Chapter VII: The Increase of the Contingent
The terrible difficulties that were to arise with the marriage of Emilita, on account of the anti-bellicose opinions of her father, were got over with more facility than could have been expected.
History will not speak (although it could with more reason than it does of many events) of that solemn day when Nunez had to go in proper form and ask Don Cristobal for the hand of his daughter, of the memorable embrace with which the latter received him, clasping him warmly to his civil breast with that incredible fusion of two heterogeneous elements created to repel each other, and the artless graces of the sweet coy angel are taken for granted and understood. If this particular page were the subject for any historian, he could not abstain from drawing attention to the extreme importance of such concord, which until then had been considered impossible, and at the same time he would impartially show the reverse side of the picture, laying before future generations the way the maligned patrician, Don Cristobal Mateo, was the victim of a social injustice, and of the persecution of his brother citizens.
It must be said that all the world in Lancia thought themselves entitled to joke this respectable and ancient functionary on the marriage of his daughter, sometimes directly, sometimes indirectly, but whenever the matter was referred to, allusion was made to the antagonistic opinions he had hitherto held on the abolition of the land forces. The marriage was called the increase of the contingent, and some were impertinent enough to give it that name before his future son-in-law.
One can easily conceive what it cost him to give up a tiresome and ill-judged fad.
But in spite of all the diatribes and murmurs of the neighbours, that hurt Mateo's feelings more than they affected his good humour, and in spite of the envy that burned in the majority of hearts, the increase of the contingent was to be consummated.
The time fixed for the auspicious occasion was the month of August. By that time it had acquired such importance that, as generally happens in little places, hardly anything else was talked of. The relations of the Pensioner, and his four daughters were numberless, and they all expected to be invited on the day of the marriage. And then, on the other side, some of the worthy and punctilious officers of the battalion of Pontevedra, friends of the bridegroom, were filled with the same desire.
As it was not possible to entertain so many people in the poetic dwelling of the Pensioner, they thought of celebrating the marriage in the country. The house most fitting for the occasion, by reason of its proximity to the town, was the Grange.
Don Cristobal made the request to the count, with whom he and his daughters were on very friendly terms, and he immediately placed it at his disposal. The happy union, the safe pledge of peace between the civil and military elements, was celebrated early in the day at the church of San Rafael. Fray Diego performed the ceremony, as he enjoyed great prestige among the officers for being the strangest priest and the most inveterate toper of the capital. More than twenty ladies, and almost as many gentlemen, assisted at the service. That over, they all resorted to the Grange to spend the day there. Carriages were not required to go to a place so near the town. But they had the Count of Onis and the Quinones' to convey the bride and bridegroom, and a few elderly people like the two Senoritas de Mere. The guests included almost all the Grandee's party, several of that of the de Meres, and a good number of officers.
The count had the old house arranged as well as possible. It was as well known to almost everybody as their own homes, for being so near the town, and having such a beautiful wood, it was the best place for _fetes champetres_, and the counts had never refused permission for these occasions. When they had arrived and enjoyed the chocolate, which was waiting for them in the large room, paved with brick on the ground floor, which served as dining-room, they dispersed without ceremony over the house and about the estate, prepared to kill the time as well as they could until the bell rang for dinner.
The bride, with Amalia, who had been her bridesmaid, and two other ladies sat quietly in one of the rooms. Her eyes were shining, her cheeks red, and it was in vain that she tried to conceal the deep emotion she was feeling under a dignified and serious demeanour.
Those in her company, who were all married, caressed her incessantly, passed their hands over her hair, gave her little pats on the cheeks, and sometimes took her by the hands and impressed a kiss on her forehead, with the half tender, half ironical condescension evinced by the long experienced to the novices in matrimony. There is not one who does not feel at the sight of a bride the echo of certain distant music in her heart, the taste of the honey of the remote moon comes to her lips; but it comes, alas! with the bitter taste of several years of matrimonial prose. In every married woman there is a poet disillusioned of his muse. Hence the Byronic smile on her face at the sight of the happiness shining in the eyes of a bride.
Emilita had changed her character in a quarter of an hour. All the playfulness and sprightliness she had hitherto displayed was now changed to gravity and sedateness. She talked wisely with the matrons, her companions, about starting the larder, about domestic servants, who were considered by all to be dreadfully going down, and the price of meat. She seemed to have grown so old in this quarter of an hour that it was surprising not to see some silver threads in her golden hair. To turn to her sisters, they, in strange contrast, seemed to have lost some years since the investiture of the younger one. They had gone back to childhood. Like creatures longing to disport themselves in the light and air, the three rushed into the wood, making the silence that reigned there ring with their voices and innocent shouts of laughter. _Virgen del Amporo_! how they jumped! how they laughed! What impish tricks those little mad things were up to! For the greater enjoyment of the innocent games that their youthful retrogression demanded, they threw off their mantillas, let their hair loose, took off their gloves, cast aside fan and parasol, did all that youth could suggest, and were as pranksome as any children. Not only was their angelic hair allowed to float upon their shoulders, but they took off watches, rings, and bracelets and handed them to papa, taking him by the collar to give him a thousand caresses, like bright and affectionate children as they were. Then, seeing that some of the officers of the battalion were looking at them, they turned red and confused, pinned up their skirts until the foot and part of the leg was visible, and then ran through the wood, avoiding, like the nymphs of Diana, the ardent glances of the officers.
And when they reached a distant solitary spot, where the shadows deepened, and they were beyond the reach of mundane noises and malicious eyes of men, they shouted with delight like God's little birds to their companions to come and enjoy the delightful quiet where they could display their charms and enjoy themselves without fear of being surprised. Then one proposed to play at skipping and the rest acceded, clapping their hands. Jovita was the first. Jump, jump, until she fell on the grass in a state of exhaustion, pressing her hand to her heart that palpitated with fatigue, not with the insane agitation of youthful passions. Then another jumped, and then another, until they were all exhausted but merry, their rosy cheeks and bright eyes showing the pleasant happiness accruing to an innocent mind. When tired of this they proposed the game of "Let them give unto the kite a little onion with the mite." What laughter and merriment ensued! How the quiet wood echoed with the silvery voices of those beautiful, delicate creatures! Wearied of this game they dispersed for a little. A few formed a group seated at the foot of the trunk of an oak, and went in for the pleasant enjoyment of recounting in a low voice a thousand puerilities; others went in with enthusiasm for the search of little blue flowers, with which they made chains to deck themselves with; others ran after each other like swallows in the air uttering piercing screams the while. The steadier ones devoted their efforts to catching grasshoppers and other timid insects. But they soon reassembled, for a very daring girl proposed climbing a tree if they helped her; and another one said Yes, she would help her. So bear a hand! the spirited girl, who was named Consuelo, set about putting her little feet in the most accessible branches. The wayward companion, who was no other than Socorro, the third of the Pensioner's sirens, helped her. Consuelo finally climbed to where two branches crossed, from thence she got on to another, and all the nymphs applauded, and shouted with enthusiasm.
But lo and behold! Rubio, the lieutenant of the Third, a man known among his companions in arms as a genius in the art of enslaving the opposite sex, suddenly raised his bold head above the bushes. The nymphs, on seeing him, uttered a piercing cry, and stood petrified in the act in which he had surprised them. Consuelo, from the top of the tree, apostrophised him violently. If it had been in her power she would have immediately transformed that new Actaeon into a stag. But there, _entre nous_, it is possible that she would have preferred first to transform him into a husband, regardless of a more exact rendering of the classical metamorphosis.
But Rubio, the lieutenant of the Third, knew perfectly well what these shrieks and apostrophisings were worth. He was not put out, he smiled maliciously, and called with a rough voice to his brothers in arms. What confusion! What terror among those merry daughters of the wood as the sons of Mars approached in a closed line! Without picking up their mantillas, gloves or parasols, nothing, in short, that belonged to them, they fled through the plantation uttering cries of terror. But the satyrs in red trousers willingly followed them, caught them up, and took them captive with hateful laughter. In the meanwhile poor Consuelo, besieged by three of these bold satyrs, simply declined to come down until they went fifty yards off. But they, the cruel creatures, they refused. The nymph entreated, got angry, and was on the point of crying, but neither her anger nor her tears could soften the stony hearts of the infamous satyrs. At last she resigned herself to coming down, and although she took many modest precautions, they managed to see a foot charmingly shod, and a suspicion of leg, which made them roar with delight. But where was Rubio? Where was the most terrible and fiercest of all? They did not know, but at the end of some time he appeared from the glade, bringing with him Socorro, the most sentimental of Don Cristobal's undines. His cruel features bore an expression of triumph, and hers evinced the shame and submission of a captive. Many hours later, near midnight, seated at a table of the Cafe Maranon, and surrounded by eight or ten of his companions, the lieutenant of the Third related with a malevolent smile his conquest of the nymph, calculating that he had managed to imprint at least twenty-five or thirty kisses on different parts of her bewitching face, and all the sons of Mars applauded and celebrated this fresh triumph of their heroic companion with Homeric shouts of laughter.
Finally the conquerors modified their tyranny, and order was re-established, thanks to the opportune arrival of the Senoritas de Mere, who appeared with Maria Josefa and Paco Gomez. The little ladies, the only ones, in fact, to whom the matrimonial event was due, had turned over their boxes for a befitting toilette for the occasion, and Carmelita wore a dress of black bombazin, which only came out on state occasions, whilst Nuncita, being younger and less sedate, was able to wear a clear dress bordered with flowers, such as are only seen in pictures of the past century. They were very cheerful, satisfaction shone in their eyes, but their legs were not equal to the eternal youth of their hearts; they supported themselves on sticks, and leant with their free hands on the arms of their companions. They were received with cheers and hurrahs. Many rude jokes were levelled at them, to which nobody assented more willingly nor laughed more heartily than the little saints of Mere, so there was little merit in quizzing them. They were never seen to be cross with their friends, and so fun was pushed so far with them that it sometimes bordered on coarseness; but they were very prone to intestine warfare, and to get cross with each other; however, we know the leading feature of these performances.
The bold spirit of Lieutenant Rubio, sharpened, by the circumstances, conceived a most happy idea; he thought the best way of passing the time until the dinner-hour would be to construct a swing in which the ladies could be pulled backwards and forwards for some minutes by the gentlemen, who would have the pleasure of managing the apparatus. No sooner said than done. Ropes were found, a board was cut, in less than a quarter of an hour everything was in order. Whilst the arrangements were being completed, Rubio kept on giving expressive winks to his companions, who understood, smiled, held their tongues, and greatly admired the audacity and penetration of the lieutenant of the Third. The swing was now fixed. Who is to be the first? They all evinced the same shame, and the same colour suffused their cheeks. One mischievously thought of suggesting Nuncita. The rest applauded the idea. Nuncita held back in dismay. Carmelita neither conceded, nor withheld her permission. The entreaties were repeated on all sides.
The young men seemed each minute to be more taken with the idea. At last, almost by force, and amid the frantic applause of the party, Cuervo, the herculean cornet of the First, took the "child" up in his arms and seated her on the board.
"Hold tight, Nuncia!" cried Paco Gomez, whilst the aforesaid cornet and some other friends began to swing her.
"Gently! gently!" exclaimed Carmelita.
No fear; they were careful because they were afraid she would fall. But, carefully as they moved the swing, the air gradually began gently to raise her skirts. The officers laughed and went on with the swing until there was quite an exhibition.
"Go it! go it!"
The girls, with mingled amusement and shame, hid their faces, fell into each other's arms, and whispered into each other's ears.
"Stop! stop, gentlemen!" cried Carmelita.
Nobody took any notice. The "child's" clothes went higher and higher. One did not know where they would stop.
"Stop! stop! por Dios, senor cadet!"
"Go it with her!" cried the soldiers.
And the swing went quicker and quicker, and Nuncita was so frightened that she had no time to think of modesty.
"Senor cadet! senor captain!" cried Carmelita all trembling, waving her arms, with her lower jaw distended, beating against the upper one, which was also distended, with a strange trembling. "Senor captain, stop, por Dios! For the love of the Holy Virgin! Stop! stop! stop!"
"So-o-o!" exclaimed Paco.
But the captain was obdurate and would not leave off. The skirts of Nuncita were now as high as they could go. The young girls turned their backs, and some ran laughing to hide themselves among the trees. It was only when the officers had completed their shameless act that they gave in and allowed Nuncita to get down. Her sister, instead of being angry with the guilty ones, flew upon "the child" full of fury, with her eyes flaming with rage.
"Get down, you bad girl! you shameless creature! Is this the education you learnt from your parents? Is this what the confessor tells you to do?"
Nuncita, quite upset, puckered up her face and began to cry.
The young men and women tried to calm the infuriated Carmelita. The captain and the cadet took all the blame. It was in vain. The anger was not appeased until it had vented itself in many violent and offensive remarks. The poor "child," seated sobbing on the ground with her face hid in her hands, excited the compassion of all present, who interceded for her incessantly.
It was then a question as to who was to get up into the swing next? Nobody wished to, which was very natural. How could one be swung by such bold, shameless men? It was in vain that soldiers and civilians explained their conduct in the past event, and solemnly swore not to do it again, but to be orderly and prudent and always under the ladies' orders. But they were not to be trusted. The lieutenant Rubio especially inspired them with a great terror as they considered him, and not without reason, as the instigator of all the shameless tricks.
But when they were quite at their wits' end, lo! and behold Consuelo, the brave, determined child, who shortly before had climbed the tree, whispered to one of her companions, came forward and said, to the horror of the other girls:
"I will do it. Help me, gentlemen."
A cry of enthusiasm greeted these spirited words. For some instants nothing was heard but "Viva Consuelo! viva Consuelo!" from the delighted company. There was not one that did not wish to help her and load her with flowers and presents. The athletic cadet, with a knightly air, knelt on one knee and asked her to place her foot on the other. The intrepid girl, nothing loth, consented, and with one spring she was on the seat. Both soldiers and civilians thought they were in luck's way. They exchanged looks of intelligence, they had no intention of keeping their word, and they were determined to repay the girl's confidence with the blackest treason. But when they were getting the apparatus ready and preparing to execute their malicious design, Consuela made a sign to her friend, who immediately came forward with a handful of pins and fastened her skirts together in such a way that even when the swing moved the point of her foot could not be seen.
The weaker sex applauded with mad enthusiasm.
"Good, Consuelo! good!"
The men, vexed and defeated as they were, dared not protest too much, but they complained of her want of confidence, whilst the maiden herself, proud of the feat, looked at them with a smile of derision. The pins were such a success that no girl got up into the swing without prudently having her skirts pinned together.
Whilst such memorable scenes were being enacted in the wood Jaime Moro, scorning rural pleasures, tried to get Fray Diego and Don Juan Estrada-Rosa to make up a party for a game of _tresillo_.
He was bored in church, he was bored in the woods, in the town, and in the country. He only recovered his serenity of mind, and regained his equanimity and cheerfulness of spirits, when he took the cards into his hand. Fate was against him. There were no cards in the house. But he did not give in. He went down into the kitchen, called a servant aside who looked sharp and active, and giving him a _pourboire_, he told him to run to the town and get a couple of packets of cards. In the meanwhile he was strenuous in his efforts to entertain his companions, chatting away on subjects most interesting to them, and, above all, trying to conciliate Don Juan, who showed a decided tendency to go off and take a turn in the grounds and pay a visit to the mill like the other guests. Moro was at his wits' end, fearing he would not hold out till the servant's return, but happily he arrived in time. Directly he held in his hands the much-desired cards he was another man. Secure now of victory, he dragged off his friends to one of the quiet rooms of the house, had a square table brought, candles, beer, cigars, and there they were!
After such a narrow shave of losing it, Jaime Moro enjoyed his pleasure with a gusto that was enviable. A large number of shallower people, without sufficient imagination to understand or enjoy the delights of _tresillo_, had gone off, with the Pensioner as their guide, to take a turn round the place, and afterwards to visit the new-fashioned mill which the count had had erected a short time ago.
Captain Nunez, the bridegroom, with a few of his friends who were less partial to the feminine sex, such as Garnet, Don Enrique, Saleta, Manin, and a few others, were of the party. They could not get the count to go because he was not to be found. It was said he was giving orders to the men and surveying some works a little way off, but he was not anywhere about. However, a capable sort of half majordomo volunteered to act as guide.
The property was situated on the decline of the same hill as that on which Lancia is built. At the back of the house there was a wood that shut out the view of the town, so that although it was so near it seemed as if it were a hundred miles away; at the same time it protected it against the north and west winds, only leaving it exposed to the gentle breezes from the south and east. The noises of the town did not penetrate as far as there; only the bells of the cathedral muffled by the distance sounded sweetly at certain hours of the day. The high road goes behind the wood. Another little one branching from it brought it into communication with the estate. As we know, there was no park _a l'Anglais_ here, or _au Francais_, no little gardens, or cascades, or artificial grottoes. It was a property half for amusement, half for work. First came the wood, then the house with its courtyard, then a large deserted garden, and then immense meadows extending along the skirt of the hill as far as the river and even to the opposite bank. Sheep graze in these meadows, and the tinkling of their bells with the barking of the dogs are heard. It is easy to imagine that you are in the bosom of solitary nature, so profound is the peace, only broken by the song of a bird or the moo of a cow.
The excursionists went through the stables that were in good order, for the count was much interested in the cattle. Nevertheless, Saleta affirmed that he had seen much better in Holland, and one or two coarse incidents were here given to show the care of the Dutch in this respect. When they had been over the stables, they took the road across the fields and went down to the river, adorned on either side with alder trees and poplars, which formed at intervals a thick coppice, under which the river made its dark and gloomy way. The Loro is one of the smallest, and yet one of the most original rivers in Spain. Before arriving at the sea, "to die" as the poet says, it makes as many twists and turns as any crafty old fellow, who tries to evade the law to which all created beings are subject. It is impossible to imagine a more capricious stream. It sallies forth, brave and buoyant, as if it were going on for miles straight away to the ocean. But after a quarter of a mile it stops, turns, and meanders back nearly to where it started from, which gives some cause for thinking that it is going to take a higher course. It then starts afresh, not willingly, but by force of circumstances; this time it is lost to view, and everybody thinks it will never reappear, but it is not so. When the sly fox knows that he cannot be seen from the town, he sets about returning to it, but for shame's sake he makes a little detour, and stays a short while at some village near the same district. It never takes a frank and open course. Like all depraved characters it abhors the light, and takes every opportunity of avoiding trouble, by hiding under bushes, where it stops and grows corrupt in degrading idleness. Nobody can trust it. Many fine young men have been deceived by it seeming like an old rheumatic invalid, incapable of taking a step, and following its invitation to bathe where they were made to think it was only about a foot and a half deep, they were miserably drowned in its slimy depths.
In this river there were no naiads of celestial beauty ready to cleave the crystal waters with their alabaster arms, and no gracious undines with fair hair to come forth at night and play upon the surface.
The river Loro is gloomy, inimical to all poetic fancy, no fantastic figures hover there. The only thing it seems to take pleasure in harbouring is a vast quantity of frogs, so large that it makes one giddy to think that a number of them can live together, and the banks resound with the cheerful sound of their harmonious voices, which thundering sound prevented Saleta declaring, as he did when a little distance off, that when on the banks of the Yumuri on a certain evening, he was lucky enough to kill a crocodile with a stone. 'Tis true that under the piercing glance of his colleague Valero, he hastily added that the crocodile was quite young and only had one row of teeth.
They went for some distance along the gloomy bank of the Loro and crossed it by a rustic bridge, where the count had had it turned from its course by means of an aqueduct to work a mill. But just then a sudden desire seized the friends of the bridegroom, who were genuine representatives of the most vigorous and masculine element of the battalion, to show off the strength and muscular power of their legs. A lieutenant jumped the aqueduct. A captain, to be in no way behind the subaltern, did the same, but he got his feet wet. His _amour propre_ being excited, he took off his coat and jumped it again easily. The others did the same. The scene then assumed the appearance of the Olympian games, or still more those of the famous American display. But Nunez was a great jumper. He was well known in all the army, especially in the infantry, as an adept in this art. He jumped three or four times with the greatest ease; but naturally wishing to surpass his companions, and give a striking proof of his skill, he affirmed in a scornful tone that that was nothing, and that he was capable of jumping the aqueduct backwards. These words were received with respect by his colleagues, but also with a silence which the captain took for sceptical. He did not divest himself of a particle of his uniform, such courses were only for neophytes, but took a leap, and arriving at the edge of the water, turned and jumped, but unfortunately his feet were caught in some rushes and he fell flat into the stream. He was hidden for a moment from the sight of his friends, and came up puffing and blowing like a regular triton, saying that it was nothing, and that he was going to jump again to show them how it could be done. But his father-in-law would not allow it. He passed his hands over his body to see if he were wet, as of course he was, and then a prey to the wildest agitation, he, who a short while since would have exterminated the whole army completely, set to bawling:
"He must change his things! Now, at once!--Inflammation of the lungs!--Change his things!--Shivers!--Rheumatic fever!"
And other exclamations more or less coherent that gave proof of his profound interest in the officer's health.
In spite of his martial calling, Nunez acceded to the entreaties, and turned back to the house with his face frowning and furious, fully resolved to undress as far as his underthings, and go to bed whilst they sent to Lancia for a change of clothes. All his friends crowded round him, and so they arrived at the house.
Emilita, who was at the window, seeing them come along like this, asked in surprise:
"What is this?"
"Nothing," cried Papa, "but Nunez fell into the aqueduct."
On hearing these words, Emilita naturally uttered a shriek of horror, and fell senseless into the arms of several ladies. Nunez, transformed into a hero, forgetting his own health, ran to her assistance. In a few moments the place was filled with glasses of water, and two or three bottles of anti-spasmodic appeared upon the scene. When she began to recover consciousness and the critical moment of tears arrived, her sister Micaela, no longer able to control herself, attacked her father violently:
"This has been an act of cruelty! Do you think your daughter has a heart of bronze? You must indeed be deficient in tact to hurt a poor creature like this!"
The poor creature repaid the defence with an affectionate look as she gave her her hand. The Pensioner, being then reduced to the last stage of humility, scarcely dared to murmur, that seeing that Nunez was at her side, there was no cause for so much concern.
The ladies thought that Micaela had been disrespectful to her father, but they could not do less than admit that it had been a blunder, and they were full of sympathy for the unhappy bride.
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The GrandeeChapter VII: The Increase of the Contingent
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