Chapter V: Hugo (3)

--Well! yes, I will speak, she replied, for I am pained to see you thus, and the more so as it is certainly allowed me to tell you so, me who am destined, please God, to live with you. I have only known you since you were our Curé, but you have been so good to me that I love you like ... a sister. I was all alone here, like a poor forsaken creature, after the death of my old master, the Abbé Fortin--may God keep his soul,--and you consented to keep me when taking the parsonage. It is good of you, for you might have brought with you your former servant, or again some niece, as many do.

--I have no niece, Veronica.

--A niece, or a sister, or a relation. After all you have kept me, although you could have found a better than myself. Oh, very easily, I know ... and I thank you from the bottom of my heart, yes, from the bottom of my heart. But could you have found one more devoted, more discreet? I believe not; as much, perhaps; but more, I believe not. Ah! I tell you here, Monsieur le Curé, you can do everything you want, nobody shall ever know anything of it.

The Curé looked at his servant with amazement.

--What do you mean by that, Veronica? he asked in a stern voice.

--Oh! nothing, I mean nothing. I mean that you can have entire confidence in your poor servant.

--I thank you, Veronica, but I don't know what you mean.

--I explain myself badly doubtless, Monsieur le Curé. Ah! pardon me, I was forgetting ... here, there is a letter which I have just found and which has been slipped under the door at night.

He looked at the address. It was an elegant and bold hand, the hand of a woman.

XXIII.

THE LETTER

"The beauty then, to end this war,
Offers but a single way which we can hardly guess."

R. IMBERT (_Nouvelles_).

A sweet perfume was exhaled from it.

He opened it with a trembling hand.

That strange intuition of the heart which is named presentiment, told him that it came from Suzanne.

Pale with emotion he read:

"MONSIEUR L'ABBÉ,

"I do not wish the day to pass without coming to ask your pardon for my father's conduct towards you, and assure you that he does not think a single one of his wicked words.

"Do not keep, I pray, an evil memory of me, and believe that I should he grieved if a single doubt were to remain in your mind as to the sympathy and respect which you inspire in

"Suzanne Durand.

"P.S. I have much need of your counsels."

Marcel, full of a delicious trouble, read and re-read this letter. He did not take careful note of his sensations, but he felt an ineffable joy overflow his heart, and at the same time a vague anxiety.

His servant's voice recalled Him to himself.

--Doubtless it is a sick person who asks for religious aid, she said.

Was there a slight irony in that question?

The priest thought he saw it. He called out sharply:

--You are still there, Veronica? Who has called you? I don't want you any longer.

--Pardon me, Monsieuur le Curé, she answered humbly and softly, I was waiting.... I thought that perhaps you were going out _to visit this sick person_ and that then I could be useful to you in some way.

--You cannot be useful to me in any way, Veronica, But truly you astonish me. What have you then to say to me? Come, explain yourself at once.

--No, Monsieur le Curé, there is midnight striking. It is time to repose, I wish you good-night, sir.

--Good-night, Veronica.

"What a strange woman," said Marcel to himself, "what can she want with me. One would say that she had a secret to confide to me and that she does not dare.... Could she have any suspicion? No, it is impossible. How could she know what I want to hide from myself. She has caught two or three words perhaps; but what could she understand, and what have I let drop to compromise me? She has evidently heard others, for she was here before me, and these old walls have been witnesses, I am sure, of many groanings of the soul.... Let us be cautious, nevertheless, and repress within ourselves the thoughts which would come forth. A wise precept. It was a precept of my master of rhetoric. Yes, let us be cautious; in spite of this woman's appearance of devotion, who would trust to such marks of affection? The servant's enemy is his master; and I clearly see that independently of my dignity, I must not make the least false step; what torments I should reserve to myself for the future.

"And this letter of Suzanne, the adorable and lovely Suzanne! What an emotion suddenly seized me at the sight of that unknown handwriting, which I had a presentiment was here. Oh! what a strange mystery is man's heart. I, a priest, with a nature said to be energetic and strong. I trembled and was affected like a child, because it has pleased a little school-girl to write me a couple of lines in order to excuse her father's rudeness. What is more natural than such conduct? Is it not the act of a well-bred girl? And yet already my foolish brain is beating the country and travelling into the land of fancies ... of abominable fancies.

"She asks me for counsel; doubtless I will give it her. Is it not my duty and business as priest? but where, but when can I see her?..."

And he went very thoughtfully to bed, with his head full of dreams.

XXIV.

THE FIRST MEETING.

"Ah! let him, my child,
Ah! let him proceed.
When I was a Curate
I did much the same."

ANONYMOUS (_Le chant du Curé_).

The first person he saw the next day at morning Mass was Suzanne Durand. She had not yet come to these low Masses, which are affected usually by the devout, because the church is then more empty, and they feel themselves more alone with God or with the priest; therefore the Curé was deeply affected by this pious eagerness.

It is doubtful whether, on that day, his prayers reached the throne of the Eternal, for he brought but little fervour to the holy sacrifice.

A good woman who had given twenty sous to buy a place in the firmament for her defunct spouse, was quite scandalized to remark that the Curé was eating in a heedless manner the wafer which, for nearly 2000 years, serves as a lodging for Christ.

His words rose with the incense to the arches of the old church, but his soul remained below, fluttering round that fair young girl, as if to envelop her with embraces.

When he had dismissed the faithful with the sacramental words _Ite missa est_, he felt a momentary confusion and he felt his knees tremble. He was afraid of himself, for he saw the Captain's daughter rise from her seat and slowly make her way to the confessional.

What! It was perfectly true then, she had asked for his counsel, and while he, the priest, was hesitating and seeking where he could converse with her without exposing himself to the brutal invective of the father or the senseless scandals of the village, this simple girl had found, without any aid from him, the safest spot, the sanctuary of which he had inwardly dreamed.

He was then about to listen all alone to the divine accents of that charming mouth; to see her kneeling before him, her face wreathed with a modest blush,--before him who had wished to kiss her foot-prints.

Oh, God supreme! who could depict his transports, his emotion, the thrill which ran through all his frame. She, she so near to him, so near that her sweet breath caresses his face like a breeze come from heaven.

He felt wild with joy. But she also is affected, she also trembles, and beneath her palpitating breast, he seems to hear the beatings of her heart. What passed? What avowal did this maiden of ardent feeling make to this hot-passioned man? There is one of those mysteries which remain for ever buried between priest and woman, between penitent and confessor. What they said to one another no one knows, but from that confessional into which he entered pensive, wavering, it is true, but still contending, he went out with his face radiant, and his heart intoxicated with love.

XXV.

LOVE.

"All loves around us: all around is heard,
Hard by the warbler's quivering kiss,
That voiceless song of flowers, which the lark,
by love distracted, to his mate translates."

EMILE DARIO (_Sonnets_).

He returned to the parsonage with a light step, hearing the birds singing in the lime-trees the same joyous song which his own heart was singing. He breakfasted with a good appetite, smiled at his servant, and gave pleasant answers to her questions.

It seemed to him that a new world was opening. New ideas sprang up in him, and he discovered sensations till then unknown.

He felt better; life smiled upon him, and all the things of life.

The past had altogether vanished; the present was radiant, the future was laden with rosy dreams.

That same morning he had risen as usual, with no settled wish, aimless and hopeless. Till then, he had acted like a machine, hardly knowing whither he went, following his road by chance, walking onwards in the line which had been traced out for him, with no relish, full of weariness and sadness.

What was he expecting then? Nothing. He was clinging to the fragments of his beliefs, he remained hanging there, not daring to stir, to think, or to turn, for fear of rolling to the bottom of some unknown abyss. But suddenly everything is changed, everything is transformed, everything takes another aspect. The whole world is illumined. Religion, dogma, mysteries, altar, priest, what is all that? God even. He thinks no more of him.

A woman's look has obliterated all.

A woman's voice has murmured in his ear and he perceives that he is young, that he is strong, that he has a heart, and that all cries to him at once: Love! Love!

Oh! what a wonderful thing love is! What frenzy, what delirium, what madness! Sublime madness, ravishing delirium, delicious frenzy.

First and last mystery of nature, first and last voice of the universe.

It is thou, oh God, who givest life to all, who dost animate all, who art the principle of all. Thou art Alpha and Omega; thou art the potent arm which has caused the worlds to rise, which has re-united the scattered forces of matter, which has made order out of chaos.

And there are found men, creatures, works of love like everything which moves, breathes, buds, shoots forth, there are found creatures who have dared to say: Love is evil.

They have sworn to renounce love. They have spat in thy face, fruitful, creative Divinity, they have denied thee on their impure altars.

But it is their God who is evil, as Proudhon said, that senseless and ludicrous God who delights in grotesque saturnalia, in ridiculous prayers, in shameful mummeries, in vows contrary to nature.

Marcel felt himself transformed.

A new feeling was born in him and plunged him into ineffable delight.

Nevertheless, as I have said, he experienced a vague fear; he had had a glimpse of the unknown, and he was one of those delicate and timid souls with their thoughts in some way turned upon themselves, which are terrified at the unknown.

Seized with a restless apprehension and with a mysterious trouble, he felt the hour coming which was about to change his life.

XXVI.

OF YOUNG GIRLS IN GENERAL.

"You tell me, Madame, that this description
is neither in the taste of Ovid
nor that of Quinault. I agree, my
dear, but I am not in a humour to
say soft things."

VOLTAIRE (_Dict. Phil._).

The great fault, in my opinion, both of the writer and of the poet, is to idealize woman too much, and especially the young girl.

On the stage just as in the novel, the heroines are placed on a sort of pedestal where they receive haughtily the incense and homage of poor mankind.

They are perfect beings, of superior essence, gifted with all the beauties and all the virtues, whose white robes of innocence never receive, amidst all the impurities, of our social state, the slightest splash.

Why then raise thus upon a pedestal of Parian marble these statues of clay? Why place reverentially beneath a tabernacle of gold these pasteboard divinities?

Good Heavens! women are women, that is to say: the females of man, nothing more. They are above all what men make them, and as we are generally vicious and spoilt, since from the most tender age we take care to defile ourselves in the street, in the workshop or on the school-benches; as the atmosphere we breathe is corrupt, we have no claim to believe that our wives, our sisters and our daughters can remain unspotted by our touch, and that this same atmosphere which they breathe, will purify itself in passing through their chaste nostrils.

If then the woman is not worse than we, as some assert, assuredly she is no better.

And how could they be better, who are our pupils, and when the share we have given them in society is so slight and so strangely ordered that, if they cannot by means of supreme efforts expand and grow in it morally and intellectually, every latitude is allowed them on the other hand to corrupt themselves in it beyond measure, and to fall lower than the man into the lowest depths.

"Fools!" said Machiavelli, "you sow hemlock and pretend you see ears of corn growing ripe."

Why then idealize and make a divinity of this creature, when we know that the education she ordinarily receives, takes away from her, little by little, all which remains attractive, divine and ideal!

Certainly a chaste and simple young girl, fair and fresh as a spring morning, sweet as the perfume of the violet, and whose mind and body alike are as pure as the petals of a half-opened lily, is the most heavenly and the most adorable thing in the world.

But, outside the pages of your novel, how many of them have you met in the world?

I have often heard the modest virtues of the middle classes extolled, and it is from such surroundings that the novelist of to-day most frequently draws his feminine ideal. It is among the middle classes indeed that all the qualifications seem to unite at first. It is the intermediate condition, the most happy of all, as the excellent Monsieur Daru said in 1820, since it is only disinherited of the highest favours of fortune, and the social and intellectual advantages of it are accessible to a reasonable ambition.

But they evidently benefit very little by their advantages, for I, and you also, have always found them coquettish, ignorant, frivolous and vain, bringing up their children very badly, but in revenge, generally deceiving their husbands very well.

"In middle-class households, bickering; among fashionable people, adultery. In fashionable middle-class households, either one or the other and sometimes both."[1]

And how could it be otherwise?

The daughters of devout and consequently narrow-minded and ignorant mothers, of sceptical and libertine fathers, they spend five or six years at school, where they consummate the loss of what may have escaped the baneful example of their family.

They have taken from their mother foolish vanity, ridiculous prejudices, the art of lying; from their father scepticism and an elastic conscience; perhaps they will preserve their virtue and modesty? The pernicious contacts of the school soon carry them away.

They still have a blush on their face, a down-cast eye, a timid bearing. But their affected timidity is the token of their knowledge of _good and evil_; like Eve, if they have not yet tasted of the forbidden fruit, they burn to taste it, for their thought is sullied, their imagination is vagrant and at the bottom of their soul there is a germ of corruption.

They leave the boarding-school _virgins_, but chaste, never.

Let us then represent the world as it la, women such as they are, and not such as they ought to be; let us call things by their names, and when there is moral deformity somewhere, let us show that deformity.

When we make wonders of the heroines of a novel, possessing the charms of the _three Graces_ and the virtues of the seven sages of Greece, who when they fall, fall in spite of themselves, impelled by a fatal concurrence of circumstances, but with so much candour and innocence, that we cannot do otherwise than pardon their fall and even fail to comprehend that they have fallen, we are completely amazed when we descend from this imaginary world to enter the world of reality.

The idealization of woman has therefore, besides other faults, that of causing as to take a dislike to our ordinary companions. How, indeed, after being present at the devotion of Sophonisba, at the suicide of the chaste Lucretia, at the display of the virtues of Mademoiselle Agnes, and at that of the form of Venus at the bath, can we contemplate with ravished eye the wife no less plain than lawful, who is sitting with sullen air at our fire-side, who has no other care than that of her person, no other moral capital than a round enough sum of prejudices and follies, and whose charms, finally, resemble more those of a Hottentot Venus than those of Venus Aphrodite.

The picture of virtues is an excellent thing, but still it is necessary that these virtues should exist. We must not enunciate an idea simply because it is moral, but because it is true. _Amicus Plato, sed magis amica veritas_.

That is why I shall not depict the little person, whom I am going to make better known to you, as a model of virtue. She is an inquisitive girl, she is vehement, she has been brought up in an atmosphere where depravity is more generally inhaled than holiness. I should then be badly advised in presenting you with an angel of candour and wisdom.

An angel! She is at that age indeed, at which foolish men call women angels.

"Before they are wed, they are angels so gentle,
But quickly they change to vulgarian scolds,
She-demons who truly make hell of their homes."

[Footnote 1: H. Taine (Notes sur Paris).]

XXVII.

OF SUZANNE IN PARTICULAR.

"An exalted, romantic imagination of
vivid dreams, peopled with sumptuous
hotels, with smart equipages, fêtes,
balls, rubies, gold and azure. This is
what I have most surely gathered at
this school and is called: a brilliant
education."