Chapter I: Preface
This little book has been written for the pleasure of those amateurs who are more interested in the idea which inspires a picture than in the picture’s workmanship. Naturally, the more accomplished the artist, the more clearly and attractively is he able to set forth his meaning; but with art criticism this book has nothing to do, and the attributions are, for the most part, simply those of the official catalogues of the respective galleries.
To explain completely even so small a branch of Christian symbolism as that of flowers, an exhaustive knowledge is required of the development of Christian theology, and of the varying force with which different doctrines appealed at different times to the public mind. But still, these notes may be of some interest to those who care to trace in the work sanctioned by the Church and reverenced by the people the history of Western idealism, and who are sometimes puzzled by the conventions employed by the Masters to illustrate the Divine Mysteries.
CONTENTS
CHAP. PAGE
I. EMBLEMS AND SYMBOLS 9
II. THE FLOWER SYMBOLISTS 23
III. THE LILY 41
IV. THE IRIS 62
V. THE ROSE 71
VI. THE CARNATION 83
VII. GARLANDS OF ROSES 88
VIII. THE COLUMBINE 104
IX. THE OLIVE 112
X. THORNS 126
XI. THE PALM 134
XII. THE ACANTHUS 146
XIII. THE FLEUR-DE-LYS 148
XIV. THE LILY OF THE ANNUNCIATION 162
XV. THE LILY OF THE ANGEL GABRIEL 177
XVI. THE FLOWERS OF THE DIVINITY 191
XVII. THE FLOWERS OF THE VIRGIN 197
XVIII. THE LILY OF THE SAINTS 219
XIX. THE VINE 235
XX. THE FRUIT OF THE TREE OF KNOWLEDGE 240
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The floral symbolism of the great mastersChapter I: Preface
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