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Chapter XIV: Literature and Art (4)

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59. It is evidently by way of contrast with Fabius that Polybius (xl. 6, 4) calls attention to the fact, that Albinus, madly fond of everything Greek, had given himself the trouble of writing history systematically [--pragmatiken iotorian--].

60. II. IX. Roman Early History of Rome

61. III. XIV. Knowledge of Languages

62. For instance the history of the siege of Gabii is compiled from the anecdotes in Herodotus as to Zopyrus and the tyrant Thrasybulus, and one version of the story of the exposure of Romulus is framed on the model of the history of the youth of Cyrus as Herodotus relates it.

63. III. VII. Measures Adopted to Check the Immigration of the Transalpine Gauls

64. II. IX. Roman Early History of Rome

65. II. IX. Registers of Magistrates

66. Plautus (Mostell. 126) says of parents, that they teach their children -litteras-, -iura-, -leges-; and Plutarch (Cato Mai. 20) testifies to the same effect.

67. II. IX. Philology

68. Thus in his Epicharmian poems Jupiter is so called, -quod iuvat-; and Ceres, -quod gerit fruges.-

69. -Rem tene, verba sequentur.-

70. II. IX. Language

71. See the lines already quoted at III. II. The War on the Coasts of Sicily and Sardinia.

The formation of the name -poeta- from the vulgar Greek --poetes-- instead of --poietes-- --as --epoesen-- was in use among the Attic potters--is characteristic. We may add that -poeta- technically denotes only the author of epic or recitative poems, not the composer for the stage, who at this time was styled -scriba- (III. XIV. Audience; Festus, s. v., p. 333 M.).

72. Even subordinate figures from the legends of Troy and of Herakles niake their appearance, e. g. Talthybius (Stich. 305), Autolycus (Bacch. 275), Parthaon (Men. 745). Moreover the most general outlines must have been known in the case of the Theban and the Argonautic legends, and of the stories of Bellerophon (Bacch. 810), Pentheus (Merc. 467), Procne and Philomela (Rud. 604). Sappho and Phaon (Mil. 1247).

73. "As to these Greeks," he says to his son Marcus, "I shall tell at the proper place, what I came to learn regarding them at Athens; and shall show that it is useful to look into their writings, but not to study them thoroughly. They are an utterly corrupt and ungovernable race--believe me, this is true as an oracle; if that people bring hither its culture, it will ruin everything, and most especially if it send hither its physicians. They have conspired to despatch all barbarians by their physicking, but they get themselves paid for it, that people may trust them and that they may the more easily bring us to ruin. They call us also barbarians, and indeed revile us by the still more vulgar name of Opicans. I interdict thee, therefore, from all dealings with the practitioners of the healing art."

Cato in his zeal was not aware that the name of Opicans, which had in Latin an obnoxious meaning, was in Greek quite unobjectionable, and that the Greeks had in the most innocent way come to designate the Italians by that term (I. X. Time of the Greek Immigration).

74. II. IX. Censure of Art

75. III. II. War between the Romans and Carthaginians and Syracusans

76. Plautius belongs to this or to the beginning of the following period, for the inscription on his pictures (Plin. H. N. xxxv. 10, 115), being hexametrical, cannot well be older than Ennius, and the bestowal of the citizenship of Ardea must have taken place before the Social War, through which Ardea lost its independence.

End of Book III

* * * * *

THE HISTORY OF ROME: BOOK IV

The Revolution

Preparer's Note

This work contains many literal citations of and references to words, sounds, and alphabetic symbols drawn from many languages, including Gothic and Phoenician, but chiefly Latin and Greek. This English language Gutenberg edition, constrained within the scope of 7-bit ASCII code, adopts the following orthographic conventions:

1) Words and phrases regarded as "foreign imports", italicized in the original text published in 1903; but which in the intervening century have become "naturalized" into English; words such as "de jure", "en masse", etc. are not given any special typographic distinction.

2) Except for Greek, all literally cited non-English words that do not refer to texts cited as academic references, words that in the source manuscript appear italicized, are rendered with a single preceding, and a single following dash; thus, -xxxx-.

3) Greek words, first transliterated into Roman alphabetic equivalents, are rendered with a preceding and a following double-dash; thus, --xxxx--. Note that in some cases the root word itself is a compound form such as xxx-xxxx, and is rendered as --xxx-xxx--

4) Simple non-ideographic references to vocalic sounds, single letters, or alphabeic dipthongs; and prefixes, suffixes, and syllabic references are represented by a single preceding dash; thus, -x, or -xxx.

5) The following refers particularly to the complex discussion of alphabetic evolution in Ch. XIV: Measuring And Writing). Ideographic references, meaning pointers to the form of representation itself rather than to its content, are represented as -"id:xxxx"-. "id:" stands for "ideograph", and indicates that the reader should form a mental picture based on the "xxxx" following the colon. "xxxx" may represent a single symbol, a word, or an attempt at a picture composed of ASCII characters. E. g. --"id:GAMMA gamma"-- indicates an uppercase Greek gamma-form Followed by the form in lowercase. Some such exotic parsing as this is necessary to explain alphabetic development because a single symbol may have been used for a number of sounds in a number of languages, or even for a number of sounds in the same language at different times. Thus, -"id:GAMMA gamma" might very well refer to a Phoenician construct that in appearance resembles the form that eventually stabilized as an uppercase Greek "gamma" juxtaposed to another one of lowercase. Also, a construct such as --"id:E" indicates a symbol that in graphic form most closely resembles an ASCII uppercase "E", but, in fact, is actually drawn more crudely.

6) The numerous subheading references, of the form "XX. XX. Topic" found in the appended section of endnotes are to be taken as "proximate" rather than topical indicators. That is, the information contained in the endnote indicates primarily the location in the main text of the closest indexing "handle", a subheading, which may or may not echo congruent subject matter.

The reason for this is that in the translation from an original paged manuscript to an unpaged "cyberscroll", page numbers are lost. In this edition subheadings are the only remaining indexing "handles" of sub-chapter scale. Unfortunately, in some stretches of text these subheadings may be as sparse as merely one in three pages. Therefore, it would seem to make best sense to save the reader time and temper by adopting a shortest path method to indicate the desired reference.

7) Dr. Mommsen has given his dates in terms of Roman usage, A.U.C.; that is, from the founding of Rome, conventionally taken to be 753 B. C. To the end of each volume is appended a table of conversion between the two systems.

CONTENTS

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The History of Rome (Volumes 1-5)Chapter XIV: Literature and Art (4)

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