Chapter VI: Part 6

Back to the house and garden! I'm wandering, but then I'm Lady Lazy this summer, as _The Man from Everywhere_ calls me, and naturally a bit inconsequent! As I said, Bart is at the office daily, and will be for another week, but Lady Lazy has not returned to what Maria Maxwell calls "The Tyranny of the Three M's,"--the mending basket, the market book, and the money-box! I was willing, quite willing; in fact it is only fair that Maria should have her time of irresponsibility, for I know that she has half a dozen invitations to go to pleasant places and meet people, one being from Lavinia Cortright to visit her shore cottage. I'm always hoping that Maria may meet the "right man" some summer day, but that she surely will never do if she stays here.

"I've everything systematized, and it's easier for me to go on than drop the needles for a fortnight or so and then find, on coming back, that you have been knitting a mitten when I had started the frame of a sock," Maria said, laughing; "make flower hay while the crop is to be had for the gathering, my lady! Another year you may not have such free hands!"

Then my protests grew weaker and weaker, for the establishment had thriven marvellously well without my daily interference. The jam closet shows rows of everything that might be made of strawberries, cherries, currants, and raspberries, and it suddenly struck me that possibly if domestic machinery is set going on a consistent basis, whether it is not a mistake to do too much oiling and tightening of a screw here and there, unless distinct symptoms of a halt render it absolutely necessary.

"Very well," I said, with a show of spunk, "give me one single task, that I may not feel as if I had no part in the homemaking. Something as ornamental and frivolous as you choose, but that shall occupy me at least two hours a day!"

Maria paused a moment; we were then standing in front of the fireplace, where a jar of bayberry filled the place of logs between the andirons. First, casting her eyes through the doors of dining room, living room, and den, she fixed them on me with rather a mischievous twinkle, as she said, "You shall gather and arrange the flowers for the house; and always have plenty of them, but never a withered or dropsical blossom among them all. You shall also invent new ways for arranging them, new combinations, new effects, the only restriction being that you shall not put vases where the water will drip on books, or make the house look like the show window of a wholesale florist. I will give you a fresh mop, and you can have the back porch and table for your workshop, and if I'm not mistaken, you will find two hours a day little enough for the work!" she added with very much the air of some one engaging a new housemaid and presenting her with a broom!

It has never taken me two hours to gather and arrange the flowers, and though of course we are only beginning to have much of a garden, we've always had flowers in the house,--quantities of sweet peas and such things, besides wild flowers. I began to protest, an injured feeling rising in my throat, that she, Maria Maxwell, music teacher, city bound for ten years, should think to instruct _me_ of recent outdoor experience.

"Yes, you've always had flowers, but did you pick the sweet peas or did Barney? Did you cram them haphazard into the first thing that came handy (probably that awful bowl decorated in ten discordant colours and evidently a wedding present, for such atrocities never find any other medium of circulation)? Or did you separate them nicely, and arrange the pink and salmon peas with the lavender in that plain-coloured Sevres vase that is unusually accommodating in the matter of water, then putting the gay colours in the blue-and-white Delft bowl and the duller ones in cut glass to give them life? Having plenty, did you change them every other day, or the moment the water began to look milky, or did you leave them until the flowers clung together in the first stages of mould? Meanwhile, the ungathered flowers on the vines were seriously developing peas and shortening their stems to be better able to bear their weight. And, Mary Penrose,"--here Maria positively glared at me as if I had been a primary pupil in the most undesirable school of her route who was both stone deaf and afflicted with catarrh, "did you wash out your jars and vases with a mop every time you changed the flowers, and wipe them on a towel separate from the ones used for the pantry glass? No, you never did! You tipped the water out over there at the end of the piazza by the honeysuckles, because you couldn't quite bring yourself to pouring it down the pantry sink, refilled the vases, and that was all!"

In spite of a certain sense of annoyance that I felt at the way in which Maria was giving me a lecture, and somehow when a person has taught for ten years she (particularly _she_) inevitably acquires a rather unpleasant way of imparting the truth that makes one wish to deny it, I stood convicted in my own eyes as well as in Maria's. It had so often happened that when either Barney had brought in the sweet peas and left them on the porch table, or Bart had gathered a particularly beautiful wild bouquet in one of his tramps, I had lingered over a book or some bit of work upstairs until almost the time for the next meal, and then, seeing the half-withered look of reproach that flowers wear when they have been long out of water, I have jammed them helter-skelter into the first receptacle at hand.

Sometimes a little rough verbal handling stirs up the blood under a too-complacent cuticle. Maria's preachment did me good, the more probably because the time was ripe for it, and therefore the past two weeks have been filled with new pleasures, for another thing that the month spent in the open has shown me is the wonderful setting the natural environment and foliage gives to a flower. At first the completeness appeals insensibly, and unless one is of the temperament that seeks the cause behind the effect, it might never be realized.

The Japanese have long since arrived at a method of arranging flowers which is quality and intrinsic value as opposed to miscellaneous quantity. The way of nature, however, it seems to me, is twofold, for there are flowers that depend for beauty, and this with nature that seems only another word for perpetuity, upon the strength of numbers, as well as those that make a more individual appeal. The composite flowers--daisies, asters, goldenrod--belong to the class that take naturally to massing, while the blue flag, meadow and wood lilies, together with the spiked orchises, are typical of the second.

By the same process of comparison I have decided that jars and vases having floral decorations themselves are wholly unsuitable for holding flowers. They should be cherished as bric-a-brac, when they are worthy specimens of the art of potter and painter, but as receptacles for flowers they have no use beyond holding sprays of beautiful foliage or silver-green masses of ferns.

Porcelain, plain in tint and of carefully chosen colours, such as beef-blood, the old rose, and peach-blow hues, in which so many simple forms and inexpensive bits of Japanese pottery may be bought, a peculiar creamy yellow, a dull green, gobelin, and Delft blue and white, sacred to the jugs and bowls of our grandmothers, all do well. Cut glass is a fine setting for flowers of strong colour, but kills the paler hues, and above and beyond all is the dark moss-green glass of substantial texture that is fashioned in an endless variety of shapes. By chance, gift, and purchase we have gathered about a dozen pieces of this, ranging from a cylinder almost the size of an umbrella-stand down through fluted, hat-shaped dishes, for roses or sweet peas, to some little troughs of conventional shapes in which pansies or other short-stemmed flowers may be arranged so as to give the look of an old-fashioned parterre to the dining table.

I had always found these useful, but never quite realized to the full that green or brown is the only consistent undercolour for all field and grass-growing flowers until this summer. But during days that I have spent browsing in the river woods, while Bart and Barney, and more recently Larry, have been digging the herbs that we have marked, I have realized the necessity of a certain combination of earth, bark, and dead-leaf browns in the receptacles for holding wood flowers and the vines that in their natural ascent clasp and cling to the trunks and limbs of trees.

Several years ago mother sent me some pretty flower-holders made of bamboos of different lengths, intended evidently to hang against door-jambs or in hallways. The pith was hollowed out here and there, and the hole plugged from beneath to make little water pockets. These did admirably for a season, but when the wood dried, it invariably split, and treacherous dripping followed, most ruinous to furniture.

A few weeks back, when looking at some mossed and gnarled branches in the woods, an idea occurred to Bart and me at the same moment. Why could we not use such pieces as these, together with some trunks of your beloved white birch, to which I, _via_ the screen at Opal Farm, was becoming insensibly devoted at the very time that you wrote me?

Augur holes could be bored in them at various distances and angles, if not too acute; the thing was to find glass, in bottle or other forms, to fit in the openings. This difficulty was solved by _The Man from Everywhere_ on his reappearance the night before the Fourth, after an absence of a whole week, laden with every manner of noise and fire making arrangement for the Infant, though I presently found that Bart had partly instigated the outfit, and the two overgrown boys revelled in fire-balloons and rockets under cover of the Infant's enthusiasm, much as the grandpa goes to the circus as an apparent martyr to little Tommy's desire! A large package that, from the extreme care of its handling, I judged must hold something highly explosive, on being opened divulged many dozens of the slender glass tubes, with a slight lip for holding cord or wire, such as, filled with roses or orchids, are hung in the garlands of asparagus vines and smilax in floral decorations of either houses or florists' windows. These tubes varied in length from four to six inches, the larger being three inches in diameter.

"Behold your leak-proof interiors!" he cried, holding one up. "Now set your wits and Bart's tool-box to work and we shall have some speedy results!"

Dear _Man from Everywhere_, he had bought a gross of the glasses, thereby reminding me of a generous but eccentric great-uncle of ours who had a passion for attending auctions, and once, by error, in buying, as he supposed, twelve yellow earthenware bowls, found himself confronted by twelve _dozen_. Thus grandmother's storeroom literally had a golden lining, and my entire childhood was pervaded with these bowls, several finally falling into my possession for the mixing of mud pies! But between the durability of yellow bowls and blown-glass tubes there is little parallel, and already I have found the advantage of having a good supply in stock.

Our first natural flower-holder is a great success. Having found a four-pronged silver birch, with a broken top, over in the abandoned gravel-pit (where, by the way, are a score of others to be had for the digging, and such easy digging too), Larry sawed it off a bit below the ground, so as to give it an even base. The diameter of the four uprights was not quite a foot, all told, and these were sawn of unequal lengths of four, six, seven, and nine inches, care being taken not to "haggle," as Larry calls it, the clean white bark in the process.

Then Bart went to work with augur and round chisel, and bored and chipped out the holes for the glass tubes, incidentally breaking two glasses before we had comfortably settled the four, for they must fit snugly enough not to wiggle and tip, and yet not so tight as to bind and prevent removal for cleaning purposes. This little stand of natural wood was no sooner finished and mounted on the camp table than its possibilities began to crowd around it. Ferns being the nearest at hand, I crawled over the crumbling bank wall into the Opal Farm meadow and gathered hay-scented, wood, and lady ferns from along the fence line and grouped them loosely in the stand. The effect was magical, a bit of its haunt following the fern indoors.

Next day I gathered in the hemlock woods a basket of the waxy, spotted-leaved pipsissewa, together with spikes and garlands of club moss. I had thought these perfect when steadied by bog moss in a flat, cut-glass dish, but in the birch stump they were entirely at home. If these midsummer wood flowers harmonize so well, how much more charming will be the blossoms of early spring, a season when the white birch is quite the most conspicuous tree in the landscape! Picture dog-tooth violets, spring beauties, bellwort, Quaker-ladies, and great tufts of violets, shading from white to deepest blue, in such a setting! Or, of garden things, poets' narcissus and lilies-of-the-valley!

Other receptacles of a like kind we have in different stages of progress, made of the wood of sassafras, oak, beech, and hackberry, together with several irregular stumps of lichen-covered cedar. Two long limbs with several short side branches Bart has flattened on the back and arranged with picture-hooks, so that they can be bracketed against the frame of the living-room door, opposite the flower-greeting table that I have fashioned after yours. These are to be used for vines, and I shall try to keep this wide, open portal cheerfully garlanded.

The first week of my flower wardenship was a most strenuous one. I use the word reluctantly, but having tried half a dozen others, no equivalent seemed to fit. I had flowers in every room in the house, bedchambers included, using in this connection the cleanest-breathed and longest-lived blossoms possible.

Late as was the sowing, the annuals remaining in the seed bed have begun to yield a glorious crop. The fireplaces were filled with black-eyed Susans from the fields and hollyhocks from an old self-seeded colony at Opal Farm, and every available vase, bowl, and pitcher had something in it. How I laboured! I washed jars, sorted colours, and freshened still passable arrangements of the day before, and all the while I felt sure that Maria was watching me, with an amused twinkle in the tail of her eye!

One day, the middle of last week, the temperature dropped suddenly, and we fled from camp to the house for twenty-four hours, lighted the logs in the hall, and actually settled down to a serious game of whist in the evening, Maria Maxwell, _The Man_, Bart, and I. Yes, I know how you detest the game, but I--though I am not exactly amused by it--rather like it, for it gives occupation at once for the hands and thoughts and a cover for studying the faces and moods of friends without the reproach of staring.

By the way, _The Man_ has hired half the house from Amos Opie--it was divided several years ago--and established helter-skelter bachelor quarters at Opal Farm. Bart has told him, over and over again, how welcome he is to stay here, under any and all conditions, while he works in the vicinity, but he says that he needs a lot of room for his traps, muddy boots, etc., while Opie, a curious Jack-at-all-trades, gives him his breakfast. I'm wondering if _The Man_ felt that he was intruding upon Maria by staying here, or if she has any Mrs. Grundy ideas and was humpy to him, or even suggested that he would better move up the road. She is quite capable of it!

However, he seems glad enough to drop in to dinner of an evening now, and the two are so delightfully cordial and unembarrassed in their talk, neither yielding a jot to the other, in the resolute spinster and bachelor fashion, that I must conclude that his going was probably a natural happening.

This evening, while Maria and I were waiting together for the men to finish toying with their coffee cups and match-boxes and emerge refreshed from the delightful indolence of the after-dinner smoke, the odour of the flowers--intensified both by dampness and the woodsmoke--was very manifest.

"How do you like your employment?" asked Maria.

"I like the decorative and inventive part of it," I said, thinking into the fire, "but I believe"--and here I hesitated as a chain of peculiar green flame curled about the log and held my attention. "That it is quite as possible to overdo the house decoration with flowers as it is to spoil a nice bit of lawn with too many fantastic flower beds!" Bart broke in quite unexpectedly, coming behind me and raising my face, one hand beneath my chin. "Isn't that what you were thinking, my Lady Lazy?"

"Truly it was, only I never meant to let it pop out so suddenly and rudely," I was forced to confess. "In one way it would seem impossible to have too many flowers about, and yet in another it is unnatural, for are not nature's unconscious effects made by using colour as a central point, a focus that draws the eye from a more sombre and soothing setting?"

"How could we enjoy a sunset that held the whole circle of the horizon at once?" chimed in _The Man_, suddenly, as if reading my thoughts. "Or twelve moons?" added Bart, laughing.

No, Mrs. Evan, I am convinced by so short a trial as two weeks that the art of arranging flowers for the house is first, your plan of having some to greet the guest as he enters, a bit of colour or coolness in each room where we pause to read or work or chat, and a table garnishing to render æsthetic the aspect and surroundings of the human animal at his feeding time; otherwise, except at special seasons of festivity, a surplus of flowers in the house makes for restlessness, not peace. Two days ago I had thirty-odd vases and jars filled with flowers, and I felt, as I sat down to sew, as if I was trespassing in a bazaar! Also, if there are too many jars of various flowers in one room, it is impossible that each should have its own individuality.

To-day I began my new plan. I put away a part of my jars and vases and deliberately thought out what flowers I would use before gathering them.

The day being overcast though not threatening, merely the trail, as it were, of the storm that had passed, and the den being on the north side of the house and finished in dark woodwork and furniture, I gathered nasturtiums in three shades for it, the deep crimson, orange-scarlet, and canary-yellow, but not too many--a blue-and-white jar of the Chinese "ginger" pattern for one corner of the mantel-shelf, and for the Japanese well buckets, that are suspended from the central hanging lamp by cords, a cascade of blossoms of the same colour still attached to their own fleshy vines and interspersed with the foliage. Strange as it may seem, this little bit of pottery, though of a peculiar deep pink, harmonizes wonderfully well with the barbaric nasturtium colours. There seems to be a kind of magic blended with the form and colour of these buckets, plain and severe in shape, that swing so gracefully from their silken cords, for they give grace to every flower that touches them. When filled with stiff stalks of lilies-of-the-valley or tulips, they have an equally distinguished air as when hung with the bells of columbines or garlands of flowering honeysuckles twisted about the cords climbing quite up to the lamp.

In the hall I placed my tallest green-glass jar upon the greeting table and filled it with long stalks of red and gold Canada lilies from the very bottom of Amos Opie's field, where the damp meadow-grass begins to make way for tussocks and the marshy ground begins.

The field now is as beautiful as a dream; the early grasses have ripened, and above them, literally by the hundreds,--rank, file, regiment, and platoon,--stand these lilies, some stalks holding twenty bells, ranged as regularly as if the will of man had set them there, and yet poised so gracefully that we know at once that no human touch has placed them. I wish that you could have stood with me in the doorway of the camp and looked across that field this morning. Bart declared the sight to be the first extra dividend upon our payment to Amos Opie for leaving the grass uncut.

I left the stalks of the lilies full three feet long and used only their own foliage, together with some broad-leaved grasses, to break the too abrupt edge of the glass. This is a point that must be remembered in arranging flowers, the keeping the relative height and habit of the plant in the mind's eye. These lilies, gathered with short stems and massed in a crowded bunch, at once lose their individuality and become mere little freckled yellow gamins of the flower world.

A rather slender jar or vase also gives an added sense of height; long-stemmed flowers should never be put in a flat receptacle, no matter how adroitly they may be held in place. Only last month I was called upon to admire a fine array of long-stemmed roses that were held in a flat dish by being stuck in wet sand, and even though this was covered by green moss, the whole thing had a painfully artificial and embalmed look, impossible to overcome.

For the living room, which is in quiet green tones and chintz-upholstered wicker furniture, I gathered Shirley poppies. They are not as large and perfectly developed as those I once saw in your garden from fall-sown seed, but they are so delicately tinted and the petals so gracefully winged that it seemed like picking handfuls of butterflies.

Maria Maxwell has shown me how, by looking at the stamens, I can tell if the flower is newly opened, for by picking only such they will last two full days. How lasting are youthful impressions! She remembers all these things, though she has had no very own garden these ten years and more. Will the Infant remember creeping into my cot in these summer mornings, cuddling and being crooned to like a veritable nestling, until her father gains sufficient consciousness to take his turn and delight her by the whistled imitation of a few simple bird songs? Yes, I think so, and I would rather give her this sort of safeguard to keep off harmful thoughts and influences than any worldly wisdom.

The poppies I arranged in my smallest frosted-white and cut-glass vases in two rows on the mantel-shelf, before the quaint old oblong mirror, making it look like a miniature shrine. Celia Thaxter had this way of using them, if I remember rightly, the reflection in the glass doubling the beauty and making the frail things seem alive!

For the library, where oak and blue are the prevailing tints, I filled a silver tankard with a big bunch of blue cornflowers, encircled by the leaves of "dusty miller," and placed it on the desk.

The dining-room walls are of deep dark red that must be kept cool in summer. At all seasons I try to have the table decorations low enough not to oblige us to peer at one another through a green mist, and to-day I made a wreath of hay-scented ferns and ruby-spotted Japan lilies (_Speciosum rubrum_, the tag says--they were sent as extras with my seeds), by combining two half-moon dishes, and in the middle set a slender, finely cut, flaring vase holding two perfect stems, each bearing half a dozen lily buds and blossoms. These random bulbs are the first lilies of my own planting. There are a few stalks of the white Madonna lilies in the grass of the old garden and a colony of tiger lilies and an upright red lily with different sort of leaves, all clustered at the root, following the tumble-down wall, the rockery to be. I am fascinated by these Japanese lilies and desire more, each stalk is so sturdy, each flower so beautifully finished and set with jewels and then powdered with gold, as it were. Pray tell me something about the rest of the family! Do they come within my range and pocket, think you? The first cost of a fair-sized bed would be considerable, but if they are things that by care will endure, it is something to save up for, _when the rose bed is completed_--take note of that!

When Bart came home this afternoon, he walked through the rooms before going out and commented on the different flowers, entirely simple in arrangement, and lingered over them, touching and taking pleasure in them in a way wholly different from last week, when each room was a jungle and I was fairly suffering from flower surfeit.

Now I find myself taking note of happy combinations of colour in other people's gardens and along the highways for further experiments. I seem to remember looking over a list of flower combinations and suggestions in your garden book. Will you lend it to me?

By the way, opal effects seem to circle about the place this season--the sunsets, the farm-house windows, and finally that rainy night when we were playing whist, when _The Man_, taking a pencil from his pocket, pulled out a little chamois bag that, being loose at one end, shed a shower of the unset stones upon the green cloth, where they lay winking and blinking like so many fiery coals.

"Are you a travelling jeweler's shop?" quizzed Bart.

"No," replied _The Man_, watching the stones where they lay, but not attempting to pick them up; "the opal is my birth stone, and I've always had a fancy for picking them up at odd times and carrying them with me for luck!"

"I thought that they are considered unlucky," said Maria, holding one in the palm of her hand and watching the light play upon it.

"That is as one reads them," said _The Man_; "to me they are occasionally contradictory, that is all; otherwise they represent adaptation to circumstances, and inexpensive beauty, which must always be a consolation."

Then he gave us each one, "to start a collection," he said. I shall have mine set as a talisman for the Infant. I like this new interpretation of the stone, for to divine beauty in simple things is a gift equal to genius.

Maria, however, insisted upon giving an old-fashioned threepenny bit, kept as a luck penny in the centre of her purse, in exchange. How can any woman be so devoid of even the little sentiment of gifts as she is?

A moment later _The Man from Everywhere_ electrified us by saying, in the most casual manner, "Now that we are on the subject of opals, did I tell you that, being in some strange manner drawn to the place, I have made Opie an offer for the Opal Farm?"

"Good enough! but what for?" exclaimed Bart, nearly exposing a very poor hand.

"How splendid!" I cried, checking an impulse to throw my arms around his neck so suddenly that I shied my cards across the room--"Then the meadow need never be cut again!"

"What a preposterous idea! Did he accept the offer?" jerked Maria Maxwell, with a certain eagerness.

_The Man's_ face, already of a healthy outdoor hue, took a deeper colour above the outline of his closely cropped black beard, which he declined to shave, in spite of prevailing custom.

"I'm afraid my popularity as a neighbour is a minor quality, when even my Lady Lazy makes it evident that her enthusiasm is for meadow weeds and not myself!"

"When would you live there?" asked practical Bart.

"All the time, when I'm not elsewhere!" said _The Man_. "No, seriously, I want permanent headquarters, a house to keep my traps in, and it can easily be somewhat remodelled and made comfortable. I want to own a resting-place for the soles of my feet when they are tired, and is it strange that I should pitch my tent near two good friends?"

It was a good deal for _The Man_ to say, and instantly there was hand-shaking and back-clapping between Bart and himself, and the game became hopelessly mixed.

As for Maria, she as nearly sniffed audibly at the idea as a well-bred woman could. It is strange, I had almost fancied during the course of the past month, and especially this evening, that _The Man's_ glance, when toward her, held a special approval of a different variety than it carried to Bart and me! If Maria is going to worry him, she shall go back to her flat! I've often heard Bart say that men's feelings are very woundable at forty, while at twenty-five a hurt closes up like water after a pebble has been dropped in it.

* * * * *

Yes, Maria _has_ been rude to _The Man_, and in my house, too, where she represents me! Anastasia told me! I suppose I really ought not to have listened, but it was all over before I realized what she was saying.

"Yes, mem, for all Miss Marie do be fixed out, so tasty and pleasant like to everybody, and so much chicked up by the country air, she's no notion o' beaus or of troubling wid the men!"

"What do you mean, Anastasia?" said I, in perfect innocence. "Of course Miss Maria is not a young girl to go gadding about!"

"It's not gadding I mean, mem, but here on the porch, one foine night, jest before the last time Mister Blake went off fer good, they was sat there some toime, so still that, says I to meself, 'When they do foind spach, it'll be something worth hearing!'

"'Do I annoy you by staying here? Would you prefer I went elsewhere?' says he, and well I moind the words, for Oi thought an offer was on the road, and as 'twas the nearest I'd been to wan, small wonder I got excoited! Then Miss Marie spoke up, smooth as a knife cutting ice cream,--'To speak frankly,' says she, 'you do not exactly annoy me, but I'd much rather you went elsewhere!' Och, but it broke me heart, the sound of it!"

* * * * *

LIST OF FLOWER COMBINATIONS FOR THE TABLE FROM BARBARA'S _GARDEN BOKE_

HEAVILY SCENTED FLOWERS, SUCH AS HYACINTHS, LEMON AND AURATUM LILIES, POLYANTHUS NARCISSUS, MAGNOLIAS, LILACS, AND THE LIKE, SHOULD BE AVOIDED.

Snowdrops and pussy-willows.
Hepaticas and moss.
Spice-bush and shad-bush sprays.
Trailing arbutus and sweet, white garden violets.
Double daffodils and willow sprays.
Crocus buds and moss.
Blue garden scillas and wild white saxifrage.
Black-birch catkins and wind-flowers.
Plants of the various wild violets, according to season, arranged
in an earthen pan with a moss or bark covering.
Old-fashioned myrtle, with its glossy leaves, and single narcissus,
or English primroses.
Bleeding-heart and young ferns.
English border primroses in small rose bowls.
Lilies-of-the-valley, with plenty of their own leaves, and poets'
narcissus.
Tulip-tree flowers and leaves.
The wild red-and-gold columbine with young white-birch sprays.
Pinxter flower and the New York or wood fern.
Jack-in-the-pulpit with its own leaves, in a bark or moss
covered jar.
Pink moccasin-flowers with ferns, in bark-covered jar.
Pansies with ivy or laurel leaves, arranged in narrow dishes to
form a parterre about a central mirror.
Iceland poppies with small ferns or grasses.
May pinks and forget-me-nots.
Blue larkspurs and deutzia (always put white with blue flowers).
Peonies with evergreen ferns, in a central jar.
Sweet-william, arranged in separate colours for parterre effect
or in a large blue-and-white bowl, with graceful sprays of
honeysuckle flowers.
Wild roses with plenty of buds and foliage, in blue-and-white
bowls.
Roses in large sprays with branches of the young leaves of copper
beech--or masses of Chinese honeysuckle.
Roses with short stems arranged with their own or _rugosa_ foliage
in blue-and-white dishes that have coarse wire netting fitted
to the top to keep the flowers in place.
White field daisies, clover, and flowering grasses, in a large
bowl or jar.
Mountain laurel with its own leaves, in central jar and parterre
dishes.
Nasturtiums, in cut-glass bowl or vase, with the foliage of
lemon verbena.
Sweet peas of five colours with a fringe of maiden-hair ferns,
the deepest colour in a central jar, with other smaller
bowls at corners, and small ferns laid around mirror and
on cloth between.
Japan lilies, single flowers, in parterre dishes with ivy leaves, and
sprays in central vase.
Balsams arranged in effect of set borders.
Asters in separate colours.
Spotted-leaved pipsissewa of the woods with fern border, in bark-covered
dish.
Red and gold bell meadow lilies, in large jar, with field grasses.
Gladioli--the flowers separated from the stalks and arranged
with various leaves for parterre effect, or stalks laid upon the
cloth with evergreen ferns to separate the places at a
formal meal.
Sweet sultan, in separate colours, in rose bowls, with fragrant
geranium or lemon-verbena foliage.
Shirly poppies with grasses or green rye, in four slender vases
about a larger centrepiece.
Margaret or picotee carnations with mignonette, arranged loosely
in a cut-glass vase or bowl.
Green rye, wheat, or oats with the blue garden cornflower--or
wild blue chickory.
Wild asters with heavy tasselled marsh-grasses.
Goldenrods with purple iron weed and vines of wild white
clematis, arranged about a flat dish of peaches and pears.
All through autumn place your central mirror on a mat made by
laying freshly gathered coloured leaves upon the cloth.
Wallflowers and late pansies.
White Japanese anemonies and ferns.
Grass of Parnassus, ladies tresses, and marsh shield ferns.
Garden chrysanthemums, in blue-and-white jars and bowls, on a
large mat of brown magnolia leaves.
Sprays of yellow witch-hazel flowers and leaves of red oak.
Sprays of coral winterberry, from which leaves have been
removed, and white-pine tassels.
Club-mosses, small evergreen ferns, and partridge vine with its
red berries, in a bark-covered dish of earth.

XI

A SEASIDE GARDEN

(Barbara Campbell to Mary Penrose)

_Gray Rocks, July 19._ Your epistle upon the evils of an excess of flowers in the house found us here with the Cortrights and Bradfords, and I read it with Lavinia and Sylvia on either side, as the theme had many notes in it familiar to us all! There are certainly times and seasons when the impulse is overpowering to lay hold of every flower that comes in the way and gather it to one's self, to cram every possible nook and corner with this portable form of beauty and fairly indulge in a flower orgie. Then sets in a reaction that shows, as in so many things, the middle path is the best for every day. Also there are many enthusiastic gardeners, both among those who grow their own flowers and those who cause them to be grown, who spare neither pains nor money until the flowers are gathered; then their grip relaxes, and the house arrangement of the fruit of their labour is left to chance.

In many cases, where a professional gardener is in charge, several baskets, containing a confused mass of blossoms, are deposited daily in porch or pantry, often at a time when the mistress is busy, and they are either overlooked or at the last moment crammed into the first receptacle that comes to hand, from their very inopportuneness creating almost a feeling of dislike.

When once lodged, they are frequently left to their fate until they become fairly noisome, for is there anything more offensive to æsthetic taste than blackened and decaying flowers soaking in stagnant water?

Was it not Auerbach, in his _Poet and Merchant_, who said, "The lovelier a thing is in its perfection, the more terrible it becomes through its corruption"? and certainly this applies to flowers.

Flowers, like all of the best and lasting pleasures, must be taken a little seriously from the sowing of the seed to the placing in the vase, that they may become the incense of home, and the most satisfactory way of choosing them for this use is to make a daily tour about the garden, or, if a change is desired, through the fields and highways, and, with the particular nook you wish to fill in mind, gather them yourself.

Even the woman with too wide a selection to gather from personally can in this way indicate what she wishes.

In the vegetable garden the wise man thinks out his crop and arranges a variety for the table; no one wishes every vegetable known to the season every day, and why should not the eye be educated and nourished by an equal variety?

We are all very much interested in your flower-holders of natural wood, and I will offer you an idea in exchange, after the truly coöperative Garden, You, and I plan. In the flower season, instead of using your embroidered centrepieces for the table, which become easily stained and defaced by having flowers laid upon them, make several artistic table centres of looking-glass, bark, moss, or a combination of all three.

Lavinia Cortright and I, as a beginning, have oval mirrors of about eighteen inches in length, with invisibly narrow nickel bindings. Sometimes we use these with merely an edge of flowers or leaves and a crystal basket or other low arrangement of flowers in the centre. The glass is only a beginning, other combinations being a birch-bark mat, several inches wider than the glass, that may be used under it so that a wide border shows, or the mat by itself as a background for delicate wood flowers and ferns. A third mat I have made of stout cardboard and covered with lichens, reindeer moss, and bits of mossy bark, and I never go to the woods but what I see a score of things that fairly thrust themselves before me and offer to blend with one of these backgrounds, and by holding the eye help to render meal-times less "foody," as Sukey Latham puts it, though none the less nourishing.

Last night when we gathered at dinner, a few moments after our arrival and our first meeting at this cottage, I at once became aware that though host and hostess were the same delightful couple, we were not dining at Meadow's End, their Oaklands cottage, but at Gray Rocks, with silver sea instead of green grass below the windows. While the sea surroundings were brought indoors and on the centre of the dinner table the mirror was edged by a border of sea-sand, glistening pebbles and little shells were arranged as a background instead of mosses and lichens, and rich brown seaweeds still moist with the astringent tonic sea breath edged this frame, and the more delicate rose-coloured and pale green weeds seemed floating upon the glass, that held a giant periwinkle shell filled with the pink star-shaped sabbatia, or sea pink, of the near-by salt marshes. There was no effort, no strain after effect, but a consistent preparation of the eye for the simple meal of sea food that followed.

In front of the cottage the rocks slope quickly to the beach, but on either side there is a stretch of sand pocketed among the rocks, and in the back a dune stops abruptly at the margin of wide salt meadows, creek-fed and unctuous, as befits the natural gardens of the sea.

The other cottages lying to the eastward are gay in red-and-white striped awnings, and porch and window boxes painted red or green are filled with geraniums, nasturtiums, petunias,--any flowers, in short, that will thrive in the broiling sun, while some of the owners have planted buoy-like barrels at the four corners of their enclosures and filled them with the same assortment of foliage plants with which they would decorate a village lawn. This use of flowers seemed at once to draw the coolness from the easterly breeze and intensify the heat that vibrates from the sand.

Have you ever noticed that the sea in these latitudes has no affinity for the brightest colours, save as it is a mirror for the fleeting flames of sunrise and sunset?

The sea-birds are blended tints of rock, sand, sky, and water, save the dash of coral in bill and foot of a few, just as the coral of the wild-rose hips blends with the tawny marsh-grasses. Scarlet is a colour abhorred even by the marshes, until late in autumn the blaze of samphire consumes them with long spreading tongues of flame. How can people be so senseless as to come seaward to cool their bodies, and yet so surround themselves with scarlet that it is never out of range of the eye?

Lavinia Cortright and the botanical Bradfords, as Evan calls them, because though equally lovers of flowers, they go further than some for the reason why that lies hid beneath the colour and perfume, have laid out and are still developing a sand garden that, while giving the cottage home the restful air that is a garden's first claim, has still the distinct identity of the sand and sea!

To begin, with one single exception, they have drawn upon the wild for this garden, even as you are doing in the restoration of your knoll. Back of the cottage a dozen yards is a sand ridge covering some fairly good, though mongrel, loam, for here, as along most of the coasts of sounds and bays, the sea, year by year, has bitten into the soil and at the same time strewn it with sand. Considering this as the garden boundary, a windbreak of good-sized bayberry bushes has been placed there, not in a stiff line, but in blended groups, enclosing three sides, these bays being taken from a thicket of them farther toward the marshes.

An alley from the back porch into this enclosure is bordered on either side by bushes of beach plum, that, when covered with feathery white bloom in May, before the leaves appear, gives the sandy shore the only orchard touch it knows. Of course the flowering period is over when the usual shore season begins, though nowadays there is no off time--people go to shore and country when they are moved; yet the beach plum is a picturesque bush at any time, especially when, in September, it is loaded with the red purple fruit. In the two spaces on either side the alley the sand is filled with massed plants that, when a little more time has been given them for stretching and anchoring their roots, will straightway weave a flower mat upon the sand.

Down beyond the next point, one day last autumn, Horace and Sylvia found a plantation of our one New England cactus, the prickly pear (_Opuntia opuntia_). We have it here and there in our rocky pasture; but in greater heat and with better underfeeding it seemed a bit of a tropical plain dropped on the eastern coast. Do you know the thing? The leaves are shaped like the fans of a lobster's tail and sometimes are several-jointed, smooth except for occasional tufts of very treacherous spikes, and of a peculiar semitranslucent green; the half-double flowers set on the leaf edges are three inches across and of a brilliant sulphur-yellow, with tasselled stamens; the fruit is fleshy, somewhat fig-shaped, and of a dark red when ripe--altogether a very decorative plant, though extremely difficult to handle.

After surveying the plantation on all sides, the tongs used by the oyster dredges suggested themselves to Horace, and thus grasped, the prickly pears were safely moved and pegged in their new quarters with long pieces of bent wire, the giant equivalents of the useful hairpins that I recommended for pegging down your ferns.

Now the entire plot of several yards square, apparently untroubled by the removal, is in full bloom, and has been for well-nigh a month, they say, though the individual blossoms are but things of a day. Close by, another yellow flower, smaller but more pickable, is just now waving, the rock rose or frostweed, bearing two sorts of flowers: the conspicuous yellow ones, somewhat resembling small evening primroses, while all the ground between is covered with an humble member of the rock rose family--the tufted beach heather with its intricate branches, reminding one more of a club-moss than a true flowering plant. Not a scrap of sand in the enclosure is left uncovered, and the various plants are set closely, like the grasses and wild flowers of a meadow, the sand pinweed that we gather, together with sea lavender, for winter bouquets much resembling a flowering grass.

The rabbit-foot clover takes kindly to the sandy soil, and, as it flowers from late May well into September, and holds its little furry tails like autumn pussy-willows until freezing weather, makes a very interesting sort of bed all by itself, and massed close to it, as if recognizing the family relationship, is the little creeping bush clover with its purplish flowers.

Next, set thickly in a mass representing a stout bush, comes the fleshy beach pea with rosy purple flowers. When it straggles along according to its sweet will, it has a poor and weedy look, but massed so that the somewhat difficult colour is concentrated, it is very decorative, and it serves as a trellis for the trailing wild bean, a sand lover that has a longer flowering season.

A patch of a light lustrous purple, on closer view, proves to be a mass of the feathered spikes of blazing star or colic-root, first cousin of the gay-feather of the West, that sometimes grows six feet high and has been welcomed to our gardens.

On the opposite side of the beach-plum alley, the Bradfords have made preparations for autumn glory, such as we always drive down to the marsh lands from Oaklands not only to see but to gather and take home. Masses of the fleshy tufted seaside goldenrod, now just beginning to throw up its stout flowerstalks, flank a bed of wild asters twenty feet across. Here are gathered all the asters that either love or will tolerate dry soil, a certain bid for their favour having been made by mixing several barrels of stiff loam with the top sand, as an encouragement until the roots find the hospitable mixture below.

The late purple aster (_patens_) with its broad clasping leaves, the smooth aster (_lævis_) with its violet-blue flowers, are making good bushes and preparing for the pageant. Here is the stiff white-heath aster, the familiar Michaelmas daisy, that is so completely covered with snowy flowers that the foliage is obliterated, and proves its hold upon the affections by its long string of names,--frostweed, white rosemary, and farewell summer being among them,--and also the white-wreath aster, with the flowers ranged garland-wise among the rigid leaves, and the stiff little savory-leaved aster or sand starwort with pale violet rays. Forming a broad, irregular border about the asters are stout dwarf bushes of the common wild rose (_humilis_), that bears its deep pink flowers in late spring and early summer and then wears large round hips that change slowly from green to deep glowing red, in time to make a frame of coral beads for the asters.

Outside the hedge of bays, where a trodden pathway leads to the boat landing, the weathered rocks, washed with soft tints blended of the breath of sea mist and sunset rays, break through the sand. In the lee of these, held in place by a line of stones, is a long, low bed of large-flowered portulaca, borrowed from inland gardens, and yet so in keeping with its surroundings as to seem a native flower of sea sands.

The fleshy leaves at a little distance suggest the form of many plants of brackish marsh and creek edges, and even the glasswort itself. When the day is gray, the flowers furl close and disappear, as it were, but when the sun beats full upon the sand, a myriad upraised fleshy little arms stretch out, each holding a coloured bowl to catch the sunbeams, as if the heat made molten the sand of quartz and turned it into pottery in tints of rose, yellow, amber, scarlet, and carnation striped. It was a bold experiment, this garden in the sand, but already it is making good.

Then, too, what a refreshment to the eyes is it, when the unbroken expanse of sky and sea before the house tires, to turn them landward over the piece of flowers toward the cool green marshes ribboned with the pale pink camphor-scented fleabane, the almost intangible sea lavender, the great rose mallows and cat-tail flags of the wet ground, the false indigo that, in the distance, reminds one of the broom of Scottish hills, the orange-fringed orchis, pink sabbatia, purple maritime gerardia, milkwort, the groundsel tree, that covers itself with feathers in autumn, until, far away beyond the upland meadows, the silver birches stand as outposts to the cool oak woods, in whose shade the splendid yellow gerardia, or downy false foxglove, nourishes. Truly, while the land garden excels in length of season and profusion, the gardens of the sea appeal to the lighter fancies and add the charmed spice of variety to out-of-door life.

One of the most interesting features of this cottage and its surroundings is the further transplanting of Martin Cortright from his city haunts. At Meadow's End, though he works in the garden in a dilettante sort of way with Lavinia, takes long walks with father, and occasionally ventures out for a day's fishing with either or both of my men, he is still the bookworm who dives into his library upon every opportunity and has never yet adapted his spine comfortably to the curves of a hammock! In short he seems to love flowers historically--more for the sake of those in the past who have loved and written of them than for their own sake.

But here, even as I began to write to you, Mary Penrose, entrenched in a nook among the steep rocks between the cottage and the sea, a figure coming up the sand bar, that runs northward and at low water shows a smooth stretch a mile in length, caught my eye. Laboriously but persistently it came along; next I saw by the legs that it was a man, a moment later that he was lugging a large basket and that a potato fork protruded from under one arm, and finally that it was none other than Martin Cortright, who had been hoeing diligently in the sand and mud for a couple of hours, that his guests might have the most delectable of all suppers,--steamed clams, fresh from the water, the condition alone under which they may be eaten _sans peur et sans reproche_!

XII

THE TRANSPLANTING OF EVERGREENS

(Mary Penrose to Barbara Campbell)

_Woodridge, August 8._ Back again in our camp, we thought to pause awhile, rest on our oars, and drift comfortably with the gentle summer tide of things. We have transplanted all the ferns and wild herbs for which we have room, and as a matter of course trees and shrubs must wait until they have shed their leaves in October. That is, all the trees that _do_ shed. The exceptions are the evergreens, of which the river woods contain any number in the shape of hemlocks, spruces, and young white pines, the offspring, I take it, of a plantation back of the Windom farm, for we have not found them anywhere else.

The best authorities upon the subject of evergreens say that trees of small size should be transplanted either in April, before they have begun to put on their dressy spring plumes, or, if the season be not too hot and dry, or the distance considerable, in August, after this growth has matured, time thus being given for them to become settled in the ground before winter.

We weighed the matter well. The _pros_ in favour of spring planting lay in the fact that rain is very likely to be plentiful in April, and given but half a chance, everything grows best in spring; the _cons_ being that the spring rush is usually overpowering, that in a late season the frost would not be fairly out of the knoll and ground by the fence, where we need a windbreak, before garden planting time, and that during the winter clearing that will take place in the river valley, leaf fires may be started by the workmen that will run up the banks and menace our treasure-trove of evergreens.

The _pros_ for August consisted mainly of the pith of a proverb and a bit of mad Ophelia's sanity: "There is no time like the present" and "We know what we are, but know not what we may be!"