that made drunk by Power 989

Each Bond-street buck conceits, unhappy elf 968
Each crime that once estranges from the virtues 1011
Earth! thou mother of numberless children, the nurse and the
mother 327
Edmund! thy grave with aching eye I scan 76
Encinctured with a twine of leaves 287
Ere on my bed my limbs I lay (1803) 389
Ere on my bed my limbs I lay (1806) 401
Ere Sin could blight or Sorrow fade 68
Ere the birth of my life, if I wished it or no 419
Eu! Dei vices gerens, ipse Divus 981

Farewell, parental scenes! a sad farewell 29
Farewell, sweet Love! yet blame you not my truth 402
Fear no more, thou timid Flower 356
'Fie, Mr. Coleridge!--and can this be you? 441
Flowers are lovely, Love is flower-like 1085, 1086
Fond, peevish, wedded pair! why all this rant? 984
For ever in the world of Fame 1013
Frail creatures are we all! To be the best 486
Friend, Lover, Husband, Sister, Brother 392
Friend of the wise! and Teacher of the Good 403
Friend pure of heart and fervent! we have learnt 1008
Friends should be _weigh'd_, not _told_; who boasts to have won 963
From his brimstone bed at break of day 319
From me, Aurelia! you desired 966
From Rufa's eye sly Cupid shot his dart 952
From yonder tomb of recent date 955

Gently I took that which ungently came 488
Γνῶθι σεαυτόν!--and is this the prime 487
Go little Pipe! for ever I must leave thee 1016
God be with thee, gladsome Ocean 359
Gōd ĭs oŭr Strēngth ănd oŭr Rēfŭge 326
God no distance knows 989
God's child in Christ adopted,--Christ my all 490
God's Image, Sister of the Cherubim 994
Good Candle, thou that with thy brother, Fire 969
Good verse most good, and bad verse then seems better 96
Grant me a Patron, gracious Heaven! whene'er 995
Great goddesses are they to lazy folks 1008

Hail! festal Easter that dost bring 1
Hast thou a charm to stay the morning-star 376, 1074
He too has flitted from his secret nest 457
Hear, my belovéd, an old Milesian story 307
Hear, sweet Spirit, hear the spell 420, 552, 849
Heard'st thou yon universal cry 10
Hence, soul-dissolving Harmony 28
Hence that fantastic wantonness of woe 157
Hence! thou fiend of gloomy sway 34
Her attachment may differ from yours in degree 484
Here's Jem's first copy of nonsense verses 983
Here lies a Poet; or what once was he 1089
Here lies the Devil--ask no other name 964
Here sleeps at length, poor Col., and without screaming 970
High o'er the rocks at night I rov'd 1050, 1051
High o'er the silver rocks I rov'd 1049
Hippona lets no silly flush 955
His native accents to her stranger's ear 1011
His own fair countenance, his kingly forehead 1005
Hoarse Maevius reads his hobbling verse 955
How long will ye round me be swelling 39
How seldom, friend! a good great man inherits 381
'How sweet, when crimson colours dart 353
How warm this woodland wild Recess 409
Hush! ye clamorous Cares! be mute 92

I ask'd my fair one happy day 318
I fancy whenever I spy Nosy 953
I from the influence of thy Looks receive 999
I have experienced the worst the world can wreak on me 1004
I have heard of reasons manifold 418
I heard a voice from Etna's side 347
I heard a voice pealing loud triumph to-day 1014
I hold of all our viperous race 959
I know it is dark; and though I have lain 382
I know 'tis but a dream, yet feel more anguish 998
I love, and he loves me again 1118
I mix in life, and labour to seem free 292
I never saw the man whom you describe 182
I note the moods and feelings men betray 448
I sigh, fair injur'd stranger! for thy fate 152
I stand alone, nor tho' my heart should break 1010
I stood on Brocken's sovran height, and saw 315
I too a sister had! too cruel Death 21
I touch this scar upon my skull behind 984
I wish on earth to sing 1017
I yet remain To mourn 1124
If dead, we cease to be; if total gloom 425
If fair by Nature 1012
If I had but two little wings 313
If Love be dead 475
If Pegasus will let _thee_ only ride him 21
If the guilt of all lying consists in deceit 954
If thou wert here, these tears were tears of light 386
If while my passion I impart 58
Imagination, honourable aims 396
Imagination, Mistress of my Love 49
In a cave in the mountains of Cashmeer 993
In darkness I remain'd--the neighbour's clock 990
In Köhln, a town of monks and bones 477
In many ways does the full heart reveal 462
In Spain, that land of Monks and Apes 974
In the corner _one_ 1012
In the hexameter rises the fountain's silvery column 308
In this world we dwell among the tombs 991
In vain I praise thee, Zoilus 966
In vain I supplicate the Powers above 1087
In Xanadu did Kubla Khan 297
It is an ancient Mariner 187
It is an ancyent Marinere 1030
It may indeed be phantasy, when I 429
It was some Spirit, Sheridan! that breath'd 87
Its balmy lips the infant blest 417

Jack drinks fine wines, wears modish clothing 958
Jack finding gold left a rope on the ground 971
Jack Snipe 982
Jem writes his verses with more speed 956
Julia was blest with beauty, wit, and grace 6

Kayser! to whom, as to a second self 490
Know thou who walk'st by, Man! that wrapp'd up in lead, man 961
Know'st thou the land where the pale citrons grow 311

Lady, to Death we're doom'd, our crime the same 392
Last Monday all the Papers said 956
Leanness, disquietude, and secret Pangs 990
Lest after this life it should prove my sad story 1090
Let clumps of earth, however glorified 1008
Let Eagle bid the Tortoise sunward soar 1001
Let those whose low delights to Earth are given 427
Light cargoes waft of modulated Sound 988
Like a lone Arab, old and blind 488
Like a mighty Giantess 991
Little Miss Fanny 987
Lo! through the dusky silence of the groves 33
Lov'd the same Love, and hated the same hate 994
Lovely gems of radiance meek 17
Low was our pretty Cot! our tallest Rose 106
Lunatic Witch-fires! Ghosts of Light and Motion! 979

Maid of my Love, sweet Genevieve 19
Maid of unboastful charms! whom white-robed Truth 66
Maiden, that with sullen brow 171
Mark this holy chapel well 309
Matilda! I have heard a sweet tune played 374
Mild Splendour of the various-vested Night 5
Money, I've heard a wise man say 972
Most candid critic, what if I 962
Mourn, Israel! Sons of Israel, mourn 433
Much on my early youth I love to dwell 64
My dearest Dawtie 984
My eyes make pictures, when they are shut 385
My father confessor is strict and holy 969
My heart has thanked thee, Bowles! for those soft strains 84, 85
My heart seraglios a whole host of Joys 990
My Lesbia, let us love and live 60
My Lord! though your Lordship repel deviation 341
My Maker! of thy power the trace 423
My Merry men all, that drink with glee 979
My pensive Sara! thy soft cheek reclined 100, 1021
Myrtle-leaf that, ill besped 172

Names do not always meet with Love 997
Nature wrote Rascal on his face 991
Nay, dearest Anna! why so grave? 418
Near the lone pile with ivy overspread 69
Never, believe me 310
No cloud, no relique of the sunken day 264
No cold shall thee benumb 1015
No doleful faces here, no sighing 954
No more my visionary soul shall dwell 68
No more 'twixt conscience staggering and the Pope 460
No mortal spirit yet had clomb so high 1004
No private grudge they need, no personal spite 972
Nor cold, nor stern, my soul! yet I detest 824
Nor travels my meandering eye 97
Not always should the Tear's ambrosial dew 83
Not hers To win the sense by words of rhetoric 1007
Not, Stanhope! with the Patriot's doubtful name 89
Nothing speaks our mind so well 975
Now! It is gone--our brief hours travel post 974
Now prompts the Muse poetic lays 13

O ----! O ----! of you we complain 977
O beauty in a beauteous body dight 999
O! Christmas Day, Oh! happy day! 460
O fair is Love's first hope to gentle mind 443
O form'd t'illume a sunless world forlorn 86
O Friend! O Teacher! God's great Gift to me 1081
O! I do love thee, meek _Simplicity_ 210
O! it is pleasant, with a heart at ease 435
O leave the Lily on its stem 1053
O man! thou half-dead Angel! 994
O meek attendant of Sol's setting blaze 16
O mercy, O me, miserable man 1005
O Muse who sangest late another's pain 18
O Peace, that on a lilied bank dost love 94
O! Superstition is the giant shadow 1007
O th' Oppressive, irksome weight 1000
O thou wild Fancy, check thy wing! No more 51
O thron'd in Heav'n! Sole King of kings 438
O what a loud and fearful shriek was there 82
O what a wonder seems the fear of death 125
O would the Baptist come again 959
O'er the raised earth the gales of evening sigh 996
O'er wayward childhood would'st thou hold firm rule 481
O'erhung with yew, midway the Muses mount 1003
Of him that in this gorgeous tomb doth lie 961
Of late, in one of those most weary hours 478
Of one scrap of science I've evidence ocular 985
Of smart pretty Fellows in Bristol are numbers, some 952
Oft o'er my brain does that strange fancy roll 153
Oft, oft methinks, the while with thee 388
Oh! might my ill-past hours return again 7
Oh! the procrastinating idle rogue 817
Old age, 'the shape and messenger of Death' 989
Old Harpy jeers at castles in the air 965
On nothing, Fanny, shall I write? 973
On stern Blencartha's perilous height 347
On the broad mountain-top 992
On the sky with liquid openings of Blue 1109
On the tenth day of September 1084
On the wide level of a mountain's head 419
On wide or narrow scale shall Man 30
Or Wren or Linnet 1002
Once again, sweet Willow, wave thee 1018
Once could the Morn's first beams, the healthful breeze 17
Once more! sweet Stream! with slow foot wandering near 58
One kiss, dear Maid! I said and sigh'd 63
Oppress'd, confused, with grief and pain 436
Our English poets, bad and good, agree 968
Outmalic'd Calumny's imposthum'd Tongue 989
Over the broad, the shallow, rapid stream 998

Pains ventral, subventral 985
Pale Roamer through the night! thou poor Forlorn 71
Parry seeks the Polar ridge 972
Pass under Jack's window at twelve at night 963
Pensive at eve on the _hard_ world I mus'd 209
Perish warmth 989
Phidias changed marble into feet and legs 984
Pity! mourn in plaintive tone 61
Plucking flowers from the Galaxy 978
Pluto commanded death to take away 957
Poor little Foal of an oppressed race 74
Promptress of unnumber'd sighs 55

Quae linquam, aut nihil, aut nihili, aut vix sunt mea. Sordes 462
Quoth Dick to me, as once at College 414

Repeating Such verse as Bowles 977
Resembles life what once was deem'd of light 394
Richer than Miser o'er his countless hoards 57
Rush on my ear, a cataract of sound 990

Sad lot, to have no Hope! Though lowly kneeling 416
Said William to Edmund I can't guess the reason 951
Say what you will, Ingenious Youth 954
Scarce any scandal, but has a handle 965
Schiller! that hour I would have wish'd to die 72
Sea-ward, white gleaming thro' the busy scud 997
Semper Elisa! mihi tu suaveolentia donas 1010
Seraphs! around th' Eternal's seat who throng 5
She gave with joy her virgin breast 306
'She's secret as the grave, allow!' 971
Since all that beat about in Nature's range 455
Sing, impassionate Soul! of Mohammed the complicate story 1016
Sister of love-lorn Poets, Philomel 93
Sisters! sisters! who sent you here? 237
Sleep, sweet babe! my cares beguiling 417
Sly Beelzebub took all occasions 957
Smooth, shining, and deceitful as thin Ice 990
So great the charms of Mrs. Mundy 976
So Mr. Baker heart did pluck 973
Sole maid, associate sole, to me beyond 1004
Sole Positive of Night 431
Some are home-sick--some two or three 443
Some, Thelwall! to the Patriot's meed aspire 1090
Some whim or fancy pleases every eye 970
Songs of Shepherds and rustical Roundelays 1018
Southey! thy melodies steal o'er mine ear 87
Speak out, Sir! you're safe, for so ruddy your nose 958
Spirit who sweepest the wild Harp of Time 160
Splendour's fondly-fostered child 335
Stanhope! I hail, with ardent Hymn, thy name 89
Stop, Christian passer-by!--Stop, child of God 491, 1088
Stranger! whose eyes a look of pity shew 248
Stretch'd on a moulder'd Abbey's broadest wall 73
Strong spirit-bidding sounds 399
Strongly it bears us along in swelling and limitless billows 307
Such fierce vivacity as fires the eye 991
Such love as mourning Husbands have 998
Swans sing before they die--'twere no bad thing 960
Sweet flower! that peeping from thy russet stem 148
Sweet Gift! and always doth Elisa send 1009
Sweet Mercy! how my very heart has bled 93
Sweet Muse! companion of my every hour 16

Tell me, on what holy ground 71, 501
Terrible and loud 991
That darling of the Tragic Muse 67
That France has put us oft to rout 968
That Jealousy may rule a mind 484
The angel's like a flea 1009
The body, Eternal Shadow of the finite Soul 1001
The Brook runs over sea-weeds 992
The builder left one narrow rent 1003
The butterfly the ancient Grecians made 412
The cloud doth gather, the greenwood roar 653
The Devil believes that the Lord will come 353
The dubious light sad glimmers o'er the sky 36
The dust flies smothering, as on clatt'ring wheel 56
The early Year's fast-flying vapours stray 148
The fervid Sun had more than halv'd the day 24
The Fox, and Statesman subtile wiles ensure 1089
The Frost performs its secret ministry 240
The grapes upon the Vicar's wall 276
The guilty pomp, consuming while it flares 990
The hour-bell sounds, and I must go 61
The indignant Bard composed this furious ode 27
The mild despairing of a Heart resigned 991
The Moon, how definite its orb 997
The piteous sobs that choke the Virgin's breath 155
The Pleasures sport beneath the thatch 997
The poet in his lone yet genial hour 345
The reed roof'd village still bepatch'd with snow 1002
The rose that blushes like the morn 973
The shepherds went their hasty way 338
The silence of a City, how awful at Midnight 999
The singing Kettle and the purring Cat 1003
The sole true Something--This! In Limbo's Den 429
The solemn-breathing air is ended 59
The spruce and limber yellow-hammer 1002
The stars that wont to start, as on a chace 486
The stream with languid murmur creeps 38
The subtle snow 993
The Sun (for now his orb 'gan slowly sink) 990
'The Sun is not yet risen 469
The Sun with gentle beams his rage disguises 1010
The sunshine lies on the cottage-wall 993
The swallows Interweaving there 992
The tear which mourn'd a brother's fate scarce dry 20
The tedded hay, the first fruits of the soil 345
The tongue can't speak when the mouth is cramm'd with earth 994
Then Jerome did call 1019
There are, I am told, who sharply criticise 816
There are two births, the one when Light 362
There comes from old Avaro's grave 954
There in some darksome shade 1018
Thicker than rain-drops on November thorn 1010
This be the meed, that thy song creates a thousand-fold echo 391
This day among the faithful plac'd 176
This, Hannah Scollock! may have been the case 981
This is now--this was erst 22
This is the time, when most divine to hear 108
This Sycamore, oft musical with bees 381
This way or that, ye Powers above me 974
This yearning heart (Love! witness what I say) 362
Thou bleedest, my poor Heart! and thy distress 72
Thou gentle Look, that didst my soul beguile 47
Thou who in youthful vigour rich, and light 349
Though friendships differ endless _in degree_ 1012
Tho' Miss ----'s match is a subject of mirth 952
Tho' much averse, dear Jack, to flicker 37
Tho' no bold flights to thee belong 9
Though rous'd by that dark Vizir Riot rude 81
Though veiled in spires of myrtle-wreath 450
Three truths should make thee often think and pause 966
Through weeds and thorns, and matted underwood 369
Thus far my scanty brain hath built the rhyme 78
Thus she said, and all around 1015
Thy babes ne'er greet thee with the father's name 960
Thy lap-dog, Rufa, is a dainty beast 960
Thy smiles I note, sweet early Flower 149
Thy stern and sullen eye, and thy dark brow 994
'Tis hard on Bagshot Heath to try 26
'Tis mine and it is likewise yours 997
'Tis not the lily-brow I prize 483
'Tis sweet to him who all the week 314
'Tis the middle of night by the castle clock 215
'Tis true, Idoloclastes Satyrane 413
To be ruled like a Frenchman the Briton is both 953
To know, to esteem, to love,--and then to part 410
To praise men as good, and to take them for such 486
To tempt the dangerous deep, too venturous youth 2
To wed a fool, I really cannot see 963
Tom Hill, who laughs at Cares and Woes 974
Tom Slothful talks, as slothful Tom beseems 967
Tranquillity! thou better name 360
Trōchĕe trīps frŏm long tŏ shōrt 401
Truth I pursued, as Fancy sketch'd the way 1008
'Twas my last waking thought, how it could be 454
'Twas not a mist, nor was it quite a cloud 1000
'Twas sweet to know it only possible 992
Two things hast thou made known to half the nation 964
Two wedded hearts, if ere were such 1003

Unboastful Bard! whose verse concise yet clear 102
Unchanged within, to see all changed without 459
Under the arms of a goodly oak-tree 1048
Under this stone does Walter Harcourt lie 962
Underneath an old oak tree 169
Ungrateful he, who pluck'd thee from thy stalk 70
Unperishing youth 308
Up, up! ye dames, and lasses gay 427
Up, up! ye dames, ye lasses gay 942
Upon the mountain's edge with light touch resting 393
Utter the song, O my soul! the flight and return of Mohammed 329

Verse, a breeze mid blossoms straying 439
Verse, pictures, music, thoughts both grave and gay 482
Verse, that Breeze mid blossoms straying 1085
Virtues and Woes alike too great for man 37
Vivit sed mihi non vivit--nova forte marita 56

Water and windmills, greenness, Islets green 1009
We both attended the same College 955
We pledged our hearts, my love and I 391
Well! If the Bard was weather-wise, who made 362, 1076
Well, they are gone, and here must I remain 178
We've conquer'd us a Peace, like lads true metalled 972
We've fought for Peace, and conquer'd it at last 972
What a spring-tide of Love to dear friends in a shoal 1010
What boots to tell how o'er his grave 1011
What is an Epigram? a dwarfish whole 963
What never is, but only is to be 999
What now, O Man! thou dost or mean'st to do 414
What pleasures shall he ever find 4
What though the chilly wide-mouth'd quacking chorus 476
Whate'er thou giv'st, it still is sweet to me 1010
When British Freedom for an happier land 79
When Hope but made Tranquillity be felt 1004
When Surface talks of other people's worth 969
When the squalls were flitting and fleering 980
When they did greet me father, sudden awe 152
When thieves come, I bark: when gallants, I am still 966
When thou to my true-love com'st 326
When thy Beauty appears 1016
When Youth his faery reign began 62
Whene'er the mist, that stands 'twixt God and thee 487
Where Cam his stealthy flowings most dissembles 988
Where deep in mud Cam rolls his slumbrous stream 35
Where graced with many a classic spoil 29
Where is the grave of Sir Arthur O'Kellyn 432
Where true Love burns Desire is love's pure flame 485
Where'er I find the Good, the True, the Fair 1011
Wherefore art thou come? 989
While my young cheek retains its healthful hues 236
Whilst pale Anxiety, corrosive Care 69
Whom should I choose for my Judge? 1000
Whom the untaught Shepherds call 40
Why is my Love like the Sun? 1109
Why need I say, Louisa dear 252
William, my teacher, my friend 304
Wisdom, Mother of retired Thought 991
With Donne, whose muse on dromedary trots 433
With many a pause and oft reverted eye 94
With many a weary step at length I gain 56
With secret hand heal the conjectur'd wound 988
With skill that never Alchemist yet told 995
Within these circling hollies woodbine-clad 409
Within these wilds was Anna wont to rove 16

Ye Clouds! that far above me float and pause 243
Ye drinkers of Stingo and Nappy so free 978
Ye fowls of ill presage 1017
Ye Gales, that of the Lark's repose 35
Ye harp-controlling hymns 1006
Ye souls unus'd to lofty verse 8
Yes, noble old Warrior! this heart has beat high 317
Yes, yes! that boon, life's richest treat 466
Yet art thou happier far than she 62
Yon row of bleak and visionary pines 1006
You're careful o'er your wealth 'tis true 958
You come from o'er the waters 987
You loved the daughter of Don Manrique? 421
You mould my Hopes, you fashion me within 1002
Your Poem must _eternal_ be 959

Oxford: Horace Hart, Printer to the University

TRANSCRIBER'S NOTES:

Ellipses in the text are represented as in the original. Ellipses in poetry are indicated by a row of asterisks.

The quotation marks in THE RIME OF THE ANCYENT MARINERE are exactly as printed in the original.

Changes have been made to the text to reflect the corrections mentioned in the Errata of both volumes. The Errata are included for completeness.

Inconsistencies in spelling, hyphenation, and accents have been left as in the original.

Some corrections have been made to the text. A list follows.

Volume I:

page xiii: V. Koskiusko. [MS. _Letter_, Dec. 17, 1794.]
{original is missing period and has closing parenthesis
instead of bracket}

page xvii: Youth and Age. [MS. S. T. C.:{original is missing
period after C} MSS. (1, 2) Notebook.]

page 51: 28 gleam] gleams _1796_, _1797_, _1803_{original has
11803}, _1893_.

page 207: When the ivy-tod{original has ivv-tod} is heavy

page 218: [Lines 82, 83, . . . palfrey white.]{ending bracket
is missing in original}

page 237: 20 _Both_] FAMINE _M.{period missing in original} P._

page 256: Title] Fears &c. Written, April 1798, during the
Alarms of an Invasion _MS.{original has extraneous comma} W._

page 328: Deep was the shudder, O Earth!{exclamation point
missing in original}

page 368: Dear Lady!{exclamation point missing in original}
friend devoutest

page 376: (1) _MS. A_, sent to Sir George Beaumont, Oct. 1803
(see _Coleorton Letters_){ending parenthesis is missing in
original}, 1886, i. 26;

page 442: "{quotation mark missing in original}Thus, long
accustom'd

page 445: 'I guess we shall have rain to-day!'{quotation mark
missing in original}

Footnote [133:1] Balda-Zhiok, i. e.{period missing in
original} mons altitudinis

Footnote [256:1] alarm respecting the threatened invasion.
{original has extraneous quotation mark}

Footnote [293:1] Coleridge synchronizes the _Dark Ladié_ (a
poem which he was 'preparing' with the _Christabel_){ending
parenthesis is missing in original}].

Volume II:

page 564: [Between 19 and 31] And marking that the moonlight
came from thence,{original has period}

page 607 (line 137): The soldier's boldness
constitutes{original has constitues} his freedom.

page 718: [56] _Octavio (coldly)._ _1800_, _1828_,
_1829_.{Note removed as a duplicate of [55].}

page 731: [_Before_ 72] _Duchess (anxiously)._ _1800_,{comma
is missing in original} _1828_

page 741: [39] _Wallenstein (with eager expectation)._{period
is missing in original} Well?

page 754: [117{original has 17}] _thou_

page 765: _BUTLER and GORDON._{period is missing in original}

page 771: [_After_ 9] [_WALLENSTEIN shudders and turns
pale{original has extraneous closing parenthesis}._

page 850 (line 91): What if{original has opening parenthesis
followed by the word if} (his stedfast eye still beaming pity

page 868: removed superscripted 1 at the end of line 1 as
there is no footnote

page 879: [255] and suddenly stabs ORDONIO.{period is missing
in original}

page 879: [Note. In his.... [For MS. version of this variant
see note on p. 597.]]{original is missing second closing
bracket}

page 906 (line 181): added the word "Is" at the beginning of
the line--verified in The Poetical and Dramatic Works of
Samuel Taylor Coleridge, published by Harper Brothers, New
York, 1854

page 929: [112] _Laska (recovering himself)._{period is
missing in original}

page 934 (line 292): devotion is akin to love,{original has
period after the comma}

page 982: First collected _P. and D. W.{period is missing in
original}_

page 1146: {original has unmatched opening bracket}For lines
1-63 vide _ante_, No. III

page 1158: _Apud Athenæum.{original has a comma}_

Footnote [598:1] (an undramatic superstition ... pleasing
associations, as the Sun and Moon) {original has duplicate
word Astrology before and after the material in parentheses}

To maintain consistency, initials referring to manuscripts are spaced throughout the text.

Dates and manuscript references in the linenotes are in italics in the original. Italics markup has been removed to make reading easier.

When there is more than one poem on a page, the linenotes in the original repeat the title. This title has been removed. When there is more than one scene on a page, the linenotes in the original repeat the scene number. This number has been removed.

In "The Piccolomini," some of the drama is written in prose. The lines are numbered. Where words are hyphenated in the original, the parts have been rejoined and the first part of the word moved down to the beginning of the following line. In the list below, the slash indicates where the hyphen occurs in the original.