Chapter II: Part 2

The birth of a Hindoo into the household of which he is to form an essential constituent is attended with circumstances which partake, more or less, of the religion he inherits. It has been said that by tradition and instinct as well as by early habits, he is a religious character. He is born religiously, lives religiously, eats religiously, walks religiously, writes religiously, sleeps religiously and dies religiously. His every-day life is an endless succession of rites and ceremonies which he observes with the utmost of scrupulousness sanctioned by divine veneration. From his very birth his mind is imbued with superstitious ideas, which subsequent mental culture can hardly ever eradicate, so strong being the influence of his early impressions.

It is now generally known that Hindoo girls are betrothed even in their tenderest years, and that the solemnisation of the marriage takes place whenever they attain to the age of puberty. Thus it is not uncommon for a young wife to be delivered of her first child in her thirteenth year, although the glory of motherhood is more frequently not realised until the fourteenth or fifteenth year. When the period of delivery arrives, and to her it is an awful period, which can be more easily conceived than described, the girl writhing under agony is taken into a room called Sootikaghur or Antoorghur, where no male members of the family are admitted. She is made to wear a red-bordered robe and two images of the goddess _Shashthi_ made of cowdung are placed near the threshold of the room for her daily worship with rice and _durva_ grass, for one month--the period of her confinement. If in her tender age, the labor be a protracted one, she often suffers greatly from the want of a skilful surgeon or even a proper midwife. Before the founding of that noble Institution, the Calcutta Medical College, proper midwives were not procurable, because they had had no systematic training; their profession was chiefly confined to the Dome and Bagthee caste, yet some of them were known to have acquired a tolerable fortune. Their fee varied from 5 to 50 Rupees, besides clothes and other gifts; the poor, certainly, giving less. For some years past, a strong belief has sprung up among some women that delivery in the name of god Hari Krishna is very safe. They that follow this religious regime, are believed, in the majority of cases, to have passed through the struggle of childbirth quite scathless. They use no _jhall_ or _thap_,[7] bathe in cold water immediately after delivery, take the ordinary food of _dhall vath_, curry, fish and tamarind, after offering them to the god Hari, and on the 30th day make a Poojah (worship) consecrating in honor of the god a quantity of sweetmeats (_sundesh and batasha_) and finally distribute them among children and others. This distribution is called Hariloot. This strong faith in the god seems to enable them to pass the period of confinement without danger. If the offspring of such women become strong, their strength is attributed to the mercy of the said god.[8]

A woman that follows the old prescribed practice has to take _jhall_ and _thap_ and go through a strict course of dietetics, abstaining altogether from the use of cold water or any cooling beverage. She has to undergo the action of heat for at least five hours a day. The body and head of the newborn babe is rubbed with warm mustard oil--an application which is considered the best preservative of health in children. Exposure of the mother in any shape, is most strictly prohibited, and the use of certain indigenous drugs and warm applications is made as an antidote against all diseases of a puerperal character.

While undergoing the throes of nature, the exhausted spirit of the expectant mother is buoyed up by the fond hope of having a _male_ child, which, in the estimation of a Hindoo female, is worth a world of suffering.

In the event of the offspring turning out a female, her friends try to encourage her for the moment by their assurance that the child born is a male, and a lovely and sweet child, ushered into the world under the peculiar auspices of the goddess Shasthi. Such assurances serve very much to keep up her spirit for the time being, but when she is brought to her senses and does not hear the sound of a conch[9] her delusion is removed, sorrow and disappointment take the place of joy and excitement, her buoyant spirit collapses and a strong reaction sets in. Thus in a moment, a grace is converted into a gorgon, a beauty into a monstrosity, an angel into a fiend. She curses the day, she curses her fate. But "such is the make and mechanism of human nature" that she soon resigns herself to the wise dispensations of an overruling Providence. She gradually feels a strong affection for the female child and rears it with all the care and tenderness of a mother; she caresses and fondles it as if it were a boy, and her affection grows warmer as the child grows. This is natural and inevitable. At the birth of a male child, the occurrence is immediately announced by _sanka dhani_ (sound of a conch); musicians without being sent for, come and play the _tom tom_; the family barber bears the happy tidings to all the nearest relatives, and he is rewarded with presents of money and cloths. Oil, sweetmeats, fishes, curdled milk, and other things, are presented to the relatives and neighbours, who, in return, offer their congratulations. A rich Hindoo, though he studies practical domestic economy very carefully, is, however, apt to loosen his purse string at the birth of a son and heir. The mother forgetting her trouble and agony implores _Bidhata_[10] for the longevity of the child. She cheerfully suckles it and her heart swells with joy every time she looks at its face.

On the second day after delivery, she gets a little sago and _cheeray vajah_ (a sort of parched rice). On the third day the same diet, with the addition of a single grain of boiled rice, and a little fried potatoe or _pull bull_, that she may use those things afterwards with safety. On the fifth day, if everything is right, the room is washed and she is allowed to come out of it for a short time; a little boiled rice and _moong dhall_ is her diet that day.

On the sixth day, the image of the goddess _Shasthi_ is worshipped in front of the room where the child was born, because she is the protectress of all children. The Poojah is called the _Seytayra_ Poojah (worship). Offerings of rice, plantain, sweetmeat, clothes, milk, &c, are presented to the goddess by the officiating priest, and the following articles are kept in her room for the _Bidhata Pooroosh_ (god of fate) in order that he may note down unseen on the forehead of the child its future destiny, _viz._, a palm leaf, a Bengalee pen with ink, a serpent's skin, a brick from the temple of the god Shiva, and two kinds of fruits, _atmora_ and _veyla_, a little wool, gold and silver. On the eighth day is held the ceremony of _Autcowroy_, or the distribution of eight kinds of parched peas, rice, sweetmeats, with cowries and pice, amongst the children of the house and neighbourhood. On the evening of that day, the children assemble and with a _Koolo_ (winnowing fan) going up three times to the door of the room beat it (the koolo) with small sticks, asking at the same in a chorus "as to how the child is doing," and shouting, "let it rest in peace on the lap of its mother." These juvenile ceremonies, if ceremonies they can be called, give infinite delight to the children, who are sometimes prompted by the adult members of the family to indulge in jocularity by way of abusing the father, not of course to irritate but to amuse him. At the birth of a female child, in common with the depreciation in which it is held, this ceremony is observed on a very poor scale. On the thirty-first day after the birth, the ceremony of _Shasthi_ Poojah is again performed. Hence a woman who has had as many as twelve or fifteen or more children, is called the _Shasthi Booree_, or "the old woman of Shasthi." Before a twig of a _Bata_ tree, the priest, while repeating the usual incantation, presents offerings of rice, fruits, sweetmeats, cloths, parched peas and rice, oil, turmeric, betel, betel-nuts, two eggs of a duck, and twenty-one small wicker baskets filled with _khoyee_ (parched rice) plantain and _batasa_, which are all given to a number of women whose husbands are alive. It is on this occasion that the priest is also required to perform the worship of the goddess _Soobachinee_,[11] said to be one of the forms of the goddess Doorga.

When the father first goes to see the child, he puts some gold coin into its hand and pours his benediction on its head. Other relatives who may be present at the time do the same.

All respectable Hindoos keep an exact record of the birth of a child, especially a male child. Every family has its _Dowyboghee_ or astrologer who prepares a horoscope in which he notes down the day, the hour and the minute of the birth of the child, opens the roll of its fate and describes what shall happen to it during the period of its existence. These horoscopes are so much relied on, that if it is stated therein that the stellar mansion under which the child was born was not good, and that it shall be exposed to serious dangers, either from sickness or accident, at such a period of its life, every possible care is taken through _Grohojag_ and _Sustyan_ (religious atonement) to propitiate the god of fate, and ward off the apprehended danger before it comes to pass. These papers are carefully preserved by the parents, who occasionally refer to them when anything, good or evil, happens to the child. A Hindoo astrologer is a man of high pretensions; he dives into the womb of futurity and foretells what shall happen to a man in this life, without thinking for a moment, that our Creator has not vouchsafed to us the powers of divination. In a court of justice these papers are of great value in verifying the exact age of a person, and at the time of marriage, or rather before it, they are carefully consulted as to the nature of the stellar mansion under which both the boy and girl were born, and the peculiar circumstances by which they were surrounded. Many a match is broken off because the twelve signs in the zodiac do not coincide; for instance, if the boy be of the _Lion rass_ (sign) and the girl of the _Lamb rass_, the one, it is said, will destroy the other; so these papers are of very great importance when a matrimonial alliance is in course of being negotiated.

When a male child is six months old, the parents make preparations for the celebration of the _Unnoprassun_, or christening, when not only a name is given to the child, but it gets boiled rice for the first time. On this occasion, the father is required to perform a _Bidhi Shrad_ so called from the increase and preservation of the members of the family. Some who live near Calcutta celebrate the rite by going to Kallee Ghaut, and procuring a little boiled rice through one of the priests of the sacred fane at a cost of eight or ten Rupees. When the rice is brought home a few grains are put into the mouth of the child by a male member of the family. The ceremony being thus performed the child from that day is allowed to take prepared food if necessary. Such families as do not choose to go to Kallee Ghaut observe the ceremony at home, and spend from 200 to 300 Rupees in feeding the Brahmans, friends and relatives, who, in return, offer their benediction and give from one to ten Rupees each to the child, which being shaved, clad in a silk garment, and adorned with gold ornaments, is brought out for the purpose after the entertainment. It is on such occasions that splendid dowries are settled on some children in grants of land or of Government securities, and I have known instances in which a dowry amounted to a lakh of Rupees. Of late years, the practice of making gifts to the child being held in the obnoxious light of a tax, the good taste of some has led them to confine the rite within the circumscribed limit of their own family. Superstition has its influence in making the choice of the name given to the child. The Hindoos are generally named after their gods and goddesses, under a belief that the repetition of such names in the daily intercourse of life will not only absolve them from sins, but give them present happiness and hope of blessedness in a state of endless duration. Some parents purposely give an unpleasant name to a child, that may be born after repeated bereavements, believing thereby the curses of the wicked shall fall innocuous on its head. Such names are Nafar, Goburdhone, Ghooie, Tincurry, Panchcurry, Dookhi, &c. In the case of females, she who has many daughters, and does not wish for more, gives them such names as _Khaynto_ (cessation,) _Arna_ (no more,) _Ghyrna_ (despised,) _Chee chee_ (expression of contempt.)[12]

Except under extraordinary circumstances, a Hindoo mother[13] seldom engages a wet nurse; she continues to suckle her child till it is three or four years old, and attends at the same time to her numerous household duties, which are by no means light or easy. Indolent loveliness, reclining on a sofa, is not a truthful picture of her life; it may be she has to cook for her husband, because he is such an orthodox Hindoo that he will on no account accept prepared food (such as rice, dhall, vegetables, curry, &c.) from any other hand. In such families, the woman has to rise very early, perform her daily ablutions and attend to the duties of the kitchen, and before nine the breakfast must be ready, as the husband has probably to attend his office at ten. It is not an uncommon sight to see a woman cooking, suckling her child, and scolding her maid servant at one and the same time. A Hindoo woman is not only laborious, but patient and submissive to a degree; let the amount of privation be ever so great, she is seldom known to murmur or complain. All her happiness is centred in the proper discharge of her domestic and social duties. So simple and unambitious is a Hindoo female, that she generally considers herself amply rewarded if the food prepared by her hands is appreciated by those for whom it is intended. It is a lamentable fact that, expert as she doubtless is in the art of cooking, she is totally incapable of nourishing the minds of her children with any solid intellectual food worthy of the name. As already indicated, she communicates to her child what she can out of her own store of simple ideas and superstitious beliefs, but her best gift is the care and tenderness which she lavishes upon it, and the wakening of its young soul to return the sense of her own love.

FOOTNOTES:

[7] _Jhall_ is a preparation of certain drugs to act as an antidote against cold, puerperal fever and other diseases incident to child birth. It often proves efficacious. _Thap_ is the application of heat to the body.

[8] For observances during the period of pregnancy, see Note A in appendix.

[9] According to custom, a conch or large shell is sounded at the birth of a male child. Its silence is the sign of sorrow.

[10] Bidhata is the god of fate.

[11] For the popular story of the goddess Soobachinee see Note B.

[12] Apart from the horrid practice of female infanticide, now put a stop to by a humane Government, many instances might be given of the extreme detestation in which the birth of a girl is held even by her mother. Among others I may cite the following: A woman who was the mother of four daughters and of no son, at the time of her fifth delivery laid apart one thousand Rupees for distribution among the poor in the event of her getting a son, when, lo! she gave birth to a female child _again_, and what did she do? she at once flung aside the money, mournfully declaring at the same time, that "she has already four firebrands incessantly burning in her bosom and this is the _fifth_, which is enough to burn her to death."

[13] In cases where a woman is prolific enough to give birth to a child every year she is placed under the necessity of weaning her first-born, and giving it cow milk, a mode of sustenance not at all conducive to its health.

III.

THE HINDOO SCHOOL BOY.

From the time when the young Hindoo passes from the infant stage of "mewling and puking in the nurse's arms," till he goes to school, he is generally a bright-eyed, active, playful boy, full of romping spirits and a favourite of all around him. His diet is light, and his health generally good. He usually runs about for three or four years _in puris naturalibus_, and among the lower classes a string is tied round his loins with a metal charm attached to frighten away the evil spirits. When he attains the age of five, the period fixed by his parents for the beginning of his education, he is sent to a _Patsala_ (vernacular infant school) not, however, without making a Poojah to _Saraswattee_, the goddess of learning. On the day appointed, and it must be a lucky day, according to the Hindoo almanac, the child bathes and puts on a new _Dhooty_ (garment) and is taken to the place of worship, where the officiating priest has previously made all the necessary arrangements. Rice, fruits, and sweetmeats, are then offered to the goddess, who is religiously invoked to pour her benediction on the head of the child. After this, the priest takes away all the things offered to the goddess, with his usual gift of one or two rupees, and the child is taken by his parents to the _Patsala_ and formally introduced to the _Gooroomahashoy_, or master of the school. Curious as little children naturally are, all present gaze on the new comer as if he were a being of a strange species. But time soon wears off the gloss of novelty and everything assumes its normal aspect. The old boys soon become familiar with the new one, and a sort of intimacy almost unconsciously springs up amongst them. In this country a boy learns the letters of the alphabet, not by pronouncing them, but by writing them on the ground with a small piece of _kharee_, or soft stone, and copying them over and over again until he thoroughly masters them. Five letters are set him at a time. After this he is taught to write on palm leaves with a wooden pen and ink, then on slate and green plantain leaves, and, finally, on paper. At every stage of his progress he is expected to make some present to his master in the shape of food, clothes and money. A village school begins early in the morning, and continues till eleven, after which the boys are allowed to go home for their breakfast; they return at two, and remain in the school till evening, when all the boys are made to stand up in a systematic order, and one of the most advanced amongst them enumerates aloud the multiplication and numeration tables, and all are taught to repeat and commit to memory what they hear. By the daily repetition of these tables, their power of memory is practically improved. With a view to encourage the early attendance of the boys, a _Gooroomahashoy_ resorts to the queer method of introducing the _hathchory_ system into his _Patsala_, which requires that all the boys are to have stripes of the cane in arithmetical progression, on the hand, in the order of their attendance, that is, the first comer to have one stripe, the second two, and so on, in consecutive order. The last boy is sometimes made to stand on one leg for an hour or so to the infinite amusement of the early comers. The system certainly has a good effect in ensuring early attendance.

The course of instruction in such schools embraces reading in the vernacular, a little of arithmetic and writing, and such as become capable of keeping accounts pass for the clever boys. Stupid and wicked pupils are generally beaten with a cane, but their names are never struck off the register, as is the case in English schools. Sometimes a truant is compelled to stand on one leg holding up a brick in his right hand, or to have his arms stretched out till he is completely exhausted. Another mode of punishment consists in applying the leaves of _Bichooty_ (a stinging plant) to the back of a naughty boy, who naturally smarts under the torturing. The infliction of such cruel punishments sometimes leads the boys to make a combination against the master for the purpose of retaliation, which generally results in bringing him to his senses. Hindoo boys are extremely sensitive, and are very apt to resent any affront to which they are cruelly subjected by their master.[14] The rate of fee in a village school is from one to three-pence a head per month, but the master has his perquisites by way of victuals and pice. There is a common saying among the Hindoos that in twelve months there are thirteen _parbuns_, or school festivals, implying thereby, that they are encountered by a continuous round of _parbuns_. On every such occasion the boys are expected to bring presents for the master, and any unfortunate boy who fails to bring such is denied the usual indulgence of a holiday. Little boys are seldom fond of reading, they would gladly sacrifice anything to purchase a holiday. It is not an uncommon thing to find a boy steal pice from his mother's box in order to satisfy the demands of his master at the festival. The principle on which a village school is conducted is essentially defective in this respect. Instead of teaching the rules of good conduct and enforcing the first principles of morality, it often sadly defeats the primary object of a good education, namely, the formation of a sound, moral and virtuous character. It is a disgrace to hear a schoolmaster, whose conduct should be the grand focus of moral excellence, use the most vulgar epithets towards his pupils for little faults the effects of which are seldom obliterated from their minds, even in the more advanced period of their life. However, such days of obnoxious pedagogism are almost gone by, never to come back again, now that the system of primary education has been extended to almost every village in India, under the auspices of our liberal Government. Whilst on this subject I may as well state here that some forty years ago our Government had appointed the late Rev. William Adam to be the Commissioner of Education in Bengal. That highly talented and generous philanthrophist, after a minute and searching investigation, submitted in his report to Government a scheme of education very similar to what is now introduced throughout Bengal. The scheme was then ignored on account of its vast expense, and the Commissioner was so disheartened at the apathy of Government towards the education of the masses, that a few days before his departure from Calcutta he took a farewell leave of some of his most distinguished native friends, and his parting words were to the following effect: "Your Government is not disposed to encourage those who are its real friends." This reproach has, however, been subsequently removed by the adoption of a primary system of education. The spirit of the times and the onward progress of enlightened sentiments have gradually inaugurated a comprehensive scheme, which, although still limited in its range, embraces the moral and intellectual improvement of the people in general.

In Calcutta, when a boy is six years old, his parents are anxious to have him admitted into one of the public schools, where he has an opportunity to learn both the Vernacular and the English languages. He may be said from that day to enter on the first stage of his intellectual disintegration. The books that are put into his hands gradually open his eyes and expand his intellect; he learns to discern what is right and what is wrong; he reasons within himself and finds that what he had learnt at home was not true, and is led by degrees to renounce his old ideas. Every day brings before his mind's eye the grand truths of Western knowledge, and he feels an irresistible desire, not only to test their accuracy but to advance farther in his scholastic career. He is too young however, to weigh well everything that comes in his way, but as he advances he finds the light of truth illumine his mind. His parents, if orthodox Hindoos, necessarily feel alarmed at his new-fledged ideas and try to counteract their influence by the stereotyped arguments, of the wisdom of our forefathers, but however inimically disposed, they dare not stop his progress, because they see, in almost every instance, that English education is the surest passport to honor and distinction. In this manner he continues to move through the various classes of the middle schools till he is advanced to one of the higher educational institutions connected with the University, and attains his sixteenth or seventeenth year, which is popularly regarded as his marriageable age.

FOOTNOTES:

[14] _Apropos_, I may mention here the following incident. A few years back a well-known master of the Hindoo school being placed in a very awkward position, had to call in the aid of the Police to get himself out of the difficulty. Sailors and Kaffries--always a set of desperate characters--were retained by the boys for the purpose of insulting him on the high road, but the timely interference of the Police put a stop to the contemplated brutal assault. This had the effect of inducing the master to behave in future with greater forbearance, if not with more sober judgment. I forbear giving the name of the indiscreet, but well-intentioned master, whose connection with the school had contributed very largely to its efficiency and usefulness.

IV.

VOWS OF HINDOO GIRLS.

When a girl is five years of age, she is initiated by an elderly woman in the preparatory rites of _Bratas_, or vows, the primary object of which is to secure her a good husband, and render her religious and happy throughout life. When the boy is sent to the Patsala, the girl is commonly forbidden to read or write, but has to begin her course of Bratas. The germs of superstition being thus early implanted in her mind, she is more or less influenced by it ever after. Formed by nature to be docile, pliant and susceptible, she readily takes to the initial course of religious exercises.

The first rite with which she has to commence is called the "Shiva Poojah," after the example of the goddess Doorga, who performed this ceremonial that she might obtain a good husband; and Shiva is regarded as a model husband. On the 30th day of Choytro, being the last day of the Bengallee year, she is required to make two little earthen images of the above goddess, and placing them on the coat of a bale-fruit (wood apple) with leaves, she begins to perform her worship; but before doing so, she is enjoined to wash herself and change her clothes, a requisition which enforces, thus early, cleanliness and purity in habits and manners, if not exactly in thought and feeling. Her mind being filled with germinal susceptibilities, she imbibes almost instinctively an increasing predilection for the performance of religious ceremonies. Sprinkling a few drops of holy water on the heads of the images, she repeats the following words: "All homage to Shiva, all homage to Shiva, all homage to _Hara_, (another name of Shiva); all homage to Bujjara," meaning two small earthen balls, like peas, which are stuck on the body of the images. She is then to be absorbed in meditation about the form and attributes of the goddess, and afterwards says her prayers three times in connection with Doorga's various names, which I need not recapitulate here. Offerings of flowers and bale leaves are then presented to the goddess with an incantation. Being pleased, Mahadev (Shiva) is supposed to ask from heaven what Brata or religious ceremony is Gouri (Doorga) performing? Gouri replies, she is worshipping Shiva, that she may get him for her husband, because, as said before, Shiva is a model husband.

Then comes the Brata of Hari or Krishna. The two feet of the god being painted in white sandal paste on a brass plate, the girl worships him with flowers and sandal paste. The god seeing this, is supposed to ask what girl worships his feet, and what boon she wants? She replies: May the prince of the kingdom be her husband, may she be beautiful and virtuous, and be the mother of seven wise and virtuous sons and two handsome daughters. She asks that her daughters-in-law may be industrious and obedient, that her sons-in-law may shine in the world by their good qualities, that her granary and farm-yard may be always full, the former with corn of all sorts, and the latter with milch cows, that when she dies all those who are near and dear to her may enjoy long life and prosperity, and that she may eventually, through the blessing of Hari, die on the banks of the sacred Ganges, and thereby pave the way for her entrance into heaven.

It is worthy of remark here that even young Hindoo girls, in the exercise of their immature discretion, make distinction between the gods in the choice of their husbands. In the first Brata, that of Shiva, a tender girl of five years of age is taught, almost unconsciously as it were, to prefer him to Krishna for her husband, because the latter, according to the Hindoo Shasters, is reputed to have borne a questionable character. I once asked a girl why she would not have Krishna for her husband. She promptly answered that that god disported with thousands of Gopeenees (milk-maids) and was therefore not a _good_ god, while Shiva was devotedly attached to his one wife, Doorga. The explanation was full of significance from a moral and religious point of view.

The third Brata refers to the worship of ten images. This requires that the girl should paint on the floor ten images of deified men, as well as of gods, with _alapana_ or rice paste. Offering them flowers and sandal paste, she asks that she may have a father-in-law like Dasarath, the father of Ram Chunder; a mother-in-law like Kousala, the mother of Ram Chunder; a husband like Ram Chunder; a _dayur_ or husband's brother, like Luchmon, Ram's younger brother; a mother like Shasthi, whose children are all alive; like Koontee whose three sons were renowned for their love of justice, piety, courage and heroism; like Ganges, whose water allays the thirst of all; like the mother earth, whose patience is beyond all comparison. And, to crown the whole, she prays that she may, like Doorga, be blessed with an affectionate and devoted husband like Dropadi (the wife of the five Pandooas), be justly remarkable for her industry, devotedness and skill in the culinary art, and be like Sita (the wife of Ram Chunder) whose chastity and attachment to her husband are worthy of all praise. The above three Bratas take place in the Bengalee month of Bysack, (April) which is popularly regarded as a good month for the performance of meritorious works. The prayer contained in the above expresses the culminating female wish in entire accord with the injunctions of the holy shaster, but how often are the amiable qualities enumerated above set at naught in the actual conflicts of life, in which the predominance of evil desires swallows up every generous impulse!

The next Brata is called the _Sajooty_ Brata. It is solely intended to counteract the thousand evils of polygamy--an unhealthy, unnatural institution, which ought to be expunged from the midst of every civilized community. Though God "has stamped no original characters on our minds wherein we may read his being," still we can clearly discern in His superior arrangements for the happiness of His creatures, that this abnormal practice is directly opposed to His dispensations, so much so that any one countenancing it, is guilty of a crime, for which, if he is not amenable to an earthly tribunal, he is assuredly accountable to a superior and superintending Being, the infringement of whose law is sure to be attended with misery. To get rid of the consequences of this monstrous evil, a girl of five years of age is taught to offer her invocation to God, and in the outburst of her juvenile feeling is almost involuntarily led to indulge in all manner of curses and imprecations against the possible rival of her bed. Nor can we find fault with her conduct, because "an overmastering and brooding sense" of some great future calamity thus early haunts her mind.

In performing the _Sajooty Brata_, the girl paints on the floor with rice paste a variety of things, such as the bough of a flower tree, a Palkee containing a man and a woman, with the sun and moon over it, the Ganges and the Jumna with boats on them, the temple of Mahadeo with Mahadeo in it, various ornaments of gold and precious stones, houses, markets, garden, granary, farm-yard and a number of other things, all intended to represent worldly prosperity. After painting the above, she invokes Mahadeo and prays for his blessing. An elderly lady more experienced in domestic matters then begins to dictate, and the girl repeats a volley of abuses and curses against her _Sateen_ or rival wife in the possible future.

"There, stripped, fair rhetoric languished on the ground,
And shameful Billingsgate her robes adorn."

The following are a few of the specimens; I wish I could have transcribed them in metre.:--

"_Barrey, Barrey, Barrey_ (a cooking utensil)
May _Sateen_ become a slave!
_Khangra, Khangra, Khangra_, (broomstick)
May _Sateen_ be exposed to infamy!
_Hatha, Hatha, Hatha_, (a cooking utensil)
May she devour her _Sateen's_ head!
_Geelay, Geelay, Geelay_ (a fruit)
May _Sateen_ have spleen!
_Pakee, Pakee, Pakee_ (bird)
May _Sateen_ die and may she see her from the top of her house!
_Moyna, Moyna, Moyna_ (bird)
May she never be cursed with a _Sateen_!"

May she cut an _Usath_ tree, erect a house there, cause her _Sateen_ to die and paint her feet with her _Sateen's_ blood!

I might swell the list of these curses, but I fear they would prove grating to the ears of civilized readers.

The performance of the _Sajooty Brata_ springs out of a desire to see a _Sateen_ or rival wife become the victim of all manner of evils, extending even to the loss of life itself, simply because a plurality of wives is the source of perpetual disquietude and misery. By nature, a woman is so constituted that she can never bear the sight of a rival wife. In civilized countries, the evil is partially remediable by a legal separation, but in Hindoostan the legislature makes no provision whatever for its suppression. A feeling of burning jealousy becomes rampant wherever there is a case of polygamy to poison the perennial source of domestic felicity. So acutely sensitive is a Hindoo lady in this respect that she would rather suffer the miseries of widowhood than be cursed with the presence of a _Sateen_, whose very name almost spontaneously awakens in her mind the bitterest and the most envenomed feelings. She can make up her mind to give away a share of her most valuable worldly enjoyments, but she can never give a share of her husband's _affection_ to any one on earth. To enjoy the exclusive monopoly of a husband's love is the life-long prayer of a Hindoo female. She expresses it in the incipient stage of her girlhood, and practically carries it with her until the last spark of life becomes extinct. This certainly indicates the prompting of a very strong _natural_ feeling.

V.

MARRIAGE CEREMONIES.

The Hindoos have a strong belief that to solemnise the marriage of their children at an early age, is a meritorious act as discharging one of the primary obligations of life. They are, therefore, very anxious to have their sons and daughters formally married during their own life-time. Sometimes children are pledged to each other even in infancy, by the mutual agreement of the parents; and in most cases the girl is married when a mere child of from eight to ten years, all unconscious as yet of the real meaning and obligations of the relation, although her girlish fancies have been continually directed to it. Matches in the case of good families are commonly brought about in the following way.

When an unmarried boy attains his seventeenth or eighteenth year, numbers of professional men called _Ghatucks_ or match-makers come to the parents with overtures of marriage. These men are destitute of principle, they know how to pander to the frailties of human nature; most of them being gross flatterers, endeavour to impose on the parents in the most barefaced manner. As they live on their wits, their descriptive powers and insinuating manners are almost matchless. When the qualities of a girl are to be commended, they, indulging in a strain of exaggeration, unblushingly declare, "she is beautiful as a full moon, the symmetry of her person is exact, her teeth are like the seeds of a pomegranate, her voice is remarkably sweet like that of the cuckoo, her gait is graceful, she speaks like the goddess _Luckee_, and will bring fortune to any family she may be connected with." The Hindoos have a notion that the good fortune of a husband depends on that of the wife, hence a woman is considered as an emblem of _Luckee_, the goddess of fortune. This is the highest commendation she can possess.[15]

If the qualities of a youth are to be appraised, they describe him thus: he is as beautiful as _Kartick_ (the god of beauty), his deportment is that of a nobleman, he is free from all vices, he studies day and night, in short, he is a precious gem and an ornament of the neighbourhood. The Hindoos know very well that the _Ghatucks_ as a body are great impostors, and do not believe half that these people say. From the day a matrimonial alliance is proposed, the parents on both sides begin to make all sorts of preliminary enquiries as to the unblemished nature of the caste, respectability and position in society of the parties concerned. When fully satisfied on these points, they give their verbal consent to the proposed union, but not before the father of the boy has demanded of the father of the girl a certain number of gold and silver ornaments, as well as of _Barabharun_, _i. e._, silver and brass utensils, couch, &c. exclusive of (with but few exceptions) a certain amount of money in lieu of _Foolshajay_.[16] Before proceeding further, I should observe that of late years a great change has taken place in the profession of the _Ghatucks_. The question of marriage, though not absolutely, yet chiefly, is a question the solution of which rests with the females. Their voice in such matters has a preponderating influence. Availing themselves of this powerful agency a new class of female _Ghatucks_ or rather _Ghatkees_ have sprung up among the people. Hence the occupation of the male _Ghatucks_ is nearly gone, except in rare cases where nice points of caste distinction are to be decided. The great influences of _Shibi Ghatkee_ and _Badnee's_ mother--two very popular female _Ghatkees_,--is well known to the respectable Hindoo community of Calcutta. These two women have made a decent fortune by plying this trade. Though certainly not gifted with the imaginative powers of a poetic bard of Rajpootana,[17] their suasive influence is very telling. They have the rare faculty of making and unmaking matches. From the superior advantage which their sex affords them, they have a free access to the inner apartments of a house (even if it were that of a millionaire)--a privilege their male rivals can never expect to enjoy. When balked by the subtlety of a competitor in trade, by their bathos they contrive to break a match. Their representations regarding a proposed union seldom fail to exercise a great influence on the minds of the Zenana females. Relying on the accuracy of their description, which sometimes turns out exaggerated, if not false, the mother and other ladies are often led to give their consent to a proposed union. The husband, swayed by the counsel and importunity of his wife, is forced to acquiesce in her choice. He cannot do otherwise because, as our friend, Baboo Keshub Chunder Sen, has very facetiously observed, "man is a noun in the objective case governed by the active verb woman."[18]

When a _Ghatkee_ comes up with the proposal of a matrimonial alliance with an educated youth, the first question generally asked her is, "Has he passed his examinations?" If so, how many _passes_ has he got? meaning thereby how many examinations of the University has he passed through? "Has he yet any Jalpany or scholarship?" These are difficult questions which must be satisfactorily answered before a negotiation can be effected. That a University degree has raised the marriageable value of a boy, there can be no doubt. If he have successfully passed some of these examinations and got a scholarship, his parents, naturally priding themselves on their valuable acquisition, demand a preposterously long catalogue of gold ornaments, which, it is not often in the power of a family in middling circumstances easily to bestow. The parents of the girl, on the other hand, seeing the long list, demur at first to give their consent, but their demurring is of no avail; marry their daughter, they must. The present ruinous scale of nuptial expenses must be submitted to at any sacrifice, and after deep cogitation they send a revised schedule, (as if marriage were a mere matter of traffic) taking off from it some costly items, which would press heavily on the purse. In this manner the _Ghatkee_ continually goes backwards and forwards for some time, proposing concessions on both sides and holding out delusive hopes of future advantages in the event of the carrying out of the marriage. There is a trite saying among the Hindoos, that "a matrimonial alliance could not be completed without uttering a lakh of words."

The parents of the girl on whose head falls the greatest burden, are eventually made to succumb from a consideration of their having secured a desirable match, namely, a _passed_ student. If not placed in affluent circumstances, as is generally the case, they are obliged to raise the requisite sum of money by loan, which sows, in many instances, the seeds of much future embarrassment. At a very moderate calculation, a tolerably respectable marriage now-a-days costs between two and three thousand Rupees (about L200),--sometimes more. There is another native adage which says, "we want twine for thatching and money for wedding." A respectable Hindoo gentleman who has four or five daughters to give in marriage and whose income is not large, is often reduced to the greatest difficulty and embarrassment by reason of the extravagantly enormous expenses of a marriage. The rich do not care much what they are required to spend. All that they look for is a desirable match. It is the middle and poorer classes, who form by far the largest aggregate of population in every country, that suffer most severely from the present enhanced scale of matrimonial charges. The late Rajah Rajkissen, Baboos Ramdoolal Dey,[19] Nemy Churn Mullick and other Hindoo millionaires, spent extraordinary sums of money on the marriage of their sons. The amount in each instance far exceeded a lakh of Rupees. The annals of Rajasthan furnish numerous instances of lavish expenditure, varying from five to ten lakhs of Rupees and upwards, on the solemnization of nuptials. There was a spirit of rivalry which animated the princes to surpass each other in magnificence and splendour on such occasions, regardless alike of the state of their exchequer, and the demoralizing effects of such conduct. Marriages in such a magnificent style are seldom to be seen in Calcutta now-a-days, not because of the distaste of the people for such frivolities, but because of the lamentable decline and impoverishment of the former magnates of the land. It is painful to contemplate that the present scale of expenditure among the middle classes has been in an inverse ratio to their income. The exertions made sometime ago by Moonshee Peary Lall for the reduction of marriage expenses would have doubtless conferred a lasting boon on the Hindoo community in general, if the object had been crowned with success, but as the Legislature has no control over such matters, relating as they do to purely private affairs, the noble scheme resulted in failure. It is quite optional with parties to go to heavy expenses on such occasions; no act of Government without the voice of the people could restrain them in this respect. Any social reform to be permanent and effectual must be carried out by the universal suffrages of the people.

When the preliminaries of a marriage are settled, a person, on each side, is deputed by turns to see the boy and the girl. It is customary to see the girl first. When the friends of the bridegroom, therefore, come for the purpose, they sit down in the outer apartment of the house, whilst the bride is engaged in her toilet duty. After fifteen or twenty minutes, she, glittering in jewels and accompanied by a maid servant as well as by the _Ghatkee_, makes her appearance. The first thing she does in entering the room is to make a _pranam_ or bow to all present, and then she is asked to squat down on the clean white sheet spread on the floor. A solemn pause ensues for a minute or so, when one of the company, more officious than the rest, breaks the silence by putting to her a few questions. She naturally feels herself somewhat out of her element in the midst of so many strangers, and unconsciously shows a sort of embarrassment even of self conflict almost distressing to witness. This internal agitation of feeling, arising partly from modesty and partly from anxiety, causes her even to stammer. Her engrossing thought for the time being is, according to the early vow she has made, that she may have a _good_ husband with lots of jewels. "What is your name, mother?" is the first question. She may diffidently reply in a half suppressed tone "_Gri Balla_." "Who is that sitting before you?"--perhaps pointing to the girl's father. She says, "My father." "Can you read and write?" If she say, "yes," she is asked to read a little out of her book.

The _Ghatkee_ here plays the part of a panegyrist by admiring the amiable qualities of the girl, who, she adds, is the very type of _Luckee_ (the goddess of prosperity.) While this examination is going on in the outer apartment, the anxious mother, whose heart beats with throbbing sensations while watching the scene from behind a half closed window, does not feel herself at ease, until she hears that her daughter has acquitted herself creditably. Before the girl leaves the room, the father or brother of the boy puts a gold mohur into her hand as a tangible proof of approval and bids her retire. It is needless to say, that she feels herself relieved, quite glad and free, when she again sees the faces of her mother and sisters, whose joy returns with her return.

This interview is called _pucca dheykha_ or the confirmatory visit. All the Brahmins, _Ghatucks_ and _Ghatkees_, and other Koolins who may be present on the occasion receive two or four Rupees each. The servants of the house are not forgotten, they too receive each a Rupee. If this interview take place in the morning, the parties return home without breakfast, it being customary with them not to eat anything before bathing and performing their daily worship. If in the evening, they are treated to a good dinner consisting of the best fruits of the season, sweet and sour milk and sweetmeats of various kinds. It is on such ceremonious occasions, that the Hindoos make a display of their wealth by serving the dinner to their new friends with silver salvers, plates, glasses and _paundan_, (betel box). Almost every respectable gentleman keeps a good assortment of these silver articles. They are, however, reserved for special purposes, and used only on special occasions. As a rule, the people are not fond of investing their money, like Europeans, in plated-ware, because it is, comparatively speaking, of little exchangeable value in times of need and distress.

It is now the turn of the boy to be examined in a similar way as to his scholastic acquirements. When the father and the relatives of the girl pay a return visit, they generally bring with them a graduate of the University. Should the boy be one who has successfully passed the Matriculation standard, he is not subjected to so strict an examination as one who does not enjoy the same dignity. In both cases, however, they must undergo some examination in English literature, composition, grammar, history, &c. It is a noteworthy fact that a boy however intelligent and expert in other respects, betrays a lamentable deficiency, arising from diffidence, when required to undergo an examination in the presence of his father-in-law and a University graduate. The thought of failure acts as a heavy incubus on his mind. He finds himself bewildered in a maze of confusion. If he do not actually stammer, he talks at least very slowly and diffidently, and if called upon to write, his hand shakes, and in fact he becomes extremely nervous. After this trial is over, the boy retires with mingled feelings of misgiving and complacence. He receives, however, in his turn a gold mohur. The gentlemen who had come to see him are then asked to a dinner in the way described above. The same display of silver-ware is made on the occasion, and nearly the same amount of presents of money made to the Brahmins, Koolins and others.

When both parties are satisfied as to the desirableness of the union, a good day is fixed for drawing a _pattra_ or written agreement in which, say, a Koolin of superior caste, engages in writing to give his son in marriage with the daughter of either a second Koolin, or, as is often the case of a Mowleek, an inferior in caste. This _Pattra_ is written by a Brahmin on Bengallee paper with Bengallee pen and ink (as if English writing materials would desecrate such a sacred contract) and must consist of an odd number of lines, such as seven or nine lines. An invocation of the Butterfly must head the _Pattra_, the purport of which will run as follows: "I, Ram Chunder Bose, do engage to give my second son, Gopeenauth Bose, in marriage with Nobinmoney Dossee, the eldest daughter of Issen Chunder Dutt, who is also bound by his contract; the marriage to be solemnized on a day to be named hereafter." Here the signatures of both the fathers as well as of the witnesses follow. When finished, it is rolled up in red thread. The _Koolin_ gentleman hands it to the _Mowleek_ gentleman, when the latter embraces the former, and gives him at the same time _Koola marjada_ and _Pattra Darshanee_, as a mark of respect for his superior caste,--or about fifty Rupees. The articles required for the matrimonial contract are paddy, doov grass, turmeric, betel leaf, betel-nuts, sandal paste, cowries (small shells) and _alta_[20] all which are considered as conducive to the future welfare of the boy[21] and girl. When the contract is religiously ratified, a couple of conchs--one for the bridegroom and another for the bride--are sounded by the females, announcing the happy conclusion of this important preliminary, at which all hearts are exhilarated. Arrangements are now being made for the dinner of all who may be present at the time. Sometimes fifty to sixty persons are fed. Every care is taken to provide a good dinner for the delectation of the guests and a _Pattra_ on this scale costs from 300 to 400 Rupees. The Brahmins, Koolins, and others, receive, as usual, presents of money and return home replenished in body as well as in purse.