Chapter IX: Theatrical Records372 (3)

(=Boldface= figures refer to the pages of this volume. Works which are known to us only by title or short fragments are indicated by an asterisk.)

Aeschylus (525-456 B.C.)
_Agamemnon_ (City Dionysia, 458 B.C.): vss. 1 ff., =225=, =285=,
=291=, =305=; 40 ff., =298 f.=; 589, =255=; 810, =255 f.=;
855 ff., =155=, =166=; 905-57, =276=; 1343-45, =128=, =229=;
1344-71, =134=, =158-60=; 1348-71, =44=; 1372, =128=; also
=137=, =198=, =256=, =258 f.=
_Eumenides_ (City Dionysia, 458 B.C.): vss. 1 ff., =305=; 33-64,
=286=; 64 (schol.), =285=; 79, =206=; 93, =286 f.=; 94, =287=;
140-79, =151=, =287=; 234, =247=, =250=; 244, =151=; 306-96,
=153 f.=; 744, =232=; 746-53, =171=; also =136 f.=, =198=,
=232=, =247=, =258 f.=, =274=
_Libation-Bearers_ (City Dionysia, 458 B.C.): vss. 10-16, =210 f.=;
22 f., =150=; 766 ff., =166=; 886-902, 892 (schol.), =178=;
900-903, =170=; 904, =128=; also =125=, =137-39=, =198=, =248=,
=258 f.=
_Niobe_,* =230=
_Persians_ (City Dionysia, 472 B.C.): arg., =299=; vss. 1 ff.,
=150=, =208=, =299=; 155 f., =208 f.=; 231-44, =219 f.=;
249-90, =165=; 302-526, =128=; 348, 474 f., =220=; 681, =106=,
=225 f.=; 761, =206=; 849 ff., =175=; also =56=, =124=, =134=,
=136=, =139=, =166 f.=, =192=, =226=, =248 f.=, =276=, =298=,
=305=
_Prometheus Bound_ (_ca._ 470 B.C.): vss. 3, 12, =210 f.=; 81-88,
=174=, =228=; 85, =210 f.=, =88 ff.=, =305=; 124-29, =290=; 133
f., =150=; 136-40, =210=; 272-82, =290=; 284-87, 397 ff., =289
f.=; 1067, =137=; 1093, =228=; also =20=, =134=, =137=, =139=,
=166-68=, =174=; =192=, =226-28=, =258=
_Prometheus the Fire-Kindler_,* frag. 207 (Nauck), =30=
_Prometheus Unbound_* (_ca._ 470 B.C.), =227 f.=, =258=
_Proteus_* (City Dionysia, 458 B.C.), =198=
_Seven against Thebes_ (City Dionysia, 467 B.C.): arg., =23=; vss.
1, =206=; 4-7, =210=; 78-180, =230=; 214, 240, =150=; 235,
=206=; 375-676, =275 f.=; 800-821, =128=; 961-1005, =175=,
=179=, =283=; also =134=, =136-38=, =166 f.=, =205=, =226=
_Suppliants_ (_ca._ 490 B.C.): vss. 1 ff., =150=; 1-175, =230=; 12,
176, =209=; 234-480, =165=, =230=; 234-503, =163 f.=, =166=,
=169=; 247 ff., =209=; 524-99, =252=; 775-980, =173=; 776-836,
=174=; 907-53, =164=, =166=; 953-80, =174=; also =56=, =133
f.=, =136-38=, =163 f.=, =167-69=, =192=, =205=, =226=, =234=,
=265=, =298=, =304 f.=
_Weighing of Souls_,* =292=

Agathon (first tragic victory, Lenaea, 416 B.C.)
_Antheus_,* =124=

Alexis (Middle Comedy), frag. 107 (Kock), =147=

Antiphanes (Middle Comedy), frag. 191 (Kock), =127=, =316=

Apostolius (born _ca._ 1420 A.D.), xiii. 42, =12 f.=, =21=, =29=

Archilochus (_ca._ 680-640 B.C.), frag. 77 (Bergk), =7=

Aristophanes (_ca._ 444-386 B.C.; Old Comedy)
_Acharnians_ (Lenaea, 425 B.C.): vss. 20, =207=; 100-104, =171=,
=173=, =187=; 133-74, =254=; 237-79, =36=; 262, =42=; 280-83,
=37=, =151=; 347-92, =41= note, =42= note; 399 and (schol.),
=288=; 408, =288=; 408 (schol.), =285=, =287=; 479, =288=;
490-625, =41= note, =42= note; 501-7, =196 f.=; 640, =218=;
719-835, =41=; 732, =91 f.=; 860-970, =41=; 1000-1068, =41= note,
=42= note; 1003-7, =242=; 1069 f., =210=; 1069-1142, =41=; also
=327=
_Babylonians_* (City Dionysia, 426 B.C.), =196=, =327=
_Banqueters_* (Lenaea, 427 B.C.), =326=
_Birds_ (City Dionysia, 414 B.C.): arg., =330 f.=, =335=, =337=;
310 f., =151=; 644 f., =212=; 786 ff., =197=; 801-902, =41=
note, =42= note; 1101 f., =214=; 1118-1268, 1494-1705, =41=
note, =42= note; 1615-79, =171=, =173=, =187=; 1763-66, =214=;
also =234=
_Clouds_ (City Dionysia, 423 B.C.): vss. 1, =238=, =243=; 126-32,
=311=; 184 (schol.), =285=; 218 ff., =292=; 269, =151=; 537-39,
=46=; 734, =46=; 1486 ff., =98=; also =135=, =138=, =207=, =213=,
=235=
_Frogs_ (Lenaea, 405 B.C.): vss. 1-460, =88-91=, =207=, =248=;
154 f., =225=; 209 ff., =142=; 299 (schol.), =91=; 315, =142=;
416-30, =51-53=; 454 f., =225=; 555, =171=, =173=, =187=;
644-66, =132=; 674-737, =204=; 810 f., =122=; 830, =310=;
866-69, =203 f.=; 1411 ff., =171=, =173=, =187=; also =127=,
=135=, =138=
_Knights_ (Lenaea, 424 B.C.): vss. 149, =91=; 230-32, =213=;
461-97, =50=; 512-14, =327=; 522 f., =54=; 544-50, =216=; also
=138 f.=, =327=
_Lysistrata_ (Lenaea, 411 B.C.): vss. 1-6, =309=; 78-246, =171=,
=173=, =187=; 385, =207=; 725, 881, =256=; also =41=, =278=
_Peace_ (City Dionysia, 421 B.C.): vss. 80 ff., =292=; 296 ff.,
=151=; 765-68, =214=; 962-65, =216=; 1039-1126, =50=
_Plutus_ (388 B.C.): vss. 255, =151=; 322-486, =49=; 626, =254=,
=257=; 770, =146=; 789-99, =216=; 821 f., =240=; also =41=,
=43=, =92=
_Proagon_* (422 B.C.), =205=
_Wasps_ (Lenaea, 422 B.C.): vss. 57, =48=; 58 f., =216=; 1342, 1514,
=91=; also =274=
_Women at the Thesmophoria_ (_ca._ 411 B.C.): vss. 67 f., =240=;
96, 265, =288=; 284 (schol.), =287=; also =188=, =207=, =278=
_Women in Council_ (Lenaea, 392 B.C.): vss. 46-265, =44=; 311-478,
=251=; 729, =146=; 871-1160, =138=; 876, =146=; 1152, =91=;
1154-58, =214=; 1158-62, =200=; 1179-83, =214 f.=; also =41=,
=43=, =92=, =135=, =188=, =278=

_Aristophanis Vita_, § 11, =145=

Aristotle (384-322 B.C.)
_Constitution of Athens_, c. 56, =273=
_Didascaliae_,* =319-21=, =324=, =329 f.=, =337=
_Dionysian Victories_,* =324= note 1
_Poetics_: 1448_a_31 f., =47=; _a_32-34, =51=; _b_1, =8=; 1449_a_8,
=xi=; _a_9-13, =6 f.=, =16=, =36=, =44=; _a_18, =66=, =236=;
_a_19 ff., =21-23=, =29=; _a_22 f., =22=; _a_37-_b_9, =35=;
_a_38, =54 f.=; _b_3, =55=; _b_5-9, =50 f.=; _b_12-14, =257=;
_b_33, =xi=; 1450_a_10, =xi=; _a_38 f., =261=; _b_17-21, =xi=;
_b_22-35, =261 f.=; 1451_a_15-22, =262=; _b_25, =125=; _b_26,
=301=; 1452_b_18, =93=; _b_24 f., =93=, =96=; 1453_a_19,
=125=; _a_27, =93=; _b_1-3, =xi=; 1454_a_31-33, =267=; _b_1,
=293=; 1455_a_28, =93=; 1456_a_6, =125=; _a_26-32, =144-49=;
1459_b_22-28, =263=; _b_25, =93=; 1460_a_11-17, =93=, =95 f.=;
1461_b_21, =293=; 1462_a_12, _a_14-17, =xi=; also =xxi=, =6=
note 1, =17=, =246=, =317=
_Politics_, 1336_b_28 f., =190=
_Problems_, 918_b_26, 920_a_9, 922_b_17, =93=
_Rhetoric_, 1403_b_33, =xii=, =162=, =190=

Athenaeus (_ca._ 230 A.D.): p. 211B, =94=; p. 347E, =17=

Bacchylides (_ca._ 468 B.C.)
_Theseus_, =10=, =16=

Clemens Alexandrinus (_ca._ 200 A.D.): p. 11 (schol.), =285=; p. 688,
=96=

_Corpus Inscriptionum._ _See_ Inscriptions

Cratinus (Old Comedy; first victory at City Dionysia, 452 B.C.),
frag. 15 (Kock), =273=
_Dionysalexandros_* (_ca._ 430 B.C.), arg., =330=, =332-36=

Demosthenes (_ca._ 384-322 B.C.): xviii. 180, xix. 337, =93=; xxi,
arg. 2 f., =132=; xxi. 74, =197=; 178-80, =132=

Diodorus Siculus (_ca._ 48 B.C.), xi. 10, =94=

Diogenes Laertius (_ca._ 200 A.D.): iii. 56, =18 f.=; v. 92, =20=

Ecphantides (Old Comedy; first victory _ca._ 455 B.C.), frag. 2
(Kock), =48=

Epicharmus (_ca._ 485 B.C.), frag. 132 (Kaibel), =8=

_Etymologicum Magnum_ (tenth century, A.D.), _s.v._ θυμέλη, =18=;
_s.v._ τραγῳδία, =27-29=

Eupolis (Old Comedy), frag. 244 (Kock), =48=
Αἶγες, =30=

Euripides (485-406 B.C.)
_Alcestis_ (City Dionysia, 438 B.C.): arg., =330-32=; vss. 1 ff.,
=206=, =300=, =305=; 22 f., =240=, =300=; 24-26, =211=; 77,
=252=; 206, =240=; 243 ff., =306=; 391, =129=; 393 ff., =179=,
=189=; 423 f., 435-76, =152=; 452, =218=; 476, 506, =239 f.=;
747-861, =234 f.=, =250 f.=, =306=; 837 ff., =306=, =311=; 861
ff., 934-61, =307=; 1102, =315=; 1144-46, =232=; also =199=,
=201=, =205=, =265=
_Andromache_ (_ca._ 430 B.C.): vss. 1, 16, =206=, =306=; 445-49,
=219=; 547, =179=; 547-766, =170=; 732 ff., 881, =176=; 815-25,
=159=, =240=; 877-79, =281=; 1231 ff., =259=, =295=; also
=219=, =257=
_Andromeda_,* =292=
_Bacchanals_ (City Dionysia, posthumous): vss. 1, =206=, =291=;
170-79, 210-12, =212=; 526, =7=; 1024-1152, =128=; 1212 ff.,
=98=; also =124=, =154=, =291=, =314=
_Bellerophon_,* 292
_Children of Heracles_ (_ca._ 430 B.C.): vss. 120 ff., =166=; 309-15,
=218=; 642 f., =242 f.=; 1026-29, =218=; 1052, =128=; also =218=
_Cyclops_ (_ca._ 440 B.C.): vss. 11 ff., =126=; 79 f., =31=; 445
f., =240=; 479-82, =241=; 507 f., =240=; 601 ff., =153 f.=;
608-27, 648, =154=; 653, =153 f.=; 655-62, =154=; 668, =222=;
694 f., =241=; also =22=, =29=, =126=, =167=, =199=, =224=,
=241=, =253=
_Electra_ (_ca._ 413 B.C.): vss. 1-53, =259=; 168 ff., =151=; 341
ff., =281=; 434-78, =139-41=, =143=; 1165-67, =128=; 1238,
=259=; also =125=, =260=
_Hecabe_ (_ca._ 425 B.C.): vss. 1-58, =226=, =302=; 68 f., =226=;
105, =151=; 736-51, =312=; 1034-55, =131=, =159=; 1056, =222=;
1132-1237, 275
_Helen_ (412 B.C.): vss. 1-67, =301=; 184, =151=; 306, 317, =143=;
385, 515, =251=; 1165-68, =248=; 1186-1300, =170=; 1301-68,
=142=; 1387 ff., =156=, =160=, =294=; 1629 ff., =143=; 1662,
=249=
_Hippolytus_ (428 B.C.): vss. 42 f., =302=; 61-72, =141=; 129 ff.,
=151=; 178-81, =240=; 565-600, =241 f.=; 710-14, =156=; 776-87,
=159=; 1060-63, =312=; 1102-19, =140=; 1342, =222=; 1423-30,
=295=; also =235=
_Hypsipyle_,* vss. 1579 ff., =179 f.=
_Ion_ (_ca._ 412 B.C.): vss. 72 f., =302 f.=; 183-228, =160=; 234
f., =151=; 666 f., =157=; 675, =177=; 760, =157=; 1130 ff.,
=177=; 1520 ff., =312=; 1553 ff., =302 f.=
_Iphigenia at Aulis_ (City Dionysia, posthumous): vss. 1, =225=;
164 ff., 187 f., =151=; 303, 307, =310=; 794-800, =140=; 1211
ff., =267=; 1532 f., =242 f.=; also =205=, =302=
_Iphigenia among the Taurians_ (_ca._ 414 B.C.): vss. 42 f., =308=;
66, =252=; 1061-68, =156=, =160=; 1068-70, =88=; 1234-83, =142
f.=; 1392, =294=; 1435 ff., =201 f.=, =294 f.=; 1446-61, =295=;
1447, 1462, =249=; 1467 f., =160 f.=; 1497 ff., xvii, =215=;
also =205=
_Madness of Heracles_ (_ca._ 421 B.C.): vss. 158-205, =275=;
749-54, =128=; 822 ff., =260=, =310=; 1029 ff., =128=, =288 f.=
_Medea_ (431 B.C.): arg., =266 f.=; vss. 1 ff., =307 f.=; 49-52,
=307=; 56-58, =240=, =308 f.=; 131 ff., =151=; 230-66, =156
f.=; 465-575, =275=; 663 ff., =293=; 824 ff., =xviii=, =217=;
1053 f., =159=; 1271 ff., =179=; 1279 ff., =160=; 1312 ff.,
=159=; 1321 ff., =292=; also =237=, =266 f.=
_Orestes_ (408 B.C.): vss. 1, =238=, =243=; 26 f., =306=; 131-211,
=153=; 1103 f., =156=; 1245, =177=; 1251, =143 f.=; 1313-20,
=222 f.=; 1353 ff., =143 f.=; 1554, 1591, =177=; 1625-32, =292
f.=, =295 f.=; 1691 (schol.), =215=; 1691 ff., =xvii=, =215=;
also =303=
_Phaethon_,* frag. 773 (Nauck), =93=
_Phoenician Maids_ (_ca._ 410 B.C.): vss. 88-102, =178=, =191=,
=281=, =291=; 93 (schol.), =178=; 192 ff., =93=, =282=; 202
ff., =151=; 202 (schol.), =139=; 261-73, 357 f., =249=; 638-75,
=140=; 801-27, =140 f.=; 1019-67, =140=; 1264-82, =178=, =181=;
1308, =222=; 1764 ff., =xvii=, =215=; also =136=, =138=, =205=
[_Rhesus_] (possibly a fourth-century production): vss. 1 ff.,
=299=; 10, =209=; 565-674, =251=; 627 f., 885 f., =291=; also
=92=, =148=, =224=, =253=
_Suppliants_ (_ca._ 421 B.C.): vss. 403-8, =219=; 510-13, =171=;
598-634, =257=; 1071, =129=; 1183, =294=; also =137 f.=, =205=,
=218=, =231 f.=
_Trojan Women_ (415 B.C.): vss. 1 f., =305=; 143-45, =151=; 208 f.,
=218=; also =274=

Eusebius (_ca._ 300 A.D.)
_Chronica_, Ol. 47, 2, =14=

Eustathius (twelfth century A.D.), p. 976, 15, =287=

Hegemon (Old Comedy), =217=

Herodotus (_ca._ 484-428 B.C.): i. 23, =9 f.=; v. 63, =11-15=; v. 82
f., =37=

Homer (_ca._ 875 B.C.)
_Iliad_ iii, =255=; xxii. 205 f., =95=
_Odyssey_ iv, =280=; iv. 121 f., vi. 102 ff., =255=; xi. 185 f. and
445, =254 f.=; xxiv. 417, =282=
Also =245=, =266=, =277=, =279 f.=, =282=, =289=, =301=, =304-6=

Horace (65-68 B.C.)
_Ars Poetica_: vss. 119 ff., =266=; 189 f., =193=; 192, =186=; 220
f., =28 f.=; 276, =19=

Inscriptions
From Athens, =72=, =74=, =90=, =319-30=
From Delos, =59= note, =107 f.=
From Delphi, =185=
From Oropus, =108 f.=
From Paros, =14=, =21=, =38=

Jerome (Hieronymus; _ca._ 400 A.D.)
_Chr._, Ol. 47, 2, =14=

_Liber Glossarum_, =46=

Lucian (_ca._ 150 A.D.)
_Lucius sive Asinus_, § 47, =94=

Lysias (458-378 B.C.), xxi. 1-5, =271=

Magnes (Old Comedy), =54=

_Marmor Parium_ (264 B.C.): p. 13 (Jacoby), =38=; p. 14, =14=, =21=

_Medea_* (unknown author; fourth century B.C.), =146=, =148=

Menander (New Comedy; 342-291 B.C.)
_Girl with Shorn Locks_, =147=, =304=
_Hero_,* =304=
_Imbrians_* (_ca._ 301 B.C.), arg., =331 f.=, =336 f.=
Jernstedt frag., =147=

_Parian Chronicle._ _See_ _Marmor Parium_

Pausanias (second century A.D.), viii. 9. 1, =7=

Philemon (New Comedy; died _ca._ 262 B.C.), frag. 79 (Kock), =309=

Philostratus (_ca._ 200 A.D.)
_Apollonius of Tyana_, p. 245, =203=

Photius (died 891 A.D.)
_Lexicon_, _s.v._ ἴκρια, _s.v._ ληναῖον, _s.v._ ὀρχήστρα, =63=;
_s.v._ οὐδὲν πρὸς τὸν Διόνυσον, =12 f.=, =21=, =29=

Phrynichus (first tragic victory, 511 B.C.)
_Capture of Miletus_ (_ca._ 490 B.C.), =124=
_Phoenician Women_ (City Dionysia, 476 B.C.), =56=, =124=, =141=,
=192=, =205=, =210=, =276=, =298=, =305=

Pindar (522-442 B.C.)
_Olym._ xiii, =7=, =9=

Plato (428-347 B.C.)
_Laws_, p. 659A-C, =216=; 700B, =7=
_Minos_, p. 321A, =16=
_Republic_, p. 394C (schol.), =7=, =11=
_Symposium_, p. 194B, =205 f.=

Plautus (died 184 B.C.)
_Amphitruo_, vss. 1 ff., 463 ff., =304=; also =208=
_Braggart Captain_: vss. 79 ff., =304=; 88, =208=; 145 ff., =303
f.=; 523 ff., =243=
_Captives_: vss. 69, =256=; 460-768, =255 f.=; 897, =256=
_Carthaginian_, vss. 94, 372, =207=
_Casket_: vss. 89 f., =123=; 149 ff., =304=; 156-59, =123=
_Churl_: vss. 1-3, =207=; 448, =238=
_Fisherman’s Rope_: vs. 32, =208=; also =236=
_Haunted House_, vss. 1, =240=; 248, =238 f.=
_Menaechmi_: vss. 8 f., =207=; 956, =249=
_Merchant_, vss. 3-5, =309=
_Persian_, =278=
_Pseudolus_ (191 B.C.), vss. 720 f., =233=

Plutarch (_ca._ 90 A.D.)
_Aratus_ xxiii, =103=
_Brutus_ xlv, =94=
_Demetrius_ xxxii, =94=; xxxiv, =101-3=
_Lycurgus_ vi, =101=
_Nicias_ iii, =271=
_Pompey_ xlii, =81=
_Solon_ xxix, =17-19=
_Praecepta Ger. Reip._, p. 823B, =102=
[_X Oratorum Vitae_], p. 841D, 852C, =69=
Also =60= note

Pollux (second century A.D.)
_Onomasticon_: iv. 123, =18 f.=, =78 f.=, =97-99=; 124, =100 f.=;
127, =60=, =78 f.=; 128, =287=; 132, =106=; also =94=, =213=

Pratinas (_ca._ 499 B.C.), frag. 1 (Bergk), =7=

Seneca (died 65 A.D.)
_Agamemnon_, vss. 981 ff., =188=; also =141=
_Hercules on Mt. Oeta_, vss. 104 ff., 583 ff., 1031 ff., =141=
_Medea_, vss. 973, 995, =60=

Simonides (556-467 B.C.)
_Memnon_,* =11=

Solon (639-559 B.C.)
_Elegies_,* =8 f.=, =11=

Sophocles (497-406/5 B.C.)
_Ajax_ (_ca._ 440 B.C.): vss. 1 ff., =291=; 134 (schol.), =139=;
143, =151=; 344, =287=; 372 ff., =306=; 593, =287=; 814, =247=,
=250=; 865, =129=, =282=; 892, 915, =244=; also =244=
_Antigone_ (_ca._ 441 B.C.): arg., =330 f.=, =335=; vss. 18 f.,
=240=; 101, =206=; 164 f., =151=; 334-75, =142=; 639-723,
=275=; 806 ff., =306=; 1016-22, 1080-83, =131=; 1115-52, =142=;
1293, =128=; also =139=, =192 f.=, =282=
_Electra_ (_ca._ 420-414 B.C.): vss. 4, =206=; 15, 32 ff., =259
f.=, =310=; 129 f., =151 f.=; 310 ff., 516 ff., =152=; 660 ff.,
=168=; 1202-4, =155 f.=; 1296-1313, =222=; 1404, =128=; also
=125=
_Maidens of Trachis_ (_ca._ 420-410 B.C.): vss. =1-48=, =302=;
103, =151=; 167 f., =314=; 307-27, =176 f.=; 983-1263, =129=;
1170-73, =314=; also =139=
_Nausicaa_,* =169=
_Oedipus at Colonus_ (402 B.C.; posthumous): vss. 1 ff., 38, =212=;
117, =151=; 494-506, =171=; 1099-1555, 1457-99, =182=, =187=;
1611 ff., =187=; also =180-82=, =205=, =218=, =227=, =231=,
=236=
_Oedipus the King_ (_ca._ 430 B.C.): vss. 6 f., =240=; 91-95,
=155=; 144, =151=; 264, =313=; 924 ff., =167 f.=; 1014 ff.,
=314=; 1268-79, =131=; 1307, =222=; also =205=, =273=
_Philoctetes_ (409 B.C.): vss. 38 f., =131=; 135 ff., =150=; 649
f., 696-99, =131=; 825-62, =153=; 1070-95, =158=; 1408, =296=
_Thamyris_,* =169=
_Trackers_ (_Ichneutae_; _ca._ 445 B.C.): =22=, =29-31=, =126=,
=199=

Suidas (_ca._ 970 A.D.), _s.v._ Aeschylus, =325=; _s.v._ Arion, =10=;
_s.v._ οὐδὲν πρὸς τὸν Διόνυσον, =12 f.=, =15=, =21=, =29=;
_s.v._ Phrynichus, =4=; _s.v._ Pratinas, =23=, =63=; _s.v._
Sophocles, =325=; _s.v._ Thespis, =12=, =20=

Terence (died 159 B.C.)
_Andrian girl_ (166 B.C.): vss. 236 ff., =314=; 247, 301 ff., =315
f.=; 420 ff., =315=; 489-94, =242=; 581-96, 625 ff., =315=; 820
f., =310=; 957 ff., =315=; also =279=, =304=
_Brothers_ (160 B.C.), vs. 517, =310=
_Phormio_ (161 B.C.), vss. 862-69, =241=
_Self-Tormentor_ (163 B.C.): vss. 171, 409, =141 f.=; 410, =253=,
=257=; 748, =141 f.=

Themistius (died _ca._ 388 A.D.), p. 316D, =298=

Thespis (sixth century B.C.), =20 f.=

Tzetzes (twelfth century A.D.), p. 18 (Kaibel _Com. Gr. Frag._), =52
f.=

Vitruvius (_ca._ 15 B.C.): v. 6 f., =75-77=, =87=, =97=; v. 8, 2,
=80=;
vii. praefatio, 11, =66=, =236=;
viii, praefatio, 1, =96=; also =79-87=, =90 f.=, =92=

GENERAL INDEX

(References to ancient playwrights are supplementary to the Index of Passages; those to modern playwrights may be found by consulting “Parallels.” For theaters at various sites see “Theater.” All references are to the pages of this volume.)

Acceleration of time, 250-57

Actors, xi f., xiv, xix, 5, 35, 132 f., 162-95;
first actor, 16-19, 162, 165;
two actors, 163-71, 173-76, 183, 231 f.;
three actors, 166-71, 176-83, 185-88, 231;
number of, 129, 172-82, 182-84, 192;
poets as, 18, 168 f., 318;
coryphaeus as, 165, 169-71;
in satyr-plays, 26;
in comus, 43-46;
in comedy, 46-49, 54-56;
position in theater, 60, 77-79, 81 f., 86, 88-103, 117, 130, 149;
ignored, 91, 163, 169, 173, 209, 230, 232;
and chorus, 136-39, 149;
contests of, 169, 269;
guilds, 185-88;
female rôles, 4, 188 f.;
social position, 190 f.;
specialization, 191 f., 202 f.;
how introduced, 208-12;
how paid, 165, 183 f., 270;
how assigned, 273 f.
_See_ Aesthetic Law, Children, Lay Figure, Masks, Motivation, Mute,
Parachoregema, etc.

Acts, 148, 192-95, 265, 301, 307, 311

Adrastus, 11-15, 17, 35

Aeschylus:
first tragic poet, 2, 33;
introduced second actor, 166, 183;
indebted to Homer, 17;
imitated by Euripides, xviii;
contested with Pratinas and Choerilus, 23 f., 63;
originated tetralogies, 23, 133 f.;
brought knowledge of Epicharmus to Athens, 56;
historical themes, 124;
dialogue, 170 f.;
plays repeated, 203 f., 324;
murders, 229;
soliloquies, 305;
iambic resolutions, 171 f.;
victories, 272, 321, 324 f.

Aesthetic law of actors, 53, 186-88;
violence, 130 f., 229;
of supports for stage, 86;
effect of third actor, 167

Aetiology, 6, 15, 295

Agathon, 93, 124, 144-46, 148, 205 f.

Agon, 41, 43-46, 49, 55, 193, 275

Agonothete, 109, 271 f., 325

Alexis, 304

ἀναβαίνω, 91 f.

ἀναγνώρισις. _See_ Recognition

Ancestor worship, 33 f.

Anthropology, 4 f.

Aparts (asides), 312

ἀποκρίνεσθαι, 16

Arion, 8-11, 13, 24, 32 f.

Aristias, 23

Aristomenes, 327 f.

Aristophanes:
productivity, 335;
sought prize, xviii, 213-16;
used coryphaei as actors, 44;
borrowed ἐξόδια, 45;
use of phallus, 46 f.;
of chorus, 146;
_Frogs_ repeated, 204;
imitated Euripides, 302;
technique of dual entrance, 310;
iambic resolutions, 172;
position of name in records, 326-29

Aristotle, ix, xxi, 5 f., 21;
and spectacle, xi-xiii, xv f.;
on origin of comedy, 35 f., 50-52, 54 f.;
of tragedy, 6, 21 f., 28 f.

ἀταξία, ἀτάκτως, 52 f., 184

Audience, xiii, xvii, xix, 120 f., 132, 213, 215-20, 302 f., 305 f.

Back scene, 65 f., 226-29, 241

Bethe, 79

Blinding, 131, 159, 222

βοηλάτης, 7

Box set, xv, 229

Bulle, 31 f.

Burial, 282 f.

Butcher, 252

Bywater, 6, 51

Callistratus, 326, 328

Capps, 23, 35, 55 f., 88, 144

Castelvetro, xiii, 130

Charon’s steps, 106

Chauvinism, xvii f., 217-20

Children, 120 f., 179 f., 189

Chionides, 35, 51, 54

Choerilus, 23, 63

Choregus, 132, 182, 186, 205, 269-71, 273

ΧΟΡΟΥ, 145-48, 193 f., 254

Chorus (choreutae), 2, 5, 10 f., 132, 133-61;
size of in dithyramb, 11, 132, 197;
in satyr-play, 26;
in tragedy, 133 f.;
in comedy, 42, 134 f.;
of satyrs, 2, 10, 15, 24-32, 136, 154;
“goat” choruses at Sicyon, 11;
non-satyric at Sicyon, 13 f., 15;
likewise at Athens, 10 f.;
of sileni, 16, 21, 24, 26, 29, 32, 135;
transferred from Adrastus to Dionysus, 11-15;
in comus, 42-46, 134;
in comedy, 49, 51, 53 f., 135;
as actors, 18, 43-45, 184;
speaks through coryphaeus, 165;
history of, 92 f., 97, 116 f., 148 f., 168, 193;
position of, 77-79, 81, 88, 95, 99, 130, 149;
relation to actors, 136-39, 147, 149, 193;
relevancy of odes, 139-50;
second and third chorus, 141;
participation in plot, 88, 93, 117, 143 f.;
constantly present, 154-60, 226, 243, 247, 250, 253, 307, 312;
withdraws, 154, 247, 250 f., 306;
preferably feeble, 160;
introduces actors, 208-11;
songs a hindrance, 153 f.;
how paid, 165, 270 f.
_See_ Embolima, Impersonation, Motivation, Odes, etc.

City Dionysia, 196 f., 273;
reorganized, 24, 203, 269;
procession, 20, 121-23, 132, 197, 224;
dithyrambs, 11, 23, 197;
satyr-plays, 23 f., 198 f., 204;
tragedy, 21, 119, 197;
old tragedies, 204, 324;
comus, 24, 38, 119 f., 319;
comedy, 51, 119, 197, 199 f.;
tetralogies, 23, 133 f., 198 f., 203 f., 322 f., 332;
contest of actors, 169, 183-85, 202;
records, 318-28.
_See_ Prize, Proagon, etc.

Clisthenes, 11, 14 f.

Closet drama, xii, xiv

Coincidence, 277, 293

Comedy:
etymology, 36;
Old, Middle, and New, 39 f.;
divisions, 40-42, 193-95;
violence in, 132;
chorus, 134 f., 147, 149, 162.
_See_ Origin of Comedy, Comus, etc.

Commus, 96

Comus, 24, 36-38, 42-46, 119 f., 127, 132, 162, 319

_Contaminatio_, 188, 194

Conventions, xvi, 66, 91, 129, 132, 152-54, 157 f., 165 f., 182, 208,
224-26, 228, 233 f., 236 f., 248, 254 f., 260 f., 266, 284,
287, 309 f.

Cook, 24, 26

Corinth, 4, 7-9, 11, 13, 15

Cornford, 36 f., 51, 149 f., 160, 224, 267

Coryphaeus, 10 f., 16, 18, 44, 49, 53, 134, 165, 168, 171, 187

Costumes, 271;
of satyrs, 2, 16, 24-32;
of sileni, 16, 24, 26, 29, 32;
in comus, 38, 43 f.;
in comedy, 46 f., 135;
in tragedy, 135 f., 162;
of tragia choreutae, 2, 16, 21 f., 24-32

Crane. _See_ μηχανή

Crates, 35, 50-52, 54-56

Cratinus, 52-56, 327, 330, 335 f.

Criticism, xi, xiii-xvi

Curtain, 243-45, 247, 250, 311

Deckinger, x

De Prott, 26 f.

Deus ex machina, 59 f., 201 f., 258 f., 292-98, 303.
_See_ μηχανή

Dialogue, 10, 18, 164 f., 169-71, 178-82, 186 f., 232, 239, 241 f.,
252, 259 f., 299 f., 309-11

Didascalia (group of plays), 198, 318;
(record), 318, 321-26, 330

Didascalic numerals, 330-37

Didascalus, 318, 326-30

Dieterich, 6, 19

Dindorf, 330, 335, 337

Dionysus, 2, 6 f., 10-17, 20 f., 26, 33, 36, 104, 119, 121-24, 126
f., 142, 162 f., 198 f.
_See_ “Nothing to do with Dionysus”

Dithyramb:
source of tragedy, 2, 4, 6, 16, 119, 123, 198;
source of satyric drama, 2, 4, 23 f., 123, 198;
nature of, 6-8, 10 f., 33, 123, 133, 162, 197;
broadened, 7, 10 f.;
improvisational, 6, 10, 23;
poetized, 8-11, 23;
given titles, 9 f.;
impersonation, 10, 16 f., 162 f.;
modified by Thespis, 16-21;
admitted to City Dionysia, 11, 23, 197;
prizes for, 7, 11, 14, 269

Dorians, 8 f., 15 f., 47 f., 56

Dörpfeld, 58 f., 61, 67, 72, 74-76, 80-86, 97 f., 100, 117, 130, 226

Drachma, 120, 269

Drama, xiv f., 8 f., 10, 16 f.
_See_ Satyric Drama

Dramaturgy, x, xii
_See_ Technique

δρώμενα, 6, 8, 17

Dryden, 202, 257, 265

Eccyclema, 107, 241, 284-89

ἐλεός, 18

Eleusis, 6, 17, 37

Eleutherae, 21, 63, 122

Embolima, 93, 144-49

England, 258 f.

Eniautos-Daimon, 6

Environment, ix, xvi

Epic, xi, 17, 95, 244, 257, 263.
_See_ Homer

Epicharmus, 50 f., 56

Epigenes, 12 f., 15, 24, 32 f.

Epilogue, 258 f.

Episcenium, 59, 106-9, 111, 113, 289

Episode (ἐπεισόδιον), 41, 47, 49

Euripides:
career, xviii, 205, 334;
imitated Aeschylus, xviii;
and Thespis, 299 f.;
tags, xvii, 215;
melodramatic, xviii;
chauvinistic, xviii, 217-19;
sought prize, xvii f., 215, 217-19;
introduced sex problems, xviii;
chorus, 144-46;
deus ex machina, 201 f., 258 f., 294-96, 303;
prologue, 206, 258, 299-304;
eccyclema, 288;
μηχανή, 292;
soliloquies, 299-302, 305-9;
technique of simultaneous entrance, 310;
iambic resolutions, 172;
indicated scene of action, 206;
was criticized, 266 f., 293, 300, 302;
modified myths, 300 f.;
as skeptic, 96, 140;
productivity, 334;
popularity, xviii, 204, 272 f., 324 f.

ἐξάρχων, 6 f., 16, 36, 44

Exodus, 41 f., 45 f., 55

Exon, 286

Exostra, 288

Fasti, 319-21, 324, 330

Fear and pity, 128, 245, 317

Fiechter, 70, 79, 81-86

Flight, 289-92

Flute-player, 26, 30, 271

Frei, 96

Frickenhaus, 20, 121

Fries, 138

Furtwängler, 16, 67

γέρανος, 298

Ghosts, 106, 225 f., 248, 302

Gildersleeve, 94

Goat:
as prize, 7, 11, 13-16, 24, 268;
as sacrifice, 14 f., 269;
“goat” choruses, 11 f., 15;
goat-song, 13 f., 21;
goatskin, 26-28, 30 f.
_See_ Satyrs and Choreutae

Gods, position of, 289-93

Gomperz, 22

Goodell, xvii f.

Guglielmino, xvii

Haigh, 10, 27, 79, 120 f.

Harrison, 6, 17

Heraclides, 20 f.

Hermann, 78 f.

Homer, 17, 244, 254 f., 266, 279 f., 282, 289, 300, 304-6.
_See_ Epic

Hyposcenium, 61, 74, 84 f., 97, 100 f., 111, 113, 115

Hypothesis, 330

Iambic. _See_ Meter

Icaria, 4, 16 f., 19, 21, 38

ἴκρια, 63, 66, 105, 108

Immediate effects, xvii

Impersonation (μίμησις), 10, 16-18, 43-45, 49, 53 f., 162 f.

Improvisation, 6, 10, 16, 36, 38

Interior scenes, xv, 68, 128, 229, 231, 237-43, 248, 278, 284 f.

Irony, 312-17

Jachmann, 329 f.

Judges, 214-16, 272 f.

Kaffenberger, 172, 187

Kaibel, 152

καταβαίνω, 91 f., 102 f.

Katharsis, 317

κῶμος. _See_ Comus

κονίστρα, 72

Körte, 46 f., 324

κράδη, 298

Lay figure, 166 f., 174, 228, 244

Legrand, 277

Lenaea, 38, 56, 119 f., 183 f., 196, 202, 204 f., 269, 273, 318,
324-29

Leo, 187, 307

Lighting, 224-26, 233, 243, 253

Litigiousness, 274 f.

Logium (λογεῖον), 59 f., 76, 86, 97 f., 100, 102, 107, 111 f., 288,
291 f.

Lot, 272 f.

Lycurgus, 68-70, 191.
_See_ Theater

_Machina._ _See_ μηχανή

Magic, 17, 153, 155

Magnes, 35, 51, 54

Marrett, 34

Masks, 19, 26, 42, 49, 54, 130, 163 f., 173, 188, 212 f., 221-24, 266

μηχανή, 68, 109, 235, 287, 289, 292 f.

Megara, 47 f., 56

μελάναιγις, 21

Menander, 304, 332, 336 f.

Messenger, 128, 164, 191, 229, 241, 248, 251, 276, 294

Meter, 10, 16;
iambic, 22, 171 f.;
trochaic tetrameter, 22, 45

μίμησις. _See_ Impersonation

Mina, 269

Mooney, 231, 243

Motivation:
for movements of actors, 93, 147, 173 f., 229-33, 238-43, 249, 261,
281 f., 300;
for movements of chorus, 150-52, 250 f.;
for choral odes, 140-43, 152-54, 217;
for unchanging features, 222 f.;
for lack of darkness, 225 f.;
for silence, 165, 176 f., 232;
for soliloquies, 304 f., 308

Murder. _See_ Violence

Murray, A. T., 201, 210

Murray, G., xviii, 2, 6, 23, 158, 303

Music, xi

Mute, 174, 176 f., 179-81, 232, 244, 271

Mythology, xviii, 123-26, 217, 219.
_See_ Themes

Navarre, 42, 146

Nemesis, 275 f.

Nilsson, 9

“Nothing to do with Dionysus,” 12 f., 21, 29

Numerals given plays, 330-37

Obol, 120

Odes (στάσιμα), xv, 23, 41, 139-50, 152-54, 162 f., 192 f., 217, 252.
_See_ Embolima

Oratorio, 16

Orchestra, 57, 63, 65 f., 68 f., 72-79, 81-86, 88-91, 93, 95, 97-100,
102-8, 110-17, 130, 221, 223, 226, 228, 231, 233, 289, 292, 298

Origin of comedy, 1, 35-56;
obscurity of, 6, 35 f.;
improvisational, 36;
and comus, 36-38, 42-46, 127, 133;
impersonation, 43-45, 49, 53 f., 162 f.;
actors from Megara, 46-48, 53, 56;
influence of tragedy, 49 f., 53 f., 127, 146;
of mime, 50 f., 56, 127;
plot, 50-52, 54, 127

Origin of tragedy, 1-35;
no serious gaps, 6;
improvisational, 6;
from dithyramb, 2, 4, 6, 16, 133, 198;
Arion, 8-11;
Sicyon, 11-15;
occasion for name, 13-15, 268;
Icaria, 16 f.;
Thespis, 16-21;
impersonation, 16-18, 162 f.;
first actor, 16-19;
non-Dionysiac themes, 21, 23, 198 f.;
passed through “satyric” stage, 22 f., 28 f.
_See_ Homer, Ridgeway, Satyrs, Sileni, Thespis, etc.

ὄψις. _See_ Spectacle

Panels. _See_ πίνακες

Parabasis, 41-43, 45 f., 49 f., 55, 193

Parachoregema, 182, 186, 271

Parallelism in comus and comedy, 42-46

Parallels from modern theory and modern and mediaeval drama:
Albright, 283;
Archer, 148, 190 f., 261, 302;
Brown, 263;
Corneille, 256, 264;
Cornford, 149, 224;
Craig, 223 f., 284;
Dennis, 152, 155, 221;
Dryden, 202, 265;
Elizabethan drama, 23, 188, 224, 244;
Galsworthy, xv f.;
Goethe, xiv, 12, 125, 140;
Gray, 155;
Greene, 145;
Hamilton, xiii, 201;
Ibsen, 242, 261, 266, 299, 311;
Jones, xix;
Kennedy, 264;
Lessing, 225, 246, 303;
Lounsbury, 130, 263 f., 279;
Lowell, 262;
Marlowe, 254;
Matthews, xiii f.;
Middleton, 313;
Molière, 230 f., 264, 297 f.;
Parker, 238;
Racine, 124, 147, 264;
Savage, 261;
Schlegel, 220;
Shakespeare, 123, 128, 141, 170, 188, 201 f., 208, 212, 225, 232,
243, 252, 256, 263, 283, 297, 303 f., 313;
Shaw, 229;
Sutro, 229;
Voltaire, 201, 225;
Walter, 263;
also x, 16, 120, 123-25, 129-31, 162 f., 170, 190, 201 f., 236,
238, 243 f., 246, 248, 302

Parascenium, 58, 66-70, 97 f., 104 f., 107 f., 111, 228, 235, 285,
287, 289

Parodus (of chorus), 40, 45 f., 49, 55, 209, 252, 287, 298 f., 304

Parodus (of theater), 59-61, 65 f., 70, 72, 75, 99, 102-4, 106, 108,
208, 226-28, 230 f., 233-35, 286

Parody, 39, 200 f., 207, 210, 288, 309

Patriotism, xvii f., 217-20

Periacti, 298

περιπέτεια. _See_ Reversal of Situation

Phallic, 36 f., 43, 46 f.

Phlius, 4, 23 f.

Phrynichus, 4, 6, 124, 141

Pickard-Cambridge, 3, 10, 12, 14, 22

πίνακες, 68, 71, 86, 107-9, 235 f., 244

Pisistratus, 21, 63

Plautus, ix, xx, 188, 194 f., 234, 304, 307, 309-11

Playbill, 204-13, 254, 301

Plot, 50-52, 54, 127, 261-63

Plutarch. _See_ Theater

Poets, xvi, 18, 26, 123-27, 220, 271, 273, 318, 326-30

Pollux. _See_ Theater

Pompey, 80 f., 85

Porch, 68, 235 f., 238

Pratinas, 4, 23 f., 25, 63

Prescott, 174, 278

Prickard, 202

Prize, xvii f., 7, 11, 14 f., 16, 24, 213-20, 268 f.

Proagon, 204-6

Procession, 20, 121-23, 132, 197, 224

Prologue, 35, 40, 49, 55 f., 206, 208-10, 252, 298-304

Properties, 65, 106, 226, 228

Proscenium, 58-60, 66, 68-71, 76, 80-87, 91 f., 97-101, 103-9,
111-14, 228, 235-39, 241, 244, 285, 287 f., 291 f.

πρόθυρον. _See_ Porch

Psychology, xiv, xviii, 4, 296

Puchstein, 79, 92

Ramps, 104

Recognition (ἀναγνώρισις), 17

Rees, 53, 172, 187, 192

Reisch, 3, 10, 14, 22, 30 f., 59, 319

Reversal of situation (περιπέτεια), 17

Richter, 150

Ridgeway, 6 f., 12, 18-21, 31, 33-35, 236

Robert, 101

Rogers, 121, 214 f.

Ruppel, 273

Satyric drama (satyr-play), 2, 9, 22-32, 33 f., 125-27, 136, 198, 203
f., 322

Satyrs, 2, 10 f., 13, 16, 22 f., 24-32, 126, 136, 154, 162

_Scaena._ _See_ σκηνή

Scene-building. _See_ σκηνή

Scene of action, 206-8, 226-31, 233-36, 258, 300;
changed, 206, 235, 247 f., 250 f.

Scenery, xii, 66, 236, 244, 247 f., 260.
_See_ πίνακες

Schmid, 3

Scott, 254

Seneca, ix, xx, 141, 187

Sheppard, 276

Shorey, 30

Sicyon, 11-15, 21, 35, 80, 104, 108

σῖγμα, 72

Silence, 42, 91, 163, 165, 169, 173 f., 176 f., 186 f., 230, 232

Sileni, 16, 21 f., 24, 26, 29, 32, 121 f., 135, 162

Simonides, 11

σκηνή (_scaena_; scene-building), 57 f., 66-70, 72, 77 f., 87, 93-98,
102-9, 111, 113, 226, 228, 231, 233, 235-37, 244, 284 f.,
287-89, 291;
ἐπὶ (ἀπὸ) σκηνῆς, 93-98;
_in scaena_, 77;
_scaenae frons_, 76, 83 f.

σκηνικός, 61, 77 f., 96 f.

Soliloquy, 240, 258, 286, 299-309, 311 f.

Solon, 9, 17-19

Sophocles:
third actor, 53, 167, 183;
ceased acting, 169;
use of chorus, 144;
was refused a chorus, 273;
scenery, 66, 236;
μηχανή, 296;
soliloquies, 305;
irony, 313;
imitated Euripides, 302;
iambic resolutions, 172;
productivity, 335;
victories, 272 f., 325

Spectacle (ὄψις), xi f., xvi

Spingarn, xi-xiii, xv

Stage, xx, 60, 72-88, 91-100, 102 f., 111 f., 114-17, 130, 149.
_See_ σκηνή and Logium

Stasima. _See_ Odes

Stephenson, 158

Suicide, 129-32, 159, 244

Susarion, 38, 47 f., 52 f.

Synchoregi, 271

Syzygy, 41, 43

Tanner, 336

Technique, ix f., xiv f., xvii, 10, 128 f., 173-76, 182, 191 f., 209
f., 229, 232, 239 f., 299 f., 310

Terence, xx, 194 f., 234, 304, 307, 309-11, 316, 331

Tetralogy (trilogy), 23 f., 133 f., 198 f., 203 f., 257 f., 265 f.,
300, 322 f., 332, 334

Theater (as a structure), 1, 57-117
Technical terms, 57-61
Greek, 76 f., 80;
Roman, 75-77, 80;
Hellenistic, 70 f., 76, 80, 82-87, 97, 100, 110 f.;
Graeco-Roman, 80, 82-87, 110-14
Athens, 62-75;
site, 62 f., 208, 233 f.;
size, 121, 221, 224, 312;
in market-place, 63, 105;
orchestra of _ca._ 499 B.C., 63, 65 f., 104, 226-28, 230;
_ca._ 465 B.C., 66, 68, 228, 231 f., 285, 289;
_ca._ 430 B.C., 67 f., 70, 235, 287, 289;
Lycurgus, 68-70, 96, 103;
Hellenistic, 70 f.;
Nero, 72-74, 81, 98-101, 117;
Phaedrus, 72, 74 f., 98
Delos, 70 f., 80, 82 f., 107 f.;
Delphi, 108, 116;
Epidaurus, 70 f., 80, 104;
Ephesus, 82 f., 109, 111-13, 116;
Eretria, 70 f., 80, 82, 84, 104-7, 288;
Megalopolis, 80, 108;
Mitylene, 80 f., 85;
Oropus, 80, 82, 84, 108-11, 113;
Patara, 82-84;
Pergamum, 80, 110 f., 116;
Priene, 82 f., 86, 110 f., 113 f., 116;
Sicyon, 80, 104, 108;
Termessus, 82-85, 110 f.;
Thoricus, 69, 80, 103 f., 227
Vitruvius on, 75-87, 90, 92, 97;
Pollux on, 78, 94, 98-100, 106;
Plutarch, 101-3;
Pompey’s, 80 f., 85;
and fifth-century plays, 87-92;
ἀναβαίνω, καταβαίνω, 91 f., 102 f.;
and chorus, 92 f.;
ἐπὶ τῆς σκηνῆς, 93-98;
θυμελικός, σκηνικός, 95-97

θέατρον, 60

Themes, 7 f., 10, 13, 20 f., 123-27, 198 f., 279, 315

Theologium, 59 f., 111

Thespis:
not mentioned in _Poetics_, 6;
and Solon, 9, 17-19;
place as tragic poet, 9, 12, 33;
borrowings, 16;
innovations, 16, 19 f.;
first actor, 16-19, 163;
impersonation, 16-18;
his “grand step,” 19 f.;
his wagon, 19 f.;
non-Dionysiac themes, 20 f.;
genuineness of extant titles, 20 f.;
victor in first Athenian contest, 21;
dramas somewhat like satyr-plays, 23;
prologues, 55 f., 298-300

Thirlwall, 313, 316

Throop, 17

Thymele, 18, 57, 61, 73, 79, 95-97, 104

θυμελικός, 61, 77 f., 81, 95-97

θυρώματα, 107, 109, 111

Tomb ceremonies, 6, 12, 33-35

τραγικοὶ χοροί, 11 f., 15

τραγῳδία, 2, 8, 13-15, 21, 27 f.

τραγῳδοί, 11, 13, 15 f., 21

Tragedy:
wagons in, 19 f.;
at City Dionysia, 21;
influence on comedy, 49 f., 53 f., 127, 146;
influenced by epic, 17, 257, 263;
themes, 123-25;
chorus of, 135 f., 148-50, 162;
early form, 162 f.;
act divisions, 192 f.

Trochaic tetrameter. _See_ Meter

Tyche, 277

Unities, 201 f., 246-67, 277, 279, 295, 300

Vases:
satyrs on, 16, 22-32;
sileni on, 22, 24, 26, 29, 32;
satyr-plays on, 25-27, 29-32;
comus on, 38, 46;
wagon-ship on, 20

Verrall, 5, 147, 151, 253

Vestibule. _See_ Porch

Victories, 272 f., 324 f.

Victors’-Lists, 324-30

Violence, 127-32, 158-60, 229, 241, 247, 284 f.

Wagons, 19 f., 121 f.

Welcker, 1-3, 13

Wernicke, 31

Wieseler, 79 f.

Wilamowitz-Möllendorff, von, 8, 11, 19, 48, 88, 189

Wilhelm, 319, 328

Women, 4, 42, 121, 180 f., 191, 277-83

Year spirit, 6