Chapter IV: Part 4

“Why don’t you drive on?” said Miss Lantry, impatiently. “We’ll be late.”

Richard stood up in the cab and looked around. He saw a congested flood of wagons, trucks, cabs, vans and street cars filling the vast space where Broadway, Sixth Avenue and Thirty-fourth street cross one another as a twenty-six inch maiden fills her twenty-two inch girdle. And still from all the cross streets they were hurrying and rattling toward the converging point at full speed, and hurling themselves into the struggling mass, locking wheels and adding their drivers’ imprecations to the clamour. The entire traffic of Manhattan seemed to have jammed itself around them. The oldest New Yorker among the thousands of spectators that lined the sidewalks had not witnessed a street blockade of the proportions of this one.

“I’m very sorry,” said Richard, as he resumed his seat, “but it looks as if we are stuck. They won’t get this jumble loosened up in an hour. It was my fault. If I hadn’t dropped the ring we—”

“Let me see the ring,” said Miss Lantry. “Now that it can’t be helped, I don’t care. I think theatres are stupid, anyway.”

At 11 o’clock that night somebody tapped lightly on Anthony Rockwall’s door.

“Come in,” shouted Anthony, who was in a red dressing-gown, reading a book of piratical adventures.

Somebody was Aunt Ellen, looking like a grey-haired angel that had been left on earth by mistake.

“They’re engaged, Anthony,” she said, softly. “She has promised to marry our Richard. On their way to the theatre there was a street blockade, and it was two hours before their cab could get out of it.

“And oh, brother Anthony, don’t ever boast of the power of money again. A little emblem of true love—a little ring that symbolised unending and unmercenary affection—was the cause of our Richard finding his happiness. He dropped it in the street, and got out to recover it. And before they could continue the blockade occurred. He spoke to his love and won her there while the cab was hemmed in. Money is dross compared with true love, Anthony.”

“All right,” said old Anthony. “I’m glad the boy has got what he wanted. I told him I wouldn’t spare any expense in the matter if—”

“But, brother Anthony, what good could your money have done?”

“Sister,” said Anthony Rockwall. “I’ve got my pirate in a devil of a scrape. His ship has just been scuttled, and he’s too good a judge of the value of money to let drown. I wish you would let me go on with this chapter.”

The story should end here. I wish it would as heartily as you who read it wish it did. But we must go to the bottom of the well for truth.

The next day a person with red hands and a blue polka-dot necktie, who called himself Kelly, called at Anthony Rockwall’s house, and was at once received in the library.

“Well,” said Anthony, reaching for his chequebook, “it was a good bilin’ of soap. Let’s see—you had $5,000 in cash.”

“I paid out $300 more of my own,” said Kelly. “I had to go a little above the estimate. I got the express wagons and cabs mostly for $5; but the trucks and two-horse teams mostly raised me to $10. The motormen wanted $10, and some of the loaded teams $20. The cops struck me hardest—$50 I paid two, and the rest $20 and $25. But didn’t it work beautiful, Mr. Rockwall? I’m glad William A. Brady wasn’t onto that little outdoor vehicle mob scene. I wouldn’t want William to break his heart with jealousy. And never a rehearsal, either! The boys was on time to the fraction of a second. It was two hours before a snake could get below Greeley’s statue.”

“Thirteen hundred—there you are, Kelly,” said Anthony, tearing off a check. “Your thousand, and the $300 you were out. You don’t despise money, do you, Kelly?”

“Me?” said Kelly. “I can lick the man that invented poverty.”

Anthony called Kelly when he was at the door.

“You didn’t notice,” said he, “anywhere in the tie-up, a kind of a fat boy without any clothes on shooting arrows around with a bow, did you?”

“Why, no,” said Kelly, mystified. “I didn’t. If he was like you say, maybe the cops pinched him before I got there.”

“I thought the little rascal wouldn’t be on hand,” chuckled Anthony. “Good-by, Kelly.”

SPRINGTIME À LA CARTE

It was a day in March.

Never, never begin a story this way when you write one. No opening could possibly be worse. It is unimaginative, flat, dry and likely to consist of mere wind. But in this instance it is allowable. For the following paragraph, which should have inaugurated the narrative, is too wildly extravagant and preposterous to be flaunted in the face of the reader without preparation.

Sarah was crying over her bill of fare.

Think of a New York girl shedding tears on the menu card!

To account for this you will be allowed to guess that the lobsters were all out, or that she had sworn ice-cream off during Lent, or that she had ordered onions, or that she had just come from a Hackett matinee. And then, all these theories being wrong, you will please let the story proceed.

The gentleman who announced that the world was an oyster which he with his sword would open made a larger hit than he deserved. It is not difficult to open an oyster with a sword. But did you ever notice any one try to open the terrestrial bivalve with a typewriter? Like to wait for a dozen raw opened that way?

Sarah had managed to pry apart the shells with her unhandy weapon far enough to nibble a wee bit at the cold and clammy world within. She knew no more shorthand than if she had been a graduate in stenography just let slip upon the world by a business college. So, not being able to stenog, she could not enter that bright galaxy of office talent. She was a free-lance typewriter and canvassed for odd jobs of copying.

The most brilliant and crowning feat of Sarah’s battle with the world was the deal she made with Schulenberg’s Home Restaurant. The restaurant was next door to the old red brick in which she hall-roomed. One evening after dining at Schulenberg’s 40-cent, five-course _table d’hôte_ (served as fast as you throw the five baseballs at the coloured gentleman’s head) Sarah took away with her the bill of fare. It was written in an almost unreadable script neither English nor German, and so arranged that if you were not careful you began with a toothpick and rice pudding and ended with soup and the day of the week.

The next day Sarah showed Schulenberg a neat card on which the menu was beautifully typewritten with the viands temptingly marshalled under their right and proper heads from “hors d’oeuvre” to “not responsible for overcoats and umbrellas.”

Schulenberg became a naturalised citizen on the spot. Before Sarah left him she had him willingly committed to an agreement. She was to furnish typewritten bills of fare for the twenty-one tables in the restaurant—a new bill for each day’s dinner, and new ones for breakfast and lunch as often as changes occurred in the food or as neatness required.

In return for this Schulenberg was to send three meals per diem to Sarah’s hall room by a waiter—an obsequious one if possible—and furnish her each afternoon with a pencil draft of what Fate had in store for Schulenberg’s customers on the morrow.

Mutual satisfaction resulted from the agreement. Schulenberg’s patrons now knew what the food they ate was called even if its nature sometimes puzzled them. And Sarah had food during a cold, dull winter, which was the main thing with her.

And then the almanac lied, and said that spring had come. Spring comes when it comes. The frozen snows of January still lay like adamant in the crosstown streets. The hand-organs still played “In the Good Old Summertime,” with their December vivacity and expression. Men began to make thirty-day notes to buy Easter dresses. Janitors shut off steam. And when these things happen one may know that the city is still in the clutches of winter.

One afternoon Sarah shivered in her elegant hall bedroom; “house heated; scrupulously clean; conveniences; seen to be appreciated.” She had no work to do except Schulenberg’s menu cards. Sarah sat in her squeaky willow rocker, and looked out the window. The calendar on the wall kept crying to her: “Springtime is here, Sarah—springtime is here, I tell you. Look at me, Sarah, my figures show it. You’ve got a neat figure yourself, Sarah—a—nice springtime figure—why do you look out the window so sadly?”

Sarah’s room was at the back of the house. Looking out the window she could see the windowless rear brick wall of the box factory on the next street. But the wall was clearest crystal; and Sarah was looking down a grassy lane shaded with cherry trees and elms and bordered with raspberry bushes and Cherokee roses.

Spring’s real harbingers are too subtle for the eye and ear. Some must have the flowering crocus, the wood-starring dogwood, the voice of bluebird—even so gross a reminder as the farewell handshake of the retiring buckwheat and oyster before they can welcome the Lady in Green to their dull bosoms. But to old earth’s choicest kin there come straight, sweet messages from his newest bride, telling them they shall be no stepchildren unless they choose to be.

On the previous summer Sarah had gone into the country and loved a farmer.

(In writing your story never hark back thus. It is bad art, and cripples interest. Let it march, march.)

Sarah stayed two weeks at Sunnybrook Farm. There she learned to love old Farmer Franklin’s son Walter. Farmers have been loved and wedded and turned out to grass in less time. But young Walter Franklin was a modern agriculturist. He had a telephone in his cow house, and he could figure up exactly what effect next year’s Canada wheat crop would have on potatoes planted in the dark of the moon.

It was in this shaded and raspberried lane that Walter had wooed and won her. And together they had sat and woven a crown of dandelions for her hair. He had immoderately praised the effect of the yellow blossoms against her brown tresses; and she had left the chaplet there, and walked back to the house swinging her straw sailor in her hands.

They were to marry in the spring—at the very first signs of spring, Walter said. And Sarah came back to the city to pound her typewriter.

A knock at the door dispelled Sarah’s visions of that happy day. A waiter had brought the rough pencil draft of the Home Restaurant’s next day fare in old Schulenberg’s angular hand.

Sarah sat down to her typewriter and slipped a card between the rollers. She was a nimble worker. Generally in an hour and a half the twenty-one menu cards were written and ready.

To-day there were more changes on the bill of fare than usual. The soups were lighter; pork was eliminated from the entrées, figuring only with Russian turnips among the roasts. The gracious spirit of spring pervaded the entire menu. Lamb, that lately capered on the greening hillsides, was becoming exploited with the sauce that commemorated its gambols. The song of the oyster, though not silenced, was _dimuendo con amore_. The frying-pan seemed to be held, inactive, behind the beneficent bars of the broiler. The pie list swelled; the richer puddings had vanished; the sausage, with his drapery wrapped about him, barely lingered in a pleasant thanatopsis with the buckwheats and the sweet but doomed maple.

Sarah’s fingers danced like midges above a summer stream. Down through the courses she worked, giving each item its position according to its length with an accurate eye. Just above the desserts came the list of vegetables. Carrots and peas, asparagus on toast, the perennial tomatoes and corn and succotash, lima beans, cabbage—and then—

Sarah was crying over her bill of fare. Tears from the depths of some divine despair rose in her heart and gathered to her eyes. Down went her head on the little typewriter stand; and the keyboard rattled a dry accompaniment to her moist sobs.

For she had received no letter from Walter in two weeks, and the next item on the bill of fare was dandelions—dandelions with some kind of egg—but bother the egg!—dandelions, with whose golden blooms Walter had crowned her his queen of love and future bride—dandelions, the harbingers of spring, her sorrow’s crown of sorrow—reminder of her happiest days.

Madam, I dare you to smile until you suffer this test: Let the Marechal Niel roses that Percy brought you on the night you gave him your heart be served as a salad with French dressing before your eyes at a Schulenberg _table d’hôte_. Had Juliet so seen her love tokens dishonoured the sooner would she have sought the lethean herbs of the good apothecary.

But what a witch is Spring! Into the great cold city of stone and iron a message had to be sent. There was none to convey it but the little hardy courier of the fields with his rough green coat and modest air. He is a true soldier of fortune, this _dent-de-lion_—this lion’s tooth, as the French chefs call him. Flowered, he will assist at love-making, wreathed in my lady’s nut-brown hair; young and callow and unblossomed, he goes into the boiling pot and delivers the word of his sovereign mistress.

By and by Sarah forced back her tears. The cards must be written. But, still in a faint, golden glow from her dandeleonine dream, she fingered the typewriter keys absently for a little while, with her mind and heart in the meadow lane with her young farmer. But soon she came swiftly back to the rock-bound lanes of Manhattan, and the typewriter began to rattle and jump like a strike-breaker’s motor car.

At 6 o’clock the waiter brought her dinner and carried away the typewritten bill of fare. When Sarah ate she set aside, with a sigh, the dish of dandelions with its crowning ovarious accompaniment. As this dark mass had been transformed from a bright and love-indorsed flower to be an ignominious vegetable, so had her summer hopes wilted and perished. Love may, as Shakespeare said, feed on itself: but Sarah could not bring herself to eat the dandelions that had graced, as ornaments, the first spiritual banquet of her heart’s true affection.

At 7:30 the couple in the next room began to quarrel: the man in the room above sought for A on his flute; the gas went a little lower; three coal wagons started to unload—the only sound of which the phonograph is jealous; cats on the back fences slowly retreated toward Mukden. By these signs Sarah knew that it was time for her to read. She got out “The Cloister and the Hearth,” the best non-selling book of the month, settled her feet on her trunk, and began to wander with Gerard.

The front door bell rang. The landlady answered it. Sarah left Gerard and Denys treed by a bear and listened. Oh, yes; you would, just as she did!

And then a strong voice was heard in the hall below, and Sarah jumped for her door, leaving the book on the floor and the first round easily the bear’s. You have guessed it. She reached the top of the stairs just as her farmer came up, three at a jump, and reaped and garnered her, with nothing left for the gleaners.

“Why haven’t you written—oh, why?” cried Sarah.

“New York is a pretty large town,” said Walter Franklin. “I came in a week ago to your old address. I found that you went away on a Thursday. That consoled some; it eliminated the possible Friday bad luck. But it didn’t prevent my hunting for you with police and otherwise ever since!

“I wrote!” said Sarah, vehemently.

“Never got it!”

“Then how did you find me?”

The young farmer smiled a springtime smile.

“I dropped into that Home Restaurant next door this evening,” said he. “I don’t care who knows it; I like a dish of some kind of greens at this time of the year. I ran my eye down that nice typewritten bill of fare looking for something in that line. When I got below cabbage I turned my chair over and hollered for the proprietor. He told me where you lived.”

“I remember,” sighed Sarah, happily. “That was dandelions below cabbage.”

“I’d know that cranky capital W way above the line that your typewriter makes anywhere in the world,” said Franklin.

“Why, there’s no W in dandelions,” said Sarah, in surprise.

The young man drew the bill of fare from his pocket, and pointed to a line.

Sarah recognised the first card she had typewritten that afternoon. There was still the rayed splotch in the upper right-hand corner where a tear had fallen. But over the spot where one should have read the name of the meadow plant, the clinging memory of their golden blossoms had allowed her fingers to strike strange keys.

Between the red cabbage and the stuffed green peppers was the item:

“DEAREST WALTER, WITH HARD-BOILED EGG.”

THE GREEN DOOR

Suppose you should be walking down Broadway after dinner, with ten minutes allotted to the consummation of your cigar while you are choosing between a diverting tragedy and something serious in the way of vaudeville. Suddenly a hand is laid upon your arm. You turn to look into the thrilling eyes of a beautiful woman, wonderful in diamonds and Russian sables. She thrusts hurriedly into your hand an extremely hot buttered roll, flashes out a tiny pair of scissors, snips off the second button of your overcoat, meaningly ejaculates the one word, “parallelogram!” and swiftly flies down a cross street, looking back fearfully over her shoulder.

That would be pure adventure. Would you accept it? Not you. You would flush with embarrassment; you would sheepishly drop the roll and continue down Broadway, fumbling feebly for the missing button. This you would do unless you are one of the blessed few in whom the pure spirit of adventure is not dead.

True adventurers have never been plentiful. They who are set down in print as such have been mostly business men with newly invented methods. They have been out after the things they wanted—golden fleeces, holy grails, lady loves, treasure, crowns and fame. The true adventurer goes forth aimless and uncalculating to meet and greet unknown fate. A fine example was the Prodigal Son—when he started back home.

Half-adventurers—brave and splendid figures—have been numerous. From the Crusades to the Palisades they have enriched the arts of history and fiction and the trade of historical fiction. But each of them had a prize to win, a goal to kick, an axe to grind, a race to run, a new thrust in tierce to deliver, a name to carve, a crow to pick—so they were not followers of true adventure.

In the big city the twin spirits Romance and Adventure are always abroad seeking worthy wooers. As we roam the streets they slyly peep at us and challenge us in twenty different guises. Without knowing why, we look up suddenly to see in a window a face that seems to belong to our gallery of intimate portraits; in a sleeping thoroughfare we hear a cry of agony and fear coming from an empty and shuttered house; instead of at our familiar curb, a cab-driver deposits us before a strange door, which one, with a smile, opens for us and bids us enter; a slip of paper, written upon, flutters down to our feet from the high lattices of Chance; we exchange glances of instantaneous hate, affection and fear with hurrying strangers in the passing crowds; a sudden douse of rain—and our umbrella may be sheltering the daughter of the Full Moon and first cousin of the Sidereal System; at every corner handkerchiefs drop, fingers beckon, eyes besiege, and the lost, the lonely, the rapturous, the mysterious, the perilous, changing clues of adventure are slipped into our fingers. But few of us are willing to hold and follow them. We are grown stiff with the ramrod of convention down our backs. We pass on; and some day we come, at the end of a very dull life, to reflect that our romance has been a pallid thing of a marriage or two, a satin rosette kept in a safe-deposit drawer, and a lifelong feud with a steam radiator.

Rudolf Steiner was a true adventurer. Few were the evenings on which he did not go forth from his hall bedchamber in search of the unexpected and the egregious. The most interesting thing in life seemed to him to be what might lie just around the next corner. Sometimes his willingness to tempt fate led him into strange paths. Twice he had spent the night in a station-house; again and again he had found himself the dupe of ingenious and mercenary tricksters; his watch and money had been the price of one flattering allurement. But with undiminished ardour he picked up every glove cast before him into the merry lists of adventure.

One evening Rudolf was strolling along a crosstown street in the older central part of the city. Two streams of people filled the sidewalks—the home-hurrying, and that restless contingent that abandons home for the specious welcome of the thousand-candle-power _table d’hôte_.

The young adventurer was of pleasing presence, and moved serenely and watchfully. By daylight he was a salesman in a piano store. He wore his tie drawn through a topaz ring instead of fastened with a stick pin; and once he had written to the editor of a magazine that “Junie’s Love Test” by Miss Libbey, had been the book that had most influenced his life.

During his walk a violent chattering of teeth in a glass case on the sidewalk seemed at first to draw his attention (with a qualm), to a restaurant before which it was set; but a second glance revealed the electric letters of a dentist’s sign high above the next door. A giant negro, fantastically dressed in a red embroidered coat, yellow trousers and a military cap, discreetly distributed cards to those of the passing crowd who consented to take them.

This mode of dentistic advertising was a common sight to Rudolf. Usually he passed the dispenser of the dentist’s cards without reducing his store; but tonight the African slipped one into his hand so deftly that he retained it there smiling a little at the successful feat.

When he had travelled a few yards further he glanced at the card indifferently. Surprised, he turned it over and looked again with interest. One side of the card was blank; on the other was written in ink three words, “The Green Door.” And then Rudolf saw, three steps in front of him, a man throw down the card the negro had given him as he passed. Rudolf picked it up. It was printed with the dentist’s name and address and the usual schedule of “plate work” and “bridge work” and “crowns,” and specious promises of “painless” operations.

The adventurous piano salesman halted at the corner and considered. Then he crossed the street, walked down a block, recrossed and joined the upward current of people again. Without seeming to notice the negro as he passed the second time, he carelessly took the card that was handed him. Ten steps away he inspected it. In the same handwriting that appeared on the first card “The Green Door” was inscribed upon it. Three or four cards were tossed to the pavement by pedestrians both following and leading him. These fell blank side up. Rudolf turned them over. Every one bore the printed legend of the dental “parlours.”

Rarely did the arch sprite Adventure need to beckon twice to Rudolf Steiner, his true follower. But twice it had been done, and the quest was on.

Rudolf walked slowly back to where the giant negro stood by the case of rattling teeth. This time as he passed he received no card. In spite of his gaudy and ridiculous garb, the Ethiopian displayed a natural barbaric dignity as he stood, offering the cards suavely to some, allowing others to pass unmolested. Every half minute he chanted a harsh, unintelligible phrase akin to the jabber of car conductors and grand opera. And not only did he withhold a card this time, but it seemed to Rudolf that he received from the shining and massive black countenance a look of cold, almost contemptuous disdain.

The look stung the adventurer. He read in it a silent accusation that he had been found wanting. Whatever the mysterious written words on the cards might mean, the black had selected him twice from the throng for their recipient; and now seemed to have condemned him as deficient in the wit and spirit to engage the enigma.

Standing aside from the rush, the young man made a rapid estimate of the building in which he conceived that his adventure must lie. Five stories high it rose. A small restaurant occupied the basement.

The first floor, now closed, seemed to house millinery or furs. The second floor, by the winking electric letters, was the dentist’s. Above this a polyglot babel of signs struggled to indicate the abodes of palmists, dressmakers, musicians and doctors. Still higher up draped curtains and milk bottles white on the window sills proclaimed the regions of domesticity.

After concluding his survey Rudolf walked briskly up the high flight of stone steps into the house. Up two flights of the carpeted stairway he continued; and at its top paused. The hallway there was dimly lighted by two pale jets of gas—one far to his right, the other nearer, to his left. He looked toward the nearer light and saw, within its wan halo, a green door. For one moment he hesitated; then he seemed to see the contumelious sneer of the African juggler of cards; and then he walked straight to the green door and knocked against it.

Moments like those that passed before his knock was answered measure the quick breath of true adventure. What might not be behind those green panels! Gamesters at play; cunning rogues baiting their traps with subtle skill; beauty in love with courage, and thus planning to be sought by it; danger, death, love, disappointment, ridicule—any of these might respond to that temerarious rap.

A faint rustle was heard inside, and the door slowly opened. A girl not yet twenty stood there, white-faced and tottering. She loosed the knob and swayed weakly, groping with one hand. Rudolf caught her and laid her on a faded couch that stood against the wall. He closed the door and took a swift glance around the room by the light of a flickering gas jet. Neat, but extreme poverty was the story that he read.

The girl lay still, as if in a faint. Rudolf looked around the room excitedly for a barrel. People must be rolled upon a barrel who—no, no; that was for drowned persons. He began to fan her with his hat. That was successful, for he struck her nose with the brim of his derby and she opened her eyes. And then the young man saw that hers, indeed, was the one missing face from his heart’s gallery of intimate portraits. The frank, grey eyes, the little nose, turning pertly outward; the chestnut hair, curling like the tendrils of a pea vine, seemed the right end and reward of all his wonderful adventures. But the face was wofully thin and pale.

The girl looked at him calmly, and then smiled.

“Fainted, didn’t I?” she asked, weakly. “Well, who wouldn’t? You try going without anything to eat for three days and see!”

“Himmel!” exclaimed Rudolf, jumping up. “Wait till I come back.”

He dashed out the green door and down the stairs. In twenty minutes he was back again, kicking at the door with his toe for her to open it. With both arms he hugged an array of wares from the grocery and the restaurant. On the table he laid them—bread and butter, cold meats, cakes, pies, pickles, oysters, a roasted chicken, a bottle of milk and one of red-hot tea.

“This is ridiculous,” said Rudolf, blusteringly, “to go without eating. You must quit making election bets of this kind. Supper is ready.” He helped her to a chair at the table and asked: “Is there a cup for the tea?” “On the shelf by the window,” she answered. When he turned again with the cup he saw her, with eyes shining rapturously, beginning upon a huge Dill pickle that she had rooted out from the paper bags with a woman’s unerring instinct. He took it from her, laughingly, and poured the cup full of milk. “Drink that first” he ordered, “and then you shall have some tea, and then a chicken wing. If you are very good you shall have a pickle to-morrow. And now, if you’ll allow me to be your guest we’ll have supper.”

He drew up the other chair. The tea brightened the girl’s eyes and brought back some of her colour. She began to eat with a sort of dainty ferocity like some starved wild animal. She seemed to regard the young man’s presence and the aid he had rendered her as a natural thing—not as though she undervalued the conventions; but as one whose great stress gave her the right to put aside the artificial for the human. But gradually, with the return of strength and comfort, came also a sense of the little conventions that belong; and she began to tell him her little story. It was one of a thousand such as the city yawns at every day—the shop girl’s story of insufficient wages, further reduced by “fines” that go to swell the store’s profits; of time lost through illness; and then of lost positions, lost hope, and—the knock of the adventurer upon the green door.

But to Rudolf the history sounded as big as the Iliad or the crisis in “Junie’s Love Test.”

“To think of you going through all that,” he exclaimed.

“It was something fierce,” said the girl, solemnly.

“And you have no relatives or friends in the city?”

“None whatever.”

“I am all alone in the world, too,” said Rudolf, after a pause.

“I am glad of that,” said the girl, promptly; and somehow it pleased the young man to hear that she approved of his bereft condition.

Very suddenly her eyelids dropped and she sighed deeply.

“I’m awfully sleepy,” she said, “and I feel so good.”

Then Rudolf rose and took his hat. “I’ll say good-night. A long night’s sleep will be fine for you.”

He held out his hand, and she took it and said “good-night.” But her eyes asked a question so eloquently, so frankly and pathetically that he answered it with words.

“Oh, I’m coming back to-morrow to see how you are getting along. You can’t get rid of me so easily.”

Then, at the door, as though the way of his coming had been so much less important than the fact that he had come, she asked: “How did you come to knock at my door?”

He looked at her for a moment, remembering the cards, and felt a sudden jealous pain. What if they had fallen into other hands as adventurous as his? Quickly he decided that she must never know the truth. He would never let her know that he was aware of the strange expedient to which she had been driven by her great distress.

“One of our piano tuners lives in this house,” he said. “I knocked at your door by mistake.”

The last thing he saw in the room before the green door closed was her smile.

At the head of the stairway he paused and looked curiously about him. And then he went along the hallway to its other end; and, coming back, ascended to the floor above and continued his puzzled explorations. Every door that he found in the house was painted green.

Wondering, he descended to the sidewalk. The fantastic African was still there. Rudolf confronted him with his two cards in his hand.

“Will you tell me why you gave me these cards and what they mean?” he asked.

In a broad, good-natured grin the negro exhibited a splendid advertisement of his master’s profession.

“Dar it is, boss,” he said, pointing down the street. “But I ’spect you is a little late for de fust act.”

Looking the way he pointed Rudolf saw above the entrance to a theatre the blazing electric sign of its new play, “The Green Door.”

“I’m informed dat it’s a fust-rate show, sah,” said the negro. “De agent what represents it pussented me with a dollar, sah, to distribute a few of his cards along with de doctah’s. May I offer you one of de doctah’s cards, sah?”

At the corner of the block in which he lived Rudolf stopped for a glass of beer and a cigar. When he had come out with his lighted weed he buttoned his coat, pushed back his hat and said, stoutly, to the lamp post on the corner:

“All the same, I believe it was the hand of Fate that doped out the way for me to find her.”

Which conclusion, under the circumstances, certainly admits Rudolf Steiner to the ranks of the true followers of Romance and Adventure.

FROM THE CABBY’S SEAT

The cabby has his point of view. It is more single-minded, perhaps, than that of a follower of any other calling. From the high, swaying seat of his hansom he looks upon his fellow-men as nomadic particles, of no account except when possessed of migratory desires. He is Jehu, and you are goods in transit. Be you President or vagabond, to cabby you are only a Fare, he takes you up, cracks his whip, joggles your vertebrae and sets you down.

When time for payment arrives, if you exhibit a familiarity with legal rates you come to know what contempt is; if you find that you have left your pocketbook behind you are made to realise the mildness of Dante’s imagination.

It is not an extravagant theory that the cabby’s singleness of purpose and concentrated view of life are the results of the hansom’s peculiar construction. The cock-of-the-roost sits aloft like Jupiter on an unsharable seat, holding your fate between two thongs of inconstant leather. Helpless, ridiculous, confined, bobbing like a toy mandarin, you sit like a rat in a trap—you, before whom butlers cringe on solid land—and must squeak upward through a slit in your peripatetic sarcophagus to make your feeble wishes known.

Then, in a cab, you are not even an occupant; you are contents. You are a cargo at sea, and the “cherub that sits up aloft” has Davy Jones’s street and number by heart.

One night there were sounds of revelry in the big brick tenement-house next door but one to McGary’s Family Café. The sounds seemed to emanate from the apartments of the Walsh family. The sidewalk was obstructed by an assortment of interested neighbours, who opened a lane from time to time for a hurrying messenger bearing from McGary’s goods pertinent to festivity and diversion. The sidewalk contingent was engaged in comment and discussion from which it made no effort to eliminate the news that Norah Walsh was being married.

In the fulness of time there was an eruption of the merry-makers to the sidewalk. The uninvited guests enveloped and permeated them, and upon the night air rose joyous cries, congratulations, laughter and unclassified noises born of McGary’s oblations to the hymeneal scene.

Close to the curb stood Jerry O’Donovan’s cab. Night-hawk was Jerry called; but no more lustrous or cleaner hansom than his ever closed its doors upon point lace and November violets. And Jerry’s horse! I am within bounds when I tell you that he was stuffed with oats until one of those old ladies who leave their dishes unwashed at home and go about having expressmen arrested, would have smiled—yes, smiled—to have seen him.

Among the shifting, sonorous, pulsing crowd glimpses could be had of Jerry’s high hat, battered by the winds and rains of many years; of his nose like a carrot, battered by the frolicsome, athletic progeny of millionaires and by contumacious fares; of his brass-buttoned green coat, admired in the vicinity of McGary’s. It was plain that Jerry had usurped the functions of his cab, and was carrying a “load.” Indeed, the figure may be extended and he be likened to a bread-waggon if we admit the testimony of a youthful spectator, who was heard to remark “Jerry has got a bun.”

From somewhere among the throng in the street or else out of the thin stream of pedestrians a young woman tripped and stood by the cab. The professional hawk’s eye of Jerry caught the movement. He made a lurch for the cab, overturning three or four onlookers and himself—no! he caught the cap of a water-plug and kept his feet. Like a sailor shinning up the ratlins during a squall Jerry mounted to his professional seat. Once he was there McGary’s liquids were baffled. He seesawed on the mizzenmast of his craft as safe as a Steeple Jack rigged to the flagpole of a skyscraper.

“Step in, lady,” said Jerry, gathering his lines. The young woman stepped into the cab; the doors shut with a bang; Jerry’s whip cracked in the air; the crowd in the gutter scattered, and the fine hansom dashed away ’crosstown.

When the oat-spry horse had hedged a little his first spurt of speed Jerry broke the lid of his cab and called down through the aperture in the voice of a cracked megaphone, trying to please:

“Where, now, will ye be drivin’ to?”

“Anywhere you please,” came up the answer, musical and contented.

“’Tis drivin’ for pleasure she is,” thought Jerry. And then he suggested as a matter of course:

“Take a thrip around in the park, lady. ’Twill be ilegant cool and fine.”

“Just as you like,” answered the fare, pleasantly.

The cab headed for Fifth avenue and sped up that perfect street. Jerry bounced and swayed in his seat. The potent fluids of McGary were disquieted and they sent new fumes to his head. He sang an ancient song of Killisnook and brandished his whip like a baton.

Inside the cab the fare sat up straight on the cushions, looking to right and left at the lights and houses. Even in the shadowed hansom her eyes shone like stars at twilight.

When they reached Fifty-ninth street Jerry’s head was bobbing and his reins were slack. But his horse turned in through the park gate and began the old familiar nocturnal round. And then the fare leaned back, entranced, and breathed deep the clean, wholesome odours of grass and leaf and bloom. And the wise beast in the shafts, knowing his ground, struck into his by-the-hour gait and kept to the right of the road.

Habit also struggled successfully against Jerry’s increasing torpor. He raised the hatch of his storm-tossed vessel and made the inquiry that cabbies do make in the park.

“Like shtop at the Cas-sino, lady? Gezzer r’freshm’s, ’n lish’n the music. Ev’body shtops.”

“I think that would be nice,” said the fare.

They reined up with a plunge at the Casino entrance. The cab doors flew open. The fare stepped directly upon the floor. At once she was caught in a web of ravishing music and dazzled by a panorama of lights and colours. Some one slipped a little square card into her hand on which was printed a number—34. She looked around and saw her cab twenty yards away already lining up in its place among the waiting mass of carriages, cabs and motor cars. And then a man who seemed to be all shirt-front danced backward before her; and next she was seated at a little table by a railing over which climbed a jessamine vine.

There seemed to be a wordless invitation to purchase; she consulted a collection of small coins in a thin purse, and received from them license to order a glass of beer. There she sat, inhaling and absorbing it all—the new-coloured, new-shaped life in a fairy palace in an enchanted wood.

At fifty tables sat princes and queens clad in all the silks and gems of the world. And now and then one of them would look curiously at Jerry’s fare. They saw a plain figure dressed in a pink silk of the kind that is tempered by the word “foulard,” and a plain face that wore a look of love of life that the queens envied.

Twice the long hands of the clocks went round, Royalties thinned from their _al fresco_ thrones, and buzzed or clattered away in their vehicles of state. The music retired into cases of wood and bags of leather and baize. Waiters removed cloths pointedly near the plain figure sitting almost alone.

Jerry’s fare rose, and held out her numbered card simply:

“Is there anything coming on the ticket?” she asked.

A waiter told her it was her cab check, and that she should give it to the man at the entrance. This man took it, and called the number. Only three hansoms stood in line. The driver of one of them went and routed out Jerry asleep in his cab. He swore deeply, climbed to the captain’s bridge and steered his craft to the pier. His fare entered, and the cab whirled into the cool fastnesses of the park along the shortest homeward cuts.

At the gate a glimmer of reason in the form of sudden suspicion seized upon Jerry’s beclouded mind. One or two things occurred to him. He stopped his horse, raised the trap and dropped his phonographic voice, like a lead plummet, through the aperture:

“I want to see four dollars before goin’ any further on th’ thrip. Have ye got th’ dough?”

“Four dollars!” laughed the fare, softly, “dear me, no. I’ve only got a few pennies and a dime or two.”

Jerry shut down the trap and slashed his oat-fed horse. The clatter of hoofs strangled but could not drown the sound of his profanity. He shouted choking and gurgling curses at the starry heavens; he cut viciously with his whip at passing vehicles; he scattered fierce and ever-changing oaths and imprecations along the streets, so that a late truck driver, crawling homeward, heard and was abashed. But he knew his recourse, and made for it at a gallop.

At the house with the green lights beside the steps he pulled up. He flung wide the cab doors and tumbled heavily to the ground.

“Come on, you,” he said, roughly.

His fare came forth with the Casino dreamy smile still on her plain face. Jerry took her by the arm and led her into the police station. A gray-moustached sergeant looked keenly across the desk. He and the cabby were no strangers.

“Sargeant,” began Jerry in his old raucous, martyred, thunderous tones of complaint. “I’ve got a fare here that—”

Jerry paused. He drew a knotted, red hand across his brow. The fog set up by McGary was beginning to clear away.

“A fare, sargeant,” he continued, with a grin, “that I want to inthroduce to ye. It’s me wife that I married at ould man Walsh’s this avening. And a divil of a time we had, ’tis thrue. Shake hands wid th’ sargeant, Norah, and we’ll be off to home.”

Before stepping into the cab Norah sighed profoundly.

“I’ve had such a nice time, Jerry,” said she.

AN UNFINISHED STORY

We no longer groan and heap ashes upon our heads when the flames of Tophet are mentioned. For, even the preachers have begun to tell us that God is radium, or ether or some scientific compound, and that the worst we wicked ones may expect is a chemical reaction. This is a pleasing hypothesis; but there lingers yet some of the old, goodly terror of orthodoxy.

There are but two subjects upon which one may discourse with a free imagination, and without the possibility of being controverted. You may talk of your dreams; and you may tell what you heard a parrot say. Both Morpheus and the bird are incompetent witnesses; and your listener dare not attack your recital. The baseless fabric of a vision, then, shall furnish my theme—chosen with apologies and regrets instead of the more limited field of pretty Polly’s small talk.

I had a dream that was so far removed from the higher criticism that it had to do with the ancient, respectable, and lamented bar-of-judgment theory.

Gabriel had played his trump; and those of us who could not follow suit were arraigned for examination. I noticed at one side a gathering of professional bondsmen in solemn black and collars that buttoned behind; but it seemed there was some trouble about their real estate titles; and they did not appear to be getting any of us out.

A fly cop—an angel policeman—flew over to me and took me by the left wing. Near at hand was a group of very prosperous-looking spirits arraigned for judgment.

“Do you belong with that bunch?” the policeman asked.

“Who are they?” was my answer.

“Why,” said he, “they are—”

But this irrelevant stuff is taking up space that the story should occupy.

Dulcie worked in a department store. She sold Hamburg edging, or stuffed peppers, or automobiles, or other little trinkets such as they keep in department stores. Of what she earned, Dulcie received six dollars per week. The remainder was credited to her and debited to somebody else’s account in the ledger kept by G–––– Oh, primal energy, you say, Reverend Doctor—Well then, in the Ledger of Primal Energy.

During her first year in the store, Dulcie was paid five dollars per week. It would be instructive to know how she lived on that amount. Don’t care? Very well; probably you are interested in larger amounts. Six dollars is a larger amount. I will tell you how she lived on six dollars per week.

One afternoon at six, when Dulcie was sticking her hat-pin within an eighth of an inch of her _medulla oblongata_, she said to her chum, Sadie—the girl that waits on you with her left side:

“Say, Sade, I made a date for dinner this evening with Piggy.”

“You never did!” exclaimed Sadie admiringly. “Well, ain’t you the lucky one? Piggy’s an awful swell; and he always takes a girl to swell places. He took Blanche up to the Hoffman House one evening, where they have swell music, and you see a lot of swells. You’ll have a swell time, Dulce.”

Dulcie hurried homeward. Her eyes were shining, and her cheeks showed the delicate pink of life’s—real life’s—approaching dawn. It was Friday; and she had fifty cents left of her last week’s wages.

The streets were filled with the rush-hour floods of people. The electric lights of Broadway were glowing—calling moths from miles, from leagues, from hundreds of leagues out of darkness around to come in and attend the singeing school. Men in accurate clothes, with faces like those carved on cherry stones by the old salts in sailors’ homes, turned and stared at Dulcie as she sped, unheeding, past them. Manhattan, the night-blooming cereus, was beginning to unfold its dead-white, heavy-odoured petals.

Dulcie stopped in a store where goods were cheap and bought an imitation lace collar with her fifty cents. That money was to have been spent otherwise—fifteen cents for supper, ten cents for breakfast, ten cents for lunch. Another dime was to be added to her small store of savings; and five cents was to be squandered for licorice drops—the kind that made your cheek look like the toothache, and last as long. The licorice was an extravagance—almost a carouse—but what is life without pleasures?

Dulcie lived in a furnished room. There is this difference between a furnished room and a boarding-house. In a furnished room, other people do not know it when you go hungry.

Dulcie went up to her room—the third floor back in a West Side brownstone-front. She lit the gas. Scientists tell us that the diamond is the hardest substance known. Their mistake. Landladies know of a compound beside which the diamond is as putty. They pack it in the tips of gas-burners; and one may stand on a chair and dig at it in vain until one’s fingers are pink and bruised. A hairpin will not remove it; therefore let us call it immovable.

So Dulcie lit the gas. In its one-fourth-candlepower glow we will observe the room.

Couch-bed, dresser, table, washstand, chair—of this much the landlady was guilty. The rest was Dulcie’s. On the dresser were her treasures—a gilt china vase presented to her by Sadie, a calendar issued by a pickle works, a book on the divination of dreams, some rice powder in a glass dish, and a cluster of artificial cherries tied with a pink ribbon.

Against the wrinkly mirror stood pictures of General Kitchener, William Muldoon, the Duchess of Marlborough, and Benvenuto Cellini. Against one wall was a plaster of Paris plaque of an O’Callahan in a Roman helmet. Near it was a violent oleograph of a lemon-coloured child assaulting an inflammatory butterfly. This was Dulcie’s final judgment in art; but it had never been upset. Her rest had never been disturbed by whispers of stolen copes; no critic had elevated his eyebrows at her infantile entomologist.

Piggy was to call for her at seven. While she swiftly makes ready, let us discreetly face the other way and gossip.

For the room, Dulcie paid two dollars per week. On week-days her breakfast cost ten cents; she made coffee and cooked an egg over the gaslight while she was dressing. On Sunday mornings she feasted royally on veal chops and pineapple fritters at “Billy’s” restaurant, at a cost of twenty-five cents—and tipped the waitress ten cents. New York presents so many temptations for one to run into extravagance. She had her lunches in the department-store restaurant at a cost of sixty cents for the week; dinners were $1.05. The evening papers—show me a New Yorker going without his daily paper!—came to six cents; and two Sunday papers—one for the personal column and the other to read—were ten cents. The total amounts to $4.76. Now, one has to buy clothes, and—

I give it up. I hear of wonderful bargains in fabrics, and of miracles performed with needle and thread; but I am in doubt. I hold my pen poised in vain when I would add to Dulcie’s life some of those joys that belong to woman by virtue of all the unwritten, sacred, natural, inactive ordinances of the equity of heaven. Twice she had been to Coney Island and had ridden the hobby-horses. ’Tis a weary thing to count your pleasures by summers instead of by hours.

Piggy needs but a word. When the girls named him, an undeserving stigma was cast upon the noble family of swine. The words-of-three-letters lesson in the old blue spelling book begins with Piggy’s biography. He was fat; he had the soul of a rat, the habits of a bat, and the magnanimity of a cat . . . He wore expensive clothes; and was a connoisseur in starvation. He could look at a shop-girl and tell you to an hour how long it had been since she had eaten anything more nourishing than marshmallows and tea. He hung about the shopping districts, and prowled around in department stores with his invitations to dinner. Men who escort dogs upon the streets at the end of a string look down upon him. He is a type; I can dwell upon him no longer; my pen is not the kind intended for him; I am no carpenter.

At ten minutes to seven Dulcie was ready. She looked at herself in the wrinkly mirror. The reflection was satisfactory. The dark blue dress, fitting without a wrinkle, the hat with its jaunty black feather, the but-slightly-soiled gloves—all representing self-denial, even of food itself—were vastly becoming.

Dulcie forgot everything else for a moment except that she was beautiful, and that life was about to lift a corner of its mysterious veil for her to observe its wonders. No gentleman had ever asked her out before. Now she was going for a brief moment into the glitter and exalted show.

The girls said that Piggy was a “spender.” There would be a grand dinner, and music, and splendidly dressed ladies to look at, and things to eat that strangely twisted the girls’ jaws when they tried to tell about them. No doubt she would be asked out again. There was a blue pongee suit in a window that she knew—by saving twenty cents a week instead of ten, in—let’s see—Oh, it would run into years! But there was a second-hand store in Seventh Avenue where—

Somebody knocked at the door. Dulcie opened it. The landlady stood there with a spurious smile, sniffing for cooking by stolen gas.

“A gentleman’s downstairs to see you,” she said. “Name is Mr. Wiggins.”

By such epithet was Piggy known to unfortunate ones who had to take him seriously.