Chapter XIX: Wherein Matters Are Concluded (2)

Much as we may emulate Homer's wordy braggadocios in boasting ourselves far better than our fathers, still, great was the wisdom of our ancestors: and that time-tried wisdom has given us three things that make a man; he must build a house, have a child, write a book: and of this triad of needfuls, who perceives not the superior and innate majesty of the last requisite?--"Build a house?" I humbly conceive, and steal my notion from the same ancestral source, that, in nine cases out of ten, fools build houses for wise men to live in; besides, if houses be made a test of supreme manhood, your modern wholesale runner-up of lath and plaster tenements, warranted to stand seven years--provided quadrilles be excluded, and no larger flock of guests _than six_ be permitted to settle on one spot--such a jackal for surgeons, such a reprobate provider for accident-wards as this, would be among our heroes, a prize-man, the flower of the species. "Children" too?--very happy, beautiful, heart-gladdening creations--God bless them all, and scatter those who love them not!--but still for a proof of more than average humanity, somewhat common, somewhat overwhelming: rabbits beat us here, with all our fecundity, so offensive to Martineau and Malthus. But as to "books"--common enough, too, smirks gentle reader: pardon, courteous sir, most rare--at least in my sense; I speak not of flat current shillings, but the bold medallions of ancient Syracuse; I heed not the dull thousands of minted gold and silver, but the choice coin-sculptures of Larissa and Tarentum. There do indeed flow hourly, from an ever-welling press, rivers of words; there are indeed shoaling us up on all sides a throng of well-bound volumes--novels, histories, poems, plays, memoirs, and so forth--to all appearance, books: but if by "books" be intended originality of matter, independent arguments, water turned wine, by the miracle of right-thinking, and not a mere re-decantering of dregs from other vessels--these many masqueraded forms, these multiplied images of little-varied likenesses, these Protean herds, will not stay to be counted, nor abide judgment, nor brook scrutiny, but will merge and melt by thousands into the one, or the two, real, original, sterling books. We live in a monopolylogue of authorship: an idea goes forth to the world's market-place well dressed from the wardrobe of some master-mind; it greets the public with a captivating air, and straightway becomes the rage; it seems epidemical; it comes out simultaneously as a piece of political economy, a cookery-book, a tragedy, a farce, a novel, a religious experience, an abstract _ism_, or a concrete _ology_; till the poor worn-out, dissipated shadow of a thought looks so feeble, thin, fashionably affected and fashionably infected, that its honest, bluff old father, for very shame, disowns it. Thus has it come to pass, that one or two minds, in this golden age of scribbling, have, to speak radically, been the true originators of a million volumes, which haply shall have sprung from the seed of some singular book, or of books counted in the dual.

Indignant authors, be not merciless on my candour: I confess too much whereof I hold you guilty; I am one of yourselves, and I question not that few of you can beat me in a certain sort of--I will say, unintended, plagiarism; you are thieves--patience--I thieve from thieves; Diogenes cannot see me any more than you; you copy phrases, I am perpetually and unconsciously filching thoughts; my entomological netted-scissors, wherewith I catch those small fowl on the wing, are always within reach; you will never find me without well-tenanted pill-boxes in my pocket, and perhaps a buzzing captive or two stuck in spinning thraldom on my castor; you are petty larceners, I profess the like _métier_ of intellectual abstractor; you pilfer among a crowd of volumes, manuscripts, rare editions, conflicting commentators, and your success depends upon rëusage of the old materials; whereas I sit alone and bookless in my dining-parlour, thinking over bygone fancies, rëconsidering exploded notions, appropriating all I find of lumber in the warehouse of my memory, and, if need be, without scruple, quietly digesting, as my special provender, the thoughts of others, originated ages ago.

Is it necessary to remind you--dropping this lightsome vein for a precious moment--that I am penning away my "crudites," off-hand, at the top of my speed? that my set intention is, if possible, to jot down instanter my heavy brainful, and feel for once light headed?--I stick to my title, '_An Author's Mind_,' and that with a laudable scorn of concealment, and an honest purpose not to pretend it better or wiser than it is; then let no one blame me on the score of my fashion of speech, or my sarcasms mingled with charity; for consistency with me were inconsistent.

Neither let me, poor innocent, be accused of giving license to what a palled public and dyspeptical reviewers will call for the thousandth time a _cacoethes_; word of cabalistic look, unknown to Dr. Dilworth. Truly, my masters, though disciple I be of venerable Martinus the Scribbler; though, for aught I know, himself in progress of transmigration; still, I submit, my cornucopia is not crammed with leaves and chopped straw; and if, in utter carelessness, the fruit is poured out pell-mell after this desultory fashion, yet, I wot, it _is_ fruit, though whether ripe or crude, or rotten, my husbandry takes little thought: the mixture serves for my cider-press, and, fermentation over, the product will be clarified. Judge me too, am I not consecutive? I've shown man to be a writing animal; and writing, what it is and is not; and meanwhile have been routing recreatively at pen's point whims, and fancies, and ideas, and images, pulled in manfully by head and shoulders: and now--after an episode, quite relevant and quite Herodotean, concerning the consequences of a bit of successful authorship on a man's scheme of life, to illustrate yet more the "author's mind"--I shall proceed to tell all men how many books I might, could, should, or would have written, but for reiterated and legitimated _buts_, and how near of kin I must esteem myself to the illustrious J. of nursery rhymes, being, as he is or was, "Mister Joe Jenkins, who played on the fiddle, and began twenty tunes, but left off in the middle." Moreover, no one can be ignorant of the close consanguinity recognised in every age and every dictionary between I and J. But now for the episode:

If ever a toy were symbolical of life, that toy was a kaleidoscope: the showy bits of tinsel, coloured glass, silk, beads, and feathers, with here and there perchance a stray piece of iridescent ore or a pin, each, in its turn of ideal multiplication, filling successively the field of vision; the trifling touch that will disenchant the fairest patterns; the slightest change, as in chemical arithmetic, that will make the whole mixture a poison or a cordial. A man is vexed, the nerve of his equanimity thrillingly touched at the tender elbow, and forthwith his whole wholesome body writhes in pain; while, to speak morally, those useful reminders of life's frailty, the habitual side-thorns--spurs of diligence, incentives to better things--are exaggerated into sixfold spears, and terribly stop the way, like long-lanced Achæans: a careless fit succeeds to one of spleen, and vanity well spangled, pretty baubles, stars and trinkets and trifles, fill their cycle, to magnetize with folly that rolling world the brain: another twist, and love is lord paramount, a paltry bit of glass, casually rose-coloured, shedding its warm blush over all the reflective powers: suddenly an overcast, for that marplot, Disappointment, has obtruded a most vexatiously reiterated morsel of lamp-black: again Hope's little bit of blue paint makes azure rainbows all about the firmament of man's own inner world; and at last an atom of gold-dust specks all the glasses with its lurid yellow, and haply leaves the old miser to his master-passion. So, ever changing day by day, every man's life is but a kaleidoscope. Stay; this simile is somewhat of the longest, but the whim is upon me, and I must have my way; the fit possesses me to try a sonnet, and I shall look far for a fairer thesis; he that hates verse--and the Muses now-a-days are too old-maidish to look many lovers--may skip it, and no harm done; but one or two may like this stave on

LIFE.

I saw a child with a kaleidoscope,
Turning at will the tesselated field;
And straight my mental eye became unseal'd,
I learnt of life, and read its horoscope:
Behold, how fitfully the patterns change!
The scene is azure now with hues of Hope;
Now sobered gray by Disappointment strange;
With Love's own roses blushing, warm and bright;
Black with Hate's heat, or white with Envy's cold;
Made glorious by Religion's purple light;
Or sicklied o'er with yellow lust of Gold;
So, good or evil coming, peace or strife,
Zeal when in youth, and Avarice when old,
In changeful, chanceful phases passeth life.

It is well I was not stopped before my lawful fourteenth rhyme by yonder prosaic gentleman, humbly listening in front, who asks, with somewhat of malicious triumph, whereto does all this lead?--Categorically, sir, [there is no argument in the world equal to a word of six syllables,] categorically, sir, to this: of all life's turns and twists, few things produce more change to the daring _debutant_ than successful authorship; it is as if, applying our simile, a fragment of printed bookishness among those kaleidoscopic morsels, having worked its way into the field of vision, had there got stereotyped by a photogenic process: in fact, it fixes on it a prëdestinated "author's mind."

An author's mind! what a subject for the lights and shadows of metaphysical portraiture! what a panorama of images! what a whirling scene of ever-changing incidents! what a store-house for thoughts! what a land of marvels! what untrodden heights, what unexplored depths of an ever-undiscovered country! That strange world hath a structure and a furniture all its own; its chalcedonic rocks are painted with rare creatures floating in their liquid-seeming hardness; forms of other spheres lie buried in its lias cliffs; seeds of unknown plants, relics of unlimnèd reptiles, fragments of an old creation, the ruins of a fanciful cosmogony, lie hid until the day of their requiral beneath its fertile soil: and then its lawless botany; flowers of glorious hue hung upon the trees of its forests; luscious fruits flung liberally among the mosses of its banks; air-plants sailing in its atmosphere; unanchored water-lilies dancing in its bright cascades; and this, too, a world, an inner secret world, peopled with unthought images, specimens of a peculiar creation; outlandish forms are started from its thickets, the dragon and the cherub are numbered with its winged inhabitants, and herds of uncouth shape pasture on its meadows. Who can sound its seas, deep calling unto deep? who can stand upon the hill-tops, height beckoning unto height? who can track its labyrinths? who can map its caverns? A limitless essence, an unfailing spring, an evergreen fruit-tree, a riddle unsolved, a quaint museum, a hot-bed of inventions, an over-mantling tankard, a whimsical motley, a bursting volcano, a full, independent, generous--a poor, fettered, jealous, Anomaly, such--bear witness--is an author's mind. O, theme of many topics! chaos of ill-sorted fancies! Let us come now to the jealousies, the real or imaginary wrongs of authorship: hereafter treat we this at lengthier; "for the time present"--I quote the facetious Lord Coke, when writing on that highly exhilerating topic, the common-law--"hereof let this little taste suffice." Is it not a wrong to be taken for a mere book-merchant, a mercenary purveyor of learning and invention, of religion and philosophy, of instruction, or even of amusements, for the sole consideration of value received, as one would use a stalking-horse for getting near a stag? this, too, when ten to one some cormorant on the tree of knowledge, some staid-looking publisher in decent mourning, is complacently pocketing the profits, and modestly charging you with loss? and this, moreover and more poignantly, when the flame of responsibility on some high subject is blazing at your heart, and the young Elihu, even if he would, cannot keep silence? Is it not a wrong to find pearls unprized, because many a modern, like his Celtic progenitors, (for I must not say like swine,) would sooner crush an acorn? to know your estimation among men ebbs and flows according to the accident of success, rather than the quality of merit? to be despised as an animal who must necessarily be living on his wits in some purlieu, answering to that antiquated reproach, a Grub-street attic; or suspected among gentler company in this most mercantile age for a pickpocket, a pauper, a _chevalier d'industrie_? And then those hounds upon the bleeding flanks of many a hunted author, those open-mouthed inexorable critics, (I allude to the Pariah class, not to the higher caste brethren,) how suddenly they rend one, and fear not! Only for others do I speak, and in no degree on account of having felt their fangs, as many have done, my betters; gentle and kind, as domesticated spaniels, have reviewers in general been to your humble confessor, and for such courtesies is he their debtor. But who can be ignorant how frequently some hapless writer is impaled alive on the stake of ridicule, that a flagging magazine may be served up with _sauce piquante_, and pander to the world for its waning popularity by the malice of a pungent article? who, while as a rule he may honour the bench of critics for patience, talent, and impartiality, is not conusant of those exceptions, not seldom of occurence, where obvious rancour has caused the unkindly condemnation; where personal inveteracy aims from behind the Ajax shield of anonymous reviewing, and shoots, like a cowardly Teucer, the foe fair-exposed whom he dares not fight with?--But, as will be seen hereafter, I trespass on a title-page, and here will add no more than this: Is it not a wrong of double edge, that while the world makes no excuse for the writhing writer, on the reasonable ground that after all he may be innocent of what his critics blame him for, the same good-natured world, on almost every occasion of magazine applause, believes either that the author has written for himself the favourable notice, or that pecuniary bribes have made the honest editor his tool? Verily, my public, thou art not generous here; ay, and thou art grievously deceived, as well as sordid: for by careless praise, causeless censure, credit given for corrupt bribery, and no allowance made for unamiable criticisms, poor maltreated authors speak to many wrongs: and of them more anon.

What moreover shall we say of chilling friendships, near estrangements, heartless lovers loitering behind, shy acquaintance dropping off? Verily, there is a mighty sifting: you have dared to stand alone, have expounded your mind in imperishable print, have manifested wit enough to outface folly, sufficient moral courage to condemn vice, and more than is needful of good wisdom to shame the oracles of worldliness: and so some dread you, some hate, and many shun: the little selfish asterisks in that small sky fly from your constellatory glories: you are independent, a satellite of none: you have dared to think, write, print, in all ways contrary to many; and if wise men and good be loud in their applause, you arrive at the dignity of manifold hatreds; but if those and their inferiors condemn, you sink into the bathos of multiplied contempts. Of other wrongs somewhen and where, hereafter; meanwhile, a better prospect glows on the kaleidoscopic field--a flattering accession of new and ardent friends: "Sir," said an old priest to a young author, "you have made a soft pillow for your head when it comes to be as white as mine is;" a pretty saying of sweet charity, and such sink deep: as for the younger and the warmer, being mostly of the softer sex, some will profess admiring sensations that border not a little on idolatries; others, gayer, will appear in the dress of careless, unskillful admiration; not a few, both men and women, go indeed weakly along with the current stream of popularity, but, to say truth, look happiest when they find some stinging notice that may mortify the new bold candidate for glory; while, last and best, a fewer, a very much fewer, do handsomely the liberal part of friends, commending where they can, objecting where they must, sincere in sorrow for a fault, rejoicing without envy for a virtue.

Many like phenomena has authorship: a certain class of otherwise humanized and well-intentioned people begin to regard your scribe as a monster--not a so-called "lion" to be sought, but some strange creature to be dreaded: Perdition! what if he should be cogitating a novel or a play, and means to make free with our characters? what if that libellous cöpartnership of Saunders and Ottley is permitted to display our faults and foibles, flimsily disguised, before a mocking world? Disappointed maidens that hover on the verge of forty, and can sympathize with Jephtha's daughter in her lonely mournings, causelessly begin to fear that a mischievous author may appropriate their portraits; venerable bachelors, who have striven to earn some little local notoriety by the diligent use of an odd phrase, a quaint garment, or an eccentric fling in the peripatetic, dread a satirist's powers of retributive burlesque; table orators suddenly grow dumb, for they suspect such a caitiff intends cold-blooded plagiarisms from their eloquence; the twinkling stars of humble village spheres shun him for an ominous comet, whose very trail robs them of light, or as paling glow-worms hide away before some prying lantern; and all who have in one way or another prided themselves on some harmless peculiarity, avoid his penetrating glance as the eye of a basilisk. Then, again, those casual encounters of witlings in the world authorial, so anticipated by a hostess, so looked-forward-to by guests! In most cases, how forlorn they be! how dull; constrained, suspicious! like rival traders, with pockets instinctively buttoned up, and glaring each upon the other with most uncommunicative aspects; not brothers at a banquet, but combatants and wrestlers, watching for solecisms in the other's talk, or toiling to drag in some laboured witticism of their own, after the classical precedent of Hercules and Cerberus: those feasts of reason, how vapid! those flows of soul, how icily congealing! those Attic nights, how dim and dismal! Once more; and, remember me, I speak in a personated character of the general, and not experimentally; so, flinging self aside, let me speak what I have seen: grant that the world-without crown a man with bays, and lead him to his Theban home with tokens of rejoicing; is the victor there set on high, chapleted, and honoured as Nemean heroes should be or does he not rather droop instantly again into the obscure unit among a level mass, only the less welcome for having stood up, a Saul or a Musæus, with his head above his fellows? Verily, no man is a proph--Enough, enough! for ours is a prerogative, a glorious calling, and the crown of barren leaves is costlier than his of Rabbah; enough, enough! sing we the praises, count we well the pleasures of fervent, overflowing authorship. There, in perfect shape before the eyes--there, well born in beauty--there perpetually (so your fondness hopes) to live--slumbers in her best white robe the mind's own fairest daughter; the Minerva has sprung in panoply from that parental aching head, and stands in her immortal independence; an Eve, his own heart's fruit, welcomes delighted Adam. You have made something, some good work, bodily; your communion has commenced with those of times to come; your mind has produced a witness to its individuality; there is a tablet sacred to its memory standing among men for ever.

A thinker is seldom great in conversation, and the glib talkers who have silenced such a one frequently in clamorous argument, founder in his deep thoughts, blundering, like Stephanos and Trinculos--(let Caliban be swamped;) such generous revenge is sweet: a writer often unexplained, because speaking little, and that little foolishly mayhap, and lightly for the holiday's sake of an unthoughful rest, finds his opportunities in printing, and gives the self-expounding that he needs; such heart-emptyings yield heart-ease: an author, who has done his good work well--for such a one alone we speak--while, privately, he scarce could have refreshed mankind by petty driblets--in the perpetuity, publicity, and universal acceptation of his high and honourable calling, does good by wholesale, irrigates countries, and gladdens largely the large heart of human society. And are not these unbounded pleasures, spreading over life, and comforting the struggles of a death-bed? Yes: rising as Ezekiel's river from ankle to knee, from knee to girdle, from girdle to the overflowing flood--far beyond those lowest joys, which many wise have trampled under foot, of praise, and triumph, and profit--the authorship of good, that has made men better; that has consoled sorrow, advanced knowledge, humbled arrogance, and blest humanity; that has sent the guilty to his prayers, and has gladdened the Christian in his praises--the authorship of good, that has shown God in his loveliness, and man in his dependence; that has aided the cause of charity, and shamed the face of sin--this high beneficence, this boundless good-doing, hath indeed a rich recompense, a glorious reward!

But we must speed on, and sear these hydra-necks, or we shall have as many heads to our discourse, and as puzzling, as any treatise of the Puritan divinity. Let us hasten to be practical; let us not so long forget the promised title-pages; let it at length satisfy to show, more than theoretically, how authorship stirs up the mind to daily-teeming projects, and then casts out its half-made progeny; how scraps of paper come to be covered with the cabala of half-written thoughts, thenceforward doomed to suffer the dispersion-fate of Sibylline leaves; how stores of mingled information gravitate into something of order, each seed herding with its fellows; and how every atom of mixed metal, educationally held in solution by the mind, is sought out by a keen precipitating test, gregariously building up in time its own true crystal.

Hereabouts, therefore, and hereafter, in as frank a fashion as heretofore, artlessly, too, and, but for crowding fancies, briefly shall follow a full and free confession of the embryo circulating library now in the book-case of my brain; only premising, for the last of all last times, that while I know it to be morally impossible that all should be pleased herewith, I feel it to be intellectually improbable that any one mind should equally be satisfied with each of the many parts of a performance so various, inconsistent, and unusual; premising, also, that wherein I may have stumbled upon other people's titles, it is unwittingly and unwillingly; for the age breeds books so quickly, that a man must read harder than I do to peruse their very names; and premising this much farther, that I profess to be a sort of dog in the manger, neither using up my materials myself, nor letting any one else do so; and that, whether I shall happen or not, at any time future to amplify and perfect any of these matters, I still proclaim to all bookmakers and booksellers, STEAL NOT; for so surely as I catch any one thus behaving--and truly, my masters, the temptation is but small--I will stick a "_Sic vos, non vobis,_" on his brazen forehead.

Wait! there remaineth yet a moment in which to say out the remnant of my mind, "an author's mind," its last parting speech, its dying utterances before extreme unction. I owe all the world apologies; I would pray a catholic forgiveness. Authors and reviewers, critics, and the undiscriminating many, fair women, honest men, I cry your pardons universally! I do confess the learning of my mind to lie, strangely and Pisa-like, inveterately as at Welsh Caérphilli, out of the perpendicular of truth; it is my disposition to make the most of all things, for good or for evil; I write, speak, and think, as if I were but an unhallowed special pleader; I colour highly, and my outlines are too strong; I am guilty on all sides of unintentional misstatements, consequent on the powerful gusts of feeling that burst upon my irritable breast; my heart is no smooth Dead Sea, but the still vexed Bermoothes: therefore I would print my penitence; I would publish my confessions; I would not hide my humbleness; and it pleases me to pour out in sonnet-form my unconventional

APOLOGY TO ALL.

--For I have sinn'd; oh! grievously and often;
Exaggerated ill, and good denied;
Blacken'd the shadows only born to soften;
And Truth's own light unkindly misapplied:
Alas! for charities unloved, uncherish'd,
When some stern judgment, haply erring wide,
Hath sent my fancy forth, to dream and tell
Other men's deeds all evil! Oh, my heart!
Renew once more thy generous youth, half perish'd;
Be wiser, kindlier, better than thou art!
And first, in fitting meekness, offer well
All earnest, candid prayers, to be forgiven
For worldly, harsh, unjust, unlovable
Thoughts and suspicions against man and Heaven!

Friends all, let this be my best amendment: bear with the candour, homely though it may be, of your author's mind; and suffer its further revelations of unborn manuscript with charitable listening; for they would come forth in real order of time, the first having priority, and not the best, ungarnished, unweeded, uncared-for, humbly, and without any further flourish of trumpets.

* * * * *

Serjeant Ion--I beg his pardon, Talfourd--somewhere gives it as his opinion, that most people, in any way troubled with a mind, have at some time or other meditated a tragedy. Truly, too, it _is_ a fine vehicle for poetical solemnities, a stout-built vessel for an author's graver thoughts; and the bare possibility of seeing one's own heart-stirring creation visually set before a crowded theatre, the preclusive echoes of anticipated thundering applause, the expected grilling silence attendant on a pet scene or sentiment, all the tangible, accessories of painting and music, clever acting and effective situation, and beyond and beside these the certain glories of the property-wardrobe, make most young minds press forward to the little-likely prize of successful tragedy. That at one weak period I was bitten, my honesty would scorn to deny; but fortunately for my peace of mind, "Melpomene looked upon me with an aspect of little favour," and sturdy truth-telling Tacitus made me at last but lightly regardful of my subject. Moreover, my Pegasus was visited with a very abrupt pull-up from other causes; it has been my fatality more than once or twice, as you will ere long see, to drop upon other people's topics--for who can find any thing new under the sun?--and I had already been mentally delivered of divers fag-ends of speeches, stinging dialogues, and choice tit-bits of scenes, (all of which I will mercifully spare you,) when a chance peep into Johnson's '_Lives of the Poets_' showed me mine own fine subject as the work of some long-forgotten bard! This moral earthquake demolished in a moment my goodly aërial fabric; the fair plot burst like a meteor; and an after-recollection of a certain French tragedy-queen, Agrippina, showed me that the ground was still further preoccupied. But it is high time to tell the destined name of my abortive play; in four letters, then,

NERO;

A CLASSICAL TRAGEDY:

IN SEVEN SCENES.

And now, in pity to an afflicted parent, hear for a while his offspring's Roscian capabilities. First of all, however, (and you know how I rejoice in all things preliminary,) let me clear my road by explanations: we must pioneer away a titular objection, "in seven scenes," and an assumed merit, in the term "classical." I abhor scene-shifters; at least, their province lies more among pantomimes, farces, and comedies, than in the region of the solemn tragic muse; her incidents should rather partake of the sculpture-like dignity of _tableaux_. My unfashionable taste approves not of a serious story being cut up into a vast number of separate and shuffled sections; and the whistle and sliding panels detract still more from the completeness of illusion: I incline as much as is possible to the Classic unities of time, place, and circumstances, wishing, moreover, every act to be a scene, and every scene an act; with a comfortable green curtain, that cool resting-place for the haggard eye, to be the grass-like drop, mildly alternating with splendid crime and miserable innocence: away with those gaudy intermediates, and, still worse, some intruded ballet; bring back Garrick's baize, and crush the dynasty of head-aches.

But onward: let me further extenuate the term, seven scenes; the utterance seven "acts" would sound horrific, full of extremities of weariness; but my meaning actually is none other than seven acts of one scene each: for the number seven, there always have been decent reasons, and ours may best appear as we proceed, less than a brief seven seeming insufficient, and more, superfluous; again, so mystical a number has a staid propriety, and a due double climax of rise and fall. Now, as to our adjective "classical:" Why not, in heroic drama, have something a-kin to the old Greek chorus, with its running comment upon motives and moralities, somewhat as the mighty-master has set forth in his truly patriotic '_Henry the Fifth?_'--However, taking other grounds, the epithet is justified, both by the subject and the proposed unmodern method of its treatment: but of all this enough, for, on second thoughts, perhaps we may do without the chorus.

It is obvious that no historical play can strictly preserve the true unity of time; cause and effect move slower in the actual machinery of life, than the space of some three hours can allow for: we must unavoidably clump them closer; and so long as a circumstance might as well have happened at one time as at another, I consider that the poet is justified in crowding prior events as near as he may please towards the goal of their catastrophe. If then any slight inaccuracy as to dates arrests your critical ken, believe that it is not ignorantly careless, but learnedly needful. One other objection, and I have done. No man is an utter inexcusable, irremediable villain; there is a spot of light, however hidden, somewhere; and, notwithstanding the historian's picture, it may charitably be doubted whether we have made due allowance for his most reasonable prejudice even in Nero's case. Human nature has produced many monsters; but, amongst a thousand crimes, there has proverbially lingered in each some one seedling of a virtue; and when we consider the corruption of manners in old Rome, the idolatrous flatteries hemming in the prince, the universal lie that hid all things from his better perceptions, we can fancy some slight extenuation for his mad career. Not that it ever was my aim, in modern fashion, to excuse villany, or to gild the brass brow of vice; and verily, I have not spared my odious hero; nevertheless, in selecting so unamiable a subject, (or rather emperor,) I wished not to conceal that even in the worst of men there is a soil for hope and charity; and that if despotism has high prerogatives, its wealth and state are desperate temptations, whose dangers mightily predominate, and whose necessary influences, if quite unbiased, tend to utter misery.

Now to introduce our _dramatis personæ_, with their "cast,"--for better effect--rather unreasonably presumed. _Nero_--(Macready, who would impersonate him grandly, and who, moreover, whether complimented or not by the likeness, wears a head the very counterpart of Nero's, as every Numismatist will vouch,)--a naturally noble spirit, warped by sensuality and pride into a very tyrant; liberal in gifts, yet selfish in passion; not incapable of a higher sort of love, yet liable to sudden changes, and at times tempestuously cruel. _Nattalis_--(say Vandenhoff,)--his favourite and evil genius, originally a Persian slave, and still wearing the Eastern costume: a sort of Iago, spiriting up the willing Nero to all varieties of wickedness, getting him deified, and otherwise mystifying the poor besotted prince with all kinds of pleasure and glory, to subserve certain selfish ends of rapine, power, and licentiousness, and to avenge, perhaps, the misfortunes of his own country on the chief of her destroyers. _Marcus Manlius_--(who better than Charles Kean?--supposing these artistic combinations not to be quite impossible,)--a fine young soldier, of course loving the heroine, captain of Nero's body-guard, chivalrous, honourable, noble, and faithful to his bad master amid conflicting trials. _Publius Dentatus_--(any _bould_ speaker; besides, it would be rather too much to engage all the actors yet awhile;)--a worthy old Roman, father of the heroine. _Galba_, the chief mover in the catastrophe, as also the opener of its causes, an intriguing and fierce, but well-intentioned patriot, who ultimately becomes the next emperor. With _Curtius_ a tribune, senators, conspirators, soldiers, priests, flamens, &c. And so, after the ungallant fashion of theatrical play-wrights, as to a class inferior to the very &c. of masculines--(of less intention withal than one of those &cs. of crabbed Littleton, like an old shoe fricasséed into savourings of all things by its inimitable Coke,)--come we to the women-kind. _Agrippina_, (one of the school of Siddons,) empress-mother, a strong-minded, Lady-Macbeth sort of woman, and the only person in the world who can awe her amiable son. _Lucia,_ (_you_ cannot be spared here, clever Helen Faucit)--the heroine, secretly a Christian affianced to Manlius; a character of martyr's daring and woman's love. _Rufa_, a haggard old sibyl, with both private and public reasons for detesting Nero and Nattalis: and all the fitting female attendants to conclude the list.

Each scene, in which each act will be included, should be pictorially, so to speak, a _tableau_ in the commencement, and a _tableau_ of situation in the end. Let us draw up upon scene _the first_. Back-ground, Rome burning; in front, ruins of fine Tuscan villa, still smoking; and a terminal altar in the garden. Plebs. running to and fro, full of conventional little speeches, with goods, parents, penates, and other lumber, rescued from the flames; till a tribune, (hight Curtius,) in a somewhat incendiary oration concerning poor men's calamities, and against the powers that be, sends them to the capital with a procession of flamines Diales and vestals, dirging solemnly a Roman hymn [some "_Ad Capitolium, Ad Jovis solium_," and so forth] to good music. At the end of the train come in Publius and Lucia, to whom from opposite hurriedly walks Galba, full of talk of omens, direful doings, patriotism, and old Rome's ruin. To these let there be added--to speak mathematically--open-hearted Manlius; and let there follow certain disceptatious converse about Nero, Manlius excusing him, extenuating his vices by his temptations, giving military anecdotes of his earlier virtues, and in fact striving to make the most of him, a very gentle monster: Galba throwing in, sarcastically, blacker shadows. After disputation, the father and lovers walk off, leaving Galba alone for a moment's soliloquy; and, from behind the terminal altar, unseen Sibyl hails him Cæsar; he, astonished at the airy voice so coincident with his own feelings, thinks it ideal, chides his babbling thoughts, and so forth: then enter to him suddenly chance-met noble citizens, burnt out of house and home, who declaim furiously against Nero. Sibyl, still unseen from behind the altar, again hails Galba as future Cæsar; who, no longer doubting his ears, and all present taking the omen, they conspire at the altar with drawn swords, and as the Sibyl suddenly presides--_tableau_--and down drops the soft green baize. This first act, you perceive, is stirring, introductory of many characters; and the picture of the seven-hilled city, seen in a transparent blaze, might give the followers of Stanfield a triumph.

_Second_: The senate scene, producing another monstrous crime of Nero's, also inaccurately dated. In the full august assembly, Nero discovered enthroned, not unmajestic in deportment, yet effeminately chapleted, and holding a lyre: suppose him just returned from Elis, a pancratist, the world's acknowledged champion. Nattalis, ever foremost in flatteries, after praising the prince's exploits in Greece, avows that, like Paris in Troy, and Alexander at Persepolis, Nero _had_ gloriously fired Rome; he found it wood, and wished to leave it marble; (so, the catafalque at the Invalides of the twice-buried Corsican;) in destroying, as well as blessing, he had asserted his divinity; any after due allusions to Phoenixes, and fire-kingships, and _coups-de-soliel_ falling from the same Apollo so great upon the guitar, Nattalis moves that Nero should be worshipped, and calls on the priest of Jupiter to set a good example. None dare refuse, and the senate bend before him; whereupon enter, in clerical procession, augurs, and diviners, men at arms with pole-axes, and coronaled white bulls, paraded before sacrifice: all this pandering to present love of splendour and picturesque effect. In the midst of these classical preparations, enters, with a bevy of attendants, the haughty queen-like Agrippina, whom Nero, having sent for to complete his triumph, commands to bend too; but she stoutly refusing, and taking him fiercely to task, objurgating likewise Rome's degenerate gray-beards--great bustle--senate broken up hurriedly--and she, with a "_feri ventrem_," dragged off to be killed by her son's order. Nero alone with Nattalis by imperial command; his momentary compunction nullified by the wily Iago, who turns off the subject smoothly to a new object of desire: Publius was the only senator not in his place, and Publius has a daughter, the fairest in Rome, Lucia--had not the emperor noticed her among Agrippina's women? Nero, charmed with any scheme of novelty that may change remorseful thoughts, is induced, nothing loth, to attempt the subtle abduction of the heroine; a body-guard, headed as always by Manlius, ready in the vestibule to escort him, and exit. Nattalis, alone for a minute, betrays his own selfish schemes concerning Lucia, who had refused him before, and alludes to his secret reasons for urging on the maddened Nero to the worst excesses.

_Third scene_ (or part, or _act_, if it must be so), expounds, in fitting contrast to the foregoing, the tender loves of Lucia and Manlius; a gentle home-scene, a villa and its terraced gardens: also, as Lucia is a Christian, we have, poetically, and not puritanically, an insight into her scruples of conscience as to the heathenism of her lover: and also into _his_ consistent nobility of character, not willing to surrender the religion of his fathers unconvinced. To them rushes in Publius, who has been warned by friend Galba of the near approach of Nattalis and a guard, to seize Lucia for disreputable Nero: no possible escape, and all urge Lucia to imitate Virginia, Lucretia, and others of like Dian fame, by cowardly self-murder; she is high-principled, and won't: then they--the father and lover--request leave to kill her; conflicting passions and considerable stage effect; Lucia, who with calm courage derides the dastard sacrifice, standing unharmed between those loving thirsty swords: in a grand speech, she makes her quiet departure a test of Manlius' love, and her ultimate deliverance to be a proof to him that her God is the true God, the God who guards the innocent. Manlius, struck with her martyr-like constancy, professes that if indeed she is saved out of this great trouble, he will embrace her faith, renounce his own, and so break down the of wealth and rank, are alike thrown away upon Publius; at last, the prince promises; and when Publius, after a burst of earnest eloquence, proclaims the new pleasure to consist in _showing mercy_, Nero's utter wrath, his hurricane of hate, revoking that hasty promise, and hurrying away old Publius to die at the same stake with his daughter.

_Seventh_: the catastrophe scene lies in the Coliseum amphitheatre; (I mean the older one, anterior to Vespasian's:) bloody games pictured behind, and those "human torches" at fiery intervals. Nero, enthroned in side front, surrounded by a brilliant court, amongst whom are some of the conspirators: at other side Publius and Lucia, tied at one stake in white robes, back to back, to die before Nero's eyes, Manlius and soldiers guarding them: he, Manlius, having nobly resolved to test miraculous assistance to the last, but now tremblingly believing the chance of a Providence interfering, since Lucia's escape from Nero at the golden house. Just as the emperor, after a sarcastic speech, characteristically interlarded with courtier conversation, is commanding the fagot to be lighted, and Lucia's constant faith has bade Manlius _do it_--a rush of Nattalis with attendant conspirators and Rufa the Sibyl, up to Nero; Nattalis strikes him, but the sword breaks short off on the hidden armour; Nero's majestic rising for a moment, asserting himself Cæsar still, the inviolable majesty;--suddenly stopped by a centripetal rush of the conspirators; who kill him, (after he has vainly attempted in despair to kill himself,) and Galba sits on the throne, while Nero, unpitied and unhelped, gasps out in the middle his dying speech. Meanwhile, at the other side, Manlius has killed Nattalis for his treachery, cut the bonds of Publius and Lucia, and all ends in moral justice for the triumph of good, and the defeat of evil; Manlius and Lucia, hand in hand, Publius with white head and upraised hands blessing them, Nero, a mangled corpse, Nattalis in his dying agonies persecuted by the vindictive Rufa, and Galba hailed as Cæsar by the assembled Romans. So, upon a magnificent _tableau_, slowly falls the lawny curtain.

Patient reader, what think you of my long-winded tragedy? No quibbling about Nero having really died in a drain, four years after the murder of Aggrippina; no learned disquisitions, if you please, as to his innocence of Rome's fire, a counterpart to our slander on the Papacy in the matter of London's; spare me, I pray you, learned pundit, your suspicions about Galba's too probable _alibi_ in Spain. Tell me rather this: do I falsify history in any thing more important than mere accidental anachronisms and anatopisms? do I make an untrue delineation of character, blackening the good, or white-washing the wicked? Do I not, by introducing Nero's three greatest crimes so near upon his assassination, merely accelerate the interval between causes and effect? And is not tragic dignity justified in varnishing, with other compost than the dregs of Rome, the exit of the last true Cæsar of the Augustan family? For all the rest, good manager, provide me actors, and I am even now uncertain--such is my weakness--whether this skeleton might not at some time be clad with flesh and skin, and a decent Roman toga. I fear it will yet haunt me as a '_Midsummer Night's Dream_,' destroying my quiet with involuntary shreds and patches of long-metred blank; the notion is still vivacious, albeit scotched: Alexandrine though the synopsis appear, it must not be thrown on the highroad as a dead snake; nay, let me cherish it yet on my hearth, and not hurl it away like a _bonum waviatum_; a little more boiling up of Roman messes in my brain, and my tragedy might flow forth spontaneously as lava. What if this book be, after all, a sort of pilot-balloon, to show my huge Nassau the way the wind blows--a feeler as to which and which may please? Whether or not this be so, I will still confess on, emptying my brain of booklets, and, if by happy possibility I can keep my secret, shall hear unsuspected, friend, _your_ verdict.

* * * * *

I must rather hope, than expect, that my next bit of possible authorship is not like the last, a subject forestalled. Scribbling as I find myself for very listlessness in a dull country-house, there's not a publisher's index within thirty miles; so, for lack of evidence to the contrary, I may legitimately, for at least a brief period of self-delusion, imagine the intoxicating field my own. And yet so fertile, important, interesting a subject, cannot have been quite overlooked by the corps of professed literary labourer's: the very title-page would insure five thousand readers (especially with a Brunswicker death's-head and marrow-bones added underneath).

OPIUM;

A HISTORY;

standing alone in single blackiness: Opium, a magnificent theme, warranted to fill a huge octavo: and certain, from sheer variety of information, to lead into the captivity of admiring criticism minds of every calibre. Its natural history, with due details of all manner of poppies, their indigenous habitats, botanical characters, ratios of increase, and the like; its human history, discovery as a drug; how, when, where, and by whom cultivated; dissertations as to the possibility of Chaldean, Pharaonic, Grecian, or Roman opium eating, with most erudite extracts out of all sorts of scribes, from Sanchoniathon down to Juvenal, on these topics; its medicinal uses, properties, accidents, and abuses; as to whether it might not be used homoeopathically or in infinitesimal doses, to infuse a love of the pleasures of imagination into clodpoles, lawyers' clerks, and country cousins; its intellectual possibilities of usefulness, stimulating the brain; its moral ditto, allaying irritability; together with a dreadful detail of its evils in excess, idiotizing, immoralizing, ruining soul and body. Plenty of stout unquestionable statistics, from all crannies of the globe, to corroborate all the above to the extreme satisfaction of practical men, with causes and consequences of its insane local popularity. All this, moreover, at present, with especial reference to China and the East; added to the moral bearings of the Opium-war, and our national responsibilities relative to that unlucky traffic. The metaphysical question stated and answered, whether or not prohibition of any thing does not lead to its desire; showing the increasing appetency of those sottish Serics for the forbidden vice, and illustrating Gay's fable of the foolish young cock, who ne'er had been in that condition, but for his mother's prohibition: moreover, how is it, that so captivating a form of intoxication is so little rife among our drunken journeymen? queries, however, as to this; and whether or not the humbug of teetotalism (a modern speculation, got up by and for the benefit of grocers and sugar-planters on the one side, schismatics and conspiring demagogues on the other,) has already substituted opium-eating, drinking, or smoking, for the wholesomer toddies, among factory folk and the finest pisantry. Millions of anecdotes regarding Eastern Rajahs, Western Locofocos, Southern Moors, and North-country Muscovites, as to the drug in its abuses: strange cures (if any) of strange ailments of mind or body by its prudent use: how to wean men and nations from those deleterious chewings and smokings; with true and particular accounts of such splendid self-conquests as Coleridge and De Quincey, and--shall I add another, a living name?--have attained to. Then, again, what a field for poetical vagaries, and madnesses of imagination, would be afforded by the subject of opium-dreams! Now, strictly speaking, in order to hallucinate honestly, your opium-writer ought to have had some practical knowledge of opium-eating: then could he descant with the authority of experience--yea, though he write himself thereby down an ass--on its effects upon mind and body; then could he tell of luxuries and torments in true Frenchified detail; then could he expound its pains and pleasures with all the eloquence of personal conviction. But, as to such real risk of poisoning myself, and of making I wot not how actual a mooncalf, of my present sound mind and body, I herein would reasonably demur: and, if I wanted dreams, would tax my fancy, and not my apothecary's bill. Dreams? I need not whiff opium, nor toss off laudanum negus, to imagine myself--a young Titan, sucking fiery milk from the paps of a volcano; a despot so limitless and magnificent, as to spurn such a petty realm as the Solar System, with Cassiopeia, Boötes, and his dog, to boot; an intellect, so ravished, that it feels all flame, or a mass of matter so inert, that it lies for ages in the silent depths of ocean, a lump of primeval metal: Madness, with the red-hot iron hissing in his brain: Murder, with the blood-hound ghost, over land, over sea, through crowds, deserts, woods, and happy fields, ever tracking silently in horrid calmness; the oppression of indefinite Guilt, with that Holy Eye still watching; the consciousness of instant danger, the sense of excruciating pain, the intolerable tyranny of vague wild fear, without will or power to escape: spurring for very life on a horse of marble: flying upward to meet the quick-falling skies--O, that universal crash!--greeted in a new-entered world with the execrations of the assembled dead--that hollow, far-echoing, malicious laughter--that hurricane-sound of clattering skulls; to be pent up, stifling like a toad, in a limestone rock for centuries; to be haunted, hunted, hooted; to eat off one's own head with its cruel madly crunching under-jaw; to--but enough of horrors: and as to delights, all that Delacroix suggests of perfume, and Mahomet of Houris, and Gunter of cookery, and the German opera of music: all Camilla-like running unexertive, all that sea unicorns can effect in swift swimming, or storm-caught condors in things aërial; all the rapid travellings of Puck from star to star, system to system, all things beauteous, exhilarating, ecstatic--ages of all these things, warranted to last. Now, multiply all these several alls by forty-nine, and the product will serve for as exaggerated a statement as possible of opium pandering to pleasure; yes, by forty-nine, by seven times seven at the least, that we be not accused of extenuating so fatal an excitement; for it is competent to conceive one's self expanded into any unlimited number of bodies, seven sevens being the algebraic _n_, and if so, into their huge undefined aggregate; a giant's pains are throes indeed, a giant's pleasures indeed flood over. But, we may do harm to morality and truth, by falsely making much of a faint, fleeting, paltry, excitation. The brain waltzing intoxicated, the heart panting as in youth's earliest affection, the mind broad, and deep, and calm, a Pacific in the sunshine, the body lapped in downy rest, with every nerve ministering to its comfort; what more can one, merely and professedly of this world of sensualism--an opium-eater for instance--conceive of bliss? Such imaginative flights as these, with its pungent final interrogatory, suggestive to man's selfishness of joys as yet untried, might tempt to tamper with the dear delight; whereas the plain statement of the most that opium could minister to happiness, as contrasted with those false vain views of it, remind me of Tennyson's poetical '_Timbuctoo_,' gorgeous as a new Jerusalem in Apocalyptic glories, and the mean filth-obstructed kraals dotted on an arid plain, to which, for very truthfulness, his soaring fancy drops plumbdown, as the shot eagle in '_Der Freischutz_.'

Let this then serve as a meagre sketch of my defunct treatise on opium: think not that I love the subject, curious and fertile though it be; perhaps, philosophically regarded, it is not a better one than _gin_; but ears polite endure not the plebeian monosyllable, unless indeed with a rëduplicated _n_, as Mr. Lane _will_ have it our whilom genie should be spelt: accordingly, I magnanimously give up the whole idea, and am liberal enough, in this my dying determination, to sign a codicil, bequeathing opium to my executors.

* * * * *

Novelism is a field so filled with copy-holders, so populously tenanted in common, that it requires no light investigation to find a site unoccupied, and a hero or heroine waiting to be hired. Nevertheless, I seem to myself to have lighted on a rich and little-cultivated corner; imagining that the subject is a good one, because still untouched, founded on facts, and with amplifiable variations that border on the probable. He that lionizes Stratford-on-Avon, will remember in one of the Shakspearian museums of that classic town, the pictured trance of hapless

CHARLOTTE CLOPTON,