Chapter XVII
One morning a week later Cavanaugh mounted the scaffold on which John was working. He held some letters in his hand.
"That car of brick has been delayed," he announced. "It will be three days before it can be delivered. The men won't like it, but we'll have to shut down for that long, anyway."
John frowned and swore, as he stood scraping his trowel on the edge of a brick which he had just tapped into line.
"Never mind; we needn't be idle--you and me, anyway," Cavanaugh said, gently. "You heard about Mason & Trubel's storehouse being burned down last week, didn't you? Well, the agents for the insurance company have written me to come home and help adjust the loss. Some of the walls may be usable in rebuilding, and they want me to be one of the arbitrators. Now, there will be a lot of close figuring to do, and I want you to be there. How about both of us going? There will be a fee for us that will more than cover expenses, and the trip will do us good."
"I'll go with you," John said. "When will you start?"
"First train in the morning," was the reply, and the contractor went about among the men, explaining the situation.
The two friends arrived at Ridgeville the following morning at ten o'clock and at once started for their homes. To John's surprise, at the end of the first street Cavanaugh did not turn toward his home, as would have been natural, but kept on in the direction John was to go.
"You are out of your beat, aren't you?" John asked.
"I am and I ain't," Cavanaugh smiled. "I want to show you something--a little house and lot that I hold a mortgage on. You know the cottage I built for Pete Carrol, this side of your mother's house? Well, he couldn't pay for it and it is on my hands. He went West, you know, and left all his furniture in it. I've had a rent-sign on it for two months, but haven't had a single applicant for it. I'd like to take a peep at it."
The cottage was in quite an isolated spot, near the end of the street railway, in full view of the lots containing shanties in which negroes and the very poorest whites lived. Above the tree-tops, not far away, could be seen the patched roof of John's ramshackle home.
"I hid the key under the door-step," Cavanaugh said, as they entered the small front gate, and, bending down, he secured it. Then he crossed the tiny, newly painted front porch and unlocked and opened the door.
There was a little hallway with rooms on each side of it, a tiny parlor on the right which, on entering, they found neatly equipped with plain oak furniture, and a rug or two on the floor, which was covered with straw matting. They next entered the dining-room, which was furnished in similar style. There was a small sideboard holding a modest supply of table-linen, dishes, and glassware.
"Pete's wife was awfully particular, and she left things in apple-pie order," Cavanaugh said, as they went into the kitchen adjoining. This room, too, was supplied with all necessary utensils, a neat stove and a sink with running water. Next they saw the bedroom. It held a table with a lamp on it, and an oak bedstead in neat order with unsoiled pillows and white coverlet. There was a bureau with a wide plate-glass mirror, also a wash-stand with a white ewer and basin. The floor was covered with new matting.
"A snug little nest, eh?" Cavanaugh asked, with a slow and rather automatic smile. "Looks like somebody ought to rent it, cheap as I hold it and ready furnished--only fifteen a month."
"It is all right," John answered, indifferently. "You ought to rent it in the fall, anyway, when business picks up."
"I want to rent it by the time we finish the court-house, anyway"--Cavanaugh continued to smile--"and I'd like to rent it to somebody that would take care of it-- I mean somebody that I know about. Gee! wouldn't this be a snug little nest for a pair of new-married turtle-doves? Think of a fellow coming back from his day's work at night to a cottage like this, with a little wife to meet him in a white bib and tucker and a kiss and a glad smile?"
John had a sudden flash of comprehension, and he flushed from head to foot. His great mouth made a failure of a smile, and that he was pleased Cavanaugh did not doubt. "You think you have a joke on me," John said. "Well, well, go it, Sam! I'm game for a little thing like that."
"You may call it a joke, but I don't," the contractor said, quite seriously. "You see, I've got an ax to grind--two, in fact, for in the first place I want to rent this house for enough to pay the taxes and insurance, and in the next I want to tie you down to Ridgeville. I am too old to move now, and I need you mighty bad. Say, you and I can become partners before long."
"Well, what has that got to do with your--your other damn foolishness?" John's face was averted as he spoke. They were back in the bedroom now, and he made a pretense of examining the new sash-cords of the window. He drew one of the weights up in its hidden groove and lowered it again. He had never before examined a detail of a building so minutely. He looked closely at the paint on the mullions and searched for flaws in the glass.
"It has got this to do with it," Cavanaugh went on, now steadily and without a vestige of his former smile. "I'm no fool, my boy. I know as well as I stand here that you are not going to leave that sweet little girl up there to do the drudgery for that irritable old hog and his obedient wife. If you did I'd lose respect for you. You are making good pay and you will make even better. In a little nook like this you could make her as happy as the day is long. She could do all the housework and not work a fourth as hard as she does now. Why, I saw her in the corn-field the other day, toiling like an old-time slave with a heavy hoe, while her rotten old daddy was in the house picking out passages in the Bible to pin down some particular argument of his."
"I guess--I guess--" John stammered, "that the--the _girl_ would have something to say on the subject."
"How _can_ she, in the name of all possessed"--Cavanaugh snorted and laughed--"unless she is _asked_? I'm no fool. I know what two smudges of red about the cheek-bones of a pretty girl mean when they never come in sight till a big, hulking feller in overalls appears on the scene. I know, too, that things have taken place that you haven't heard about. I know that I've turned myself into a contractor of flesh and blood instead of brick and mortar. Them old folks simply agreed one night, in a talk with me, that I might run it. I told them I'd stand for you in every way, and they-- Well, haven't you noticed for the last week that they have slid off to bed early and left you and Tilly out under the trees or on the porch, together? Well, that was my doings. The old man was for having you come to him and state your intentions in plain words, but I advised him against it. I told him that you could make a speech on internal revenue, political economy, or any other big subject to an audience a thousand strong, but that you'd fall down in an attempt to tell a girl's daddy that you wanted to provide her grub and clothes. I did have a big tussle, though, to keep one certain thing out of the discussion, and that was your religion, or rather your lack of it. He kept saying that he wanted to know what particular brand of theology you'd impress on his daughter at your fireside. He said he never had failed to see women go with their husbands sooner or later, and he was afraid you hadn't been converted yet. However, I got him quiet on that line. I told him, you see, that while you hadn't yet made an open profession, I knew you well enough to be sure you'd end up all right and make as good a citizen as any man I know."
"You have heard about a certain fellow by the name of Eperson, haven't you?" John asked, as he strove manfully to quench the glad lights in his eyes. "Well, he and Tilly have been sweethearts ever since they were children."
"He has, but she hasn't." Cavanaugh emphasized the "he." "I know all about it. He is as near dead as a man can be from disappointment. She might have thought she cared for him, at one time, but when you came all that was off. Now I'm going home to my old woman. Talking to you on these lines makes me want to see her mighty bad. I feel younger, and I'll bet she will look that way to me, too. But remember this, when we get back to Cranston, sail right in and tell Tilly how you feel. She knows, anyway, but you tell her straight out, like a man with a load of hay to sell, and be done with it. I want to rent this house and I'm going to do it."
They were outside the cottage now. Cavanaugh had closed the door and was on his knees, hiding the key under the step. John stood over him.
"I wish you knew what you are talking about, Sam," he said, and it was the first even indirect confession of the sacred tumult within him. "I'll say that much. I wish--I wish it could be like you say it is. My God! Sam, when I dare to think of it I go all to pieces. It is too good to be true. Nothing has ever come my way that amounted to much in this life. How could as big a thing as that be for me?"
"Well, it just is." Cavanaugh stood up, his fine face working in sympathy. "The Lord has fixed it that way, my boy. You have had a hard time, but your day is dawning. And listen to me. Under your full joy you are going to wake up into a gratitude to the Creator for His great gifts. You've been bitter--so bitter, for one reason or another, that you've denied even God's existence, but with a believing wife like Tilly at your side, and with children to bring up right, you will be different. You are just a boy, anyway--a great, big, awkward, stumbling boy, but you are going to make a man, and a good one."
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The Cottage of Delight: A NovelChapter XVII
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