Chapter V

He ate his meal in great haste, and then hurried back to the theatre where a queue of people had already formed outside the entrance to the pit. Soon after he joined the queue, the doors were opened, and in a little while he found himself sitting at the end of the second row. He had chosen this seat so that he might be able to hurry out of the theatre quickly, without disturbing anyone, if he should have to leave before the play was ended to catch the last train to Ballyards.

A boy about his own age was sitting next to him, and this boy asked John to let him have a look at his programme.

"Did you ever see this piece before?" John said to him, as he passed the programme to him.

"I did not," he replied. "I'm not much of a one for plays. I generally go to the 'Lhambra on a Saturday, but somehow I didn't go there the night!"

"That's a terrible place, that 'Lhambra," said John.

"What's terrible about it?" his neighbour replied.

"I don't know. I was never there. This is the first time I've ever been in a theatre. But I've heard fearful things about that place, about women coming out and dancing with hardly any clothes on, and then kicking up their legs and all. I have an uncle went there once, and when the woman began kicking up her legs and showing off her clothes, he got up and stood with his back to the stage 'til she was done, he was that disgusted."

John remembered how shocked Uncle William had been when he told that story of himself.

"Your uncle must be very easy shocked," said the boy. "I can look at women kicking up their legs, and I don't think nothing of it at all. I like a good song and dance myself. I don't like plays much. Gimme a woman that's nice-looking and can sing and dance a bit, and I wouldn't ask you for nothing nicer. Is there any dancin' in this bit, do you know?"

"I don't think so," said John. "I've never seen the piece before, but I've read it. I don't think there's any dancing in it!"

"And no comic songs?..."

"Sure, you'll see for yourself in a wee minute!"

John's neighbour considered. "I wonder would they give me my money back if I was to go to the pay-box and let on I was sick!"

"They'd never do that," said John. "They'd know rightly you weren't sick by the look of you!"

The boy returned the programme to John. "Well, I wish they'd hurry up and begin," he murmured.

The members of the orchestra came through a door beneath the stage and took their places, and the sound of fiddles being tuned was heard for a while. Then the leader of the orchestra came to his place, and after a pause, the music began.

"A fiddle's great value," John's neighbour whispered to him. "I'm a great hand at the Jew's harp myself!..."

The music ceased, the lights were lowered in the theatre and the footlights were raised, throwing a great soft yellow glow on the picture of the Lakes of Killarney which decorated the drop-curtain. Then, the curtain was rolled up, and the performance began.

He had been interested by the play when he read it, but now he was enthralled by it. He wished that the boy sitting next to him would not keep on asking for the programme every time a fresh character appeared on the stage and would refrain from making comments on the play while it was being performed. "Them people wore quare clothes in them days!" he had whispered to John soon after the play began, and when Shylock made his first entrance, he said, "Ah, for Jase' sake, look at the oul' Sheeny!"

"Ssh!" said John. "Don't talk!..."

"Sure, why?..."

"Ah, shut up," said John.

He did not wish to talk during the intervals between the acts. He wished to sit still in his seat and perform the play over again in his mind. He tried to remember Bassanio's description of Portia:

_In Belmont is a lady richly left,
And she is fair, and fairer than that word,
Of wondrous virtues...._

He could not think of the words that came after that ... except one sentence:

_ ...And her sunny locks
Hang on her temples like a golden fleece._

He repeated this sentence to himself many times, as if he were tasting each word with his tongue and with his mind, and once he said it aloud in a low voice.

"Eh?" said his neighbour.

"I was just reciting a piece from the play," he explained.

"What were you reciting?"

"Do you remember that piece: _and her sunny locks hang on her temples like a golden fleece?"_

"No!"

"In the first act? When the young fellow, Bassanio, was telling Antonio about his girl in Belmont?"

His neighbour turned to him eagerly. "I wonder did they just put that bit in about Belmont," he said. "There's a place near Belfast called Belmont ... just beyond the Hollywood Arches there! Do you know it?" John shook his head. "I wouldn't be surprised but they just put that bit in to make it look more like the thing. What was the piece you were reciting?" John repeated it to him again. "What's the sense of that?" the boy exclaimed.

"Oh, don't you see? It's ... it's ..." He did not know how to explain the speech. "It's poetry," he said lamely.

"Oh" said the boy. "Portry. I see now. Ah, well, I suppose they have to fill up the piece some way! Do you think that woman, what's her name again?..."

"Portia?"

"Aye. D'you think she did live at Belmont? Some of them stories is true, you know, and there was quare things happened in the oul' ancient days in this neighbourhood, I can tell you. I wouldn't be surprised now!..."

But before he could say any more, the lights were lowered again, and there was a hushing sound, and then the play proceeded.

"Oh, isn't it grand?" John said to his neighbour when the trial scene was over.

But his neighbour remained unmoved. "D'you mean to tell me," he said, "that man didn't know his wife when he saw her in the Coort?"

"What man?"

"That fellow what-you-may-call-him? The man that was married on the girl with the red dress on her!..."

"Bassanio?"

"Aye. D'you mean to tell me that fellow didn't know her again, and him only just after leaving her!..."

John tried to explain. "It's a play," he said. "He's not supposed to recognize her!..."

"Och, what's the good of supposing a thing that couldn't be!" said John's neighbour. "Any man with half an eye in his head could have seen who she was. I wish I'd gone to the 'Lhambra. This is a damn silly play, this!"

John was horrified. "Silly," he said. "It's by Shakespeare!"

"I don't care who it's by," was the reply. "It's damn silly to let on a man doesn't know his own wife when he sees her. I suppose that's portry!" he sneered.

John did not answer, and his neighbour went on. "Well, if it is portry ... God help it, that's all!"

But John did not care whether Bassanio had recognized Portia in the court scene or not. He left the theatre in an exalted mood in which he had little thought for the realities. Next week he told himself, he would visit the Royal again. He would see two plays on the following Saturday, one in the afternoon and one in the evening. The bills for the following week's programme were already pasted on the walls of the theatre when he came out, and he risked the loss of his train by stopping to read one of them. _Romeo and Juliet_ was to be performed in the afternoon, and _Julius Caesar_ in the evening.

He hurried down Ann Street and across the Queen's Bridge, and reached the railway station just in time to catch his train; and all the way across the bridge and all the way home in the train, one sentence passed continually through his mind:

_...And her sunny locks
Hang on her temples like a golden fleece._