Chapter XIV
Alexandra did not have to avail herself of Maggy's offer of her car for the purpose of visiting the various agencies. That evening she received a post-card from Stannard requesting her to call on Mrs. Hugh Lambert at her house in South Kensington. Mrs. Lambert's name was familiar to her as that of the wife of a leading actor-manager on whose stage she was never seen. She toured the provinces with plays of her own, while he remained in London or visited New York, in both of which cities he was the idol of a vast number of impressionable women.
You could hardly pick up an illustrated paper without finding Hugh Lambert's photograph in it. You could buy picture post-cards of him at every shop where such things are on sale--full-face, in profile, in costume, out of costume, head and shoulders, half-length, full-length. How he was able to devote so much time to being photographed and yet get a reasonable amount of sleep was a mystery that did not seem capable of explanation. He was immensely popular and very good-looking in an effeminate way. Before arriving at the dignity of actor-management his talent for poetic interpretation had been freely recognized. But success had spoilt him. Now he was mannered. Costume parts were his hobby. The story went that, at one of his dress-rehearsals in which he was figuring as a Roman general in gilded armor, he asked a lady present what she thought of his appearance, and that her answer had been: "Oh, Mr. Lambert, what a girl you are for clothes!"
As Lambert's reputation had increased, so that of his wife had diminished. At one time she had promised to develop into an actress of renown. But for some reason difficult to understand she never quite succeeded. The critics said she lacked "personal magnetism," that touch of attractiveness that gets the actress's individuality across the footlights. The fact remains that she failed to please the public in the big roles that fell to her in her husband's productions. London dropped her, and Hugh Lambert's name blazed alone in colored electric lights across the front of his theater.
Then came a whisper of his marital infidelity. The couple separated. From this time onwards Mrs. Lambert was seldom seen on the London stage.
Her career was a disappointing one. None knew it better than herself. Technically and emotionally she was a finer actress than her husband's leading lady, finer indeed than most of the leading ladies of other managers. That she became a great attraction in the Provinces was nothing to her. She loathed the Provinces, their inadequate theaters, their inferior hotels, and the incessant traveling. At thirty-five she found herself as it were back at the collar-work of her earlier days of struggle, and without its compensations. Then, conjugal affection and the stimulus of ambition still unachieved had made touring bearable and often enjoyable because she shared it with Lambert.
Now she was alone.
She hated the sordid manufacturing towns and their unsophisticated audiences, the eternal sameness of the self-vaunted watering-places, the dull spas where fashionable frequenters of the pump room would condescend to patronize her whom they would not pay to see in London. She was a tired woman.
To her came Alexandra at eleven o'clock on the morning appointed. She had quite forgotten, until her maid brought her up the card, that she had asked Stannard to find her a small-part actress who would also be useful as a companion. She saw Alexandra at once.
The impression the latter first got of her was a pathetic one. She never forgot it. Mrs. Lambert was sitting up in bed. The small oval of her face was too pale for health, and her dark hair accentuated her look of fragility. On the dressing-table lay a rich copper-colored transformation.
"I hope you don't mind seeing me in bed," she said. "I hate keeping people waiting. It's so selfish. In my time I've sat on dress-baskets outside dressing-room doors waiting for hours till some selfish wretch took it into his head to see me, although he'd made an appointment and knew perfectly well I was there. I vowed I'd never treat any one in the same way. Sit down somewhere and tell me about yourself. What have you done?"
"Very little," Alexandra confessed. "I'm almost an amateur."
Mrs. Lambert made a wry face. "Not a moneyed one, I hope?"
"I've got forty pounds a year."
"Officer's daughter's pension?"
"Yes." Alexandra looked surprised. "How did you know?"
"I'm one myself. Officer's daughters can't do much when they're left stranded. They teach if they're ugly and sensible enough, and they go on the stage if they're sufficiently pretty and foolish. How long have you been at it?"
"Three months."
"And how long in an engagement?"
"I rehearsed for three weeks at the Pall Mall in the chorus.... I wasn't wanted."
"I don't wonder. I can't quite see a girl like you in the Pall Mall chorus. You must have had rather an unpleasant time of it there. Were you worried by men? Before I married I used to wear a wedding ring. In my innocence, I thought it would be something of a protection, but it had quite a contrary effect." She gave Alexandra a sympathetic look. "Would you really like to come on tour with me?"
"Mr. Stannard didn't say what you required," said Alexandra. "Perhaps you won't think I'm experienced enough."
"Well, I want some one to thread ribbons through my underclothes, to sleep in my room when I see bogies, and play a small part--a servant flicking chairs. I can't promise that it will increase your theatrical reputation, but perhaps when you leave me, some minor manager might be induced to give you a decent part on the strength of your having been in Mrs. Hugh Lambert's company. You'll go about with me. I'll pay all hotel expenses and give you thirty shillings a week. If you're hard up for clothes, say so. I've always got a lot more than I want, and as I send them to the Theatrical Ladies' Guild you needn't feel under any obligation about taking them. I hope you'll decide to come. I should like you to. You won't be overworked and I'll treat you decently. I'm not a cat."
"I'd love to come if you'll have me."
"Well, we'll consider it arranged then. Stannard will see to the contract. The tour is for three months. I leave town in about a fortnight, but you might as well come and stop here in the meantime. We shall get to know each other and rub corners off. Would you care to? Then come back to-night, somewhere about six. You can help me with my shopping and packing. I'll keep you busy!" She held out a thin artistic hand.
There was no maid in the hall, so Alexandra opened the door to let herself out. A man stood on the steps, about to ring the bell. He was thirty or so, of an aristocratic type. They both hesitated for a moment. Then he asked:
"Can you tell me if Mrs. Lambert is in?"
"Yes--I think so," she said.
"Would you mind telling her I'd like to take her to lunch. I'll wait if she isn't down yet."
"Yes, certainly," said Alexandra. It struck her that he seemed to be aware of the late hours she kept. It argued intimacy. "What name shall I say?"
"Oh--Chalfont."
She went upstairs again, knocked at the door, and found Mrs. Lambert with the morning's papers on the bed. She was reading of her husband's projected departure for America with his successful repertoire. There were tears in her eyes.
"I shall have to take to glasses," she said, looking up. "I can't read without weeping. What is it?"
"Mr. Chalfont is downstairs. He wants to know if you will lunch with him."
"Please tell Lord Chalfont," said Mrs. Lambert in a low voice, "that it's the anniversary of my separation from my husband, and that I'm lunching on my heart. But he can come to dinner to-night if he likes. Ask him to put you in a taxi."
She returned to the newspapers.
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The Honey-PotChapter XIV
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