Chapter VI: Book II: According to Barrie (2)

It seems that, although he hasn't been in Scotland since he left seventeen years ago (vowing never to return until something or other happened), he has been in England several times meanwhile, and travelled all over Europe. He pretended that he wasn't at all excited about crossing the border after these many years' exile, but when I cried out that I couldn't believe him so commonplace and dull, he opened his eyes wide, as surprised as if I'd boxed his ears. Mrs. James whispered that I had been rude; and when I stopped to think, I realized how unlike Mrs. West I had been. She is so gracious and complimentary to Mr. Somerled, never saying anything she thinks he might dislike. But he heard Mrs. James's whisper and said, "You must let her alone, please, my Lady Chaperon, because I have a sort of idea she is going to dig me up by the roots, and hang me up to air, and altogether do me a lot of good in the end."

They both knew much more about the Cathedral than I did, but even I knew something, because there was a book of father's which I had read. So, when they'd explained that the beautiful pink columns and the painted oak screens looked new because Cromwell's men whitewashed everything when they stabled horses in the Cathedral, and the white wasn't scraped off till comparatively lately, long after the Cathedral was a prison in 1745, I told them something they hadn't learned, or had forgotten. I was proud to have a story about Bruce coming to Carlisle to take his oath of allegiance, before the great repentance, and hating the Cathedral ever afterward.

Even the Castle doesn't look as splendid from outside as it really is. It's like an enormous box, a good deal battered and patched, containing a kingdom's treasures. But of course I didn't know about the treasures until I had been in.

I had set my heart on seeing the place, because, as I said to Mr. Somerled, I may never come back to Carlisle once I begin to live with mother and go about with her. It was a blow to be told at the entrance gate where the public enters (and where there ought to be a moat, but isn't) that the Castle was closed for repairs. Even a grown-up man like Mr. Somerled, who has seen everything, looked disappointed; but I suppose he couldn't fight his way in against the power of England; and we should have turned ignominiously away if it hadn't been for Mrs. James. "You are surely not aware," said she in the aristocratic, long-worded way she has when she thinks of living up to the doctor (and when she isn't in earshot of Grandma) "of the distinguished identity of this gentleman. This"--with a wave of her tiny hand--"is the great portrait painter, Somerled. I will not introduce him as 'Mr.,' for he is as far above that designation as Shakespeare."

The poor wretch who had refused us was flabbergasted. "Excuse me a minute, mum!" he muttered, and darted off to return with a young officer before "the Great Somerled" had time to remonstrate. But, instead of devoting undivided attention to the celebrity who must be appeased, the officer looked at me, and we recognized each other. His face changed, and I know mine did, because my cheeks felt as if some one had pinched them. No wonder, because this had been my ideal for almost a year, before I saw the photographs in shop windows of Robert Loraine, and I had dreamed several times that I was engaged to him, with a gorgeous diamond ring, and afterward that I was his widow in one of those sweet Marie Stuart caps. It almost seemed as if he might see the cap in my eyes, so I hurried to look down, and appear as calm as if I had never met him in the street when out walking with Heppie. Once I dropped my handkerchief, like ladies in books (only I did it on purpose, which they never do if heroines, not villainesses), and he ran after us and picked it up. That was, of course, the only time he ever spoke; but, though I have cared not only for Robert Loraine but Henry Ainley since, I should have known his voice anywhere. It was disappointing not to thrill; but to be honest, I must admit that the voice sounded meaningless now, compared with that of the Knight. Nevertheless, he was saying kind things, offering to be our guide over the Castle and show us curiosities that the "ordinary public" is not allowed to see.

Just as Mr. Somerled was thanking the officer (I soon found out that he was a lieutenant, named Donald Douglas) I heard other voices behind me. "Good gracious!" I had just time to think, "it's Mrs. West and Mr. Norman," when they came round a screen of masonry, and were upon us. As soon as they saw who we were they stopped, Mrs. West pale, with the same martyred expression, which grew sweeter and sadder every instant. Mr. Norman shook hands with us in a cordial but embarrassed way, and the man who had refused to let us enter at first would have headed the newcomers off, but Mr. Douglas stopped him.

"The Castle isn't open for visitors to-day," he said, "but I am making an exception of Mr. Somerled's party, and as you are friends of his I shall be delighted to include you."

"You're very kind indeed; but----" Mr. Norman had to begin answering because his sister didn't speak, and only looked, looked, looked at "her friend Mr. Somerled." Her brother awaited a cue until the pause grew embarrassing, and then the Knight sprang to the rescue of another lady in distress.

"We shall be delighted too, Mrs. West," he said.

That was probably what she wanted, for she beamed on the Soldier Man (_my_ Soldier Man), and accepted his kindness. Mr. Douglas then put himself by my side; and Mrs. West annexed Mr. Somerled, or he annexed her. This left Mrs. James for Mr. Norman, and they hadn't been introduced: but they began chatting at once.

Mr. Douglas seemed quite interested when I told him he was the first soldier I'd ever known outside a book. He asked me if I thought I should like soldiers, and I said yes.

Into the heart of the fortress he led us: into the keep, square, ponderous, forbidding, cool even on a hot August day, and the best part left now of the proud old fortress.

Mrs. West had a notebook, a little purple and gold one, like a doubled-over pansy. As Mr. Douglas (laughing at himself because he was not experienced as a guide) rattled off all the information he could remember about Roman foundations--a sack by the Danes; William the Conqueror, and William Rufus, and a British fort older than the time of the Romans--she would scribble bits down hastily. But Mr. Norman took no notes, and when he saw her writing, he looked sad, almost guilty.

"Did you say the round wall the Britons built is under the keep?" she asked Mr. Douglas, who is, I feel, the kind of young man you would be calling "Donald" before you knew what you were doing. "Are there only three fortresses like this in all England? Do tell me what makes this unique?" And she looked at him so prettily that if I'd been in his place I'd have run to her like a dog and fawned at her feet. But he never stirred, and simply answered across the other people, though she is so much more intelligent than I--I, who couldn't describe properly what is a bastion.

Our guide lit a candle for the dark dungeons, awful places with grooves worn in the stone floors by the dragging feet of the prisoners, who paced rhythmically up and down in the tether of their chains. On the walls, covered with a cold sweat, as of deathless agony, we could see the staples; and there was one spot of a dreadful fascination, where Donald Douglas held his candle to show a trail of slimy moisture. Always this weeping stone had been there, he said, no one knew why; and in old days, when these dungeons bore the name of the "black hell," prisoners tortured with thirst used, animal-like, to lick the oozing patch, making many hollows round it like miniature glacier mills. After Culloden one hundred and eighty men were thrown in during one night, and only fifty were alive in the morning.

It made me feel very loyal to Scotland hearing stories like this--though I was proud of the Castle too. And I loved the tale of Willie Armstrong, Kinmont Willie, treacherously given up to Lord Scrope, for the worst dungeon of all, by troopers who in taking him violated a border truce. His escape was a real romance; and I am glad Lord Buccleugh, who saved him, was an ancestor of Sir Walter Scott.

It was no use appealing to Lord Scrope, the Warden of the West Marches, for justice, so Lord Buccleugh resolved to make a dash, and rescue the raider, whom he loved. He got forty men (the English said two hundred, but I know better), attacked the Castle, took it by assault, and carried Willie, with fetters still dangling from his wrists, clear away across the Eden and the roaring Esk, where none dared follow. When Queen Elizabeth asked him afterward how he had dared, he said, "What is there a brave man will not dare to do?"

It was not in the first dungeons that we heard the story of Willie Armstrong, but later, in the part of the Castle which the public is not allowed to see. We got there by climbing steep stairs into what are now the soldiers' storerooms: and it's because they are storerooms that they're kept so private. Once these rooms too were prisons; and behind an immense door of oak, almost in darkness, are perfectly wonderful wall-carvings cut into the reddish sandstone by prisoners: figures of men and devils; scenes of history; initials woven into ingenious monograms, Prince Charlie's among them, and hearts interlaced. I wish I had lived in those days, and I wondered aloud if there were any girls named Barribel then. Donald Douglas said yes; it was a very ancient and well-loved Scottish name.

Stupid people in 1835 tore down most of the tower where Queen Mary was imprisoned; but they were stopped before it was all gone, so luckily there is a corner left, with a few graceful carvings on the outer wall. And only three years ago a wonderful old table was found hidden away in a dungeon which, it is thought, must have been used as her dining-table, before she was whisked away from Carlisle to Bolton Castle in 1568. We saw the table--very dark, very rough, looking like a prehistoric animal turned to wood; and Donald Douglas said it was perhaps the oldest table alive in England to-day--as old as King Edward's, and of the shape which gave an idea later for Tudor tables. As he talked, I could almost see Queen Mary sitting by this queer piece of furniture eating a poor meal, and reading some book which might help her forget--perhaps idly fingering the splendid black pearls which Mrs. James said were bought last year in a tiny shop in Scotland, kept by descendants of a faithful maid who went with her to the scaffold. And the shopkeeper, who thought they were wax beads, lying in an old forgotten box, sold them for ten shillings!

They found in another dungeon of the Castle, hidden in a crack of the wall, a silver snuff-box with a withered finger in it, which must have been a prisoner's "fetich." But it couldn't have brought him luck; otherwise, if he'd been released, he would have taken it away with him. Probably he swung on the hanging beam that sticks out over the window of the old "condemned cell."

Next to Queen Mary's table, and perhaps the roof of the keep whence we could see away over the border into mystery-land, I liked best of all the Castle things a little deserted house in a courtyard, where Richard III lived for a while, when he was young. Few people know about it, or are taken to see it. But it alone would be enough to make the Castle interesting if there were nothing else. Only a few empty, echoing, half-ruinous rooms there are, with a queer chimney or two to give comfort; but Richard's enemies made it a charge against him that he lived in Carlisle Castle, splendidly housed in sinful luxury. What a pity all the tales against him were not so little true as that!

III

We're in Scotland!

Cæsar could not have revelled in crossing the Rubicon as I revelled in crossing the border. The very word rings out like the sudden sound of bells, or the mysterious music that thrills one's blood in dreams.

Poor Cæsar was obliged to burn his nice boats, and think disagreeable thoughts about the great responsibility he had taken, whereas we made our crossing in a beautiful motor-car, and I had no responsibility whatever. As for disagreeable thoughts, I had a few in England, but the air of Scotland has chased them away. I see that they were silly as well as selfish thoughts. I was so wicked that I hoped Mr. Somerled would not make up his quarrel with Mrs. West. I was afraid that if he did the poor princess he had rescued would be in his way, and that he would wish her safely back in her glass retort. Now they _have_ made up, yet somehow I don't feel in the way. He is so kind, and--yes, I must admit it--Mrs. West is so tactful.

It seems that while Mr. Douglas and I were walking and talking together in Carlisle Castle she apologized to Mr. Somerled. And outside the entrance gates, when Mr. Douglas had shaken hands, hoping to "run across us" when he gets leave for Edinburgh, Mrs. West walked up to me. "I've begged Mr. Somerled's pardon," she said, with her pretty smile which never changes, "and he has forgiven me, so you mustn't go on thinking me an ill-natured, bad-tempered person, please; I'm not really. Only we writing people have 'temperaments,' just as artists have--Mr. Somerled himself, for instance. My brother scolded me, and I deserved it. He is _so_ interested in you and your talent for writing, and wants to be your friend. You won't blame him for my fault, will you?"

Of course I said no, and she held out her hand. When I'd put mine into it, she pressed it gently, and before letting it go asked in a lower voice if Mr. Somerled had told me why they quarrelled.

I shook my head emphatically as I answered that he hadn't said a word, and she looked suddenly much happier. "That is _like_ him!" she exclaimed--if one can exclaim in a whisper. "Well, we must forget what's passed, and think of the future. Basil and I have hired a car now, and will travel in it; but that will be all the better for our novel, as I've just been telling Mr. Somerled, for we shan't have anything to distract our minds from the scenery and our notebooks. I've begged him to feel _no_ regrets: for now we're friends again, and we shall meet constantly, no doubt, without any embarrassment, but a great deal of pleasure. As for you, dear little girl, you mustn't feel that the cloud we've passed through need shadow you. It had to do only with us grown-ups. You have but to 'play dolls' and be happy, until you're safely tied up in your mother's apron-strings. Not that she's likely to have any!" And Mrs. West laughed, showing her white teeth that are almost like a child's.

"Thank you," I said. "I mean to be happy--_very_ happy!"

She looked over her shoulder at Mr. Norman, as if giving him a signal, and he came and talked to me. He said that he had hardly slept all night, because he was so miserable over what had happened, for every one's sake, but especially for his own, as he felt that a beautiful hope had been snatched away from him. "It was the hope of a friendship with you," he added. "But now we'll take it up just where it fell down, won't we, finding that it isn't broken after all?"

While we were shaking hands I heard Mrs. West tell Mr. Douglas that I was the daughter of Mrs. Ballantree MacDonald, and he seemed immensely astonished, just as Mr. Somerled had, and Mrs. West and Mr. Norman.

I wonder why every one is so surprised? Can it be that actresses do not often have children?

We bade each other good-bye, all of us, for Mrs. West and Mr. Norman are going to see some places that apparently Mr. Somerled doesn't care about; and it isn't quite certain when we shall meet again. "We shall be like bad pennies, always turning up," Mr. Norman said; and Mrs. West added quickly to Mr. Somerled, "But if we do, you mustn't feel that we're tracking you down. The exigencies of authorship force us to be conscientious sight-seers."

As she spoke, she gave her brother a look. I don't know what it meant, but his face had a sad, tired expression, as if there had been some dispute or argument between him and his sister, and he was sick of it. I don't feel, somehow, that he's in a good mood for their story-writing together just now, and I'm sorry for him. I believe he would rather be motoring with us than with her. Perhaps they have had a difference of opinion about the plot of their book, for he told me in the summer-house that he'd suddenly got a new idea for a motor romance, and had lost interest in the old one.

When we were ready to start away from Carlisle Castle, Mr. Somerled condemned Vedder to sit at his feet; but the man seemed to take this quite for granted, and not to mind in the least. "Would one of you care to sit beside me?" he asked with so wooden an expression that it was impossible to guess whether he would prefer Mrs. James or me to say yes. Selfishly, I wanted him to prefer me, and because he didn't seem to mind, I pretended not to hear, but went on talking to Mr. Douglas as if he were the most important person in the world. Suddenly I felt a kind of power over him, as if I were a grown-up woman in a book, and could make men take an interest in me. Still, I could quite well hear Mrs. James answer that she was too great a coward for the front seat, but she was sure I would love it. Mr. Somerled turned to me then, without speaking, as if to wait for me to answer, and I couldn't help thinking, by the look in his eyes, that he _had_ wanted me, in spite of the wooden expression. So I stopped in the midst of a word to Mr. Douglas, and said, as meekly as a trained dove, that I should like to sit in front.

"What a pity you haven't got a congenial, romantic companion in the car, like that lad," said the Knight, rather sharply, "instead of a war-worn veteran of over thirty."

"Oh, I'd rather have you, because I feel already as if I'd known you always," I explained. "And do you know, it didn't seem to me there was anything romantic about Mr. Douglas, except his name."

"In that case, you are a little flirt," said he, driving fast. But when I looked at him in the greatest surprise, he seemed sorry. "I take that back," he said. "I really don't believe you know yet what the word means, or what you've done to earn it. Are you contented with me as a companion, or would you rather have Douglas, or Norman? I should really like to know, out of sheer curiosity, so you needn't mind telling the truth, for in any case you won't hurt my feelings."

"Why, but you are my Knight!" I said. And he asked no more questions then about personal matters. We talked of the scenery, or he let me talk, and said that it didn't disturb him in driving. He seemed quite to take an interest in what I had to say, as if I had been an intelligent person like Mrs. West. He didn't laugh at the high-flown ideas I've collected about history, and frontiers between countries, but said that my enthusiasms were contagious.

"I'd given up all hope of a thrill at crossing the border," he said. "I thought it was too late. 'What's long sought often comes when unsought,' you know--or rather, you don't know yet, and I hope you never will. You are making me wonder if, after all, instead of putting off my homecoming too long, I haven't chosen just the right moment."

I was glad to hear this, though I don't know even now how I managed to give him that idea, unless by boiling with inward joy, and always insisting that the world's not old, but young--a wonderful place, where every flower and bird and every ray of sunlight is worth being born to see.

I asked him not to tell me when we came to the border, because I hoped to know it by instinct; and, as it turned out, I _did_ know. But I think any one with eyes must have known.

Out from old Caer Luel, our road had crossed the Eden where Willie Armstrong escaped, and ran on white and smooth toward the Solway, whose sands glistened golden in the sun. The tide, which I'd read of as racing like a horse at gallop, was busy somewhere else, and the river lay untroubled, a broad, blue ribbon in the sandy plain where Prince Charlie's men and horses once struggled and drowned.

Now I knew we must be in the Debatable Lands, the hunting-ground of the border raiders, beautiful wild land, full of the sound of rivers, voices of the Teviot and the Eden, the Ettrick and the Yarrow, singing together and mingling with the voices of poets who loved them. Through the country of dead Knights of the Road my live Knight of To-day drove slowly, thinking maybe of dim centuries before history began, when the Picts and Gaels I have read of fought together among the billowy mountains; or of the Romans building Hadrian's wall against the "little dark men"; or of the many heroes, Scottish and English, who had drenched the heather with their blood since then; or perhaps of himself, and the days of his boyhood when he said good-bye to bonny Scotland and went to try his fortune in the New World. Whatever his thoughts may have been, they made his face at first sad, then hard; I fancied that it was of himself as a boy he thought, and of his father and mother, whom he will not see when he goes home; so to bring him out of his brown study I began to tell him a story Mrs. Muir had told me about the border. It was the tale of the last Picts, and the secret of the heather ale. All, all the mysterious little dark people had been swept away in a great massacre by the Scots after centuries of fighting with the Romans; and only a father and son were left alive. "Give me thy Pictish secret of brewing heather ale," said the King of the Scots, when the pair were brought before him, "and I may perhaps spare thee and thy son."

Then the dark Pict shut his eyes for a moment, and thought what to do. He thought that the King would kill him and his son when he had their secret; and he thought of the mead which had the power of wafting the Picts to the Land of Pleasant Dreams.

From the bonny bells of heather,
They brewed a drink langsyne,
Was sweeter far than honey,
Was stronger far than wine.
They brewed it and they drank it,
And lay in blessed swound
For days and days together,
In their dwellings underground.

When he had thought with his eyes shut, the Pict said that he could not tell the secret while his son lived, because of the shame he would feel that his own flesh and blood should know him a traitor. He said this because he believed they would kill the boy quickly without torture; and the old man was right, for they bound his son hand and foot, and flung him out to sea. "Now tell us the secret," they said. But the Pict only laughed and answered, "Now I will not tell, because there is nothing more you can do to hurt me." So they killed him quickly too, in their rage, and the secret of the heather ale died with him.

Though he liked the story, the obstinate man argued that the last of the Picts were not really killed in this or any other way; that they had slowly died out as a race, and had married with the Scots, leaving a strain of their blood in the land to this day. "You know," he said, "that Somerled of the Isles married a Pictish princess, and so there's Pictish blood in the veins of the MacDonalds, in your veins and in mine, though I'm of cottage birth, and you are of the castle."

"I know that story of Somerled," I answered, "and how, hero though he was, he got his princess by a fraud. It makes Kim seem more human."

"I wonder if his princess thought so?" said Somerled the Second.

"Why, of course she did," I answered him as if I were in her confidence.

When I was in Carlisle, and proud of my English birth, I used to like reading about the great battle of the Solway Moss, where two hundred English horsemen killed or took prisoners more than a thousand Scots they'd chased into the bog; but now I've forgotten everything except that I'm a Scottish lass; and though I'm of the Highlands, and these were Lowland men, I don't, as I did, love to dwell upon the raid of the Solway Moss. Still, I could not get it out of my head, and while I pictured it, as I have to do most things, whether I wish or no, I saw a bridge--a fine stone bridge, flung like the span of a petrified rainbow across a small stream.

"That must be the Sark!" I gasped. "And we've come--we've come to the border!"

"Good lass, to divine it!" said he. And how I liked his calling me a good lass--it was better than princess!

We crossed the bridge slowly, lingering with half the car in England, half in Scotland; then suddenly we sprang on gayly, with a rush ahead, past the famous toll-house, which looked exactly like all its pictures.

"Ho for Scotland--our ain countree!" I cried; and though he did not turn to me, I saw his profile looking flushed and glad.

"Now you should take back your own name of MacDonald again, from this very minute of crossing the border," I said, when I had drawn in my first long breath of Scotland. "Somerled's a grand name, yet it was only the foundation of MacDonald. But I forgot! You've made your fame and money as Somerled. Which do you love more--your Scottish blood or your American fame and fortune?"

"Blood is stronger than water, and fame is running water," he said. "As for the money, I've cared too much for it--at least for the power it gave me. I didn't make the most of it with my pictures, and greed led me to love it better than my true work. That's why I lost the way to fairyland, little Princess. I buried myself under the 'shields and bracelets,' and I buried my talents, such as they were. For a while Somerled tried to deserve the great name he had chosen--but only for a little while. When by accident he grew rich, he began to wallow. Not a picture worthy of his boyish ambition has he painted for five years. What he has done have been 'potboilers.' He forgot that he was an artist, and wanted only to be a millionaire. Disgusting! Now that I've told you this, do you--a MacDonald--bid me to take the name again at the border, where, as a boy, I laid it down--long ago, with high hopes and vows romantic enough to please even you?"

"Yes," I said, "I, a MacDonald, bid you to take up the name, and with it all the old hopes and the old ambitions, as you come back into your own land. Forget your silly money, and remember only that you're an artist in a lovely motor-car. Won't _that_ make you happy--and a boy again?"

"Something is making me happy--and a boy again," he echoed.

IV

Any dull body who says that the minute you're over the border everything is not changed, can have no eyes--nor nose, because even the smell is different. It is--I'm sure it is--the adorable smell of peat. I have never yet smelt peat, but this is like my dreams.

Oh, how beautiful everything was as we crossed the span of the stone rainbow! A fresh wind had sprung up and out of the brilliant sunshine a shower was spurting, like diamonds set in gold. I saw the dazzling sight with eyes full of rain and curls.

"Here we'll find the rainbow key--on _this_ side the bridge, in the keeping of the Border Saints or Wizards," said I; for the hills and lowlands that rolled away to the making of Scotland had a colour as if stained with the fadeless, dried rainbows of centuries. Mingled with peat was the tea-rose scent of summer rain and of running water, which is as the fragrance of fresh-cut melons. Clouds like huge white brooms swept the sky, and surging suddenly round us was a wave of sheep, charming, reserved, Scottish sheep with ears of a different shape from the English kind, like those of exaggerated rabbits. They looked at us with horizontal eyes of pale brass cut across with narrow slits of jet, and their thick wool, wet with rain, sparkled as if encrusted with diamond dust. With them was a collie, much collie-er than English collies, with a pawky Scottish smile. Not that I know what pawky means, but it seems a word I ought to use at once, now we are on Scottish soil.

Nobody need tell me that the first houses of Scotland have any resemblance to the last houses of England. Maybe the country hasn't had time to change much, just in crossing the bridge. I won't argue about that. But the houses are as different from English houses as Scotsmen are from Englishmen. Could you ever mistake a Scot for an un-Scot? No! Our wide-apart eyes and our dreamy yet practical expression, our high cheekbones, our sensitive, clear-cut nostrils, and the something mysterious in our gaze which no one can explain or understand, not even ourselves, is all our own. I have just found this out since crossing the border. And am I not a MacDonald of Dhrum?

I can't say that the first Scots I met--men, women, or children--looked like descendants of the robber hordes who used to make the Borderland their home; yet I paid them the compliment to believe they were such. And you never would dream that the great-great-grandchildren of raiders could have built for themselves the mild, solid, self-respecting houses these people have dotted along the road where King Arthur passed, and where some of the most romantic battles of history have been fought. But so it is. And there the houses are. The people have found a kind of stone to build them with, which looks like pressed roses; and there are door-stones and even gate-stones of such an incredible cleanness, that some women must devote their whole lives to their service, as nuns do to prayer.

Soon we came to the village and the post-office of Gretna Green, bristling with picture post cards. There was the expected group of whitewashed, one-story houses plastered with exciting notices: "Old Priests' Relics," "Marriage Registers Kept," and delightful things like that. So far, the scene was just what I'd imagined; but there was one feature in the picture which made me feel I must be dreaming, it was so surprising and extraordinary.

In front of the Blacksmith's Shop stood the quaintest vehicle out of a museum. It was an antique chaise such as no one in the last five generations can have seen except in an illustrated book, or an old coloured print. Two handsome gray horses were harnessed to it, looking quite embarrassed, as if they hated being made conspicuous, and hoped that they might not be recognized by their smart acquaintances. As we came gliding past, they turned away their faces, lest our motor--christened by me Gray Dragon--should regard them with contempt. By the horses' heads stood a gorgeous, grinning man, dressed in livery such as postilions may have worn a hundred years ago. Talking to him was a blacksmith of the same remote epoch, with knee-breeches showing under a leather apron, a great hammer in his hand, and on his head a high, broad-brimmed beaver hat balanced on a white wig. Not far off were two men in modern clothes; and they were placing in position some kind of a photographic camera.

When they saw that we meant to stop at the Blacksmith's Shop, they brightened up, and seemed as much interested as if they had never before seen an automobile.

"They're going to take photographs of a Gretna Green wedding of ancient times, for a biograph show, evidently," said Sir Somerled MacDonald, and quickly explained to the late prisoner of the glass retort the nature of a biograph. "Rather a good idea that! Apparently they're waiting for their chief characters, the bride and groom."

He was helping Mrs. James to get down from the car, and I had already jumped out, for, of course, we wanted to visit the old house, and see everything there was to see, in the place where Shelley (maybe!) and hundreds of other famous people have been married. But before going in, we lingered to stare at the chaise, which was rather like an immense bathtub, the kind we used at Hillard House, where Grandma would have no such new-fangled innovation as a bathroom. As we stood there, one of the men with the camera came up, hovered undecidedly, and then said, with a cough to draw attention to himself: "Excuse me, sir, but will you pardon the liberty of my asking if you and the young lady will oblige us with a great favour?"

Sir Somerled frowned slightly, with his millionaire manner, which is not so nice as the other. "What is the favour?" he inquired.

"Why, sir," the man explained, "we're in a bit of a hole. You can see we're here to reconstruct a runaway wedding for a cinema show. We represent the North British Biograph Company, and we've been to a lot of trouble and expense to get our props together. Pretty soon the father's coach will be along, and we've got all we want except the two principal figures. The bride and groom we engaged have failed to turn up. We can't make out what's happened, but they ain't here, and we've searched the neighbourhood without finding anything we can do with in their place. The light's just right now, after the flurry o' rain, but by the look o' the sky it won't last; and altogether it seems as if we'd have our trouble for our pains unless you and the young lady'd consent to help us out. If you'll allow me to say so, sir, in costume you'd be the Ideal Thing."

For an instant Sir S. looked as haughty as a dethroned king. Then the funny side struck him, and he laughed. "You flatter us," he said; "but I'm sorry we can't do what you ask. Perhaps your people will turn up, after all."

The poor man looked bitterly disappointed, almost as if he would cry, and so did the other, who had been listening with enormously large red ears like handles on a terra-cotta urn. Both men were wet with the rain, which had fallen sharply and only just stopped as if to welcome us over the border. The one who had spoken turned sadly away, without venturing to urge his point (Sir S. isn't the sort of person strange men would take liberties with), but in retreating he threw one agonized look at me. I couldn't resist it.

"Oh, _do_ let's stand for the bride and groom!" I pleaded. And foreseeing a battle the photographer hastily retired into the background to let us fight it out. "It would be such fun. I should love it. You know, I've always vowed to be married at Gretna Green, if at all. And this would be next best to the real thing."

I gazed up at Sir S. as enticingly as I knew how, and there was a look in his eyes that frightened me a little. I was afraid I had made him angry; yet it wasn't a look of crossness. I could not tell what it meant, but his voice in answering sounded kind. As usual, when he has been particularly grave, he smiled that nice smile which begins in his eyes and suddenly lights up his face.

"You'd better wait for the 'real thing' and the real man," said he. "Be patient for a few years. You've plenty of time."

"I may _never_ get another such good chance," I mourned. "You _are_ unkind! It would amuse me so much, and it wouldn't hurt you."

"Do you think that's why I say no?" he asked. "You think I'm afraid?"

"Yes, I do," I insisted. "You're too proud to do what will make you look silly--because you're the great Somerled."

"By Jove!" he said, and his face flushed up. "If you say much more I will do it--and hang everything!"

"I _do_ say much more!" I cried. "_Much_ more--and hang everything."

"Very well, then," said he. "Your blood be on your own head."

"My head's red enough already!" I giggled. "Oh, what fun! You are good, after all."

"_Am_ I good, Mrs. James, or am I bad?" he asked, turning for the first time to her, as if he were half inclined to change his mind. But she only smiled. "I can't see that there's any real harm," said she. "It does seem a pity that these poor people should have come all this way and spent all this money for nothing, don't you think so?"

"I wasn't thinking of them. I was thinking of Miss MacDonald."

"I'm thinking of her too," answered Mrs. James, as seriously as if she were deciding something important. "If you don't mind on your _own_ account, why----"

He laughed. "Oh, as to _that_!----Well, come along, Miss MacDonald----"

"Barrie," I reminded him.

"Barrie! On with our wedding toggery, and let's be quick, if we don't want an audience."

He called the photographer rather sharply, and put him out of his suspense. "You must thank the ladies' kind hearts," he said. "They can't bear to have your scheme end in smoke. Tell us what you want us to do, and we'll do it--anything in reason. But you mustn't expect the bride to show her face. She must keep it turned aside."

"That'll be all right," said the man, "though, of course, we should have preferred----But after your great kindness we mustn't ask too much----"

"Certainly you must not," Sir S. caught him up. And then the other photographer, who had darted across the road to the chaise on hearing the good news, opened a bundle that lay on the seat, and hauled out the contents.

Mrs. James began to be interested in the game, and the people who lived in the houses were delighted that they were not to lose their hoped-for excitement. Luckily, as it was lunching-time for most travellers, the road was empty, and it seemed likely that we might finish our play without spectators. The only moving things in sight at the moment, except our own group, were one cat, two dogs, and a vehicle even more quaint than the chaise in front of the Blacksmith's Shop. It was a coach like Cinderella's, though not so pumpkiny. It was drawn by two nice brown horses who might have begun life as rats. On one rode a postilion, and out of a window leaned an old man in a tall hat and a brown coat with brass buttons and a high velvet collar and ruffles at the wrist. His hair was powdered, and he wore a white stock wound round his throat. If we had met him on the road, without an explanation, we should have thought that we had gone mad, or had seen a ghost; but now we knew him for the bride's angry parent pursuing her relentlessly with a coach and pair. It did sound odd to hear this fine old English aristocrat bawl out in a common voice, "Ain't ye ready yet--what?"

One of the photographers ran along the road and explained and gesticulated. The coach stopped at a distance. I flew into the Blacksmith's Shop to put on my wedding things, and Sir S. disappeared next door with clothes under one arm and a hat under the other. I should think no bride and bridegroom ever dressed in such a scramble.

Mrs. James, dimpling and fussing, hustled me into a green brocade gown which smelt of moth powder, and was so big that it went on easily over my frock. Then came a purple silk cloak with wide flowing sleeves and a romantic hood. One of the photograph men stood by to direct us; and when Mrs. James was putting the hood over my head, he stopped her. "Madam, if I might ask the young lady to take the pins out of her hair," he begged, quite red with eagerness, "we shall get a great dramatic effect if it tumbles down with the pulling back of the hood, just as her lover helps her out of the chaise."

Her lover indeed! Sir S. would have glowered; but I laughed, and out came the hairpins, for the good of the game. I have always had to "make believe" all alone, so it was extra fun having such a grand playfellow as Sir Somerled--whether he liked it or not. And I determined that I would _make_ him like it! I wanted him to play properly, and not be stiff and disagreeable and grown up. He was ready before I was, and waiting; for it took a little while stuffing all my hair safely into the hood, and practising how to let it fall at the right moment. I hadn't quite realized that my playmate was really handsome, in his dark, proud way, till I saw him in a wavy brown wig with a ribbon-tied queue, a broad-brimmed hat that sat dashingly on one side, shadowing his face; a blue overcoat with a cape, and high boots drawn up to his knees. He looked so splendid, and so young that suddenly my heart beat as if I were really and truly in love.

"If you should look at yourself in the glass," I said, feeling shy, yet, wishing him to know that he was nice, "you'd never say again that you've outgrown romance. No one would suspect you of being anything so dull as a millionaire. You ought to paint your own portrait in that costume."

"Thanks," said he, "I'd rather do you in yours." But I think he was pleased.

The photographer and the postilion both came forward to help, but Sir Somerled wouldn't let his bride be touched by them. He handed me into the chaise himself, and sat down by my side. Off trotted our horses to a little distance, and turned round again. The show was ready to begin.

Meanwhile, the others had been busy. They'd placed an anvil, real or imitation, on the green in front of the house, for the pictures were all to be taken out of doors. The blacksmith had begun to hammer away at a horse-shoe, and that was our signal to dash up to the door. He stopped hammering, pushed back his hat, and greeted us in pantomime. Sir Somerled, playing his part well since it must be played, swung me out of the chaise with an arm round my waist. Down fell my hood and my hair, blowing round his face and hiding mine. He kissed my hand as the blacksmith ran off into the house to get his book; and by this time I was almost as wildly excited as if we had eloped. The camera was grinding out photographs of everything that happened, no doubt, but just then I forgot all about it, or that any one was looking at us. We clasped hands over the anvil, Sir Somerled and I. As the blacksmith made the motions of marrying us in haste, I looked across at my playfellow, and at the same instant my playfellow looked across at me. I wanted him to smile, and he would not! "Please _pretend_ you're delighted to marry me," I mumbled. "Can't you see by my face how glad I am to get _you_?"

"So should I be to get you, if I were the fairy prince," said he, in so kind a voice it was a pity the biograph couldn't snap it. I squeezed his hand to thank him for playing up to me, and he squeezed mine to show that he understood. I felt suddenly that we were the best and truest of friends. Even meeting my mother can't make up for losing him out of my life, though he has been in it such a short time, and strayed in only by accident.

Whole we stood hand in hand, along came the red coach. Out leaped the father, as the postilion drew his horses up, and the bride sought refuge in the bridegroom's arms. It did seem real, and exciting!

"Too late! We're married," said I. But even that was not the end of the play. The father had to threaten the bridegroom with his pistol, and the bride had to throw herself between the two men. I can see now what fun actresses have. I was quite sorry when it was all over and the biograph men were packing up to go.

"We don't know how to thank you enough, miss," said the one who appeared to be the leader, "for persuading the gentleman. If you'll give us your address we'll send you reduced copies of the series of pictures."

An address! I didn't know what to answer, for at present I possess no such thing, though I thought it would sound queer to say so. I looked for Sir Somerled, but he had walked away down the road to our motor, which was hiding from the camera. His back was turned to me, but I could see that his suit-case had been taken down from its place, and he was putting something in it.

"I don't know whether I ought to mention this, miss," said the biograph man, "but you might be interested to know that the gentleman has bought the costume you wore in the wedding-scene, and paid a good price for it. That's what he's packing away now, I presume."

"Oh! And did he buy his own costume, too?" I asked.

"No, miss, only yours. I thought you might like to know."

I did like to know. And I supposed that Sir S. would tell me all about it when he came back, explaining that he'd got the things for a model to wear in some picture; but not a word did he say--which puzzled me so much that all the sight-seeing inside the Blacksmith's Shop could not take my mind off the mystery.

I sat in one of the marriage chairs, and looked at the pictures of the old priests, and read about the many famous runaway couples since 1754, beginning with Penelope Smith, the prettiest girl of Exeter, who married Prince Charles of Bourbon, brother to the King of Naples. But all the time I was thinking hard about myself and Mr. Somerled, and wondering why he had secretly bought the wedding-dress.

The guardian of the house made us write our names in the visitors' book, which Mrs. James thought exactly like signing the register at a proper marrying. And I said, "If nobody ever asks me to be his real wife, I shan't be as badly off as other old maids, because, whatever happens, I have had my wedding--a wedding at Gretna Green!"

V

We had a bridal sort of luncheon in the car, which was shunted off the highway into a green shadowed road abandoned to summer dreams. Mrs. James and I were like the flowers of the field, and had given no thought to food, or where or how we were to get it. We supposed vaguely that when we grew hungry we should stop at some inn and eat; but Sir Somerled had a surprise in the shape of an American invention called a refrigerator basket, nickel-lined, with an ice compartment walled in with asbestos or something scientific. He said that it had been a present, and he'd promised to bring it with him on this Scottish trip, which it appears he was ordered to take as a rest cure. On the lid of the basket, in a conspicuous place, is a silver plate, saying, in beautiful old English letters, "To Ian Somerled, from his grateful model," and underneath a monogram "M. M." in the raised heart of an elaborate marguerite. As we ate ice-cold chicken, salad, and chilled wild strawberries of the north, Mrs. James began with a gay perkiness to tease Sir S. about the "grateful model," whose name must surely be Marguerite; but I put a stop to that. The hour after a wedding at Gretna Green is no tune for talk of any woman-thing except the bride; and as I may perhaps never be anybody's real bride, I insisted on my rights. This carrying on of the Gretna Green game rather scandalized good Mrs. James, but when she scolded me gently for my "childishness," Sir S. said, "Do let her be a child as long as she can. It would be well for every one of us if we kept something of our childhood all our lives. Just now I'm finding childhood gloriously contagious. I don't know how many years I've thrown off in two days' time, since this child princess commanded me to play with her."

This nipped the scolding in its bud (not that I minded it), but I'm sure dear Mrs. James still thought my bride-game had been played too long, and she switched the conversation to the real romances of Gretna Green--so breathlessly thrilling, some of them, that I was ashamed to hark back to the subject of ourselves. Not that Sir S. wouldn't make a hero for my romance. I feel that under his quiet, sometimes tired manner, there's a hidden fire, and I want to find out what he is really like, if I can. The study of such a man will be more interesting and even more mysterious than peeping through the keyhole of the garret door, into what I used to call "fairyland." Already that seems long ago.