Chapter III: Preface: xi
LIST OF ILLUSTRATIONS xiv
PERSONS AND GROUPS xv
CHORUSES AND CAROLS xvi
THE COMMUNITY CHORUS xvii
TIME AND PLACE xvii
QUOTATION FROM ST. MATTHEW xviii
_TEXT OF THE MASQUE IN TWELVE ACTIONS_
I. “WHO KEEPETH WATCH?” 1
II. THE LANTERN IN THE DESERT 9
III. “SOMEBODY IS COMING!” 11
IV. THE LIGHT-CHILD 14
V. “SWORD OF THE WORLD” 21
VI. THE BEFRIENDING 28
VII. THE THREE WISE MEN 31
VIII. “WHICH, O LORD, IS WISEST?” 34
IX. OUTCASTS 44
X. THE WOUNDED PEDLAR 48
XI. THE PERSECUTING HOST 53
XII. THE MORNING STARS 54
_COMMENTARIES_
COMMUNITY PRELUDE 69
COMMUNITY EPILUDE 72
THREE MONOGRAPHS:
I. DRAMATIZING COMMUNITY SONG, BY PERCY MACKAYE 73
II. COMMUNITY MUSIC AND THE COMPOSER, BY ARTHUR FARWELL 77
III. DESIGNS FOR “THE EVERGREEN TREE,” BY ROBERT EDMOND JONES 78
ACTION OF “THE EVERGREEN TREE” 80
ANNOUNCEMENTS CONCERNING MUSIC AND PRODUCTION 81
LIST OF ILLUSTRATIONS
_I. SCENES_
DANCE-CAROL OF THE EVERGREEN _Frontispiece_
FACING PAGE
THE LIGHT-CHILD 16
SWORD OF THE WORLD 24
THE THREE WISE MEN 32
OUTCASTS 44
THE PEDLAR-KING 62
THE MORNING STARS 66
_II. GROUND-PLAN_ 69
_III. COSTUMES_
GNOME, TREE, ELF 78
BEAR, WOLF, LION 78
JOSEPH, MARY, SHEPHERDS 78
HOST, HEROD, CAPTAIN 78
BELSHASAR, CASPAR, MELCHIOR 78
FOLLOWERS OF BELSHASAR, CASPAR, MELCHIOR 78
SORROW, SONG, DEATH, POVERTY 78
RUTH, CLAUS, CHILDREN, CHORUS B 78
_PERSONS AND GROUPS_
In the Order of their Appearance
PERSONS
ELF
GNOME
TREE
WOLF
BEAR
LION
JOSEPH
MARY (Mute)
SHEPHERD
CAPTAIN OF THE HOST OF HEROD
HEROD
BELSHASAR
MELCHIOR
CASPAR
RUTH
CLAUS
SONG (Mute)
SORROW (Mute)
DEATH
POVERTY (Mute)
GROUPS
SHEPHERDS
HOST OF HEROD
FOLLOWERS OF THE THREE KINGS
OUTCASTS: FOLLOWERS OF SONG, SORROW AND POVERTY
For Army Camp productions, in camps where it may not be practicable to have women as acting principals, the two mute female figures, MARY and SONG, may—if necessary—be omitted, and RUTH be acted by some well-skilled youth, as was the custom in Elizabethan days. The part of TREE, in any production, may be acted either by a young woman or by a young man (in small-scale productions preferably by a young woman). ELF and GNOME are preferably acted by children: a girl and a boy, or—if desirable—by two boys. In Chorus A, and in the first Semi-Chorus of the Outcasts, choir boys may, if need be, take the places of women.
_CHORUSES AND CAROLS_
CHORUSES
_First Action_ I. (A,1) Chorus of the Wilderness.
_Fourth Action_ II. (A,2) Light of the World.
_Fourth Action_ III. (A,3) The Star.
_Fifth Action_ IV. (B,1) The Might of Herod.
_Fifth Action_ V. (A,4 B,2) The Wrath of Herod.
_Fifth and Eleventh_ VI. and X. Song of the Persecuting Host.
(B,3 and 4)
_Sixth Action_ VII. and VIII. Glory and Serenity.
(A,5 and 6)
_Ninth Action_ IX. (A,7) Dirge of the Outcasts.
_Twelfth Action_ XI. (A,8 and B,5) Chorus of the Christmas Tree.
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The evergreen treeChapter III: Preface: xi
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