Chapter VIII: Part 8

I knew from previous experiences that it was of no use to try to quiz Kennedy. He was a veritable Gradgrind for facts, facts, facts. As for myself, I could not help wondering whether, after all, Murtha might not have been the victim of foul play--and, if so, by whom?

XXII

THE CANARD

We did not have to wait long for the secret of the robbery of Carton to come out. It was not in any "extras," or in the morning papers the next day, but it came through a secret source of information to the Reform League.

"A clerk in the employ of the organization who is really a detective employed by the Reform League," groaned Carton, as he told us the story himself the next morning at his office, "has just given us the information that they have prepared a long and circumstantial story about me--about my intimacy with Mrs. Ogleby and Murtha and some others. The story of the robbery of my study is in the papers this morning. To-morrow they plan to publish some photographs--alleged to have been stolen."

"Photographs--Mrs. Ogleby," repeated Kennedy. "Real ones?"

"No," exclaimed Carton quickly, "of course not--fakes. Don't you see the scheme? First they lay a foundation in the robbery, knowing that the public is satisfied with sensations, and that they will be sure to believe that the robbery was put up by some muckrakers to obtain material for an expose. I wasn't worried last night. I knew I had nothing to conceal."

"Then what of it?" I asked naively.

"A good deal of it," returned Carton excitedly, "The story is to be, as I understand it, that the fake pictures were among those stolen from me and that in a roundabout way they came into the possession of someone in the organization, without their knowing who the thief was. Of course they don't know who took them and the original plates or films are destroyed, but they've concocted some means of putting a date on them early in the spring."

"What are they that they should take such pains with them?" persisted Kennedy, looking fixedly at Carton.

Carton met his look without flinching. "They are supposed to be photographs of myself," he repeated. "One purports to represent me in a group composed of Mrs. Ogleby, Murtha, another woman whom I do not even know, and myself. I am standing between Murtha and Mrs. Ogleby and we look very familiar. Another is a picture of the same four riding in a car, owned by Murtha. Oh, there are several of them, of that sort."

He paused as a dozen unspoken questions framed themselves in my mind. "I don't hesitate to admit," he added, "that a few months ago I knew Mrs. Ogleby--socially. But there was nothing to it. I never knew Murtha well, and the other woman I never saw. At various times I have been present at affairs where she was, but I know that no pictures were ever taken, and even if there had been, I would not care, provided they told the truth about them. What I do care about is the sworn allegation that, I understand, is to accompany these--these fakes."

His voice broke. "It's a lie from start to finish, but just think of it, Kennedy," he went on. "Here is the story, and here, too, are the pictures--at least they will be, in print, to-morrow. Now, you know nothing could hurt the reform ticket worse than to have a scandal like this raised at this time. There may be just enough people to believe that there is some basis for the suspicion to turn the tide against me. If it were earlier in the campaign, I might accept the issue, fight it out to a finish, and in the turn of events I should have really the best sort of campaign material. But it is too late now to expose such a knavish trick on the Saturday before election."

"Can't we buy them off?" I ventured, perplexed beyond measure at this new and unexpected turn of events.

"No, I won't," persisted Carton, shutting his square jaw doggedly. "I won't be held up--even if that is possible."

"Miss Ashton on the wire," announced a boy from the outer office.

The look on Carton's face was a study. I saw directly what was the trouble--far more important to him than a mere election.

"Tell her--I'm out--will be back soon," he muttered, for the first time hesitating to speak to her.

"You see," he continued blackly, "I'll fight if it takes my last dollar, but I won't allow myself to be blackmailed out of a cent--no, not a cent," he thundered, a heightened look of determination fixing the lines on his face as he brought his fist down with a rattling bang on the desk.

Kennedy was saying nothing. He was letting Carton ease his mind of the load which had been suddenly thrust upon it. Carton was now excitedly pacing the floor.

"They believe plainly," he continued, growing more excited as he paced up and down, "that the pictures will of course be accepted by the public as among those stolen from me, and in that, I suppose, they are right. The public will swallow it. If I say I'll prosecute, they'll laugh and tell me to go ahead, that they didn't steal the pictures. Our informant tells us that a hundred copies have been made of each and that they have them ready to drop into the mail to the leading hundred papers, not only of this city but of the state, in time for them to appear Sunday. They think that no amount of denying on our part can destroy the effect."

"That's it," I persisted. "The only way is to buy them off."

"But, Jameson," argued Carton, "I repeat--they are false. It is a plot of Dorgan's, the last fight of a boss, driven into a corner, for his life. And it is meaner than if he had attempted to forge a letter. Pictures appeal to the eye much more than letters. That's what makes the thing so dangerous. Dorgan knows how to make the best use of such a roorback on the eve of an election and even if I not only deny but prove that they are a fake, I'm afraid the harm will be done. I can't reach all the voters in time. Ten see such a charge to one who sees the denial."

He looked from one to the other of us helplessly. "If we had a week or two, it might be all right. But I can't make any move to-day without making a fool of myself, nothing until they are published, as the last big thing of the campaign. Monday and Tuesday morning do not give me time to reply in the papers and hammer it in. Even if they were out now, it would not give me time to make of it an asset instead of a liability. And then, too, it means that I am diverted by this thing, that I let up in the final efforts that we have so carefully planned to cap the campaign. That in itself is as much as Dorgan wants, anyway."

Kennedy had been, so far, little more than an interested listener, but now he asked pointedly, "You have copies of the pictures?"

"No--but I've been promised them this morning."

"H'm," mused Craig, turning the crisis over in his mind. "We've had alleged stolen and forged letters before, but alleged stolen and forged photographs are new. I'm not surprised that you are alarmed, Carton,--nor that Walter suggests buying them off. But I agree with you, Carton--it's best to fight, to admit nothing, as you would imply by any other method."

"Then you think you can trace down the forger of those pictures before it is too late?" urged Carton, leaning forward almost like a prisoner in the dock to catch the words of the foreman of the jury.

"I haven't said I can do that--yet," measured Craig with provoking slowness.

"Say, Kennedy, you're not going to desert me?" reproached Carton.

Kennedy laughed as he put his hand on Carton's shoulder.

"I've been afraid of something like this," he said, "ever since I began to realize that you had once been--er--foolish enough to become even slightly acquainted with that adventuress, Mrs. Ogleby. My advice is to fight, not to get in wrong by trying to dicker, for that might amount to confession, and suit Dorgan's purpose just as well. Photographs," he added sententiously, "are like statistics. They don't lie unless the people who make them do. But it's hard to tell what a liar can accomplish with either, in an election. I--I don't know that I'd desert you--if the pictures were true. I'd be sure there was some other explanation."

"I knew it," responded Carton heartily. "Your hand on that, Kennedy. Say, I think I've shaken hands with half the male population of this city since I was nominated, but this means more than any of them. Spare no reasonable expense and--get the goods, no matter whom it hits higher up--Langhorne--anybody. And, for God's sake get it in time--there's more than an election that hangs on it!"

Carton looked Kennedy squarely in the eye again, and we all understood what it was he meant that was at stake. It might be possible after all to gloss over almost anything and win the election, but none of us dared to think what it might mean if Miss Ashton not only suspected that Carton had been fraternizing with the bosses but also that there had been or by some possibility could be anything really in common between him and Mrs. Ogleby.

That, after all, I saw was the real question. How would Miss Ashton take it? Could she ever forgive him if it were possible for Langhorne to turn the tables and point with scorn at the man who had once been his rival for her hand? What might be the effect on her of any disillusionment, of any ridicule that Langhorne might artfully heap up? As we left Carton, I shared with Kennedy his eagerness to get at the truth, now, and win the fight--the two fights.

"I want to see Miss Ashton, first," remarked Kennedy when we were outside.

Personally I thought that it was a risky business, but felt that Kennedy must know best.

When we arrived at the Reform League headquarters, the clerks and girls had already set to work, and the office was a hive of industry in the rush of winding up the campaign. Typewriters were clicking, clippings were being snipped out of a huge stack of newspapers and pasted into large scrapbooks, circulars were being folded and made ready to mail for the final appeal.

Carton's office there had been in the centre of the suite. On one side were the cashier and bookkeeper, the clerical force and the speakers' bureau, where spellbinders of all degrees were getting instructions, final tours were being laid out, and reports received of meetings already held.

On the other side was the press bureau, with its large and active force, in charge of Miss Ashton.

As we entered we saw Miss Ashton very busy over something. Her back was toward us, but the moment she turned at hearing us we could see that something was the matter.

Kennedy wasted no time in coming to the point of his visit. We had scarcely seated ourselves beside her desk when he leaned over and said in a low voice, "Miss Ashton, I think I can trust you. I have called to see you about a matter of vital importance to Mr. Carton."

She did not betray even by a fleeting look on her proud face what the true state of her feelings was.

"I don't know whether you know, but an attempt is being made to slander Mr. Carton," went on Kennedy.

Still she said nothing, though it was evident that she was thinking much.

"I suppose in a large force like this that it is not impossible that your political enemies may have a spy or two," observed Kennedy, glancing about at the score or more clerks busily engaged in getting out the "literature."

"I have sometimes thought that myself," she murmured, "but of course I don't know. There isn't anything for them to discover in THIS office, though."

Kennedy looked up quickly at the significant stress on the word "this." She saw that Kennedy was watching. Margaret Ashton might have made a good actress, that is, in something in which her personal feelings were not involved, as they were in this case. She was now pale and agitated.

"I--I can't believe it," she managed to say. "Oh, Mr. Kennedy--I would almost rather not have known it at all,--only I suppose I must have known it sooner or later."

"Believe me, Miss Ashton," soothed Kennedy, "you ought to know. It is on you that I depend for many things. But, tell me, how do you know already? I didn't think--it was known."

She was still pale, and replied nervously, "Our detective in the organization brought the pictures up here--one of the girls opened them by mistake--it got about the office--I couldn't help but know."

"Miss Ashton," remonstrated Kennedy soothingly, "I beg you to be calm. I had no idea you would take it like this, no idea. Please, please. Remember pictures can lie--just like words."

"I--I hope you're right," she managed to reply slowly. "I'm all broken up by it. I'm ready to resign. My faith in human nature is shaken. No, I won't say anything about Mr. Carton to anyone. But it cuts me to have to think that Hartley Langhorne may have been right. He always used to say that every man had his price. I am afraid this will do great harm to the cause of reform and through it to the woman suffrage cause which made me cast myself in with the League. I--I can hardly believe--"

Kennedy was still looking earnestly at her. "Miss Ashton," he implored, "believe nothing. Remember one of the first rules of politics in the organization you are fighting is loyalty. Wait until--"

"Wait?" she echoed. "How can I? I hate Mr. Carton for--for even knowing--" she paused just in time to substitute Mr. Murtha for Mrs. Ogleby--"such men as Mr. Murtha--secretly."

She bit her lip at thus betraying her feelings, but what she had seen had evidently affected her deeply. It was as though the feet of her idol had turned to clay.

"Just think it over," urged Kennedy. "Don't be too harsh. Don't do anything rash. Suspend judgment. You won't regret it."

Kennedy was apparently doing some rapid thinking. "Let me have the photographs," he asked at length.

"They are in Mr. Carton's office," she answered, as if she would not soil her hands by touching the filthy things.

We excused ourselves and went into Carton's office.

There they were wrapped up, and across the package was written by one of the clerks, "Opened by mistake."

Kennedy opened the package again. Sure enough, there were the photographs--as plain as they could be, the group including Carton, Mrs. Ogleby, Murtha, and another woman, standing on the porch of a gabled building in the sunshine, again the four speeding in a touring car, of which the number could be read faintly, and other less interesting snapshots.

As I looked at them I said nothing, but I must admit that the whole thing began to assume a suspicious look in my mind in connection with various hints I had heard dropped by organization men about probing into the past, and other insinuations. I felt that far from aiding Carton, things were now getting darker. There was nothing but his unsupported word that he had not been in such groups to counterbalance the existence of the actual pictures themselves, on the surface a graphic clincher to Dorgan's story. Kennedy, however, after an examination of the photographs clung no less tenaciously to a purpose he already had in mind, and instead of leaving them for Carton, took them himself, leaving a note instead.

He stopped again to speak to Margaret Ashton. I did not hear all of the conversation, but one phrase struck me, "And the worst of it is that he called me up a little while ago and tried to act toward me in the same old way--and that after I know what I know. I--I could detect it in his voice. He knew he was concealing something from me."

What Kennedy said to her, I do not know, but I don't think it had much effect.

"That's the most difficult and unfortunate part of the whole affair," he sighed as we left. "She believes it."

I had no comment that was worth while. What was to be done? If people believed it generally, Carton was ruined.

XXIII

THE CONFESSION

Dorgan was putting up a bold fight, at any rate. Everyone, and most of all his opponents who had once thought they had him on the run, was forced to admit that. Moreover, one could not help wondering at his audacity, whatever might be the opinion of his dishonesty.

But I was quite as much struck by the nerve of Carton. In the face of gathering misfortunes many a man of less stern mettle might have gone to pieces. Not so with the fighting District Attorney. It seemed to spur him on to greater efforts.

It was a titanic struggle, this between Carton and Dorgan, and had reached the point where quarter was given or asked by neither.

Kennedy had retired to his laboratory with the photographs and was studying them with an increasing interest.

It was toward the close of the afternoon when the telephone rang and Kennedy motioned to me to answer it.

"If it's Carton," he said quickly, "tell him I'm not here. I'm not ready for him yet and I can't be interrupted."

I took down the receiver, prepared to perjure my immortal soul. It was indeed Carton, bursting with news and demanding to see Kennedy immediately.

Almost before I had finished with the carefully framed, glib excuse that I was to make, he shouted to me over the wire, "What do you think, Jameson? Tell him to come down right away. The impossible has happened. I have got under Dopey Jack's guard--he has confessed. It's big. Tell Kennedy I'll wait here at my office until he comes."

He had hung up the receiver before I could question him further. I think it cured Kennedy, temporarily of asking me to fib for him over the telephone. He was as anxious as I to see Carton, now, and plunged into the remaining work on the photographs eagerly.

He finished much sooner than he would, otherwise, and only to preserve the decency of the excuse that I had made did not hasten down to the Criminal Courts Building before a reasonable time had elapsed. As we entered Carton's office we could tell from the very atmosphere of the halls that something was happening. The reporters in their little room outside were on the qui vive and I heard a whisper and a busy scratching of pencils as we passed in and the presence of someone else in the District Attorney's office was noted.

Carton met us in a little ante-room. He was all excitement himself, but I could see that it was a clouded triumph. His mind was really elsewhere than on the confession that he was getting. Although he did not ask us, I knew that he was thinking only of Margaret Ashton and how to regain the ground that he had apparently lost with her. Still, he said nothing about the photographs. I wondered whether it was because of his confidence that Kennedy would pull him through.

"You know," he whispered, "I have been working with my assistants on Dopey Jack ever since the conviction, hoping to get a confession from him, holding out all sorts of promises if he would turn state's evidence and threats if he didn't. It all had no effect. But Murtha's death seems to have changed all that. I don't know why--whether he thinks it was due to foul play or not, for he won't say anything about that and evidently doesn't know--but it seems to have changed him."

Carton said it as though at last a ray of light had struck in on an otherwise black situation, and that was indeed the case.

"I suppose," suggested Craig, "that as long as Murtha was alive he would rather have died than say anything that would incriminate him. That's the law of the gang world. But with Murtha no longer to be shielded, perhaps he feels released. Besides, it must begin to look to him as though the organization had abandoned him and was letting him shift pretty much for himself."

"That's it," agreed Carton. "He has never got it out of his head that Kahn swung the case against him and I've been careful not to dwell on the truth of that Kahn episode."

Carton led us into his main office, where Rubano was seated with two of Carton's assistants who were quizzing him industriously and obtaining an amazing amount of information about gang life and political corruption. In fact, like most criminals when they do confess, Dopey Jack was in danger of confessing too much, in sheer pride at his own prowess as a bad man.

Outside, I knew that it was being well noised abroad, in fact I had nodded to an old friend on the Star who had whispered to me that the editor had already called him up and offered to give Rubano any sum for a series of articles for the Sunday supplement on life in the underworld. I knew, then, that the organization had heard of it, by this time--too late.

Most of the confession was completed by the time we arrived, but as it had all been carefully taken down we knew we had missed nothing.

"You see, Mr. Carton," Rubano was saying as we three entered and he turned from the assistant who was quizzing him, "it's like this. I can't tell you all about the System. No one can. You understand that. All any of us know is the men next to us--above and below. We may have opinions, hear gossip, but that's no good as evidence."

"I understand," reassured Carton. "I don't expect that. You must tell me the gossip and rumours, but all I am bartering a pardon for is what you really know, and you've got to make good, or the deal is off, see?"

He said it in a tone that Dopey Jack could understand and the gangster protested. "Well, Mr. Carton, haven't I made good?"

"You have so far," grudgingly admitted Carton who was greedy for everything down to the uttermost scrap that might lead to other things. "Now, who was the man above you, to whom you reported?"

"Mr. Murtha, of course," replied Jack, surprised that anyone should ask so simple a question.

"That's all right," explained Carton. "I knew it, but I wanted you on record as saying it. And above Murtha?"

"Why, you know it is Dorgan," replied Dopey, "only, as I say, I can't prove that for you any better than you can."

"He has already told about his associates and those he had working under him," explained Carton, turning to us. "Now Langhorne--what do you know about him?"

"Know about Langhorne--the fellow that was--that I robbed?" repeated Jack.

"You robbed?" cut in Kennedy. "So you knew about thermit, then?"

Dopey smiled with a sort of pride in his work, much as if he had received a splendid recommendation.

"Yes," he replied. "I knew about it--got it from a peterman who has studied safes and all that sort of thing. I heard he had some secret, so one night I takes him up to Farrell's and gets him stewed and he tells me. Then when I wants to use it, bingo! there I am with the goods."

"And the girl--Betty Blackwell--what did she have to do with it?" pursued Craig. "Did you get into the office, learn Langhorne's habits, and so on, from her?"

Dopey Jack looked at us in disgust. "Say," he replied, "if I wanted a skirt to help me in such a job, believe me I know plenty that could put it all over that girl. Naw, I did it all myself. I picked the lock, burnt the safe with that powder the guy give me, and took out something in soft leather, a lot of typewriting."

We were all on our feet in unrestrained excitement. It was the Black Book at last!

"Yes," prompted Carton, "and what then--what did you do with it?"

"Gave it to Mr. Murtha, of course," came back the matter-of-fact answer of the young tough.

"What did he do with it?" demanded Carton.

Dopey Jack shook his head dubiously. "It ain't no use trying to kid you, Mr. Carton. If I told you a fake you'd find it out. I'd tell you what he did, if I knew, but I don't--on the level. He just took it. Maybe he burnt it--I don't know. I did my work."

Unprincipled as the young man was, I could not help the feeling that in this case he was telling only the truth as he knew it.

We looked at each other aghast. What if Murtha had got it and had destroyed it before his death? That was an end of the dreams we had built on its capture. On the other hand, if he had hidden it there was small likelihood now of finding it. The only chance, as far as I could see, was that he had passed it along to someone else. And of that Dopey Jack obviously knew nothing.

Still, his information was quite valuable enough. He had given us the first definite information we had received of it.

Carton, his assistants, and Kennedy now vigorously proceeded in a sort of kid glove third degree, without getting any further than convincing themselves that Rubano genuinely did not know.

"But the stenographer," reiterated Carton, returning to the line of attack which he had temporarily abandoned. "Something became of her. She disappeared and even her family haven't a trace of her, nor any other institutions in the city. We've got something on you, there, Rubano."

Jack laughed. "Mr. Carton," he answered easily, "the police put me through the mill on that without finding anything, and I don't believe you have anything. But just to show you that I'm on the square with you, I don't mind telling you that I got her away."

It was dramatic, the off-hand way in which the gangster told of this mystery that had perplexed us.

"Got her away--how--where?" demanded Carton fiercely.

"Mr Murtha gave me some money--a wad. I don't know who gave it to him, but it wasn't his money. It was to pay her to stay away till this all blew over. Oh, they made it worth her while. So I dolled up and saw her--and she fell for it--a pretty good sized wad," he repeated, as though he wished some of it had stuck to his own hands.

We fairly gasped at the ease and simplicity with which the fellow bandied facts that had been beyond our discovery for days. Here was another link in our chain. We could not prove it, but in all probability it was Dorgan who furnished the money. Even if the Black Book were lost, it was possible that in the retentive memory of this girl there might be much that would take its place. She had seen a chance for providing for the future of herself and her family. All she had to do was to take it and keep quiet.

"You know where she is, then?" shot out Kennedy suddenly.

"No--not now," returned Dopey. "She was told to meet me at the Little Montmartre. She did. I don't think she knew what kind of place it was, or she wouldn't have come."

He paused, as though he had something on his mind.

"Go on," urged Kennedy. "Tell all. You must tell all."

"I was just thinking," he hesitated. "I remember I saw Ike the Dropper and Marie Margot there that day, too, with Martin Ogleby--"

"Martin Ogleby!" interrupted Carton in surprise.

"Yes, Martin Ogleby. He hangs about the Montmartre and the Futurist, all those joints. Say--I've been thinking a heap since this case of mine came up. I wonder whether it was all on the level--with me. I gave the money. But was that a stall? Perhaps they tried to get back. Perhaps she played into their hands--I saw her watching the sports, there, and believe me, there are some swell lookers. Oh well, _I_ don't know. All I know is my part. I don't know anything that happened after that. I can't tell what I don't know, can I, Mr. Carton?"

"Not very well," smiled the prosecutor. "But you can tell us anything you suspect."

"I don't know what I suspect. I was only a part of the machine. Only after I read that she disappeared, I began to think there might have been some funny business--I don't know."

Eager as we were, we could only accept this unsatisfactory explanation of the whereabouts of Betty.

"After all, I was only a part," reiterated Jack. "You better ask Ike--that's all."

Just then the telephone buzzed. Carton was busy and Kennedy, who happened to be nearest, answered it. I fancied that there was a puzzled expression on his face, as he placed his hand over the transmitter and said to Carton, "Here--it's for you. Take it. By the way, where's that thing I left down here for recording voices?"

"Here in my desk. But you took the cylinder with you."

"Haven't you got another? Don't you ever use them for dictating letters?"

Carton nodded and sent his stenographer to get a new one.

"Just a minute, please," cut in Kennedy. "Mr. Carton will be here in a few moments, now."

Carton took the telephone and placed his hand over it, until, with a nod from Kennedy as he affixed the machine, he answered.

"Yes--this is the District Attorney," we heard him answer. "What? Rubano? Why you can't talk to him. He's a convicted man. Here? How do you know he's here? No--I wouldn't let you talk to him if he was. Who are you, anyway? What's that--you threaten him--you threaten me? You'll get us both, will you? Well, I want to tell you, you can go plumb--the deuce! The fellow's cut himself off!"

As Carton finished, a peculiar smile played about Rubano's features. "I expected that, but not so soon," he said quietly. "New York'll be no place for me, Mr. Carton, after this. You've got to keep your word and smuggle me out. South Africa, you know--you promised."

"I'll keep my word, Rubano, too," assured Carton. "The nerve of that fellow. Where's Kennedy?"

We looked about. Craig had slipped out quietly during the telephone conversation. Before we could start a search for him, he returned.

"I thought there was something peculiar about the voice," he explained. "That was why I wanted a record of it. While you were talking I got your switchboard operator to connect me with central on another wire. The call was from a pay station on the west side. There wasn't a chance to get the fellow, of course--but I have the voice record, anyhow."

Dopey Jack's confession occupied most of the evening and it was late when we got away. Carton was overjoyed at the result of his pressure, and eager to know, on the other hand, whether Kennedy had made any progress yet with his study of the photographs.

I could have told him beforehand, however, that Craig would say nothing and he did not. Besides, he had the added mystery of the new phonograph cylinder to engross him, with the result that we parted from Carton, a little piqued at being left out of Craig's confidence, but helpless.

As for me, I knew it was useless to trail after Kennedy and when he announced that he was going back to the laboratory, I balked and, in spite of my interest in the case, went home to our apartment to bed, while Kennedy made a night of it.

What he discovered I knew no better in the morning than when I left him, except that he seemed highly elated.

Leisurely he dressed, none the worse for his late work and after devouring the papers as if there were nothing else in the world so important, he waited until the middle of the morning before doing anything further.

"I merely wanted to give Dorgan a chance to get to his office," he surprised me with, finally. "Come, Walter, I think he must be there now."

Amazed at his temerity in bearding Dorgan in his very den, I could do nothing but accompany him, though I much feared it was almost like inviting homicide.

The Boss's office was full of politicians, for it was now approaching "dough day," when the purse strings of the organization were loosed and a flood of potent argument poured forth to turn the tide of election by the force of the only thing that talks loud enough for some men to hear. Somehow, Kennedy managed to see the Boss.

"Mr. Dorgan," began Kennedy quietly, when we were seated alone in the little Sanctum of the Boss, "you will pardon me if I seem to be a little slow in coming to the business that has brought me here this morning. First of all I may say that you probably share the idea that ever since the days of Daguerre photography has been regarded as the one infallible means of portraying faithfully any object, scene, or action. Indeed, a photograph is admitted in court as irrefutable evidence. For, when everything else fails, a picture made through the photographic lens almost invariably turns the tide. However, such a picture upon which the fate of an important case may rest should be subjected to critical examination, for it is an established fact that a photograph may be made as untruthful as it may be reliable."

He paused. Dorgan was regarding him keenly, but saying nothing. Kennedy did not mind, as he resumed.

"Combination photographs change entirely the character of the initial negative and have been made for the past fifty years. The earliest, simplest, and most harmless photographic deception is the printing of clouds in a bare sky. But the retoucher with his pencil and etching tool to-day is very skilful. A workman of ordinary ability can introduce a person taken in a studio into an open-air scene well blended and in complete harmony without a visible trace of falsity."

Dorgan was growing interested.

"I need say nothing of how one head can be put on another body in a picture," pursued Craig, "nor need I say what a double exposure will do. There is almost no limit to the changes that may be wrought in form and feature. It is possible to represent a person crossing Broadway or walking on Riverside Drive, places he may never have visited. Thus a person charged with an offence may be able to prove an alibi by the aid of a skilfully prepared combination photograph.

"Where, then," asked Kennedy, "can photography be considered as irrefutable evidence? The realism may convince all, except the expert and the initiated after careful study. A shrewd judge will be careful to insist that in every case the negative be submitted and examined for possible alterations by a clever manipulator."

Kennedy bent his gaze on Dorgan. "Now, I do not accuse you, sir, of anything. But a photograph has come into my possession in which Mr. Carton is represented as standing in a group on a porch, with Mr. Murtha, Mrs. Ogleby, and an unknown woman. The first three are in poses that show the utmost friendliness. I do not hesitate to say that was originally a photograph of yourself, Mr. Murtha, Mrs. Ogleby, and a woman whom you know well. It is a pretty raw deal, a fake in which Carton has been substituted by very excellent photographic forgery."

"A fake--huh!" repeated Dorgan, contemptuously. "How about the story of them? There's no negative. You've got to show me that the original print stolen from Carton, we'll say, is a fake. You can't do it. No, sir, those pictures were taken this summer."

Kennedy quietly laid down the bundle of photographs copied from those alleged to have been stolen from Carton. He was pointing to a shadow of a gable on the house.

"You see that shadow of the gable, Dorgan?" he asked. "Perhaps you never heard of it, but it is possible to tell the exact time at which a photograph was taken from a study of the shadows. It is possible in theory and practice, and it can be trusted absolutely. Almost any scientist, Dorgan, may be called in to bear testimony in court nowadays, but you probably think the astronomer is one of the least likely.

"Well, the shadow in this picture can be made to prove an alibi for someone. Notice. It is seen prominently to the right, and its exact location on the house is an easy matter. The identification of the gable casting the shadow ought to be easy. To be exact, I have figured it out as 19.62 feet high. The shadow is 14.23 feet down, 13.10 feet east, and 3.43 feet north. You see, I am exact. I have to be. In one minute it moves 0.080 feet upward, 0.053 feet to the right, and 0.096 feet in its apparent path. It passes the width of a weatherboard, 0.37 foot, in four minutes and thirty-seven seconds."

Kennedy was talking rapidly of data which he had derived from the study of the photograph as from plumb line, level, compass, and tape, astronomical triangle, vertices, zenith, pole, and sun, declination, azimuth, solar time, parallactic angles, refraction, and a dozen other bewildering terms.

"In spherical trigonometry," he concluded, "to solve the problem three elements must be known. I know four. Therefore, I can take each of the known, treat it as unknown, and have four ways to check my result. I find that the time might have been either three o'clock, twenty-one minutes and twelve seconds in the afternoon, or 3:21:31 or 3:21:29, or 3:21:33. The average is 3: 21:26 and there can be no appreciable error except for a few seconds. I tell you that to show you how close I can come. The important thing, however, is that the date must have been one of two days, either May 22 or July 22. Between these two dates we must decide on evidence other than the shadow. It must have been in May, as the immature condition of the foliage shows. But even if it had been in July, that would be far from the date you allege. Why, I could even tell you the year. Then, too, I could look up the weather records and tell something from them. I can really answer, with an assurance and accuracy superior to the photographer himself, if you could produce him and he were honest, as to the real date. The original picture, aside from being doctored, was actually taken last May. Science is not fallible, but exact in this matter."

Kennedy felt that he had scored a palpable hit. Dorgan was speechless. Still, Craig hurried on.

"But, you may ask, how about the automobile picture? That also is an unblushing fake. Of course I must prove that. In the first place you know that the general public has come to recognize the distortion of a photograph as denoting speed. A picture of a car in a race that doesn't lean is rejected. People demand to see speed, speed, more speed, even in pictures. Distortion does indeed show speed, but that, too, can be faked.

"Almost everyone knows that the image is projected upside down by the lens on the plate, and that the bottom of the picture is taken before the top. The camera mechanism admits light, which makes the picture, in the manner of a roller blind curtain. The slit travels from the top to the bottom and, the image on the plate being projected upside down, the bottom of the object appears on the top of the plate. For instance, the wheels are taken before the head of the driver. If the car is moving quickly, the image moves on the plate and each successive part is taken a little in advance of the last. The whole leans forward. By widening the slit and slowing the speed of the shutter, there is more distortion.

"Now, that is just what has been done. A picture has been taken of a car owned once by Murtha, probably at rest, with perhaps yourself, Murtha, Mrs. Ogleby, and your friend in it. The matter of faking Carton or anyone else is simple. If, with an enlarging lantern, the image of this faked picture is thrown on the printing paper like a lantern slide, and if the right-hand side is moved a little further away than the left, the top further away than the bottom, you can in that way print a fraudulent high-speed picture ahead.

"True, everything else in the picture, even if motionless, is distorted, and the difference between this faking and the distortion of the shutter can be seen by an expert. But it will pass with most people. In this case, however," added Kennedy suddenly, "the faker was so sure of it that he was careless. Instead of getting the plate further from the paper on the right, he did so on the left. It was further away on the bottom than on the top. He got the distortion, all right, enough to satisfy anyone. But it is distortion in the wrong direction! The top of the wheel, which goes fastest and ought to be most indistinct, is, in the fake, as sharp as any other part. It is a small mistake that was made, but fatal. Your picture is not of a joy ride at all. It is really high speed--backwards! It is too raw, too raw."

"You don't think people are going to swallow all that stuff, do you?" asked Dorgan coolly, in spite of the exposures. "What of it all?" he asked surlily. "I have nothing to do with it, anyhow. Why do you come to me? Take it to the proper authorities."

"Shall I?" asked Kennedy quietly, leaning over and whispering a few words in Dorgan's ear. I could not hear what he said, but Dorgan appeared to be fairly staggered.

When Kennedy passed out of the Boss's office there was a look of quiet satisfaction on his face which I could not fathom. Not a word could I extract from him on the subject, either. I was still in the dark as to the result of his visit.

XXIV

THE DEBACLE OF DORGAN

Sunday morning came and with it the huge batch of papers which we always took. I looked at them eagerly, though Kennedy did not seem to evince much interest, to see whether the Carton photographs had been used. There were none.

Kennedy employed the time in directing some work of his own and had disappeared, I knew not where, though I surmised it was on one of his periodic excursions into the underworld in which he often knocked about, collecting all sorts of valuable and interesting bits of information to fit together in the mosaic of a case.

Monday came, also, the last day before the election, with its lull in the heart-breaking activities of the campaign. There were still no pictures published, but Kennedy was working in the laboratory over a peculiar piece of apparatus.

"I've been helping out my own shadows," was all the explanation he vouchsafed of his disappearances, as he continued to work.

"Watching Mrs. Ogleby?" I hinted.

"No, I didn't interfere any more with Miss Kendall. This was someone else--in another part of the city."

He said it with an air that seemed to imply that I would learn all about it shortly and I did not pursue the subject.

Meanwhile, he was arranging something on the top of a large, flat table. It seemed to be an instrument in two parts, composed of many levers and discs and magnets, each part with a roll of paper about five inches wide.

On one was a sort of stylus with two silk cords attached at right angles to each other near the point. On the other was a capillary glass tube at the junction of two aluminum arms, also at right angles to each other.

It was quite like old times to see Kennedy at work in his laboratory again, and I watched him curiously. Two sets of wires were attached to each of the instruments, and they led out of the window to some other wires which had been strung by telephone linemen only a few hours before.

Craig had scarcely completed his preparations when Carton arrived. Things were going all right in the campaign again, I knew, at least as far as appeared on the surface. But his face showed that Carton was clearly dissatisfied with what Craig had apparently accomplished, for, as yet, he had not told Carton about his discovery after studying the photographs, and matters between Carton and Margaret Ashton stood in the same strained condition that they had when last we saw her.

I must say that I, too, was keenly disappointed by the lack of developments in this phase of the case. Aside from the fact that the photographs had not actually been published, the whole thing seemed to me to be a mess. What had Craig said to Dorgan? Above all, what was his game? Was he playing to spare the girl's feelings merely by allowing the election to go on without a scandal to Carton? I knew the result of the election was now the least of Carton's worries.

Carton did not say much, but he showed that he thought it high time for Kennedy to do something.

We were seated about the flat table, wondering when Kennedy would break his silence, when suddenly, as if by a spirit hand, the stylus before us began to move across one of the rolls of paper.

We watched it uncomprehendingly.

At last I saw that it was actually writing the words. "How is it working?"

Quickly Craig seized the stylus on the lower part of the instrument and wrote in his characteristic scrawl, "All right, go ahead."

"What is the thing?" asked Carton, momentarily forgetting his own worries at the new marvel before us.

"An instrument that was invented many years ago, but has only recently been perfected for practical, every-day use, the telautograph, the long-distance writer," replied Kennedy, as we waited. "You see, with what amounts to an ordinary pencil I have written on the paper of the transmitter. The silk cord attached to the pencil regulates the current which controls another capillary glass tube-pen at the other end of the line. The receiving pen moves simultaneously with my stylus. It is the same principle as the pantagraph, cut in half as it were, one half here, the other half at the other end of the line, two telephone wires in this case connecting the halves. Ah,--that's it. The pencil of the receiving instrument is writing again. Just a moment. Let us see what it is."

I almost gasped in astonishment at the words that I saw. I looked again, for I could not believe my eyes. Still, there it was. My first glance had been correct, impossible as it was.

"I, Patrick Murtha," wrote the pen.

"What is it?" asked Carton, awestruck. "A dead hand?"

"Stop a minute," wrote Kennedy hastily.

We bent over him closely. Craig had drawn from a packet several letters, which he had evidently secured in some way from the effects of Murtha. Carefully, minutely, he compared the words before us with the signatures at the bottom of the letters.

"It is genuine!" he cried excitedly.

"Genuine!" Carton and I echoed.

What did he mean? Was this some kind of spiritism? Had Kennedy turned medium and sought a message from the other world to solve the inexplicable problems of this? It was weird, uncanny, unthinkable. We turned to him blankly for an explanation of the mystery.

"That wasn't Murtha at all whose body we saw at the Morgue," he hurried to explain. "That was all a frame-up. I thought as soon as I saw it that there was something queer."

I recalled now the peculiar look on his face which I had interpreted as indicating that he thought Murtha had been the victim of foul play.

"And the other night, when we were in Carton's office and someone called up threatening you, Carton, and Dopey Jack, I saw at once that the voice was concealed. Yet there was something about it that was familiar, though I couldn't quite place it. I had heard that voice before, perhaps while we were getting the records to discover the 'wolf.' It occurred to me that if I had a record of it I might identify it by comparing it with those we had already taken. I got the record. I studied it. I compared it with what I already had, line, and wave, and overtone. You can imagine how I felt when I found there was only one voice with which it corresponded, and that man was supposed to be dead. Something more than intuition as I looked at the body that night had roused my suspicions. Now they were confirmed. Fancy how that information must have burned in my mind, during these days while I knew that Murtha was alive, but could say nothing!"

Neither Carton nor I could say a word as we thought of this voice from the dead, as it almost seemed.

"I hadn't found him," continued Craig, "but I knew he had used a pay station on the West Side. I began shadowing everyone who might have helped him, Dorgan, Kahn, Langhorne, all. I didn't find him. They were too clever. He was hiding somewhere in the city, a changed personality, waiting for the thing to blow over. He knew that of all places a city is the best to hide in, and of all cities New York is safest.

"But, though I didn't actually find his hiding place, I had enough on some of his friends so that I could get word to him that his secret was known to me, at least. I made him an offer of safety. He need not come out of his hiding place and I would agree to let him go where and when he pleased without further pursuit from me, if he would let me install a telautograph in a neutral place which he could select and the other end in this laboratory. I myself do not know where the other place is. Only a mechanic sworn to secrecy knows and neither Murtha nor myself know him. If Murtha comes across, I have given my word of honour that before the world he shall remain a dead man, free to go where he pleases and enjoy such of his fortune as he was able to fix so that he could carry it with him into his new life."

Carton and I were entranced by the romance of the thing.

Murtha was alive!

The commitment to the asylum, the escape, the search, the finding of a substitute body, mutilated beyond ordinary recognition, the mysterious transfers, and finally the identification in the Morgue--all had been part of an elaborately staged play!

We saw it all, now. Carton had got too close to him in the conviction of Dopey Jack and the proceedings against Kahn. He had seen the handwriting on the wall for himself. In Carton's gradual climbing, step by step, for the man higher up, he would have been the next to go.

Murtha had decided that it was time to get out, to save himself.

Suddenly, I saw another aspect of it. By dropping out as though dead, he destroyed a link in the chain that would reach Dorgan. There was no way of repairing that link if he were dead. It was missing and missing for good.

Dorgan had known it. Had it been a hint as to that which had finally clinched whatever it was that Kennedy had whispered to the Silent Boss that morning when we had seen him in his office?

All these thoughts and more flashed through my head with lightning-like rapidity.

The telautograph was writing again, obedient to Kennedy's signal that he was satisfied with the signature.

"... in consideration of Craig Kennedy's agreement to destroy even this record, agree to give him such information as he has asked for, after which no further demands are to be made and the facts as already publicly recorded are to stand."

"Just witness it," asked Kennedy of us. "It is a gentleman's agreement among us all."

Nervously we set our names to the thing, only too eager to keep the secret if we could further the case on which we had been almost literally sweating blood so long.

Prepared though we were for some startling disclosures, it was, nevertheless, with a feeling almost of faintness that we saw the stylus above moving again.