Chapter III: Part 3

The aim of Duerer may be found in some respects in Bach's work, because both men were men of integrity, great and patient in soul. This, of course, is not to say that Bach was affected by Duerer, but is merely an endeavor to find what was noblest in Germany preceding Bach. One more allusion. In Bach's art we trace the mystic; not shadowy outpourings of hysterical emotion, but beauties of eternal verities disclosed in vision--faint, it is true--to none save the noblest of mortals.

One such kindred spirit preceding Bach was Boehme, the father of German mysticism, the poor cobbler, whose soul lay far away in the regions of celestial love, and whose utterance is of the realities thereof. These three men, Luther, Duerer, Boehme, are those to whom the great musician Bach is akin, but he is truly the child of the former, and the father of the highest aspirations in instrumental music.

For confirmatory evidence we have only to trace the growth of the Bach family. The progenitor, Veit Bach, was born at Wechmar, near Gotha, in 1550, and, following his trade as a baker, settled, after considerable wanderings, near the Hungarian frontier. Veit Bach was a stanch Lutheran. Whether the Lutheran services had given him a love of music, or whether they had only quickened a constitutional sympathy, it is impossible to say. Certain it is that he was passionately fond of music, and, cast for a period among a population whose emotions found constant and ready utterance in tone, he brought back to Wechmar, whither he had returned on account of religious persecution, his beloved cythringa and the art of playing it. There is evidence that this knowledge afforded him consolation and enjoyment in the quiet monotony of his life. While the mill was working, Veit Bach was often playing; and doubtless the peculiar charm and rhythm of old Hungarian melodies, songs of the people, which he had learned from the wandering gypsies, recurred to him, as well as those grand devotional hymns on which he had been nourished from childhood. We have said that Veit Bach was a stanch Lutheran. From father to son through generations, the Lutheran doctrine, pure and undefiled, had been handed down, accompanied by the musical gift, until both, uniting in Sebastian Bach, born at Eisenach in 1685, served to glorify the Lutheran chorale and the art which perfected it.

Again, the traditions of the great reformer must have been imbibed by Sebastian Bach from infancy. Surrounding his native town lay a circle of wooded heights, from one of which arose the Wartburg, that illustrious shrine of the German nation whither in mediæval and modern times her sons have repaired to exhibit and replenish their lamp of genius. There the minnesingers had gathered in contest a song; thither as a modern Elijah came the great monk, weary of soul, yet whose immortal genius unfolded the page of Sacred Writ; and down the wood-clad slope came issuing the melody of the Hebrew psalmist, translated into German speech and entering into German hearts, mingled with the narrative of the Redeemer's passion lit by awful and solemn glory of Eternal Love. Who shall say that young Bach knew not of these things? Who will contend that, when his genius matured and ripened, the immortal tones in which the eternal passion was portrayed owed nothing to this sympathy of association, this spiritual life with the great reformer born two centuries before?

Yet once more. The Bach family was full of affection and sympathy one toward the other. Each year witnessed a reunion of the various members of the family scattered throughout Thuringia, and each came bearing the gift of music. As a child among the elders we can imagine how the young Sebastian revered his uncles, Johann Christopher and Michael Sebastian, in whom were conserved and developed the Lutheran tonal principles and traditions; how he somewhat feared the austere character of his elder brother, Johann Christopher, to whose charge he was intrusted upon the death of his father.

But we need not imagine how the soul of the young boy was filled with inexpressible yearning for the art of music. We know that it was so. His brother, who instructed him, gauged not the nature of the lad. Often and often did the boy's wistful eyes and loving heart covet the possession of a manuscript book kept by his brother in strict reserve, containing a priceless collection of compositions by the great German masters and mediators. The boy extracted them from their resting-place, and we see the young tone-prophet striving to master the art-forms of Reinken, Buxtehude, Frescobaldi, Kerl, Froberger, and Pachelbel, endeavoring to wrest from them their style and inmost meaning by the light of the moon's pale rays, which led, alas! in after-years to blindness.

What revelations came to the soul of the young musician we know not. But his genius thus directed knew no pause until it had won forever the freedom of the tonal art, until the last fetter of conventionality had been removed, until in all dignity and beauty music came forth, henceforth to comfort and solace the human heart. But of this anon. We trace the young boy to school; we see him a chorister in the choir of St. Michael's, Lueneburg. Here he entered the gymnasium, studying Greek and Latin, organ-and violin-playing. Here, too, he exhausted the treasures of the musical library. But at Hamburg the great Reinken was giving a series of organ recitals. Thither young Bach repaired. At Celle he became acquainted with several suites and other compositions of celebrated French masters. In 1703 he became violinist in the Saxe-Weimar orchestra, and in the same year, aged eighteen, he was appointed organist at the new church at Arnstadt, where other members of his family had held similar positions. Thus already we have ample evidence both of intense activity and catholicity of taste, and now, a mere youth, he enters upon his life-work: the perfecting of church music, especially the chorale form, and the emancipation of the art from any influence whatsoever other than derives from contact with nature and emotion. If we ask what equipment he had for his task, we answer: enthusiasm, so deep, so tempered in all its qualities, that, though in a few years he became the ablest performer of his time upon the harpsichord and organ, yet never once is the term "virtuoso" associated in our thought with the purity of aspiration which characterized him. His enthusiasm was religious, deep-seated, his vision far and wide, and no temporary triumph, no sunlit cloud of fame, could satisfy the imperative needs of his inmost nature. And this nature was calm, with the calmness of strength and with that tender purity and homely virtue which characterized the surroundings of his boyhood.

This enthusiasm, this religious instinct, for what was noblest and best, led him early, as we have seen, to seek inspiration from the works of men who combined in their compositions all that the great previously existing schools had taught. Bach was never weary of learning if perchance he could attain a more lucid or more beautiful expression of his thought. We have, then, this enthusiasm, this capacity for at once discerning what was best. Add to it one more quality--the religious, in its best sense, which young Bach possessed to the uttermost, the feeling that his art was but the medium of expression for the deep things of God--and we have the equipment with which the young musician started on his quest.

Young Bach had received no great instruction in the schools of composition. That which he had he gathered with a catholicity of taste from all the renowned masters. Not one of his immediate ancestors had stirred beyond the confines of their simple home. Well for him was it so. No late meretricious Neapolitan tinsel could exist in the quiet, calm beauty of his Thuringian dwelling-place. Nature lay before him. "Come," she said, "seek to understand me. I have treasures that ye know not of, treasures that can only be gathered by the pure in heart and patient in spirit. Here around you, in your quiet German home, are the elements of all your strength. Here there is no distraction. Riches shall not allure you. Honorable poverty shall minister to your purity"; and young Bach knew that the voice was true, and, heeding it, there came to him likewise an inner voice, relating spiritual things, even as the voice of Nature related natural things.

Comprehending, then, his character, we pass on. His work at this period was formal. He felt, but could not express. But at Lubeck the noble-hearted Buxtehude was endeavoring to bring home to the hearts of the people the mission of music. Bach went thither. Fascinated by the grand organ-playing of the Lubeck master, and listening with heart-felt love to those memorable concerts of which we have previously spoken, Bach forgot both time and engagements. When he returned to Arnstadt, the spirit of Buxtehude was upon him. Henceforth the quiet people of Arnstadt knew no rest. Variations, subtle, beautiful, a refined and fuller contrapuntal treatment, mingled with the chorale. The conservatism of Arnstadt received a severe shock--a dreadful experience, doubtless, to the quiet German town. Such genius could come to no good end, and so the consistory and Bach agreed to part.

Bach had married in October, 1707. In 1708, while at Muehlhausen, his first considerable work, composed for the municipal elector, appeared. His election at Saxe-Weimar was undoubtedly owing to his playing before the Duke Wilhelm Ernst, and we can imagine with what pleasure the young musician, conscious of great power, looked forward to the intellectual and cultured life for which Weimar was renowned. In the course of a few years Bach was appointed orchestral and concert director to the Duke.

The liberal atmosphere of Weimar, the appreciation of men whose opinion was of worth, could but stimulate the mental faculties and widen the range of thought, and there is a breadth of conception and majesty in Bach at this period unknown before. With the assiduity of genius he labored for the realization of his ideal. Palestrina, Lotti, and Caldara were laid under contribution. The master transcribed the works of these composers with his own hands, and arranged the violin concertos of Vivaldi for the harpsichord and organ. It is ever with the greatest artists. They assimulate all the forms of kindred art, yet never sacrifice their individuality. The means enabling them to express their inmost soul must be found, but their soul will alone dictate the form which its expression will assume.

But Bach is approaching the close of the first period of his career. An invitation has been given him (1717) to become conductor of the orchestra at the court of Leopold of Anhalt-Koethen, a prince remarkable for his benevolence and cultured attainments. Here his duties were comparatively slight and his leisure abundant. Hitherto he had been engaged, as it were, in the temple service. At Weimar he had developed into a great tone-poet of sacred song. With refined strength and exquisite perception he had gathered up the related parts of song, weaving them into a unity of impassioned and majestic utterance.

But the great poet must have a wider experience. He must enter, as it were, into the great deeps of sacred emotion in things natural; he must perceive in the universe a deeper, a more majestic beauty even than in the temple. Then he will become a great prophet among his fellows, and illumine for all time the pathway of life, giving strength to the weak, consolation to the weary, and song to the blithe and pure of heart. This is what Bach became in tone. His attention at Koethen was directed mainly to instrumental music.

We have previously remarked upon the endeavors which certain German masters made to bring home to their countrymen an appreciation of instrumental music. How long the seed lay germinating in Bach's mind we know not. A new idea had taken possession of him, or, rather, he contemplated the application of the principle of his former labors in polyphony to instrumental music pure and simple.

At Koethen he supplemented his labors at Weimar. At Leipsic, whither we shall presently follow him, he brought them to completion.

But we are anticipating. We have seen how patiently, how toilsomely, Music has broken one by one the fetters of conventionality; how she has grown in strength and beauty, anticipating the moment of her final deliverance. It has come at last. With the patience and impatience of genius Bach strikes in twain the last fetter of conventionality. He has realized his quest. The boy who, far away in future thought, studied the art-forms of his great predecessors and contemporaries in the lowly chamber or by the light of the silent moon, has found his beloved, the Tonal Muse. She stands free before him to serve his will--his will purified by conception and incessant effort--and he will lead her in her new-found freedom and place her in the path of progress.

Bach's compositions at this time include the early part of one of the greatest of his works, the _Wohltemperirte Clavier_. In this work--the second part of which was composed at Leipsic--Bach attained the full mastery of form. The strivings and efforts of the great Netherland masters found completion in this work of Bach. In it are compressed the labors of centuries. The works of the masters, Okeghem, Dufay, Josquin des Pres, and others, are but prophecies in tone, announcing a realization of their ideal in the centuries yet to come, that ideal which they felt so particularly, yet could not express. The _Wohltemperirte Clavier_ then marks the first great climax of musical art.

The evolution was certain, and it consummated in a kindred mind. The deepest expression of human feeling, the agony of the dire distress and conflict of life, the calm majesty of faith which enables the soul to overcome every obstacle, its pathetic appeal to God for rest and comfort, the strength of victory, are possible in music, are expressed in music as no other art can express them, because of Bach.

True to his trust, he extracted all that was best in the works of his predecessors and, vivifying it by his genius, created forms of expression which the greatest that have followed him have utilized and extolled.

But, as we have said, the great poet must perceive in things natural, in the beauty of the universe around him, in the sacred feelings of human emotion, a sacredness as worthy and as earnest, though less concentrated in character, as that which exists in the more direct function of religious worship. To the great poet, however he works, all things are sacred. He it is who reveals the heaven that lies around us. He opens the portals of Nature, and we enter in to find strength and consolation.

Bach does all this in the masterly work we are considering. Not to the Italian, but to the German, did Nature at length disclose her choicest method of expression, and this because the German had ever lived in close contact with her. In all Bach's works at this period the work of emancipation goes forward. Take, for instance, the Brandenburg concertos leading to the combination of the present orchestra.

But a new sphere of action here again opens to Bach. His master and friend, the Prince of Koethen, was distracted from the pursuit of music by his wife's want of interest therein, and so Bach sorrowfully looks around him for a more congenial appointment. This he found at Leipsic, in 1723, as cantor to the school of St. Thomas. Leipsic, like Weimar, was celebrated for its intellectual life; but the various vexations which the great musician encountered from the action of the authorities reflects but little credit upon them. Bach's labors here were simply Titanic. There were four churches at Leipsic, the principal being St. Nicholas and St. Thomas. Bach seems to have been responsible for the musical service at each. How innate and healthy was his genius may be inferred from the fact that for these musical services alone three hundred eighty cantatas seem to have been composed. Bach entered upon his labors at Leipsic at the age of thirty-eight, and continued therein until his death, in 1750. Let us examine briefly the nature of these labors, and endeavor to glean from them their characteristic principles.

When Bach came to Leipsic he came full of experience and power. As a youth he had devoted himself to the perfecting of church music. Untiringly, unceasingly, with steadfast love, he had brought the laws of counterpoint and fugue to mingle with the grace of melody and the genius of a noble imagination. At Koethen his poetic and artistic temperament roamed through the realms of nature, and brought us near to the understanding of their varied utterance. At Leipsic he finished the education of his life and his career as a tone-poet. He seeks again the shelter of the temple, but his genius has matured and ripened. He has examined the mysteries of life. His enthusiasm for the pure and good is stronger than ever, but life is still a mystery. Evil, pain, love deep as hell and high as heaven, the Titanic conflict of opposing principles, Nature and her decrees, sorrow, remorse, sweet, unaffected joy, and tranquil resignation--what mean they all? The answer, the solution, is on Calvary. There is no other solution. Intellect, deny it how it will, is baffled by the complex problem. The solution is of love through trouble and anguish. The Passion music of Bach rises to the sublime understanding of this grand mystery, and again the evolution of the old mystery and Passion-play consummates in a kindred mind. Again the triumph of faith is with the German. Luther frees the understanding from tyranny. Bach raises it to the region of genius and sympathy, and closes the labors of a thousand years of Christian tonal effort by his Passion music of the Redeemer. But while this is so, he initiated the modern period of tonal art, leaving, however, this Passion music as his noblest legacy, as if to warn men that no other solution of life exists.

But though Bach's genius was thus supreme, it was not because he was undisturbed by the vexations of daily life. Rarely, if ever, has an artist equally great produced in such boundless profusion the highest works of genius, when engaged with men most frequently unable to understand his thought, and immersed in the arduous duties of teacher in an art noteworthy of producing fatigue and exhaustion of spirit. But his enthusiasm and strength were equal to the task. With grand integrity, and desire for the welfare of the congregations of the churches alluded to, he obtained from their respective ministers the texts of their discourses for the ensuing Sundays, and produced, apparently without effort, hundreds of cantatas to convey to the hearers the inner meaning of the words which fell from the preacher's lips. These cantatas frequently opened with orchestral introduction followed by a chorus, usually very impressive, and imbued with the meaning of the text. The recitatives and solo airs would still further convey this meaning, while a chorale or hymn in four parts, with elaborate instrumental accompaniment, served to express the feelings of the whole congregation. To each instrument was assigned a separate part, and the whole accompaniment was separate from the singing.

But if Bach in the consummation of the chorale perfected Luther's work in the realm of music, he in his Passion music finds worthy expression of a nation's devotion. His genius, as it were, felt the spirit-life of the past. His soul vibrated to the yearnings of the unknown millions of his race who had passed away in the centuries preceding him, and whose consolation in their humble toil, in the various hardships of their lives, was the narrative of this Passion music of the Saviour Christ. The rough, dramatic presentation accorded to this narrative gathered, as time went on, elements of beauty and traditional treatment around it. It was powerfully to affect the drama proper and oratorio, but in its direct and proper functions it was to inspire the first, and in some respects the greatest, of the great musicians of Germany to his utmost effort, to his most lofty flight of genius, as his winged spirit soared through the ages of the past toward the future ages yet to come.

This Passion music of St. Matthew is the noblest presentment of the characteristics of the German mind, and is unsurpassed in the realm of religious art. It is an unfolding of the German spirit, and evidences qualities the possession of which makes for national greatness.

As we have said, Bach is the great lyric poet of his nation, the first great German genius after the devastating horrors of war. Looming on the sight, or as contemporaries, are Handel, Leibnitz, Wolf, Klopstock, Lessing, and Winckelmann. The modern era, with its philosophy and revolution, has arrived. The domain of thought is enwidened, and the Middle Ages blend and fade in the historic vista of the past. But the modern era commences with these great affirmations in art and poetry. Bach takes the narrative of the Passion, and erects the Cross anew with sympathetic genius of art and love. Handel, as if he had caught Isaiah's prophetic fire, gave to Europe its most beautiful and noble epic, the _Messiah_; and Klopstock, the first of the great line of Germany's modern poets, devoted his genius and labor to the same subject. But with Bach and Handel no miserable conflicting elements of theology sully the conception of the Saviour Christ. These great artists rise to the universal and the true. The highest art is absolute and knows no appeal. It is in harmony with universal law, both spiritual and physical.

FOOTNOTES:

[28] Naumann.

SETTLEMENT OF GEORGIA

A.D. 1732

WILLIAM B. STEVENS

It was not only the beginning of a new commonwealth, destined to
become an important State of the American Union, but also the spirit
and purpose which led to it, that made the English colonization of
Georgia a great and unique event in the history of this country.

Seldom have military and philanthropic achievements been combined in
the career of one man. James Oglethorpe was already a distinguished
soldier and a member of the English Parliament when in 1732 he
sailed with one hundred twenty men and founded Savannah. His express
object was the settlement of Georgia, not only as a home for
insolvent debtors, who suffered in English jails, but also for
persecuted Protestants of the Continent. It was not the least of his
services that on his second visit to the future "Empire State of the
South" he took with him John and Charles Wesley, whose influence has
been so marked among the American people.

Prior to the undertaking of Sir Robert Montgomery in 1717, with
which Stevens' narrative begins, few white men had visited the
Georgia country, which was the home of various Indian tribes. De
Soto traversed it on his great westward expedition (1539-1542), but
little was known of it when in 1629 it was included in King Charles
I's Carolina grant to Sir Robert Heath, or even at the time of the
next Carolina grant (1663), when it passed to Monk, Clarendon, and
others. Under the later proprietors it became known to Englishmen
through such glowing descriptions as naturally aroused an interest
in its settlement.

It was not until 1717 that any effort was made to improve the lands between the Savannah and the Altamaha. In that year Sir Robert Montgomery, Bart., whose father was joined with Lord Cardross in his measures for establishing a Scots colony in Port Royal, published _A Discourse Concerning the Designed Establishment of a new Colony to the South of Carolina_, in what he termed "the most delightful country in the universe." This pamphlet was accompanied by a beautiful but fanciful plan representing the form of settling the districts or county divisions in his province, which he styled "the Margraviate of Azilia." In his description of the country he writes "that Nature has not blessed the world with any tract which can be preferable to it; that Paradise, with all her virgin beauties, may be modestly supposed, at most, but equal to its native excellencies."

Having obtained, from the Lords Proprietors of Carolina a grant of the lands between Savannah and the Altamaha, he issued his proposals for settling this "future Eden"; but, though garnished with the most glowing descriptions, and set forth under the most captivating attractions, they were issued in vain; and the three years having expired within which he was to make the settlement or forfeit the land, the territory reverted to Carolina, and his scheme of colonization came to an end. The Margraviate of Azilia was magnificent upon the map, but was impracticable in reality.

The Lords Proprietors of Carolina having failed in their scheme of government, and their authority being crushed by the provincial revolution of 1719, they sold their titles and interest in that province to Parliament in 1729; reserving to Lord John Carteret, one of their number, the remaining eight shares of the country, as he refused to join the others in disposing of the colony. After the purchase of the territory of Carolina, which then extended from the St. John's to Albemarle Sound, it was deemed too large for one government, and was therefore divided into two provinces, under the respective titles of North and South Carolina. The territorial boundary of South Carolina, however, on the south, was the Savannah River; the remaining portion being then held in reserve by the British Crown.

The same year that the House of Commons resolved on an address to the King to purchase the rights of the Lords Proprietors to this territory, a committee was appointed by Parliament "to inquire into the state of the gaols of the kingdom, and to report the same and their opinion thereupon to the House." This committee, raised on the motion of James Oglethorpe, Esq., in consequence of the barbarities which had fallen under his own observation while visiting some debtors in the Fleet and Marshalsea prisons, consisted of ninety-six persons, and Oglethorpe was made its chairman. A more honorable or effective committee could scarcely have been appointed. It embraced some of the first men in England; among them thirty-eight noblemen, the chancellor of the exchequer, the master of rolls, Admiral Vernon and Field Marshal Wade. They entered upon their labors with zeal and diligence, and not only made inquiries, through the Fleet prison, but also into the Marshalsea, the prison of the king's bench, and the jail for the county of Surrey.

The philanthropy of Oglethorpe, whose feelings were easily enlisted in the cause of misery, rested not with the discharge of his Parliamentary duty, nor yet in the further benefit of relaxing the rigorous laws which thrust the honest debtor into prisons which seemed to garner up disease in its most loathsome forms--crime in its most fiend-like works--humanity in its most shameless and degraded aspect; but it prompted still further efforts--efforts to combine present relief with permanent benefits, by which honest but unfortunate industry could be protected, and the laboring poor be enabled to reap some gladdening fruit from toils which now wrung out their lives with bitter and unrequited labors. To devise and carry out such efforts himself Lord Percival and a few other noblemen and gentlemen addressed a memorial to the privy council, stating "that the cities of London, Westminster, and parts adjacent do abound with great numbers of indigent persons who are reduced to such necessity as to become burthensome to the public, and who would be willing to seek a livelihood in any of his majesty's plantations in America if they were provided with a passage and means of settling there."

The memorialists promised to take upon themselves the entire charge of this affair, to erect a province into a proprietary government, provided the crown would grant them a portion of the land bought in 1729 by Parliament from the Lords Proprietors of South Carolina, lying south of the Savannah River; together with such powers as shall enable them to receive the charitable contributions and benefactions of all such persons as are willing to encourage so good a design.

This petition, referred at first to a committee of the privy council, was by them submitted to the consideration of the board of trade, who, after a second commitment, made their report, that the attorney and solicitor-general should be directed to prepare a draft of the charter. This report, being laid before his majesty, was by him approved and he directed the proper officer to make out the charter. The charter thus prepared was approved by the King, but in consequence of the formalities of office did not pass under the great seal until June 9, 1732.

This instrument constituted twenty noblemen and gentlemen a body corporate, by the name and style of "The Trustees for establishing a Colony of Georgia, in America"; giving to the projected colony the name of the monarch who had granted to them such a liberal territory for the development of their benevolence.

The charter revealed two purposes as the object of this colonization: the settling of poor but unfortunate people on lands now waste and desolate, and the interposing of this colony as a barrier between the northern colonies and the French, Spanish, and Indians on the south and west. These designs the trustees amplified and illustrated in their printed papers and official correspondence.

Oglethorpe, in his _New and Accurrate Account_, declares: "These trustees not only give land to the unhappy who go thither, but are also empowered to receive the voluntary contributions of charitable persons to enable them to furnish the poor adventurers with all necessaries for the expense of the voyage, occupying the land, and supporting them till they find themselves comfortably settled. So that now the unfortunate will not be obliged to bind themselves to a long servitude, to pay for their passage, for they may be carried gratis into a land of liberty and plenty, where they immediately find themselves in possession of a competent estate in a happier climate than they knew before; and they are unfortunate, indeed, if here they cannot forget their sorrows."

This was the main purpose of the settlement; and such noble views were "worthy to be the source of an American republic." Other colonies had been planted by individuals and companies for wealth and dominion; but the trustees of this, at their own desire, were restrained by the charter "from receiving any grant of lands in the province, or any salary, fee, perquisite, or profit whatsoever, by or from this undertaking." The proprietors of other colonies were looking to their own interests; the motto of the trustees of this was "_Non sibi, sed aliis_." The proprietors of other colonies were anxious to build up cities and erect states that should bear their names to a distant posterity; the trustees of this only busied themselves in erecting an asylum, whither they invited the indigent of their own and the exiled Protestants of other lands. It was the first colony ever founded by charity. New England had been settled by Puritans, who fled thither for conscience' sake; New York by a company of merchants and adventurers in search of gain; Maryland, by papists retiring from Protestant intolerance; Virginia, by ambitious cavaliers; Carolina by the scheming and visionary Shaftesbury, and others, for private aims and individual aggrandizement; but Georgia was planted by the hand of benevolence, and reared into being by the nurturings of a disinterested charity.

But the colony was not to be confined to the poor and unfortunate. The trustees granted portions of five hundred acres to such as went over at their own expense, on condition that they carried over one servant to every fifty acres, and did military service in time of war or alarm. Thus the materials of the new colony consisted of three classes: the upper, or large landed proprietors and officers; the middle, or freeholders, sent over by the trustees; and the servants indented to that corporation or to private individuals.

Subsidiary to the great design of philanthropy was the further purpose of making Georgia a silk, wine, oil, and drug-growing colony. "Lying," as the trustees remark, "about the same latitude with part of China, Persia, Palestine, and the Madeiras, it is highly probable that when hereafter it shall be well peopled and rightly cultivated England may be supplied from thence with raw silk, wine, oil, dyes, drugs, and many other materials for manufactures which she is obliged to purchase from southern countries."

Such were the principal purposes of the trustees in settling Georgia. Extravagance was their common characteristic; for in the excited visions of its enthusiastic friends, Georgia was not only to rival Virginia and South Carolina, but to take the first rank in the list of provinces depending on the British Crown. Neither the El Dorado of Raleigh nor the Utopia of More could compare with the garden of Georgia; and the poet, the statesman, and the divine lauded its beauties and prophesied its future greatness. Oglethorpe, in particular, was quite enthusiastic in his description of the climate, soil, productions, and beauties of this American Canaan. "Such an air and soil," he writes, "can only be fitly described by a poetical pen, because there is but little danger of exceeding the truth."

With such blazoned exaggerations, strengthened by the interested efforts of a noble and learned body of trustees, and by the personal supervision of its distinguished originator, it is no matter of wonder that all Europe was aroused to attention; and that Swiss and German, Scotch and English, alike pressed forward to this promised land. Appeals were made by the trustees to the liberal, the philanthropic, the public-spirited, the humane, the patriotic, the Christian, to aid in this design of mercy, closing their arguments with the noble thought: "To consult the welfare of mankind, regardless of any private views, is the perfection of virtue, as the accomplishing and consciousness of it are the perfection of happiness."

These preliminaries settled, we are brought to the period when the plan, the charity, the labors of the trustees, were to be put into efficient operation. Fortunate was it for the corporation that they had among their number one whose benevolence, whose fortune, and whose patriotism, as well as his military distinction conspired to make him the fittest leader and pioneer of so noble an undertaking. That one was James Oglethorpe, the originator, the chief promotor, the most zealous advocate of the colony; an honor conceded by his associates, and acknowledged by all.

We are brought now to the dock-yard at Deptford, to behold the first embarkation of the Georgia pilgrims.

The trustees, having selected from the throng of emigrants thirty-five families, numbering in all about one hundred twenty-five "sober, industrious, and moral persons," chartered the Ann, a galley of two hundred tons, Captain John Thomas, and stationed her at Deptford, four miles below London, to receive her cargo and passengers. In the mean time the men were drilled to arms by sergeants of the guards; and all needed stores were gathered to make them comfortable on the voyage and to establish them on land.

It was not until the early part of November that the embarkation was ready for sailing.

On the 16th they were visited by the trustees, "to see nothing was wanting, and to take leave" of Oglethorpe; and having called the families separately before them in the great cabin they inquired if they liked their usage and voyage; or if they had rather return, giving them even then the alternative of remaining in England if they preferred it; and having found but one man who declined--on account of his wife, left sick in Southwark--they bid Oglethorpe and the emigrants an affectionate farewell. The ship sailed the next day, November 17, 1732, from Gravesend, skirted slowly along the southern coast of England, and, taking its departure from Sicily light, spread out its white sails to the breezes of the Atlantic.

Day after day and week after week the voyagers seem the centre of the same watery circle canopied by the same bending sky. No mile-stones tell of their progress. The way-marks of the mariner are the sun by day and the moon and stars by night; no kindred ship answers back its red-cross signal; but there they float, the germ of a future nation, upon the desert waters. Sailing a circuitous route, they did not reach the coast of America until January 13, 1733, when they cast anchor in Rebellion Roads, and furled their sails at last in the harbor of Charleston.

Oglethorpe immediately landed, and was received by the Governor and Council of South Carolina with every mark of civility and attention. The King's pilot was directed by them to carry the ship into Port Royal, and small vessels were furnished to take the emigrants to the river Savannah. Thus assisted, in about ten hours they resumed their voyage and shortly dropped anchor within Port Royal bar.

The colony landed at Beaufort on January 20th, and had quarters given them in the new barracks. Here they received every attention from the officers of His Majesty's Independent Company and the gentlemen of the neighborhood, and refreshed themselves after the fatigues and discomforts of their long voyage and cramped accommodations.

Leaving his people here, Oglethorpe, accompanied by Colonel William Bull, of South Carolina, went forward to the Savannah River to select a site for the projected settlement. Winding among the inlets, which break into numerous islands the low flat seaboard, their canoe at last shot into the broad stream of the Savannah; and bending their course upward they soon reached a bold, pine-crowned bluff, at the foot of which they landed to inspect its localities.

Reaching its top, a beautiful prospect met their eyes. At their feet, some fourteen yards below, flowed the quiet waters of the Savannah, visible for some distance above and traceable through its green landscape till it emptied itself into the ocean. Before them lay a beautiful island of richest pasturage, beyond which was seen the north branch of the Savannah bordered by the slopes of Carolina, with a dark girdle of trees resting against the horizon. Behind them was the unbroken forest of tall green pines, with an occasional oak draperied with festoons of gray moss or the druidical mistletoe. A wide expanse of varied beauty was before them; an ample and lofty plain around them; and, though spring had not yet garnished the scene with her vernal glories, sprinkling the woods with gay wild-flowers and charming creepers, and making the atmosphere balmy with the bay, the jessamine, and the magnolia, yet, even in winter, were there sufficient charms in the spot to fix on it the heart of Oglethorpe, and cause him to select it as the home of his waiting colony. "The landscape," he writes, "is very agreeable, the stream being wide and bordered with high woods on both sides," On the northern end of this bluff they found a trading-house and an Indian village called Yamacraw. The chief of this little tribe was Tomochichi; and the trader's name was Musgrove, married to a half-breed, named Mary. By an ancient treaty of the Creeks with the Governor of South Carolina, no white settlement was allowed to be made south of the Savannah River without their consent.

Satisfied with the eligibility of this situation, Oglethorpe applied to Mary Musgrove, who could speak both Indian and English, to obtain from the tribe their agreement to his settlement. They at first appeared uneasy and threatened to take up arms, but were pacified by her representations of the benefits which would accrue to them; and she gained from them a provisional treaty, until the consent of the whole nation could be obtained. The Indians, once made sensible of the advantages they would derive from the erection of a town within their limits, hailed their coming with joy and busied themselves in many offices of service and regard. The land selected, the consent of the tribe obtained, and the services of Mary secured as an interpreter in their subsequent intercourse with the red men, Oglethorpe returned to Beaufort on January 24th; and the Sunday after was made a day of praise and thanksgiving for their safe arrival in America, and the happy auspices which clustered round the opening prospects of Georgia. During the stay of the colonists in South Carolina they were treated with genuine hospitality, and when they departed they were laden with most substantial and valuable tokens of interest and benevolence.

Leaving the ship at Port Royal, Oglethorpe engaged a sloop of seventy tons, and five plantation-boats, and embarked the colonists on Tuesday, the 30th, but, detained by a storm, they did not reach their destination until the afternoon of Thursday, February 12 (new style), 1733. The people immediately pitched four large tents, being one for each tithing, into which municipal divisions they had already been divided; and, landing their bedding and other necessaries, spent their first night in Georgia.

As soon as the tents had been pitched, the Indians came forward with their formal salutations. In front advanced, with antic dancings, the "medicine man," bearing in each hand a spread fan of white feathers fastened to a rod hung from top to bottom with little bells; marching behind this jingling symbol of peace and friendship, came the King and Queen, followed by about twenty others, making the air ring with their uncouth shouts. Approaching Oglethorpe, who walked out a few steps from his tent to meet them, the medicine man came forward with his fans, declaiming the while the deeds of their ancestors, and stroked him on every side with the emblems of amity. This over, the King and Queen bade him welcome and, after an interchange of compliments, they were conducted to Oglethorpe's tent and partook of a pleasant entertainment hastily prepared for the occasion.

And now all was bustle upon the bluff. The unlading of goods, the felling of trees, the hewing of timber, the clearing of land, the erection of palisades--all supervised by the watchful eye and directed by the energetic mind of their leader--gave a brisk and industrious air to the novel scene.

On the 9th Oglethorpe and Colonel Bull marked out the square, the streets, and forty lots for houses; and the first clapboard-house of the colony of Georgia was begun that day. On March 12th Oglethorpe writes: "Our people still lie in tents; there being only two clapboard houses built, and three sawed houses framed. Our crane, our battery of cannon, and magazine are finished. This is all we have been able to do by reason of the smallness of our numbers, of which many have been sick, and others unused to labor, though I thank God they are now pretty well, and we have not lost one since our arrival."

The most generous assistance was given them by South Carolina. The Assembly, which met in Charleston three days after the arrival of the emigrants, immediately resolved to furnish the colony with large supplies of cattle and rice; to provide boats for the transportation of the people from Port Royal to Savannah; and placed under Oglethorpe's command the scout-boats and a troop of fifteen rangers for his protection. They further appointed Colonel William Bull one of the Governor's council, and a gentleman esteemed "most capable of assisting Oglethorpe in settling the colony by reason of his experience in colonial affairs, the nature of lands and the intercourse with Indians," to attend him and offer him his advice and assistance. Such was the readiness of all to assist him that the Governor wrote, "Had not our Assembly been sitting I would have gone myself."

Nor was private benevolence in any way behind public munificence. It is pleasant, in looking over the list of individual benefactions, to read such records as these:

_February._--"Colonel Bull came to Savannah with four laborers, and assisted the colony for a month; he himself measuring the scantling, and setting out the work for the sawyers, and giving the proportion of the houses. Mr. Whitaker and his friends sent the colony one hundred head of cattle. Mr. St. Julian came to Savannah and stayed a month, directing the people in building their houses and other work. Mr. Hume gave a silver boat and spoon for the first child born in Georgia, which being born of Mrs. Close, were given accordingly. Mr. Joseph Bryan himself, with four of his sawyers, gave two months' work in the colony. The inhabitants of Edisto sent sixteen sheep. Mr. Hammerton gave a drum. Mrs. Ann Drayton sent two pair of sawyers to work in the colony. Colonel Bull and Mr. Bryan came to Savannah with twenty servants, whose labor they gave to the colony. His excellency Robert Johnson gave seven horses, valued at twenty-five pounds, Carolina currency."

These, with many other like records, evince their spirit in promoting the settlement of Georgia. And well they might; for the planting of this colony to the south of the Savannah increased their security from invasion by the Spaniards, and from the incursions and massacres of the Indian tribes, and still further operated as a preventive to the enticing lures held out to the negroes, by which desertion was rendered common and insurrection always dreaded. They were prepared, therefore, to hail the new colony as a bulwark against their Floridian and savage enemies, as opening further opportunities of trade, and as enhancing the value of their frontier possessions, which, according to the best authorities, were raised to five times their former value about Port Royal and the Savannah River.

The fostering care of South Carolina was to be repaid by the protecting service of Georgia. The labors of the colonists were great, but they had much to cheer them; and the assiduity and attention of Oglethorpe won upon their hearts so that they styled him "Father," and he exercised his paternal care by unremitting efforts to advance their welfare. He spared not himself in any personal efforts, but took his turn regularly in doing night-guard duty, as an example to the rest, and at times worked at the hardest labor to encourage their industry.

Having put Savannah in a posture of defence, supplied it with provisions, and taken hostages of the Indians, Oglethorpe set out for Charleston, attended by Tomochichi and his two nephews, being desirous of cultivating the acquaintance and securing the good offices of the Governor, council, and Assembly of South Carolina. At Charleston he was met at the water-side by his excellency the Governor and council, who conducted him to Governor Johnson's house, where the speaker and House of Assembly came to present their official congratulations on his arrival. His solicitations for assistance were promptly answered. The Assembly voted two thousand pounds currency for the assistance of Georgia the first year, and soon after the committee of supply brought in a bill for granting eight thousand pounds currency for the use of the new colony the ensuing year. The citizens also subscribed one thousand pounds currency, five hundred pounds of which were immediately paid down.

Grateful for this munificence Oglethorpe returned to Georgia to meet the great council of the towns of the Lower Creeks, whom he had desired to meet him in Savannah to strengthen the provisional treaty already made with Tomochichi, and secure their abiding amity for the future. In answer to this desire, eighteen chief men and their attendants, making in all about fifty, came together from the nine tribes of the nation, and met him in solemn council on the afternoon of May 18th. Speeches, not lacking in interest, but full of Indian hyperbole and the inflations of interpreters, were made by the chiefs, and answered by Oglethorpe through the medium of Messrs. Wiggin and Musgrove; and on May 21st the treaty was concluded.

The principal stipulations of it were that the trustees' people should trade in the Indian towns; their goods being sold according to fixed rates mutually agreed upon: thus, a white blanket was set down at five buckskins, a gun at ten; a hatchet at three doeskins, a knife at one, and so on. Restitution and reparation were to be made for injuries committed and losses sustained by either party; the criminals to be tried by English law. Trade to be stopped with any town violating any article of the treaty. All lands not used by the Indians were to be possessed by the English, but, upon the settling of any new town, certain lands agreed on between the chiefs and the magistrates were to be reserved for the former. All runaway negroes were to be restored to Carolina, the Indians receiving for each one thus recovered four blankets and two guns, or the value thereof in other goods. And lastly, they agreed, with "straight hearts" and "true love," to allow no other white people to settle on their lands, but ever to protect the English. The Indians, having received suitable presents, were dismissed in amity and peace; while Oglethorpe left the same day for Charleston, satisfied at having obtained, by such honorable means, the cession of such a fine country to the crown of England. This treaty was ratified by the trustees the following October.

The judicious and honorable conduct of Oglethorpe toward the Indians was of more security to the colony than its military defences. For a long time he had regarded the Indians with kindly feelings. At his suggestion Bishop Wilson, one of the bright and shining lights of the English Church, wrote _An Essay Toward an Instruction for the Indians_, which he dedicated to Oglethorpe; and, now that he met them on their native soil, he evinced the same care for their interests, and through life manifested in all his acts his regard for their welfare. He was the red man's friend; showing in his intercourse with him the honorableness of William Penn, without his private interests to subserve; the generosity of Lord Baltimore, without a patent of immense tracts to secure to his descendants; the compassion of Roger Williams, without his mercantile views, to incite him to foster among the Indians kindness and regard.

Oglethorpe stands superior to all, because he had no private end to gratify, no lands to secure, no property to invest, no wealth to accumulate from or among the tribes whose amity he cultivated.

The art of the painter has commemorated the treaty of Penn with the Leni Lenapes, under the elm-tree of Shakamaxon; but neither this scene on the north edge of Philadelphia, nor the treaty of Roger Williams with "the old Prince Caconicas" at Seconke, nor the alliance of Leonard Calvert with the Susquehannas at Yoacomoco, excels, in any element of philanthropy or in any trait of nobleness, the treaty of Oglethorpe with the tribes of the Muscogees, under the "four pine-trees" on the bluff of Yamacraw.

RISE OF METHODISM

PREACHING OF THE WESLEYS AND OF WHITEFIELD

A.D. 1738

WILLIAM E.H. LECKY

Next to the founders of the world's great religions, the principal
figures in religious history are the leaders of its new movements,
the founders of sects or denominations. In this subordinate class
few names outrank that of John Wesley, while those of his brother,
Charles, and George Whitefield, their eloquent colleague, are
inseparably associated with that of the great founder of Methodism,
one of the most striking of the epochal religious movements of
modern times.

Although not intending to break with the Anglican Church, Wesley and
his followers were carried out upon independent lines which led to
the upbuilding of a distinct type of religious faith and
organization, whose power has been especially marked in Great
Britain and America, and has been increasingly spread throughout the
world.

Between Whitefield and John Wesley, in 1741, a separation occurred
on points of doctrine, Whitefield adhering to a rigid Calvinism,
while Wesley inclined to Arminianism, and thenceforth they followed
their several paths. Although Whitefield founded no sect, he exerted
a widespread influence by his presence and voice. Before their
separation both preachers had been in America, and the personality
and eloquence of Whitefield not only wrought a spell upon the
multitude, but even exercised a degree of fascination over such a
philosophical spirit as Franklin. Wesley's work in America was
deeper and more enduring, and is still a growing feature of the
country's religious development.

Nothing could be happier for the present purpose than the treatment
of this great religious movement, in its beginnings, as it is here
dealt with by the dispassionate historian of England during the
century in which the movement arose.

The Methodist movement was a purely religious one. All explanations which ascribe it to the ambition of its leaders, or to merely intellectual causes, are at variance with the facts of the case. The term Methodist was a college nickname bestowed upon a small society of students at Oxford who met together, between 1729 and 1735, for the purpose of mutual improvement. They were accustomed to communicate every week, to fast regularly on Wednesdays and Fridays and on most days during Lent; to read and discuss the Bible in common, to abstain from most forms of amusement and luxury, and to visit sick persons, and prisoners in the jail.